#but they are messed up in their own ways

[biggest-gaudiest-patronuses]

historical drama/sitcom where two gay best friends (woman and man) get lavender married--and proceed to spend the Fancy European Honeymoon their parents paid for acting as each other's wingman

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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[monkesupreme]

Maybe i SHOULD draft out my ‘Clark is a SuperPlant’ propaganda post

[molinaesque]

"Go away. You're too late." "Oh, it's a hell of a place. It says something about the late Marcus that he found imprisoning your sister to be a greater mercy than killing her." "Killing isn't mercy." Silco chuckles. " A spark of rebellion still burns inside that husk, I see. No... killing is a cycle. One that started long before Vander and me. And it will continue long after the two of you." "I'm done running in circles." "We build our own prisons. Bars forged of oaths, codes, commitments. Walls of self-doubt and accepted limitation. We inhabit these cells, these identities, and call them "us." I thought I could break free by eliminating those I deemed my jailors. But... Jinx... I think the cycle only ends when you find the will to walk away."

[errorkey]

wait i feel like i Need to say something re: the kantbison bondage scene in ep3 part 4

i've been seeing a Lot of people be like "yeah no that scene was really off-putting idk ://"... i think that was the point?

neither of them are actually in the moment. kant is very clearly not enjoying himself At All, and bison is inebriated (and drugged???) past the point of real comprehension.

but that's the thing – that scene isn't about the two of them having sex. it's about them trying to desperately get their hands on what they really want.

the show's established that kant isn't into this stuff in the least (as seen post-fadel's confrontation at the tattoo parlor), but he's willing to suffer through it, to grit his teeth and bear through the quite literal pain. he's willing to do anything, as long as he'll finally be able to get the evidence he needs to be free of these things forever.

on the other hand, we've seen bison state over and over how much he's wanted to do all of this, how he's never been able to find someone to actually hold power over. and now bison – younger brother, "never allowed to make a real decision of his own for even a day in his life" bison – is finally, finally able to take control over someone's life; something that's meaningful, something that matters.

that's exactly why i'd argue that the entire scene isn't meant to be "hot" or "appealing," but rather unsettling and weird (especially with the constant cuts to fadel digging(?) mysteriously in a field, but that's a whole other thing).

TLDR; kantbison's first time may have been passion and lust incarnate, but this one is so far removed from that. because, this time, neither of them actually care about the sex more than about what it means – a means to an end for kant, and a first glimpse at unadulterated power for bison.

[waitineedaname]

MXTX protagonists ranked by how bad their mommy/daddy issues are

Luo Binghe: absolutely nuclear level of mommy/daddy issues. this is the consequence of giving your protagonist two deadbeat dads and two dead moms, and then letting him project all those issues onto his overly indulgent teacher

Wei Wuxian: he could've had perfectly normal orphan levels of parent trauma, but what's that?? IT'S THE JIANG PARENTS WITH A STEEL CHAIR!!! the combo of fear and respect he had for Yu Ziyuan is already bad enough, but then there's also the feeling of responsibility for the Jiang siblings that they put on him, which then leads to, you know, all the Yunmeng sibling problems

Lan Wangji: this dude is so haunted by his father potentially kidnapping his mother and then locking her up and putting himself in seclusion, and this significantly shapes his relationship with Wei Wuxian. plus he took his mother's death really, really badly :(

Shen Qingqiu: he like never mentions his parents?? which is weird, but at least he's not haunted by it. however, he gets the special privilege of being the person exacerbating someone else's mommy/daddy issues. he brought this on himself. he doesn't get to walk out of a confession involving a metaphor where he'd be pregnant with his partner and act like that's normal

Xie Lian: he definitely has trauma surrounding his parents for sure, but they don't seem to have manifested as specifically mommy/daddy issues? it's just, you know. normal grief. honestly, there's so much shit going on with his trauma and baggage that he can't be defined by this one thing

Hua Cheng: does not seem to care about his parents?? at all???? he's presumably an orphan and they're probably the origin of his self worth issues, but like. in the grand scheme of things, they do not seem to be that big of a concern for him. who needs mommy issues when you have devotion to dianxia i guess

[ficauthor]

Tale of two Stans never fails to make me sad. What do you mean these two overly dependent assholes both end up at the worst lowest points of their lives at the same exact moment? What the fuck!? How was it that of everything in their lives to coincide it's them being at their lowest that meet.

What do you mean their childhoods never gave them a chance to be individuals and so all of their weaknesses and blind spots caught up with them in the end. What do you mean that without Ford, Stan was destined to get himself into trouble? What do you mean that without Stan, Ford was destined to get himself in trouble? What the fuck!

What do you fucking mean that they depended on one another because that's all they ever knew.

What do you mean Ford never bothered to learn to read when people wanted to use him cause he had Stan? What do you mean Stan never learned to think ahead because he had Ford?

I'm so haunted by the fact that Ford was able to mostly keep his life stable for a few years but in the end his inability to truly read and connect with people got to him. Why did filbrick make him think he was only good for one thing so he pushed himself too far in a way it was easy to take advantage of? What do you fucking mean his fatal flaw is he's convinced he's never good enough and thus is easy to manipulate?

I'm gutted by the fact that Stan was never doing well by any means but he was surviving against the odds and doing better than terrible. Until his tendency to push things, to prove himself, got him in too deep. Why did filbrick convince him he was good for nothing so he pushed himself to find something he was worth? What do you fucking mean his fatal flaw is he's convinced he's never good enough and thus he's always pushing himself to the edge at great risk to his own safety even?

What do you mean their flaws as people are reflected and can only make full sense with the context of the other. What do you mean!

filbrick Pines how the HELL did you fuck up your sons in a way so poetic and fucked up its beautifully tragic?

[galactic-rhea]

padmé is as possesive and obssesive as anakin she just doesn't seem like it. send tweet.

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[aquanutart]

[mollysunder]

I can't take ep 7 of s2 seriously because the writers are really trying to tell the audience that Vander and two teenage boys were well-equipped to handle the compounding effects of trauma on Powder's mental illness.

Did we all not hear the readout of his "apology", or remember the non-apology he gave Silco several years later? Somehow Vander, a man who delegated his parental responsibilities to Vi, had the necessary sensitivity to help Powder land into an almost impossible best case scenario. Be serious.

[feroluce]

I've only recently started having my own thoughts about Emanator!Sampo and I think my favorite version of this is that he is technically an Emanator, it's just that he doesn't talk about it because Aha is a dick who only blesses people that don't want it and Sampo hates it here dkjxkdkdck

Aha blessed the Mourning Actors! A whole faction of people who have specifically made it their life's mission to resist Elation! THEY made a literal worm THEIR Emanator just to see if it would be accepted into the Genius Society! And when it wasn't, Aha just as easily killed it and tossed it aside! So I feel like there is a good possibility that Aha looked down at Sampo, this little oddball who doesn't seem to even like Epsilon or a lot of the Masked Fools and was like.

Hey.

You know what would be really really funny.

And I feel like being an Emanator wouldn't even be a plus for Sampo, because of how he operates. Sampo excels at blending in; he managed to smuggle himself onto a planet

that had been isolated for 700 years,

with only one (1) single city on it,

and going even further, he snuck himself into the Underground,

where the population is even more sparse,

and STILL. Not a single accusation of him being an alien! Not even after the Astral Express lands and proves that interstellar space travel is possible! Sampo is so thoroughly ingrained into Belobog that yeah, some people admit they don't know his origins, but none of it ever comes with the question of whether he actually is a Belobog native or not. Sampo knows exactly how to blend himself into his surroundings in the most subtle way possible. And being an Emanator, something far more powerful than any normal human or Pathstrider could ever hope to be, would only throw in a massive extra variable for him. Sampo would have to be so so careful to keep a lid on his Emanator traits, to keep up the appearance of being totally normal and average at all times. It doesn't help him at all.

And this part is pure indulgence, but I love taking Aha's closeness with mortals, and THEIR tendency to take human form, and twisting it into a case of THEM using Sampo as a vessel.

I want Aha to look at Sampo the same way all of us look at Sampo. A chew toy. A plaything. Something to shove through the meat grinder. Aha thinks Sampo is hilarious and a funny, silly little guy, and THEY want to put him in Situations just to see what he does. Sampo is not a fan.

This though, this is what makes Sampo so wildly entertaining as a vessel. Because Aha knows that Sampo does not want to be a vessel, does not even want to be an Emanator, and THEY find it SO much fun to watch the mental gymnastics he has to pull to convince himself he's ok with it, this is fine actually, because he's not exactly about to tell off a literal god. He doesn't feel like getting a smiting today, please and thank you.

Because squeezing yourself into a human vessel is so different than merely adopting a human disguise, there's already a human soul in there, it's kind of a tight fit. If Sampo doesn't make room, doesn't all but dissociate right out of his own body, it could cause. Consequences.

And so, Aha always gives a warning, just to watch him squirm.

It begins with the sound of bells.

Just little ones, at first. Small, clinking little sounds that could even be considered nice. Something almost gentle, like a wind chime in a pleasant breeze on a warm day. This is the signal for the countdown.

Sampo breathes in, breathes out. Makes himself as small as possible within his own body.

The bells rise and multiply, tinkling wind chimes give way to sleigh bells, to shopkeepers bells, the sound of something inevitable approaching, something entering.

Sampo breathes in, breathes out. Dilutes himself, weaker and weaker concentrations.

The bells rise and rise, multiply and multiply, celebration and tragedy resonating in the sound of church bells, ringing bright and loud, the sounds of weddings and funerals both the same.

Sampo breathes in, breathes out. Becomes like smoke, like vapor. Hollows himself out.

Empty, empty, empty until he echoes, like a bell, like something with the sole purpose of being shaken and rattled around, a thing to be struck, the sounds jarring and punched out and gasping and piercing the air, the lung, the eardrum.

Sampo breathes in.

Beaten he rings, bashed in he sings.

Aha breathes out.

[laauranenn]

I cannot stress enough, how important I think this scene is for Endo and Takiishi's relationship

Because Umemiya has just told him "the trick to being with someone who'll change your world". Hes told him to start calling people by their names, to awknowledge them, to show them that he sees them. Because that is the way you let someone affect and influence you, by first awknowledging that they exist.

He then proceeds to immediately follow this advice, and in my opinion sort of test it out, and call Umemiya by name.

Now, what I think is so incredibly important, is him calling Endo by name. Him actively and consciously choosing to awknowledge him and his existence, and show him that he's looking at him.

Because he could've just, not done that. Or he could've done it later. But I think it is incredibly important that he does it immediately. He makes the decision to show Endo that he sees him, something that Endo likely hasn't experienced even once in their years together.

And I don't know, maybe I'm just stating the obvious or something..

But it's just such an important little scene, because this wasn't something Endo thought he was ever going to get. He was fully ready to keep on going as usual, doing and working towards what Takiishi wants, to find Takiishi interesting people so he can use Umemiya's advice on someone other than him.

But in just this small moment, hes validated Endo's entire existence, that he does mean something to Takiishi, and that maybe he can have the things he truly loves.

I also really don't think that Endo has expressed what he wants or needs to Takiishi, like ever. They really do not communicate well. But this scene shows us thta they're going to get better, that they are going to start understanding each other more.

[soupforsoup]

Daniel: omg Johnny hi!!! It's been so long how are you?? I've missed you we should catch up!! Here's your free car repair and bonsai tree queen😊👑🌳💖

Johnny: *trying to explode Daniel with his mind*

[lizzybeeee]

Who wants to bet that Anders was planned to be in that post-credit's Executor cutscene montage but they changed it to Bartrand when they realized it would go over real badly with everyone?

[thesmokinpossum]

The Godfather, Mario Puzo | An Hymn to Childhood, Li-Young Lee | Psalm 139: 14 | The Godfather, Mario Puzo | For your own Good, Leah Horlick | Erou, Maya Phillips | The Godfather, Mario Puzo | Ask Polly | The Hours, Michael Cunningham | FROM THE MAKERS OF "TWO-MOM ENERGY DRINK", IT'S "LET YOUR FATHER DIE" ENERGY DRINK