#but they all have their links
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harper-collins · 8 months ago
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Hello Everyone,
I come to you with news about both my mental health and the state of my writing;
First off, I probably won't be posting anything of my own for a while here. Maybe an update for a book if it happens, but not anything outrageous. It's more of a quiet one for me as I have somehow gotten to one of the worst points in my life.
I won't give too much information, but I'm currently off work and taking time for myself, and I realised I should probably do something about my writing, whether it's just finishing it off awkwardly or explaining.
I don't want to give any of my stories an unfinished ending, and I really do love them all, even if I may not be super into their respective fandoms anymore; this includes all 7 projects. (ohmygod)
I've been working on my book semi-regularly, but as it's still in the basics, I won't share anything until I've built it up more. I know I say that a lot (whether you guys hear it or not), but taking on a project the way I have done is exciting and scary.
That said, here is the list of things I will be taking from now until I decide I can either handle multiple things again or finish them.
Rewriting An Eternity To Wait
Proceeding to finish the last few chapters of An Eternity To Wait.
Finish Mission: Return Home
Finish Experiment Gone Wrong...?
Write more or finish Scar in Yandere High School (RP) (as there is only one at the moment and it's a very bare project I started on a whim)
Finish Trapped in 'Dreams'
Rewrite the rest of The Twins, The Triangle And The Magic
Finish The Twins, The Triangle And The Magic
Add or Finish Billdip Cards Against Humanity
Full focus on my book, maybe write oneshots etc
To explain, The start is simple, the least amount to do in the projects goes first (AETW, M: RH), and then finishing some long-term projects (EGW?, Scar in YHS), and then T4ATM is put essentially in the back due to the pure size of the project. I plan on it being longer than the HP books, meaning it will probably take years to complete.
I have no doubt that T4ATM will signify the end of my fanfic writing (or at least series writing). I will then focus on my book, which has its own blog. These should be primarily easy considering that I have started all of these projects, and for all, apart from like two, I have plans ready for them. All I need to do is write them.
I can't say how long this will take, and I do apologise to anyone who's been wanting an update of others etc., but I'm just so fucked that this is probably the only way I'm going to get over this heap of self-inflicted work that I want to finish.
Of course, if the entire idea of making a oneshot inspires me (this includes the oneshot series I have), then I will probably write that, but then I will go back to the list. If anything changes in the list, I will let you know.
Thanks to anyone who cared to read this; it means a lot. I hope anyone who likes my projects will wait for them to be finished or just read them as they come out, but once I get my hands on something, I will do my best to sink my teeth into it and only that instead of going around in circles.
Thanks, cya.
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stemmmm · 2 months ago
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bad youtube clickbait thumbnail that reads "I think I just had a therapy session with a DEMON???"
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buttercuparry · 8 months ago
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Reblog the fundraisers you mfs!!!!! I don't know why you all skip those to reblog some pic of a banner saying "FREE PALESTINE" or of news from Columbia University! Literally these people from Gaza have made an account on Tumblr and is writing in english to communicate what they need and you all are coming onto my blog or on the tag and not reblogging their posts. We have people both Palestinian and non Palestinian vetting the fundraisers! I mean more the reblogs, more the chance of the fundraisers gaining momemtum, the more there would be a chance of a donation. Please donate if you can and reblog!!! and follow them if it is possible.
@/mohammedayesh has posted about getting leaflets, telling them to evacuate Rafah. They are very low on funds. Go follow them and reblog their posts and donate if possible.
We have @/haneenatya too whose mother is suffering from eye stroke and need to evacuate. Please I have been following them for some days and it doesn't seem their own posts are getting much attention.
Follow them! They are on tumblr. Reblog their posts and donate. The protests in universities are being done on account of them. They should be our focus.
(EDIT: on re-reading my post it seems as if I am dismissing all that the students of universities are doing. I am not. I just meant, since all of it is to help Palestinians, we must not ignore them when they ask for help).
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verflares · 8 months ago
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just how long is forever? // not long enough, with you
pssst. check this out on inprnt :]
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vulpinesaint · 5 months ago
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pspspspsps poetry mutuals come here... new quiz... making you the patron saint of something...
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solarwreathe · 2 years ago
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let’s not talk about this, ever
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bugwizard · 1 month ago
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clay bunyrabits i made over the last month, all will be up for auction on my toyhouse at 3pm EST, friday the 22nd! ^^
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archerdepartures116 · 4 months ago
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Ill post this au( inspired by tweet above) i started on my twt on Tumblr too
First part
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more comic panels below
Second part
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Third part
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Fourth part
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Shenanigans side extra
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this is currently an ongoing series, if this does well here, I will continue posting these in bulk (~ ̄▽ ̄)~
feel free to ask me ab this au and give your suggestions!
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genericpuff · 7 months ago
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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
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(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
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gideonisms · 6 months ago
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we don't think enough about the fact that pyrrha dve had to get up every day and go to her construction job. She was mourning the last polycule while starting the next one (btw everyone in both polycules was doomed to die including pyrrha herself) but she literally still had to get up and go to her shifts... she was on that minimum wage grind the whole time... however much credit we give her we don't give her enough
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poorly-drawn-mdzs · 1 month ago
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How much longer 'til your luck runs out?
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#jiang cheng#wei wuxian#Aaargh...I have so many thoughts about this scene.#This is a hard goodbye. I'm not your burden to bear. Not anymore.#This is the culmination of years of miscommunication. There was so much love there. They trusted each other with everything once.#I think it is easy to hear the anger in JC's voice and consider him the aggressor in this but listen to the words not the tone.#It is anger yes - but it is an anger born out of love.#Jiang Cheng wanted him to live - damn the rest of the world to hell if that's what it took. And Wei Wuxian chose strangers over him.#Sometimes two people who once flourished together become each other's worst wounds.#A goodbye to someone you once would have done anything for is a wound you don't easily recover from.#Jiang Cheng could have stood at Wei Wuxian's side and joined him. Consider though; as a sect leader his life is not his own anymore.#JC cannot just abandon the fledgling New Yunmeng Jiang without also dooming people.#And that is the lynch pin of it all. Both of them are trapped by duty. And the older they got the more tangled the web became.#The song I linked (Hi Epic fans) is such a good JC and WWX song that doesn't fit this scene exactly#But it does fit *them*. The words of warning that go dismissed. The Tactical Genius who continues to press on.#The seeds of doubt that grow louder until they creep towards mutiny. Ultimatly this *is* a mutiny! It *is* betrayal!#'You rely on wit and people die by it'. Is that not Wei Wuxian?#Just smashing my brainworms together over here. Don't mind me.
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uncharted-constellations · 3 months ago
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The Princess and Hero of the First Great Calamity
The orange snoot is very important to me….
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the-phantom-peach · 21 days ago
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mmmm something something time rift blah blah yada yada ✨links meet au✨
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inumbrapugnabimus-maybe · 4 months ago
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Four’s colors: standing there awkwardly
Legend: having a flashback to that one time he killed four colorful and identical dark links in the literal Palace of the Four Sword
Thanks for the request anon!
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emberglowfox · 2 months ago
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weird bugs on a mission
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catsharky · 2 years ago
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Presenting: King Sidon, his wife Queen Yona and his boyfriend Link.
Yona is very supportive of everything except Sidon forgetting his ceremony cues.
(I had an atrocious week and TotK has been coming in clutch for keeping me sane.)
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