#but these are real people with real lives and real actions not characters you can just head canon

[shewolf-sinclair]

no i love this. i’m taking ap research and for a while was looking into doing a media analysis project on jason todd and how he exists as social commentary. an essay i plan to write later anyways but without the college board guidelines.

when you think about he exists to critique everything batman stands for.

he comes from NOTHING. he has had to work for everything he has.

bruce is as old money as it gets. he was raised with the world at his fingertips.

jason fights for the general wellbeing of gotham. but deep down he fights for the kids like them. to show them they too can be something. to protect them. the unprotected, often situationally the weakest, the young, the innocent, and the poor. He fights so they don’t have to grow up with crime as their only possibility of a living. so they have options.

it’s not that bruce inherently doesn’t care. but. he has subconscious bias. he fights in crime alley because he hates crime. but he’s not thinking about what his presence might mean to the residents besides taking down bad guys. And he’s more concerned with bigger things like mobs and gangs and big bads than the small things. At least he is by the time he takes Jason in. He’s not just batman either. he’s bruce. he holds immense power as a citizen. he has the ability to improve the conditions in crime alley that pushes those people towards crime in the first place.

jason as RH goes into being a crimelord strictly to dismantle that system (from the inside). Because who cares if petty theft continues he’s keeping the drugs and predators away from the kids. because this generation may be fucked but he can keep the next one from making the same mistakes. and he’ll help this one where he can, too. he’s anti batman because he’s mad at batman, but also because of where his priorities as a vigilante and political figure lie.

batman works with the police. he comes when they call him. if you don’t think that provides bias as to who he helps you’re insane. the police in canon are corrupt, in such a way they mirror the real systemic problems we have in real life, although DC doesn’t always get as graphic within it’s PD and often tries to show them as accessories to heroism (again racist in many ways) this automatically puts batman fighting to save the middle and upper class more often than those in crime alley. and the white residents of gotham more often than the poc.

I know a lot of people don’t like the live action titans show. and while I love it dearly I’m not here to argue about what it did or didn’t get right or do well. I just want to mention l a specific scene in Jason’s s3 arc that ties back to the point of this thread; specifically 3x05 “Lazurus” which stands as one of my favorite episodes of television to this day.

In looking for the exact scene I want to reference I came across Molly’s (jason’s childhood friend) character wiki:

In said scene Jason and Molly meet and discover the whereabouts of a missing kid, to which Molly remarks “He’s poor and brown so the cops don’t give a shit” and while Jason at first says batman will handle it, he very quickly — and after Molly comments on batman’s classism — rushes into trying to take action. The following scene is them confronting the suspected kidnapper and Jason kicking his ass. Maybe even better Jason’s FIRST act as red-hood was saving the kid.

Later in the season he goes on several times to separate himself from scarecrow, reasoning that he didn’t agree to be redhood for senseless violence but because he wanted a better gotham, and wanted the opportunity to take down crime from the inside.

the last thing want to discuss is the kill/no kill rule.

in general redhood doesn’t go on random killing sprees. It is almost always killing predators and abusers, as a way of keeping them away from their victims and saving potential future victims. Because Jason knows locking them up in Arkham or other similar solutions tends not to work. Jason doesn’t kill because he likes it, or is okay with it. It’s a means of necessity. Him having a high kill count is direct commentary on the vigilante/anti-hero trope and on morality and what makes a mean to an end, on what draws the line. His very existence as Red Hood is the same thing as asking “What if you cut a rapists dick off? Or otherwise maim them? What if you commit murder in an act of self defense or one of immediate defense of another?” It’s like when cops shoot a suspect because it’s the only foreseeable way to prevent them from harming people in the immediate future. It’s not arguing that murder is moral. It’s arguing which is less moral; killing them, or allowing them to continue causing harm; knowing you had a chance to stop it. Mind you we are discussing ethics, not legality, as 90% of the vigilante work is illegal.

Batman however refuses to kill, even in the case if the Joker — who murders countless people for fun, including Jason. Batman continues unreliable ways of keeping them off them the streets, with no effort to make them any more reliable. and again is has nothing to do with worrying about the law- he breaks the law constantly.

And this has always been there stark difference, why Jason fights so hard against crime AND a against Batman, and while even after reconciliation they still have a strained relationship.

My opinion on the Latino Jason Todd headcanon

While I do understand ppl's criticism of the latino Jason todd headcanon and how its kind of racist to make the kid with parents with drug problems as the latino one, to me its more of a reclamation BECAUSE of DC's racism.

Read any 80s/90s batman issue that covers gang violence and drugs, most if not ALL of the criminals are poc; black people and latinos visibly make up the majority in the poorer neighbourhoods in Gotham. Aside from the caricaturist way they r drawn/speak, its not THAT weird cause its a reflection of irl big cities where immigrants and marginalised ppl are often forced to live in such situations, (like most of my dominican family lives in the bronx... it aint racist to say dominicans tend to flock there), BUT...the weird part is when the second a sympathetic character comes from that area, he's white and has a name thats "too fancy for the streets".

Obviously, Jason was created to look like the old robin, so I can't say that the whole "diamond in the rough" situation was purposely a tad bit racist, but its still a lil weird (especially with bruce's comment).

If Jason were a part of the overwhelming demographic in his area, the good-kid-in-a-bad-area trope has less connotations. DC is currently trying to fix this trope is by making crime alley whiter, which isn't bad but they could've just yk... humanised the non-white residents.

I also feel like the messed up way Jason was treated post-death is what makes him so relatable to latino readers. His tragic story of dying while trying to save his only living relative is turned into a lesson for newer vigilantes. Jason's particular disdain for abusers on a few occasions was twisted (by both writers and characters) into him always being dumb, reckless, cocky, angry and disobedient, always violent, never having been able to get over his upbringing. None of those things were true (he was a normal level of reckless and cocky like every other robin, not more), but its an easier narrative to digest compared to how it was in reality; a kid who worked so hard and loved even harder, died to save a woman who couldn't care less about his existence. He was an emotional AND smart kid who wanted so bad to help others get better but was remembered as too emotional (in a bad way).

THIS is the reality for many latino diasporas in day to day life; Theres no question that Latino culture is passionate and emotive, but people from other cultures assume that it is followed by instead of logical. both can coexist. emotion does not mean u have no logic. Emotions can be irrational but they aren't inherently that way, and I wouldn't say that the moments where Jason lashed out as a teenager were irrational (in og runs, not rewrites post red hood), they were mostly done to protect someone (going crazy on abusers, disobeying batman to save sheila, that time he got into a fight at school to defend his friend).

A lot of euro-centric culture is OBSESSED with the idea that rationality is separate from feelings and emotions, but not crying at a funeral doesn't mean you're better than those who do. Emotions are the basis of human ethics and morals, they define the way we interact as a collective and ignoring them does not mean they are not there. Theres no winner to a contest of who can feel the less. And the way Jason's emotions are treated (pre-rh, hes definitely unhinged afterwards lol) is so in line with how white culture tends to punish those who aren't ashamed to feel.

I TOTES UNDERSTAND that some ppl who headcanon Jason as latino are doing it for the complete opposite of reasons, like "oh here some angry emotional guy with druggie parents, haha must be latino". Its weird. I dont like it. And its only brought up so he can swear in spanish in some rlly bad text post where his emotions are getting out. But to me there's so much potential for metanarrative and commentary on how latinos are treated in media that can be exemplified through the way his character is treated. Being latino would add SO MUCH DEPTH to his character and his dynamic with the others.

[elumish]

I think one of the biggest things I've learned in my own process of trying to be more cognizant of my own writing is that guilt is one of the most counterproductive feelings for it.

I've looked back at things that I've written and realized that they had real, core, structural problems stemming from my own ingrained and socialized issues. These are not just one-line off-color things, but in some cases major elements of how characters are presented or engage with each other or how I did worldbuilding.

Some of it is stuff that came from my own messed up feelings about gender and sexuality and stuff growing up, and some of it is unexamined racism that came from growing up as a white person in the US. But I've looked back at them, including stories that I am still trying to get work, and though oh my god what was wrong with me.

And it's really easy to just live in that feeling. To think, what I did was so terrible and I'm so terrible and it's all hopeless and I can never do it right.

The same feeling can come from seeing posts about how white people write characters of color, about how so many people write women, about the racism and sexism and ableism and transphobia etc. in both fanfiction and published fiction. I'm terrible and it's an insurmountable problem so why bother try because I'll never get it right.

And then sometimes you end up feeling defensive about that guilty, because guilt feels bad, and defensiveness feels like an emotional fix to that, a way to say it's not really my fault or why is this MY problem when so many people are so much worse.

But if you go down that road, then you don't try and it never gets fixed. Because the people who don't feel guilty because they don't care won't fix it, and so we need the people who feel guilty because they do care to turn that guilt into action.

So my recommendation is this: if you look at your own writing or your own media consumption and feel guilty over it, or you feel defensive about it, turn it into thinking about what you can accomplish.

Because that guilt means that you recognize that you're doing something that doesn't match what you want to be doing. So think through how you can get it to be what you want to be doing.

Working to fix something is the way that you fix it. Things get better because we work to make them better, not because we feel guilty about them.

So anyway that's the lesson I've had to teach myself during my own process for this. Sometimes I am the problem, and I can feel guilty about it, or I can try to become part of the solution instead.

[celerifleuri]

oh my god meru im keeping my words for you at the end

this will contain spoilers for the game in its current state and for some bonus episodes

you'll find more about his past later but keep in mind that as a child he was abused and even if, after eating human flesh and turning into what he is now, he doesn't remember much of his past, the trauma still lives in his body and subconscious

going to highlight a couple things

starling goes from his smiling default to his serious expression after she tells him she didn't notice(!!) him

she looks down, apologizes (for not noticing him? for hurting herself? both? more?)

she explains her actions saying "They were dirty." and brushes it off with "That's all." people often lie to various degrees, for various reasons. here, you can see her lying to him and herself. parts of her want to believe that this dirt isn't real, is limited to nothing but the 'they' (her hands, her fingers?)

"Are they clean?" is a very simple and correct sentence. starling also looks serious there (concept of cleanness, remains of his past who knows)

"Now?" also hints at there being more than what is visibly going on in the scene

"Well, I hope they are." goes back to her wanting to believe things aren't that bad. (and i might as well say it, this will be echoed in starling's mother 🫶)

he goes from serious to shocked (did that line hit too close home..), to a smile with teeth. if you pay attention to his smiles, eyes closed, teeth out, you might notice that some often feel like a defense mechanism. here his eyes are open, he sees maelyn, but his teeth are out, forming a smile, and protecting the inside of his mouth! read into this what you want !

so why did i even bring these up

as silly as he can seem, his mind and body still carry trauma. he cares for maelyn but has his own warped understanding of things

wanting her to feel more 'clean', he goes and bites off two fingers (one being the ring finger!) that he remembers his mother often being worried about

if ppl are curious and don't mind bigger spoilers, i could actually share some notes

but yeah, point is, he cares about maelyn! even in this violent act, warmth and him tenderly licking are signs of him caring

meru you're killing me but yeah 'concepts you didn't think could be possible'

my favorite example of this is the kinda threesome with selfcest sex scene based on the myth of narcissus

every single day writing brings me closer to it and i can't wait to get the time to sit down and draft it like an insane person 🙏

now wdym you worry about your illustrations please go look at those gorgeous organs again!! go look at the beautiful woman you made!! go look at starling's nipples!!

working together like this is incredibly fun please value yourself and your skills more

and know that i wouldn't let just anyone make these characters blonde (you know who im talking about!!!)

I kinda like the small yet big detail in the game, like I'm sure myself and some other people were expecting a wholesome dating sim that would also get quite spicy (FROM HOW WE KNOW MERU)

And we all just kinda got kicked in the butt, like Starling being too hot to be true yet so terrifying at the same time, but not the terrifying kind that we know, like Micah or Silas etc

More like the type that makes you forget that he still is more a siren than a merman, like he successfully managed to lure in the whole community with his hot ass😭😭and then we get backstabbed by him munching our fingers off as if they're some carrots, like as a simple lunch snack-💀💀

Or in the other ending where it's basically simply Mae dying and getting turned into a possession and probably just another body to fill up with tongues

From my interpretation, Starling doesn't really have that kind of romantic interest in Mae, but she kinda thought it could go into that direction, but then got stabbed in the back like that😭😭(probs everyone who played it, thought like Mae there too kinda💀so we all got the betrayal🙁)

And you guys did a really good job in simply catching us all off guard in most scenes, it's it's beautifully written and drawn, I love that game so much!!!

Spoilers for the game

Honestly maybe Sel would give a different answer but I do think Starling likes Maelyn. Due to his past and what he has now become his way of showing it is probably different, but for Starling I don't think Maelyn is just another body for storing tongues. If that was the case he wouldn't have went out of his way to clean her body up, find a wedding dress and "marry" her in his own makeshift way.

He probably didn't even view it as a betrayal. Because until the very end Starling was making sure the no longer breathing Maelyn could be comfortable in her pearl necklace.

For the writing style, probably Sel writing the story played a big part in this.

Sel and I have very similar tastes in a lot of things, on levels I myself can't believe sometimes. But we do have a different style at how we depict similar concepts.

I love presenting dark stories on a silver platter. Prettied up with the most delicious icings and shiniest sprinkles. I like my stories and characters to look beautiful. Enjoy them while thinking you're just having whimsy adventures only to realize you're done for once you truly look. Like Silas. It's easy to make fun of him, forget the things he is capable of doing as you're too busy enjoying his silliness. He feels safe, a gentle giant who loves and takes care of you.

But he's still a man who has forced himself on you not only physically but also mentally. Trapped and limited you beyond belief. No electricity, no internet, no contact with anyone other than him. Only talking to him, only feeling him, only knowing him, only consuming him. A beautiful and sweet man no human mind can handle for more than a few weeks.

But Sel, from what I've seen, is a bit different. She doesn't shy away from showing the darkness and scariness of the stories she makes. Before you even know it you'll be facing concepts you didn't think could be possible.

And not only that, she hides so much under every word she uses. Often times the things she places in front of you are not even the scariest parts. The more you read and the more you decipher they get deeper.

I'm frankly a big fan of the things she writes. They often leave me flabbergasted (and mortified, she knows what I mean) but they are also so so fun. So scary yet beautifully poetic.

I know she doesn't like being under the spotlight that much. But ever since I met her and saw her stories I wanted more people to get the chance to see and appreciate them the way they deserved. I think they are truly special, and they make me want to do my best to illustrate them in the perfect way possible.

Honestly I'm not sure if I'm good enough at it, but if it helps the stories reach more people I'm happy with it.

I don't know if she'll read this post so that's why I'm being sappy like this but I genuinely hope you guys like her stories like I do. And I hope both you and I can see more and more of it.

[dykedvonte]

I beg people in the MW to think very carefully when they talk about mental illness and physical disability cause it’s not as straight forward and easy to diagnose/depict as you think…

[s1utlvr]

real people fanfics are so weird I’m sorry it had to be said like are you 12 years old writing about one direction ??? Please grow up

[waitineedaname]

a svsss/hlvrai crossover au. is this anything.

[lilietsblog]

dang, i truly reached outside of my circle. LARP = live action roleplaying, where a bunch of people gather and play a game. I've never been, but generally it involves a fictional scenario with a conflict of some kind with two or more sides. People pick a side or are assigned it by the Game Master(s), the person/people organizing the whole thing, and everyone plays a character, be it one from history or fictional source material, or one they made up. Then everyone goes out into the space prepared for the game - typically in a forest, but some games can take place in someone's house or something - and the scenario plays out from the defined starting point to wherever the players take it in the allotted time. Usually involves a range of costumes from lovingly recreated historical, with involvement of blacksmiths, to "my t-shirt says elf on it". Usually involves some sort of combat with weapons carefully rendered safe from accidents, like sticks wrapped in foam, and rules where if you're hit with one you're supposed to play out the injury you would have received if it were real - or a simplified system, featuring for example Hit Points - after you've been hit this many times you're out, considered dead, and go hang out with the other 'dead' players in the zone assigned to this. Number of players can range from like five to, reportedly, hundreds - however many the Game Master(s) want to / manage to recruit.

DnD is very different. It's a tabletop game, meaning several people - like 3 to 10, with the usual hovering around 5-6 - gather around a table with some multi-sided dice, printed out materials, and optionally other stuff like miniatures. One person is the Game Master (Dungeon Master) again, and others are players. The medium of play is narrating out loud - the players narrate their characters' actions, generally 1 char per player, and the GM (DM) narrates the results of these actions and the rest of the world. The written materials, miniatures etc are to help keep track of what's going on (miniatures are placed on maps and moved around), and DnD itself is the system of rules that governs success of actions - like, yoy say that your character grabs a rope and tries to swing across a chasm - do they succeed? It depends on their skill, a dice roll, whether they're exhausted, etc. There are lots of tabletop game systems out there - like different board games, but more freeform, - and DnD in particular is the most famous and mostly combat focused. The name decipers as "Dungeons and Dragons", with the idea that the typical scenario involves players going into a dungeon (a cave system usually) where monsters live - such as, for example, dragons - and treasure can be found.

Both are sort of like video games. Specifically, the genre of video games called "roleplaying games" or RPGs. Those also involve one or a group of characters, player-controlled, going through scenarios in the game world, making decisions and trying to achieve objectives. They're usually also heavily combat focused.

Making decisions is generally what differetiates roleplaying games from other kinds of games. For example, LARP vs american football - both involve players running around in a defined arena, dressed specially for the game, with rules for keeping score. But where in football your objectives and actions you're supposed to take are strictly defined by the rules, in LARP they're not. In football you can't decide that actually what you want to do this game is betray your team and change sides, or that you're going to try to win by seducing the opposing goalie (and the goalie conversely can't decide that getting play-seduced sounds fun and that's how they'll be playing this). In a roleplaying game you're free to.

(In a computer based roleplaying game you're usually limited to what's programmed into the game as possible, but the game will still include multiple paths you can take with different outcomes)

No seriously, why is it minors dni and not the age of consent? Wdym that I’m allowed to go out and actually engage in sexual stuff but then not allowed to READ about it?

—

(Sorry, english isn’t my first language, so this might not make sense..)

[handsomethrowrug]

OOC: I swear I'm working on the queue tonight and not just making OOC posts. But I just need you all to know that I'm currently comedically frustrated that I can't bring muses from other side-blogs over here to interact with everyone.

[dxxtruction]

///

[gwensy]

i think some characters just cant exist in live action form

[twobeesinatrenchcoat]

"I'd love to see (insert character) in live action!"

No

NONO

no.

GOD

PLEASE

NO

please

[no1ryomafan]

In my constant brain rotations of “why are people in the west so hard on mecha aside from the fandom can be a bit unfriendly” I think one thing I realized as much as I hate to say is how mecha is sometimes treated remind me of the constant hatred superhero stuff gets.

It’s such a weird comparison because with mecha I do not know what the root of it was-and I’d love to know why but I feel there’s either no clear answer or there is one and it’s stupid-where as for superheroes in the west while there’s still a dedicated community the mainstream audiences have become tired of them due to over-saturation, which I understand, but it’s caused such a massive dismal to the entire genre of it much like mecha.

People think superhero stories can’t have any substance because it’s all about fighting and not about the characters- yet forget the SIGNIFICANT impact they had to so much pop culture. How superhero stories were rooted within comic popularity, how superheroes inspired countless of stories, even so far as reaching japan since so much early anime was taken off of western media which birthed its own genre of superheroes. It’s no different to how mecha help started up the anime industry making it one of the most important genres to japans history, yet most people don’t know it and belittle it.

Yet in superhero story cases it’s even WORSE when people are against it yet then go to see one superhero movie because it’s animated and put it on a pedestal and don’t bother to try other superhero content even though they consumed is no different from the norm. It’s the exact same shit when people watch eva and then think all other mechas don’t compare to it, when the genre always had darker, mature and emotional elements, just only a select few decide to canter to a audience who doesn’t even accept what genre it’s from which makes it all the more frustrating to deal with.

I’m someone who’s hardly into superhero stuff even if some of it catches my eye but it sucks to see that the situation is pretty identical to how mecha is seen, that I can’t help to feel sympathetic whenever I see some comic book fans upset at the mainstream audience even if they too can be a little hostile.

[pa-pa-plasma]

I feel like too many people don't understand that a bad person having normal human traits does not suddenly make them a good person

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[midgardianqueenreturns]

#will never not be mad that OPLA sidelined Sanji in his own introductory arc

There’s something really distinctly American about OPLA Sanji arguing with Zeff over what food he wants to make because ignoring the fact that he never did this in the manga… Since when was his character about rebelling and growing out of Zeff’s shadow? Wasn’t he holding himself back because he thought he owed his life to Zeff? Why would he disrupt the Baratie’s operations with his supposedly very innovative dish, resulting in it getting thrown away and WASTED?? Why did they frame Zeff as an old and unskilled chef that had to be surpassed by his “better” protege??? Animanga Sanji was a little shit but he was also the sous chef for a reason, he’s not some wannabe new talent who wants to perform?? Did they do all this just so they can skip over all the Gin/Don Krieg stuff? Just to clog up the runtime with Nami “bonding” with Zoro and reading him a bedtime story?

[ham1lton]

NASTY GIRL!

— pairings: oscar piastri x reader.

— faceclaim: rihanna <3

— summary: slut, whore, bitch - all the words that have been used to describe famous party girl yn yln. so when you show up to the grid with a shiny diamond ring on your hand, people are trying to figure out just who would choose you.

— warnings: misogynistic language and attitudes about yn’s behaviour and actions. not from any of the main characters in this au though!

────── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

enews: y/n may not be releasing new music anytime soon, but she’s definitely making waves—this time under the sea. the party girl was spotted scuba diving in italy with her usual mixed-gender crew, proving once again that vacationing is her real full-time job. 🎶 or should we say, lack of? #priorities #wherethemusicat?

view all comments

badgalyn: y’all stay on my dick 😭 hop off.

-> user1: LMFAOOOOOO

user2: can a girl not holiday now?

user3: idgaf if she’s partying. she’s been working since she was 16. have a mimosa for me babe <3

-> user4: bffr. she just sings into a mic for a living. that’s not a job.

-> user5: every job is a job. and every job has it’s downsides. she’s been touring every year since her debut almost ten years ago. let her breathe 😭

────── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ──────

liked by ynupdates, ferrarigirlies and 2,737,839 others.

f1gossip: look who’s in the ferrari garage today! the singer/songwriter yn on break from… well, her eternal break. and what is that we saw on her hot girl walk through the paddock? a diamond ring? oop 🙊

view all 277,828 comments

user1: LEAVE YN ALONE !1!1!1!111

user2: she’s engaged to charles and they’re gonna have the most gorgeous kids!!

-> user3: um… could be carlos?

-> user2: no 😜

user3: nahhhhh no way she’s engaged 😷

-> user4: like c’mon. it’s probably a rich ceo from behind the scenes. no self respecting f1 driver would want HER 😒

-> user5: like who would actually marry her?

-> user6: u sound so miserable 😭

-> user7: like what fucking weirdos LMFAO 😭 focus on yourselves.

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liked by ynsgirlie, oscarspiastri and 1,108,890 others.

ham1ltonshaderoom: singer/songwriter yn was invited by ferrari to watch the baku grand prix but was seen relaxing in the mclaren garage after a photo op. the moment went viral on social media, what do you think of yn’s disappearance ham1ltons?

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user1: idgaf. she can do whatever she wants.

user2: she’s so fucking ungrateful my god.

user3: love her!!!!

user4: who cares?? i just wanna know who put that ring on her finger???

user5: RELEASE THE ALBUM @/BADGALYN

-> user6: RELEASE THAT SHIT NOWW

badgalyn: is it illegal for me to move from place to place now? like damn 😭

-> user7: they stay on ur ass like

-> user8: WHO DOES THAT BIG FAT RING BELONG TO ?!!?!!

-> user8: I KNOW U SEE THIS SHIT

-> user8: ANSWER ME 😭😭

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liked by landonorris, badgalyn and 1,090,123 others.

f1: oscar piastri is your ‘24 baku grand prix winner!

view all 80,828 comments

user1: OSCAR GIRLIES EVERYWHERE CHEERED

user2: YASSSSSSSS

user3: SO PROUD WOOOOOOO

user4: YN WHAT ARE U DOING HERE 😭

nicolepiastri: that’s my son btw 🍾🥂

user5: DID Y’ALL SEE YN RUNNING OUT TO KISS OSCAR?????

-> user6: WHAT?2&2&

-> user7: GIRL IT’S ALL OVER TWT

-> user7: https://twitter.com/ynsgirl/status/827373832992125

-> user8: oh… they in love frfr

-> user9: SICK OMG SICK SICK SICK

-> user9: HATE SEEING HAPPY COUPLES

-> user10: the way he carries her?? ims ick

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INTERVIEW W/ YN YLN.

by james collins.

she walks into the room like she owns it, a diamond-studded one of a kind necklace hanging off her neck, and a confidence that can only come from being at the top of her game. y/n yln is more than just a household name at this point—she’s a cultural phenomenon. whether it's topping the charts, turning heads with her bold fashion choices, or making headlines for her unapologetic lifestyle, y/n is everywhere.

GQ: let’s get right into it. you’ve never been one to shy away from controversy. you've been called everything from a "party girl" to… well, a lot worse. how do you deal with the constant slut-shaming?

Y/N: (laughs) i mean, what can i say? people are gonna talk whether i’m out at the club or chilling at home in sweats. they see me having fun, and they can’t handle it. honestly, i don’t care. i love my life. if i want to party, i’ll party. if i want to make a million-dollar deal the next morning, i’ll do that too. being called a slut? whatever. it’s just a word. a word can’t hold me down.

GQ: that’s the attitude that’s made you so iconic. but it seems like the more successful you get, the more people try to tear you down. how do you stay grounded amidst all the noise?

Y/N: honestly, it’s all about knowing who you are. like, i know what i bring to the table. the opinions of strangers on the internet? they don’t pay my bills, they don’t run my career. i’ve got a solid circle around me—my family, my team, my people. they keep it real with me, and that’s what matters. plus, i’ve got my own inner voice. if i let every hater get to me, i wouldn’t be where i am now. you gotta block out the noise and keep doing you.

GQ: you’re definitely doing that, and it shows in your music. speaking of which, your last album broke records and you’ve hinted that the next one’s even more personal. what’s the inspiration behind it?

Y/N: oh, this next album is gonna hit different. it’s like a reflection of the last few years—everything i’ve been through, the highs, the lows, and the lessons. i’ve been writing a lot about love, discovery, identity, and power. there’s a track on there that’s straight-up about how people have tried to label me my whole life, and i’m just like, ‘f**k that, i define me.’ there’s some deep stuff in there, but also bangers that’ll make you wanna dance your ass off. it’s a mix, just like me.

GQ: there’s been a lot of talk about one specific song that fans think is about your alleged relationship. care to spill the tea on that?

YN: (smiling) oh, you mean *that* song? (laughs) yeah, people are good at picking up on things. look, i’m not saying too much, but let’s just say it’s a vibe. relationships—especially when you’re in the spotlight—are complicated, and i’m not afraid to write about it. but you’ll have to listen to the track to get the full story.

GQ: fair enough. now, let’s address the gorgeous and expensive elephant in the room—that ring. fans have been speculating non-stop about your engagement. can you confirm or deny the rumors?

Y/N: (grinning) ah, you’re nosy! but yeah, the ring’s real, and it’s from someone very special. look, i’ve never been one to hide anything, but i also love keeping certain things close to my chest. all i’m saying is… things are good. real good.

GQ: the internet’s been trying to piece it together, especially after you were spotted at the mclaren paddock with oscar piastri. any comments on that?

YN: (laughs) you are really trying to get me in trouble! look, i support my friends, i show up for them, and they show up for me. that’s all i’m saying for now. but if people want to talk, let them talk. i’m busy living my life.

GQ: fair enough! last question—what’s next for y/n yln?

Y/N: taking over the world, obviously. (laughs) but for real, the album is coming soon, and i’m working on some new projects that’ll surprise a lot of people. i’m not just a singer, i’m building an empire. music, fashion, business—it’s all on the horizon. so, buckle up, we’re just getting started.

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tagged: @/badgalyn

liked by ynswifey, ham1ltonshaderoom and 4,938,983 others

gqmagazine: from island girl to international superstar: our newest covergirl yn yln talks slutshaming, her upcoming album and wedding rumours in this months gq magazine. link in bio! 🔗

view all 2,737,938 comments

oscarpiastri: real good is an understatement 😉

-> user1: WHAT)2&/@/

-> user2: yn being all cryptic and oscar straight up like ‘yeah we together and what about it?’

-> user3: OSCAR HELLO?2&2

landonorris: am i invited to the wedding?

-> landonorris: hellloooo @/badgalyn????

-> landonorris: i’m sosoooooo drunk @/badgalyn

-> landonorris: YYYYYNNNNNNN 😭😭😭

user4: she’s such a bad bitch idgaf

-> user5: ‘i love my life. if i want to party, i’ll party. if i want to make a million-dollar deal the next morning, i’ll do that too. being called a slut? whatever. it’s just a word. a word can’t hold me down.’ — AS YOU SHOULD QUEEN!!!!

user6: y’all … oscaryn is growing on me fr

user7: this is so wattpad trope i love this for them

user8: YN RELEASE THE ALBUM!!!!

user9: MIC DROP FROM OSCAR YUP YUP!

user10: she’s so gorgeous… her face card omg

user11: Y/N YLN AND OSCAR FREAKING PIASTRI ARE ENGAGED AND CONFIRMED IT IN THE MOST CASUAL WAY?? HOW AM I SUPPOSED TO FUNCTION TODAY?!?!

user12: oscaryn engagement. yn6 being in the works. more pics of yn’s face card. ynnies, we won today.

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— oscar taglist: @papayadays @assholeinatrenchcoat @mxdi0 @lillysbigwilly @liberty-barnes @yelenasloverrrrr @hiireadstuff @starz4me1 @mvk1ma @lozzamez3 @dear-fifi @ihtscuddlesbeeetchx3 @styl1shl1v @whyamireadingthis @halleest @s4misbetter @llando4norris @chezmardybum @ivyvlair @isthatacandle @luvsforme @fabulouskk01 @littlegrapejuice @anotherblackreader @laur20a23 @greantii @sumlovesjude @sageispunk @mindless-rock @mehrmonga @ravisinghs-wife @six-call @notyaslol @1-800-love-me @nzygftoji @dilflover44 @ilivbullyingjeongin (all works taglist in comments/reblog. if you see yourself tagged and you don’t want to be or you don’t see yourself tagged and you want to be — refill out the taglist in my pinned post! <3)

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