#but there are so many great things here

[magstorrn]

having just finished the prophecy arc in valhalla the decision NOT to make eivor a hidden one is more baffling to me than ever - were they worried that they were retreading ac4's plot or something? because the groundwork is there!! it's all there!! her entire story is about how the search for glory to the exclusion of all else is ultimately meaningless and it's more important to love (and be loved by) the people she cares about! and all of that is encapsulated in the prophecy arc right at the end of the game: eivor turns away from odin and rejects his desire for her to become just like him, craving glory, to be the last one standing. she stabs him with her hidden blade (!!) that was given to her by basim and hytham (the former still being her friend for all intents and purposes here!) and turns to her friends and family, including hytham front and centre. she embraces her father and shares a tender moment with him after spending her entire life abhorring his legacy and thinking that making it right was all that mattered! even when the hamtunscire arc begins she says she's going to join guthrum because she owes it to her clan and her people - not just because she wants the glory. this would evolve so naturally into her seeing the hidden ones as a better cause, acting in the shadows without credit for the betterment of others (including her clan), which are qualities she snubs at first but clearly still values and appreciates when you consider her conversation with hytham in the last chapter. it makes sense! it's all there! WHY

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[poorly-drawn-mdzs]

Council of lovefools.

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[beigetiger]

This will probably be my last post about Murder Drones ever, but I really do love that the message of the finale is basically just…we should do more cringe things.

Liam Vickers is out here making a silly little robot show with no particularly deep or existential message (which half the fandom was expecting) and is instead smashing his characters together like dolls, making them anime fight with nightcore music in the background, and giving them fucked up to the point of ridiculousness character development/trauma, with the message that this is fun and lighthearted and that we should kill cringe culture and instead do more of what he’s doing.

And honestly? Go off king, that is a GREAT message to spread and a delightful subversion to what everyone was expecting for the finale. We SHOULD spend more time doing cringe things and making fanart and pop culture references and edgy OCs. You’re so correct that not everything needs to be deep or meaningful.

I know a lot of people are going to hate the finale for the lack of story, but honestly this show is just here to have fun and I’m rolling with that. Go be cringe and weird and free.

[arcticclimes]

[uhbasicallyjustmilex]

Fontaines DC on Jools Holland 22/06/24 🖤

[mimosapd]

dropping by with some Drop~!

[drawnfamiliarfaces]

;3

[intrepidtrickster]

Moominvalley and Snufmin

S4 Spoilers Under Cut

I’m so disappointed in how they handled Snufkin and Moomintroll this season. I had my worries, but I also had a lot of hope. They did deliberately put in those interactions. The team also kept reacting to mentions of Snufmin with winks and nudges in interviews and videos they put out. It makes me wonder what the point was. I genuinely feel like this was queerbaiting. And I don’t want to use that term because it doesn’t feel like one to use lightly. Even more so since I had such a great love for Moominvalley’s other seasons. Especially 1 and 2. It was genuinely really beautiful and soft and had such lovely queer undertones and moments. But I think it’s more than fair to say that the team knew about the reactions and how many people were introduced to it via Snufkin x Moomin. And they seemingly used that. They gave us build up but didn’t follow through. When it came down to it, they shrugged it off and didn’t address it at all. It felt so removed from Season 4. And I think that that, in essence, is queerbaiting. Because if you keep nodding to something throughout a series, using it to keep your audience waiting for the ‘inevitable’ conclusion to it that’ll certainly play out by the time the story ends only to snatch it away once you’ve secured your viewers and money, that is what that is. And I honestly expected better from the studio. If they weren’t going to commit, then they shouldn’t have kept bringing hopes up and making it seem like the direction it would go in.

(forgive the essay in the tags- I was thinking so many things)

[lemongogo]

anyways . silly thing

[fadedrainbowbookshelves]

Frank better hope there’s never any rogue letters fluttering around his living room anytime soon…

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[marshmallowgoop]

I combined footage from my Detektiv Conan Blu-ray with audio from my Case Closed FUNimation DVD and made an HD English dub clip compilation for Episodes 57-58, "The Holmes Freak Murder Case."

[ca-3]

Shujin Hawaii trip 🌺✨️

The view sure is nice today... 🏖