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urdreamydoodles · 2 months ago

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Hi hi!! Hope your day’s going well!!

I adore the krakoa headcanons you have for the x-men, how willing would you be to do something similar for mcu characters?? Idk if there’s an equivalent though, if not it’s no problem ❤️

MCU CHARACTERS X FEM!READER

A year after your death, you are resurrected and reunited with your lover

Characters: Tony Stark, Steve Rogers, Natasha Romanoff, Bruce Banner, Clint Barton, Bucky Barnes, Sam Wilson, Peter Parker (Tom H.), Stephen Strange, Thor Odinson, Loki Laufeyson, T'Challa, Marc Spector, Steven Grant, Jake Lockley, Scott Lang, Wade Wilson, Logan Howlett, Matt Murdock, Frank Castle, Benjamin "Dex" Poindexter, Wanda Maximoff, Pietro Maximoff & Erik Lehnsherr

Requests are reopened since I'm going to have surgery for my scoliosis...yes, it's bad news, it's a major operation, so I need your requests to feel better. PLEASE SEND ME REQUEST. I don't have surgery for another four months so I have plenty of time since I'm at home! I can't wait to see all your ideas, I LOVE YOU <3

Tony Stark

- Tony Stark, the man who could build a new world with his hands but could not stop them from shaking when they lost you. He spent a year in ruins, laughing too loudly at parties that could not fill the silence you left behind, drowning in half-finished projects where your ghost lingered in the curve of every wire. He never stopped talking about you—not to his friends, not to himself, not to the night. You were the equation he could not solve, the loss he could not engineer his way out of.

- When he sees you again, standing in the flickering light of his workshop, the wrench in his hand slips, clattering to the floor. He doesn’t move, doesn’t breathe. His mind, sharp as ever, gives him ten different explanations, each more impossible than the last, but his heart—his battered, grieving heart—gives him only one. “Tell me I’m dreaming,” he says, voice hoarse, because the alternative is something he cannot afford to believe.

- And then you speak, and the walls he built to keep himself from shattering crumble in an instant. He is across the room before he knows it, hands gripping your arms, your face, tracing the proof of you. The ache in his chest is unbearable, but not from pain—it is the sheer weight of having you again. “They told me I was crazy,” he murmurs against your lips, against your skin. “Guess they were right.”

- You are back, but time has moved without you, carving deeper lines into Tony’s face, dulling the arrogance that once carried him like armor. He watches you like you might disappear again, fingers always brushing your wrist, your hip, the pulse at your throat. He doesn’t sleep much—he never did—but now, when you wake in the night, he is already awake, watching the rise and fall of your breath as if it is the only thing tethering him to reality.

- He brings you everywhere, makes no excuses for it. “My ghost, my rules,” he says when someone questions it. He builds new suits and doesn’t let you out of his sight, not when danger is near, not when a single misstep could take you away again. He has never been a man who believed in second chances, but for you, he will believe in anything.

- The world thinks he is Iron Man, but you know the truth: Tony Stark is just a man who loved and lost and refused to let death win. He holds you like a miracle, like proof that he was right to fight for the impossible. And for the first time in a long time, he is not afraid.

Steve Rogers

- Steve Rogers has always known loss—has carried it like a second skin, worn it like a name he could never leave behind. But losing you was different. It was not the cold silence of the ice, nor the distant ache of time slipping through his fingers. It was immediate, brutal. It was your blood on his hands, your last breath against his cheek. A year passed, and he carried on because that was what he did, because that was what you would have wanted. But he stopped looking at sunsets. Stopped drinking coffee the way you used to make it. Stopped believing that the world could ever feel warm again.

- When he sees you again, standing in the doorway of the safe house, the shield strapped to his back feels heavier than ever. His breath catches, his heart stumbles, and for a moment, he wonders if this is some cruel trick played by an enemy who knows exactly where to cut him open. But then your lips part, and you say his name, and the sound of it is like the first breath after drowning.

- He moves toward you slowly, hesitantly, as if one wrong step will shatter the illusion. His hands hover over your face, your shoulders, trembling with the unbearable need to touch, to feel, to know. And when you don’t disappear, when you are warm and real beneath his fingers, something inside him breaks. His arms crush you to him, his breath shaking as he buries his face in your hair. He is crying, but he doesn’t care. “I held you,” he whispers. “I held you.”

- After that, he does not let you go. The world calls him Captain America, but to you, he is just Steve—the man who wakes up in the middle of the night just to press his forehead against yours, the man whose grip tightens every time you reach for his hand, as if to reassure himself that you are not a dream. He does not know how to make peace with this miracle, so he does not try. He simply loves you harder, holds you closer, refuses to waste a second of the time he was so cruelly robbed of.

- He is more protective now, but it is not the suffocating kind. It is the quiet, steadfast kind, the way he always positions himself between you and an open door, the way he memorizes the sound of your breathing while you sleep. He does not speak of the past year unless you ask, but when you do, the grief in his eyes is something ancient, something that will never fully fade.

- Steve Rogers has always carried the weight of the world, but with you beside him, it is lighter. You are proof that even after all the battles, all the sacrifices, the universe still has kindness left to give. And he will spend the rest of his life earning it.

Natasha Romanoff

- Natasha Romanoff has survived on borrowed time for as long as she can remember. She has lost, she has bled, she has walked away from battlefields without looking back. But losing you was different. It was the one wound that did not heal, the one loss she could not turn into fuel. She did not cry. Did not speak of you. She simply moved forward, faster, harder, with reckless abandon—because if she slowed down, even for a second, she would have to feel the hollow space you left behind.

- When she sees you again, standing in the shadows of a dimly lit alley, her knife is in her hand before she even registers what she is seeing. Her body reacts the way it was trained to, but her heart—her traitorous, fragile heart—stutters in her chest. “No,” she breathes, shaking her head as if denying it will make it any less real. “No, I buried you.”

- And then you step closer, into the light, and she sees the familiar curve of your smile, the warmth in your eyes. She drops the knife. It clatters against the pavement, forgotten, as she crosses the space between you in two strides, her hands fisting in the fabric of your jacket. Her lips crash against yours, desperate, searching, as if she can taste the truth in the way you breathe against her mouth.

- After that, she is different. Softer, in ways only you will ever see. She touches you constantly—not in fear, but in reverence. A hand at the small of your back, fingers trailing over your wrist, knuckles brushing against yours as if reminding herself that you are here. The world may question, but Natasha has never cared for the world's judgment. You are hers, and she is yours, and that is all that matters.

- She does not let you fight alone anymore. Not because she doubts your strength, but because she refuses to feel that kind of loss again. She watches you when you sleep, when you move through a room, when you laugh. She memorizes the details she once took for granted—the exact color of your eyes in the morning light, the rhythm of your voice when you call her name.

- Natasha Romanoff has spent a lifetime making peace with ghosts, but you are not one. You are flesh and blood, a heartbeat beneath her palm, a warmth she never thought she would feel again. And this time, she will not let you go.

Bruce Banner

- Grief is not an emotion Bruce Banner can afford. He has spent a lifetime suppressing, locking away the parts of himself that feel too deeply, because feeling too much is dangerous, and losing you nearly ended the world. The Hulk roared in agony that day, the earth itself trembling beneath his wrath, but even in his most furious state, even as he destroyed everything in his path, you were gone. And no amount of strength, no amount of science, could bring you back.

- He stopped fighting after that. Retreated. Isolated himself in a place where no one could see the way his hands trembled when they weren’t balled into fists, where no one could hear him whisper your name like a prayer, a question, a plea. He stopped shifting into the Hulk—not because he was afraid, but because the monster within him had nothing left to fight for. There was only silence, only the ghost of your touch, only the unbearable weight of having lived when you did not.

- So when you return, standing before him in the quiet of his lab, he does not react at first. His mind, trained to doubt, to question, to disassemble and understand, tells him it cannot be real. That the chemicals in his brain are firing incorrectly, that his grief has finally shattered him in a way no transformation ever could. But then you say his name, and it is not just sound—it is gravity, it is a force pulling him from the abyss.

- He crosses the room in a single breath, hands hovering over your face, your shoulders, your waist, unable to trust his own touch. He is afraid to break you, afraid to break himself. And then your fingers slip into his, grounding him, reminding him that this is not a hallucination, not a cruel trick of his subconscious. You are warm, real, here. And just like that, the weight he has carried for a year crumbles to dust.

- After that, he does not leave your side. He watches you sleep, not because he doubts, but because he cannot waste another second of the time he was so certain he had lost. He builds new defenses, new protections, because if death could not keep you, then neither will any enemy foolish enough to try. He teaches himself to trust happiness again, to allow himself to feel, because with you beside him, it is no longer a danger—it is a gift.

- Bruce Banner has always been afraid of his own power, but with you, he is not afraid. He is a man, not just a monster, and for the first time in a long time, he believes in the possibility of a future. A future where he is not alone. A future where he is not running. A future where you, against all odds, are still his.

Clint Barton

- Clint Barton has never been one to dwell. The life he leads does not allow for it—grief is a luxury, mourning a weakness, and the only way to survive is to keep moving. But when he held you in his arms, felt the last shudder of breath against his skin, something inside him shattered. And he did not put the pieces back together. He let them fall, let them burn, let the silence swallow him whole.

- The others saw him continue—heard his sharp wit, watched him loose arrows with deadly precision, saw the same easy smirk that had always been there. But they did not see the empty spaces where you used to be. Did not see the way he avoided the places you had loved, the way he drank in solitude, the way his hands curled into fists whenever someone mentioned your name.

- So when you return—when you step into the dim light of his hideout, when your voice cuts through the silence he has lived in for a year—he does not believe it. He grips the bow at his side, tension in every muscle, because this is a trick, a trap, an illusion designed to destroy him completely. But then you move closer, and the way you look at him—the way only you ever have—makes the doubt in his mind fracture.

- And then he is there, hands gripping your waist, your arms, his forehead pressed to yours as he exhales a breath he did not know he had been holding. He does not ask how, does not ask why. He only pulls you closer, lets himself collapse into the only thing that has ever truly felt like home. His fingers are tight against your skin, unwilling to let go, unwilling to lose you a second time.

- After that, he is different. Lighter, in ways only you will notice. He is still Clint—still sharp, still reckless, still throwing himself into danger without hesitation—but there is a warmth now, a flicker of something that had long been extinguished. He touches you constantly—not in fear, but in reassurance. His hand on the small of your back, his fingers brushing against yours, a quiet, wordless promise that he will not take a second of this for granted.

- Clint Barton has always been a survivor, but he did not truly live until you returned. And now, with you beside him, he has no intention of losing that again. He is yours, wholly and completely, and this time, no force in the universe will take you from him.

Bucky Barnes

- Bucky Barnes knows the taste of loss better than most. He has drowned in it, clawed his way through decades of it, watched everyone he has ever loved slip through his fingers like sand. But losing you was different. Losing you was not the slow, creeping erosion of time. It was a blade to the gut, a wound that never closed, an ache that settled deep in his bones and refused to let go.

- He did not grieve the way others did. He did not cry, did not rage, did not seek solace in memories. He simply stopped. Stopped talking, stopped trying, stopped allowing himself to feel anything at all. Because feeling meant acknowledging the gaping wound your absence had left behind, and that was not something he could survive.

- So when he sees you again, standing in the doorway of his apartment, he does not move. Does not breathe. His mind—trained to expect deception, to anticipate betrayal—tells him this is a trick. But then you step forward, and the way your eyes soften when they meet his, the way your lips part in a quiet whisper of his name, makes the world tilt beneath his feet.

- And then he is there, crossing the space between you with the kind of desperation that only comes from losing something you thought was gone forever. His hands tremble as they frame your face, his breath shuddering as he drinks in the impossible reality of you. He does not trust words, does not trust his voice to hold steady, so he simply presses his forehead to yours, breathing you in, grounding himself in the proof of your existence.

- After that, he does not let you go. He does not speak of the past year, does not tell you how empty it was, how he spent every night staring at the ceiling, waiting for sleep that never came. He only shows you in the way he touches you, in the way he holds you closer at night, in the way his fingers linger on yours as if afraid you might vanish again.

- Bucky Barnes has spent a lifetime being taken, being controlled, being used. But you are the one thing that was his, the one thing that was real, and now that you are here, he will fight for you with everything he has. You are his salvation, his anchor, his second chance at something he never thought he deserved. And this time, he is never letting go.

Sam Wilson

- Grief is a weight Sam Wilson carries well, but carrying it does not mean it is light. It sits in his chest, heavy and unmoving, an ache that never quite fades. Losing you was not a clean wound—it was jagged, raw, a battlefield farewell written in blood and breathless whispers. He held you, watched the life slip from your eyes, and still, somehow, he had to stand up. He had to keep fighting. Because that’s what you would have done. That’s what you would want.

- But wanting and doing are not the same thing. He laughed in public, told stories that made others grin, carried himself with the same easy confidence. But alone? Alone, it was different. He spoke to you sometimes when the night was too quiet, when the wind sounded too much like your voice. He ran until his lungs burned, trying to chase the memory of you, knowing he never really could.

- So when you stand before him, alive, breathing, real, the world does not feel like the one he left behind. His first instinct is denial—a trick, an illusion, a cruel joke played by something with too much power and not enough mercy. But you look at him, and there’s something there, something he recognizes too well. Love. History. You. And suddenly, the weight in his chest is gone.

- He moves before he can think. One step, then two, then his arms are around you, his head buried in your shoulder, a shuddering breath breaking from his lips. His grip is tight—too tight, maybe—but he doesn’t care. He needs to feel you, needs to know this isn’t a dream he’ll wake from. He says your name like it’s the only word he remembers, his voice thick with everything he couldn’t say when you were gone.

- After that, Sam is different. Lighter, freer. He still fights, still leads, still carries the burdens of the world on his back—but he does it with you at his side, and that changes everything. He touches you constantly, a hand on your back, fingers brushing against yours, small, quiet reassurances that you are here, that he did not imagine this.

- Sam Wilson has lost many things. He has seen friends fall, watched the world tear itself apart. But this? This is something he never thought he’d get back. And now that he has you, he swears to himself—he’s not losing you again. Not now. Not ever.

Peter Parker (Tom Holland)

- Peter Parker does not know how to exist in a world where you do not. The pain is not sharp, not a clean wound he can stitch together with time. It is suffocating. Slow. A weight pressing down on him, stealing the air from his lungs, making every step feel heavier than the last. He was holding you, talking to you, and then you were just… gone. And nothing he did, no amount of strength, no web-slinging through the city, no late-night patrols could change that.

- He keeps going. He has to. That’s what Spider-Man does. That’s what you would have wanted. But some nights, when he is alone, when the mask is off and the world is quiet, he feels like a boy again—small, lost, powerless. He whispers apologies into the dark, tracing the memory of your touch, trying to pretend he still remembers exactly what your voice sounded like. Because he’s terrified he’s forgetting.

- And then, one day, you are there. Standing in the shadow of a flickering streetlamp, watching him with the same eyes he never thought he’d see again. At first, he doesn’t move. He can’t. His brain refuses to process it, refuses to accept this impossible, beautiful reality. And then you smile—small, hesitant, you—and he breaks.

- He crashes into you, arms wrapping around you so tightly it almost hurts. His breath stutters, hands shaking as they press against your skin, your hair, anything that proves you are real. “You—” His voice cracks. “You died.” And it’s not an accusation. It’s a question, a plea, a broken whisper of disbelief. But you are warm, solid, here, and he holds onto that with everything he has.

- After that, Peter is clingy. He doesn’t mean to be, but he is. His fingers find yours without thinking, his arm curls around your waist at every opportunity, his webbing pulls you to him when you step too far away. He is afraid—afraid this is temporary, afraid that one day he’ll wake up and you’ll be gone again. But he also smiles more, laughs louder, lives in a way he hasn’t since he lost you.

- Peter Parker has lost so much. But this? This is a miracle. And Peter—Peter is going to make sure he cherishes every single second of it. Because this time, he has you. And that? That is everything.

Stephen Strange

- Stephen Strange is no stranger to loss. He has lived through pain, through heartbreak, through the destruction of things he once believed unshakable. But losing you—that was something else entirely. That was not just loss. That was devastation. It was the kind of pain that settled into his bones, that made the world feel quieter, colder, less.

- He did not weep. Did not rage. Did not crumble beneath the weight of it. Instead, he buried himself in his work, in his magic, in the relentless pursuit of something—anything—that could fill the void you left behind. He scoured the multiverse, searching for answers, but found only silence. Death, it seemed, was absolute. Even for you.

- So when you stand before him, alive, whole, untouched by the grave, he does not react at first. His hands twitch at his sides, eyes sharp, mind racing through a thousand possibilities, a thousand explanations. This must be a trick, a deception, some cruel game played by forces beyond his understanding. But then you speak his name, and the way you say it—the way only you say it—breaks him.

- He crosses the room in three steps, hands cupping your face, searching for any sign of illusion. But there is none. There is only warmth, only life, only you. His breath stutters, his fingers tighten, and for the first time in a long, long time, Stephen Strange allows himself to feel. His lips crash against yours, desperate, searching, as if trying to convince himself that this moment is not slipping through his fingers.

- After that, he is possessive. Not in a way that is suffocating, but in a way that is unmistakable. His cloak wraps around you when you are cold, his hands find yours beneath temple robes, his magic lingers in the air around you like a silent guardian. He does not say it—not outright, not often—but you know. You have always known. He cannot lose you again. He will not.

- Stephen Strange has faced the impossible, has bent time and reality to his will. But this? This is the greatest miracle of all. And he, a man who once scoffed at faith, finds himself believing in something again. Because if the universe had any mercy, any kindness at all, it would let him keep you. And this time, he will fight for that with everything he has.

Thor Odinson

- Grief and gods have never mixed well. Mortals mourn with time, with rituals, with whispered prayers to the sky. But Thor? Thor does not know how to grieve in a way that does not tear the world apart. He held you as you died, cradled you against his chest, his hands helpless against the tide of fate. The sky wept with him that day—thunder cracking, the heavens splitting open in rage, the storm inside him unfurling with no battle left to fight.

- He left Earth after that. It was too loud, too full of life, too painfully real in your absence. He searched for answers in the stars, in old myths and forgotten magic, in the whispered promises of gods who had lost more than he had. But the truth was simple: not even the might of Thor, not even the power of Asgard, could bring back the one thing he truly wanted. So he drank, and he fought, and he laughed too loudly to hide the fact that he was breaking.

- And then, one day, he turns, and you are there. Standing in the golden light of the Bifrost, impossibly, beautifully alive. His breath catches in his throat, Mjolnir slipping from his fingers, his entire body frozen between disbelief and desperate hope. “This is a trick,” he says, but his voice is hoarse, unsteady, as if saying the words out loud might make them false. But then you smile, and he is undone.

- He crosses the space between you in an instant, crushing you against him with a force that nearly knocks the breath from your lungs. His hands tangle in your hair, his forehead pressing against yours, and his chest heaves with something between laughter and a sob. “You have returned to me,” he whispers, reverence in every syllable. And then he is kissing you, fierce and unrelenting, as if proving to himself that this is not some cruel jest of fate.

- After that, Thor does not let you go. Not truly. His arm is always around your waist, his hand always at the small of your back, his eyes watching you as if you might disappear the moment he looks away. He tells you, constantly, in grand declarations and quiet murmurs, how much he loves you, how he will never lose you again. You are his greatest treasure, more precious than any throne, any kingdom, any power the cosmos could offer.

- The God of Thunder has lost much—his home, his family, pieces of himself that may never fully return. But you—you are here, in his arms, alive once more. And Thor, a warrior who has fought countless battles, swears that he will fight against gods and monsters alike to keep you at his side.

Loki Laufeyson

- Loki knows loss better than he knows himself. He has lost love, trust, family. But losing you—that was different. That was a wound he could not charm away with silver-tongued words, a pain he could not outwit or outmaneuver. You died in his arms, your fingers curling weakly around his wrist as the light in your eyes faded. And for the first time in his life, Loki Laufeyson was powerless.

- He did not rage. He did not scream. Instead, he withdrew, wrapping himself in silence and solitude, retreating into the shadows where grief could not be seen. The world continued without you, and he played his part well—smirking, deceiving, spinning tales as if he were not hollow inside. But in the quiet moments, when no one was looking, he traced the ghost of your touch on his skin and whispered your name like a prayer.

- So when he sees you again, standing before him in the flickering candlelight of some forgotten sanctuary, he does not react—not at first. His body stills, his breath catches, and his mind races through every possibility, every cruel illusion that could explain this. But then you speak his name, soft and familiar, and something in him shatters.

- He reaches for you hesitantly, his fingers brushing over your cheek as if expecting you to dissolve beneath his touch. And when you do not—when you are warm, and real, and here—a sharp breath leaves his lips, and he pulls you against him with all the desperation of a man drowning. His grip is tight, unyielding, as if trying to convince himself that you will not be stolen from him again.

- After that, Loki is different. Not softer, not weaker—if anything, he is more dangerous, more cunning, more willing to do anything to ensure you remain by his side. He keeps you close, always within reach, his sharp wit reserved for those who dare to threaten what is his. There is no force in the universe he fears, no power he will not challenge, if it means keeping you safe.

- Loki Laufeyson has never believed in fate, in mercy, in second chances. But you? You are proof that even the most broken of men can find something worth living for. And this time, he will not lose you. Not to death. Not to gods. Not to anything.

T’Challa

- T’Challa was a king before he was a man, a warrior before he was a lover. But you—you—were the one thing that belonged solely to him. With you, he was not a ruler, not the Black Panther, not the protector of a nation. He was simply a man in love. And then, in a single moment, in the chaos of war, you were gone. And he—T’Challa, the unshakable, the wise, the just—fell to his knees, holding you as the life slipped from your body.

- He did not mourn in ways the world could see. There were no public displays of grief, no speeches of loss. He carried the weight of your death in silence, bearing it with the same quiet dignity that he bore every burden. But in the stillness of his chambers, when no one was watching, he let the sorrow take him. He traced the last place he had held you, whispered your name to the night, and wondered if he would ever learn to breathe without you.

- So when he sees you again, standing beneath the glow of Wakanda’s golden lights, his heart stops. His breath catches. And for a moment, he is afraid to move—to hope. But you step forward, your eyes locking onto his, and everything else ceases to matter. The world falls away, and there is only you.

- He crosses the distance between you in a single step, his hands cupping your face with reverence, with disbelief, with a depth of emotion he has never let himself show before. He does not ask how or why. He only whispers, “My love,” as if speaking the words aloud will make them real. And then he kisses you—slow, deep, a promise, a prayer, a thousand unspoken words pressed into your skin.

- After that, T’Challa is your shadow, your shield, your unwavering protector. He does not smother you—he respects you too much for that—but he watches, always. His fingers linger against yours in quiet moments, his gaze softens whenever you speak, and when he holds you at night, it is with the quiet, unyielding certainty that he will never let go again.

- T’Challa has lost many things—his father, his home, pieces of himself in battles fought for the greater good. But this? This is something sacred. And a king who has been given back his heart will protect it with everything he has.

Marc Spector

- Marc Spector has never been good at losing people. He has lost too much, buried too many, carried ghosts in the hollows of his ribs and the shadows of his mind. But losing you—watching you die in his arms, feeling your body grow cold as his own blood soaked into the ground—was something else entirely. It didn’t break him. It obliterated him.

- He stopped pretending after that. Stopped holding himself together, stopped fighting for anything beyond survival. He threw himself into missions with reckless abandon, took every fight as if he was begging for someone to land a fatal hit. He couldn’t sleep in your bed, couldn’t bear to hear your name spoken aloud. He tried—Khonshu knows, he tried—to find a way to bring you back. Bargained with gods, hunted down forbidden magic, but nothing, nothing, worked. So he gave up. He accepted that this was his punishment, his curse, to keep losing the things he loved until there was nothing left of him.

- And then—then—you were there. Standing in the doorway, alive, whole, looking at him like you weren’t a phantom haunting his grief. He didn’t move at first, didn’t breathe, convinced you were another trick of his fractured mind. But then you spoke—soft, hesitant, like you weren’t sure if he would even want you back. And the moment your voice reached him, Marc snapped.

- He was on you in an instant, his hands on your face, your shoulders, your arms—anywhere he could touch, anywhere he could convince himself you were real. “Tell me I’m not dreaming,” he whispered, voice shaking, breath unsteady. And when you smiled, when you nodded, he kissed you—desperate, bruising, like a man drowning who had finally found air.

- After that, Marc is different. Not softer, not gentler—he has never been those things—but determined. He refuses to let you out of his sight for too long, refuses to take a single moment for granted. The nightmares don’t go away—sometimes he wakes up reaching for you, convinced he’s lost you all over again—but you are always there, grounding him, reminding him that miracles exist.

- He still fights, still follows the path Khonshu carved for him, but now, there’s something else driving him. Not vengeance. Not guilt. You. You, alive and breathing, laughing in the golden light of morning, rolling your eyes when he gets in one of his moods. And if he has to fight every god, every monster, every force in the universe to keep you by his side? So be it.

Steven Grant

- Grief is a lonely thing. And for Steven, it was lonelier than most. He didn’t have Marc’s rage or Jake’s cold detachment—he just had absence, an empty space beside him where you used to be. You had been his bright thing, his sunbeam, the warmth in his life he never thought he deserved. And then, in a moment of violence and blood, you were gone.

- The flat was too quiet after that. He still made tea for two, still caught himself turning to tell you something, still found little reminders of you everywhere. Your books on the shelf. Your perfume lingering in the air. A sweater you’d stolen from him, draped over the back of a chair. He couldn’t let go, couldn’t move—just existed, stumbling through the days with a polite smile and eyes that held too much grief.

- And then, one evening, as he shuffled into the flat with the exhaustion of another day spent pretending he was okay, he saw you. Standing there, real as anything, watching him with that soft, hesitant look you always had when you weren’t sure how he’d react. He didn’t even think. Didn’t question. Just dropped whatever was in his hands and ran to you.

- “Oh, love,” he breathed, his voice cracking as he cupped your face, pressing his forehead to yours. He was crying—of course he was crying—but he didn’t care, didn’t even try to stop. “I—I thought—oh God, I thought I lost you.” His hands trembled as he touched you, as if afraid you might disappear if he wasn’t careful. But you didn’t disappear. You were here. And when you kissed him—gentle, reassuring—he let out a broken, disbelieving laugh.

- After that, Steven becomes more himself again. The light comes back into his eyes, the warmth into his voice. He tells you every day how much he loves you, how grateful he is that you came back. He holds you for hours sometimes, murmuring little things against your skin, afraid that if he lets go, the universe will take you away again.

- You are his miracle, his impossible, wonderful second chance. And Steven, the man who never thought he was enough, now knows one thing with absolute certainty—he will never take you for granted again.

Jake Lockley

- Jake doesn’t grieve the way others do. He doesn’t sit in sorrow, doesn’t cry himself to sleep. He compartmentalizes, shoves it all into a locked box in the back of his mind and throws away the key. When you died, he didn’t break down. He didn’t scream. He just acted. Found the ones responsible. Made them pay. Made everyone pay.

- He convinced himself that was enough. That revenge was all he had left to give you. But when the dust settled, when the blood was washed from his hands, there was nothing. Just an emptiness so vast it threatened to swallow him whole. He became a ghost, slipping through the world unnoticed, unseen. He only spoke when necessary, only acted when called upon. If Marc and Steven noticed how much darker he’d become, they didn’t say anything.

- And then—then—you were there. Sitting in the backseat of his car like you belonged there, like you hadn’t died in his arms a year ago. He slammed on the brakes so hard the tires screeched, his pulse roaring in his ears. He didn’t turn around at first. Couldn’t. His hands gripped the steering wheel like a vice, his knuckles white with tension. “Not funny,” he rasped, his voice low, dangerous. “Not a game I wanna play.”

- “It’s not a trick, Jake,” you whispered. And that was all it took. He turned, his breath catching as he finally let himself look. Let himself believe. And the moment he did, something inside him snapped. He surged toward you, pulling you into his arms with a desperation he rarely let himself show. His face buried in your neck, his breath shaky and uneven, his body trembling as if the entire world had just shifted beneath his feet.

- After that, Jake is ruthless about keeping you safe. He doesn’t care how you came back—only that you did, and that nothing will take you from him again. He’s always watching, always waiting, always a step ahead of any potential threat. He doesn’t say it out loud, but it’s in the way he tucks you close against him in crowds, in the way his fingers ghost over your pulse like he’s memorizing it.

- Jake Lockley is not a good man. He never claimed to be. But you—you are the one thing that makes him want to be. And if death couldn’t keep you from him, nothing else will either.

Scott Lang

- Scott never truly believed in happy endings, but he believed in you. He believed in the way your laughter could turn an ordinary day into something extraordinary, the way your hand in his made him feel like maybe—just maybe—he was enough. Losing you shattered him in ways he didn’t even know were possible. You died in his arms, your blood on his hands, and in that moment, he stopped believing in miracles.

- He tried to hold it together for Cassie. He smiled, told jokes, did his best to pretend he was okay. But he wasn’t. His apartment felt too big without you, the bed too cold. He found himself talking to the empty air, half-expecting you to answer. The worst part was the moments right before he woke up, when his brain still tricked him into thinking you were next to him, breathing softly in sleep. And then he’d open his eyes and reality would sink in like a knife to the gut.

- When he sees you again, it’s like the universe plays a cruel trick on him. He blinks, rubs his eyes, thinks he’s hallucinating. But then you smile, that soft, knowing smile he dreamed about, and everything collapses. He doesn’t think—just moves, just grabs you, just feels. “Oh my God,” he breathes, his voice shaking, his arms wrapping around you so tightly he might never let go. “Tell me this is real. Please tell me this is real.” And when you nod, when you whisper his name, he lets out a half-laugh, half-sob against your shoulder.

- Scott becomes clingy after that—not in an overbearing way, but in a you-can’t-leave-me-again way. He constantly reaches for you, constantly checks if you’re still there. He makes up for lost time—cooking you breakfast (badly), taking you on spontaneous road trips, making you laugh until you can’t breathe. Every moment is precious now, every second a gift. He refuses to waste a single one.

- He tells you everything he couldn’t before. How much he missed you, how much it hurt, how many times he caught himself looking for you in a crowded room. He never wants to take you for granted again. Every night, he holds you like you might disappear in the morning, presses kisses to your skin as if he’s trying to memorize you all over again.

- Scott Lang doesn’t know why the universe gave you back to him, but he doesn’t care. All he knows is that this time, no force in the world—no villain, no bad luck, no cosmic cruelty—is going to take you away from him again.

Wade Wilson (Fox)

- Wade doesn’t mourn like other people. He doesn’t wear black, doesn’t cry softly in the night. No, Wade’s grief is ugly, loud, chaotic. After you died, he became worse—more violent, more reckless, more unhinged. He threw himself into fights he knew he couldn’t win, hoping—praying—someone would finally land the killing blow. But they never did. His healing factor cursed him to keep living, to keep hurting.

- He talked to you like you were still there. Made jokes to the empty side of the bed. Left your favorite snacks untouched in the cabinet. The others tried to check on him—Weasel, Domino—but he just shoved them away with a laugh, a joke, a bloody fight he walked away from without a scratch. “I’m fine,” he’d say, voice hollow behind the mask. “Totally normal levels of depression. Probably a seven out of ten. Maybe an eight. Who’s to say?”

- And then, one day, you walked through his door. Just like that. No fanfare, no dramatic music—just you, standing there, looking at him with that same familiar amusement in your eyes. He froze. Blinked. Looked down at the bottle of vodka in his hand. “Oh,” he muttered. “Guess I finally drank myself into hallucinations. Took long enough.” But then you said his name, your voice real, and everything inside him broke.

- He tackled you before you could even take a step closer. Knocked you onto the couch, onto the floor, onto him, his arms squeezing so tight it was a miracle you could still breathe. “If this is a dream, I swear to Ryan Reynolds’ beautiful abs, I will murder my subconscious,” he babbled, his voice cracking. He touched your face, your arms, every inch of you, just to be sure. And when you laughed—when you really laughed—he just lost it. Full-on ugly sobs, face buried in your neck, refusing to ever let go.

- After that, Wade is worse—but in a different way. He never shuts up about how lucky he is. Clings to you, wraps himself around you like a human (questionably clean) blanket, dramatically declares that if you ever die on him again, he’ll personally go to hell and drag you back himself. He texts you every five minutes when you’re not around. If you so much as sneeze, he’s already googling life-threatening illnesses.

- But beneath all the jokes, the over-the-top antics, there’s something soft there. Something raw. Wade Wilson doesn’t believe in happy endings. But he believes in you. And if the universe was kind enough to give you back to him, then maybe—just maybe—he’ll finally start believing in second chances too.

Logan Howlett (Fox)

- Logan is no stranger to grief. He has lost more people than he can count, buried more loved ones than he dares to remember. But losing you—you—was different. It wasn’t just another loss, another name on the long list of people the world had taken from him. It was the loss. The one that finally made him want to lay down and never get up again.

- He disappeared after that. Vanished into the wilderness, into the places where no one could find him. He drank himself into oblivion, picked fights with men twice his size just for the chance to feel something. The nightmares were worse—your face, your voice, the way you reached for him as you died in his arms. He could still feel your blood on his hands, still hear your last breath. There was no escaping it. No running fast enough.

- When he sees you again, it’s not dramatic. It’s not loud. It’s silent. He turns, expecting an enemy, a threat—only to see you. Standing there. Alive. His breath catches in his throat, his heart hammering against his ribs like it’s trying to break free. For a long moment, he just stares, his jaw clenched so tight it aches. “No,” he finally rasps. “No, that ain’t possible.” But you just step closer, your hands trembling, your eyes pleading. “Logan,” you whisper. And something inside him snaps.

- He moves before he can think, his arms wrapping around you with the force of a man drowning who has finally found solid ground. He buries his face in your hair, breathes you in, his whole body shaking. “If this is some kinda sick joke,” he growls against your skin, “I swear to God—” But you just hold him tighter, and he finally—finally—lets himself believe it.

- After that, Logan is fiercely protective. More than before. You are his second chance, his proof that maybe—just maybe—the world hasn’t taken everything from him. He keeps you close, always within reach. He doesn’t talk about the time you were gone, doesn’t say how lost he was without you—but you see it in the way he touches you, like he’s making sure you’re still real.

- Logan has lived a long life, filled with too much pain, too much loss. But now, with you back in his arms, he thinks—just for a moment—that maybe, maybe, he finally has something worth fighting for again.

Matt Murdock

- Grief became a quiet shadow in Matt’s life, a presence that never left. He carried it with him in the way he adjusted his tie, in the way he spoke to Foggy and Karen like he was fine when he wasn’t. He still went out at night, still fought in the streets, but the fire inside him had dimmed. He no longer fought to save the city—he fought because it was the only thing that numbed the ache of losing you.

- He whispered your name in his prayers, his voice breaking over the syllables. In his apartment, your absence was louder than anything else. He reached for you in his sleep, his hands closing around nothing, waking up with an emptiness so heavy it stole his breath. He let the guilt drown him—because you died in his arms, and no matter how many bones he broke or how much blood he spilled, he couldn’t change that.

- When you return, he knows it’s you before you even speak. The world is full of sound, full of heartbeats, full of voices—but yours? Yours has always been different. His entire body stills, his breath hitching in his throat. He listens, waiting for the trick, the deception, because he knows what death feels like. But then you say his name, and the world tilts sideways.

- He moves without thinking, reaching for you, his hands trembling as they trace over your face, your hair, your lips. “You’re real,” he breathes, almost afraid to say it. “You’re real.” And when he finally lets himself believe it, when he pulls you into his arms and holds you so tightly it aches, he lets out a broken sound—somewhere between a sob and a prayer.

- After that, Matt is different. He refuses to let you go alone anywhere, his protectiveness manifesting in quiet touches, in the way his fingers always seek yours. He’s softer now, more open with his emotions, because he’s lost you once and he won’t make the mistake of taking any second for granted.

- At night, when the city is quiet and his scars ache, he traces over your skin as if memorizing every inch of you all over again. “I don’t know how I deserve this,” he whispers against your hair, his voice raw with devotion. “But I’m never letting you go again.”

Frank Castle

- Frank has always been good at loss. Not because he accepts it, but because he survives it. Losing you, though? It was a different kind of wound, one that never stopped bleeding. He didn’t cry. He didn’t scream. He just became colder. The world lost all color, all meaning. He didn’t live after you were gone—he just existed, a weapon with no purpose but destruction.

- He stopped talking. Stopped caring. The men he hunted became nothing more than names on a list, their deaths nothing more than numbers. He never said your name, never spoke of you, because acknowledging you were gone would break something inside him that even he couldn’t put back together.

- And then, one night, you stand in front of him, breathing, alive, looking at him like he’s still the man you loved. He doesn’t believe it at first. His grip tightens around his gun, his entire body coiled and ready for a fight because this? This is cruel. And yet—your eyes. Your heartbeat. The way you whisper, “Frank?” like it’s his name that brings you back to life.

- His hands shake as he reaches for you. He touches your face like it’s something fragile, something that might disappear if he presses too hard. And when you don’t, when you lean into his touch with a softness he thought he’d never feel again, something inside him shatters. He pulls you against him, his grip almost desperate, his breath ragged. “I lost you,” he rasps against your hair. “I lost you, and I didn’t—I didn’t know how to keep going.”

- Frank becomes your shadow after that. He’s gentler with you than he’s ever been with anyone, but that protectiveness? That fire? It’s stronger than ever. If anyone so much as looks at you wrong, they won’t live to make the mistake twice. But with you? With you, he is something softer, something almost human again.

- He doesn’t pray, doesn’t believe in fate. But at night, when you sleep beside him, warm and real, he presses a silent kiss to your forehead and whispers, Thank you. He doesn’t know who he’s thanking. Maybe the universe. Maybe you. All he knows is that this time, he won’t waste a single second.

Benjamin "Dex" Poindexter

- Losing you broke Dex. And when Dex breaks, he destroys. He tried to keep it together—tried to pretend he could move on, that he could keep living without you—but the anger, the madness, the unbearable emptiness inside him only grew. The world felt wrong without you. He felt wrong. He stopped sleeping, stopped feeling anything but the burning need to punish whatever took you away from him.

- He lost control after that. Killed without hesitation, without remorse. Let his mind spiral, let his demons win, because what was the point of fighting them without you? You were his anchor, the one person who made him believe he could be more than the monster inside him. Without you, he had no reason to pretend anymore.

- When he sees you again, he doesn’t react the way most people would. No tears, no disbelief. He stalks toward you, his entire body trembling, his breath uneven. His fingers twitch like they’re reaching for a weapon—like he can’t decide if you’re a dream, a trick, or something worse. “You’re dead,” he says, voice flat, empty. “I held you while you died.” And then, quieter, almost desperate—“Tell me this is real.”

- The second you touch him, the second your fingers brush over his, he breaks. He surges forward, his arms crushing around you, his breathing ragged against your skin. “Don’t leave me again,” he whispers, his voice shaking. “Please. I can’t—I can’t do this without you.” And for the first time in a year, his mind is quiet. The rage, the spiraling thoughts, the unbearable emptiness—it all stops the moment you’re back in his arms.

- After that, Dex is obsessive. He always had that trait in him, but now? Now it’s even worse. You are his, and he refuses to let anything take you away from him again. He follows you like a shadow, sleeps with his arms locked around you, memorizes every detail of your body just in case the universe dares to rip you away from him again.

- There’s a darkness inside him, one that never truly fades. But with you alive, with you real, that darkness is tempered by something softer. Something dangerous. He’s not just a killer anymore. He’s yours. And if anyone tries to take you from him again? He’ll burn the whole world to the ground.

Wanda Maximoff

- Grief clung to Wanda like an old, tattered shawl, woven with the ghosts of everyone she had ever lost. She had thought she had reached her limit—that the universe could take no more from her than it already had. But then it took you. And that, she realized, was the cruelest cut of all. She had survived wars, watched cities crumble, lost her family, her brother, her home. But losing you? That was the first time she felt herself break.

- She became something else after you died. A ghost walking through her own life, untethered from the world. The wind carried whispers of you—the echo of your laughter in a marketplace, the ghost of your breath against her skin in the moments before she woke up alone. And the anger—God, the anger. She lashed out when she fought, red energy sparking at her fingertips with a ferocity she couldn’t contain. She wanted to hurt the universe the way it had hurt her.

- And then, like an answer to a prayer she had never dared to whisper, you stood before her again. At first, she thought it was another cruel trick, another illusion meant to unravel what little remained of her sanity. But then—then she felt you. Your heartbeat, your warmth, the undeniable reality of you. And the moment that truth settled into her bones, she collapsed into you, shaking, weeping, hands clutching desperately at your arms, your shoulders, your face.

- “You were gone,” she sobbed, burying herself in you like she could merge her soul with yours. “I—I felt you leave me.” And for the first time in a year, her magic did not rage. It did not spark and burn with untamed grief. It simply was. It curled around the two of you like a shield, like a silent promise that she would never let you be taken from her again.

- After that, Wanda became something softer, but not weaker. She still held the storm inside her, but now, it had purpose. Now, it had you. She held you like she was afraid the wind might steal you away again, always touching—fingers brushing over yours, arms wrapping around you in sleep, a protective hand against the small of your back in public. She had lost everything before. She would not lose you again.

- At night, when the world was still and your breath rose and fell against her chest, she whispered things she could never say in the daylight. Apologies, promises, prayers in a language she had almost forgotten. And when you stirred, murmuring her name, she simply kissed you—deep and slow, like she could pour her very soul into you, like she could make you stay this time.

Pietro Maximoff

- The world never felt fast enough after you were gone. Time slowed into something unbearable, something suffocating. Pietro had always outrun grief before, always left it in the dust, but your death? That was a weight even he couldn’t shake. He stopped joking. Stopped running for fun. The world lost its color, its spark, its meaning. What was the point of moving quickly when you weren’t at the finish line anymore?

- He tried—he really tried—to pretend. To act like he was okay, to throw on that smirk and tell people, “Eh, I’m fine.” But Wanda knew. She saw it in the way he sat still for too long, the way his hands trembled when he thought no one was looking, the way he lingered in places that reminded him of you. His speed was once his escape, his freedom. Now, every step forward only took him further away from the last time he held you.

- And then—then he sees you. And for the first time in his life, he can’t move. He just stares, his heart a violent drumbeat against his ribs, his breath caught somewhere between a sob and a laugh. “No,” he whispers, blinking rapidly, because this has to be some sick joke. “This isn’t real.” But you are. And the moment you take a step toward him, he snaps.

- He moves too fast, too desperate, grabbing you like you might vanish if he lets go. His hands cup your face, his lips press against every part of you he can reach—forehead, cheeks, hands, lips. “You’re real,” he gasps between kisses, between shaky laughter and choked sobs. “You’re—you’re real.” And suddenly, the world isn’t slow anymore. You are his new gravity, the only thing keeping him from spinning out of control.

- After that, Pietro is obsessed with feeling you close. He picks you up just to hear you laugh, carries you even when you insist you can walk. He talks more, filling every silence with his voice because silence is what haunted him for a year. And he touches—not just because he wants to, but because he needs to. Holding your hand, leaning against you, brushing his fingers over your cheek just to remind himself you’re here.

- And at night, when he curls around you in bed, his heartbeat thrumming like a song against your skin, he whispers things he’s never said before. “I thought I lost you forever.” “I never stopped looking for you.” “If you ever leave me again, I swear I’ll outrun death itself to bring you back.” And when you tell him you’re here, that you’re not going anywhere, he presses a lingering kiss to your shoulder and finally—finally—lets himself breathe again.

Erik Lehnsherr (Fox)

- Erik was already a man carved from loss, molded by grief, his soul tempered in the fires of tragedy. Losing you was not just another wound—it was the moment he snapped completely. He did not rage. He did not weep. He simply became something else. Harder. Colder. More dangerous. Without you, there was no reason to hold back. No reason to believe in anything but vengeance.

- The world paid for your absence. He became relentless, his war against those he deemed responsible for suffering escalating beyond reason. He did not believe in mercy anymore—because if the world had shown you none, why should he? But in the rare, silent moments when he was alone, when his hands were still for once, he would stare at the space beside him and feel something that terrified him. Emptiness.

- When you return, he does not react as a man should when seeing his lost love brought back to life. He does not run to you. He does not whisper your name like a prayer. He simply stares, cold and unreadable, his mind calculating every possibility—illusion, manipulation, deception. And then—then you reach for him, and the moment your hand touches his, his composure shatters.

- His hands shake as they frame your face. His breathing is shallow, his eyes burning with something unreadable. When he speaks, his voice is low, trembling with something dangerous. “Who did this?” he demands. Because someone had to bring you back. And Erik Lehnsherr does not believe in miracles. But when you smile—when you whisper, “I’m here, Erik”—his fury dissolves into something broken, something human. He kisses you like a dying man gasping for air, his hands gripping you as if afraid the wind might steal you away.

- After that, Erik is ruthless in his protectiveness. He keeps you close, watches you with the sharp gaze of a predator waiting for the world to try and take you again. But in private, in the spaces where no one else can see, he is something else. His hands are reverent as they hold you, his voice is soft when he speaks to you, and his nightmares—the ones filled with loss—fade when you press a kiss to his temple.

- He does not believe in peace. He does not believe in forgiveness. But he believes in you. And that? That is the only thing in this world he will not let go of again.

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capslocked · 1 year ago

Text

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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redeemingvillains · 4 months ago

Text

the apothecary's rebel - mattheo riddle

summary: hogwarts' bad boy can't seem to find a way to stay out of the infirmary where you're working to become a healer, but as the stakes get higher, you struggle to understand if you're simply a means to an end, or something much more.

word count: 4k

warnings: mentions of severe injury, broken bones, blood, etc.

a/n: this is so tropey and i'm not sorry about it! credit as always to the lovely @pizzaapeteer who has definitively determined that mattheo's favorite quidditch team is the falmouth falcons, which i will faithfully honor in every fic that i write.

The first time you met Mattheo Riddle, he had rivulets of blood pouring from his nose, crimson and amber; it stained his white collared shirt and seeped into his emerald tie and dark robes but despite it, he was smiling, laughing actually as his eyes glinted at Professor McGonagall who was dragging him alongside her into the infirmary.

"Please, Professor" he implored, "I can't help myself when someone runs their mouth like that, I can't, it's like a curse or something, my fist just flew to his face, what was I supposed to do?!" He was smirking as he looked at her, but she ignored his gaze as she yanked him before you.

"Enough, Mr. Riddle!" she said shrilly.

He tugged his arm out of her grasp. "I don't need the infirmary, m'fine" he huffed, rolling his eyes.

"You're dripping blood on my floor" she retorted, pointing to the maroon spots at his feet.

He glanced down and then wiped his nose with the back of his hand, smearing the blood further across his face.

"Ms. YLN!" McGonagall said, making it clear that he was your problem now as she squeezed her eyes shut in aggravation then spun on her heels and left.

You stood from your desk at once startled and awed by the situation, but Mattheo's gaze followed McGonagall out of the room.

"M'fine, I don't need anything" he repeated as he continued to swipe at the blood that wouldn't stop running.

You begged to differ as you took in the gash on the bridge of his nose, and the early signs of a black eye. You handed him a cloth which he stuffed under his nose halfheartedly, barely glancing at you, and before you could do anything else, he jogged back to the doorway, peered around the corner and disappeared.

Your week went by without anything nearly as exciting occurring beyond the normal bumps, bruises, and burns from spells and potions gone awry before you saw him again, this time of his own volition.

He caught your eye as his large framed graced the doorway. He was dressed for quidditch, still in his shoulder pads and Slytherin practice jersey. His dark curls were windblown and his cheeks were flush with exertion; sweat glistened on his brow and you thought fleetingly to yourself that no one had the right to look that sweaty and that good at the same time.

You stood from your desk to approach him, eyebrow quirked when he held up his hand by way of explanation, where two of his fingers were bent the wrong way, clearly broken. You motioned wordlessly for him to sit on the nearest cot.

He sat and immediately focused his attention out the window, peering like he was hoping to see the quidditch pitch from his vantage point.

You gathered a few supplies and approached him and he thrust out his hand, eyes never leaving the window.

"Go on then, get it over with" he said shortly. "I wanna get back to practice."

Unbeknownst to you, he was no stranger to broken bones, nor the sharp, relentless pain that came with the healing process and he was doing everything he could to steel himself for it.

Your touch was warm and tender as your fingers gently examined his hand.

"What position do you play?" you asked.

"Beater" he said simply.

You handed him a dose of healing and numbing potion, which he chugged in one go, thinking briefly that it tasted much better than he remembered.

"Are you any good?" you continued as you took the vial back from him and continued your work on his fingers.

"Are you joking?" he asked, laughing humorlessly.

You shrugged innocently, a sly smile on your lips, though you never broke your focus.

"Yeah, I'm good" he said. "Best Slytherin has seen in a while. We might actually have a chance at the cup this year if Flynt can keep his head straight and Goyle can stay sober long enough to sit on his broom."

"A daunting task" you teased.

He laughed genuinely this time, your humor enough to garner his attention and break his gaze from the window as his eyes fell on you instead, and you could feel yourself flush under his notice.

"Harpies or Cannons?" you asked, trying to guess his favorite team.

"Falcons" he said, smirking at your knowledge of quidditch.

"My brothers root for Ballycastle, but I'm partial to the Magpies" you replied.

Now he was flat out impressed and had about a million questions for you, but just as he opened his mouth to ask them, you step back and smiled.

"You're all set!"

He thought you were joking until he looked down at his carefully bandaged fingers.

"You should be able to grip your broom just fine. Put some ice on it after practice if you can, otherwise it will hurt like hell when the potion wears off."

You were gathering your supplies as he wiggled his fingers with trepidation. He felt a dull ache, but nothing more, and he could easily grasp his broom despite his mended fingers with the unique way you'd wrapped them; it'd felt better than any mending he'd had before and whether it was your talent or the deft way you'd distracted him, he couldn't stop himself from muttering "S'bloody brilliant."

"Thanks" you said genuinely, feeling the heat return to your cheeks as you shot him a playful smirk of your own. "Best Ravenclaw's seen in a while" you teased, echoing his words from earlier before you walked back to your desk.

The rest of the afternoon you found your thoughts wandering between the books you were trying to study and the boy with dark curls and a smirky grin who seemed magnetized to mischief, how even the brush of your fingers against his strong, calloused hands had had you struggling to focus on healing, the very thing that came most naturally to you.

You were both happy and disappointed that you didn't see him soon thereafter, glad perhaps that he was keeping himself out of trouble and in one piece. You caught glimpses of him occasionally in the busy corridor between classes or in the Great Hall surrounded by his raucous group of friends, but you tried your level best not to stare, in turn missing his equally ardent attempts to catch your eye.

It was perhaps three weeks later that you awoke late on a Saturday night to a muffled pounding on your bedroom door. Bright moonlight shone through your curtained window as you struggled to get your bearings and the pounding relented, heavy and urgent.

Occasionally, Madam Pomfrey summoned you in an emergency and your heart trilled as you pulled a large sweater over your lace and silk pajamas. You moved quickly to open the door, only to find Mattheo slumped and leaning against your doorway.

He swung his head to look at you with noticeable effort and you couldn't hold in your gasp as you took in his face, scraped and dirty with a large cut on his eyebrow that you were already calculating would need stitches, and a smaller but sizable cut to match on his lip. His mouth was bloodied and the gash on the bridge of his nose was back.

"Gods, Mattheo" you whispered as you reached for him. "Let's get you down to the infirmary."

"S'four inthe mornin' m'not gonna explain to them why I looklike this" he said, his speech slurring as he moved to brush past you into your room.

"Can'tyou fix me n'here?" he asked, as he swayed and you moved to support his weight.

"I-I don't have what I need, I don't have any numbing potion..." you tried to say.

"Can't hurt more'n it already does" he huffed as he sat on your bed.

The sight of him there, rumpling your sheets caught every last word in your throat and you busied yourself grabbing what you could to buy time to still your racing heart.

"What happened?" you asked, finally.

"Me'n the boys got into one" he said, not offering more in the way of an explanation as he glanced around your room, making you feel exposed.

"And where are they?" you asked, glancing for a moment back at the door like they might follow him in.

"I wasn'about to drag five ofus n'here" he said with a smirk.

I wanted you all to myself he thought as he tried with significant effort to focus on you as you came to stand between his spread legs. Your sweater was falling off of your shoulder to reveal thin, silk pajamas that covered next to nothing; your hair was rumpled and wavy with sleep, giving you a relaxed and tousled look that had his mind racing with the image of you tangled in your sheets.

You held his chin softly in your hand, turning his head slowly to the right and to the left. You could smell firewhiskey on him, and could see the pupils of his eyes blown wide as they looked unwavering at you in a way that made your legs feel like jelly.

"You might have a concussion" you said quietly, focusing on the facts instead of the fantasy in front of you.

"Probably" he agreed, his voice thick and raspy.

Your eyes shifted from his strong gaze to focus on his hands, attentively wiping away the dirt, gravel and blood from his knuckles, your fingers running down his palms. His eyes fluttered, thinking you had no right to make him feel this good by touching his hands, and then immediately he thought about your touch anywhere, everywhere else.

You leaned further into him to attend to the cut on his eyebrow, softly whispering the spell to mend it, close enough that he could feel your breath against his skin and he closed his eyes in earnest, letting your words wash over him, calming him from what had been an intense and violent night; they didn't flutter open again until you gently touched his lip.

"Sorry, did that hurt?" you asked.

"S'other ways you could make it feel better" he said, smiling widely in way that set a twinkle in his eye.

"Very funny" you said, redoubling your efforts, without realizing that for once he wasn't joking.

He reached out a hand to grab your waist, attempting to pull you into him, but you mistook it for an effort to steady himself and set a hand on his shoulder.

With the amount of alcohol in his system you thought, there is little to no chance he remembers any of this.

Mattheo woke with a throbbing headache and for the life of him he couldn't piece together why his friends visibly looked like they'd lost a brawl, while he looked...fine; his hands and face were clean and his split lip and eyebrow were reduced to small cuts and scrapes, nearly healed.

He had a foggy memory, like a dream, of you tracing your fingers over his lip, a touch he retraced now like he could feel you on his skin, could feel your warmth from being pulled out of bed, and then he remembered how good you'd smelled, like vanilla and amber... Had he really gone to your room in the middle of the night? He would almost be embarrassed if he didn't feel so fucking smitten about it.

The group dragged themselves to breakfast, hoods drawn; Theo even sported an oversized pair of sunglasses, whether to cover his black eye or to abade his hangover, no one was sure. They were talking in rasp whispers about the night before when Mattheo caught sight of you leaving the Great Hall with a few of your friends, his feet moving on autopilot towards you before he knew what he was doing, breaking rank to his friends' bewilderment.

"Hey" he said, catching your attention. "I-uhh, thanks for last night, I guess" he smiled, even as he carded his hand through his hair, a bit abashed.

"I am genuinely surprised you remember any of it" you said, laughing.

"F'course I do" he said confidently.

"So, you'll keep your promise then?" you retorted as you cocked your head expectantly.

Promise? What fucking promise?

"Yeah, of course I will" he said, even as his mind drew a complete blank on what you were referring to.

Your eyebrows shot up as a wide smile graced your lips and you crossed your arms, ready to challenge him before you were interupted.

"—Wait, is this her?" Theo barged in, pushing Mattheo aside, the others following closely behind.

"Can she look at my nose?" Draco tried. "I think that fucker broke—"

"—No. Stop, stop it." Mattheo said, dragging them away from you gruffly as you laughed, waving to Enzo who was waving eagerly to you despite Mattheo's efforts to contain him.

Your cheeks were crimson. He'd told his friends about you.

That giddiness carried you throughout your day. You felt like you were floating from class to class, like a fifth house ghost, your spirits high even as you resigned yourself to the infirmary that evening while the rest of the school made their way to the quidditch pitch for the final game of the season, the House Cup: Slytherin versus Gryffindor.

A dark storm had settled over the mountains and the last of the sun disappeared behind large, black clouds that brought with them torrential wind and rain that you watched cascade in sheets against the windows. You were disappointed to be missing the game, missing the chance to watch Mattheo play, but you were also happy to be inside, dry and warm.

You settled into your book, trying your best to enjoy it, but you found yourself reading and re-reading the same sentence over and over again, unable to clear your mind from the night before, the way Mattheo settled effortlessly on your bed in a way that even now had your stomach clenching, the way his dark eyes followed you in the white moonlight, the way he smiled under caked blood and the warmth and softness of his skin and his lips under your fingertips; and finally the way he'd grabbed you, perhaps stronger than he'd intended, fingers pressing into the thin silk that covered you, leaving imprints on your skin. Your heart was racing and you felt warm at the memory as you set your book down and exhaled shakily.

It wasn't a moment later that you heard a commotion in the corridor, loud voices and shuffling feet before a large group burst through the doors, professors and students crowding around two quidditch players, the sight making your heart constrict in your chest, until you noticed a red jersey on one and the flash of Draco Malfoy's bright blonde hair on the other. You scurried to help guide him to a cot as he groaned, his eyes squeezing in pain as a gash on his forehead dripped blood down the side of his face.

"What the hell happened?!" you asked Professor Sinistra who had a deep frown set on her face.

"The storm is making it impossible to see anything, they should have cancelled the damn match" she said. "These two collided and there's another one coming - he tried to grab Malfoy and took a bludger straight to the knee before falling 60 feet to the ground."

Draco continued to writhe in pain in front of you and Professor Sinistra was still talking but she sounded distant, almost underwater, because dread and fear had settled over you. Somehow you knew before you turned around that the third player was Mattheo, and you glanced over your shoulder in time to see him being supported between Theo and Blaise.

He was limping on one leg as the other dragged uselessly beneath him. He was soaked through, his hair stuck to his forehead and his jersey stuck to his skin. He was covered in mud and his face was like stone, marble white as he stared sternly at a spot on the ground, jaw clenched.

You dropped what you had been doing, rudely brushing past Professor Sinistra and rushed to his side.

"Here, put him here" you said to Theo and Blaise, leading them to an empty cot.

"Nahh - fuck - get someone else" Mattheo said sharply in a way so cutting and raw that you froze, like his words had struck you like a charm.

"W-What?" you said as the boys lowered him to the bed, exchanging glances.

"You heard me YLN. Get someone else!" he said angrily, almost yelling.

You turned to face the rest of the infirmary which was in a state of utter chaos between the nurses, students and professors running back and forth; the raging storm outside cracked and boomed, setting you further on edge.

Tears welled in your eyes at how overwhelmed you were and how angry Mattheo was. Your head was spinning. Clearly he didn't care about you at all, you had been a convenience, a means to an end, someone who could patch him up when he was too drunk to go to the infirmary, and he'd used his good looks and charm on you like he did everyone else to get what he wanted. You had been an utter fool. Now his injuries were serious and he wanted someone with experience, not some girl to exchange flirty banter with.

Your eyes scanned the room again and you swiped angrily at your cheeks as several tears escaped.

"Well, there isn't anyone else, Mattheo" you said, the realization hitting you simultaneously that you were responsible for him.

He groaned in annoyance and threw his head back on his pillow, which Theo and Blaise thankfully took as their cue to go. You drew the curtains behind them, struggling to calm yourself, to get a semblance of control.

"You took a bludger to the knee?" you asked. "What else, where does it hurt?"

He was silent, face grimaced, refusing to make eye contact with you.

"Suppose I'll just have to undress you and find out for myself then?" you tried. But even that didn't work as he remained quiet and shame and embarrassment set over you.

You took a steadying breath and quickly wiped another errant tear away before approaching him cautiously, moving to unlace his boots as gently as you could, but even that caused him to tense. Delicately, you began to cut his trousers from the bottom and within three snips could you see a sicky swelling letting you know that this was bad....very bad. He'd well shattered his knee and likely broke his fibula and tibia too, his entire leg was a disaster. You had no idea how he'd remained so calm despite it all and you were worried that this might be too complex for you to mend.

You mixed him a strong healing and numbing potion and he took it from you wordlessly, gruffly. Gone was his bashful smile from this morning, the twinkle in his eye, it was like he wanted nothing to do with you, downing the potion in one go, still refusing to meet your gaze.

"Mattheo, I can't imagine how painful this must be, but I'll fix it, I-I promise" you said.

His eyes shifted darkly to you for only a moment, anger and distain clear in his gaze before he looked away again, never saying a word.

You applied just about everything you'd ever learned about mending bones, tendons, muscles and sinew and within moments of taking the potion, Mattheo had fallen into a deep sleep, allowing you to work without fear of hurting him further. It took the better part of two hours, by which time the rest of the infirmary had settled and Madam Pomfrey came to check on you. She was difficult to please, but she scrutinized your work with a sharp eye before complimenting you thoroughly, you had done it.

You were depleted, exhausted, both physically and emotionally but you didn't stop as you wiped the caked mud from Mattheo's cheeks and gingerly cut away the rest of his wet clothing, fearful he'd catch a chill, thinking you deserved some sort of medal for your level of professionalism as your fingers traced his strong muscles, veined arms and faded scars. You pulled a blanket over him, charmed to stay warm before you finally slumped into a chair at his side.

Your entire body was tense, and your muscles were sore. You let yourself catch your breath as your emotions finally caught up with you and you bit your lip to keep from crying at how foolish you felt.

Madam Pomfrey poked her head through the curtain. "You're free to go" she said quietly.

You glanced back at Mattheo before turning to her. "I think I'll stay...just in case" you whispered.

She pursed her lips knowingly before nodding curtly and walking back to her station at the far end of the room.

It could have been minutes, it could have been hours, but eventually you fell into a fitful sleep riddled with nightmares of falling into deep darkness with nothing and no one to catch you.

Mattheo came to in a haze, enveloped in a soft warmth that brought a smile to his lips; for some reason, it reminded him of you, and it smelled like you, like warm vanilla and amber spice. As if in a dream, a memory came rushing back to him, of another time he was engulfed by you, of feeling your gentle touch on his lips in a way that made them tingle even now.

"How'sthis" he said. "I promise if I'm ever this'fucked again, and you haveta take care o'me, I'll take you ona date?" Your eyes shot to his, shining against the moonlight streaming into your bedroom and he clocked the twitch of your lip, the rose of your cheeks, Gods how he loved to make you blush. "Yeah?" you said jokingly. "Yeah" he said, feeling confident. You refocused your attention on his lip, your touch soaking through him like sunlight. "Well, for your sake, I hope that doesn't happen, you're a mess" you chided. Then, quietly, "But for mine, I look forward to it."

His heart soared and he reached for you only to come back with empty hands. He continued to grasp for you until his eyes fluttered open and he realized where he was. The memory of the game came rushing back to him, the flash of thunder and lighting, the fear of seeing his best mate falling off his broom as he raced to grab him, and then the crunch and splitting pain of his knee shattering, the scream he'd let out that was drowned by the storm.

His stomach roiled as he relived the way his friends had dragged him back to the castle, how every bump of his foot felt like torture. He tensed now, waiting for the pain, nearly nauseating himself with the memories, but he felt...nothing. A dull ached radiated from his knee and it felt stiff, but the sharpness was gone, replaced with a pulsing warmth.

His eyes blinked in the low candlelight, coming to rest on you, curled uncomfortably in a chair next to his bed, and he realized he should have known, should have recognized that you were the constant peace on the other side of his pain.

You were asleep, but your face was scrunched in discomfort, in concern and he clocked the smudge of your eye makeup, the loose strands of your hair falling on your face, and the fact that you were wearing the same clothes from earlier this morning, when he'd made you smile. Now, you looked distraught, upset and his stomach clenched as he remembered the way he'd spoken to you.

He had been in so much pain and pain is weakness he could hear in his head over and over again as he'd tried unsuccessfully to fight it. She's going to think you're weak, pathetic. He didn't want to be weak in front of you, he didn't want you to see him that way. He was proud when you mended his busted knuckles, his split lip, or even his smashed fingers, you didn't need a weak, crying git. But then he remembered the crushed look on your face as he'd yelled at you, and he realized he'd been a git all the same.

"Hey" he said, his voice coming out quieter than he'd intended, scratchy with sleep.

"Hey" he tried again.

You woke, startled. "Are you alright?" you asked, bolting upright in your chair, setting a hand on his arm. "Here, let me check your—"

"—I'm fine" he said, laughing. "More than, actually."

"Oh" you said, settling back down. "Good."

A moment of tepid silence passed between you.

"Look, m'sorry about earlier" he said, his sleep ridden voice coaxing your eyes to meet his as he opened his hand on the bed beside him, stretching it out for yours.

You hesitated, pursing your lips, and he could tell you were hurt.

"Can you keep a secret?" he tried.

You nodded.

"That fucking hurt, a lot" he exhaled as he let his vulnerability show.

"That's not really a secret. You shattered your knee, fibula and tibia, Mattheo, and you also have three bruised ribs and two more broken fingers" you said, pointing to his other hand.

"Well, would you look at that" he said smartly, twiddling his fingers back and forth.

"Draco cried harder over a hairline fracture, you'd have thought he was dying" you laughed quietly as you rolled your eyes.

Mattheo let out an earnest laugh at that before he grabbed his side.

"Do not tell him I said that—"

"—I am absolutely telling him you said that!" he said cockily as you both laughed until you fell into silence again.

He opened his palm again and you moved closer, setting your hand in his, which he enveloped in his warm grasp, gently rubbing a thumb over your fingers.

"I didn't want you to think I'm weak" he said finally, the truth settling over both of you like a blanket.

"Pain isn't weakness, Mattheo" you said simply, and the fact that in one instant you had understood exactly what he had meant had his dark chocolate eyes locked on yours.

"And anyway" you continued, "you don't have a weak bone in your body, your pain tolerance must be through the roof."

He didn't have the heart to tell you he hurt just like everyone else, he'd just had more practice with it, so he shrugged.

"Well all things considered, I feel great... thank you" he said, twirling your fingers together before tugging them gently, pulling you to sit on the bed beside him, close enough to feel the warmth between you. "I do have a couple of complaints though."

Your eyebrow quirked, suddenly serious.

"You got me nearly naked here before I could take you on that date I promised, hardly seems fair" he smirked.

You blushed, opening your mouth to defend yourself. So he did remember after all you thought.

"I'm kidding" he said lightly. "But start thinking about where I can take you. A promise is a promise."

You couldn't hide the smile on your face even as you tried, glancing into your lap, your cheeks Mattheo's favorite shade of blushed red.

"And what else?" you asked, trying to deflect.

"You missed something. I think I fucked my lip up, real bad" he said.

Your eyes twinkled as they looked at him, glancing briefly at his perfect lips, free from any mark or mar.

"I don't know, I don't see anything" you said, jokingly, taking his face in your hand, pretending to examine him.

"C'mon, c'mere you've got to get closer" he teased, pulling you into him, so your noses were nearly touching, your heart pounding in your chest.

He paused, relishing the moment, letting his fingers trace a line from your cheek to your jaw, letting your lips hover a breath away from his before he cupped your face and closed the distance between you.

He kissed you tentatively, softly, with a tenderness that made every inch of you feel like melted honey but it was only a breath before his restraint broke, intoxicated by you and every moment he'd daydreamed about the way you'd feel against him, the way you'd taste as he cupped both sides of your face and pulled you further into him. You grasped for purchase as the blanket between you slipped revealing his bare chest and you wound your arms around his bare shoulders, tangling your fingers into his hair, eliciting a muffled moan from deep within him. You nibbled his lip playfully before you pulled back, and he grasped you harder, fighting the distance.

"How's that?" you asked, breathlessly.

"Still unbearably painful, gorgeous, keep trying" he smiled against your lips before kissing you again.

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