#but then the show makes me laugh

[twentysidednerd]

i’ve only ever been on one official date in my life and the only good thing that came out of it was me getting into the show Smiling Friends because the guy i went on the date with wanted to watch something to end the night

me having more interest in the show than actually being on a Date™️ probably should’ve been the first sign of a lot of things for me but i regret nothing lmaooo

anyway, stream season two. it’s really good so far :))

[mychemicalbrromance]

Guys ive been reading peak

[saragrosie]

Sketching while streaming s5...

Jonathan Sims I will learn to draw you (this is my doing. I could draw him however I want and I choose to stick with an image of him in my brain that is difficult for me to draw. Masochism.)

Not s5 Mahtins below I enjoyed drawing cuz hes neat:

(Edit: I yassified Martin in the do not separate cuz I wanted his hair fluffier)

[anti-anticheese]

All right. Let's hit The Road.

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[stargirl230]

kaito screencap redraw! plus my favorite panel from the scarlet return arc lol

I've been reading detco for like 2 years and the unhealthy obsession fanart motivation finally caught up

(no reposts; reblogs appreciated)

[simply-ewok]

simon riley hates seeing those dumb videos that pop up on everyone’s phone. they’re addictive. filled with nonsense and ads. and then you tell him you’ve lost hours to them scrolling on a single app? no. what the fuck do you mean, lass? he hates when you press him to “just look, si! pleeeaasee, see?” and it takes him forever to even amuse you by glancing briefly at your screen, only to see a picture to music of two bottles (ketchup and mustard) with the caption “us” below it. and the first time he responds with a blank stare at you, but while he shakes his head as he walks away even he would hate to admit that he smiled… time goes by and you show him another odd reel here and there, him always playing the unapproving lieutenant, before eventually, you notice he’s asking you “what’s tha’ one wi’ the two cats again?” or “i like tha’ one of th’ dog”, and you can’t help but giggle, knowing full well what you accomplished.

it evolves to the point of you sharing your brain rot memes with him and you’re able to hear a stifled chuckle from beneath his mask, despite his efforts to hide it.

[hanfocus]

🤨🎧...⁉️

[sans-enjoyer]

more object shows!!

[westanovencleaner]

percy looking off to the side at annabeth right before he's about to sing the consensus song 'cause he's a twelve-year-old trying to see how the girl he likes is going to react to some dumb shit he's about to do yeah I see you man

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[thwackk]

I think about this clip at least once a day

[kimtaegis]

three superheroes, anpanman! for @sopekooks ♡

cr. jung-koook

[fallenspirit]

i can't stop laughing at linda screaming "he's dead! go away, he’s dead!"

[isabellaofparma]

[tianhai03]

hi hello long time no see and happy halloween everyone. have some michael myers doodles🔪