#but the tone is generally light-hearted and whimsical

[isfjmel-phleg]

No, Goodreads, rereading Ozma of Oz does not mean that I want to read Wicked next. In fact, being a fan of the original series makes me extremely less likely to want to pick something like that up.

[themousefromfantasyland]

I propose the existence of a genre of film: the Storybook Movie.

What's the Storybook Movie?

The Storybook Movie is a light-hearted musical fantasy adapted from or just inspired by fairy tales and children's stories in general.

So, basically the first thing you automatically think about when you hear the words "Disney film"

So, why not just use the term Disney film?

Because just being made by Disney doesn't make the film fit in with these story structures.

For example, Wreck-it-Ralph, Meet the Robinsons, and Zootopia are Disney films, but they aren't exactly what you expect from a Disney movie.

And Anastasia, Over the Moon, and several of the direct-to-video Barbie movies technically fit in with the rules I laid out about the genre.

Technically, the Wizard of Oz was the biggest example of a Storybook Movie made outside of Disney. It was made specifically because of the success of Disney's Snow White, and it's a light hearted musical adaptation of the L. Frank Baum's story.

So, why not just use the term "Fairy Tale Movie"?

Because although many Storybook movies technically are Fairy Tales movies, not all fairy tale movies are Storybook movies.

The Wizard of Oz is not a fairy tale film, but it's in the genre. And so it is Willy Wonka.

I consider Willy Wonka & the Chocolate Factory as a Storybook Movie. It shares tone, themes, story structure, and tropes with the Wizard of Oz and several Disney movies.

Now compare Cocteau's La Belle et la Bete with Disney's Beauty and the Beast. Both are movies adapted from fairy tales. Both are inspired by the same exact fairy tale. But noticed how they diverge in how they tell the story. How one is much more light-hearted, whimsical, and uses music to tell its story.

This is the Storybook Movie, and honestly, I wish we had more good films made outside of Disney since it's one of my favorite genres of films.

[noahowls]

Chapter 3: Good luck, honey!♡°.

Audience: General

Pairing: Willy Wonka x Felix Fickelgruber

Summary: A big event is comming up and Willy's going into a bit of a frenzy because of it. He needs a bit of help and luckily, Felix's there for him

Content Warnings: None

It's happening, it's really happening. How can he do this? It's tommorrow, time is ticking, the clock is ticking. His heart's beating. What if his voice cracks? What if he forgets the script? What if the audience hates it? These words swirled in his head endlessly like a broken record.

So, let's start from the beginning. Basically, Wonka got an invitation in the mail to a huge event. It was perfect since he had a new recipe for a special chocolate. It had to go right.

At the start, it was going smoothly. His chocolate recipe tasted amazing, but as the event date got closer, he was on the edge. He spent days without rest on things like scripts, so they're perfect. The poor man was frustrated with himself when he couldn't create one he deemed "good enough." Self-doubt was drilled into him.

So yea, he was having trouble. As the chocolate maker's mind spiralled, the door creaked open. An older man came in with his green suit, Felix. "Is everything alright, darling?" He said in a gentle tone. But his heart dropped with Willy's dark eyes of having no sleep, messy table, and his heavy breathing.

"Willy, it's time for a break,"

"But-"

"No buts, Willy" he shushed the younger man.

After the curly-haired took a nap, he sat with Felix in his office. His shoes clicking on the oak floor. He twisted the knob and met Felix's office. He took a chair and sighed.

"Darling, are you feeling stressed about tomorrow?" Felix asked in a conerned tone.

The shorter man nodded in response.

"Oh Willy.." Mr. Fickelgruber sighed, he was concerned for him, "Take a deep breath for me."

He inhaled, then exhaled.

Felix reassured Willy that his dessert and script is perfect, to try and talk slow, and he had nothing to worry about. Although that last part didnt really help Willy, it kinda pissed him off. Not worry about it? How!? Well at least the older man realized his mistake.

"Sorry, I didn't mean as your feelings dont matter! I meant as in the audience wouldnt mind all too much. They'd already be impressed with your new idea!" Willy cooled down after that conversation, the ends of Felix's lips tugged into a smile.

It feels better now. After a couple of readings to Wonka's audience, his plushies, confidence grew in him.

So, it's now the big day, oh boy, his heart's beating.

The crowd was of tens of thousands of people. The sounds were overwhelming. Reporters were everywhere. The noises were overwhelming. There were famous chefs and bakers on stage posing. Cameras were clicking.

He was behing the thick, velvet curtain. His mind was about to spiral into a hellhole: what if he forgets the script? What if the audience laughs at him? What if- what if- until he remembered, breathe in.

A hand reached out and lightly patted Willy's back, soothing him. It'll be alright with Felix around.

"Just remember: be calm and speak slowly"

"Thanks, Felix.." Willy smiled.

It was time for the chocolate maker to go on stage now. The announcer called the chocolate makers name and the audience clapped. As his leaky, but clean, boots clicked on the carpet the audience cheered, the cameras clicked. Everyone was on edge for his silly and magical personality and whimsical sweet treats. They all wanted to see his sweet and light-hearted personality to cheer up their day up. Mr. Fickelgruber was standing near the curtains to the audience.

And as he looked at the crowd and bowed, he heard Felix's words, "Good luck, honey!"

[bulgariansumo]

My brain wants to ramble about Mario movies, so I will do that. There will be bias, and there will be spoilers, but I think I'm going to at least put the section about the 2023 movie under a read more. Let's begin.

Super Mario Bros.: The Great Mission to Rescue Princess Peach! (1986)

My love, my light, my heart.

Making a movie based on the Mario origin story(?) of "guys stumble into fantasy world, save princess from monster" is difficult if you don't add something to it, but adding things comes with the risk of deviating from the source material’s vibe, since it’s so simple. It’s the same problem with movies based on Dr. Seuss books.

Something a lot of people don't realize when watching this one is that Super Mario Bros. only came out a year prior. The people tasked with making this movie had very little to work with. Luigi didn't even have a consistent color scheme (though prior to this, he was always depicted with green somewhere.)

This movie’s solution to these problems? Keep it simple. Mario and Luigi spend the movie collecting "the three legendary powerups" with a dog and then go fight Koopa. They have misadventures on the way, and Mario eats Mario-branded ramen. It's fun, it's silly, it's goofy!

This is all accompanied with a charming art style that really takes advantage of the ability to push character expressions. For the cast, we have:

Mario - He’s not the smartest, the strongest, or most fearless, but he’s determined, and sometimes that’s all you need. This movie depicts him as a lovestruck dreamer, so a good chunk of his lines involve him calling out to “Piichi-hime~” Also, he’s a gamer. His character is nothing unique, but it sets the tone of this movie, something that I feel like Mario’s character does in all three.

Luigi - Pickaxe in hand, his number one priority is getting his coins. He and Mario share about three brain cells total, but he lacks the idealism of his brother, trying to keep him grounded in the things that really matter: money, food, and their business as…grocers? He’s there for his brother when it counts, though. Most of the cast has their fair share of goofy moments, but he is the designated comic relief, and Yuu Mizushima’s performance serves that well. He sounds unhinged half the time, it’s great! Fun fact: This is the first time Luigi is depicted as thinner and taller than Mario.

Peach - She spends most of the time wishing that Mario would save her, as one might expect, but even this early on, she has a little bit of agency. Her first introduction is her fighting off the enemies after her, and she manages to pull a clever trick on Koopa midway through, though it doesn’t help her much.

Koopa - Very doting on Peach and willing to accommodate her whatever way he can, except for letting her go. His portrayal by singer Akiko Wada combined with the rounded artstyle makes him more adorable than menacing.

Kibidango - The dog that tags along with Mario and Luigi. He tries to be their voice of reason, but he can’t talk, and they don’t listen. He’s mostly there to help the plot along and provide a twist at the end. 

For the most part, this movie sticks to using material from the game. There’s some deviations, like the dog and a wizard, but they don’t feel too out of place and, if anything, lend to the movie’s fairy tale-like quality.

Mario games generally try to maintain a whimsical, timeless vibe, and this movie captures that best. It’s not perfect, but it's a fun little romp that I highly recommend watching at least once, only an hour long. Please watch it!

Next are my thoughts on Super Mario Bros. (1993).

I also finished my thoughts on Super Mario Bros. (2023) if you're interested.

[missputotyra]

Monster Boy Index Au - Alice Redux

so I'm Rebranding my Old Monster Boy Encyclopedia AU as Monster Boy Index, As I wanted to Redo Some Monster from the Monster Girl Encyclopedia. Some of the First Monsters Will be the " Permanent Loli" Monster as Thier Are no permanent Shota monsters in the Monster Boy Index .

The Alice was an Monster I loved but Felt Let me Down as someone who Loves Fairy Tales . But I had an Idea that I thought would Work . Also most of The Sexual Aspects were erased and/or Toned down

Monster name:

Alice

Family/Type:

Incubus

Habitat:

Wonderland

Disposition:

Varies are generally described as cruel, bratty, stubborn, childish,and temperamental by other monsters.

Info:

Alice is an Incubus who is said to take the form of a young boy. However, the truth is, they don’t stay this way forever they grow up like every other Monster they just Do it on Thier own Terms , as they usually start out as young boys who have particularly turbulent lives.

Whether they are neglected, bullied, an orphan, or have unreasonably strict parents, they have a chance when all alone to see a portal to the realm of Wonderland. Often, these boys go through it hoping to escape their turbulent lives, even if for a little while. Most of the time, these kids go through Wonderland and get back without problems.

Many others, not wanting to go back to their horrible lives, end up in the Sister Realm of Wonderland, called Sugarterra. The residents of the many kingdoms often adopted them and grew up to become Candincubus, among other candy- and pastry-themed variants of monsters like Cakehounds.

But,if a boy decides to stay and Wonder in Wonderland isn't turned into any of the other creatures in Wonderland due to the strange fauna and flora, putting a mushroom on their head or disturbing a Wonderworm on the wrong evening.

The boys who become "Alice" are incubus with very unique behavior. Alice often prioritizes building up a family unit, going after people and monsters that catch their eye, and often going for people who treated them well before becoming an Alice, often meaning whisking away friends or family members from their lives. Alice also has the habit of targeting similar troubled people.

A woman and children being abused by an ungrateful man may find themselves suddenly whisked away to Wonderland.

Alice will often assign these family roles with disregard to gender, so a man can be declared a mom, for example, and there's nothing you can do or say to make them change that until they mature, and they'll still mess with you. Alice's are really stubborn.

Depending on the Alice and Their Lives before, family units can be as basic as Mom, Dad, Sister, and Brother to having servants, nannies, governesses, chefs, and guards included in their family units.

As Alice's grows up and matures into a proper adult incubus, even when they get to the point of wanting a romantic partner, the people in the family units are never considered romantic partners.Alice's are often offended by thier families being called harems and will correct you .

When Alice find suitable Romantic partners, they often just whisk them away to thier homes to court them .Most Alice Take reject well. It's a common myth Alice don't take Rejection well.

But The "Queen" of Hearts is not a Good baseline for how Alice Tend to act , Nor is the Chess Based Black "Queen ". But Mr.Phantomhive and Mr.Rosenhearts are different topics.

The Most Distinct Feature of an Alice are its Whimsical Wings resembling the collar of a Harlequin or Jester.

-------

Notes

Adult Alices Are Some of the Least Sexual Incubus , They much Prefer Romantics to Sex. That being Said They do view Sex in a More Romantic Light. A Sacred gesture to only be done with someone you Truly Love.They are Concerned Prudes by most others Incubus.

COOKIE RUN FANDOM FORGIVE ME!! yes Sugarterra is the Name of the Realm, Earth bread and Beast Yeast are Landmasses in Sugarterra . Yes I'll going over the Candy Monster Boys when I have Ideas.

No ,I Don't Plan on any Sexual Content involving Ciel and Riddle they were just the Two that Inspired the Rewrite Do to a Roleplay.

[cambridgedesignvector2]

The characteristic elements of a depiction of "Happy Father's Day: Handsome Dad in Superhero Costume" typically include:

Playful Representation: This portrayal often leans towards a playful and lighthearted depiction of the father figure. The idea is to celebrate the father's heroism and strength in a fun and whimsical manner.

Superhero Theme: The father is depicted wearing a superhero costume, which could be a generic superhero outfit or one resembling a popular comic book hero. This conveys the idea of the father being a superhero in the eyes of his children.

Symbolism of Strength and Protection: The superhero costume represents qualities of strength, protection, and bravery that fathers exhibit in their roles as protectors and providers for their families.

Handsome Appearance: The term "handsome dad" implies a well-groomed, attractive appearance of the father figure. The illustration might emphasize the father's good looks or depict him in a flattering manner.

Father-Child Bond: The illustration might include elements that depict a strong bond between the father and his child or children. This could involve the child looking up to the father in admiration or engaging in an activity together.

Caption or Message: A caption or message like "Happy Father's Day" or "To our Superhero Dad" is often included to convey the theme and sentiment of the illustration.

Positive and Celebratory Vibes: The overall tone of the illustration is celebratory and positive, aiming to honor and celebrate the father's role in a joyful and cheerful manner.

Colorful and Dynamic Design: The design might be vibrant, colorful, and dynamic, reflecting the energy and excitement associated with superhero-themed illustrations.

Humorous or Cute Elements: Sometimes, there might be humorous or cute elements incorporated into the illustration to add charm and humor to the portrayal of the superhero dad.

This type of artwork or portrayal is meant to celebrate the fun and endearing qualities of fatherhood, acknowledging the father's significance and heroism in a light-hearted and affectionate manner.

[summer-r-storm]

A short discussion of light and dark

Have you ever noticed how people seem to treat darker topics as the more "serious and adult" form of entertainment?

Because I do and it kinda bothers me.

Light, hopeful, whimsical stories seem often seem to be connected to children, while darker topics are regarded more mature and to a point that makes sense. Children don't see the bad things in the world as we adults do or at least we try to protect them from it. Stories written for them therefore don't delve too deep into topics that are considered too dark for them.

But the thing is: mature and dark are not the same thing. Serious and depressing are not the same. A story can be lighthearted and still be very serious.

Since I am a fantasy nerd I most often see this with fantasy stories. Be it games, movies or books. And I think it was my teenage years where I first noticed this phenomenon. If a story was darker, maybe bloodier, more deadly or dealt with mature themes like sex or abuse it was deemed better or more interesting by my peers. It wasn't that uncommon to hear critisism against a more lighthearted piece of media that boiled down to "it's unrealistic". And I think that is really nihilistic? The world isn't all sunshine and rainbows, no, but it is also not a horrible hell hole. Of course people who said this could have been just some teenage edgellrds who would eventually grow out of it, but here is the thing: some never did.

One piece of media I see this jappen to a lot is Legend of Zelda. While I haven't heard the critisism that it is unrealistic, I did hear people say that it is for children and then compare it to something more "mature" like Elden Ring or Dark Souls. Which is ... wild to me? Like yeah, both are fantasy games, but the target demographic is wildly different. At this point you are judging a game based of a colour palette.

"The old story of one hero defeating evil is so overdone and boring! It's so naive."

Yeah but it's also beautiful???

The hero that saves it all is a trope that lasted generations for a reason and while you can critisize aspects of it, it is simply fun. Maybe not to all, but to many who aren't always children.

I also hear that darker subjects are more thought provoking which I don't always disagree with, but I don't think the overall tone needs to be overly depressing for that. Lots of thoughts can also arive from how wonderful the world is.

I recently started watching Doctor Who and while yes, the show does have some really dark elements at times, I would consider it a very light hearted show. Because when I think of The Doctor I think of joy and wonder. I think about his laugh and his fascination with anything new he discovers. You could call his attitude to the universe almost childlike, with the biggest questions and thoughts raised not at how cruel the world is but at how wonderful it can be.

Another piece of media that manages to find a balance so wonderfully is Lord of the Rings. I don't think I have to explain anyone how beautiful those movies are, not in what you see, but what you feel. Lord of the Rings depicts a brutal war, people dieing, victories being bitter sweet. It is a journey full of hardships but also full of love. Love for your fellow soldiers, sworn brothers, for your people and land and the world in general.

"There is good in this world, Frodo."

And it is. The hope and the light are so wonderfully balanced with the dark ess and the death.

If anyone would have made the claim these movies would have been better if they were darker and the characters were more depressed due to the hardships they suffer, I would have called them a lunatic.

I've heard people say that they don't like reading YA fiction because it is too idealistic and prefer classic like Edgar Allen Poe like ... okay that can be a preference but the tone in which it is said sometimes suggested that they think it is "better" literature. And I don't like this elitism when it comes to fiction.

The cureent remake of Avatar - The last Airbender is another good example. Why did they try to make a show that is about war and genocide more mature and therefor darker, calling it something that would appeal to fans of Game of Thrones? Did they think it would be higher Art then? Or is it just because it was a cartoon which is for kids which is why it is less?

There is a similar thing going on in the shonen anime fandom. We all like to make fun of the "power or friendship" trope but people who call it cringe or unrealistic make me raise an eyebrow. The things I did for my friends that I couldn't have done without them is insane. I published a book and yeah it was a lot of hard work on my own but the only reason I could even get that far was because of the love and support of my friends. It's a real thing and if someone says it's unrealistic I just feel pity bc it just sounds like they didn't have very good friends growing up.

Light is wonderful. Joyful happy characters are inspiring. And I say that as an enjoyer of Angst. I like my stories to be dark and fucked up and pretty much every second character of mine deals with depression of some kind. But all of those dark moments couldn't work without light. If everything is depressing what should motivate my characters to fight?

There has to be good in this world. And fighting for it by overcoming the darkness is wonderful.

If there is only dark in a story I will not like it, just as much as I won't enjoy it if we sjy away from all of the darkness that could bother us. But neither of those sides speaks of maturity or quality and I wish some people would stop acting like it does.

Anyway, that was just me rambling. Find some light in your darkness, you deserve it. ✌

[earlgreytea68]

So I know you wrote it in 2019 but im curious based off of Pete's stage designs for tourdust if that spurred any thoughts of the stage design for the Stumped Musical in your musical au fic 🐉

I wrote that musical fic very early on in my FOB fandom. I feel like it might have been the first long fic I wrote for them? And the longer I spend on FOB fandom the more I'm like, "God, Pete Wentz would looooove to write a musical" hahahaha. And also Patrick Stump would ALSO love to write a musical, I think. So I have no idea what is holding them up! Except I do think I'm probably right that Pete would write something completely incomprehensible that would totally make sense to him and to Patrick and to absolutely nobody else. And then they WOULD send a librettist in and Pete would hate it the way he hated having an editor on his actual book (another reason I love Pete Wentz lol). Like, Pete only wants one beta and that's Patrick, no one else is allowed to edit Pete Wentz. So I think, sadly, we never WILL get a musical out of them.

But! I actually think Pete has such wide-ranging interests and likes that it's impossible to predict how he would go for stage design. Tourdust is extremely whimsical and I adore that, I love how it's over-the-top and full of life and color and drama and I think that would suit their Morpheus retelling well, he would light the Underworld so luridly fabulously, I think. But then I think of, like, the aesthetic of Youngblood Chronicles, which feels on the other end of the spectrum in some ways, like, still over-the-top but in the opposite anti-whimsical direction lol. Like, YBC has the most ridiculous things happen but they're all dressed up in this hard debauched tone that doesn't land as softly as the Tourdust stuff does. And their videos likewise run the gamut in a lot of ways.

That said, if I had to put my money on it, I think Pete Wentz leans more whimsical Tourdust in general. He might love horror movies and sci-fi and stuff, but I think inside he's just full of pink cotton candy and bubblegum at heart. Like, most of their videos are light-hearted, tongue-in-cheek, comical affairs and I think Pete would go that way for staging my fictional musical, it would all be a tad too much in a fun way.

I spent way too long considering this entirely fictional question lol but thank you for it!

[gehenna-calling]

3.) 7.) & 22.) for Lyssa!

found a whole bunch of unanswered asks in my drafts, i have no memory of when this was from but thank you for asking anyway!

3. What is your OC's fatal flaw? Are they aware of this flaw?

The thing that has gotten Lyssa into the most trouble through her life and will inevitably lure her to her end is her curiosity. Her passion for new information and inability to give up on loose ends is a dangerous combination. She's pushed a lot of boundaries with her nosing into other people's business, and her slightly overeager use of Telepathy will be noticed by the wrong person sooner or later. She's aware that her curiosity has gotten her into trouble before, but the fact is that from her perspective she's never had any really bad consequences for looking into things. Even discoveries that she's used Telepathy or Aura Perception on someone against their will haven't gone that badly. The one person who might have actually taken revenge on her for reading his mind was immediately distracted by being called out as an unauthorised embrace and all the drama that came with that. (That was Zac? Anyone remember Zac?)

7. What's one way your OC has changed since you first came up with them?

Lyssa's initial concept was a lot more light-hearted, careless and chaotic. This was partially due to my lack of experience with VtM - I didn't really know what to expect and came up with a fun character concept without much context. She changed very quickly on first appearance, partially due to me realising the tone was meant to be a bit more serious, and partially because the larp group already had two chaotic Malk characters, and I wanted her to be more of a "straight man" to that. She's still got her whimsical nature, and she definitely plays up the "Malk wackiness" sometimes to put people off balance, but generally speaking she's a lot less impulsive and thinks more about her actions.

22. What character alignment would you consider your OC to be?

Oh boy I'm so bad at picking alignments. When I initially made her, I had it pencilled down as chaotic neutral, and though it edged towards chaotic good at some points, I'd say she's still pretty close to that. She's definitely chaotic - she resents systems and rules, and while she has to work within them to some extent as a consequence of, y'know, being in the Camarilla, she'd much rather leave a situation she doesn't like than try to change it from inside. Probably. Ignore that she's been entrenched in Camarilla politics for a year now and hasn't up and left because she's attached to people there. I'm less certain where she lies on the scale from neutral to good. While she is, generally speaking, a "nice" person, the actual actions she takes are generally for the benefit of herself and those she's close to - she's not actually as magnanimous as people think she is.

[eviltext]

i went to a local art gallery the other day! it deserves a good long chatty post so here it is !

so this gallery is riiiight in the middle of the busiest part of town, aka the main road, so it's really accessible and approachable for locals and tourists alike. it's dedicated to the work of a local family of artists: Irina Lebedeva, a widow who works on quilts, her late husband Mikhail who made sculptures from found objects and graphic art, and their son Dmitriy who is a ceramic artist.

the building itself has a history that goes wayy back. built in the first quarter of the 1800s to serve as a protestant church (chapel?) for a wealthy merchant's wife, it's one of the oldest in town (among those that were built for people to actually live in). it was later sold a couple of times and seemed to be the hottest venue for balls and socialite gatherings. they retained the house's inital floorplan, keeping their changes minimal and mostly purely for function, allowing it to serve as kind of a blank canvas for the art displayed inside. i have mixed feelings on this decision. sure, i love old houses and their charm, but i'm not too fond of the old staircase that's severely eroded. a nice detail they kept functional was all the old vents and a quaint little balcony with a view:

however the bare brick walls don't work too well with the quilts (i keep trying to type tapestries and correct myself. they're quilts.). bare brick is kind of a busy backdrop for the bold and bright fabrics.

moving on to the artworks themselves, the quilts are stunning to look at. they were made by Irina Lebedeva, who has been making fabric art since she was a kid who locked herself up in her parents' closet with scissors. by about 12 she made clothes for herself and her dolls. her quilts are colorful, heavily patterned and very masterfully made. most have an abstract geometric pattern,

others tell a story (cell division and night city lights were my favorite)

or showcase a scene. and some of them are huuuge! the sizes range from about the size of a large pillowcase to around the size of a door frame.

Irina Lebedeva is a remarkably skilled artist and craftswoman who still continues to work to this day.

her late husband Mikhail is also an artist in his own right, though his works are a bit more grounded and familiar to gallery goers (?). it's stated on the information stands that he made sculptures from found objects like old screws and buttons and such. i wasn't able to find a lot of these on display apart from this horse:

most of his works featured in the gallery are very quaint depictions of the town and its people. old houses, a busy market, churches, fountains and cozy little nooks in the town's underbelly. these are done in a charming graphic style on toned paper.

it really makes me want to pick up some charcoal and the wad of packing paper i used for plen-air sketching some years ago. well, someday i'll do it! it's interesting to note that both he and his wife are alumni of the college i studied at!

their son Dmitriy is a ceramic artist, and his work has a special place in my heart as i'm aiming to be one as well.

he works with red clay and uses primarily traditional techniques. these not only yield a whimsical and cute look to his sculptures, but serve to keep these ancient practices alive for longer. among the techniques he uses are milking and blackening for finishing, apart from the usual glaze or burnishing. most of the sculptures he has on display are also whistles! this is also part of a traditional local craft.

what i like about applied arts is that they are allowed to let go of the snobbism and elitism or fine art. they're also very approachable to the general public. the bulk of applied artists come from a humble upbringing. also the sculptures can be silly and funny-looking!

one of my favorites from these is the little guy #8, which is simply named "beast" <- pretty on the nose lol that is definitely a beast.

the centerpiece of the gallery is a sculpture group by Irina Lebedeva, which depicts many of the most instantly recognizable buildings in town.

any local would be able to tell you what most, if not all of these buildings are! we have the old round mosque and minaret, the big orthodox cathedral in town, most of the old merchant mansions, the old market with its thick columns are all cherished parts of the town's image. of course, they aren't really arranged this way in real life. but this composition serves as like a bite sized look into the history of the town.

what's also a sweet touch is that this gallery is a venue for many master-classes and art lessons! i really love that this project continues this recent trend of leaning into the approachable artistic aspect of the town's identity. as a gallery it's open to the public only a few days a week, but when it is, it's extremely affordable and accessible to most of the townspeople. however it's not wheelchair accessible. being located on the second floor of the building, access is blocked by the aforementioned eroded staircase. but all in all, it's a sweet little spot to go and shield yourself from the town's bustle if you don't really have anything to do. and if you catch it open.

[elliottjxo]

@lcvitatings​ | Late Afternoon at the Santa Monica Pier, April 8th

The energy of the crowds, the heightened heart rate from each song, and the sensory explosion of each performance. There’s a magic to music festivals that’s familiar to Elliott’s bones. A natural euphoria that he’s forgotten, on what’s felt like a three year bender of narcotics and vice. But it isn’t easy, and he feels the twitch of temptation with every offered bump and cold bottle of vodka. Fortunately, Maroon Studio’s line-up was getting prepped and mic’d to perform on stage. The end result has Elliott stepping outside the velvet rope, and through the rows of general admission. In between cotton candy carts and carnival games, he finds a very different type of temptation. Except instead of the usual heart-racing danger his exploits often evoke, it’s an almost uncharacteristic sense of calm.

How could that be, when the most he knows about Kirby is one evening’s worth of divulgence?

She looks just as he’d remembered, in that hazy mellow toned light. Long black hair and warm, inviting eyes that’s unfailingly wholesome. It’s like the sound of whimsical romance Elliott’s always trying to find in his music. If he were more cynical, he’d think it’s a marketing plot he’s developed himself. But she’s real, flesh and bone. And for all that Elliott’s tried to avoid attention, he can’t help but walk towards the photobooth.

He’s quick on his feet, jumping into the booth and quickly sliding over the curtain. His shoulder bumps against hers, and Elliott can’t help but smile at his own foolishness. How strange it was, to have a slight break from the overwhelming guilt of it all. “If you don’t remember me, this photobooth is gonna be sufficiently awkward.”

[twirlingballerinas0]

The Enchanting World of "Beauty and the Beast Ballet

"Beauty and the Beast" is a story that has captivated audiences for generations. From its roots in folklore to its many adaptations in books, movies, and stage performances, the tale of a kind-hearted girl and a cursed prince has become a beloved classic. But have you ever experienced this story through the art of ballet?

The "Beauty and the Beast Ballet by Twirling Ballerinas" takes this timeless narrative and transforms it into a breathtaking performance. With delicate choreography, expressive movements, and a beautiful score, it brings out the essence of the story in a way words alone cannot capture. It’s a dance of love, courage, and enchantment that leaves the audience spellbound from the first note to the final bow.

Choreography That Brings Characters to Life

One of the most magical aspects of the "Beauty and the Beast Ballet by Twirling Ballerinas" is its choreography. Each dance is meticulously crafted to tell a part of the story, conveying emotions and actions that words can’t fully express. From Belle’s gentle and graceful movements to the Beast’s powerful and commanding presence, every character is brought to life through dance.

The choreography is not just about the steps; it’s about the emotion behind them. For instance, Belle’s solo in the enchanted garden captures her curiosity and compassion, while the Beast’s solo portrays his inner turmoil and longing for redemption. The pas de deux, or duet, between Belle and the Beast is the emotional climax of the performance, where their growing affection and understanding for each other unfold in a stunning display of trust and unity.

Stunning Costumes and Set Design

A ballet is not just about the dancers; it’s a visual spectacle that draws the audience into its world. The "Beauty and the Beast Ballet by Twirling Ballerinas" excels in creating a magical atmosphere through its exquisite costumes and set design. The costumes, with their intricate details and vibrant colors, reflect the characters’ personalities and the story’s themes.

Belle’s iconic yellow dress is a highlight of the show, shimmering under the stage lights as she dances. The Beast’s costume, with its regal yet wild design, captures his dual nature — a prince trapped in a beastly form. The ensemble dancers, portraying enchanted objects like teacups and candlesticks, wear whimsical costumes that add a touch of humor and charm to the production. Meanwhile, the set design transforms the stage into an enchanted castle, a dark forest, and a quaint village, making every scene feel like a painting brought to life.

Music That Speaks to the Heart

Music is the soul of ballet, and the "Beauty and the Beast Ballet by Twirling Ballerinas" features a stunning score that weaves the story together. The music ranges from light, playful melodies to deep, dramatic compositions, mirroring the characters' journey and the shifting moods of the narrative.

The score creates a sense of magic and mystery, setting the tone for each scene. The opening music, for example, is light and cheerful, reflecting Belle’s simple yet joyful life in the village. As the story progresses, the music becomes more intense and haunting, especially during the scenes at the Beast’s castle. The final dance, where the curse is broken, bursts with joy and relief, giving the audience a sense of closure and fulfillment.

A Performance for All Ages

What makes the "Beauty and the Beast Ballet by Twirling Ballerinas" truly special is its universal appeal. It’s a performance that speaks to people of all ages. Children are enchanted by the colorful costumes, magical sets, and the fairy-tale elements, while adults appreciate the nuanced storytelling, expressive choreography, and emotional depth.

This ballet offers a fresh perspective on a familiar story. While the core elements of the tale remain intact, the dance adds layers of meaning and interpretation. It explores themes of love, acceptance, and transformation in a way that’s both subtle and profound. Watching the dancers express these emotions through movement allows the audience to connect with the characters on a deeper level.

Behind the Scenes: The Passionate Team of Twirling Ballerinas

Creating a ballet as enchanting as "Beauty and the Beast" requires immense dedication, creativity, and teamwork. The Twirling Ballerinas team includes choreographers, costume designers, set artists, and, of course, the talented dancers who bring the story to life.

Each rehearsal is a labor of love, where dancers perfect their steps, timing, and expressions. The choreographers work closely with the dancers to ensure that every movement aligns with the story’s themes and emotions. Costume and set designers add their magic, turning ideas into tangible elements that enhance the performance. It’s a collaborative effort, where everyone plays a vital role in making the show a success.

Experience the Magic for Yourself

If you’ve never seen a ballet adaptation of a beloved fairy tale, "Beauty and the Beast Ballet by Twirling Ballerinas" is the perfect introduction. It’s a show that captures the magic of the story, the beauty of dance, and the power of music, all in one mesmerizing performance.

Whether you are a fan of classical ballet or simply love a good story, this ballet will leave you with a warm heart and a sense of wonder. So, take a step into the enchanted world of "Beauty and the Beast" and experience the tale like never before.

[ronaldanthony4]

Creating digital fan art has always been one of my favourite creative outlets, and today I’m excited to share a new piece from one of my all-time favourite cartoons: Butterbean’s Café. The series has a special place in my heart, not only because of its charming characters but also due to its positive messages about teamwork, creativity, and kindness. In my latest artwork, I decided to focus on Butterbean herself, the café’s owner and the fairy leader of the Bean Team.

As I sat down to work on this art, I reflected on why I love Butterbean’s Café so much. It’s a cartoon filled with life, magic, and food—a combination that’s comforting and inspiring. Butterbean, the protagonist, is a 12-year-old fairy chef with an unwavering passion for running her café alongside her friends. The show itself is a delightful mix of animated food, whimsical adventures, and a strong sense of community. It's set in the magical land of Puddlebrook, home to anthropomorphic chipmunks, rabbits, and other creatures who enjoy the delicious creations made by the Bean Team.

My fan art captures Butterbean at her best: mid-action, with her signature whisk in hand, ready to whip up something delicious. When I started sketching, I wanted to focus on her vibrant personality and appearance. Butterbean has a very distinct look that stands out, even in a world filled with fairies and talking animals. She has these big, bright blue eyes that seem to sparkle with enthusiasm, and her brown hair is styled so neatly, with a small braid on one side. Her fairy wings are truly something special—they resemble cookies covered in blue icing and sprinkles, a design that fits her role as a chef perfectly.

In the cartoon, Butterbean's style is a blend of practicality and whimsy. She wears a white chef's jacket adorned with pink details and bean-shaped buttons. The jacket's sleek design is balanced by the bright colours that represent her playful side. I spent a lot of time trying to replicate the tiny details on her outfit, like the pink bean-shaped pocket on her jacket and the cute, glittery bean symbols on her sleeves. Her skirt, a frilly yellow and white piece, adds a burst of colour and matches the general cheerful tone of the show. Underneath the jacket, she has a simple pink T-shirt with a white collar and more bean symbols—small touches that make her outfit unique to her character. I love how everything about Butterbean is themed around her café and the food she creates.

But beyond her appearance, Butterbean’s personality was what I wanted to highlight in my artwork. She's known as the “fairy best boss,” not just because she’s good at running a café, but because of her leadership style. She’s caring, encouraging, and never afraid to try something new, especially when it comes to creating recipes. Watching her work with her friends and little sister, Cricket, always brings a smile to my face. The show has this light-hearted feel to it, but the lessons it imparts are meaningful, particularly about teamwork and perseverance.

One of the reasons I was drawn to creating fan art of Butterbean this week was because I was thinking about how she never lets challenges bring her down. There’s a sense of optimism in every episode that makes the world of Butterbean’s Café feel so inviting. In my piece, I wanted to capture her mid-action, ready to take on a new recipe with her whisk—a magical item that she uses to create her wonderful dishes. Her whisk is also her fairy wand, which adds a bit of magic to her cooking, and it was such a fun detail to include in the art.

I worked hard to make her expression as lively as possible, as she’s a character who’s always smiling or laughing, radiating joy and energy. In my artwork, her brown hair frames her face perfectly, with the braid on the side adding a cute, detailed touch. Her hairstyle never changes throughout the series—it’s as if it’s as constant as her cheerful personality, smooth and shiny even after a long day of cooking. The bright colours I used for her outfit and background help to emphasize her vibrant personality, making her stand out in the artwork. The overall composition captures the essence of her character, bringing to life the joy and magic she exudes in every episode of the series.

While working on this piece, I couldn’t help but think of the episodes where Butterbean demonstrates her cooking skills. She’s always inventing new dishes, and they’re as creative and colourful as she is. Her food reflects the magic of her world. It’s not just food—it’s art, a way of bringing people together. And that’s something I tried to emulate with this fan art. Butterbean is the kind of character who, even at 12 years old, has the wisdom and compassion of someone far beyond her years. She’s patient, kind, and never gets angry, except in one memorable moment when she briefly gets mad at her sister Cricket for messing up a dress. But even then, her forgiveness came quickly, reminding us that mistakes are just a part of learning and growing.

Drawing Butterbean’s fairy wings was one of the most enjoyable parts of the process. Her wings are shaped like cookies, a brilliant design that ties her love of food to her very identity as a fairy. They’re topped with blue icing and colourful sprinkles, making them look good enough to eat! I wanted the wings to pop out in the artwork, so I used vibrant colours to highlight their playful, whimsical nature. The wings are an extension of her personality—sweet, magical, and full of life.

The background in my fan art mirrors the setting of Puddlebrook, the magical land where Butterbean and her friends live and work. I kept the background somewhat blurred to draw attention to Butterbean, but I added hints of the colourful and vibrant world she inhabits. In the series, Puddlebrook is filled with rolling green hills, bright flowers, and bustling creatures. It’s a place where adventure and magic are always just around the corner, and I wanted my art to reflect that same sense of wonder.

Butterbean isn’t alone in her café adventures. Along with her younger sister, Cricket, she has a team of friends who help run the café: Poppy, Dazzle, and Jasper. Together, they make the perfect team, each bringing their unique talents to the café. Butterbean, however, stands out as the leader, always guiding her friends and coming up with new ideas. She’s also the one who most embodies the spirit of the show—its heart. Through her leadership, she teaches the importance of creativity, collaboration, and kindness. In Butterbean’s Café, food is a way of bringing people together, and Butterbean’s role as chef and leader showcases that beautifully.

Working on this fan art gave me a deeper appreciation for the character of Butterbean and what she represents. She’s more than just a fairy who runs a café—she’s a symbol of positivity and resilience. Even when things don’t go as planned, Butterbean always finds a way to solve problems, whether it's coming up with a new recipe or helping a friend in need. That’s why Butterbean’s Café resonates with so many viewers, young and old alike. It’s not just about food or fairies; it’s about the values of friendship, creativity, and kindness.

Creating this fan art was not only a way for me to pay tribute to a character I admire but also a chance to reflect on the joy that shows like Butterbean’s Café bring into the world. As I look at the finished piece, I’m reminded of how art, whether it’s digital fan art or a magical dish made by a fairy chef, has the power to bring people together and make the world a little brighter. It serves as a reminder of the positive impact that wholesome and heart-warming content can have on individuals, sparking creativity and spreading happiness. The vibrant colours and playful themes in Butterbean's Café fan art capture the essence of what makes the show so beloved by its audience.

In conclusion, this artwork of Butterbean is a celebration of her spirit—the joy she brings to her friends, her café, and her fans. Every detail, from her cookie-shaped wings to her bright blue eyes, represents the creativity and magic of her character. As a fairy chef, Butterbean is always thinking of others, and through this artwork, I hope to share some of the same positivity and light that she spreads in her world. For me, Butterbean is more than just a character in a cartoon; she’s a reminder of the power of kindness, teamwork, and the joy that comes from sharing what you love with others.

[existentialmagazine]

Existential Magazine’s August Music Roundup

With the month coming to a close, we’re sharing just a handful of our favourite new releases we’ve discovered this August! Sit back, put on our New Music Friday playlist and spend a few minutes enjoying fresh new tunes hand-picked by us.

Tia Louise - lavender fields

Self-proclaimed to be ‘guided by the seasons, moving through light and dark, always evolving with the natural rhythms of life’, the upcoming artist Tia Louise finds herself grounded in all things natural. With an indie-folk sound that’s crafted with fluidity and care, grown and nourished by her hard work, we see some of the most beautiful artistry of this generation — truly all because she bears her heart on her sleeve, and settles for nothing less than the most resonant of experiences. With a title like ‘lavender fields’ for her newest release, you can instantly expect to be put to ease by Tia Louise, swept up in a dreamy cascade of sound that’s warm, familiar, and healing like the presence of a close friend, a cup of tea or pink tinted skies. With haunting drawn-out backing vocal ooh’s, gorgeous acoustic guitar plucks, whimsical chimes and more that lead the soft introductory moments, the slow set-up of ‘lavender fields’ instantly establishes itself to be a respite, an escape from the constantly moving world with transportive visuals of rural countryside scenes and fresh air. Tia’s vocals soon complement the verse, bright in her tones with gorgeously rising and falling lines, all the while her partner’s richer and deeper backing vocals add a friendly comfort behind her — an addition that makes her solitary lines feel less alone, keeping her company with love and reliability throughout. Steady, gentle beats also keep the delicate pacing, pressing forwards with tranquillity at the heart of it all, appreciating the casual magic of the every day without having to be swept up in the world’s constant turning and expectations. Her lines emphasise these details that the sound sets up, singing ‘we hide under linens and love under sheets, wanna soak up your sunshine, live in your dreams, sit on the sofa and do ordinary things like folding your laundry, making you tea.’ Through a slow and easy love, she finds peace, inviting listeners into their world for their own momentary safety and softness in the everyday moments that often pass us by or become more of a burden. While the couple have been navigating a long-distance relationship between the Netherlands and London, their bond is the clearest it’s ever been in ‘lavender fields’, truly showing how you can fall for someone’s soul above all else.

Pigeon Club - Another Year In The Minors

It’s hard not to be drawn to the whimsical works of Pigeon Club, carrying both the softness and rawness of folk-rock into his enchanting releases. Gripping even more of an audience as this LA-based multi-instrumentalist now returns with new single ‘Another Year In The Minors’, a heartfelt anthem that’ll resonate with all the indie, blue-collar DIY artists out there and the unbelievable odds they face amidst the desire to create. The warm-toned sound replicates that mixed feeling well, softly unwinding through steady drum thuds and acoustic guitar strums, paving the way for Pigeon Club’s gorgeous rich vocals. Everything about it is effortlessly easy, like the feeling of being surrounded by close friends, a sunset and a crackling campfire, and hauntingly reminding of the beauty that comes with creating such fluid, audible art. That’s not to say it doesn’t carry the weight of the emotion though, singing ‘maybe today will be the day’ as an ode to the often multi-faceted nature of being an artist in this modern world, delivering both the good and the bad of sharing your heart on your sleeve whether it be heard or not. As the chorus builds with a gravelly but slow electric guitar riff, tumbling drums, soaring drawn-out vocals and shaken percussion, it really illuminates the listening experience like an old-school classic, drawing on that nostalgia we all hold near and dear. Later continuing ‘leave them wanting more’, we feel some of the pressure that comes with being a smaller musician, constantly dealing with the need to market and promote perfectly while simply wanting to deliver music and art that can be appreciated for its genuine nature above all else. Even as a listener that can’t relate, Pigeon Club’s down-beat performance and low-toned vocals make it feel like something we can all feel the cloudiness of, aching on behalf of their experience that’s all-too common nowadays for those working their way up to the top.

Brother Valiant - C'est La Vie

New York based indie folk/pop singer-songwriter Brother Valiant finds inspiration in folk legends new and old, hoping to capture in his sound something equally unique and magical. It’s safe to say he stands out for that too, creating works that are catchy but acoustically ladened, bold but intimate, heartfelt but easy to sing along with, toeing the line between aching and relatable as well as an addictive from the world when you need it most. His newest single ‘C’est La Vie’ is the perfect explanation of how that’s possible, immediately hooking you on gorgeous finger-picked acoustic guitar and soaring string instruments. This delicacy is soft and stirring, an emotional opening that’s only further enhanced by Brother Valiant’s smooth vocal performance that admits ‘I’m six feet under in love’ , literally admitting how much he’s struggling even despite the love he bears. Build up by scattered drum beats and vocal effects, ‘C’est La Vie’ doesn’t stay as something traditional, a little soaked in echoes and quicker-pacing that makes the verse feel ever-changing before the chorus hits. With one epic climax, Brother Valiant pours out the main leading line ‘‘C’est la vie… I swear I tried a million times before’, beautifully wrapped up by clashing drums, groovy guitar strums and powerful leading vocals. As the emotional track chronicles trying to make big changes for someone you care about, many of the lines in ‘C’est La Vie’ explore a difficulty in wanting to grow and be better even in spite of how impossible that sometimes feels: ‘honey I’m trying to keep up the pace, but I still feel lost in the world, I keep making the same mistakes.’ For a soulful but deeply infectious new single, look no further than this must-listen hit in ‘C’est La Vie’.

The Casbahs - Roman Numerals

Hailing from the North East of England, the indie rockers The Casbahs have been hard at work with their memorable, nostalgic tunes. With some time away since their previous releases in 2021 and 2022, the group now return more refined and ready than ever, and their newest single ‘Roman Numerals’ certainly proves it. Immediately warm and inviting with soft, gentle drums, a dreamy acoustic guitar riff and drawn-out electric guitar strums, ‘Roman Numerals’ embraces a palette of easy-going sound perfect to put on and escape to, but not without losing that double-edged aching that resonates below. The vocals are sincere and rich to match, elongating lines and hanging on each word, making sure the listener truly feels the emotion behind every word. With lyrics that go overboard on references, poetry and metaphors, there’s an equal amount of deeper meaning soaked through it all, relying on the relaxed simpler sound to pave the way for their lyrical declarations. Seeming to sing of a struggle to get through life, lines like ‘that’s enough for today, why don’t you just do nothing until tomorrow’ express the difficulties that come with doing the bare minimum when things feel all too much, giving yourself grace for what you’ve managed to accomplish. These themes continue into lines like ‘just trying to get back to the land of commotion’ , yearning to return to normality but weighed down by the difficulties that come with depression and mental health issues. As the chorus picks up with some more intense beats, solitary guitar twangs and echoey backing vocals, it’s hard not to hear and feel the striking hook ‘you’re struggling to let it go’ that’s centre of it all. With so much to unpack and connect to, ‘Roman Numerals’ is a must listen for all.

Athena Joy - MY WAY

Inspired by the likes of Kate Bush, the incredible Athena Joy has been dominating the music scene since way back in 2016, blending painfully real lyrics with a transcendent pop production for something that’s danceable and meaningful in one. Her newest track is no exception, showing resilience from her previous single’s pained admissions and turning forward for a declaration of strength even at her lowest. Aptly titled ‘MY WAY’, it’s clear this song is about taking hold of your life and living it for yourself, letting nothing or no one stand between you and what you deserve. Scattered synth beats and backing vocal echoes set-up the resonant sound, an element of lingering intimacy and residual sadness, but the quickly picking up momentum and impressive vocal reach adds the catchiness it needs to pull you wholly in. As the pre-chorus pops with new layers of quick fizzling beats and clashing drum kicks, ‘MY WAY’ is always keeping you on your toes, epically finding the courage to be bold and unafraid. Crashing into one euphoric wave of chorus instruments, it reins at its most anthemic peak yet, erupting through layer after layer of beats pulsating with their own differing mesh of noise. Athena’s vocals are gorgeous as they raise through it all, soaked in a little reverb and singing the hooks we all need engrained inside of us: ‘I’ve been lost, I’ve been so far away… But I’m finding myself, and I’m finding my way.’ As a real celebration of her survival, ‘MY WAY’ is sure to resonate with all that have been struggling just to get by, offering an escape that appreciates making progress towards a new perspective.

Chowe - West Withrow

Recent college graduate Chowe has found himself drawn to releasing music since his debut in 2022, focusing on music until getting a full-time job, allowing himself some freedom to pour into a passion he’s clearly made to do. His newest single ‘West Withrow’ explores this nostalgia of entering a new chapter in life, showing gratitude for the days and people he’s spent the last few years with, but equally delivering on that ache of it forever being stuck in the past. The slow, gentle sound matches that easy-going nature, far from sad but slow and breezy, grabbing listeners just through intermittent keyboard keys soaked in synth. Things pick up with time, bringing groovy guitar twangs and scattered beats into the gentle palette. With a warm, honey-like voice atop it all, Chowe’s sultry smooth low-tones are completely captivating, bringing a new light to that bedroom-pop vocal sound through his own delivery you just won’t be able to tear yourself away from. The lyricism is poetic to match, beautifully capturing the experience of these wonderful days with friends as he sings‘reckless nights and purple skies… I wish we could keep this going on’, painting vivid pictures for the listeners as the sound takes them away on a dreamy escape. Continuing ‘it just lingers like a cranberry in the sweetness of the memory’ , we really feel how much this experience is set to haunt him for a lifetime, an aftertaste that’s still stuck around long after it was first sweetly lived. If you’re a little stuck in the past, but equally excited for the future, ‘West Withrow’ is the perfect tune to sink away and let yourself feel it all to.

Alfreda - Frankie

Exuding old Hollywood glamour for her highly anticipated debut EP, the spellbinding upcomer Alfreda has quickly become a must-hear alternative pop star. Hailing out of London, Alfreda now shares the fourth track from this warm new collection titled ‘Frankie’, displaying yet another variety of sound and style that leaves her every track feeling utterly unique. As the music video leads in with an introductory explanation that Frankie is the first android popstar, the unsettling slow ballad that spills through ‘Frankie’ becomes all the more poignant, delivering a performance that’s intentionally a little too perfect and a little too planned to a tee. Alfreda’s lyrics elaborate further, turning herself into someone else that she believes men would want, inspired by an experience where a crush of hers forgot her name. Through dreamy slow piano keys, gentle guitar twangs and alluring vocals, there’s something instantly sultry and sensationalised about it all, captivating like a siren would draw in a sailor at sea. Through her breathy lines, impressive range and mesmerising classic, soulful tones, Alfreda feels overtly perfect, a hard to turn down persona. But as things break out of this mould for a 70s disco conclusion, we see a little more of the real Alfreda, letting go of this need to be someone she’s not as the sound dances through fizzling keys, a stunning guitar riff and scattered beats, exuding jazz and rhythm for an ending you won’t forget anytime soon.

Give a listen to these songs and more in our New Music Friday playlist this week, or see our Roundup Recap playlist for every song previously featured in one of our monthly roundups that you might have missed!

Written by: Tatiana Whybrow

// Some of this coverage was supported and created via Musosoup, #SustainableCurator.

[radsiarai]

Richard Strauss Till eulenspiegel

Radio-Frankfurt Symphony Orchestra, conductor: Walter Goehr Richard Strauss, a prominent German composer of the late Romantic period, crafted a masterpiece known as "Till Eulenspiegel." This captivating orchestral tone poem showcases Strauss' extraordinary talent for musical storytelling. Through a combination of intricate melodies, vibrant orchestration, and clever thematic development, "Till Eulenspiegel" takes listeners on a whimsical and satirical journey. Composed in 1894-1895, "Till Eulenspiegel" was inspired by the mischievous and legendary figure of Till Eulenspiegel, a trickster character from German folklore. Strauss, known for his innovative approach to symphonic writing, sought to bring this iconic figure to life through his music. The piece premiered in Cologne, Germany, in 1895, and was an instant success, solidifying Strauss' reputation as a leading composer of his time. "Till Eulenspiegel" unfolds in the form of a symphonic poem, a genre in which a composer uses music to depict a narrative or a story. The composition begins with a playful and mischievous theme, representing Till Eulenspiegel himself. The music portrays his cunning and adventurous spirit through lively and virtuosic passages across the orchestra. One of the notable aspects of this piece is how Strauss masterfully weaves different musical motifs together. Each motif represents a different character or event in the story. Through skillful orchestration and thematic development, Strauss paints a vivid picture of Till's escapades, from his pranks and encounters with authority figures to his eventual downfall. The use of instrumentation in "Till Eulenspiegel" is also noteworthy. Strauss harnesses the power of the full orchestra, utilizing various sections to create contrasting moods and textures. From the playful and light-hearted passages to the more dramatic and intense moments, the orchestra showcases its versatility and range under Strauss' direction. "Till Eulenspiegel" has endured as one of Strauss' most beloved compositions and remains a staple in the orchestral repertoire. Its popularity stems from the composer's ability to capture the essence of the mischievous character and translate it into musical form. The piece continues to be performed by orchestras around the world, captivating audiences with its dynamic storytelling and engaging melodies. Furthermore, "Till Eulenspiegel" serves as a testament to Richard Strauss' innovative approach to composition and his contribution to the development of programmatic music. By intertwining music and storytelling, Strauss pushed the boundaries of traditional symphonic writing, influencing future generations of composers. Richard Strauss' "Till Eulenspiegel" stands as a testament to the composer's mastery of musical storytelling. Through its vibrant melodies, clever thematic development, and skillful orchestration, the piece vividly brings to life the mischievous character of Till Eulenspiegel. Its enduring popularity and impact on the world of classical music solidify its status as a masterpiece of the late Romantic period. Listening to "Till Eulenspiegel" is an invitation to embark on a whimsical and satirical journey, where music paints a vivid picture of the legendary trickster's escapades.

https://rumble.com/v1xs98g-richard-strauss-till-eulenspiegel.html?mref=17947j&mc=9fatg

[bartong842]

The Art of Event Concept Development: Crafting Memorable Experiences

Event concept development is the creative heart of event planning. It involves the process of transforming a mere idea into a captivating and memorable experience for attendees. This crucial phase sets the tone, theme, and direction for an event. Whether you're organizing a wedding, corporate conference, or a charity fundraiser, a well-thought-out concept can make all the difference. In this article, we'll explore the intricacies of event concept development, breaking it down into various aspects to help you create unforgettable experiences.

The Significance of Event Concept Development

Event concept development is more than just picking a theme; it's about crafting an immersive experience. Here's why it matters:

1.1. Defining the Purpose

Every event has a purpose, and the concept helps you define it. Whether it's to celebrate love, share knowledge, or raise funds, your concept should align with this purpose.

1.2. Creating a Unique Identity

A well-developed concept sets your event apart from others. It gives it a unique identity that attendees will remember.

1.3. Enhancing Engagement

A compelling concept can engage attendees on a deeper level, fostering a stronger connection with the event's content and goals.

The Ideation Process

Now, let's delve into the ideation process, where creative minds come together to brainstorm and generate ideas.

2.1. Brainstorming

Gather your team or work with event professionals to brainstorm concepts. Consider themes, colors, and motifs that resonate with your event's purpose.

2.2. Audience Analysis

Understand your target audience's preferences and interests. A concept that resonates with them will result in higher attendance and engagement.

2.3. Research

Explore similar events for inspiration, but aim to put a unique spin on your concept to make it stand out.

Choosing the Right Theme

The theme is the heart of your concept. It sets the mood, provides visual and auditory cues, and guides the event's narrative.

3.1. Thematic Consistency

Ensure your theme is consistent with your event's purpose. A corporate conference will have a different theme than a whimsical wedding.

3.2. Visual Elements

Consider how the theme will be expressed visually, from decor and lighting to branding materials.

3.3. Storytelling

Develop a narrative that aligns with your theme and helps guide the event's flow. This narrative can be conveyed through presentations, speeches, or visual displays.

Incorporating Creative Elements

Creativity is the soul of event concept development. Here are some creative elements to consider:

4.1. Decor and Design

From table centrepieces to venue decor, design elements should reflect the theme. Think about colors, textures, and how they'll evoke the desired emotions.

4.2. Entertainment

Choose entertainment that complements your concept. For a vintage-themed event, consider a live jazz band; for a tech conference, interactive VR experiences might be more fitting.

4.3. Food and Beverage

Even the menu can be aligned with your concept. For example, a Hawaiian luau theme could feature tropical cocktails and a luau-style buffet.

Technology Integration

In today's digital age, technology can enhance your event concept in numerous ways.

5.1. Mobile Apps

Develop an event-specific app to keep attendees engaged. It can include schedules, speaker bios, and real-time updates related to your concept.

5.2. Augmented Reality (AR)

AR experiences can bring your theme to life. For instance, a historical-themed event could have AR elements that offer historical context to attendees.

5.3. Live Streaming

Allow remote attendees to participate by live-streaming the event. Consider incorporating a virtual component that still embraces your concept.

Storytelling and Content Integration

Your event concept should tell a story, and this story should be woven into every aspect of the event.

6.1. Speaker Selection

Choose speakers and presenters who can seamlessly integrate your concept into their talks. Their stories and insights should align with the event's narrative.

6.2. Content Creation

Develop content that reinforces the theme. This could be videos, presentations, or interactive experiences that enhance the storytelling aspect.

6.3. Engagement Activities

Plan interactive activities that encourage attendees to participate in the story. This could be role-playing, games, or group discussions that reinforce the event's concept.

Testing and Revising

Event concept development is an iterative process. Test your concept elements and be ready to revise based on feedback.

7.1. Mock Events

Conduct mock events or run-throughs to identify any hiccups in your concept execution. This is the time to make adjustments.

7.2. Attendee Feedback

Gather feedback from attendees, either through surveys or post-event interviews. Their input can guide improvements for future events.

Budget Considerations

A well-executed concept doesn't have to break the bank. Here's how to manage your budget effectively:

8.1. Prioritize

Allocate your budget based on the aspects of the concept that will have the most significant impact. For instance, allocate more to decor and entertainment if they're central to your theme.

8.2. DIY vs. Professional Services

Evaluate whether some creative elements can be done in-house, saving costs, or if you need to hire professionals for specialized tasks.

8.3. Negotiate with Vendors

Don't hesitate to negotiate with vendors to get the best deals. Building good relationships with them can also lead to cost-saving opportunities.

Finalizing the Event Concept

Once you've gone through the entire process, it's time to finalize your event concept.

9.1. Concept Documentation

Create a document that outlines the entire concept, including all elements, visual references, and a narrative guide. This document will serve as a reference point for your team.

9.2. Team Training

Ensure that your team is well-versed in the concept and its execution. They should understand how each element contributes to the overall experience.

Conclusion

Event concept development is an art, a science, and a blend of creativity and strategy. A well-conceived and executed concept can transform an ordinary event into an extraordinary one. From ideation to execution, each step plays a vital role in crafting a memorable experience for attendees. So, when planning your next event, remember that the concept is the key to setting the stage for an unforgettable journey.

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