#but the point is the rant and the feeling behind it

[xblackkurox]

Nanami Kento breeding his wife. nsfw, mdni!

Some thoughts that keep me entertained at work lmao, so might be full of mistakes. English is not my first language and all that yk.

Couldn't stand the thought of not having any smut of this man in my page since he is the love of my life.

His cock drills into your cunt, again and again, in and out, in and out. His tip kisses your cervix with each single slam of his hips, legs folded so your knees press against your boobs.

Kento has you in the meanest matting press, big hands pressing at the back of your full thighs surely leaving red or even purple marks.

"Don't see you laughing anymore, pretty. What happened?" And no, you're not laughing, fat tears stream down your flushed cheeks instead.

"Fuck- look at that mmmphf!" He groans, narrow eyes zeroing in how his girth is being sucked in by your cunt. A ring of cum, both his and yours, on the base of his dick, each time he bottoms out it sticks messily to your folds. It's so lewd, even your mound and his pubis are stained with it.

"Hah- gonna stuff this soft tummy full of my cum, hmm? Get my pretty wife pregnant. Isn't that what you wanted?"

It had all started earlier that afternoon, while he was at work. You had attempted to pull one of your little pranks on him, sending a picture of a fake positive pregnancy test. Little did you know that your husband had been having a sever case of baby fever and that had been his last straw.

He had felt joyful, completely thrilled for becoming a dad, or that was until you sent another message. Laughing it off, saying it was just a joke.

Well, he had a mission now. He was going to put a baby inside you, so next time that positive wouldn't be a little prank of yours, but a real one.

It's been two hours since he got home from work, two hours of him pulling orgasm after orgasm out of you and himself. And still his cock was hard and twitching inside you. Hitting that spot within that made you see sparks behind your eyelids, stretching you to full capacity.

"K-kentooooo..." You whine. Hot and fresh tears spilling from your eyes, rolling down your flushed cheeks until you can taste the salty flavor on your lips. "Can't- can't take it anymore-!"

"Hmm? But you're about to cum... Lying again?" And he is right, he can see it in how your toes are curling, feel it in how you grip his cock from the inside. He knows when his wife is about to orgasm.

And just to proof his point one of his hands uncurls from your ankle. Gold and cold wedding ring caressing your folds, right above where he's pounding you. He caresses from down to up a couple times, getting the alliance stained with your juices before replacing it by his thumb. He flickers your clit, slowly but with pressure. And when you mewl he laughs.

"See? She never lies." And he's referring to your pussy. "Come on, give it to me baby- ah! You can do it- can fucking do it my love!"

That's all it takes, his raspy moany voice cooing you to cum. How could you disobey? Of course the moment those words spill his mouth you're creaming his dick again. Shaking and whimpering so adorably, making his heart flutter. Oh, he can't wait to see you all plump and round with his child.

Kento is peppering you soaked face with butterfly kisses, on your nose, on your cheeks, on your eyelids. And of course on your glossy lips. His whole weight now pinning you down on the mattress.

"There you go, so good so so sooo good for me- my wife mmmphf-!" He's gonna cum too, his hips are getting more erratic, more sloppy, more feral. "Gonna cum, my love. Gonna put my baby in you, yes? Make you my beautiful pregnant wife- fuckfuck- you're gonna look so b-beautiful... I love you sooo much-" He's ranting, praises spilling through clenched teeth as if they were curses. In between small pecks here and there.

He cums right after, stilling his body as he buries his girth to the hilt. Rope after rope of hot seed right into your womb. And of course he doesn't pull out after no, he remains inside you. Not allowing one single drop going to waste.

He's gotta breed you afterall, right?

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[fairyfleshprison]

You know what confuses the hell outta me as a Canadian being force fed American politics by proxy of having the internet ?

Is there only ever two candidates?

I could've sworn there was like 4 parties that you could vote for but like for the last eight or something years it's been like Trump or Biden then kamala or Trump or Trump and Obama. Like are there no other people running for office over there? I feel like I'm in the twilight zone, and it's just the same three people on a loop. But you guys do reelection every four years so like...what's even going on over there ????

[mitsuki91]

Okay but you know what could really destroy Snow?

Seeing Lucy Gray slowly starting to fall out of love with him. Lucy Gray knowing him so well she starts to be repulsed by him. The pain and disdain and the masks she has to wear (expecially if they are in the Capitol and she depends on him) in order to survive... With him because she has no other option. Lucy Gray, who put trust above everything, slowly starting to lie to his face, to hyde the fear and the pain behind fake smiles to make him happy with her.

And he will see this. He will see because, as always, as they are connected by the stars, as they are both performers, he can read her as she can read him. He can see her pulling back from their love story.

So. He may think that he want her to be caged, because so he can feel safe. But in reality he can not. In reality, he needs her to choose him. Everyday. They have to be a team. They have to be alone against the world (even if that means they have to perform to find a place in that world). He has to know, to feel sure, to feel warm about the fact that his Lucy Gray wanted him and wanted to be with him in the same way he wanted to be with her.

He has to be sure they truly love each others.

Or he is going to be insane. After all, he already did. One trace of doubt - he lost it. He lost it so bad.

But betrayal in a so giant way is a thing; a thing that set him in a rage, that make him spiraling without control and do despicable things in a matter or seconds.

Slowly see your only love slowly fade away? This is another type of pain who can drive one mad in a more subtle way, because he still had hope he can just fix things and surerly he will do it. Just a little time. Just a little patiente. He will do it. But in reality she fade. More and more far away. And panic arise, day by day.

So yeah, Coriolanus Snow was a boy in love, and as a boy in love (the first time I must add) wanted to cage her loved one, to control her. It's normal to feel this way when you love someone, because you want the other one to love you the same. But it's a passing thought, not a real one, because physical possesion doesn't mean owning someone's feelings, and he knew this. Deep down he knew. And he wants Lucy Gray's love above everything else.

Seeing her simply perform their love story to him will be too much.

[m1dnight-blu3]

someone please free me from the shackles of my ableist job so I can read my books, draw and write my silly little fics in PEACE

[dayurno]

darling, have you any kevjeanthea thoughts to spare? i've been going insane since i found out jean was thea's puppy and also their Mailman. i'm in need of your wisdom rn.

<3 (@stabbyfoxandrew)

OF COURSE hello darling aerie i hope you're doing well also you know exactly what you're doing referring to jean as thea's puppy don't you. i think i hauve covid....

as of right now i have two ideas which are not really that distinct but cause me great amusement... first i thought about established pro era kevthea and jean ending up in the same team as them (possibly the olympics?) while being a trainwreck himself and kevthea immediately taking him under their wing :) this is like the standard aftg poly fic scenario and i fall for it all the time because it's so GOOD. i think at first kevin's the one who's kind of laying it heavy on jean because he's worried he might do something stupid but thea is ultimately the one drawing jean by the back of his neck and being like you're acting ridiculous. live with us. and he does... AND THEN OF COURSE the evergreen offer of a threesome, the unbearable tension, the constant mistaking of jean as either kevin's or thea's boyfriend, being so close it gets inappropriate. the perfect culmination i think would be a night where they actually do sleep together and jean wakes up under kevin and thea like what the fuck just happened

AND I DONT THINK THEY EVER TALK ABOUT IT. or like define terms. or even boundaries. but it happens and its there and jean is just casually added to their every activity like hes always been there in the first place :) i think theres something just so fun about a dynamic like that for poly ships sorry sorry sorry. jean thinks he's a single man until it's christmas 2011 and he's having dinner with thea's family

my Other idea was well of course the nest-era moment. i was thinking thea has a the boy is mine moment with jean until she realizes that jean has a crush on her too and she's Very flustered about it because it's definitely not what she expected would happen out of this situation. i don't know if it'd change much about canon but i think itd make the scene where kevin takes thea to see jean in tkm very tense >:3 and you know how she was like should i come back? to kevin i think they could do something similar for jean like. finish usc. get a little better. and then we'll come back for you. and they do :3

[fadedflora]

it sucks to have to be scared to update the game, no matter the size of the update, because you have no idea if it's going to break your game or not (not to mention going through the process of updating your mods)

[racke7]

Me vs FF14 part... 2?

It's taken me pretty much three full days of running from cutscene to cutscene. But I've finally reached Heavensward.

And like... on some level? I'm kind of offended?

Like, a part of me genuinely wants to replay the entire game from the start "as something else" (different main-class, different race, different starting-area, whichever), because the dungeon-queuing system is actually really fun when you start to Understand it.

As in, FF14 has somehow made an MMO that has almost eliminated the feeling that it is a level-grind? Partially? It's turned the whole thing into a surprisingly comfortable level of (limited, but genuine) social interaction.

To the point where even someone who isn't obsessively grind-focused like me, can genuinely enjoy themselves. Just queuing up for dungeons, Hunting some bounties, and-...

And then FF14 has so many fucking quests that it literally chokes the life out of the gameplay.

As an example, one of their biggest dungeon-draws (bcs high rewards) is a quest that almost everyone hates playing. Because doing that dungeon means watching literally eighteen minutes of unskippable cutscenes.

And that's with them having reduced the amount of cutscenes in that dungeon, because the players complained so much about them.

Like... I'd be perfectly happy replaying the game from the start with a different character, even knowing that leveling isn't some kind of pain-free thing. But the thought of having to restart the fucking Main-Quest? Of having to spend literal days just running back-and-forth to cutscenes?

I'm currently feeling a bit burned-out as a result of the binge I went on to get here, but I'm pretty damn sure that I wouldn't replay this fucking thing even if you paid me for it.

(And, of course, Heavensward also has a Main-Quest continuation that you have to follow. And now I'm not even allowed to fly everywhere to cut down on the "running back-and-forth"-part of my complaints. Not until they arbitrarily allow me to discover flight for the new areas, by going through even more of the Main-Quest.)

(Not to mention that now I have to go back and do even more Class-quests, with their own cutscenes, in order to unlock a bunch of skills.)

(I'm very fond of the "the church is evil because it doesn't let you fuck dragons"-meme, and I'm very much seeing it. But like... come the fuck on. Why is this MMO a feature-length movie-series? Why can't I just play the game and have fun?)

[daz4i]

i know aging isn't the end of the world and 24 isn't that old and life isn't a race etc etc etc. however,

[atomic-sludge]

Flipping violently back and forth between "Imposter is overrated and gets too much fandom content. I dont want to contribute to that" and "Imposter is such an intriguing and interesting villain I'd love to explore that."

[thissmycomingofage]

.

[formulapisces]

shamelessly vagueing here and this sounds harsh but jesus some people really need to start realising not everything is about them.

not in a stuck up, the world revolves around me, arrogant way. but in a they’re not laughing about you, they’re not gossiping about you, you’re just insecure, reading into every little thing, hurt and need help type of way.

[verberation]

i just want a house. that fucking lets me have my dog in it. renting it out to myself and like. two other people. that won't fucking. kick me after a years lease. like. wtf. WTF. can't have shit in this goddamn rental market jesus fucking christ.

[maburito]

It always surprises me how little irl people know about this constant rage of mine

I just shouted back at a rude as fuck customers for being rude to me and all my coworkers, and my coworkers were surprised at me "having some fire inside"

[because-its-eurovision]

.

[jaythelay]

The Life Gems in DS2 are a damning mark against the game that genuinely further exemplifies why people have issues with the entire game.

To start, it's a crutch for game design. DS1 was designed, with levels that had intention behind beating them with 5-20 flasks of varying heal amounts. But because of this, it meant areas were more "chunky" than hallway-like. Segmented into almost mini-games if you will.

If it didn't separate "chunks" with a bonfire, it separated in unlocking a shortcut, elevator or ladder, a key or character. It meant even in death you took something with you. It wouldn't be a waste of time, you made progress of some form outside of just your character or equipment.

Life Gems cost souls, cost time to grind and find. Because of this, using one means Wasting Souls, and time, however it's used to progress forward. Dying...even if you retrieve your souls, means Wasted Time and Souls, which are also, Time. There's seldom few shortcuts due to the "Hallway" design they took for DS2 onwards. Shortcuts are Bonfires far more often than anything unique, and whatever items you find are very likely worthless since the worthwhile stuff is never within reach of general progress, but almost random "exploration".

Yes, the interconnected design of DS1 was a nightmare to create, but it's not like it's impossible to keep in some fashion, that's actually fun, mind you. Having "Chunks" is far superior to these fat hallways they keep making, with ER being the biggest hallway I've yet seen for any openworld. Wouldn't it have been cool to unlock shortcuts back to areas of the openworld? Instead of like, getting a horse and using tornadoes, or fast traveling...

What "Hallway" level design means, is "linear" as in only Point A and Point B with everything inbetween being spaghetti in a circle formed by A/B, pretending to be Point C/D/E, but make no mistake it's just a hallway that has no real exploration, just poor navigation pretending to evoke exploration via removing direction entirely.

Best way to describe it, is imagine A at the top, and B at the bottom, there's 3 paths, 2 of them dead end, and all 3 lines look like spaghetti. There's little design other than making the world look pretty and 'natural' but there's no direction for the player, think "yellow paint" but competent and respectable. So you're stuck aimlessly wandering a swamp that somehow feels like 8 swamps in one hoping desperately trying to find Point B getting stuck in Point J and N.

Because of this, it means you can basically be at any level with any gear, so fuck it, all the enemies have unreadable attack patterns, hop around at mach 50 multiple times, and are spammed every which possible way. The idea being that, you, have to find a way to avoid activating more than you can handle, over, and over, and ov-

Because of this, they rely on the crutch of "infinite heals" because god knows they know they couldn't design around something as simple as "they have either 5 heals or 20." There's no limitation so they don't have to care about level design, who cares! They can spend hours in the wrong area because they don't even need a Point B anymore!

Which again, is another problem, they treat Point B as THE reward, like it's not just a cool thing to find that helps you, it's THE reward, it's your fast travel, it's your means of navigation and direction, getting souls from a boss is frivolous without the bonfire, same with clearing an area, so keep that shit as obscured away from the player as humanly possible, so they're more likely to lose it all, until the end of a boss fight. Blegh, it's just hard for the sake of being hard, the challenge should be the obstacles, not the fact I'll be wasting time if I make one mistake I couldn't possibly have not made without trial and error.

Which there's a balance for everything I've said here to be complete clear, and to me, DS2 heavily lacks balance, because it's not designed around "Here's the challenge and you can do stuff to make it easier" it's almost always "Die to Learn and most times that's not enough so Heal Heal Heal baby good luck making progress!"

So, here's the deal, the simplification, When You are Considering something, your first thought is likely Resources. In the case of DS1, you know you have limited resources, so you Design Around That, there's an intention behind the obstacles that are intended to be overcome with that set amount of resources. Bonfires aren't The Reward, they're a signifier that you Made Progress.

DS2 doesn't consider that at all. It considers the Fight, or the Gank, and again, over and over, it's just about avoiding a gank, sure DS1 has this but it's like, harder to set up accidentally, for sure there's moments, but DS2 is nothing BUT that. Because of this, it doesn't feel like you're fighting, but playing a poor Dynasty Warriors. Since they basically can only design around Infinite Healing they have to make it so you never have time to heal, not because the AI is smart, but because the AI is bountiful and surrounding. You can't design around 6 enemies all clustering around the player and swinging in a Souls-Like that's Absurd, it's poor for that reason and constantly trying to avoid it is simply put, not fun, it's a one trick pony they rely on constantly. Bonfires are The Reward, they enable your means to fast travel Past the obstacles you just struggled horrifically through, it's a pat on the back after almost dying in a car crash. This means you're never rewarded until you No Longer have the chance to Waste Your Time in the exact same area, but a new area with the exact same problems.

To be clear I fuckin' love the artistry of DS2 and the lore, the characters, the theories, fan-art, but DS2's failures come in with Level Design more than anything else, and that Level Design is what lead to Life Gems. Your average player is not going to be able to Flask Only DS2, but you can in DS1, that's nothing to say, other than DS1 has far more intention behind it's entire design than DS2 does.

If DS2 had better level design I straight up think it would've been better than DS1 in far more areas but because of it's dreadful pacing and Hallway design, it's sheer obscurity of complex mechanics that in no way translated from DS1 nor transitioned into DS3, it remains as a unique experience that's incredibly difficult to enjoy. I really think it's like Chulip, it's not a game people recommend playing, but do recommend watching.