#but the main story is SOOOO good

[full-time-femboy]

Ok, I finished Sleuth Jesters and I'm so obsessed? enraptured? Somthing like that, with this damn fanfic.

It's so fucking good holy shit

[mastercrownmonday]

this is a rage bait/discourse blog now btw (i will draw today's kirbtober prompt tomorrow when im not sleepy, inshallah)

[marimbles]

i miss carpisuns sometimes </3

[moonpaw]

Fighting DEMONS rn trying not to get invested in one piece to figure out wtf you're posting about!!!!

come here cyber.... we have this thang

‎

[waitineedaname]

hiiii lily what is this ‘orv’ i have been seeing…..

HIIII MIKE. SMILES. orv is Omniscient Reader's Viewpoint! it's a webnovel with an ongoing webtoon adaption and it is making me Fucking Crazy. basically the premise there's this really unpopular really long webnovel called Three Ways to Survive an Apocalypse, and for years, Kim Dokja has been the only reader. when the novel finally ends, the author sends him an email with the txt file of the whole novel, and then suddenly the novel is wiped from the internet and in that instant, the events of the novel begin taking place in Kim Dokja's world. the apocalypse begins and humanity is subjected to cruel scenarios and challenges livestreamed for the entertainment of these powerful entities called constellations, and as the only one who read the story to its end, Kim Dokja is the only one fully equipped with knowledge of how this story goes (or at least, how it originally went)

it is SO good. it lures you in like "ooh this is a normal reverse isekai" and then ends up being CRAZY. it deals with questions about the boundary between characters and Real People and whether that distinction really matters, and it's one of those stories that looks the audience dead in the eye and dares you to look away first. literary devices are made Real (oh fourth wall we're really in it now...) and it plays with narrative voice and pov and unreliable narration in such fun ways. it is ultimately about the value of stories and the value of being a reader and the choice to wrestle with the story that's been written for you in favor of the story you really want to tell. it's also about Kim Dokja having something Deeply Wrong With Him skdlfjlksdjf the journey i went on with him was "okay he's a reader insert who reads novels as escapism, i get it" -> "oh actually he has something wrong with him" -> "oh he has something Wrong With Him" -> "WHAT. WHAT THE FUCK. HELLO. WHAT WAS THAT." I'm obsessed with him.

I read the webtoon first which I think is a pretty effective onboarding point! some of the art had my jaw on the FLOOR it's so cool. the webtoon has adapted roughly the first third of the whole novel so far, and if you want to read the novel just dm me and I'll hit you up with the epub file lol (not just mike but anyone who is interested!)

[lynzishell]

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Transcript:

SFX: Your Silent Face by New Order playing through the speaker.

Atlas – Typing away while bouncing his knee to the beat and singing along absent-mindedly.

Asher – Smiling to himself while he’s playing because he thinks Atlas’ voice is sweet and soothing.

Atlas: [singing] … no movement, no lyrics, just nothing. The sign that leads the way, the path we cannot take. Asher: [joins singing] You’ve caught me at a bad time. So, why don’t you piss off. [A quiet laugh together]

Asher: I have a question. Atlas: What’s up? Asher: The whole “I don’t date people I work with” thing, is that for real? Or were you just letting me down gently? Atlas: [stops typing] No, I meant it.

Asher: Why? What’s the big deal? Atlas: [walks over to sit next to Asher] It’s messy. Like, if we get in a fight or break up or something, and still have to work together every day, it’s just – Asher: Messy? Atlas: Yeah Asher: Okay, so, if we didn’t work together? Atlas: Then, it’d be different.

Asher: Different how? Atlas: What are you doing? Asher: Let’s pretend for, say, five minutes, that we don’t work together. Atlas: Five minutes? Asher: Mhm. Five minutes. What would you do differently? Atlas: [smiles] Set a timer. Asher: [sets a timer on his phone] Starting… now.

**5 minutes later** [SFX: Alarm beeping. Breathless laughing. Blue Monday by New Order starts playing through the speaker.]

Atlas: Time’s up. Asher: Okay, you’ve convinced me. Atlas: Convinced you of what? Asher: I’ll put in my notice on Monday.

Atlas: You’re not serious. Asher: Why not? It’s just a job. I’ll find another one. Question is, is that enough? Or are you gonna make me wait the two weeks until I’m actually gone? Atlas: I… I don’t want you to quit. Asher: Well, if you won’t let me be both, then I choose boyfriend over co-worker.

Atlas: Wh-- boyfriend? Asher: Or am I just a piece of ass? Atlas: No, it’s not like that. Asher: What’s the problem, then? Atlas: [flustered, no idea what to say] … Asher: Right, well, I’m getting tired of the mixed signals. When you figure out what you want, let me know. But I’m not going to wait around much longer.

Atlas: Ash, wait. Asher: Nah.

Music: How does it feel to treat me like you do? When you’ve laid your hands upon me and told me who you are

Atlas: Lin-Z, stop!

[merlinmerlot]

I could play one of the most beautiful well crafted video games on the planet and it will never be as appealing to me as one that kind of sucks shit but has soooo much potential

[christakisbang]

everyone...watch love next door....

[fragmentedblade]

The Otto and Kallen conversation, the dynamic they had, the push towards invention, the wine, the impossibility of letting them die, and the problematic of choice that entails, reminds me so much of Blade and Baiheng

[acaciapines]

i need to talk about the dess raises kris au. or im gonna explode.

[thelonelynindroid]

Sarian was legit so good. MQ needs to let me in on the secret standalone/backstory episode drug

[cowboy-robooty]

physically holding back my rage when i go get my weekly uchuujin no kakushigoto update and see people bitchin and moaning about it. I WANT TO HURT YOU AND IM NOT FUCKING AROUND. YOU SHOULD HAVE BEAR MACE SPRAYED IN YOUR EYES SINCE YOU OBVIOUSLY HAVE NO FUCKING APPRECIATION FOR GOOD LITERATURE. S2G SHUT YOUR DUMBASS UP BEFORE I GO AHEAD AND SLICE OFF ALL YOUR FINGER TIPS TOO AND PUT YOUR TONGUE IN A BAG CORPSE PARTY STYLE CUZ YOUR OPINIONS ARE ACTIVELY MAKING SOCIETY WORSE.

[appalachianapologies]

I don't want whatever the threat is. I dont eanna live in fear

Your ocs. Hand em over

OKAY i know it has been. weeks. months, even. however, I considered how I wanted to say this because too many characters too little time. but here we go:

A Penchant for the Ordinary

Jamie Caldwell is everyone's favorite character and by that I mean she's chaotic as hell, makes knee jerk reactions, definitely unknowingly has ADHD, extremely low self control, and her stress relief is punching people who (probably) deserve it. She's a gay mess in every sense of the word and has seriously tried so hard to get her life together and it's just. it's not working out for her. so, after accepting that fact, Jamie begins to embrace the chaotic and darker sides of herself. if her life is going to hell, she may as well take a free trip down as well and see what it's all about

Chloe and Gus together, because they're so codependent we quite literally never see them apart except for a single scene near the end where Gus hangs around to say one last thing before following her. As mentioned: codependent as hell. Not romantically involved but they know every single in and out of each other- moreso than most couples. While Jamie feels regret for her sudden reactions, Chloe basks in them and has never once wished she made a different decision. Gus typically has the braincell, but usually not for long- he's as much of an adrenaline junkie as everyone else.

Madison did not sign up for any of this shit. When my dad read my book, one of the things he told me was that it was so not necessary to put her through everything that I did. And although I agree, it was sadly necessary for Jamie's questionable character arc. Sorry Madison- but trust me, you're better off with a different girlfriend

Kat absolutely signed up for everything she gets herself into, even if she claims that she didn't. She goes around saying "I'm not involved with any of these people :|" and then actively hangs out with them and invites them to her apartment. for multiple days. She's the type of person that would claim to want to have a relaxing life but she literally chose not to. girl what

Davy tried his best. kind of. he could've done a hell of a lot better, but he also genuinely tried to do well to fix his mistakes. He's the type of person who will feel genuine regret for what he's done and try to rectify his mistakes, even if it takes uhhhhh a lot of time :)

Evelyn is a bastard. absolutely mad woman and in not a fun sexy hot way. Power hungry, unfazed by hurting anyone else in the process of getting what she wants, and yet she still sees herself as benevolent (she's not). Believes she's the main character of the book (she is not).

James did not deserve any of that. I'm sorry dude. That being said, your coping mechanisms were a little subpar. Sorry we still don't know exactly how you died (it's not a spoiler okay it's happened like ten years ago).

Daniel and Edward are absolutely in love but neither of them realize it and it's not a standard love. think qpr. think: they've known each other since elementary school and have gone through all of life together. loyal to a fault but would change on a hat to keep the other safe.

Obligatory Did these characters interest you? Do you want to read a subpar book but support a young author? You can buy A Penchant for the Ordinary here! Thank you in advanced for your support :D

and now: Paradigm

Delilah's trying her best except she makes about a few wrong turns, which ends up shaping her life for the next decade. Surprisingly little self esteem for a person in her job market, though she acts the opposite. She doesn't have enough of a filter but manages to charm her way past a lot of things that should've ended badly. The queen at pushing things down and pretending it never happened. Is aware that she's pretty much trapped, but doesn't believe she can get out.

Charlotte is still Delilah, but she's determined to change into someone else. A new woman who's better, stronger, more confident than Delilah. She becomes the femme fetal that Marcus had wanted since day one, and embraces it. She likes being the bad guy, relishes the feeling of knowing she's in the wrong, and pretends that she doesn't have a nagging feeling that she is, in fact, in the wrong.

Taylor is still Delilah, and parts of Charlotte bleed through to her as well. A changed woman. Mature, who believes that she's seen so much of life that she's immune to anything else that could be thrown at her. Truly believes that she can't change and was created to be bad. Acts like she couldn't give a damn about other people when in fact the opposite is true and she's just afraid of having weaknesses. Aren't we all.

Marcus is pretty much the worst person you can imagine. Runs a cool home business called "assassins for hire :)" (paraphrased). Although he used to do the dirty work himself, he now has employees that he keeps on a tight leash to do everything. Always has multiple contingency plans in case something goes wrong and the authorities get wind of him. If any employee screws up, Marcus gives them zero chances to fix it, and will round up everyone who fucked up last quarter, shoot them, and give them a shallow grave in the Nevada desert. Has an insanely creepy infatuation with Delilah.

Sid is quite possibly the only employee of Marcus that is somewhat on the genuinely good spectrum. ...or at least the "not actively trying to do bad" one. Ex-military, classic "never really left [insert place of war]." Hates Delilah until he begrudgingly doesn't hate Delilah. He knows that everything Marcus is doing is screwed up, but Sid's just going through the motions of life at this point. What's one more life for one more paycheck?

Lainey's name is still pending, but it'll probably end up as Lainey. Smarter than anyone in the world gives her credit for, and is very calculating. She knows more than she lets on as well, and uses that to her advantage. She's probably more forgiving than she should be, but that makes Lainey who she is. Eventually, the only one who knows the most about Delilah (and that isn't just because she sleeps with her. oops)

Rebecca is the classic TV CIA agent except she's actually real. She has poorly controlled OCD but pretends like she has everything under control at all times. After spending over half of a decade attempting to track and take in Marcus, she's eventually promoted to a higher up position, where she gets to create her own team, to finally, once and for all, bring in Marcus. Is pretty much willing to sacrifice it all for the job with little hesitation.

Carter is somewhere between Rebecca's second hand man while also being the worst (affectionate) gay hopeless romantic there is. He thinks he can juggle a relationship and CIA work but let me tell you. He's never learned how to juggle. Keeps Rebecca sane in every way you can think of, and the two often spend nights at each others' places because that's just what they do. Like Rebecca, he's on thin fucking ice with every higher up in the CIA. However, unlike Rebecca, he's excellent at damage control with their supervisor.

Unnamed Classic Hacker Character is still unnamed because no name has truly suited or worked with her. Trusts literally no one, especially not Taylor. Hates her guts, actually. Probably the only one who's actually confident about things, though she knows the least at any given time because she's a junior agent. Rebecca immediately was like "I want her" despite the fact that she graduated worst in her class. Opinionated and full of spite, in the way that every person in a fandom would fucking hate. Absolutely, without a doubt, a character I would love to write an 11 book series spin-off with

finally: Lou is for Lavender

Lou, originally Louisa, is going through it. The book is a journey on her life- or rather, the three months after escaping somewhere between an abusive boyfriend and being trafficked. With little identity, she finds herself constantly trying to figure out who she is, who she should be, and if there even exists a woman beyond the girl she used to be. She's genuinely trying her best, but fuck if it isn't hard. I love her. I love her so much. She is so lost but she's trying so hard to find her way back on a path. I could write five more paragraphs about her at any given time.

Maria is a six year old with far too much energy for someone her size. Absolutely infatuated with her grandmother and the way she used to read to Maria every single day and night, Maria begged her grandmother and Dana to teach her how to read by herself, which quickly morphed into writing. She'll write pages of six year old nonsense for hours without getting bored, and is absolutely thrilled to have a new friend around the house! never mind that she's an adult- Maria sees Lou as a built-in summer friend.

Dana has been putting on the best face for nearly five years. Although it wasn't her intention, after her mom got sick, she moved back to her family's ranch along with her three kids- Maria and two older boys. After her mom passed, she stayed, unable to bear the idea of leaving once more for good, but she's great at hiding that fact. The youngest of seven, Dana is caught somewhere between constantly feeling the need to prove herself while also knowing that no one's waiting and watching for her to grow anymore. Six kids came before her, and Dana genuinely believes that she simply slipped under the attention of everyone.

The Flowers are how Lou refers to the other women she met along the way. The girls who all had an intimate understanding of what she was going through, and yet nothing at all. The flowers are constantly living inside of Lou, always on the edges of her thoughts, nearly controlling her at some points. They stay with Lou, sometimes causing guilt, sometimes causing pain, sometimes just to remind Lou of the dandelions that used to sprout up in between cracks in the sidewalk.

The Journal that Maria gives Lou (after declaring them best friends forever), isn't technically a living character, but it may as well be. It's where Lou's thoughts reside. Where her fears and regrets and memories live so they don't have to live in her head. The journal is an extension of Lou, and the scariest thing she could think of is losing it, but the journal was never meant to stay against her chest for the rest of its life.

Anyhow, if you'd like to support some of my original work, I have a Ko-Fi! Covers are expensive as h e c k - But also, reblogs support me as well :D a chaotic way to spread the chaotic characters 'round these parts

[humblemediagenius]

While I wait for my family to let me go visit my wife again, I remembered ss77 again. I need to revive them

[gothamcityneedsme]

i want a game like jade empire again

[mycological-mariner]

I’m so mad I just watched the first episode of Hornblower. Only now! After finishing my dissertation! When my dissertation topic was literally the portrayal of epilepsy in film and television