#but the episodes are at least an hour

[roguelov]

… y’all are posting shit about that leather face no nose cowboy motherfucker while I’m over here looking at clips with my hands on my hips like ‘… shit … he’s a smug bastard’

[mwagneto]

no!!!!!! 8 episodes will kill patient!!!!!!!! he needs 12-24 episodes some of which is light-hearted filler to live!!!!!!!!!!!!

[deoidesign]

I met the me who made different choices

[yellowpie]

Honestly at this point Dana Terrace deserves to be given a gun and complete legal immunity

[egophiliac]

here's the Meleanor chibi speedrun! upfront warning for some flickering and/or flashing throughout from all the sped-up zooming/layer changes.

it turns out I only really recorded up to when I exported the PSD for the first time, so I went back and recorded a bit more to at least show a little of the reworked cape breakdown and background. and then bounced her rig around so you can see a bit of it too! the parts I'm not too embarrassed to show, anyway

even sped up it's still like 47 minutes (s-she took a really long time to make okay), so there are timestamps/chapters in the description if you click through! I certainly don't expect anyone to sit and watch it through, but maybe it'll be interesting to skip around in?

[axolotlclown]

So I finished Moominvalley season 4 and here is my review:

Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.

I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.

For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.

We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.

In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.

Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.

Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.

In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.

Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.

Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.

In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.

In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!

His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?

It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.

I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.

None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.

So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.

I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.

However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.

I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.

Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.

So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.

By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.

For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.

Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.

The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.

Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.

In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.

This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.

I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.

Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.

I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")

Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.

Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.

[skrunksthatwunk]

other half

redraw screenshots taken from this post i made a while back ignore that i forgot to actually link it for like an entire day

[aprilblossomgirl]

random sound win moment [14/?] Win coaxing Sound so that he would take him under his umbrella. Win playfully pulling the umbrella so that a side of Sound got drenched. Win embracing Sound so that the rain could not get him. And both keep looking at the other's eyes and lips. (My School President, episode 9)

[internetaddict104]

Tbh this was the only thing I could think of when 15 and Rogue first met

[allisonjamaica]

places we won’t be found

Summary:

Theo is speaking before the door has fully closed behind Gabe, Liam staring after him and trying to resist the urge to claw him to shreds. His voice is low, urgent, and it draws Liam’s attention back to Theo.

Not that he had ever not been aware of Theo.

“We can’t stay here.”

-

In which Liam and Theo lie low, Liam overthinks, and Theo is just along for the ride

[rascallyrose92]

Seeing the newest TADC episode…

And Zooble (future Gooseworx) comforting Gangle (past Gooseworx) is just AAAAAGGHHHH

“Now come on over and hang out with the rest of us. And bring your art too, I always like seeing what you draw”

What if i just sobbed

[cat-of-starlight]

Played the To The Moon Beach Episode and I'll have you know I only cried for an hour

However, I'm never going to emotionally recover from what this game has done to me

100/10 game though, would recommend

[s0fter-sin]

i have no stake in this whatsoever since i’ve never even watched good omens and absolutely 100% unequivocally think it’s a good thing that an abuser is seeing the consequences of his actions but i don’t really see the point in shortening the 3rd season? rewriting it so he doesn’t get money from it? yes absolutely, but if that’s the reason, why not delay the season and do a full six episode rewrite? or just cancel it altogether instead of an inevitable disappointing finale. he’ll still be receiving royalties from the first two seasons and whatever ideas they use for the episode plus whatever he’s already contracted to receive so making a short season feels like it’ll impact the cast and crew more than him; they won’t be paid for a full season of work that they were expecting to have in an increasingly unstable industry

[deoidesign]

I can't wait for this to come back!!! >>> when is this coming back?

[criticalbeauregard]

god i wish it was tomorrow at 9pm est

[lynn-tged-posting]

tged webtoon ep 170 spoilers and thoughts that i am again late on because im literally in finals week and i'm actually supposed to be studying/working right now but i can't stop thinking about tged so here we are, and more below the cut

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okay okay i thiiink i liked this episode better than last weeks episode,,, concise but sweet and i liked the panels this week!!

ESPECIALLY THIS PANEL THE HOPE HE GETS WHEN HE REALIZES ARTANIS CAN HELP CIRCUMVENT THINGS UNTIL HE FIGURES IT OUT

his wide eyes and the light all over the panel im gonna sob WAAAAAAAAAAAAAHHH i love hope i love when characters regain hope its so AFLKJSDLKFJSLDKJFLSDF EEEE HEHEHEHE

also more snippets of credos!!! since we know for certain that the demon king of back then was also an isekai'd person, maybe they were a meteorologist, and that combined with the demon king's existing abilities? or possibly an environmental engineer?

there's a good range of jobs/career paths that involve weather forecast and farming specifically,,, there is such thing as an agricultural meteorologist? i wonder what degree that would need? i think that would definitely involve some kind of environmental science,,, we've probably got another stem kid on our hands!!!

i'll probably talk more in depth about that in a future post where i compile all the stuff we know about the prequel (the one i mentioned i'd make last week lol) (it's delayed bc i have finals aahh) but until then, back to episode yapping :3

ARTANIS IS SO SO CUTE WAAAHHHH

i'm actually very glad she's so willing to help,,, though i do wish we got to see more of her thought process/her history, i'm glad we got lyra's later in the ep as lyra's story worldbuilds + fleshes out their reasoning more which is good! but i wanna see artanis specifically,,, im curious abt the extent of her abilities!!!

also lloyd i think you just need to cut ur losses man HAHA

"you're so mean" javier says to the most selfless fucking bastard on this earth rn /lh theyre so silly

ALSO JAVIER BEING THE PROTAGONIST THAT HE IS AND LLOYDS REACTION LMFAOOO

we are getting silly expressions besides the gruesome ones which i am very happy about ~ lloyd looks so fucking serious here HAHAHA

ALSO LYRA'S . PAST EXPERIENCE WITH HUMANS IS SO SAD IM. GHGHGHHH AAAGHHH SHE JUST WANTED TO HELP THEM i think the timing and pacing of this was just right ohhh,,, her expressions im gonna bawl

i can't even begin to put into words how tragic and yet how unfortunately real this is. there are a lot of people in the world who let fears and rumors take control of their actions and it results in innocent people getting hurt simply for being who they are,,, lyra didn't even say a word! she offered food and they reacted with threats to kill her,,, ghghghghgh. i hope she enjoy her time on the frontera estate i hope that helps,,,,,

and lloyd reacting to this story by fucking BAWLING is LAKDJFLSKJDFSDF ITS EVERYTHING TO ME

"yeah i've heard this before" is sobbing his fucking eyes out yeah i know what you are you fucking EMPATH

and then him additionally saying that he wants to make sure these kinds of stories don't happen again WAAAGHHH WAAAHHHHH lloyd u know whats up i love you

ALSO ARTANIS LOOKS SO FUCKING DONE WITH HIS SOPPING WET ASS HAHA

lastly this final bit was fucking hilarious HAHAHAHAHA "oh so ur a demon king too,,, that explains a lot,,," "what." LMFAOOOOO

I LIKE LLOYDS FACE A LOT IN THIS PANEL HAHAHAHAHA

i like that this episode chose for more deadpan/lowkey angry expressions instead of the usual exaggerated ones its a good change of pace,,, YAY

anyway that's all from me this week!!! see y'all next time heehoo