#but the adult always loses

[knaveofmogadore]

Pretty much all of my advice from years of tutoring, working with foster kids, and helping raise half a dozen toddlers is two questions and an answer:

1) Is there a developmental or medical reason the kid is doing [behavior], or is it a control thing?

2) If it is a control thing, what will I gain from tackling it head on that I wouldn't gain from alternate solutions or by giving up entirely?

And the answer is almost ALWAYS "No one wins when you initiate combat with a toddler, because you're an adult with a million responsibilities, and that kid ain't got nothing else to do. You might get what you wanted, but you'll both still lose"

[arom-antix]

As part of a two-part reverse bang-bang, here's some more Valentines art to which @probablytoooldforthis wrote an amazing fic, Sweets for the Sweet! Please go check it out, I promise you won't regret it, and keep your eyes peeled for the second chapter - and artwork, of course - coming out on White Day aka the 14th of March!

Also, I this is an unrendered version, the finished version will be posted within about a week's time (hopefully) since I don't have access to digital drawing at the moment YuY

[mayvaava]

I’m going to be physically unwell he is such a good kid and he loves his grandpa so much I am going insane

[clownsuu]

I have no clue if tumblr ate the ask or not (if it didn’t, I apologize for the double posting) BUT

BUT

Im glad to see so much art of Robbie getting so many friends who roughhouse with him, especially after the Robbie lore dump (possibly by coincidence? Since it wasn’t here) because he deserves friends who can handle and even match his energy :)))

YEAHHH IM GLAD TOO!! specially for a lonely guy like him,, he’s dumb and sometimes even criminal in what he does, but my golly he’s a really excited and happy guy,,,,,

[solargeist]

for over a week now i keep thinking abt grian and kid xelqua. something abt him taking care of this alternate universe child version of himself. i just stare at the ceiling and my eyes blur

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[future-crab]

Why don't you listen to Laura Jane Grace talk about Pretty Girls (The Mover) and maybe you'll calm down

[the-judicial-assistants-notebook]

definitely not what was going on in this scene, but he fumbled her so bad.

[hamable]

Hey I just finished Hilda season 3 and I am forever changed.

I joke that I could write a thesis about some media but I could really truly talk for hours about how fucking good Hilda is.

It’s core strength, which tears at my heart and soul so earnestly, is that it is not just a story about child adventurer, but equally a story about the MOTHER of a child adventurer and it’s just so beautiful. So impactful.

I think Johanna may be one of my favorite characters… ever. I think she is Absolutey Incredible.

Season three was just so amazing, the whole series is. I beg y’all to watch it because it’s so so good and deserves all the love it can get.

[allieinarden]

I haven’t watched it in a while but Zuko and Toph actually should’ve had the life-changing field trip because I really needed her to find out that his biggest problem is a father that demanded his children be the best benders around and kind of envy that, and then I needed him to find out that her biggest problem is parents that believed her to be helpless and wanted to love and protect her anyway and just totally flip out.

[hyacinthusmemorial]

The Power of Children's Stories: Why "Kid's Book" Should Not Be Considered an Insult

I do this thing when I'm walking, I listen to Kids from the Stranger Things Soundtrack and I imagine Apollo fighting Python, but then I imagine all the heroes that came after him because in a way--Apollo is the archetype of the hero. He's a child, a baby god, four days old in some stories and he's not stealing cows, he's killing a serpent. Then I imagine all the demigods that came after him, and I'm stunned because there's a reason we give children the ability to slay monsters in media when they normally are not expected to do so in real life.

I read a post by @apollosgiftofprophecy, which is a valuable critique of derogatorily labeling something "kid's book". This post I'm writing in no way disregards that, but rather highlights something similar, but different. Rick Riordan's books are powerful (recent discussion about his characterization and stories aside), and just because they are targeted at a younger audience doesn't mean they aren't powerful for everyone. I'm guilty, I called them Kid's books in this post, but to me, Kid's Books are a powerful medium and not a lower one or even a derogatory one. To me, Percy Jackson is a one million times better character than Jon Snow in Game of Thrones because GOT takes its source material so, oh so seriously that it never explores the themes of his childhood in any meaningful way. Percy Jackson on the other hand as well as Apollo because I adore those books too--they use a narration style that is clear, entertaining, and bright and humorous to express very harsh realities of life. I identified with Apollo more as an adult because he uses humor to mask his darkness, which is very much something I do (and honestly anyone in healthcare or who deals with death daily does that), but I adored Apollo because he was hiding.

Clearly, I don't write for middle grade level when I write, I write adult content, but I wanted to validate "kid's books" --not "Just kid's books." Kid's books are powerful.

Examples:

Responsible for combatting Racist views! Absolutely one of the most powerful books ever written, and it teaches CHILDREN and ADULTS to turn around and save someone even when its not the "right" thing to do, but it absolutely is. It challenges conscience. It does this while telling joke after joke after joke.

Another Example:

Another "Kid's books" but not "just kid's books"-- gosh, I could go on and on about LOTR and its themes about power. This book is important for all ages. I still analyze the hell out of it, and so do my friends. Its hopeful, not because its less of a book than its counterpart "its all quiet on the western front," but because its illustrating powerful lessons without despair. Everyone makes it home, everything is beautiful, they rebuild, the Shire endures through the darkness. The Ring is destroyed even though it still very much exists in our world.

What about the Giving Tree, or Dr. Seuss books like Yertle the Turtle or the Sneetches, Artemis Fowl, and all those "kid's books." Star Wars is for "kids," but talking about Cycles of Abuse! Luke means Hope, and he breaks his families cycle of abuse. That's powerful, and its for kids!

I would argue that Kid's books are powerful BECAUSE they are targeted for kids, not in spite of it. Stories are how we TEACH. Grimm's Fairytale's existed because storytelling was a medium through which kid's learned vital truths--they have to be dark, kid's understand darkness, they understand monsters, and while our society sanitizes death away, kid's very much should learn how to understand death too.

I read an article about how a tribe, I think perhaps one of the Inuit, uses stories instead of physical discipline and how they find that this is the superior way of teaching children and adults. Everyone listens to the stories, not just the kids. When someone makes a mistake, they develop a story to show what happens if that mistake is oft repeated. I think about our ancestors gathered around fires and they told stories, and the kids were front and center, but the adults were there too, listening, learning, remembering.

On a completely different note: when a book is "targeted" towards an audience, that's marketing. It has nothing to do with content or value. We need to separate the concept of marketed, and marketing, from the whole value of a book as a means through which to tell a story that discusses important themes.

I very much use my story as a means through which to express truths about personal issues, and I think it resonates. But, those themes and truths are universal in their basic nature, a child can understand what it means to be hurt as much as an adult. A child can understand what it means to be free as much as an adult.

[hakuaryouga]

- Why was Ryouga the only one immune to the Trinoid's attack? - Ryo-chan doesn't hate anyone or anything!

[cantagirldrawinpeace]

Been reading Law Novel 👍

(super legally and not at all from a Google Docs English fan translation 👀)

WOLF ONE PIECE I KNOW YOURE NOT CANON BUT YOU REMAIN FOREVER FAMOUS TO MEEEE!!!

(Handwriting translations under the cut)

1-

Law: Junk-ya this is Bepo. He’s a polar bear and he’s going to live with us now. Be nice

Bepo: He brought me here without explaining anything..sorry….

2-

I like this sad old man :)

3-

Wolf: I swear, I let ONE kid stay - out of pure convenience - and they just kept multiplying!

Dadan: Tell me about it…

Both of them, thinking: I LOVE MY FUCKIN KIIIIDDDDSSSS!!!!

[choking-on-roses]

They should invent a losing/forgetting things because you have a disorder that makes you lose/forget things that doesn't make me feel so guilty and frustrated I want to cry

[samarecharm]

geniunely not trying to put words in ur mouth im geniunely asking: what do you actually like about persona 5? from all ur rants im just wondering why you didnt drop the game bc it seems (again, im not trying to put words in ur mouth) that it simply not for you? i geniunely have not felt any of the issues you bring up outside of the writing ones and i cannot tell if i'm just easily pleased and not good at discerning what a good game is or we simply have dif things we enjoy in a video game. i hate getting tone across text but im asking out of geniune curiosity im not trying to attack your opinion (;-;)

Nah, i dont feel like ur attacking me, and I hope u dont feel the same when u see my complaints! Lmao. In my defense, I am replaying the game for the first time after completing my first file back in 2020, so alot of the faults i kinda shrugged off in my first playthrough are now glaringly in my face now that I no longer have the confusion and interest in learning the main story to keep me occupied. The game is clunky all the way through, and at some times, even frustratingly so.

But despite that, i do like this game. Alot! Its probably one of my top games ever if im being honest!

This ended up way longer than I intended, so im putting it under a readmore to keep the post short on dashboards

If i had to describe what I liked about the game in the simplest way imaginable…I think I would say, I like how the game makes me feel :) I like the music. I like the vibe. I like the immersion from city to city, and I like the premise! I like the characters and I like the connections you make with these characters! As im replaying this game, i am most excited to see Akira and his comments about the world :) i like hearing everyones voices, I like their little interactions in Mementos, and I like seeing them fight!

P5 is the first game I played in the series; its the game that introduced me to SMT in the first place! And it (smt) is a series that my longtime best friend LOVES and never thought hed be able to share with me! It is a game i keep very near to my heart; it has influenced me in ways i did not think would happen in the short couple of years since i first finished it. It genuinely keeps me awake some nights thinking about the world this game has created, and I think that is a testament to the impact its had, be it good or bad.

The joke about wishing theyd make a persona game that was Good is that despite all of its numerous flaws, the games manage to snatch your attention and pull you in anyway. Imagine if they made a game that had all of those things that i mentioned I loved, but done Right and executed Properly?? Where I got to have a story that made sense and didnt need to be spoonfed to me (in like an HOUR of dialogue and scenes; an HOUR!), and characters that talked and bonded beyond the tiny snippets of interaction theyre allowed to have in mementos? Combat that let me use PERSONAS i liked instead of BUILDS that stop me from getting instakilled throughout the entirety of the endgame, and a Persona building mechanic that didnt feel like I was shooting in the dark looking for possible fusions that end up not even being useful in the endgame.

Ive mentioned it before, but I complain so much bc I have seen what a good p5 game looks like, and its Strikers almost to a T. Combat is still your typical warriors-esque style combat, but it is at least different from the turn based strategy of the main game. Characters talk to each other freely, they hang out and comfort each other in a way that feels more connected that the base game. Strikers implements the ability to see ALL possible fusions with ALL registered personas, not just the ones in your Stock, so you can fuse easily without having yo consult a guide. The story feels like it makes SENSE with antagonists that feel morally grey and sympathetic. Genuinely, alot of the complaints for p5 I had were almost immediately rectified in this game.

But please also know that the praises I sing for this game is only bc of the groundwork laid by p5 and the world it created. Thats what I like about this game, that it had such a captivating premise and cast of characters, that a DIFFERENT company was able to hit the ground running with them. P5 had alot happening in that game, but i think what it had most was potential. The effort put into this game is astronomical, and the possible connections you can outright MISS if u arent paying attention was worth the money and time to implement; even if it meant that it could be considered a waste of resources to higher ups.

Books and games and part time jobs???!! Silly little cutscenes that add nothing to the game PLOTwise, but define and flesh out the personality of your protagonist. There was alot of love put into this game, and its evident by the fact that we have NOT seen a new persona game released; they bank on existing titles bc they are unwilling to make a game like this from scratch again. They dont want to ‘waste’ resources on good voice acting and a complex, overarching story; they dont want to waste money on scenes a player may never see, on routes a player may never get to experience. Making a game that gives u even the slightest bit of freedom means more money in programming and detailing that freedom. This has been an issue for a WHILE, and its a miracle that the gaming landscape had space for a colossal title like p5!

I complain bc I want better, and I do not think that is inherently at odds with my love of this game. In b4 im told to get good; ive played on hard and tested out merciless (its NOT fun, im making godbuilds again and its boring 😞). Its not the most accessible turnbased rpg; theres no colorblind modes, and the affinity system is convoluted and overwhelming. Combo moves are hard to keep track of and it can be incredibly frustrating to see your turns being skipped or seeing characters take extreme technical damage without understanding WHY it happened. The fact that they KNEW the game was desperate for qol improvements by the time royal came out, and instead of updating the base game to have those improvements too, they just pushed the royal edition out for people to play instead. It sucks! Customers and fans deserve better than being forced to shell out money for a game they already played !

As the gaming climate gets more and more hostile and unbearable, I think it is good to look at your games critically, and understand why products come out subpar. Persona 5 is a fun game that has a nice cast and an interesting premise, but it is ultimately tied down by its refusal to build on existing building blocks regarding its combat, and it insists on having insulting and downright out of character dialogue and scenes to appease the audience its designed to be targeted to. It is easy to forget sometimes that queer ppl are infact NOT the prime target of these games, its cishet gamer bros from aged 16 to 40 who will laugh at homophobic comments, who drool over a 16 yr old girl with a 16 yr old mindset and a grown womans body, who need to be placated with constant sexual comments to deal with a convoluted story that will inevitably make zero sense until its laid out for you before the literal end of the game.

Its bad. Its good. Its so shallow and its unbelievable that they thought having the plot twist make ZERO sense until they showed CUTSCENES of YOUR character discussing Goro and his connections to the metaverse for endgame SHOCK VALUE was more important than just having your team be smart and piece it together over time. Its shit. Its literally amazing. It let you FUCK your teacher ??????????????what the FUCK. They also let me shoot a god in the face w the best looking ult persona in the world so i can ignore that shit. And ultimately that is how i got through the game. Lol.

[mwagneto]

gomens fandom having a normal one (take under the cut)