#but that's where his rage comes from
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Arthur Lester...you are so dear to me... 🤲🇮🇳🇵🇭🇬🇧 #malevolent
#malevolent#arthur lester#my art#arthur is mixed wolfy & I decided#he is indian filipino white#he passes so he gets by#but that's where his rage comes from#he's been THROUGH IT#just like the rest of us mixed kids#arthur i love u
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Look how far I went, for fear of losing you.
#they’re my roman empire#and hell bent isn’t just an episode it’s the breaking point the emotional explosion#It’s where everything gets flipped upside down when it comes to love sacrifice and pushing moral boundaries#It’s the Doctor at his most vulnerable and powerful like at the same time#he’s not just some space traveler anymore he’s a person torn apart by his own contradictions battling his nature his past traumas#his fight with himself with Gallifrey with a world that doesn’t get his pain – it’s a cry of despair straight from his soul#and that cry? It’s all because of her#the Doctor’s ready to go to any extreme step over all the moral lines he used to stand for#It’s about keeping her alive#It’s scary and mesmerizing at the same time#his love isn’t romantic in the normal way it’s more like a raging storm capable of anything to keep the person he loves safe from harm#It’s not a calm harbor it’s a hurricane tearing everything in its path#every move he makes every time he tries to touch her to hold her to protect Clara it’s soaked in this crazy all-consuming love#he’s almost obsessed with it like he’s ready to rewrite reality break every law possible just so she stays alive#and it’s not just about being attached it’s an addiction fueled by the pain of loss and the fear of feeling that pain again#he’s lost and found himself in that pain#doctor who#12th doctor#twelfth doctor#twelve#hell bent#new who#dwgifs#dr who#the doctor#nuwho#clara oswald#whouffaldi#dw#peter capaldi
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A Jayroy fic where Jade drops off baby Lian and they just.. retire.
There’s a really difficult conversation they have about dating and raising a kid and vigilante work and they decide screw it. It’s not safe to raise a kid around.
And by retire, I mean they disappear. Go to ground.
(Talia knows what it is to want the best for your child even if they have different opinions on what best is. She gets them off the grid and funded in some sort of suburban hellscape that takes the both of them a while to adjust to. They say they have a deep space mission and just, don’t come back.)
Roy works in a rehab clinic and Jason gets a degree in Literature. He becomes a professor at a small college, taking on graduate students and falling into academia.
They go to therapy, the make friends with other parents, they become normal people. And they have an insane security system for their house, and AI that scrapes cameras of their faces, and a modified basement that Roy compares to the Batcave exactly once that has a gym and space to work on equipment and a method of escape should it be necessary to uproot their lives again.
Because they want to be civilians, but that doesn’t mean that if their past lives come knocking, they’ll be caught unaware and too out of the game to defend themselves. In fact, because they don’t go on patrol, they’re at peak performance at all times and rarely injured more than a sprained wrist or paper cut. Gone are the days of concussions, GSWs, and stab wounds.
The superhero community doesn’t know what to do, what to think. Because all of their resources are expended elsewhere. And because space is a big place, and trying to find two humans in its vastness is an exercise in futility.
So Lian grows up normally. She’s a girl whose parents love her. And her problems are ordinary, like homework and sleepovers and playing soccer.
And when she’s in middle school, the same age as Roy and Jason were when they started superhero training, they tell her about their past lives. About the danger it will bring if they’re found. Because they promised never to lie to her, and to never let her get wrapped up in the vigilante scene.
They’re well adjusted people raising a normal daughter.
And they explain to Lian that they came from very large and complicated families. Families that did dangerous work, work that put anyone who knew about it at risk. And that Lian was a baby, and that all of that risk of their jobs, was not worth her life. That they loved her more than their families, their jobs, their previous lives. But that it meant they could be discovered, and that those old lives would be dragged back up again and she could get hurt.
Lian thinks of it like witness protection.
So Lian memorizes code names and pictures of people that may try and approach her. She learns the differences between friendlies and uglies. Between ex-family, and rogues. And she doesn’t ask questions, doesn’t look into things when her parents ask her not to. Because she trusts them to protect her. She trusts them like a well adjusted young girl who could very well ask her parents for more information, but doesn’t care about the answers because she trusts they’re not important. That it doesn’t change how much they love her or what their lives are.
There are a couple of versions of this:
1. Jason, Roy and Lian live out their lives happily and away from their families. They are never again vigilantes or found out by them.
A) Alfred dies and that is the only thing that almost breaks Jason, that he didn’t get to see the man again before he died.
2. The Bats track them down, ask them what they hell they were thinking, that they thought they were dead. To come home, be part of the family again. They’re told no - and the three of them disappear again to somewhere they’ll never be found.
3. Alfred finds them, says nothing to anyone and once a year, on Lian’s birthday, goes to visit. None of the Bats ever figure it out.
4. Alfred knows where they’re going from the beginning, he keeps them updated on their families and helps hide them from everyone. He never once tells a soul that Jason and Roy are alive. He is allowed to visit Lian sometimes and they are all happier for it.
A) When Alfred gets old enough, he tells Bruce he will be retiring. He asks that he is not followed, that no one from the super hero community is allowed to keep tabs on him. He tells him he’s sorry, but that it has to be this way. Alfred goes and lives the end of his life with Jason, they speak about literature every day, about Alfred’s parents about anything he wants to. Jason buries Alfred in England and Bruce Wayne gets an unmarked alert to its location.
5. The Bats find them, and never approach them. Each Bat basically figures out that Jason is alive, doesn’t say anything to the rest of the family, and keeps tabs on him and Roy. Once they realize that Lian exists, none of them ever breach that level of trust, even as they all grow into old age and move on with their lives.
6. Bruce finds them.
A) He waits for Jason in a cafe, watches him realize who he is and turn to look at the Roy Harper, who nods once and walks away. Jason approaches him and sits down. He asks how he found them. Bruce doesn’t say anything, just looks at his son, alive, seemingly happy. Tells him it was an accident, he had genuinely still thought they were in space, maybe dead, until someone plagiarized Jason’s work, submitted it through a Wayne Enterprises competition of some sort, and it flagged the system. It had been entirely work related, pure coincidence. No capes.
B) And Jason laughs and it’s lighter than Bruce has heard it in years. Jason asks how much Bruce knows about him now, how much intel he gathered before approaching him. Bruce says he knows about their marriage, their daughter, their jobs and habits. Jason nods and he’s smiling. Bruce doesn’t know what to do. He had checked the area, and there were no reports of anything approaching vigilantism, no anonymous casework, no decrease in crime, nothing to suggest the presence of the Red Hood and Arsenal. He hasn’t spoken to Jason outside of business in years, isn’t sure he knows how to anymore. And he looks happy, he’s alive, he’s a civilian.
C) He wants to ask him everything, ask him to come home, wants to know the man his son became. He asks Jason why. Why they disappeared. And Jason is still smiling and it’s honest and Bruce can’t stand to look at him and can’t help it either. So Jason tells him that they will never let their daughter into vigilantism. That they quit, and needed it to be absolute. That he and Roy couldn’t do this halfway, that if they loved their daughter they had to do only what was best for her, and that meant burning their old lives entirely, becoming civilians.
D) Their lives had been too complicated, too many people, too much history. So many ways for things to go badly, to leave Lian without parents or get her killed as leverage against them. And for as much as he and Roy had cared about the people in their lives, couldn’t stop caring about them, they knew that they would just drag Lian into all of the emotional problems that come with being a vigilante. That it wasn’t healthy, for any of them. That trying to do so would kill them. So they disappeared. And Bruce thinks of the pain he and his family had gone through over Jason, wondering how he was doing, if he was dead, hearing nothing and trying not to let it eat at them. But right now, his son is in front of him smiling, something he can’t seem to stop doing. Something Bruce never thought he’d see again.
E) And he has a son in law, a granddaughter. His son has a family, one he built himself. He looks healthy, he’s not closed off, he’s more open than Bruce thinks he’s ever seen him. It’s jarring, like Bruce is wrong footed. He doesn’t know what to say. Wants to tell him about everything that’s happened, to his brothers to their family, to Gotham and old contacts. Wants him back in the loop. Wants to ask about their lives, and college, and his wedding and his daughter. Bruce wants to know all of it. And he wants to know how he did it, how he hid himself so well in plain view.
F) And the detective in him will always prioritize the how over everything else. He wouldn’t be Bruce if he didn’t. So Bruce asks how. And Jason laughs, says he’s not going to tell him.
G) You know I can’t tell you that, old man.
H) He can’t let it go, Bruce can never let anything go, that’s his burden to bear. He tries to push old buttons, doesn’t notice he’s doing it. But Jason won’t stop smiling, won’t switch from civilian to vigilante. There is no trace of anger, of the Red Hood. He doesn’t look surprised and Bruce’s arguments, about flaws in his code, software, he’s just smiling. Won’t rise to the bait. And for once, Bruce has a feeling he’s only felt around Clark. A feeling of being outmatched. Jason knows all of his buttons, isn’t pushing a damn one. Isn’t letting Bruce push his either. It’s not even a stalemate. Bruce has no openings.
I) He starts telling him about his brothers, about missions and life developments. He tries to tell Jason everything. And Jason listens, hears everything he has to say. And Bruce asks him about himself, his life, his husband, his daughter. And he hears about NA and AA meetings, about therapy and raising an infant, and being a professor and his students about their friends and neighbors, about Lian’s friends at school. All of it. Except the how. And at some point, it’s been a couple of hours, but not very long at all, Jason gets a text. He doesn’t look at his phone. And Bruce knows that whatever spell had been cast over the cafe, whatever bubble of another universe he had crossed into, he was about to watch it close. Implode on itself with only him inside. Because Jason was about to leave. All of it, the cafe, the conversation, the smiling and the laughter, it was the one distraction that Bruce was liable to. And Jason has him right where he wanted him. It was something that wouldn’t work twice, and they both knew it.
J) And Jason says, I can’t stop you from telling anyone. I can’t stop any of you from looking for us, but this was the third life of mine that you ended. Of the two of us, I would go to greater lengths to protect my daughter. I am asking you not to make me do something you’ll regret. I am asking you not to look for us, not to tell anyone, not to put it in a report. I did not want to hurt you, any of you. And you have made that unavoidable. I know you, Bruce, and I have spent time healing from everything I’ve been through. I cannot allow you to pull me back into it, to pull the three of us back into your world. I know that this conversation won’t stop you, now that you know. So I’m sorry, I didn’t want to have to say this. I know who you are, who all of you are. It was never a question before, that I would keep your secrets. If you look for us, I will go public. It’s not just your life I’ll be placing at risk, it will be the entire league. I will burn every bridge, every alias. I have redundancies in place, you send a super my way you better be sure to send them all. You better be sure you’ve caught all my backups, all of Roy’s backups, everything. We have avoided you for years without triggering any of your, or the league’s, systems. I can’t predict another accident, but if you know what is best for you and everything you’ve built, you will prevent even that from happening. Do not force my hand.
K) Bruce stands, trying to memorize his son’s face. And then Jason is gone. Disappearing down a street and out of sight. And Roy is waiting for him, their house had been cleared of all traces, Talia has new lives set up for them and Lian is asleep in the backseat.
L) Their lives are busy for the next few weeks, traveling and covering their tracks and looking for new methods of being traced. And they change their names, change their lives, are prepared for the upheaval of being new people again. This time, it sticks. They watch Lian graduate school, college, get married, have children of her own. And the media is inescapable - they learn very little about their old families lives, but not nothing. There are funerals and weddings and probably so much more in private, things they will never know, never be part of again. And then they’re just old and together. Their grandkids visit, Lian visits, life is good and long and they are happy.
• Or, it sticks until one day, a spell is cast in Gotham and he’s standing on a rooftop, no mask, identity on full display, surrounded by other vigilantes in mixed states of gear and civilian status. Some being or other from another universe required all hands on deck in this universe and had used a spell to summon them all here.
• Jason spotted Roy appearing near him on the rooftop, both of them stunned. No one had noticed them yet, but their moment of indecisiveness and a moment of pure awareness on the Batfam’s part, meant there would be an inescapable confrontation. Batman seemed to notice them first and looked to Jason, who shook his head. It appeared Batman was trying to talk to the person who had summoned them all here, to argue they should be sent back or ask if it was possible.
• Jason moved himself and Roy towards Batman, doing their best to avoid looking at any of the other vigilantes at all, including but especially family. They walked into a tense conversation.
• You must send them back, they are civilians.
• Batman, you of all people understand the threat we are up against, if the spell believes they are necessary to combat X then they were brought here.
• I understand perfectly well, I am telling you to send them back. Having them here is a security risk, not during the fight, but after. This is not your universe, things are different in ways you can’t know of, this is one of those circumstances.
• Jason and Roy approach, Roy tapping his shoulder in a way that means he’ll follow his lead.
• He announces, You are in violation of the Hempstead agreement. You have one hour to return us to our previous location before we are a security risk.
• They can hear intakes of breath around them, some of the arrow clan and bat clan have approached, uncertain of what exactly is happening, but not comforted by the fact that Batman seems to understand the situation without telling any of them. The argument continues, Jason standing just behind Roy, separating him from the group slowly forming around them, people pushing their way to the center to see their son or brother again. Their friends.
• A decision is reached, It will take me 10 minutes to establish a connection strong enough to send them both through. Do not interrupt me while I prepare, follow me.
• And Jason and Roy are walking away, backs turned to their families. To their friends. There are shouts behind them, their names, other things they choose not to hear. It is all held at bay by Batman.
• They are speaking with the universe hopper, giving him a location to send them while clearly stating that he is not to give out that location to any of the vigilantes here, that violation of these terms will risk the hero community at large. The closer it gets to the ten minute mark, the more the riot behind them frays between silent understanding and desperation. Neither of them turns around, they can’t allow themselves to look. It is excruciating.
• Roy looks Jason in the eye and neither of them are fully able to stand it, but the fact that they’re not alone has to be enough. Jason can see the itch start, the overwhelming feeling that can’t be tolerated, the one that motivates people to seek out something that will just stop. He reaches out his hand, taps it against Roy’s and is met with one of the worst smiles he’s ever seen. It threatens to bring Jason to his knees, but Roy threads their hands together. The portal opens before them and without turning around, they step through.
• There is a shared panic attack, a moment of grief and regret where both of them realize just how greatly they hurt all of the people they used to care about. They break apart together and rebuild each other enough to pick up Lian from school and begin the process of torching their home. Whatever fight they had been summoned for had not happened yet, so they had a larger lead time than they had when Bruce had stumbled across them. But now, the entire hero community, many more points of being able to be convinced, was now aware they were both alive and on Earth.
#jason todd#batman#bruce wayne#redhood#roy harper#jayroy#royjay#arsenal#alfred pennyworth#retirement!au#i really think that the best way jason and roy could heal is to stop being vigilantes#that’s probably true for most of the heroes and vigilantes honestly if looking at a personal scale and not global#jason specifically is stuck in some toxic web of family and vigilantes where he can’t separate them#and he never got the time other kid heros did where they figured out who they were as they grew up jason got it dumped on him#and the distinct brand of hero judgement that comes from people trying to uphold morality being leveled at you when trying to stay sober#isn’t healthy for roy so honestly both of them need new support systems and time to learn how to cope away from life threatening traumas#i don’t know how to work in jade so either she’s exempt and can see lian or she makes talia promise she’ll be safe#i think talia would absolutely go to bat for jason against bruce in this and if bruce finds out he’s alive and they’re okay she’s in for#a worse screaming match then when he figured out she put his kid in the pit i can’t imagine his rage over her stepping in twice#but jason would absolutely appreciate it and roy would be nervous as hell meeting The Talia al Ghul
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I recently read a fic that unlocked a previously undiscovered interest of mine, and i cant seem to find any other fics like it, so you guys get to watch me spiral (again)
This came from the Talia al-Ghul is Jason Todd's adopted mom pipeline, and the fic was a very short blurb where someone offered Jason the Joker's death as a courting gift, as according to the League of Assassin's tradition had to ask for Ra's blessing as the head of his family, and Damian tranqued Batman to let this happen, because 'this has nothing to do with you, Father, this is al-Ghul family business' and aaaaaa
Just, the League having its own culture, traditions.
I know its Ra's assassins club, but he is old as fuck. There have probably been families that are part of the League for generations. This amounts to not inly courting traditions, but customs, manners, holidays, all with a different twist that came with time in this isolated society, and i just want to see more fics that explore this.
Damian being cut out of his culture completely, no idea why no one responds the way he expects, not because of trauma and 'why is no one punishing or praising me', but genuine 'i told Drake i could demonstrate my skills with a blade for him, and why didnt he offer to show me how he fights with his staff??? He didnt even say he already knew how to use blades, is he implying that i am not sufficiently trained to be capable of teaching him? Does he think i am not worthy of being in this family, and thats why he refuses to train with me??'
(Meanwhile Tim firmly believes he just got threatened to be shish-kebabed by a 10 yo and is shook. Of course, Damian just wanted to spend quality time with his new family member the way he knows how to, but tim doesnt know that, and Damian doesn't know thats how tim understood it either)
And Jason being a part of the al-Ghul household, too, is very interesting. I love the concept of Talia sending him on his way to Gotham as Red Hood partialy to make the city safer for when Damian went over, Hood putting the fear of god into criminals so that the Demon Prince could walk through the city of his father with less fear and apprehension. Jason and Damian celebrating League holidays and traditions together (of course, jason only does it so the little guy can have this confor of home and family, he did promise T that he would take care of him, its not like he enjoys quality time with a family member he never tried to kill, or that he misses the conforts of the league and dinners with the al-Ghuls, of couse not).
Anyways, thank you for listening to my ted talk
#dc comics#jason todd#damian wayne#talia al ghul#ra's al ghul#league of assassins#i also saw a post where someone said that ra's is not that stereotypically evil all the time#so i think it'd be fun for him to be a decent grandpa in this#talia: father i request permission to heal my beloved's son who rose from the dead on his own#ra's: ..... sure#*six months later*#ra's: daughter please dont take this the wrong way but the boy is not getting better just give him a mercy kill already#talia after catching jason tucking damian in at night: i am adopting him and you cant stop me#ra's:...... okay?#talia: he will need an al-ghul naming ceremony and a bath in the pit#ra's: alri- wait what i did not agree to this talia come back here#jason: slaughters everyone in his path during his pit rage only calms down when talia talks to him#ra's: okay... your boy might be a good enough warrior to honor the al-ghul name. maybe.#talia: *smug noises*#batman#red hood
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Feel like Neil couldn’t have been any other kind of actor than one in theatre. If he was a movie actor or on social media or whatnot, it would not be the same. Theatre by nature is fleeting. Recorded mediums can be rewatched over and over, creating a time loop of sorts. We the audience can keep going back to a time when Neil is still alive. Theatre however is live and once the play is over, there is no going back except in our memories. It is much like life. We are forced to live in the moment in a theater lest we miss it altogether. It’s not that the poets choose to live in a world where Neil is dead, it’s that they must because the only other option is to die themselves. I feel like Keatings teachings could only be reflected in stage theatre because that’s the only way there can be no time loop of grief. I think dead poets society itself isn’t about overcoming the authority in your life to do what you want but rather about grief, about allowing oneself to feel grief and all one’s emotions without letting it consume you and to keep living after, to live every day in the moment lest you fall into grief and regret that will destroy you or force you into a miserable life
#just silly ramblings don’t mind me just ignore me 🫣#keating was teaching the boys catharsis as a means of survival and how to process their emotions so they don’t overcome them in a world#that convinces them to pretend they don’t feel at all; that’s why he focuses on the romantics rather than the realists because the romantic#is there to help you process your emotions of sorrow and joy; and that’s why he told Charlie he was misunderstanding the teachings when he#was acting out but not Neil when Neil was trying to get out of the grief over the person he wishes he could be; keating taught him that his#father was standing over an empty grave grieving the son he wanted and that Neil doesn’t have to lie in that grave just to satisfy his#fathers grief but can go to his father as he is and ask him to accept this version of himself and the son he is and his father rejected and#that is why Neil thought the only way to truly overcome his father was by allowing his father to grieve him over grieving the son he wanted#and Mr. Keating was crying over Neil but we don’t see him rage out like the school; Mr. Keating grieved Neil and moved forward with life#whereas all the other administration and Neil’s father will not be able to because they refuse to recognize any emotion but rage so they#feel they must go on a wrathful journey to try to process their grief; idk I think the whole story was about teaching the boys not to be#afraid of their emotions and that they must feel their emotions to process them and get through and I think this message just happens to be#counter to the norm we were told our whole lives but also necessary to be full people and I think that is why this movie sticks with so#many and why so many hold it so dear to them; it’s a story about grief and emotions and moving forward with life after the fact#it’s about feeling in a world that tries to convince you that there are ‘bad’ emotions and that you must not feel certain things and that’s#where overcoming authority comes in and the anti authority message of the franchise stems from#neil perry#dead poets society#dps#dead poets fandom#dps fandom#mr keating#john keating#dps symposium
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the speculation about post-savannah reunion "how could a relationship work and how would thomas be ok with everything flint did" is like. i did Not get that interpretation at all based off the london flashback scenes
I think after talking a lot they'd come to a mutual understanding (which they were always very good at doing in their partnership) and it'd be fine imho.
like even as a privileged aristocrat, thomas was a troublemaker. a political radical who's whispered to be mad by half of whitehall as well has his political powerhouse dad ("what a piece of work you are") because he believes in rethinking systemic things and isn't afraid to say it loudly. he considers his wife his intellectual equal and lets her sleep around with as many men as she wants, in general could not give less of a fuck what others think of his marriage or his beliefs. his sexuality warrants death by hanging yet he remains confident in it and entirely unashamed. this guy wasn't exactly a goody two shoes
he was also stubbornly determined to see humanity in the downtrodden and exercising forgiveness for those who are extremely disadvantaged. he gives coins to random lower-class families at criminal executions by the docks even after witnessing the angry mob behavior (makes a friendly comment to the child about it being "lucky"), and is still persistent in seeking the universal pardons after learning how israel hands brutally murdered the governor's family. he was an actual authentic christian when it came to mercy and compassion for the poor and oppressed
then he spends 10 years unjustly incarcerated as a political prisoner ("unjustly" because aside from having a homosexual relationship, he never actually did anything illegal), and spent at least a significant amount of that time in horridly inhumane conditions. going from a wealthy politically-active nobleman to an early 18th century asylum inmate who then supposedly kills himself and is perma-exiled to a penal colony is... quite a harsh downfall to say the least. there's no way it doesn't dawn on someone that intelligent and intellectual that trying to work within the system cost him absolutely everything. flint says that england took everything away from him and miranda, but that's not entirely true - he and miranda still had each other. thomas truly had nothing.
so i don't think it's a stretch to infer 1716 thomas would be way more ideologically aligned with flint than one may initially think. would he agree with everything flint did in his war against england? most likely not. miranda didn't, so highly doubtful that thomas would either. that was always their dynamic though - they saw eye to eye on principles and beliefs (james admits this during his bar convo with hennessey), but argued a lot over methods and practicality. that was always the foundation of their intellectual connection. furthermore, flint didn't even agree with everything he did himself. gates' sacrifice tortured him. he wanted to return flint to the sea for a long time. he kept fighting brutally because he believed he had nothing left to lose. sounds like an incredibly wronged and damaged human being who may qualify for... authentically christian forgiveness perhaps
and besides. james was his truest love and miranda was his dear wife. miranda and james recognized each other despite everything and thomas and james recognized each other despite everything. bottom line they all suffered and they were all committed to each other because it was love. love is synonymous with a commitment to seeing the best in someone despite their flaws and fuckups. that's just what it is and its demonstrated plainly over and over again in the show.
if he could forgive ashe for his cowardly betrayal which cruelly ruined all 3 of their lives, would he really not forgive miranda and james for charlestown? or the maria aleyne. thomas wasn't eleanor. he wasn't thirsting after his father's approval so logically i can't see why he'd react the way she did
i mean yeah they'd have a LOT to talk about but still. all this taken together, you really mean to tell me thomas wouldn't understand flint's war against the empire, and wouldn't forgive his more evil actions (born out of desperation)? ya i doubt it
#flinthamilton#black sails#FURTHERMORE theres no reason to believe it would fall apart the way silvermadi marriage would#flint desires domesticity. he rages at civilization but deep down he yearns for a nice little life in a house#silver cant fathom what he wants. he can't even articulate where he comes from#and thomas and james actually knew each other. silver and madi never did#they saw what they wanted to see in each other#madi thought she saw an outcast who believed in the cause as much as she did#silver thought he saw the magic cure to his chronic emotional solitude#thomas and james never had these problems they were the most honest partners in the show#tldr flint lives a peaceful married retirement until his husband dies of old age#anyway a story is true a story is untrue
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Strangers From Hell Incorrect Quotes [13/?]
insp.
#strangers from hell#seo moonjo#yoon jongwoo#gifset#*brace's#incorrect quotes#//#ok so technically the quote is from IWTV#but what inspired me was this one fic I read yesterday#where Jongwoo tells Moonjo he hates him while they're making out#and the Moonjo there enjoyed that so much. So much you'd think that's dirty talk to him#and. hm. yeah. to me that tracks.#the idea of being able to get under Jongwoo's skin deeper than anyone else#to provoke burning and disorienting reactions with your existence alone#in such a way you just CANNOT be ignored#that sounds. uh. pretty good. very satisfying. from a Moonjo point of view.#but. why did I match this dialogue with this scene you may ask-#well for one I really like the acknowledgement that comes with ''as you should''#no denial. no begging. no bargaining.#if that person hates you that's because you gave them a reason to and you know it#you know you deserve it#you deserve the consequences of your actions. your punishment.#this time. from this one person.#the one person you hold in higher regard than yourself. the only one whose feelings matter more than your own.#if you're in the receiving end of their rage and disgust you should cherish it#that might be all you are ever gonna get from them. all of them that is ever gonna be yours.#their hatred might be the most personal‚ most intimate feeling they will share with you.#... and that's why I picked this scene: the closeness. the intimacy.#Moonjo's surrender. the way he just lays there and wait. watch. the look of reverence in his eyes.#reverence tinted with fondness and pride. with bliss.
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2024 reads / storygraph
Compound Fracture
YA thriller set in rural West Virginia
follows an autistic trans boy who survives being almost killed by the Sheriff’s son after a party, and accidentally kills one of the boys who hurt him when he tries to get back at him
and is pulled head-first back into the 100 year old feud between his & the sheriff’s families, that began when his great-great grandfather was executed after inciting a miner’s rebellion, the grandfather whose ghost has started to haunt him
community & family & socialist revolution
aro-questioning MC
arc from netgalley, out september 3
#Compound Fracture#aroaessidhe 2024 reads#aromantic books#andrew joseph white did it again……#pretty fast paced and gripping! I barely put it down.#Definitely the primal scream of rage the author described it as. Pretty brutal in places. I enjoyed it a lot.#it’s definitely less sff than his other books - the ghostly element is almost subtle - but that worked for me.#I was especially excited for this one because I heard the MC is aromantic and I’m so happy about it I think that was done well#certainly with more nuance and depth than I’ve come to expect from a lot of books; despite the fact that it’s not a major focus#(and yknow takes place over a couple weeks and is still in the questioning stage other than maybe the epilogue)#It’s tackling some very large complex things politically and is very unsubtle and somewhat neat about it#- and I think some aspects could have used more nuance/elaboration? but also maybe that’s just not possible to fit in one little book#the handful of negative reviews I can find I guess I see where they're coming from lol#but yknow. lots of good regardless#and also. appreciation moment for evangeline gallagher's cover art
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wonder who this is!
#art#artwork#oc#artist#dragon#wings of fire#wof#wings of fire oc#wof oc#oc: trench#at least for now idk. not too sold on it but if nothing else its his alias#seawing#anyway hi! this is an ancient seawing who rarely if ever comes up to the surface and hasnt spoken a surface language in centuries#he had a skywing animus lover way back in the day who enchanted him in order to save him#from skywings who found out about their relationship#the skywing flew off after their home was burned down and in a fit of rage trench called forth a torrential rain at the attackers#so now trench waits. and waits. and waits. for their skywing to return#they live alone and in the deeper parts of the ocean where they cant be found easily#but they keep up with Current News with their given animus abilities so theyre still in the loop#he tries to be nice but hes very secretive and knows a lot more than he lets on
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Blaming KH2 Sora’s anger and aggression all on Roxas really downplays how ready to throw hands Sora is in KH1 and CoM.
#also ignores rage form in kh3 obviously#but I’m talking about sora pre-roxas#i see this take so much and I’m like convinced ppl don’t pay attention to sora in kh1 or com#or they just take what diz/ansem the wise says about sora needing more anger in his heart at face value#even though ATW never knows what tf he’s talking about#my man was wrong about everything in kh2 why would you believe him#sure roxas unsettled in sora’s heart probably played a part#but it’s not all on him be so serious now#anyway. ppl keep reblogging that post from me even though I’m not the op#keep seeing ‘sora wants to kill so bad’ too#and like#i don’t know how to break this to you but sora has killed already#that’s a pretty significant thing that happens in every game#like i understand where you’re coming from but sora very much has killed people
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Art appreciation for these stark and serious Trimax Vash panels (vol3)
...aka his firmly set 'game' face when up against unspeakable grief and horrors; he is absolutely NOT playing around.
#trigun#trigunbookclub#manga panels#reading along and thought WOO these are Good#can see where the overhaul icon comes from too#he had cryptid panels and sopping wet panels and then panels like THESE; his range is aaaaaaaaaaaa#looking for good fang panels was difficult this vol too as he mostly kept his mouth firmly shut!! in silent focused rage
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most of viatrix's D&D background came from an... acoustic folk version of Cotton Eye Joe... this no longer works for her FFXIV lore, I will have to find another song.
#ooc#one of my fav genres: unserious songs being sung very seriously#you guys see the vision right???#if it hadn't been for cotton eye joe (werewolf) i'd been married along time ago (her first change lead to the death of her wife/partner)#where did he come from (The deep dark woods) where did he go (back to the deep dark woods; she follows)#He came to town like a raging storm..... he rode through the fields so handsome and strong.....#his eyes were his tools and his smile was his gun.... and all he had come for was having some fun#he showed up for work and viatrix was charmed (from a small town and never met so handsome and charming a man before)#fell for his smile and it lead to her 'death' !!!#anyway
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TOMERPG Zetto is from Tennessee. I refuse to elaborate.
#seinthe txt#seinthe talks#zetto tomerpg#main tagging this bc i actually wanna know what peoples opinions are on this.#where do you think the main villain of the rpg is from?#i know people dont usually like thinking about him. ive met more people that want to punch him in the teeth than people who like him#in the way i do at least. but thats already hard to get close to because#one. hes the villain#two. hes a generally unlikeable 30-year-old with balloon ego and gamer rage#three. im his number one fan and you bet your left arm i would give my life soul hobbies and electronics just to stand in his vicinity#im that kinda fan okay. i start hooting whenever he comes on screen and take screenshots whenever he says literally anything#but ignoring all that. drop tour headcanons in the comments below#dont forget to like and subscribe so you too can get the curse. the everlasting curse
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“Soldier,” Vengeance of the Moon Knight (Vol. 2/2024), #3.
Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
#Marvel#Marvel comics#Marvel 616#Vengeance of the Moon Knight#Vengeance of the Moon Knight 2024#Vengeance of the Moon Knight vol. 3#latest release#Moon Knight#Soldier#that opening page is breath-taking (and perhaps in a literal sense for that dude getting whaled on)#/almost/ succeeded in distracting me from Soldier’s raging survivor’s guilt#but…oof#what really gets me about this issue (and I guess Soldier’s character in general) is how adamant he is about his willingness to die#and yet he continues to live#he didn’t get blown up in his introductory issue he got turned into a vampire and now he’s seemingly outlived Marc#it seems to be asking the question «yeah sure you’ll die for me but will you keep on living to continue my mission?»#which already gets me in the gut but also seems particularly impactful when it’s coming from Marc#considering how much he consistently felt like a dead man walking haunted by his past and alive only to somehow atone for that past#and I very much look forward to coming back to this issue if it’s ever revealed if this new Moon Knight is really Marc come back wrong#because Soldier spends so much of this issue insisting that the Moon Knight he would die for is dead#and it would make that first page wonderfully/terribly ironic#just the concept of the man you feel you should have died for still living but twisted into something unrecognizably despicable#maybe to the point where the man he was is functionally dead#that would be wild
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Hey does anyone still think about the thematic differences between Supernatural and the Wayward Sisters and how self-isolating male hunters are compared to community-building female hunters and how this was shown from the Harvelles to even arguably Missouri Mosely and even Samuel Campbell who is his daughter's father almost more than a man himself (especially in Season 6) is not immune to this?
And how the Wayward Sisters could have been built not on sacrificing yourself to this singular all-consuming relationship with your brother and sacrificing yourself for the world second or in name only, but instead on what it takes to cut yourself into useful and digestible pieces for the sake of keeping your place in that community because you're almost certain that it's This Community or Solitude Forever (Alex you can never escape the life no matter how much you don't want it you've gotta pitch in do you want your family to die on this hunt Claire you know you'll never find anyone to love you unless you make yourself softer and then are they really loving you are you even worthy of love anymore Jody your husband and son would still be alive if you listened and learned you can't lose another child in every sense you can't quite let your children be defenseless children either and you know so well how sick this fear makes you and how you're dealing with it the wrong way your son got to be a child but your daughters can't be that vulnerable Even Donna you have Your Role to play here you're not good enough as a hunter but you're funny and happy and you don't take up that much space so that's exactly how much space you're given to exist in).
And yes, a lot of these things are echoes of Kripke Supernatural but instead of too-intimate and dark and quiet confessions that the Winchesters share and know that no one else could ever have the context to fully understand it's Community it's All Our Problems the humiliation and shame is all-encompassing because there is no privacy Everyone Sees You Everyone Knows You Everyone Wants To Fix Help You.
#Not to disappoint anyone but This Is Still About Lucifer#QuietWings' Amnesiac!Lucifer turning up at the Wayward Sisters' house has been growing like mold inside my skull#I could rewrite several episodes and two full seasons at this point#But apart from how Gender Lucifer is and how there is a lot of female-coding in S5 the Community is a little more apt than Brother focus#Because yes Lucifer losing Michael and Gabriel and Raphael and God is tragic but Lucifer Went To Prison and lost Community and the World.#Lucifer has no place that wants him aside from Hell and the demons are a constant reminder of his fall they were the sin that triggered it#(There's no depth to his relationship to the demons - Lilith could've been different - but Lucifer asks for worship and wants Love)#But Lucifer would not be immune to the Community Needs. It only works because they think he's just a moody angel with the amnesia at first#But after the revelation he has to atone for his sins by Community Work it's only if he tries real hard that they can Forgive a little#But never Forget. (They've come to rely on an archangel and they've pissed off archangel-sized monsters. They're fucked if he's free)#But Where Else Would You Go Lucifer? You want to make this work because this is your spider's thread your Only Chance#Sam Winchester is the boy you waited for millions of years to be understood by and he can't look at you without wanting to throw up#Sam saw the ugliest parts of you and that's all he understands but fate tricked three unremarkable humans into seeing you as an angel#As a devoted servant as a guardian as a cherub ruled by love singing to yourself in the morning as you take care of your humans#They saw some ugliness of course you are prideful and you are Too Much your anger turns to hail when it's supposed to be silent or words#But you have a place. It's washing the dishes. It's braiding Claire's hair. It's peeling your vessel's skin off to show Alex the veins.#You're happy you're so happy it betrays a little bit of righteous rage bc you have a place and it's Good and you just have to be careful#(Why haven't you learned to shut up after Everything it cost you the first time? Why can't you understand love means bending a bit?)#You're happy but living in a vessel means folding yourself small and you can Never be comfortable. But where else can you go?
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someday we need to talk about how leon kennedy is a victim of the kirk drift. that man isn't a fuckboy womanizer misogynist he's literally just some bisexual loser
#at least re2 and re4 leon is definitely not. can't speak for 5 and 6 but come on. he's not a fuckboy#leon kennedy#re4#resident evil 4#maybe there's some lore somewhere where he's a raging misogynist but like. not his two most popular games#from where the general public is standing he should NOT be interpreted like that wtf#also also also i don't give a shit if you think he's hot and fantasize about that. whatever. just know it's a HEADCANON#resident evil
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