#but that pain never comes

[babsil]

god i love the scene in moana when she starts singing to te ka and te ka’s lava turns to rock. its my favorite character trope when Mean Vicious Rabid character hears the Right Thing or that Nice Character Understands and they just settle down because finally they arent blindly antagonized

[spaceacerat]

I see you disabled people who don't know your family medical history because your family members couldn't/wouldn't/weren't allowed to go to the doctor and never got diagnosed, or don't know your family.

I see you disabled people who didn't know you were disabled growing up, physically or mentally, maybe because your parents didn't have insurance and couldn't afford it/wouldn't take you seriously/didn't think it was a problem because they had it/doctors couldn't figure it out.

I see you disabled people who have bouts of an issue that you grew up with, that are/were infrequent enough that you never really thought about it and dealt with it on your own, and when you have one in front of people who weren't medically neglected, you wonder why they look so horrified as you describe it.

I see you disabled people who didn't/haven't had any amount of care or accommodation for their disability since it started, because you couldn't get diagnosed.

I see you disabled people who grew up thinking everyone had the same problem as you and that it was normal and so you accepted it, because you didn't understand how the human body worked and had no real frame of reference nor the language to ask for help, or the people around you saw it and just ignored it.

I see you disabled people only now understanding that what you experience is abnormal, and that there are things that can be done to help it, make it easier, or at least help you understand yourself better.

I see you disabled people that will never be able to get diagnosed or get the help you need, whether from being poor, lacking insurance, or any number of reasons.

This shit is hard, and there are people who will never quite understand your struggles. It doesn't seem to get talked about as much, but I wish it was. Please know I love you, and you aren't alone.

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[justaz]

lol arthur realizes with the other knights after watching merlin flirt and being hit with a wave of deja vu: holy shit you asked me out

merlin and the rest of the knights around a campfire after leaving a village bc lancelot and leon somehow started a brawl in the tavern: ???

arthur points at merlin: after valiant! you asked me to buy you a drink! you were asking me out!

merlin is busy cooking dinner and confused out of his fucking mind: what???…..valiant….oh the knight with the snakes.

gwaine who was slightly tipsy now stone cold sober and sitting up straight against a tree: wait. explain. what do you mean merlin asked you out??

arthur snaps his fingers as he recalls the memory: i apologized for sacking you and you said that if i bought you a drink we’d be even.

merlin now remembering how he had stumbled into camelot, picked a fight with a pigheaded bully which quickly turned homoerotic and flirtatious, and continued their teasing-flirting for days before merlin shot his shot and asked the prince out only to be rejected: oh yeah, i forgot i did that…..wait, you mean you didnt realize what i was asking?

arthur: no?? we argued everyday, how was i supposed to realize you were asking me out??

merlin now abandoning the dinner and staring across the camp at arthur while the rest of the knights watch their back and forth like a game of tennis: to you we were arguing, to me that was very much flirting. i thought you were flirting back so i decided to ask you. then you rejected me

arthur, mentally beating his past self up for fucking up their chance: i didn’t reject you!!! i just didn’t realize what you were asking me. how was i meant to? we fought every chance we got

leon, nudging elyan, glee and excitement riling through him: its happening!!! its finally happening!!! seven long, grueling years is finally paying off!!!

merlin, realizing the misunderstanding and acknowledging the fact that he wasn’t rejected, his flirtations just weren’t noticed - realizing he still has a chance: oh…oh i see. arthur, my dear, our fights were extremely flirtatious. need i remind you of what you said? “do you know how to walk on your knees? would you like me to teach you?” or “i could take you apart with one blow”

arthur, mental capabilities at an all time low: m…my dear….?????????

merlin grinning devilishly as he realizes that his flirtatious persona he had hidden away after falling head over heels for arthur can make a come back: that is what i called you. should i call you something else? say…mine?

percival gags in elyan’s ear: cheesy

elyan hides a laugh: at least they’re finally getting somewhere. better than the hopeless pining

arthur, flushed from head to toe: ah uh no um im uh

merlin thoroughly enjoying himself: oh come now, your majesty. use your words.

[industryhbo]

“fangs lungs ankles” – Adrianne Lenker

[turbo-tsundere]

*superglues them together*

Aka, eeeeh fok it. Here's some ougoku stuff I've been sitting on. Happy THOSE GUYS day.

[willowser]

thinking about you laying in bed with bakugou and lightly tracing the messy edges of the scar in the middle of his chest, hardly able to comprehend how deep that wound runs. it had already been there for years by the time you'd met him, but sometimes you see it and are unable to swallow the fact that—at one time—you were alive and he wasn't.

very quietly, you say, "it's crazy to think how easily i could have missed you,"

because it's not every day you meet and fall in love with a man that's died and come back. if fate is destined and soulmates are real, you imagine the two separate paths of your lives traveling parallel, in sync—and his breaking away for one horrible moment, torn from you before you even knew it.

bakugou is half-asleep, you know, but he shifts until his chin is lightly nudging your forehead, and speaks into your hair. "nah," he murmurs, voice thick and slow and slurred. "would'a found you eventually."

and somehow, you can't find it in your heart to doubt him.

[ghirahimbo]

evil time loop escape conditions where you can't get out until you've fuucked up your life in the most spectacular way possible, confident that the next night will reset the slate as usual.

instead, the next day comes.

[dirtytransmasc]

I'll never not believe that Davos is the one who fell first and harder. that he wasn't the one getting his heart truly broken. the one fighting for Aaron's love and attention and aching when he is denied. the one longing for Aeron and having to reckon with the fact that he can never truly have him, there's too much keeping them apart.

sure, Aeron has his own feelings, his own longing, his dread.

but you can see it in their faces, it's Davos's heart that's a mess, his soul that is aching, while Aeron is more confused and unsure of his own feelings and where they lie in the mess that is feuds and war and blood and kin.

Davos is angry but full of bitter, rage filled acceptance. Aeron is scared, confused, and stuck between acceptance and denial. and it's breaking me.

[almondpiglet]

wip of a request im trying to finish i’m gonna die painting this!!

[s0fter-sin]

codtwt is going off on brainwashed!soap bc of his new warzone skin and it’s making me think of ghost deliberately getting himself captured by makarov bc he knows he’ll be given to his dog to try and break him; knows he won’t be able to resist the irony, the cruelty of being tortured by the teammate he lost

he doesn’t fight; welcomes the chains around his wrists and ankles, welcomes the hands stripping him of his weapons and gear until he's defenceless

he wouldn't use them anyway

when he stalks into the room, the muzzle, the scars, not even the blank hatred or lack of recognition could make him mistake his eyes

that's his johnny

he doesn't flinch as he digs knives into his skin; would never shy away from his kiss even if it's tinged with rusted steel. doesn't swallow his screams; not when he always loved hearing him, when he spent so long coaxing his voice from the grave

frustration joins the anger in johnny's eyes the longer he goes without giving up information

just jokes; dark and puns alike

just advice when he can't get the jumper cables to spark right

ghost's not trying to escape; not trying to barter his return to the 141

he's right where he wants to be

[crustyfloor]

SUA LORE (I'm going to die one of these days fuck)

When Sua was younger, among all the sisters she had grown up with, she had one older sister, but seemingly, unlike their other sisters, that woman didn't treat Sua with hostility, in fact, she looked like she doted on Sua and looked out for her.

Translation (Creds to: @/greenbean1467 on yt in the comments section):

1/2 ?: You should take care of your hair. (Woah, careful) ?: So immature… 2/2 ?: Alright, it can’t be helped. Sua has to be punished! Tickle tickle! [ At that time, you were my only person, and for that reason, you also made me afraid. ]

"You were my only person, and for that reason, you also made me afraid" Is just...All her life, Sua had been an isolated individual, by choice, and because she had been shunned by her family, avoided due to her cold nature, and during those times she's only had two people to who she could really show herself too, this woman and Mizi, this woman being the only person Sua had in her life I can only imagine how afraid Sua was of losing her sister, and just how much her sister terrified her at times.

1/2 SUA: Mhm, so mother said, it’ll be time to leave after ten more nights. And mother seems happy, and I too… SUA: And that pink-haired kid could be there too, so… ?: Didn’t I tell you it’s uncouth to wiggle your toes like that? 2/2 SUA: Oh… I won’t then. ?: Ugh, so cute! ?: But you know, big sis is worried. ?: Worried that our immature little Sua could just up and die in that hellish place.

This woman and Sua look to be close; they are affectionate, and Sua almost seems to look up to this woman as if a sister figure, but the detail here I'm interested in is how worried this woman is about Sua and her remarks about Sua, she cares about Sua. Still, it shows that she looks down on Sua to some degree, whether this be in a teasing tone or not, I'm unsure. But there's an obvious obsessive fixation on Sua's innocence. And even in this relationship, cruelty was reinforced as a means to an end.

1/2 ?: You’re already so stupid, what if you just up and die in that place? ?: You poor thing, Sua. [They say that corpses fall from the sky in that place. When a weak kid like Sua just up and dies, They burn those kids in a hot, hot fire, And then they open the sky lid to sprinkle them over the living kids Like snow raining down. ] 2/3 ?: Even if it's not, I'm not smart, but I've gone so far ?: Pick--If you die. What should I do? ?: It's so cute Sua.

Growing up under the same guardian, Nigeh, who valued quality and beauty in her pets, it becomes obvious why Sua's sister was criticizing her appearance. She'd grown up hearing the same criticisms from the harsh and cold Nigeh who didn't care for their pets beyond their value, and what all they could bring to the plate, I could imagine just what kinds of things Nigeh would say to a pet human with "abnormalities".

Sua, however, was the perfect pet human, she was pretty, obedient, and acted obediently for Nigeh as a manicured doll to meet their expectations. She was attached to Nigeh like a daughter to a mother, looking to their validation to feel as if she was more valuable than she truly was even though the love wasn't reciprocated. For these reasons, she was treated differently from her other sisters, of course, there would be a level of envy and projection from Sua's sister.

Sua's sister is shown to be anxious about Sua, she seems to have been attached to her in the way a hurt child needs a security blanket to rest at night, Sua is so childish, naive, and stupid, it is reassuring to her sister to have someone to care for, as if there was still hope in this world, so without Sua, her sister's worries wouldn't be soothed, her sister was so scared that she even threatened Sua with fear, expressing how frightening and horrific this environment would be (Like, "Pick, if you die" I read it as "If I lose you, what should I do?)

In this way, Sua seems to parallel mirror woman because Sua had this same dependency on Mizi, again, in the way a hurt, lonely, scared child needs a security blanket to rest at night, Sua wanted Mizi to remain naive and stupid, willingly kept her in the dark so that Sua could feel a sense of peace and security through her, her sister was the same way with Sua, she wanted to keep Sua from the hell she would be subjected to very, very soon, but in the end, telling Sua ugly truths, about the snow, and all, had to have been fueled by bitter feelings, to rid Sua of that type of innocence, could have been any kind of love, perhaps in a twisted way she wanted to protect Sua.

She obviously had to have been mentally unstable (understandably) to say these kinds of things to a child, no less, the way she stares at Sua like she's desperate and broken, really, it's not loving, it's just desperate and cruel. Really, the fact that Alien stage can bring a person to this kind of insanity is a horrifying concept. Still, I believe she was trying to teach a lesson to Sua at this time in her life when she was growing up, making attachments and being susceptible to impressions, it was purposely harsh to frighten her, to project her fears onto Sua, and those words from her sister stuck with Sua for the rest of her life.

From that day on, all Sua could think about was death, all she could do was worry and worry until she met Mizi again.

Meeting Mizi, in all her optimism and bright smiles, was like a healing balm on Sua's wounds, or in other words, her "Cure" .

1/2 SUA: Big sister, your words then made me, as young as I was, all the more afraid. I imagined “just up and dying” so many times, even more than before… 2/2 SUA: But if I meet you again, I want to tell you this. That you were wrong. The one to be pitied was probably you.

1/2 SUA: If this is hell… 2/2 MIZI: Found you! You're that snow doll!

Interestingly enough, Mizi calling Sua a "snow doll" may be a foreshadowing of Sua's death, as now it's semi-confirmed that dead children are cremated and sprinkled down onto the Anakt children's faces, but they only think it's snow. (THAT IS JUST FUCKING SICK. someone kill me)

And a parallel to the MIZISUA video, their first meeting. (The nickname is just--telling of how Sua is perceived, as a little dressed-up doll.)

(And that fact just gives this piece a wholeeee darker meaning. of course. It somewhat disproves the theory that the dead are instead fed to the Wagyein, but I don't know which is worse. Then again Sua's sister could've been going off on a psychotic rant, so I'm not taking it too seriously. It's a weird coincidence though)

1/2 SUA: Where else could you find such a paradise so wonderful? 2/2 SUA: So you're wrong.

(Some nuance may be lost in translation. I died)

So this comic, like Ivan's comic after ROUND 6, Cure, Heavenly Garden, was Sua's reminiscing during her final moments, and her only thoughts were the words of her sister, her face, haunting as it was, and Mizi, her universe.

Sua's sister pitied her for her inevitable fate, she had known the life of being a pet-human, used, abused, and hurt, she feared death and still had her instincts intact. Knowing Sua would go through the same cycle and then meet a terrible fate on that hellish stage...tasted bitter. It was frightening, but it was one small liberty for Sua to make it something of her own.

But for Sua, it was far from hell. Sua's sister references Anakt garden and Alien stage as a whole as hell because it's a one-way ticket to your demise, there is no true life once you're in, that's why it's so frightening, but being found by Mizi in that garden--Mizi was wonderful, Mizi made Sua feel like a child, to feel warm in her bright, gentle light, feeling the tranquility of feeling freed and loved in the comfort of Mizi's gentle song, Sua didn't want to be pitied, she didn't even regret making it this far, she didn't care about death as long as she wasn't without Mizi, Because to be able to be with her, and sing with her...everything was all worth it to meet Mizi. For Sua, there is no fate more miserable than living a life without Mizi and dying that way. Living a life of loneliness and anxiety was pitiful.

Side note, the title of this comic, Heavenly Garden, maybe a religious reference and, more specifically, a reference to the Garden of Eden. The themes here that connect to "Return to the Great Anakt", all children, in ashes and all will eventually return to the great Anakt, it gives me the idea that after Sua's death, her "Heaven", was returning to Anakt Garden and returning to her paradise, Mizi.

[thedisablednaturalist]

Sometimes terms mean certain things and belong to certain groups of people and are not meant to apply to people outside that group. And that is on purpose and valid. You can make your own terms to describe your own experiences, you don't get to take terms from other people, especially people more vulnerable/less privileged than you. If multiple people tell you that the term is not for you, respect that.

When terms get used for many different situations they get diluted and trivialized. Remember "trigger"? It was a specific medical term and is now used to mean "something that pissed or upset someone". Brain fog is now turning into abled people just being a little sleepy or out of it, not literally a clinical term for brains not functioning correctly due to various illnesses. I tell someone I have brain fog and they say lol me too XD no you fucking don't. "Spirit animal" was taken from indigenous peoples so white people could make funny haha relatable t-shirts. Two spirit almost got taken by queer white people as well (although I think most people have backed off on that hopefully).

Not everything needs to apply to as many people as possible. You don't need to and can't relate to everyone. We can still support each other while respecting differences.

(Edited ver)

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[starcurtain]

Sometimes I think about Aventurine in the moment he first discovered his Pathstrider abilities. The moment he first realized he could shield not only himself but also others. The very first moment he realized he could be a source of safety, rather than a burden--than a curse.

Sometimes I think about the hatred he must have felt for himself in that instant.

Where was this power when their camps were burned to the ground with every last one of their meager possessions? Where was this power when his mother died begging as he cowered, playing dead in a bath of the blood of everyone he knew?

Where was this power when his sister stood tall, a silhouette against the lightning, and used her body as the shield? Where was this power in the maze, when it could have spared the screaming child who was the first to die?

You could have saved them. You could have saved them. You could have saved them.

[clockworkreapers]

note: no corpses were undressed, Jerry just explains things in a very Jerry way Tales From The Gas Station Vol.2