#but that kind of anger might actually kill me

[auguryofjellyfish]

A lot of Tetro fans are focused on how angry Hasegawa will be in the trial but they're forgetting that Wada will also be extremely pissed too, especially since this is how his 2nd friend who has been killed.

I'm so worried about what they'll do during the trial.

honestly, yeah...you raise a good point.

wada. he's been kinda all over the place after tsuno's death. first breaking down, then getting pissed at hiroaki, then going off to frantically investigate on his own, then stabbing okazaki and freaking out about that....jumping through quite a lot of different emotions there. it's frankly difficult to predict what wada might do during the trial because of that.

if okazaki's the culprit for both murders, and i think she is, in the most extreme case he might just try to stab her again LMAO. he already stabbed her for his own sake, but when it's about his friend? someone he loved? i could see him zooming out of his stand, knife in hand, the second monomoko says the 'co' from "that answer was correct". though it would be kind of "over the top" so i doubt that would happen.

overall, he will undoubtedly be pissed, he will undoubtedly be breaking down- it's just hard to tell which emotion will be more influencial over his actions.

and hasegawa....man. it's kind of similar as with wada, i can see him just alternating between despair and anger. his emotions quieted down during the investigation but once they actually get to discussing things during the trial? i could see him exploding with fury after hearing something particularly bad. like screaming-and-banging-your-fists-on-the-stand-so-hard-you-fracture-the-bone kinda fury.

buuuuut i'm probably just making them out to be wayyy more emotionally volatile than they realistically are (thank god von is the writer and not me), and nothing really drastic will happen besides the expected crashouts.

[vynxwave]

Even if it's serving a larger theme, I really don't like the thought of Starscream not having subjectivity when it comes to his evil actions? It actually makes me kind of uncomfortable to see that stripped away from him…

Agreed. I feel like him choosing to do evil himself is so important. Him not having had this choice in becoming evil I feel may ironically weaken his ending message in #14 — "Never again will I be the property of anyone! I will be the master of my own destiny. / The captain of my own fate." — because his fate/destiny, while no longer directly held by Megatron, has been greatly impacted by being corrupted by Megatron in a way that's seemingly irreversible. (...I really wonder what's gonna go down when Megatron and Starscream meet again? I wouldn't think he'd be killed [or whatever'd happen to him] so soon after getting 2 issues dedicated to his backstory, though)

I suspect the gun idea arose from wanting to answer a question one might having watching the cartoon — "why would Megatron let someone who openly covets his position wield him?"

Megatron victimizes and traumatizes many people but I think it's almost always so "meritless" when Starscream is shown to be victimized like this because it like, consumes his character and also Megatron's character, as if part of Starscream's core identity is victimhood and Megatron is targeting him (beyond Decepticon-y retaliation for assassination attempts or something) intentionally as his outlet for anger and violence, and I feel it doesn't do justice to either character.

I absolutely feel the same way about all of this. When writers have Megatron victimize Starscream, I feel that it's often just a shorthand way to go "look how brutal and evil Megatron is" without any deeper consideration of the ramifications for what portraying their dynamic in this way means. (Spotlight: Megatron comes to mind...)

Heavy on this kind of dynamic consuming their characters and feeling it doesn't do either character justice.

Prime probably cannot go unmentioned for popularizing the portrayal of their dynamic like this. Considering this, I don't think their dynamic in Prime has any merit at all; and I think it ought to be seen as fundamentally unsalvageable & poor writing — and subsequently not worth repeating at all...

I really don't feel that Starscream and Megatron offer anything as a depiction of an abusive dynamic because the entire point of it is always to show Megatron's brutality and Starscream suffering — neither of which mean anything! I really don't feel like Megatron targeting Starscream like that has a point (save for like Decepticony retaliation like you said) because Megatron doesn't treat many people well in the first place (and, neither does Starscream).

I was going to write more about this but I wasn't satisfied with it (I'll have to do some reading/watching to formulate my thoughts better I think).

Ultimately, Starscream is in Megatron's inner circle because he covets Decepticon leadership (which would entail Megatron's death/defeat) and Megatron will not take kindly to his usurpation attempts.

I'd get hate for it, but I think in terms of just characterization, looking past the larger theme Skybound might have, that Earthspark let Starscream be his own person and portrayed him far more effectively.

I think so too, now with all of Skybound Starscream's evil being essentially from Megatron corrupting him.

Whereas in EarthSpark, fitting with its themes, it was Starscream himself who chose to do evil, discarding others to his own detriment, and faced the consequences of his decision. Definitely one of my favorite Starscream iterations.

When it comes to Optimus in Skybound, I'm also really curious about his arc, and I feel he escapes the issues I see in Starscream's story because Optimus and characters like Elita-1 make it clear that this is a return to a way Optimus was in the past that he's tried to move on from.

Yeah, and it's much more gradual than Starscream's story, allowing Optimus to have subjectivity after the moments his hand is forced where he's shown to be greatly disturbed by it.

…I actually kind of hope what happens with Cliffjumper's plan is something deeply upsetting and tragic, in which the new person created is in a state akin to Dinobot II or Rampage in Beast Wars!

Me too tbh. I hope that's the direction it'll go.

Also your comment about Arcee reminded me of a previous thing that felt kinda discrepant — in #14 Brawl eagerly claims he and Onslaught overheard Soundwave plotting against Shockwave, but in #10 their dialogue doesn't really read like that? Maybe I'm just nitpicking...

More detailed thoughts on the current arc of the Skybound comics (spoilers for up to the most current issue, #16) in which I give some more insight into why I'm still kinda ambivalent about certain parts:

Starting with the negatives to get them out of the way (they're not super serious or anything but I think they're why I'm not sure how I feel yet).

The characters who are part of the Combiners are not really characterized at all, and when they are it seems very odd. The Combaticons as big Starscream fans is really strange to see, especially when I remember their G1 debut. Mostly, the Constructicons and Combaticons feel like they're fulfilling rank-filling roles.

It's too vague right now to know what exactly happened between Starscream and Megatron in the past, but if Megatron was compelling or mind-controlling Starscream, I think that doesn't really do Starscream a lot of justice. However (and this is a big however) I believe this plotline is probably symbolic and ties into what's going on with Optimus. This series seems to be exploring the harsh realities of war and its corrupting influences, so even if I'm not sure about how one particular character is written, it may serve the greater narrative.

Arcee's crisis in #16 didn't make sense to me? She didn't jeopardize anything at all, that was only Optimus's (wrong) interpretation... and he went and killed Shockwave anyway! It just seemed odd to me to see her be comforted by Optimus when it almost feels a little hypocritical.

The thing I still find most frustrating is, unsurprisingly, how Jazz is written in this series. He barely feels like a real person with depth even now. Although nothing is like, contradicting his G1 characterization, the fact that Jazz was one of the most prominent and fleshed-out of all the transformers is making me feel like he's not being utilized very well. He always had lots of interesting things to say in the cartoon but I don't feel like that's happening here.

Now onto the positive things!

I continue to adore what DWJ's doing with Elita-1. We get to see her now as a leader of a team, a trait I've been waiting for, and I was surprised by and enjoy her friendship with Warpath! I never would've thought of something like that, but I guess it makes sense. They've been portrayed as Cybertronian resistance fighters before. Her smile while he's getting repaired was so sweet.

In a similar vein, I love seeing characters who have always been around but rarely focused on getting much more attention and care in the narrative. Bluestreak's ruthlessness was great to see focused on and maybe this series will do something more with the fact that his backstory is like Cliffjumper's in this series. I was really excited to see Trailbreaker, a character with a ton of potential, get to shine a little too! I really hope he goes on to be a major character.

Astrotrain is also a highlight for me, and I was pretty surprised to hear he wants revenge against Megatron because... Megatron killed his love interest? This is a surprising and confusing turn I never would've thought of, but I guess this is how Astrotrain would act if such a thing happened, and I'm wracking my brain trying to guess what the backstory is there. I think I'd prefer if this was about a pre-existing character and not an OC, because I found Starscream's backstory about a dead OC friend kinda weak TBH.

I'm super excited to see further fallout of Thundercracker feeling so betrayed and I was happy that this finally happened.

Megatron using Laserbeak as his eyes is really cool and I doubt DWJ would do this, but it would kind of be nice if Megatron was just blind for the whole series.

I'm really eager to see how this comic approaches the deep-seating transformer cultural issue of creating new life to be soldiers thing now that its reared its ugly head, and if Cliffjumper might have some kind of crisis later on if he feels guilt over his choices.

The art is just incredible and continues to be!

For now, I think I'm waiting to see if all this comes together like the end of the last arc worked so well.

[sexy-mothman]

hmmm the overwhelming sense of dread is particularly potent today

[kindheartedgummybears]

you wanna know what??

I am

TIRED

of overmasculinized werewolves!!!!

I WANNA SEE A

WEREWOLF

WALKING AROUND IN A CVNTY LITTLE OUTFIT!!! WALKING THE STREETS!!!! DISEMBOWELING CREATURES!!!!

I WANNA SEE WEREWOLVES COVERED IN BLOOD AND GORE WHILE WEARING A SHORT SKIRT AND CROPTOP WITH HELLO KITTY ON IT!!!!

I WANNA SEE A WEREWOLF WALKING AROUND IN COTTAGE AND FAIRY AND PRINCESS CORE OUTFITS!!!!!! WITH A DEAD MANGLED RABBIT IN ITS MOUTH!!!!

AND MAKE THE WEREWOLF

D I S G U S T I N G ! ! !

[penny-anna]

actually bouncing off this post:

alternate scenario where the rebels continue to think the whole thing is a wacky coincidence and that Darth Vader has mistaken Luke for his actual long-lost son

decide this is too good an opportunity to pass up, send Luke in as an undercover agent

Luke ''''pretending'''' to be Darth Vader's son and faking going along w Vader's attempts to turn him to the dark side like yeah i love anger & hate let's do this. can you show me how you do that move where you throw people in the air with your brain.

he is secretly feeding information back to the rebellion all the time constantly

a number of Vader's underlings are pretty sure Luke is a rebel spy but everyone is too afraid of Vader to argue with him on it

Vader meanwhile is desperately trying to train Luke while keeping Palpatine from finding out his son is still alive. Luke wanders in while he's mid imperial conference call and gets tackled to the ground.

after a couple of months Vader decides Luke has had enough training for the 'we should kill the emperor and rule the galaxy together' speech

Luke (who has in a weird way kind of got to like Vader at this point) radioing the rebellion like guys call me crazy but i think we might be able to get this guy on side

[cerastes]

Habe you ever had a "did we even play the same game?" moment with someone?

My favorite game ever used to be Metal Gear Solid 4, it’s still up there in my top favorites, and this time at a party I met a guy that said he didn’t like MGS4 because he felt like it ruined Snake as a character and that it misrepresented him. I asked if he could elaborate and his response was that they took this Rambo dude, this super manly war hero and emasculated him into a weak old man.

I need you to understand that Solid Snake was without exaggeration fundamental in my growth as a person: I am from a latino country, grew up in what’s widely considered the wrong side of the tracks in the middle of nowhere, being macho, manly, tough was incredibly important to me, because that’s how it was in there, and Snake (plus “The Knight In Rusty Armor” by Robert Fisher) basically made me question all of what I’d grown up thinking up until then, because Snake isn’t a badass because grrr manly beef jerky I kill and swear, he is this incredibly solemn guy who hates what he can do, but is the only one that can do it, and if he doesn’t do it, then nuclear war happens, or worse. There’s a whole angle of expectation as a narrative arc in regards to Snake: Meryl expected a glorious, boisterous war hero, Otacon expected a grizzled, badass action hero, Liquid expected Himself But Better In Every Way, Ocelot expected a tool and nothing else, Naomi expected a callous and cold killer… And they were all wrong, he is, ultimately, an exhausted man that cannot stop no matter how much he wants to stop, because if he does, the world might likely go up in literal flames.

So to hear this self-proclaimed superfan of Snake say this just made me skip anger and go all the way to pity. In-universe, those in the know of Snake worship him as an actual God of War, and it’s a common thing that gets addressed in-universe: The whole point of MGS2 is that Raiden could never have won if he tried to be Snake, because you don’t want to be Snake. Snake hates being Snake. Snake isn’t manly because he beat a tank on foot one on one, Snake is admirable because he does the right thing, even if he’s breaking down molecule by molecule as he goes and he wants nothing more than to fuck off and raise dogs in the arctic, but keeps on going anyways because he can do something about it. The most important message he imparts on Raiden and Meryl is Don’t Be Me; Create A World Where Snake Doesn’t Need To Exist.

I felt pity because if you feel like MGS4 misrepresented Snake, then you really and explicitly are exactly the kind of fodder PMC nobody that feeds the proxy wars in MGS4. I think only by skipping every cutscene you can come out thinking that way. The only thing super about him was ficial.

[aashi-heartfilia]

The hypocrisy of Jinshi and MaoMao

*light novel spoilers*

I just love how hypocritical MaoMao's nature is. She yells at Jinshi for being a 'Masochist' and yet we see that she's no different. Now, by definition Masochist is a person who drives sexual gratification from their own pain and humiliation, plus it relates to Jinshi's tendency to do self harm (like burning his skin with a brand)

And what is MaoMao's most favourite thing in this world?

POISON

She literally takes pleasure in consuming it and no one can convince me otherwise. Plus she uses dangerous plants and animals and snakes whatnot in the name of her so-called experiments. Her dad may call her a 'mad Scientist' but that is a direct indication of self harm.

And she calls Jinshi a Masochist.

I mean, think about it! The amount of anxiety she gives to Jinshi! She came prepared with a vomit inducing medicine but even she had no idea whether it would work or not. She was just hoping it would work in the salt chapter.

And the same goes for her hand, on which she has conducted countless experiments. One flower even burned her skin and its marks never left her skin. She said it was all for her hobby. What kind of weird hobby is that? Maybe, our little adorable mad scientist is just like that.

One brands his own skin, while the other takes heavenly pleasure in consuming poison.

So my point is, Jinshi and MaoMao are not that different as one might think they are and that's why their dynamic works so well.

Let's look at the excerpts from volume 5:

She didn’t know how long they sat that way. All she knew was that Jinshi was looking down at her with a faintly triumphant expression, as if he saw that the breath had reached every corner of her body now. He wiped away the tears that had sprung to her eyes as she struggled to breathe. It was then that Maomao felt a flash of intense anger. “I said that if you were going to kill me, you should do it with poison,” she told him. “I refuse to let you poison yourself,” Jinshi said, his fingers tracing her lips. “You can’t pretend you didn’t know that you were one of the candidates. As much as I’m sure you’d like to.” He wasn’t done, either: “Who was that man, anyway? I’m sure you’re not a dancer.” So he had been watching them! “I was just paying for my drink,” Maomao said. “It didn’t cost much.” She tried to look away, but with his hand on her head, she really couldn’t.

Jinshi just choked her and yet he refuses to let MaoMao poison herself. A lot of people misinterpret this scene, and don't like it all that much, saying it was just fanservice stuff but this is how I see it: Jinshi wasn't trying to kill MaoMao, he was just trying to make MaoMao submit to him for once (even if the way he did it was very wrong, but guess he's kinky like that). MaoMao is actively trying to harm herself and Jinshi loves MaoMao a lot, he cannot just let her kill herself.

It was more about him trying to exert his dominance in their weirdish - complicated relationship and that also backfires on him as we see in the next volume that MaoMao escapes Jinshi's grasps using Pairin's techniques.

And then they both continue to avoid each other in the entire next volume! Because they both realised that they have crossed boundaries.

They both are hypocrites.

And they both refuse to accept their feelings.

In one of the later volumes, she gives Jinshi a piece of her mind on how he should tell her everything clearly, unequivocally, what he feels, and he literally declares that "he will make her his wife", which is nice and all but look at the wording MaoMao used here....

Excerpts from LN Vol 7, chapter 19 called "A man and a woman play the game"

"You’re forever telling me I need to use my words, Master Jinshi, but are you in any position to criticize? Everything you say to me, everything you do, it’s like it’s calculated to save you from ever having to actually say what you mean! To make me figure it all out! You know, you remind me of someone. You act exactly like a man who used to come by our brothel all the time. He was in love with one of the girls, but he would never just come out and say it. He thought it should be obvious from the way he acted. He was so sure he had a good thing going with this woman that he never sent her so much as a letter. I remember how forlorn he looked when someone else swooped in and snatched her away! He kept coming to the brothel after that—to get drunk and whine to the ladies. Well, in my opinion, he could have avoided all that heartbreak if he’d told the woman how he felt. Clearly, unequivocally, so that she knew where they stood. It was the least he could have done!”

Everything came out in a torrent. She felt like she’d said it all in one breath. It was strange, she thought, to hear so many words come out of her own mouth. She was mystified. Jinshi was no less startled, but the shock soon left his face, replaced by something else. He got up off the bed and stared down at Maomao.

Shit. Now I’ve done it. She’d given him a piece of her mind, and he was about to give her one back.

“So I should be clear, should I? Unequivocal? I should say what I mean? If I did, would you actually listen to me? Is that what you’re telling me? I’m going to hold you to that! Right this minute. I’ll say it all. Don’t plug your ears—listen to me!” He grabbed her hands as she was in the process of trying to put her fingers in her ears. He took a breath. He was looking at Maomao, but somehow he seemed almost embarrassed. Finally he managed, “Now listen to me, y—I mean, Maomao! Listen close! I am going to make you my wife!”

It's one heck of a chapter and I suggest you give it a go! The title of the chapter says "A man and a woman play the game" as if to emphasize the very fact that both Jinshi and MaoMao are playing the game.

Jinshi has never confessed his true feelings before this chapter and only implied that he wanted to make MaoMao his wife.

The implications were heavy though on Jinshi's part, and as smart as MaoMao is, anyone would have guessed that MaoMao was one of the candidates for Jinshi's consort. Even the clothes she received (the ones she wore to the banquet) were also provided by Jinshi along with the hairpin. It is never stated outright but seeing as the hairpin was from Jinshi, the clothes are also implied to be the same.

More or less she's always deliberately ignoring the possibility of having anything to do with him, that is more than professional. Some may call it denial, I call it dense. Maybe, to some extent, she herself is not aware of her feelings because she never lets herself feel anything.

Even Suiren pointed it out pretty early in the manga, that maybe it's MaoMao's way of being reserved. We need to keep in mind that MaoMao is an unreliable narrator and it's more of what she does, rather than what she says that makes a difference.

Even in the chapter that I have quoted above, she had every reason to leave Jinshi, she wasn't working for him after all. But she stayed to make tea for him, even after the fact that she had a long day too. She was almost just as exhausted as Jinshi and yet she was there preparing medicinal tea, so that he could get a better sleep.

Maybe she herself is yet to realise just how deep her feelings run. Till vol 12 she seems to have accepted them, but she still is yet to acknowledge their depth. Maybe it's because of her childhood.

It's not a traumatic backstory but MaoMao had a sad childhood nonetheless....

She was raised by her grand uncle and her real father was eccentric, who scared her. Her mother must also appear to be kind of demonic to her, since she was desperate enough to cut MaoMao's Pinky finger and send it to Lahan. So it's safe to say that MaoMao never received proper parental affection. And adding to the fact that, a brothel is not exactly an ideal place for raising a child.... especially when the birth of MaoMao was the one thing that brought the brothel to its knees...even if being born wasn't her choice.

Plus MaoMao stated it herself that when she was a baby, no one would come to sooth her until their work was finished, implying that even if MaoMao and her brothel sisters are close, they are not that close. A mother's love is different and she never received it. No one can love you more than your mother and MaoMao was deprived of that. She soon realised that no one was coming. Life is hard and she has no choice but to face it!

So, she got interested in poison.

Maybe she doesn't love herself or her life as much as she says / pretends she does. She's always like "yeah, I would very much like my head to be with my body" and "if I stay low profile maybe I can survive here" etc but maybe deep down that's not the case. Maybe that's why she loves poison so much. The implications are crazy.

And to break MaoMao's shell, Jinshi has no choice but to be a bit more forceful at times? At least that's how I interpret that choking scene. Jinshi was angry at MaoMao because she deliberately suggested him to marry consort Rishu and danced with Rikuson.

Even if Jinshi never said it outright, he was giving hints the entire time.

But well the tables turned and MaoMao topped him instead, lol (vol 7) and later we even see that our little stray cat has accepted Jinshi and she's ready to be in a relationship with him (vol 12).

Plus she is intrigued by the process of birth (she wants to eat her baby's placenta, it's kind of uggghhh.... but anyways, that MaoMao we're talking about, she's just weird that way)

Maybe not after too long she'll realise that if she has to give birth, she can only have it with Jinshi and no one else.

~Sunshine

[kittyfrisk9]

IdeaDpxDc—There are better ways to meet someone.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main. Soul mates.

---

"Exactly... what does this ring do?" The shining ring was still attached to his finger. This wouldn't worry him if it weren't for the fact that, with each passing minute, the ring emitted more light, and that can't be good.

The cult leader refused to speak. He wouldn't even look at him, seeming particularly attentive to the material the floor was made of. Very funny that now he was scared of him when, an hour ago, he was giving a very cliché speech about how humanity was doomed because it would summon the evil of evils.

It wasn't very smart of him to perform his summoning precisely in Gotham City, home of the Dark Knight.

Red Hood was getting impatient. He placed the hand without the ring on his weapon; if words didn't work, a real threat to his life would. And this didn't really break Bruce's 'no killing' rule because the gun was only loaded with rubber bullets. However, just as he was about to advance and shoot the guy, he saw Batman grab the leader's tunic collar and lift him up.

The man, of course, screamed in fear. "Speak, what does that ring do?" No jokes. Batman's voice was deeper than usual, showing that he was upset, no, rather angry.

Or worried, but Jason could never consider that possibility. For the moment, he was only surprised, although it didn't show through his helmet.

"I-I don't know," the leader replied. Poor guy, he seemed about to cry. Batman, not content, tightened his grip even more; he wasn't willing to tolerate a lie this time.

Red Robin raised an eyebrow. "You managed to gather a bunch of magical artifacts for your summoning and you don't know what they do?"

The man looked away. "No..." The rest of the cult members also looked away. Very brave and stupid of them to all agree to lie to the bats. Jason himself wanted to mock them, but the ring kept shining. He couldn't mock when the ring kept shining and he didn't know what it meant.

From the communications, Robin could be heard. "Tt, this wouldn't be happening if Hood hadn't put on the ring." Jason suppressed a growl.

"Kid, I didn't put on the ring. This thing stuck to me the moment I touched it." It was true. In the middle of the operation to stop the ritual, Jason had pulled the ring, which at that moment was a kind of necklace by the chain that ran through it, from a member who was wearing it. The ring in his hand began to glow and suddenly teleported to his ring finger, then stopped shining. It was when everything calmed down that the ring began to release a different, but constant light.

Approximately ten minutes have passed since then, he thought as he looked at the ring, ignoring all the magical stuff; it was actually a very simple ring. Suddenly, the ring began to blink.

Oh, no. That couldn't be good.

Batman, fed up with the leader's silence and his followers, threw the man meters ahead. "Oracle, call Zatanna now, we need more information about the ring," he ordered as he approached the man who was in pain from the fall. The guy, terrified by the violent aura of the Dark Knight, tried to retreat.

Finally, Nightwing stepped between the man and the brutal beating he would receive if he didn't speak.

"It's okay, B, calm down." With his hand on his father's shoulder, Dick tried to ease the atmosphere. "I understand your concern. We are all worried about what the ring might do to Hood. But we can't let fear and anger control us. Hood is important to all of us. He is our brother, your son. We can't lose our cool now. Let's call Wonder Woman. If no one wants to talk, she can help us with the lasso of truth."

Total silence. Jason didn't know what to say; he didn't think his family would react like this over a blinking ring. That is... he doesn't know. Suddenly, the ring's light began to blink faster.

Batman, after Nightwing's words and seeing the change in the ring, understood that he couldn't waste time with someone who wouldn't talk. "You're right, thank you Nightwing." Looking at the others, he said: "We need to act quickly, we don't know the effects the ring might have on Hood. We need to take him to the cave for a thorough analysis, no discussions." The last part he said looking at Jason. "Until then, don't try to take it off or use it."

Jason scoffed, as if he would.

"Oracle, you heard, call Diana. Red Robin and I will take care of the rest of the cult. Nightwing, take Red Hood to the cave." Batman began giving orders as he reached the leader and began dragging him towards the rest of his cult. The leader, in a failed attempt, tried to resist. "Agent A, please prepare a stretcher. Understood?"

Everyone nodded.

On the other hand, the touching speech and the strange family moment of the bats seemed to soften the heart of a girl from the cult, who in a whisper said: "The ring, nothing will happen to him." Although she spoke quietly, everyone present heard her.

The leader, panicking that the information would be revealed, exclaimed: "Catrina, shut up!" However, he was struck by Batman, who was already fed up with the guy.

"What do you have to say about the ring?" he asked.

The woman hesitated to speak. "We thought of using the ring to subdue the king of the dead and make him listen to our orders..." She paused, not knowing how to continue. "There is a real legend about the ring. A long time ago, a witch wanted to know who her soulmate was, so she created the ring. This allows one to be guided to their soulmate through the red thread. I think everyone already knows what the red thread is." Nervous, she looked around. Only Nightwing nodded, and that was enough for her to continue telling. "Well, the witch's red thread connected with a prince. Unfortunately for everyone, the prince was not happy that his soulmate was a witch. So he had her killed." The girl looked at her hands; that part of the story was sad. "The witch was angry, but still wanted her soulmate to accept her, so she rewrote the ring's original purpose. It was no longer something that united you with your soulmate, but now it was something that allowed you to subdue your soulmate... uh, this." She pointed to a book that was lying in a corner. "With another spell, in fact, it can be used to subdue anyone, even a king of the dead."

With the whole story already told, Red Robin asked: "So, what is the ring doing to Red Hood?"

"It's tracking his soulmate. I... didn't get to put the other spell on it. I could only activate the ring's primary function. Your brother will be fine."

That definitely changes things. Jason swore he could hear his heart beating. A soulmate, wow. He admits he's read many romance novels and maybe once dreamed of it, but for it to actually happen, wow.

Suddenly, the ring stopped blinking. Five seconds later, everyone saw a red thread shoot out from the ring's gem. It quickly moved in one direction, went through the wall, and kept going. The process was like a fishing rod when it catches a fish.

"Does this mean it already found its soulmate?" Red Robin asked. Astonished by the red thread, he tried to touch it but his hand went through it; apparently, the thread was intangible to anyone else.

"Yes," the cultist also seemed astonished.

Jason felt a look on him, turned, it was his brother. Oh no, not that look, he knew that smile; Dick would tease him so much in the coming days. For his part, Batman sighed in relief. Well, it wasn't such an extreme danger, but it was still dangerous. "Agent A, cancel the stretcher." He never imagined this would mean a soulmate case. "Oracle, don't cancel the call to Zatanna or Wonder Woman, we need to verify the information. We'll stay here until the police arrive."

How nice it would be if everything ended like that, right? With Dick joking with Jason, Tim analyzing the thread, Barbara laughing at the turn of events, Bruce relieved and Damian surprised. However, one must remember the story.

The witch changed the ring's original purpose. Unexpectedly, the thread began to retract, as if it had caught something. It did so so quickly that Jason grabbed his hand in pain. It was then that everyone had a bad feeling. The wall the thread had previously passed through suddenly exploded, the noise and dust alerting everyone, especially when once the chaos disappeared, something horrific could be seen.

An arm. A fucking arm. Apparently freshly torn from its owner. Oh, no. What did it do to his soulmate?

...

Somewhere else in the world, somewhere in the United States, Danny gasped in pain. What the hell? What was that? Ancients! Where is his arm?

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Edited on 06/21/2024 - Note two: Thanks to redflagshipwriter, who continued this idea below. And to Sakuravalelp who made me laugh with the complement.

[quarterlifekitty]

Promethean

fuckboy!Soap x Shy!Reader x Ghost (college!au) p.2 here’s part 1

Uhh warning soap isn’t in this chapter and reader isn’t acting very shy rn lol

Simon managed to drag you, shocked and still on shaky legs, into his surprisingly clean car and across town to a little cafe. The guy with eye bags behind the counter starts making his order as soon as he comes in the door— must be a regular.

At the counter he points to a couple of items in the display case, before prompting you— you stutter out your go-to, and Simon whips out a beat-up debit card before you can think to pull out your wallet.

The largest size of earl grey almost looks normal in his large hand, a plate of pastries in his other mitt. You grab your own drink and follow where he tilts his head in gesture.

When you sit, he pushes the plate towards you. Like he’s dropping a fresh kill at your doorstep—a courting gift. Eat. Be provided for, sensitive doe. You pick up a danish, if only to ease the clench of his fist on the table. He pulls the black surgical mask down to sip his tea in a way that’s almost hilariously delicate given his permanent scowl.

You couldn’t have sat in silence for more than 10 minutes. But it feels like a lot longer.

“Simon. What are we doing here?” You probe quietly. Saying his name when you’ve never actually been introduced to each other feels wrong. Like you’ve stolen a piece of him that he hasn’t given freely.

“He never takes you out,” he grunts. As if that explains anything.

“It’s not… what we have isn’t like that.”

——

Simon chews on your overly diplomatic response for a minute. That’s what it must be, chewing— why else would he grind his teeth together when his tongue is still wet with his favorite soothing beverage?

You’re kind. Kinder than the mutt deserves.

“But you want it to be.” He says it with an almost biblical level of finality. Your pastry making the plate clink against the table as you drop it back down.

“What would you know about what I want?”

“You’re an easy read. S’how y’got yourself in this situation. Soap’s not exactly a rocket scientist when it comes to chattin’ up birds, you’re jus’ an open book.”

Simon shamelessly stares at your lips as they quirk in anger— so unused to vitriol. It’s gorgeous.

“So he’s using me. I know. Is that what this was about? Taking me on a pity date to let me down gently? Or did you just wanna see if you could have a go as well?”

Seeing you like this. It’s something else. He’s seen you mope around so many times, silently begging for crumbs that will never be tossed your way. It’s even harder to pull his gaze from you, now that you’re hissing. He wants to dig his teeth into your heart shoulder and rip out the bruise Johnny left you with.

Soap is his best friend.

“He’s a dickhead. You don’t need him. You’ll find something better.”

Simon has never been what he would call “something better”. Not in any sense. But this might be the first time he’s wanted to be.

“I won’t,” you say with the lower half of your face hidden by the sipping of your drink. As if it’s quenched your fire, and all that leaves you is vapor. “I’m not… the type.”

He gets it. Really, he does. He’s not the type either— or so he’s thought. You’re making him wonder if he’s imagined that about himself— the same way you’ve clearly imagined it about yourself.

“What’s the rest of your day look like?”

“…Nothing set in stone.” The not that it’s any of your fucking business goes unspoken, but is plain to see in the air between you.

“Lemme take you around. On a date. Be mine for today. If y’hate it, I’ll drop you back at yours and the next time you come round, I’ll mind my business and keep the door closed.” Well, that’s the most you’ve ever heard him say in one go. And it begs a question.

“What happens if I like it? You’ll fuck me in a different room of the same frat house?” Your unimpressed look makes him feel ravenous. She-wolf is threatening to turn her eyes from the display. Rejection. Not an option. “Or maybe you’ll ask me to go steady,” you huff under your breath like it’s a bad joke.

“If y’like it, then you’ll stay mine, and y’won’t fuckin’ want for anything. You’re supposed to be worshipped, not begging for scraps at a mutt’s door.”

He really didn’t mean to say it like that. He meant to bite his tongue. He’s trying not to think of how hot it would be if his intensity scared you into pissing yourself. He’s trying not to let himself show through the lines. It’s not working. Any of it.

The venomous bile that spills from behind his teeth reminds him that his eloquence is just one of many reasons why he’s single. Why he should be muzzled instead of kept. He doesn’t know why he’s taking it upon himself to do this. Selfishness, maybe. There’s plenty of better men he could’ve put up to the task, easy. The man who wants to feel blood on the back of his throat makes a terrible savior.

He feels like he can see your pupils dilate. You pick up your danish again and take a bite. You hold it out for him to try. It’s a test. You don’t think someone with eyes like his can handle doing cutesy, saccharine things. Like what couples do. That must be it.

He tries not to think of his teeth going past the flakey flesh of the pastry and sinking into your fingers. When his tongue meets the butter between the layers, he tries not to think of the salt sweet flavor of your sweat and tears. A seed from the blackberry jam gets thoughtlessly crushed between his molars— he hopes the bitterness will suddenly wake him up and he won’t be a beast crying for love at the heart of the world anymore.

It doesn’t.

[heartandbow]

Midnight Blue

BUCKY BARNES X FEM!READER SMUT

summary: Bucky hated you in many different ways, and tonight was no exception. tw; smut, choking, dom!bucky.

Despite Bucky's reputation of being big, bad, and dangerous, there is yet to be a time he ever scared you. Even now, where he was in the very building somewhere to kill you, you knew his only weakness — he couldn't sneak around.

It's not surprising when you think about it. With his death stare and metallic arms, anybody would spot him coming from a mile away. You just have to make sure you're faster than him, which happened to be your specialty. Being a thief for the last few years taught you everything there is to know about blending in with the shadows.

Which was a shame, you thought, because I look nice today.

You did look nice. You were currently in a gala for some valiant cause or other, hosted by some rich businessman you hadn't bothered to catch the name of. You had on your midnight blue gown, embedded with pearls that reflected off the champagne glasses and Rolex watches.

"Excuse me," one of the attendees said, tapping your shoulder. "Are you Miss Malley?"

"No," you smiled broadly, knowing the guy was about to hit on you any second.

"Oh, my mistake." He had a sheepish grin. "I'm Shane. Can I buy you a drink?"

"The drinks are free," you said, grinning right back.

"I know."

"Aren't you busy trying to find Miss Malley?"

"Who?" The smile hadn't worn off.

This particularly uninteresting conversation was cut short by sudden silence at the gala. The foolish sack of a man had diverted your attention just enough that you saw a metallic death stare at the end of the gala — a stare that seemed just for your particular demise.

Don't panic, you thought, staring right back. He wouldn't dare hurt you with this many people present. Even then, he was making his way towards you. You moved away, silent as a ghost.

With each turn of crowd, you realized you might quite possibly be stuck. Bucky had brought in reinforcement ranging from Natasha Romanoff to Captain America, all of them in regal formal attire and in different corners. No one except Bucky had spotted you, possibly because he was the only person who actually had a personal vendetta against you.

Get out, your brain said clearly. Get out before they bring you to Stark. You had enough beef with that man to last for a lifetime.

You grimaced, then looked for the exit. Not the one that the attendees use, no, that would be too easy. You headed for the staff exit, the one behind the kitchen.

---------------

Half an hour later, you were walking through the dark alley, your heels clinking against the pavement. You were exhausted from all the walk, but you were used to this dance by now. Move until the target is off your back. That's how it's always been.

You wondered if you'd ever get tired of the steps.

Someone whistled. You turned to see a man around his late 40s, clearly drunk out of his mind.

"How much for the night, sweetie?"

You squinted. He looked harmless enough. You kept on walking, ignoring his continuous calls behind your back.

"Don't be like that! What, I'm not young enough for you? I thought your kind took money from anyone with a dick!"

You had half a mind to punch him in the face with the hidden knife.

No, walk on. Last thing you need is a corpse on the street.

A second passed, then two. The man's immediate silence ticked off your senses. You turned around to see him on the floor, unconscious. Somehow, it did not look like it was the alcohol that took him out.

You were almost impressed when a knife appeared at your throat from behind.

"You're getting better at sneaking around," you said proudly. "You didn't have to knock him out though. Chap was not laying a hand on me."

"Shut the fuck up." Bucky's raspy voice sent a jolt of adrenaline down your spine. His anger was controlled, but you still could hear it.

"Your wish." You stepped on his shoes. He let out a pang of hurt, not expecting your heels to feel that sharp.

One moment of distraction, that's what cost him. You whipped your gun and faced him, smile on your face.

"How did you find me?" you asked, genuinely curious.

"That hardly matters." He put his hand out, grabbing the gun, or trying to anyways. You stepped out of the way just in time and he grunted.

"You need to loosen up. Like the night we did the Catherbury mission, remember?"

That only seemed to rile him up more. You didn't think he even cared that much about the fact that you were in Avengers a good deal of time before you sneaked into Stark's office, got his card, stole a great deal of gadgets and sold them off the black market. You didn't think he even cared you were the biggest thief in the city, one that fooled even the avengers.

His vendatta against you was personal, because he considered you his friend. The cold, cruel Bucky was duped for the world to see.

"I really think we should sit down and talk," you said, the gun still held high. "Everything I did was business Bucky, stop taking it so personally."

Bucky's face showed just a tinge of hurt, but then he hurled — no weapons, no hesitation. Just full-on pounced on you, and your back hit the wall.

"If everything wasn't so fucking personal, shoot me," he practically spat out those words.

You realized you hadn't even thought of using the gun that lay hanging lifeless from your hands. You tried to grip it, but Bucky pushed his hand on top of it, bending the metal seamlessly in a way it was upside down. You let it go and tried to move.

Bucky clapped his hands on the wall on either side of your head. His eyes were smeared with charcoal and he smelt like musky cologne.

"Where's your disappearing act now?" he whispered, making you feel all sorts of things.

"Let me go," you said, gritting your teeth. God, he was standing too close.

He bent his head down and brought his lips near your ears.

"You've no clue how long I wanted to have you like this," he said, making your heart skip a beat. "Unescapable, vulnerable, scared."

"I'm not scared."

"You should be." He put his hand — the non-metallic one — over your throat. His touch was gentle, but the message was clear; he could kill you in a touch.

Though it didn't help that you liked it a little too much.

"How did you find me?" you asked again, calmly.

"Shane is my friend. He put a GPS tracker on you. I knew you'd run so all I had to do was wait."

You were impressed yet again.

"How did Shane find me? I was blending in the crowd well."

Bucky's eyes shone brighter. "You weren't going to blend in with a dress that beautiful," he stopped, removing his hand. It was as if he just realized how close he actually was to you. His eyes slid down to your lips just a second. His hands started lowering from the wall to your waist.

Then his lips were on yours, and you could have sworn he put all his anger into it. One kiss and he was prying your lips open, making out with you in that dark alley with a knocked out man five feet away.

"James," you whined between kisses, pulling him closer. The moans did things to his brain. He slid his hands through the slit of your dress, grabbing your thigh with a force that had you unnerved.

"Can I—"

"Yes."

He closed your mouth with his other hand. "No, listen to me first. I want you to mean it. Completely. Because I don't know the things I'll do to you when you say yes."

In response, you took his hand from your thighs and slid them higher, right into your panties. You pressed your body against his and you could feel him being hard.

"I hate you," he said curtly, then picked you up with effortless strength. Two minutes and you were in a secluded part of the alley, and he was setting you down on an old bench. He bent down, keeping eye contact with you all the while.

"You're so fucking beautiful," he whispered, placing a kiss on your neck. You moaned, but didn't move. He dragged your lips from your collarbones to the edge of your neckline, and pulled the dress down.

Without waiting a beat, he took off your bra and kissed your nipples.

"Bucky," you whined, and all he did was bite down harder. He let his hand drag down and pushed two fingers right into your pussy. The pain was immediate and pleasurable. His pace was slow and you started grinding on his fingers for more friction.

"Shush," he said, taking off his fingers and setting you up straight. "Do you want me to fuck you, Y/N?"

"Yes," you said, moving in for a kiss. He turned his head away.

"Beg."

"Fuck me Bucky, please." You moved your hand to his pants, and he looked like he might lose all control. A few seconds of unbuckling and he took you in his arms, pressing you down to the bench and spread your legs wide.

You were wet already, and the sight of his big, hard cock hadn't helped. You were dripping down your panties.

"Beg," he said again, taking off your panties and throwing them away.

"Please fuck me, James, fuck—" you gasped when he thrust his dick in you. A moment of holding onto his hand and he was fucking you like you were his. He leaned over and bit down on your neck. A kiss and a few sucking and you knew that was going to leave a mark.

You didn't care. You were being dicked out of your soul and you were taking every second of it.

Then it stopped. He pulled away from you, his dick still hard. You were confused to see that big smile on his face, even more so when he started zipping his pants.

"You left me three months ago," he said, straightening his hair. He leaned down to kiss your forehead. "Next time you think of me, I want you to think of me fucking you like you're my bitch. How having my hands on your throat was enough to make you wet."

Revenge. That's what it was?

"You wanted to fuck me to make me regret lying to you?" you asked breathlessly, feeling ashamed that it already worked.

Bucky smiled. "I wanted to fuck you for a whole lot reasons Y/N, but I also want you to knock on my door and apologize, preferably on your knees and begging. On all fours. I'd sacrifice the rest of the night to see that."

He pulled you up and put the dress on tidily. "Goodbye. And, you really do look beautiful."

Motherfucker, you thought to yourself as he left.

----------------------------------------

commissions info

kofi

----------------------------------------

[nosyp]

No Way Out

Continuation of this

Next part

A/N = Sorry no smut this time y'all

Warning = captivity, violence, guns, front man, mild spoilers, kidnapping, isolation, controlling behaviour

Pairing = Front man x reader

Summary = You, a captive, fought to escape In-Ho's creation, but freedom slips further away with each attempt.

Word count = 2.1k

Read beloowoww 👇

All you could hear were gunshots and screams echoing through the rooms for hours. You hated this. Every blast tore through the silence, through your sanity, as you begged your partner to stop. But he never listened. He claimed it was "saving the world," as if those words could justify the horror. You’ve had enough with his shenanigans, but the thought of leaving… of escaping… it just felt impossible. You couldn’t move, couldn’t think. You were trapped in a nightmare of his creation.

When the shots finally stopped, an eerie silence followed. It was the kind of silence that sent shivers up your spine… and the worst part was that… you had no idea what was coming next. You stepped back instinctively as you saw him walking toward you, his tall figure silhouetted by the dim light from the room.

His mask glowed under the lights of the room, making him look even more intimidating. The polished black surface revealed nothing, yet you could feel his gaze piercing through you.

“You’re shaking,” he said, his voice as cold and steady as ever.

You swallowed hard, clenching your fists to keep them from trembling. “This… this isn’t saving the world. You’re just killing people.”

His head tilted slightly. “Sacrifices have to be made to save the world,” he replied. “You don’t understand now, but you will soon. Someday, one day, you’ll see the bigger picture.”

“I don’t want to see the bigger picture,” you snapped, anger replacing the fear that had gripped you. “I want this to end. I want out.”

He stepped closer, and for a moment, you thought he might actually lash out. But instead, he reached up and removed the mask, revealing a face you could never quite grow accustomed to. His expression was unreadable, but his dark eyes held a flicker of something. Was it pity? Regret? You couldn’t tell.

“You say that now,” he murmured, his voice softer. “But there’s no escaping this. Not for me, and certainly not for you.”

Your chest tightened at his words, and you took a shaky step back. “I didn’t sign up for this. You made me a part of it. You trapped me here.”

“And I’ll protect you,” he said, his hand reaching out to brush your cheek. His touch was surprisingly gentle, almost tender, and it made your stomach twist with conflicting emotions. “Even if you hate me for it.”

You slapped his hand away, the sting of your palm against his skin making a loud crack. “I don’t need your protection. I need my freedom.”

He smiled faintly, but it didn’t reach his eyes. “Freedom comes with a price. Are you ready to pay it?”

Before you could respond, the sound of footsteps echoed down the hallway. His face hardened instantly, the mask slipping back into place as he turned toward the noise.

“Stay here,” he ordered, his voice sharp and commanding.

You wanted to argue, to tell him you wouldn’t stay and be his prisoner any longer. But the weight of the situation and the danger outside made your words catch in your throat. You hated how powerless you felt, how much control he had over your life… and hundreds of others.

As he disappeared into the hallway, gun in right hand, you clenched your fists again, this time with determination. If you couldn’t find a way out now, you’d make one. One way or another.

Someday, maybe you’ll decide to betray his command and go out of the room, explore the whole island. Maybe you’d even expose the island to the real world beyond it.

Then you heard footsteps, they weren’t his though. This was a completely different shoe and pace. They were a bit more rushed, not as deliberate as him. It was probably one of those red-hooded masked people. They’d been ordered to not only take care of the players… but also take care of you. To not let you escape and make sure you stand where you should be.

Click.

The door clicked open and you turned your head that way. It was a square masked person, of course. They were the highest rank after all.

You were allowed to watch the game, do anything. As long as you stayed in the room and on the island.

But that wasn’t enough for you anymore. It never had been. The constant screams, the endless violence, the way lives were reduced to a stack of cash… it gnawed at you endlessly. Your stomach churned every time another body fell, and yet, you were expected to sit there, detached, like someone watching a movie. You weren’t allowed a phone either, so you really couldn’t film the events for evidence.

You’d tried to reason with him before, begged him to see the madness in all of it, but his answers were always the same. Cryptic. Dismissive. As if your objections were nothing more than a nuisance.

But you weren’t going to sit still any longer. You couldn’t. Not when every fiber of your being screamed to break free, to take action. Anything would be better than standing idly and watching.

Your gaze flicked to the door. You knew what leaving meant. He wouldn’t forgive it. He might even…

You pushed the thought away, determination setting in. If you couldn’t stop the games, maybe you could find a way out. Maybe you could stop being a prisoner in this hellhole.

“I’m hungry.” you say, echoing through the full black room. He definitely had something for the black colour. All of the furniture was dark… you should ask him about it later.

The masked person then walked out of the room and swiftly came back with a plate of food.

They set the plate down in front of you with a heavy silence, their eyes lingering on you for just a moment too long. The air between you both felt charged, like the space was about to crack open.

“You should eat,” the masked figure said, their voice devoid of any emotion. “You’ll need your strength for what’s to come.”

The food sat there, its aroma faint but still enough to stir your hunger. But you didn’t feel like eating. Your mind was too full of plans, too full of thoughts of escape, of breaking free. You hadn’t even realized how much the games, the endless violence, had hollowed you out until now. You stared at the food, but your gaze didn’t linger. Instead, your thoughts kept drifting back to the door, to the escape that still seemed just out of reach.

“I’m not staying here any longer,” you said, your voice quieter this time, but laced with conviction. “I don’t care what you or he says. I won’t watch another person die in front of me.”

The masked figure didn’t respond immediately, simply watching you. You could almost feel the weight of their scrutiny as they observed your every move. It was as if they were measuring you, calculating your next move.

You clenched your fists at your sides. You were done being a prisoner in this room, in this world.

The sound of footsteps grew louder from the hallway, more hurried now. Your heart skipped a beat. This could be it. Maybe this was the moment you made a good decision, a choice that might finally free you.

You stood up abruptly, your chair scraping against the floor with a loud sound. The masked figure seemed to tense at the sudden movement, but they didn’t stop you. They knew better than to try to control you right now. It was clear that whatever you were about to do was bigger than anything they could prevent.

“I’m leaving,” you muttered to yourself, more to yourself than to them. You turned toward the door, walking past the plate of food, as if it meant nothing now.

Then the door creaked open, and you crossed the threshold, breath stuck in your throat. There was no going back. Not this time.

The hallway beyond was dimly lit, shadows were dancing along the walls. You didn’t know where you were going, but you couldn’t stop now. Every step you took felt like it was taking you closer to freedom… or closer to your end. Either way, you were done staying in the dark room, done with the games, done with being a silent observer.

The footsteps behind you grew louder, closer now. Someone was coming. The thought of being caught, of being dragged back to that room, surged in your chest, but you didn’t let it stop you. Not now. Not when you were this close.

Then a voice, low and commanding, called out from behind you.

“Stop.”

It was one of his lackeys. They had found you.

You stopped, but you didn’t turn around. You couldn’t. The fear, the adrenaline. It all mixed together into a weird feeling, but you refused to let it break you. You weren’t going back.

“I won’t stop,” you said, your voice steady, defiant.

The tension was unbearable. The silence stretched between you both as you waited for his next move, for whatever he planned to do now.

And then, just as quickly as the moment began, the sound of heavy footsteps receded. You had been given a moment, perhaps your last chance.

You didn’t waste it.

You ran.

You knew this was risky. Every fiber of your being screamed at you to turn back, but the urge to escape had grown too strong, too consuming. The sound of footsteps behind you had long faded, and the small light guided your way as you snuck toward the edge of the building.

But just as you neared the side of the building, your body was yanked back with an iron grip. Your heart leaped into your throat, and before you could make another move, you were shoved hard into the rough stone wall. A sharp pain ran through your shoulder, but you didn’t have the chance to recover.

“You didn’t think it’d be that easy, did you?”

The cold voice sent a shiver down your spine. The red-hooded person was there, their hand gripping your arm tightly, pinning you in place as they stared down at you, their face hidden behind the mask.

You tried to twist away, struggling with everything you had, but their hold was unyielding. The sound of their boots scraped against the ground as they shifted, pressing you even harder against the cold stone.

“I told you,” they said, their voice low and full of amusement, “you don’t get to leave. Not like this.”

Your chest tightened with frustration, but before you could retaliate, you heard more footsteps. The familiar click of boots nearing. Another figure.

“They’ve already informed the boss,” the second masked person said, their tone dismissive as they reached you. “It’s time to return.”

Your stomach dropped. There was no chance now. You had failed.

As they began to drag you back, the sharp sting of defeat spread through your chest. You’ve tried. You had truly tried to escape, but here you were, dragged back into the clutches of this place. No matter how far you went, they were always one step ahead.

The second person gestured to the door that led back inside the building, the familiar room awaiting your return. The one place you had tried so hard to escape. But now, it was where you were going to remain.

“Get inside,” the first person snapped.

You were shoved forward, stumbling into the room. The cold air hit your skin, but it did little to numb the sharp pang of frustration that gnawed at you. They weren’t going to give up on holding you here, were they?

As the door clicked shut behind you, your heart sank further. There was no point in trying to fight them now. You were back, just like they had predicted.

Your gaze drifted to the center of the room where you knew he would be. And sure enough, there he was, his tall form standing in the shadows with his mask still in place. His unreadable eyes flicked toward you as the door slammed shut, locking you back into the cage you’d fought so hard to escape.

You had failed.

But you wouldn’t give up. Not yet.

You would find another way. Someday. Maybe not today. But soon.

You were brought back into the dark room, with the huge screen allowing you to watch. This time, you spotted a familiar face. Player 001.

[scuderiahalf]

(almost) one year with you — c.sainz

pairing. carlos sainz x strategist!norris!fem!reader

summary. your boyfriend is usually so intelligent. when he makes one of the stupidest decisions of his life to break up with you, his best friend (and your idiot brother) decides to take matters into his own hands. 4.3k, 18+

warnings. breakups = makeup sex, oral (fem receiving), fingering, reader is kind of a bitch but carlos is into it

masterlist.

.

"I'm going to kick the door open."

"Please, do not do that," Carlos says from behind you.

"You think I can't?"

Smartly, Carlos chooses not to voice any further opinions.

You kick the door, more out of frustration than an actual attempt to break it open.

"I'm going to murder you when I get out of here, Lando!" you shout against the door, not really caring if your idiot brother has hung around to hear the very real threat.

You may not actually kill him (you're still debating it) but you will definitely hit him. At least five times. Maybe more. And he's not getting any of your late-night stress-baked cookies for several months. Asshole.

You kick the door again, harder. The wood bends near the bottom from the impact, rattling in the doorframe but otherwise unmoving. Your groan turns into a yell of frustration, punctuated by you hitting the still closed door with both hands. You seriously cannot believe Lando would do this.

"Are you finished?"

Carlos sounds almost amused.

If he hadn't been literally thrown into the room by not just Lando but Max and Alex as well, you might think he's in on this whole scheme. Instead, you just glare at him, irritated that he's so calm while you're both being held against your will.

"Is being made to be near me that horrible?" Carlos says.

"Oh, fuck off."

"You are acting as if they will not have to let us out eventually."

"How long is that going to take? Huh? I don't want to be locked in here for hours. It's actually FUCKING RIDICULOUS!"

You're shouting at the door again, hoping your dumbass brother and his stupid fucking friends can hear.

They all better be prepared for the consequences. There's no one better at holding a grudge than you.

You never should have trusted Lando when he had insisted you come to Charles Leclerc’s dumb yacht party. He never wants to be seen in public with you much less all but beg you to attend a party with all his friends who are so much cooler than you because he's an F1 driver and all his friends are, too, and you're just a strategist.

(You never thought that being a trackside strategist at Scuderia Ferrari would be preceded by "just" as though it isn't an impressive feat but with a brother like Lando Norris, nothing you do ever really seems to measure up. You're the reason Lando ever got into racing or F1 in the first place. So really, this is your own fault.)

You give up harassing the door (it locks from the inside so there must be something blocking it in the hallway) and start searching the room for another way out. It's a bedroom, and you're choosing to assume that it just happened to be the easiest place to trap you both and not a purposeful nudge to something untoward. Lando isn't that crude. You think.

After this little stunt, you don't think he deserves the benefit of the doubt.

You start checking all the drawers to see if there's anything useful. You don't actually know what you're looking for. Maybe like a fire axe or a hand saw so you can brute force your way out of here.

"We could talk," Carlos proposes.

"And give Lando what he wants? No, thank you."

"You are so proud. Can we not talk this out?"

"What's there to talk out, Carlos? You dumped me, remember?"

That shuts him up.

You refuse to look at him. Even with your back to him as you search through a completely empty dresser, you can feel the look on his face. Full lips pouting, big brown cow eyes all sad and pitiful. You'd fold like a cheap suit if you saw his pretty eyes right now and you're trying really hard to stay strong and hang onto your anger so you won't give in.

There's nothing in any of the dresser drawers. The nightstands are fruitless, too. The wardrobe houses only empty hangers, and not even the cheap wire ones that could be bent into something useful like a weapon to kill yourself with if things get any more tense in this tiny room.

"I regret it," he says.

You close the wardrobe with a heavy breath.

"I regretted it as soon as I said we should end it."

"Cry me a river, Sainz. Build a bridge. Get over it. You don't get to call me ‘nothing but a distraction’ then tell me you regret it and expect me to forgive you just like that—fuck this. I'm going to swim to shore."

You yank the balcony door open and climb up onto one of the chairs so you can get over the railing.

"Y/N!" Carlos curses in Spanish, scrambles after you and gets an arm around you before you can actually step up onto the railing. "What are you doing?!"

"I just said! I'm going to swim to shore. Let me go!"

Carlos picks you up like a purse dog and carries you back into the room. He stands in front of the balcony door after setting you down, blocking your only escape route.

"You cannot swim to shore. We are miles out of sea!"

"If it gets me out of this room, I'd do it!"

"Can you not just talk to me?"

"No!"

"Why?!"

"Because I don't want to!"

"What are you afraid is to happen?"

"I don't have to explain myself. Especially not to you."

So, you don't explain yourself. You walk over to the couch and take a seat, arms and legs crossed, looking anywhere but at Carlos.

You knew what you were getting into when you agreed to that first date with Carlos last year. You know what you were signing up for. You knew all the judgement would be on you if/when you decided to go public. You knew Ferrari would have many things to say about your relationship, and they did, when you told them earlier in the season before it could potentially get ugly with a reveal from unsasvory sources.

You knew all of that and you went for it, anyway, because could you even call yourself a Norris if you didn't go after what you wanted? You knew what being with Carlos would bring but apparently, you were the only one.

After eleven amazing months together, Carlos got cold feet. You don't know how else to describe it. You had told your family after three months; he'd told his after just one. Everyone was happy for you. Your family loves Carlos, and the Sainz clan accepted you with open arms. You were so happy.

But as your relationship pushed a year, Carlos said you needed to talk, called you a distraction, subsequently hazardous for his line of work, and ended things.

Did you call him an emotionally stunted manchild before storming out of the cafe he asked to meet at? If you did, he surely deserved it.

A few weeks after that, you're where you are now, locked in a bedroom on a yacht while a party rages on several floors above. Carlos says he regrets breaking up with you, that he wanted to take back everything he said, but he already said it and that's how things are now.

You'll not be the girl he comes crawling back to whenever it's convenient for him. If going steady is a hazard for work, then an off again-on again situationship is definitely not OSHA-compliant. You refuse to lower yourself to being a doormat that Carlos wipes his feet on whenever he feels he has the time.

After a while of standing guard at the balcony door, Carlos makes a move to sit on the couch with you.

"No," you say.

He halts midstep.

"You can sit on the bed."

Slowly, as though giving you a chance to change your mind, Carlos sulks over to the bed and sits.

He's moving to Williams next year. He has only a handful of races left in rosso corsa. He doesn't know you're sitting on a job offer that could have you following him, a promotion to head strategist at the Oxfordshire team that you can't believe you're actually debating because of your standing with a man.

You've told no one of Williams's proposition. So, you really don't know why you open your mouth to tell Carlos of all people.

"Williams wants me as their head strategist."

He looks up, eyes bright, surprised but excited for you. "What? That is amazing."

"Yeah, I know it is," you say, glaring at him again. "I haven't accepted yet, though."

Carlos is quiet, then carefully says, "Because of me?"

"No," you say because it's just ridiculous for that to be the reason you're holding up contract negotiations, "Yes, because of you. Obviously. I don't want you thinking I'm following you. I'm not. I'm pursuing my career. So, I know that changes you being all regretful. I just want to clarify things before you hear about it from someone else.”

“Why would it change how I feel?”

“Because we’ll still be coworkers next season.”

“That changes it? What does it change?”

Carlos' accent (hot as fuck) and the way he doesn't always say things 100% correct (cute as fuck) are misleading for his actual understanding of the English language. So, you're really not sure what he's getting confused over.

He's leaving. You were supposed to be staying. No longer working together meant no distractions for him until you would meet up at a hotel after a shitty quali and he would fuck the shit out of you. Or something like that.

It'd feel good in the moment but you don't want him for just sex. You don't want casual. You don't want to be a convenient, low-maintenance, not-quite-official girlfriend. You won't do it. No matter how pretty he is.

And his plan to get you back was ruined now that you'd be moving to Williams for next season, anyway.

“I’d not be a distraction if I was staying at Ferrari. Now, we’ll both still be on the same team. Not convenient for you to still be in a toxic work environment, huh? So, you can cut the crap.”

“That has nothing to do with my regret."

"I won't be a casual fuck buddy who you can't stand to be around when it doesn't work for you."

"I never said that!"

He seems genuinely hurt by your implication but you won't fall for it, won't let it deter you.

"It's kind of implied. You know with the whole 'I have to focus on my driving' thing. Like, what the fuck were you doing for the rest of the time we were together? Nothing changed and you suddenly decided it was too much, then you want me back but I ruined that for you. You'll be seeing me next year, too, so don't even bother with the whole regret speech or whatever."

"I—," Carlos starts, then says nothing.

He can't seem to find the words.

"What? Nothing to say? You wanted to talk. Talk."

"If I am in a team with you or not," he says, slow, calculated, "It does not change that I regret what I said."

Carlos takes a second to think before continuing. That's where you two differ.

Carlos has always been incredibly intelligent. You knew he was gorgeous before you had ever met in person but his mind made him appeal even more to you when you first started working trackside last season. Long, intellectual conversations preceded him asking you out after his masterclass in Singapore.

You nearly started foaming at the mouth when he said "it's on purpose" to keeping your brother within DRS to hold off Mercedes. You were ready to jump his bones right then and there in the middle of the team celebration when he asked you to dinner before you flew back to England.

But he was a gentleman. (He didn't fuck you until after your second date, but it was a close thing that first night when you leaned over the center console to kiss him. You'd have ridden him right there in the front seat of that rental car if your idiot brother hadn't chosen then to walk by and make a scene. Kind of a mood killer.)

The two of you both found fascination in the other's way of thinking, Carlos' smooth logic and your chaotic brilliance. He is all thought and few words while you talk and talk until you find your solution.

You always found beauty in the contrast. You balance each other. Simultaneously alike and disimilar. He is someone you saw yourself building a life with. After nearly a year together, those are the kinds of thoughts you start to have about a partner.

"So, you regret it," you gather, "But do you still think I'm a distraction?"

"Of course, you are a distraction. I am in love with you. There is nothing more distracting than that."

You laugh, disbelieving. "You're in love with me but I'm distracting and you can't be with me? Why? Because you love racing more?"

"I was scared. I was stupid. I am stupid. I am."

"Self deprecation won't do you any favors. But, yeah, you are stupid. You're not making any sense."

"I was scared. You were everything I could think of. I thought I could not find a balance between you and racing. But without you, it is even worse. I want you as a distraction. I know that because I have lost you.”

“You haven’t,” you say before your brain even knows what you’re doing. “Not entirely, yet. Maybe… You’re not allowed to do this again. Ever.”

And you’re crying. Of course.

Carlos is at your side in record time, kneeling in front of you, taking immediate advantage of the crack in your defenses. “Never.”

“You can’t do shit like this. You can’t push me aside like I don’t matter. You can’t call me a distraction.”

“You are a distraction. In the best way.”

Unimpressed and wiping your tears, you say, “Wow. You’re such a poet.”

Carlos laughs thickly. “I love you.”

“Ugh, fuck off.”

You’re still wiping at your face. You didn’t cry when Carlos called it quits, refused to let him have any sort of hold over you when he pushed you aside but now, you’re crying. It’s in relief but you still feel your face getting hot from the embarrassment of it.

He knocks your hands aside to cup your cheeks. “You are the love of my life. I will do whatever it takes to fix what I broke.”

“S’not broken. Just bent. Or whatever the saying is. I don’t fucking care—just kiss me.”

Carlos’ “yes, ma’am” is muffled against your lips.

It’s only been three weeks (three and a half but who’s counting) since he last kissed you but it feels like an eternity.

It’s salty from your tears and wet, also from the tears but more from the way you let his tongue into your mouth after probably not enough time has passed. You don’t care. You just want him.

“I love you," you break the kiss to say. "Don't leave me."

"I won't."

"Say it back."

"I love you. I love you I love you I love you."

.

His words jumble between English and Spanish as he kisses down your body.

Your breath catches as he pulls your hips further down the cushion you're sat on. Stupid F1 driver muscles. You want to sink your teeth into his bicep, make him walk around with the bruise, a reminder of who he belongs to.

He slips his fingers into the waistband of your pants, looks up for permission. You lift your hips. You've missed what his big brown eyes look like when they're all dark with want.

He pulls your pants and underwear down and tosses them aside, tugging you even closer to the edge of the couch. Your legs part. He puts your knees on his shoulders then finally pushes his face between your thighs.

You let your head fall back as you sigh, probably sounding ridiculous but he's always been good at this.

He had you ride his face one time. He practically had to beg to get you to agree. There was a lot of him gripping onto you, arms wrapped around your thighs and hips to force you to stay in place. He'd kept you there until you couldn't stay upright or fight against his hold, coaxing multiple orgasms out of you with just his mouth.

Then, he'd fucked you until you came for a fifth time. (You tell a guy one time about how your last partner hadn't the patience to get more than one orgasm out of you, and he makes it his life's mission to get three or more every time you go at it. How terrible for you. Ha.)

He eats you out like a man starving, like he has something to prove. To be fair, he does but he's not going to be entirely back in your good graces just because he's helping you get off for the first time in three and a half weeks. This is just extra credit.

One of his hands finds yours. He tangles your fingers and holds your hand as he involves his free fingers in slipping past your entrance. You open up for him with obscene ease, legs falling apart even further.

He fucks you with a single finger slow, slow, slow while his tongue licks languidly at your clit.

"Carlos," you whine his name.

You don't need all the pleasure you already know he's more than capable of giving you. You just need to get off already.

"I will get you there, hermosa," he promises with a kiss to your inner thigh.

"Get there faster; I don't want my idiot brother thinking better of his insane plan and letting us out while you're nose-deep in my cunt."

Carlos huffs a laugh. You can feel the air against where you're wet. It makes you squirm.

Usually, Carlos would tell you to stay still and be patient but seems to think better of it this time. You would probably still do as he says, circumstance regardless, but he doesn't need to know that. He just presses his lips back to your pussy.

He sucks on the hardened little bundle of nerves at the joint of your labia just how he knows will make you go limp and needy. He pushes a second then a third finger into you, the stretch just that much more than you can manage with your own, smaller digits.

You could've gotten it with the neglected dildo that lives somewhere mostly forgotten in your closet. There was something that felt so final about bringing out the toy you haven't needed since that second date. Thankfully, you still don't need it. You should consider just pitching it, at this point.

You push your hand through Carlos' hair, brushing the ridiculously perfect locks off his forehead so you can watch his stupid, beautiful face as he goes down on you.

"You're so pretty like this, baby," you praise.

His dark eyes flicker up to you, exhaling against your exposed cunt and shifting his knees on the floor.

You're sure if he had a hand free, he'd be palming himself over his pants. He gets off on you getting off and praise goes straight to his dick. You've got this fantasy of making him come completely untouched but you might need to do actual research on that before it becomes a reality.

He sticks his tongue down with his fingers, lapping at your hole and spitting your wetness onto your clit just because it's hot. Like the way he's slobbering over you isn't enough to make the glide of his tongue over your clit smooth and delectable.

"Come on, baby. Don't tease. Not now."

Carlos makes this little displeased noise in the back on his throat.

Quickies aren't really in Carlos' sexual vocabulary. He occasionally likes it as rough and fast as the next dick-haver but he's more of a spread you open and make love to you for hours at a time kind of guy.

He took you to a secluded little cabana in Mallorca for a week during summer break specifically so you two could spend days on end doing nothing but loving on each other. Then, he took you to meet his family and you had to pretend like you hadn't spent the majority of the week prior with their golden child's dick or fingers or tongue inside of you.

Currently, you're just wanting to find relief without Lando or some other F1 driver walking in on you first.

"Carlos, baby—please."

Carlos likes when you play nice. When you're so desperate for it that your bossy exterior goes away. You tell yourself that you exploit this because your unending pride doesn't like the alternative that you really just are that desperate for it.

He finally starts to finger bang you properly. Combine that with the obscene slurping sounds he's making against your clit and the lack of action for nearly a month and no one could really blame you for not taking long to hit your high.

Heat curls and explodes in your gut and up your spine, back arching, lungs gasping, Carlos' name falling from your mouth as your thighs try to close around his head. He gets his elbows up to hold your legs open. His fingers keep fucking you through your orgasm. He pulls his other hand free of your grip to massage your clit with his thumb, kissing your thighs, pubes, stomach.

He captures your lips in a kiss while you're still riding it out. It's intense and leg-shaking after so long without, emotion-driven, which is the best kind but not worth it after knowing what the fear of losing him is like. You can hardly kiss him back, face pulled in pleausre, moans spilling past your lips that Carlos swallows unburdened.

You tuck your face into his shoulder as he drags it out just to the precipice of overstimulation. You tug him into you, arms around his shoulders, fingers tugging the hair at the base of his skull. He lets his fingers rest inside of you, rests that thumb against your clit so he can hold you back with one arm, at least.

You just breathe for a moment, composing yourself where he can't see your face. The worst may be over but the level of trust you'd built over months together would not be so easily reinstated. He'd have to work hard for that, much harder than a sinlge mind-blowing orgasm.

"Don't leave me," you say in a whisper. "You can't, okay?"

"I won't."

"Promise."

"I promise I will not leave you again. I am the most dumb man if I lose you another time. I will deserve it, then."

"Be smart, then. Like I know you have the capacity to be."

Carlos pulls his fingers out. He catches your shiver, still wrapped up in his one arm. He kisses your cheek before finding something to clean his hands with. You've pulled your pants back on when he's finished.

"Likelihood someone heard us?" you prompt.

"Heard you, you mean?"

You kick at him as he comes back over to you. "Watch it."

He tucks you against his side once he's sat. "Scale?"

"One to a hundred."

"90, at least."

You smack his chest. "Dick."

"You are very loud, mi amor. You talk so much, and you make such pretty noises."

"Don't insult me immediately after I've forgiven you."

You've not drawn away from him at all. In fact, you've tucked your feet up on the couch to curl into him fully.

Carlos knows this. He presses a kiss to your temple.

"I love you. I am sorry I am so stupid."

"I guess I've just got to have enough brains and beauty for the both of us."

"You have always."

You hide your smile in his chest. He holds your thigh when you put your legs across his lap. Now you've got him back, you want to be as close as physically possible. Whoever first said they want to be inside their partner's skin really gets it.

.

George Russell ends up getting sent to let you two out. Evidently, your brother fled the scene of the crime once the yacht returned to port in the early hours of the morning. He dumped the chore of opening Pandora's box on an innocnet bystander.

"I am so sorry—"

"Oh, clever," you say when you spot the poor Brit, "He sends an uninvolved party to let me out like I couldn't track him anywhere in the world. I've his trainer's phone number and Jon likes me more than him. I am going to beat his skinny little muppet ass. When I find him—"

You trip over the tangle of chairs that had been used to barricade the bedroom door from the outside.

Carlos catches your elbow.

"Amor, it is late," he says. "Sleep, first, hm?"

You relax into his hold a bit, a silent concession. It'll be easier to murder your little brother after a good night's sleep, anyway.

"So, are you two...?" George trails off.

You cut him a glare.

"Nothing. Never mind. Apologies."

He speeds around the two of you and off the boat.

"The 2019 rookies are all terrified of you."

"Good."

Carlos laughs. "I am excited to see what Alex is like with you next year."

You smile.

Next year, you'll still be working with Carlos. It'll be at a different team, a midfielder at best but at least Carlos will still be on the grid. He'll still find increasingly laughable excuses to be in engineering just to see you. He'll still come home to you, the same that you'll come home to him.

A future with Carlos is still in the cards. He'll be damned if he messes it up again, you know that much.

[monabee-draws]

Dorian confessing his intention to return to Tevinter for good is so heartbreaking in the Tresspasser DLC. Because of course he does! It doesn't come out of nowhere, he tells the inquisitor as much before they even defeat Corypheus - he loves his home country and knows that he personally needs to be the one to fix it. Not any foreign power (including you and the Inquisition) but through internal change. And he's so blasé about it when he tells you, keeping his tone light, excited for his future work with Maevaris and the Lucerni! Of course, he didn't want you to find out like that but this is a good thing. He's happy! He's practically jovial!

And then you think about how familiar that tone of voice is. And remember his romance scene, and the nonchalant way he asks you if this whole relationship is just a one-time thing. And how he jokes and jibes with you in the bad-end future during In Hushed Whispers, to the point where Leliana calls him out on the obvious attempt at levity. Barring your brushes with his family, who elicit a kind of knee-jerk anger that cracks his usual mask, Dorian is very good at maintaining that emotional wall. So you listen as your heart breaks, as you consider how to respond to the lightness of him in this devastating moment, and you realise-

Dorian is terrified. The kind of scared where you can't really voice it, not in public, not even in private spaces when you aren't 100% in control. It's scary losing a parent, even one you're not quite reconciled with. To have to take his place and fill a role you've never fit, and somehow finally actually push forward with all the ideals you've been imagining to be so far away for many years. And to do all that on the opposite side of the world from the people who all made you finally believe it could be possible in the first place?

Dorian is so very used to being the brave one, the optimistically realistic one, that he can't possibly burden you - whose heart is breaking, whose Inquisition is failing, whose body is slowly killing them - with all of his own ugly fear. That wouldn't be very charming and dependable and Dorian of him, would it? More to the point, leaning on you would be both more burdensome to you and chafe against his own stubborn pride - not accepting favours is well-established during his romance-specific quest to retrieve his birthright. So instead of taking you aside somewhere quiet, consulting you about his final decision on the matter, and giving both of you the space to grieve, he...

Well he tells Varric. And Sera, and Bull, and Cole. Part of it is practice - how might they react? Part of it is in hope for advice on how to break the news. Varric and Bull are adept speakers. Cole's whole job is compassion. Even Sera's bluntness might help when you're chronically incapable of not sugarcoating things. But all it really does it make things worse, because its a distancing tactic. Nothing can truly prepare him for the crack in your voice, the sharp sting of your flinch and the perceived betrayal.

It's almost ironic, that his romantic lock-in asks you to decide if you're in for the long haul, when Dorian's entire arc is one that will inevitably draw him back to Tevinter. And specifically in such a way as to leave you. Because he does not want you tagging along (at least not now, not as the Inquisitor.) Dorian's fear in this moment is not fully centered on you, the man he loves, but there is certainly a part of him that is back in the Inquisitor's chambers on the opposite side of that question of 'do you want me to stay.'

Dorian Pavus' greatest fear is temptation, emblazoned on his tombstone in the Fade for all to see. And there you are, with your political power, ready to jump in and save the day once again on his behalf. And he's tempted. There you are with your familiarity and a space for him in the South that accepts him for who he is. And he's tempted.

There you are. Loving him. And well...

So he doesn't lower his voice to whisper to you, or hold you too close. He confesses in public where the crowds prohibit hysterics, he sips on precious wine, and he gifts you his sending stone. It is both distance and closeness all tied with a bow. A temptation that he can just about handle. Fear under wraps. Because if he lets you, you will - without even knowing - stop his entire life in its tracks. You represent everything he can never afford to lose to. And it is wretched how desperately he doesn't want to lose you.

[lgbtlunaverse]

I've been wrestling with two beliefs I hold simultaneously but that I previously (incorrectly) thought were contradictory: that sexuality is inherently harmless, but also that specific kinds of sexual desire have been used to enact and justify grievous harm. The notion that men's sexuality is more important than women's consent, that white men's sexual access to white women must be protected from the "threat" of men of color, the idea that this specific kind of desire is so inherent to a proper society that if you have the wrong kind of sexuality you deserve to be shunned and harmed.

How can sexuality both be inherently harmless and measurably harmful?

Anyway, the answer is very easy, and part of why I feel like we should stop treating sex as something completely unlike other things and horniness as unlike all other emotions. Because I realized that, oh, right, this happens to other feelings too.

You know another feeling that is not inherently dangerous but is frequently used to enact and justify violence? Fear.

Fear is not inherently evil. Not even if it's irrational and your level of fear does not correspond to the level of danger you're actually in. In fact, irrational fears are such a common phenomenon we literally have a word for them: phobias. Which you are not evil for having. (Am I calling phobias the fear equivalnet of kinks? Kind of... I guess)

But fear and discomfort are used all the time to harm people. Let's say some random white woman is walking home late at night, and she notices a man is following her. This man might just be walking in the same direction by coincidence, but there's a small chance he's following her on purpose. It is quite natural for the mind to wander, and we frequently fear what we do not know. Discomfort or fear, in this situation, is neither inherently harmful nor unusual. However, if this white woman has been inundated her whole life with 'stranger danger' narratives and stories of women being brutally kidnapped, assaulted, and murdered by strangers. (Even though the vast majority of female victims are killed by someone they know, most often a romantic partner or family member) and she then, by the flash of a streetlight, spots that the man following her is black, and she has also been fed a narrative that black men are inherently violent and dangerous, that feeling of discomfort is enhanced and distorted until she believes she is in genuine danger and calls the police.

Statistically speaking, that guy really was just walking in the same direction, and is unlikely to be a threat. However she has now seriously endangered him, and justified it by the fact that she was scared.

A man justifying sexual assault because he couldn't help it, he was just so attracted to her. (And she led him on! She was barely dressed!) Is weaponizing his horniness in exactly the same way as people who call the authoroties on a disabled homeless person because they were "acting weird" are weaponizing their fear.

And all emotions can be weaponized this way. Anger is used to justify domestic violence ("you shouldn't have provoked me") Happiness and fun is used to jeoparidize safety (the last 30 years of olympic games have had a death toll among construction workers of over 116. The 2022 world cup alone has an officially admitted death count of 40, but the real cost is likely in the hundreds) disgust is used so often it's hard to restrict it to a single example (queerphobia, ableism, fatphobia, racism, misogyny, it's everywhere)

Sexual desire is just one way among many where the comfort of the powerful is valued above the safety of the opressed. It's not unique, but instead painfully common. And it's useful to keep this in mind not to devalue it or deny it's happening, but because we can borrow tactics and learn from similar situations rather than getting stuck on endless debates on whether porn is intrinsically evil or not, which will get us nowhere.

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[rekino2114]

How the chainsaw man girls handle jealousy

A/n:I usually don't write for the csm 2 girls but let me know if you want me to and I'll add them to the masterlist (mainly cause I really like fami)

Makima

Thanks to you, makima, now could finally feel true emotions. You made her feel the happiness of being truly loved, the sadness of being without you, anger when a devil had the gall to hurt you, and the worry of when you came injured from a mission and so on..

She felt another one of those emotions when she saw you talking to another girl at the public safety headquarters, a particularly flirty one who apparently didn't know you were dating her boss.

Ah this must be jealousy.

She wasn't that bothered by it. She knows she can trust that you'll never leave her. However, the moment she starts touching you even after you clearly rejected her and is making you feel uncomfortable, that girl is dead.

She might have better morals after meeting you but she's not above killing who she deems as human scum.

But if things don't reach that stage, the girl might just be assigned a particularly difficult mission as her next

"Sorry, but I have a girlfriend,"

"Who cares? It's not like she's gonna know anyway"

"Sorry to interrupt, but I'd like to talk to y/n"

"Ah! M-miss makima!"

"Oh sure babe"

"B-babe? You mean she's your girlfriend"

"Exactly, and now that you know I suggest not looking forward to your next mission"

Power

The moment she sees you talking to another girl, she gets mad, she assumes you're cheating on her cause she doesn't have that much of an understanding of relationships.

In her eyes, you don't need anyone else when she's clearly the best option.

She's also really angry towards the girl. How dare she try to steal what's hers? Even though she wasn't flirting with you

"Hey! Y/n! What are you doing talking to this human"

"Oh power, don't worry she was just asking me directions"

"Like I believe that! You better go away this very moment I'll kill you!"

"Power be nice"

"Only if you stop talking to this bitch"

"*sigh* I'm so sorry"

Himeno

How she reacts depends on how drunk she is.

She gets really clingy when she is drunk, so she'll hug you from behind and lazily try to pull you away from the girl you were talking to while mumbling some incoherent words and that's usually your sign to take her home.

She's really not that jealous when sober, even when a girl flirts, she doesn't get mad, she understands her,after all if she didn't flirt with you she wouldn't have gotten with her amazing partner.

"Hey, you having fun without me over here?

"Oh sorry hime,I was just about to tell her I have a girlfriend"

"Oh you do? Sorry I had no idea"

"It's fine. I get it they're so stunning anyone would try to get with them"

"Did you just use the fact that a girl was flirting with me as a way to flirt with me?

"Guess so, I guess complimenting you is just second nature to me"

Kobeni higashiyama

This poor nervous wreck of a girl.

Whenever she sees you talking to another girl, she kinda gets anxious and starts comparing herself to that girl. Imagine how it is when a girl actually flirts with you

She starts overthinking and sweating,thoughts that you're gonna leave her for the other girl and how she's a bad girlfriend her fill her head.

She'd rather self combust than try to confront the girl with you around so she'll just continue wallowing in self-pity until you finish.

She needs a lot of hugs and reassurances later to calm down

"Hey, are you OK, kobeni? You were sweating and shaking"

"O-oh n-o i'm ok, what about t-that girl you were talking to?"

"I told her I had a girlfriend and she left, don't worry,more importantly, let's continue out date"

"R-really?"

"Of course you're my girlfriend right? I'd much rather hang out with you than some random girl"

"Uhm t-thank you"

Asa mitaka

She is also kind of anxious and worried just way less than kobeni.

She feels kind of like a bad and boring girlfriend often, and that feeling skyrockets when a girl flits with you.

She trusts you, but seeing you so close to that girl while she blatantly flirts with you just makes her feel kinda angry at her, and yoru definitely tries to take advantage of that.

"Come on don't you wanna get rid of her anyway"

"Not in that way yoru!"

"Just turn her into a weapon, that way I get a new one to fight chainsaw man, and you get to take care of that bitch"

"I'm not gonna do that"

"Geez you really are a bad girlfriend then"

"I'M NOT A BAD GIRLFRIEND"

"........"

"D-did I say that out loud?"

"Yeah but don't worry at least it was the truth"

Yoru

You and yoru begged asa to let her take control of her body for just an entire date. After a lot of hesitancy, she accepted but made yoru promise not to kill anyone........ You should probably think twice before trusting the war devil

The moment she saw another girl even look at you with a flirty gaze, immediately she turned her into a weapon without any hesitation.

You weren't that shocked, dating yoru does come with a very high chance of her trying to murder people she even thinks are trying to steal you, you were kinda mad at her for what she promised asa though.

"*sighs* why did you do that?"

"You're mine she was trying to take you from me. I could feel it"

"And how are you gonna explain it to asa?"

"Well it's not my problem"

"What?"

Then she feel unconscious the scars from her face disappeared and asa woke up looked at the weapon in her hand and then at you

"I'm so sorry asa I swear I can explain"

Fami

She was just coming back to your table with your fast food orders (she got way too much food for herself). When she saw you talking to a girl, she didn't recognize

She didn't think much about it maybe you were just talking to a friend. So she ignored the kinda weird feeling in her chest by doing her favorite thing (tied with spending time with you) eating.

The girl, meanwhile, was very freaked out that a random girl was staring at her with a cold glare and ringed eyes so she left allowing you to go back to your girlfriend.

"Hey fami, sorry if It took me long"

"It's fine, who was that girl you were with?

"I don't know she just came up to me and started flirting"

"I see"

"Why? Are you jealous"

"No I am not"

"Alright whatever you say, you did eat faster than usual though and that's saying something"

"*sighs* Humans are truly weird creatures"