#but that isnt their entire character

[gravitywhatgravity]

I'm tired of ruby's breakdown being an excuse to just. ignore her entire character before this? looking for hints and foreshadowing OR intentionally reading her character in a new way is cool, but theres such a lack of self awareness in entirely reinventing her character

saying "see! she's always been angry and sad and toxic!!" and then pulling previous lines and moments out of context is just as frustrating as saying her breakdown was OOC or too "ugly"

ruby rose is a shockingly complex character!! she can be a good leader and a good friend and a good sister and a positive person AND be angry and hurt and inherently tragic and depressed!! ruby getting to be more than one thing is what makes this exploration of her character so interesting!!

[anxious-chaos-art]

In honor of ep 4 dropping today here’s my page of kips!

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[choccy-milky]

seb vs. clora's Childhood Friend™️ 😇🥰 ((from my new chap! ao3/wattpad))

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[charismatic-fear]

this image has been plauging me

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[blighted-lights]

i feel so awful about skybound ravage right now because he's spent nearly the entire comic run so far being injured. like. injured to the point of being immobile. and he's STILL getting tossed around. by another decepticon no less! like yeah sure whatever it's a rough spot for soundwave right now but RAVAGE is the one going through it. and the fact that soundwave allowed shockwave to pick ravage up and toss him around like that im,,,

oughhhh im sick. im sick.

[opal-owl-flight]

So we met a pro while practicing last night

[g0tmilkx3]

new fandom culture is interesting especially surrounding shipping. specifically with wicked why do so maybe fans think canon ships are the only legitimate or acceptable ones?

[rookamell]

Ok say what you want about the fact that you can't romance Lucanis when you save Minrathous, I'm not having that argument with people, but the fact that he can't/won't learn to trust Rook again in the way that Neve does when she becomes hardened and he gets no other companion quests until his personal quest finale is bad character writing right? Like why would you make a choice in the game mean that one of the companions becomes basically a non-entity AND that his personal development makes zero sense? Why can he and Spite work together if Inner Demons doesn't happen? Why are there no negative consequences to this (apart from him maybe dying in act 3)? Why is there no way to salvage the relationship like there is with Neve?

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[kookidough]

analysing vance hopper because he lives in my head 24/7 !

tw for like. literally everything the black phone covers!!!!!!

also there's some special effects gore rather far down in the post idk just i feel like i should warn you just in case

okay so before anyones like "but bee!!!! he only had 6 minutes of screen time in a 102 minute long movie!!!!! he was only on screen for 5.8% of the movie!!!!!" and to that i say i Know it was a real tragedy so a lot of this will be built on personal interpretation and subtext and stuff said behind the scenes and whatnot

so firstly i wanna rot about what his childhood/upbringing might've been like..... i havent quite decided on something definitive but i think we can take one look at his character and realise that is glaringly obvious he had a bad childhood, in one interview the actor that plays him (brady hepner) says "the background i had set up for vance is that the reason he was the way he was is his home life was fairly difficult, you know maybe his dad was either not there for him or he wasn't supportive, maybe he was fairly abusive, and so that creates a hair trigger sense of rage in vance" hair trigger meaning his patience is literally as thin as a strand of hair it does Not take a lot for him to snap

there more to it after that which i'll get into soon but yea thats the gist of it it's clear he had absent/neglectful/abusive parents and that would certainly contribute to why he's so angry all the time, maybe acting so explosive was the only way to get his parents' attention, either good or bad, so he just internalised that. obviously rage and anger issues like vance's lead to violence (not in all cases but in his case it does) and i think a neglectful and abusive upbringing would obviously expose him to more violence than a normal childhood would, therefore normalising it and desensitising him to it, whether he's seeing it play out in his own home and/or on television or something like that (because i doubt his parents would be the kind to monitor what content he's viewing)

i feel like he has little control over his life and that only adds to his anger, which in his case leads to a fight when his buttons are pushed too many times. i think he probably takes great pride in being the toughest in town and whatnot and winning fights and being perceived as strong and scary is good to him and helps him regain control/power, something he doesnt have at home. the rest of the quote from the interview i mentioned earlier states "this pinball machine could have been the only thing that he has in his heart that's like, good, like 'holy cow i did this, i set the score,' so when someone comes along and messes it up for him, it takes away the only thing that he has. i think that that's when he switches to a 'now you're gonna pay for that'"

similar to what i said about fighting, the pinball machine and his high score is something he has control over and its an important part of his reputation/image like. hes literally pinball vance ! and the whole thing about that high score being the "only thing he has in his heart that's good" implies that hes. well. pretty shit at everything else, which is pretty much canon if you remember that gwen said vance was held back twice in school. makes me think that while he's not the brightest in school he's certainly street smart

moving onto ermmmmm him getting kidnapped era because im sure youre wondering "well bee if he's so street smart then why did he get kidnapped" so may i raise two theories (this is. literally all i got and its not even concrete, me and my friend gray (@staggersz) tried to figure out how this could even happen and this is the most plausible thing we've got. so shoutout to him real quick he has had to deal with me being unnormal about vance for like a year and a half thanks king couldnt have done all this without my rotting buddy)

so either he got taken by surprise (most likely option) or vance's trust was gained first via getting given quarters at the pinball machine and small talk and shit like that but this is unlikely because i feel like it'd take a loooooong time for someone like vance to trust a some random stranger adult man when he clearly has issues with trusting and respecting people older than him and people with authority (e.g. cops, his parents, or school officials) so yea being taken by surprise would probably be the most realistic option, i always see people on tiktok being like "how did the grabber kidnap vance hes so strong!!!!" dude its a 15 year old boy against like. a 45 year old man who's already claimed two lives its really not gonna be a fair fight here

before i get into the next part i wanna quickly address a theory i absolutely Hate and it is so easily disproven and that is the theory that vance is the grabber's son or is related to him in some other way and i see it Far too often on tiktok and i HATE it. from what ive seen this all stems from his dream sequence where he kicks open the fence to albert's house and, presumably, goes inside after being dropped off by the police after the grab n go fight. idk if some people just straight up didnt realise this but clearly in real life he is going to his Own House??? in the dream it's only albert's house because this is how he chooses to show gwen the house she's trying to find her brother in, the house that he himself was killed in??? i hate the theory i hate it sm

the dream sequence itself is interesting though as the ghosts seem to only be able to conjure up what theyve seen in real life (like how bruce can picture the outside of the house and show that to gwen but the house number is all flipped and not right beause he doesnt know it) so vance being able to picture the house and the number and the gate and every detail would imply that hes seen it before, but im going to explain that away as either he got out once before like with finney's failed escape attempt, or the house is most likely on the route he walks to school or the grab n go or something and he hasnt actually been there prior to being kidnapped

mini rant over now onto being kidnapped i guess, so i used the missing posters to try and estimate a timeline of how long each ghost boy would've been in the basement for (although the missing posters are notoriously unreliable for details such as looks/height/age/etc, the dates seem to all line up). so we know the order is griffin, billy, vance, bruce, robin, finney, right?? if we use the poster date then billy was taken on may 4th, 1976, a month and two days after griffin was taken (april 2nd 1976). vance was taken on september 23rd 1977, almost a full year later (stay with me im going somewhere with this), and after that bruce was taken on july 18th 1978, again almost a full year later

its established in the movie that the grabber stalks his victims before he takes them (canon because we literally see the van watching finney and gwen as they walk home from school early on in the movie) but we dont know how long he does this for since griffin/billy and robin/finney were taken such short distances apart and then the others were taken such long distances apart, also it's possible he could stalk his next victim while the previous one is still alive, etc etc lots of confusing factors, but if i've done the maths right then the absolute maximum time vance could've spent down there is 9 months and 25 days, or 298 days, so erm . let that sink in !

howeverrrr in the movie gwen states that vance went missing "last spring" and september is definitely not in spring, meaning he could've been down there for a year or even longer. an explanation or excuse i could think of for the movie and the missing poster saying different things (other than the missing posters being known for some areas being wildly inaccurate) is that maybe he was taken in spring but wasnt labelled as officially missing until september, when he was properly linked to griffin and billy's similar disappearances and the mysterious grabber? i can imagine it'd be very easy for law enforcement, especially in the 70s, to dismiss someone like vance as a runaway until they get solid evidence that he was taken. idk though thats just my personal excuse / angsty headcanon for the difference in information

not sure what exactly killed him but we do hear from vance himself that "he took his time with me" so it was probably blood loss from a variety of injuries, if we look at him in his ghost scenes we can see his hair is absolutely covered in blood which indicates head injury, he clearly has a broken nose and bruising around his eyes as a result of it, he has these deep cuts on his abdomen area (apologies for the image quality but i believe they're like. sfx pieces you would wear under clothing)

and he also has just like. minor bruising (like the fingerprints on his arm) and other random blood splatters on his face and neck (assuming the blood down his neck comes from wherever he was bleeding on his head) so Yeah overall very unpleasant way to die obviously

okay now the part thats actually in the movie and it only took me 13 paragraphs to get here: vance as a ghost!! first thing i wanna point out is appearance wise i just want to say that when he's a ghost he's missing his choker and that fact Pains me. anyway personality-wise i feel like being violently murdered has, understandably, kicked his rage up to like. the highest level it could possibly go. he's insanely snarky and downright rude to finney on the phone, showing no empathy to the fact that finney is literally in the exact situation he was in

i feel like the whole "this is the nightmare end of your pathetic little life" and "if you knew what you had coming, you'd be fucking terrified" thing is definitely to scare finney on purpose and to get him to do something, vance might as well have just told him he's never going home cuz thats how it came across LMAOO, it is startling though because vance is clearly speaking from experience, that he was literally fucking terrified, and he is warning finney in his own weird way

the thing i think sets vance apart from the other ghosts is that while he does help finney, he does it for a different reason than they do. the other ghosts want finney to escape, to get out, to be free, to live, but personally i dont think vance cares about that. the only thing he wants is for albert shaw to be dead, for someone to seek vengeance, to do what vance couldn't. vance doesn't care if it's bruce or robin or finney or whatever boy could've come after that, he doesnt care as long as that man gets what he deserves after what he put vance through, and i see this through the scene at the end of vance's call where finney thanks him for his help and vance says, and i quote, "helping you? this isn't about you, fuck him! and apologies for being repetitive but to me it just literally proves that to vance, this isnt about finney or his escape, its just about revenge

we dont get to find out what happens to the ghosts once the credits have rolled, and i dont think we quite know enough about tbp's version of ghosts to guess what theyre up to, but i have a few theories :3 maybe theyre no longer bound to those two houses and they can now go anywhere they want in town? or maybe since their shared goal of stopping albert has been achieved, the ghosts can finally pass on to whatever is waiting for them next. i dont think vance would be content to pass on that quickly or easily as anger lingers, but i hope he'd be able to let go of it eventually, and hey we might find out in the sequel. i pray it mentions him cuz i will just die if it doesnt

sometimes, ok thats a lie, frequently i think about an au where he survived or escaped or whatever but ohhhh boy this post is already a train wreck so that au would deserve its own essay of a post :3 if u actually genuinely read this far then Wtf thanks for reading the ramblings of an absolute madman, only pure delusion could get like 20 paragraphs about a guy with 6 minutes screentime but hey thats how i roll, thanks again to my pal gray for letting me rot and thank u to my other pal ana for also enduring all this rot

hope u enjoyed my interpretation of vance hopper im going to crawl in a hole now and probably brainrot some more, thanks again for ur time :3

[chrisrainicorn]

Okay RWBY u reeled me back for fanart with this one I can't resist drawing a fucked up creechure

✨ i have commissions open! :D ✨

[ro-rogue]

what i love most about the character development in uno is the ways in which the characters stayed the same. remi has taken off her rose-colored glasses but she's still unendingly kind. blyke will fight any injustice he sees but he's still impulsive and a little reckless. isen has become so much braver but he's still practical and doesn't have a hero complex. arlo is finally (finally) willing to fight the institution and even in that he needs to appear perfectly level-headed and in control. john is at last doing something heroic - by fighting people, of course - and he still completely disregards his own wellbeing and his limits. seraphina is fully rebelling against everything her parents stand for and support, but now she cannot afford to make mistakes. she needs to train her ability back to its old level and perhaps even above it, she (and leilah and darren) needs to know as much as possible in order to stay ahead of the authorities and spectre, and she has no time for frivolous things like friendship.

all of this is to illustrate that well-written character development involves keeping some key traits at least somewhat intact, and adapting other existing traits into similar ones that best fit the new environment. time and trauma change people, of course, but in a lot of ways people will remain similar to who they once were, and writing your characters this way often makes for more dynamic and emotionally devastating character development. the 'what have you become?' moment often is a lot more impactful if there are still traces of who they once were present, and positive character development is often a lot more believable if the character doesn't completely change personalities.