Edit: Yes, the original Sokka sexism arc is great and important. But we don't live in a world where the live action show runners decided to include it in the same form. So:
Unpopular opinion time: Sokka unlearning sexism isn't actually a large part of his character arc--it literally only takes the opening episodes. And removing it COULD be a sign that the live action is taking seriously the complaints I've seen from native fans about the original show runners deciding to make the Water Tribes that sort of sexist to begin with. Sokka's actual character arc is about gaining confidence and leadership skills, and they have the opportunity to focus on that MORE if they change the Kyoshi episode to focus on Suki as a fellow teenager forced into a leadership/protective role in her community and rocking it rather than using her as an object lesson on sexism for a male character to learn from. Whether they will ACTUALLY do that is on them, but it took me less than ten minutes to think up, so I sure hope someone in the writers' room actually cares about using the live action to expand on new angles of the characters. Big ask, I know.
Now the real question is: did they also remove Uncle Iroh's unwanted physical advances on a literally paralyzed Jun, and all of Zuko's snipes about girls? Because THOSE are the actually "iffy" sexism parts in AtLA, not Sokka's five minute arc.
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I acknowledge that the season was cut almost in half so I should really cut them some slack but I WON'T, SO:
Plot holes/Forgotten Stuff in TUA:
(some of these are mostly just unanswered questions)
-Sloane?? Where tf did she go?
-Why was Jennifer (in the original timeline) in a cage? In Moldova?? Like, was she discovered to have something ( the dimaldo stuff whatever) inside of her, so they wanted to test on her? if she never came into contact with marigold before ben then why would they? WHAT
-also wait how the fuck did she get that stuff in her anyway? How did the dimaldo get to earth after it caused the end of Reginald's home planet? Like,,,shouldnt we know that?
-Her,,,in a squid??? she was Inside a giant squid? W h a t
-the S3 post credits of ben in the train. sure, whatever, that means nothing LMAOO
-I also can't get over - Five explaining "oh yeah when we do this EVERY ALTERNATE TIMELINE is gonna be destroyed, leaving only what should've been - the original," and lila fighitng to put her family in the train station,,,All the other timelines will be destroyed??They're dying and being reborn/reincarnated in the new one anyway GIRL WHAT ARE YOU DOING
(unless ive highly misunderstood that which is likely)
-this isnt a plot hole just - five "trying desperately over and over again to save his unhelpful family who he loves very very much" being literally turned into,,,that. did someone say character assassination?
-lila and five. thats a plot hole in and of itself I DONT CARE if he's aged 12 years from season 3, (6 yr timeskip at beginning of season, then 6 technically 7 in teh train), I DONT CARE IF HES 25 NOW, I DONT CARE IF HES MENTALLY 60 SOMETHING. Lila met and spent time with him when he looked like THIS
THATS A CHILD. and clearly, the family had SOME contact in the 6 yr skip, so she WATCHED HIM GROW UP from 13 - 19, like thats just so WEIRD WHAT
this was supposed to be plot holes and just turned into me being pissed im sorry but HOW DO YOU FUCK UP AN ENDING THIS BAD??
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TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog
“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”
High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”
Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.
Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.
“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”
“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.
High General Windu’s face does something complicated between sympathy and constipation.
Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”
“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”
Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”
“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.
“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.
He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-
Well, Fox is the acting Chancellor, in short.
Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.
Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!
And catch him, High General Windu sure did.
“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”
“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.
“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”
“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.
Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”
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buck: meradith grey can do better than mcdreamy
tommy: what do you mean babe?
buck: well, he didn't tell her he was married, he didn't chose her, when he broke up with his wife he got with a different woman even though he was in love with mer, she deserved better
guy with a stab wound: he's right she did deserve better
chimney: sir please don't talk i'm trying to save your life right now
tommy: maybe we should talk about this later babe?
guy with a stab wound: please don't it's distracting me from the pain
buck: okay, oh my god and IZZIE?! i hated her! god what is her deal she spends ages angry with alex, gets with denny then cuts his LVAD wire, then marries alex and runs off, then years later gets in contact and ruins alex's relationship with jo?! what a bitch!
tommy: agreed
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Honestly shoutout to Steven Universe for the representation of malachite and abusive relationships because it holds up really well and is still like one of the only abuse narratives I’ve seen that portrays how like. Abusive relationships aren’t as simple as “evil abusive person was constantly Mean and Bad to nice victim” like. Lapis is a realistic victim. She refused to leave the relationship because she longed to have connection with someone and she liked feeling as though she could have control for once, even though she really didn’t. She wasn’t nice and innocent, she felt anger and resentment and liked taking it out on Jasper. And despite how horrible it was, she deeply misses Jasper because it was the longest and deepest relationship she’s ever had with anyone and she didn’t know how to function without it
But Lapis is still a victim and we’re meant to care for her and understand where she comes from. She chose to stay with Jasper to keep others safe from her harm, and because she thought she herself deserved the abuse as a way of making up for everything bad she’s done. Jasper reminds Lapis over and over that she is a monster and that’s why they should be together, because Jasper is the only one who understands her. And when Lapis finally rejects their relationship, she mostly states it through what she herself felt and has done, saying that she didn’t like the person she became in that relationship and she never wants to feel like that ever again. It’s messy and complicated, just like how actual abuse is
Anyways yeah talk about a very good abuse narrative thanks steven universe
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