Because I'm still bitter... The first time I consciously verbalized that "I hate this show", came when, as I predicted, there was absolutely no acknowledgement of Shiro having no living family on Earth, come the Atlas's "launch date" at the start of Season Eight.
We get shots of each of the Paladins interacting with their families, including Allura as a part of Lance's family, which is a sweet touch.
Then, there's a passing shot of Shiro standing alone and isolated on the Atlas's bridge that he isn't even the focus of.
I had a feeling this would be the case when, ahead of the finale of the second season, the Paladins are cheerfully reflecting on their growth and the challenges that they've overcome preceding what they believe will be their final fight with Zarkon.
Shiro, however, is dead silent, back turned to the others, and, when we do see his expression, he's stone-faced and seemingly deep in contemplation. Something that no one acknowledges, or seems to be in any way concerned about, even with Shiro's history of thoughts that he loses himself in being distinctly unpleasant ones.
When he does speak, it's to somberly offer the definitive statement, "You realize, once we defeat Zarkon, the universe won't need Voltron, anymore." The kids naturally express wanting to see their families, again, once the burden of defending the universe has been lifted from their shoulders, even if it means, for Pidge and Keith, going out and finding them.
Shiro, though, voices no such desires. He dons the Fearless Leader/Black Paladin mask and encourages his underlings that they can't fail, and that's that. Cue them looking dramatically out over the horizon before the credits roll.
One could hem and haw and offer any number of supposed explanations for the unsettling absence of any lifegoals for Shiro outside of "defeat the bad guy and defend the universe", especially viewing this scene in hindsight.
"Shiro and his long-term partner split up before the Kerberos mission. Maybe it would be awkward for Shiro to see him, again, and Shiro doesn't want to discuss that with a group of teenagers, especially as their commanding officer."
"Maybe they intended for Shiro's family to show up later and simply didn't have the time to include them, or he has a strained and/or estranged relationship with his family and wasn't too concerned with going back to them."
"He's been declared legally dead, and the cartoon made to sell toys to kids didn't want to bog their child audience's brains down with the confangled nuisances of bureaucracy."
"Maybe Shiro had no personal desire to return to Earth, and would have assisted Pidge in looking for Matt and Sam had he lived."
And, any of these would be more interesting than what we were actually given, which is nothing, because the showrunners didn't know how to and weren't equipped to handle the sheer level of complex and compounded trauma they had afflicted Shiro with. It was easier to brush it all aside, as that shot of an out of focus Shiro so deftly displays. Especially once Shiro had been killed and effectively permanently replaced as the Black Paladin, then brought back to life and retired to "boring adult" status. They killed his partner off-screen, following the dissolution of the relationship, and briefly showed Shiro mourning the loss,
and I guess that was their "emotional pathos for Shiro" quota met for the rest of the show.
After that, he was gifted his own ship and the position of Captain/Admiral aboard it to sequester him off with Sam, Iverson, Veronica, Slav, a similarly unceremoniously demoted Coran, and the rest of the side characters, under the guise of him being promoted to a position of actual significance. And, as much as I love Shiro having his own ship, and the figure he cuts in that stylish and immensely flattering Admiral coat, it shouldn't have to be said that this is both a massive insult to his character after he had the most narrative significance and pathos of anyone during the first two seasons, and a cheap, cowardly tactic employed to avoid the reality that the writers have alluded to Shiro seeing himself as having no purpose if he isn't performing a heroic duty to others, and being passively suicidal when no such duty exists.
"Don't look too closely, everyone! Let's not linger too long on this!" Otherwise, you'll realize that Shiro, in fact, has no one to support him outside of people who already have families of their own. And, "The universe won't need Voltron, anymore", was really Shiro saying, "The universe won't need me, anymore."
And, damned if the brain trusts behind this show didn't try to prove how little they needed Shiro, only for their story to fall apart at the seams after killing him, and the quality to, fittingly, take a nosedive straight into the abyss once they committed to nerfing and sidelining him while having other characters pitifully attempt to retrace steps that he had already taken, stumbling over his distinct and unforgettable bootprints.
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Hey. Just wanted to put my two cents in, like everyone else on Tumblr dot com is. (It got pretty long so putting it under a cut)
I don't really care about what you think should happen to the fandom. Like. If you are going to continue to engage in the fandom without giving Neil any sort of gain is fine. I'm personally still on the fence on what the fuck to do now. But let's not make that the whole focus, yeah? What Neil allegedly did was fucking terrible. Like. Objectively worse than what JKR did when things first came out about her. Let's forget good omens and sandman and coraline for a minute (don't care if you still engage with those things or burn your copies and remove your tattoos, let's just put it down for a minute.) and try really hard to think. Because we all hated JKR. We burned her reputation to the ground. For good reason. But we can't even decide if we hate Neil Gaiman yet? Guys. Please. We have to believe all women. Plus he's a rich fucking white dude who has admitted to using his power for gain.
And if it turns out (which this is a 8% chance) that this is all not what it seems to be, or even all of it is fabricated, and Neil is innocent, we still gotta stop worshipping this dude. This has got to be a wakeup call that he's not some Messiah. He's a human dude in power who does the same shitty things human dudes in power do.
And I get it. You want to continue to like your stories that he helped create (key-word 'helped' bc he was a part of a team with a lot of these stories, including Sir Terry Pratchett) but me personally? I would be a massive hypocrite if I metaphorically burned my Harry Potter stories to the ground and put HP fans in my DNI because of JKR but said "separate the art from the artist" with Neil Gaiman.
And this is coming from any other Good Omens fan that became way too attached to the story. Like a lot of people have said that story helped in very. Very fucking trying times. It was my rock, some days the only thing keeping me going. The fandom has been an amazing place of creativity and community and love.
But so was Harry Potter. If you think about it. If any Good Omens fans were previous Harry Potter fans you'll know just how wide spread and open and creative and deep the hp fandom was. And this may just be me misremembering because it was a couple years ago at this point (plus everything with Neil Gaiman is still such news) but because JKR was spouting rhetoric that directly harmed us (us being majority queer and poc people) we drop-kicked hp pretty fast and focused on the artist and her shittiness.
Can we have the same attitude towards Neil? Can we separate the art from the artist long enough to fucking focus on Neil? When I say separate the art from the artist I don't mean "remove artist, continue to enjoy art" I mean "remove the art and focus on the artist, and study that motherfucker". How many video essays are their out about JKR? How many books referencing her terribleness? Without giving so much as a hint to Harry Potter?
Separate the art from the artist and focus on the artist and bringing him to justice. And believe the victims.
And yeah I can see your arguments against the source of the information and who the victims went to tell their stories, I can understand those arguments, but let's look at the data, okay? Let's look at what Scarlett and K actually said with their actual words and their actual messages and separate the source from the material. What Scarlett and K talked about is scary. Terrifying. I couldn't even read more than a little bit before I got triggered. I wasn't caring about how the source podcast was talking about it. What Scarlett and K said with their own words should be enough. Make your own judgements. If you can't look at a story without being influenced by the storyteller's hidden agenda and not have critical thinking skills????? I'm sorry but that's going to be your downfall.
Or better yet, if you can't believe victims because they have political views that differ from your own (which, they probably don't. From what I can tell nobody really fucking knows what Scarlett and K's political views are but it doesn't really matter) you need to really study and look into what you mean when you call yourself a "leftist". Because it's not very progressive or helpful to not believe or help victims because of their political views. Sorry. Is that wild for me to say? Idk
Uh anyways. I don't really care what you do in your free time when it comes to enjoying the fandoms. I don't necessarily think it makes you a terribly shitty person for still engaging in it instead of burning all your Neil Gaiman stories, and also like a lot of people have said (and since I'm on the same boat) treating fans like the scum of the earth when a lot of fans have had good omens as a way to escape and has become super dependent on good omens and are justifiably horrified by everything and trying to ignore it is shitty. But I'm personally going to continue to follow this story because I care about the victims. Not because I want to be guilt-free reading a fanfic about an angel and a demon. Because I care about real life people.
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Hmmm it's been a while since I posted one of my weird crossover ideas on tumblr. Let's fix that.
For the past few days I've been enjoying daydreaming about a Avatar the Last Airbender/Wingfeather Saga crossover. But it's. probably not what you would expect, haha. I'll probably never write it as more than ideas though, so I may was well post the concept here.
So this takes place in the Wingfeather world of Aerwiar, several years before the Fall of Anniera that jumpstarts the war/plot happening in the book series. One day, Artham Wingfeather is in one of Anniera's port towns and is called over by a concerned citizen, who leads him to a crowd watching a rowboat slowly drift to shore. The rowboat contains two small children, who Artham brings ashore and takes back to Castle Rysen.
The small children in question are Zuko (age 4) and Azula (age 2). In this version of events, the Fire Nation royal family is a bit darker than in canon and, after Ozai flies into a rage and burns Zuko (yes he still has his scar I know I'm mean, but there's a POINT I swear) Ursa decides she needs to get her kids the heck out of the Fire Nation. But Ozai is suspicious and possessive of her in general and has her under guard so she can't escape the palace, so she entrusts her kiddos to a few trusted servants, who pack them up in a rowboat with food and water and send them off, hoping they'll make it to a coastal village and be taken in by a kindly family.
Most of this is explained/implied in a note that Ursa sent along with the kids, that Artham reads and passes on to Esben (and Nia and Arundelle). They are properly horrified.
However, what no one realizes is that these kiddos have come through a portal between the two worlds. So Artham and Esben ASSUME that SOMEWHERE these kid's mom is being held captive by their cruel father and so they send out search parties/reconnaissance teams to try and rescue her, and because any father so cruel as to hurt his son the way Ozai hurt Zuko needs to be stopped. The brothers also wonder if, perhaps, this is somehow connected to the Tragic Accident that befell their parents and aunt Illiya a year before when their ship was lost and they were killed. And they start to wonder if, perhaps, that wasn't an accident, but that they stumbled upon whatever This was and tried to stop it and got in the way. (They don't suspect Bonifer... at first...)
Anyway, Artham finds himself caretaker for these two small children and develops a bond with them, especially Zuko (what, you thought I WASN'T going to use this as an excuse to make a connection between two of my favorite characters of all time?). Arundelle also becomes close with them, and- besides the cooks in the castle- she's the first person Artham tells about the kids. Because I thought it'd be fun to make Arundelle a healer (hey, why shouldn't she be good with healing plants and herbs? heh) and have her be the main person who treats Zuko's burn.
Azula recovers from the trauma of being separated from her mom and home pretty quickly since the new place she's in has kind, caring people, nice food, is still a palace, and she's two. She loves playing with Arundelle and listening to Artham's stories. She's very bright and friendly and talkative. She IS very attached to her brother tho, sleeping in the same bed as him the first few nights in this new place, even defending him/trying to explain his actions the way she's heard adults do. (when Artham finds the siblings they're clinging to each other in their little boat, terrified)
Zuko is more complicated. He's had the physical trauma of being burned paired with the emotional trauma of being hurt and abused by his father (the burning wasn't the first time, just the most severe). He understands a little more of what's going on than his sister. He love, love, loves being held, especially by Artham, because since Azula was born he's not been allowed to act like a "baby" and hasn't gotten much physical affection. He's very shy and has periods of mutism when meeting new people or encountering distressing/unfamiliar situations. Little guy has also had his senses severely rattled by losing both half his vision and half his hearing in one fell swoop. In short, he's a mess. The first time he's alone with Artham he has a panic attack because he thinks Artham will hurt him, but Artham being so kind and understanding and gentle with him helps him unlearn that. Zuko becomes very attached to Artham very quickly and... Artham becomes attached to him pretty fast too.
(Additionally, Zuko is terrified of Bonifer. The only explanation he can give for that is, "He looks at me like father did." which does plant a little seed of suspicion in Artham's mind specifically)
So, long term, this severely messes up Gnag/Bonifer's plans, since suddenly the Annierans are combing the Hollows/The Killridge Mts/even the Doonlands trying to find Zuko and Azula's family. This either forces the baddies to speed up their plans... or derails them altogether. I haven't decided yet, haha. The Annierans do find out something of what Gnag is doing (they don't connect Bonifer to it right away tho) and end up with some preparation for the attack that eventually comes. I think the attack on Anniera is still somewhat successful, but a lot less so than in canon. Like, I don't think the entire populace is captured/scattered and I haven't decided if I want Artham and Esben to still get captured or not. (if they do I have this great mental image of 7-year-old Zuko and 5-year-old Azula trying to rescue them from Throg. Just. just imagine the CHAOS even a pair of BABY firebenders could do in Aerwiar. Imagine.)
Oh yeah, to give you a better idea of WHEN this happens, Nia is pregnant with Janner when Artham finds Zuko and Azula. I just thought it'd be fun for Zuko to have the same age gap with Janner he has with Aang and it makes it close enough for things to come together plot wise.
So yeah, that's my thoughts on how Zuko and Azula could potentially have prevented the Fall of Anniera. xD
Other random things they cause:
Artham adopting them
Artham and Arundelle getting married a few years before Anniera falls after the closeness and bonding that comes from caring for a pair of traumatized children.
Absolute chaos with their firebending (the Annierans chalk this up to the old stories of Annieran/Anyaran kids having special powers to defend their home with and decide not to question it further)
So yeah, there's my late night thoughts on a WFS/ATLA AU. where Artham adopts Zuko and Azula. because why not. I hope it was a fun read. :D
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I haven't really spoken about this with everything else going on, but it's been on my mind.
As a massive LPOTL fan, it was genuinely heartbreaking and disappointing to hear the news about Ben and what his girlfriend endured. When you listen to the episodes close to his departure, it's incredibly clear he's not fully present, and has lost a lot of his charm from earlier in the show. I hope his stint in rehab helps him find peace, and that Taylor finds safety and security going forward.
That being said, I am so glad Marcus and Henry decided to drop him from the show and the network as a whole. It was absolutely the right choice. It might not have been the safe decision, and definitely not the easy one. But it was correct. I am really enjoying Ed as the third host and I really hope they keep him full-time.
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