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secretly-larry-daley · 13 days ago

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I need to tell you guys about my WaveWave love languages headcanon, or I might explode.

So, in my head, I think everyone has at least two love languages. The type of love a person likes to give and the type of love a person likes to get. Of course, they’ll always be exceptions to this rule where people will like to give and receive the same love language, but this won’t be the case here.

I just want to note if I get any characterization wrong, I apologize, I’m still new to this fandom 🥲

Shockwave:

Shockwave’s first love language (in my head) is gift giving. As an emotionally repressed guy, I don’t think he knows how to properly express his feelings towards those he loves. So the easiest way for him is to give gifts! It’s just the matter of remembering things that his partner likes, right? Well… it’s a little more complicated than that. Because Shockwave can get immensely carried away with gifts. Like he’s still the same bot who has random mech parts lying around, you can’t tell me he hasn’t given Soundwave the head of their enemies at least once. And what I find funny is that I’d like to believe that Soundwave would eat it up. Like he did that?? For me??? He’s so flattered, even if the bouquet Shockwave gave him were carved out autobot parts made to look like flowers. It’s fiiiine.

Now for Shockwave’s second love language, I think he values quality time. Because somewhere, in that cold spark of his, I think he’s lonely. He’s constantly in his lab, alone, doing who knows what half the time. Shockwave has created so many emotional walls, that I think he would appreciate someone who could tolerate being just near him. So not only does Soundwave tolerate him, but actively spends time working next to him, it means a lot to him. And the fact that not only that, but Soundwave trusts him enough to recharge next to him, well— it means the whole world to him. Sleep is one of the most vulnerable states you can be in. And if Soundwave feels comfortable enough to do that, it has to mean something!

Soundwave:

With Soundwave, surprisingly, I think his first love language would be physical affection. I think it makes the most sense due to the fact of his cassettes. He’s basically a father to them, so I think he’s been conditioned to it. But I don’t think that’s a bad thing. I think a part of him really likes being a source of comfort, not only towards his cassettes, but towards Shockwave. Unfortunately, he’s not able to express this very often due to the fact he must uphold a “cold hearted mech” persona. Don’t be fooled, though, because whenever he has the chance, he will lean over on Shockwave’s shoulder when he’s working. It maybe a small gesture but I think it means a lot to both of them.

Soundwave’s second love language is Acts of Service. I mean, it makes sense. Again, he’s a father and a high ranking Decipticon. That must be extremely tiring; especially when you have your own personal needs to attend to. So, he’d be extremely happy if you made his birth or helped take Ravage out on a walk— hell, even just let him take some time to have a bath. That’s where I think Shockwave’s gift giving would come in, because he would just make things for Soundwave that would make his life much more convenient. Of course, it’s nothing as horrific as his usual gifts, but if that means that Soundwave can live his life a little easier, Shockwave will do it.

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letmetellyouaboutmyfeels · 2 years ago

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That's so weird because my reaction to S4 finale is it was the moment that convinced me Buddie was going to be endgame. Now two seasons later and we could be heading back to that same ending for the season depending on the events of the finale leaves me doubting things ngl. The only things I'm clinging on to are the couch theory, Eddie saying that relationships with people you meet at a rescue never works, and the fact that we're being introduced to these women so late in the season. It just seems like the writers even know they're giving this the most superficial things so that they can fix what they did in early S7.

To put it bluntly it just sucks that you know if this was gonna be the final 2 episodes that instead of going towards a story they've been telling since S2 they decide to put Buck and Eddie with women we don't even know their last name or anything about them. But they got renewed and will be moving to ABC so they can do the story they wanted to tell and I imagine these women will be kicked to the curb early in S7.

Okay, I'm gonna be real honest with you. I've seen that you've sent asks to a few of my friends, all generally saying the same thing. So to see you send me this ask makes me feel like you don't really want to have a discussion and aren't looking for actual support or positivity, you just want to keep being upset and tell people until someone agrees with you and tells you that your opinion that the writers made a shitty choice etc is valid.

So, to repeat a few things my friends have said:

They have not been doing Buddie since season two. I don't know why people persist on claiming this. Buddie was never the original plan. They did not decide to have Eddie get with Buck in season two. In fact in season two they seemed kinda unsure what to do with Eddie since he wouldn't be with Maddie any longer, but they still wanted the character, and Ryan, on the show. For my money, they started exploring the possibility of Buddie and discussing it seriously in season three, and season four was when they locked that in.

Now, I don't know about you, since you're a stranger on the internet, but to me, as a writer, it is a much, much better choice for them to have taken the risk rather than cram Buddie together, for a few reasons.

One: They cannot walk it back once Buddie is together. You're telling me you wanted them to sacrifice their story's integrity to give us a rushed unsatisfying get-together? Get out of my house. Watching television is, inherently, a gamble because it means you might get your stories unfulfilled. If you can't take that risk, then leave the casino. I am willing to risk it because I want a truly satisfying get-together, not something that was rushed and therefore isn't worthy of the delicious slow burn they're building.

Two: How many times do I have to scream at everyone to consider the behind the scenes issues before people start actually listening to me? Oh, forever? Because everyone is operating in bad faith and nobody wants to actually listen? Good to know. This will be the last I say on the matter.

We do not know what behind the scenes was going on in addition to the cancellation. What if certain Fox executives weren't supportive of Buddie? You're telling me that the writers and cast and crew should have, right when they'll need new jobs, guaranteed that their last employers will talk shit about them for disobeying orders and putting two characters together that they were told not to put together?

This is purely conjecture on my part, but I have seen time after time in fandom certain cast members and certain crew members and certain writers want a ship to become canon, and others not, and I have seen the way that back and forth played out, and guess fucking what? NOBODY WANTS TO LOSE THEIR FUCKING JOB. NOBODY WANTS TO BE PREVENTED FROM HAVING ANOTHER JOB.

Now, again, that's pure conjecture, but Fox really hasn't treated OG well for a while in terms of renewal, marketing, etc. And I have never, EVER, seen a show snapped up by another network so quickly. It's always "we got cancelled!" and then a few days or weeks later it's "we were saved by another network!" ABC was ON it. This gives me hope for a lot of things, like perhaps a 22 episode season. But given Fox's lack of promotion and appreciation for OG, it wouldn't surprise me if the cast and crew wanted Buddie and some people in the network didn't, and that is why we've been delayed on Buddie going canon. And while YOU may cry viva la revolution, it's much easier to have your principles when you've got a belly full, and while it may suck creatively there is no reason to piss off your bosses right when you need them to write you a recommendation for a new job because your show got cancelled - and while I'm sure they were hopeful, given the cast's social media I do not think anyone knew until it was publicly announced that they had, indeed, been saved and gotten another season.

My point is, this is just one theory I'm pulling out of a hat like a rabbit. We do not know what other BTS stuff is going on that made them choose to delay Buddie until season seven.

Three: To go back to point one, I do not think you've seen the reactions when a ship goes canon poorly. I was there, Gandalf. I was there the day that Booth and Bones got together. I was in the trenches. It soured SO many people, including me, on the show. To quote MBMBAM: YOU DIDN'T STICK THE LANDING! YOU JUST FLIPPED IN THE AIR FOR TWENTY MINUTES!!!

Sticking the landing when getting a ship together is possibly the most important moment in the couple's story. You cannot fuck up that landing. The writers chose to take the chance on it never happening in order to stick the landing the way they wanted. If that pisses you off, FINE. But stop coming into our inboxes to say the same thing over and over again about it, because we do not agree and we are never going to agree. We are at an impasse.

Now, to move onto some other points, WHY IS EVERYONE CONVINCED THAT EDDIE WILL STILL BE WITH SOMEONE WHEN THE SEASON ENDS!? WHEN DID WE DECIDE THIS!? He could be! But holy shit he could just go on one date with her that fizzles out! We have no clue! If someone in this fandom can see into the future and knows for sure this is going to happen then give me the winning lotto numbers right this second!!! Give them to me!!!! I need to fund my world domination campaign!!!

And finally, I feel like you've answered your own concerns, here. Given that you have sent similar asks to my friends, I don't think you're actually interested in allaying those concerns, because you keep answering your own questions and repeating yourself ad naseum. I could be wrong. Again, I don't know you. But this sure seems to be the case given that you're saying to me similar stuff you've said to my friends in asks they've already answered.

But to look at your own ask, you just said why we shouldn't be worried. "It seems like the writers even know..." YES. YES, THEY DO KNOW. I would love to know who the hell decided that television shows are made by the Television Fairy who creeps into the studio at night and waves her magic wand to create all the good stuff we see on our screens while the writers sit around with their thumbs up their asses.

Let's imagine you are a showrunner and you are going into the second half of your season, and you learn that it is extremely likely this season is actually your last. You guys start negotiating quietly with other networks to move the show, while hoping against hope this is not, indeed, the end. But this means you now have, what, nine episodes? To put all your characters in a place that is, if not ideal, at least somewhat positive for your audience?

You can't start any too-major arcs. You can't end on too bad of an emotional cliffhanger. This means some things will wrap up faster. Other things will get pushed forward. And some things have to be delayed, because they might never happen, and you can't give people a third or a half of an arc. Which means that you're going to be throwing in some filler for those characters instead, and doing things differently than how you might have wanted.

I do not know how many times I have to explain this, but television is not fanfiction. When I sit down to write a fic, there's not a damn person in the world who can tell me what to do. I write the story that I want, and if someone doesn't like it, they can hit the bricks.

Television is not like that. Television is one of the biggest group projects there is. Picture the worst group project you had to do in school and then times it by ten. Welcome to the television and film industry. The fact that any film or show, even the truly awful ones, gets made is nothing short of a miracle given all the people involved and all the ways the ball can be dropped. As a show runner, you are answering to multiple executives, to the creators, to the executive producers, to your own writers' room, and to the fans. You are trying to balance what everyone tells you to do, what the fans want you to do, and what you and your (hopefully trusted) writing team want and plan to do. I could never be a show runner and while there are quite a few with whom I've got bones to pick, I cannot deny that they all do a job I would never, ever be capable of pulling off. I'd quit on day three.

So, yeah, they gave Buck a temporary girlfriend as filler, to kinda cap off his current arc if this was the end, or to provide more layers to his full arc if they got another season. If you don't like that, then that's okay. Nobody is telling you to like it. When you come into someone's inbox like this, the assumption is that you're looking to be reassured, and so that's why you're getting the responses that you are. The previous people who've answered you have been trying to reassure you and allay the concerns you seem to have.

But it seems to me like you want a more full conversation, and possibly, that you just want to rant and vent. That's fine, but find a friend for that. Join a discord server. Because when you send the same stuff over and over again to different people, all of whom give you basically the same reply, it just makes you look like a very obstinate stick in the mud who wants everyone else to join them in being upset, and people don't much like having the same conversation multiple times, or being pushed into being upset when they're not.

You might just have to agree to disagree, and move on. Find other ways to get this out of your system, because my inbox, and the inboxes of others, is not the place for your venting in circles.

Now, in spite of my firm tone, I hope you will believe me when I say that I hope you're taking care of yourself, and that you are staying safe in this scary world, and that you have a good rest of your day.

#lincoln answers things #pedropascale #I'm closing my inbox guys I refuse to discuss this any further #genuinely I mean this with all sincerity I think some of you need to go into the Supernatural fandom and learn about the backstage drama #because that was a BIG lesson for me as a fan in how BTS can seriously affect what you see on screen #and no I do not mean this in a shipper way #I mean this in a 'what the hell was going on during seasons six through eight' kind of way #for example all the jokes you're seeing about 'what happened last time we had a writer's strike'?#THAT'S SUPERNATURAL #DEAN WAS NEVER SUPPOSED TO GO TO HELL #SAM WAS SUPPOSED TO LEAN INTO HIS DEMON POWERS AND EMBRACE THEM IN ORDER TO SAVE DEAN'S SOUL #BUT THE WRITER'S STRIKE HIT AND THEY SAID SHIT WE'RE OUTTA TIME UM. GUESS YOU'RE GOING TO HELL!!!#and then they had to GET HIM OUT OF HELL #so Sera Gamble (YUP IT WAS HER DON'T GET ME STARTED OR WE'LL BE HERE ALL DAY)#said hey what if we actually DID have angels #(previously angels were not supposed to exist. hunters were God's agents on earth. it was demons vs hunters. no angels.)#and one of those angels was sent to rescue Dean? since Heaven would be invested in this too?#(I don't know if they already had the Dean-as-Michael idea or if that came up along with the angels idea)#and so Sera Gamble created the angel Castiel #who saved the Righteous Man from Hell #AND SHOCKWAVES WERE SENT THROUGHOUT THE ENTIRE POP CULTURE SPHERE #AND AN ENTIRE GENERATION OF FANDOM WAS AFFECTED BY THIS DECISION IN A DOMINO EFFECT ARGUABLY NOT SEEN SINCE AMOK TIME #I know we like the idea of our stories existing in a vacuum separate from the real world #and that our stories are told the way the writers want to tell them regardless of all else #but that is unfortunately not how it works when the story you're telling #requires millions of dollars and the involvement of dozens if not hundreds of people #we have GOT to give our creative teams some fucking grace for the realities of how their jobs operate #we must we must we must

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