#but really it serves no purpose to the plot
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aline
“et j'ai crié, crié "aline!" pour qu'elle revienne, et j'ai pleuré, pleuré, oh j'avais trop de peine”
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pairing: wednesday addams x reader
summary: sometimes you’d talk about dying to wednesday, though it was something an addams couldn’t ever really fear. that was, until the person being lost was you.
warnings: erm you die lol, major character death, wednesday being sad, mentions of blood, self sacrifice, maybe a little contrived way to die but too bad
word count: 1.6k
A/N: i promise im okay but this was truly an interesting plot line to follow, and i couldn’t bear not writing it down. if it made you sad, don’t worry, because i have more fluffy stuff on the way. it was something short i had considered doing for a long time, so even if this flops i'm completely happy with how it came out.
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"Wednesday?" you asked, eyes on the wooden ceiling of her room. From the way her head rests against the warm plane of your chest, she can feel the smooth skin move as you say her name, heart right under her ear. It nearly lulls her to sleep, had it not been a question.
"Yes?" she purrs, lazily propping herself up on her arm. There are heavy weights on her eyelids, but the line of your mouth tells her something is troubling you. You’re too saturnine, much too glum for what you and Wednesday just did, and her eyes soften imperceptibly, her thumb going to your side to quietly stroke itself back and forth there. “What’s plaguing you?”
You can’t help but shudder at the contact of her hand and the goosebumps the pads of her fingers leave in their wake. “Are you... do you...," you attempt, the question falling flat on your tongue. She furrows her eyebrows at your hesitation.
"Say your thoughts,” she says, forehead creased in concern. It's almost funny, how caring and soft she is, now that she's given up on trying to seem aloof and apathetic towards you, her skin warm against your own.
The Addams Curse to love someone with every fibre of their being had taken hold of Wednesday entirely, and she looked at you sometimes like you held her beating heart in your hands, or at least like she'd cut it out for you, if you were to need it. She raises a hand, gently brushing a few hairs from your forehead.
“Are you afraid of dying?”
Her eyebrows furrow even further, scanning your face for any indicators of harm. “Where is this coming from? Has something been done to you?”
But you shrug, finally looking down to look her in the eyes with softness. “I was just wondering… are you?”
She narrows her eyes. “You know I’m an Addams. Death is a friend, not a foe. Fear of that serves no purpose. Only cowardice from facing a fight. Only to make you weak.”
Your eyes flit away. “Hm.” There’s no hiding of disagreement in your tone, and it has an embarrassing amount of power over her, how she itches to know what goes on in that head of yours.
“What?”
“I think… I think my fear is what makes me strong. I’m afraid of losing those I care about. And so I fight with every bit of sweat, blood, and tears that I have. Your loss is my deepest fear, Wednesday. My deepest.”
She stared at you momentarily, then looked out the window to the stars. “How is one to fear death when it is far from the end? Death may take me from your sight, but it cannot take me from your heart. There I live, vibrant and whole. Forever.”
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You’d never even realised how much blood the human body could actually hold, until you were standing there in the centre of the quad with an arrow straight right below your heart, its steel tip poking from your back. Your own blood coated your hands where you cupped it, dribbling down the splintered wood and splattering in droplets to the cobblestone in thick, dark red splotches.
The blood— your blood— is coming out even more now, and you turn to look at Wednesday, where you had shoved her out of harm’s way. Her eyes are wide in horror, like she's seeing something straight from a nightmare of hers, and you take a clammy step towards her, frigid and burning at the same time.
“Wens—” you stammer, and suddenly your knees are giving out. She rushes forward, trying to catch you in her arms, but you're too heavy, deadweight that tugs on her. You fall onto them, your knees, clutching at the newly opened maw of your chest with a gasp, and before you know it you’re falling forward towards the floor.
Wednesday follows you down, catching you before you can land, and she holds you tight, turning you over onto your back as the arrow sticks straight up from the heart she cherishes so much. The wood is already splintering, nearly falling apart, and her hand goes to your wound as if trying to put your blood back into your body.
It’s uncomfortable, with the metal tip of Xavier’s arrow sticking from the back of your chest and lightly prodding at her front, but she squeezes you tightly against herself, hands frantically travelling the length of your torso and raking over your arms, anywhere she can reach. But there’s nothing she can do. It’s a thought she refuses to confront, but Wednesday specialised in dealing with dead things; she was unfamiliar with how to keep things alive, no matter how much she needed you to stay that way.
Crackstone is cackling from his belly, a toothy sneer spreading itself out onto his leathery face as he looks at the damage he’s done, stomping towards you. “Hey!” Bianca yells from the opposite door, and the pilgrim whips around, as Xavier takes another shot at him. It lands in the pilgrim’s arm but he pulls it out like a twig, snapping it and tossing it to the ground, before he makes his way towards Bianca.
Your white shirt is completely soaking itself in your blood, droplets running down Wednesday’s fingers where she tries to hold the wound and apply pressure. But there was no saving a skewered heart.
"No, no, no," she coos, voice barely above a whisper and tears already pricking at the corners of her eyes. You're crying out in pain as the arrow shifts within you, fingers scrabbling at Wednesday's arms where they hold at you. Your fingernails sink into her skin, and she winces but doesn't pull away.
"Wens," you say again, infinitely weaker than before. "Wednesday…” It’s like your mouth won’t move coherently with your brain, like words mean trudging through ice and slush to come out, even the red-hot ones you need to say. “H—Hurts,” you spit out, and with it comes a small stream of blood from your mouth as you cough and air becomes less and less available.
She nods in a rush, tears beginning to stream down her cheeks. “I’m aware, I know,” she’s completely crying now. “We will get you care, cara mia, just hol— just hold on for a little while.” But you’re shaking your head.
“Don’t have— I don’t have—” you’re coughing up more blood, and she wipes it from your chin with a shaky hand. There’s just too much of it, everywhere. You had once gifted her some as a token of your devotion and it was a prized possession of hers, but now there was so much and she would have given it back in a heartbeat if it gave you any more of those.
She can vaguely hear Bianca and Xavier yelling on the other side of the quad, and various fires rage on in their chaotic yet vibrant corners, tickling against her skin in large crackles, burning in the reflection of your eyes that stare up at the sky. Your head is leaning against her shoulder, and she raises her hand, stroking through your soft hair as you heave in her arms.
“You must live, I promise you,” Wednesday insists fiercely, “I promise you, if you die right now, I will kill you.” But its tears that streak down her face, her jaw clenching and dark eyeliner running down her cheeks. She’s squeezing you right against herself, feeling the pain of the sharp arrow poke at her own skin.
“Vibrant and wh—whole?” you said with a smile, feeling your voice begin to slow down and with it, the beating of your heart. The blood has pooled in a sick puddle around your body.
She’s shaking her head. “Cara mia, we don’t need to do this, we will get you to a doctor. You will be—”
“—Wednesday,” you interrupt. Your voice has reached an eerie calm that sends a shiver down her spine, and it snaps her from any sort of hope. “Vibrant… and whole?”
She looks down at you for a moment, tracing the features of your nose, the planes of your cheeks, the colours of your eyes and the wryness of your smile. Wednesday swallows. “Forever. You know that. You must always know that.”
You nod, letting out a small laugh. It hurts, she can hear you wheeze right after you done it, but you sit in silence for a moment, and she can feel you get slower and slower, and your shirt gets redder and redder. The tears are uncontrollable, now, as she sits there with you. Her friends are losing in the corner, but she's losing something unthinkable, and she's so damn scared the entire time it's happening.
"The stars look beautiful tonight," you whisper so only she can hear it, your voice cracking at the end. In seconds, you're gone. She can feel the life, the glorious life, evaporate from you, your head lulling back against her and your weight becoming a hundred times heavier, but she doesn't move, squeezing you against her.
She's unsure how long she stays like that, but when she can no longer take it, she shifts, laying you down on the ground. You look peaceful, looking up at the stars, and it takes an effort to close your eyes that Wednesday had never felt with the dead before. She gently closes them, shutting the door on the eyes that used to captivate her very heart. It's almost like she could convince herself that you're only resting for a moment, and she leans over you, placing a meaningful kiss upon your forehead, just like she would when she snuck out after a night of sleeping over, and there were no prying eyes there to watch.
"Vibrant and whole," she whispers like a promise, turning back to the fight with a piece of the sword in her shaking fists. "For you, cara mia."
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well that was sad... anyways more happy stuff coming next time
#jenna ortega x reader#jenna ortega#letorip#wednesday addams x reader#wednesday x reader#wednesday addams#wednesday addams x you#wednesday addams x y/n
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Noah’s going to get a caretaker who cares enough to spend ten thousand on him but not enough to sacrifice their office to turn it back into a guest bedroom
#he will consider himself lucky if they’re nice enough to give up the pantry#it’s going to be a long time before that happensthough#still a lot of plot to come#edit because I want to talk about plot:#I think I know what I want to happen#Declan’s gotta go bye-bye at some point#it’s the only way#I need to actually start writing chapters#but that’s a lot of work#chapter 14 is like halfway done#but really it serves no purpose to the plot#like there’s no good reason for declan to put a tracker in Noah except for psychological whump purposes#like he’s not gonna run away or ever leave the compound w/o declan knowing#so like. why
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
#arya stark#asoiaf#twow speculations#Arya has been through so much traumatic shit and I think her flowering is going to bring up a lot of her self-esteem issues#I just really need her surrounded by kind older women when that happens so she can have some comfort#George saying her arc in braavos could be the plot of a YA novel?? definitely makes me think she's going to grow up a lot there#she's already one of the most mature characters so I think part of it's going to be her accepting her duty as a Stark Lady#she wants to help and protect people and the best way she can do that is if she has political power#She could learn that first hand in TWOW#possibly through her finding out about her marriage??? and meeting Jeyne in Braavos??#and before someone says it courtesans are so much more then sex work so I don't want to hear it#they are such a big part of Braavosi high life...they're cultured and connected with very important people#I just have so many thoughts on the subject cause I think her apprenticeship with them will serve multiple purposes#the faceless men and their plans...the iron bank...the sealord...It's all connected and I think her apprenticeship with them will kick off#the braavos plot and could mark the beginning of the end of her time with the faceless men and in braavosi#half a boy half a wolf pup -> half a lady half a wolf#I think her current skillset fits well and it's likely she'll learn even more in TWOW#Arya defining her own role as a Lady and becoming comfortable means so much to me
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my one season 4 complaint is Where The Fuck Was Aneesa
#never have i ever#i really wish her and fabiola had stayed together them not working out didn't rlly serve any purpose to the plot for the new season#fabiola's new relationship was barely rlaborated upon. as expected.#and aneesa was basically written out she was barely even part of the group#plus that scene of them at the staircase talking about fab's robotics team. they still have so much chemistry and they were literally just#talking about robotics#i understand she's not a major character and she can't have a separate plotline to herself but she wasn't even involved in anyone else's#her and fabiola were cute together and she would've at least been part of the plot if they were still dating#allison was barely a character what was the point of writing some random new partner for fabiola when she already had a perfectly good#love interest#it just doesn't make sense to me. whi decided it would be a good idea for them to break up#was it just an opportunity to shove in a nonbinary character who had no personality and was just there as someone's s/o and call it#representation#cause there are Many better ways to have nonbinary rep than this#but ofc mindy kaling wouldn't give a shit about this.#n e ways for this support my nonbinary aneesa hc . it's real.#fabiola torres#aneesa qureshi#OR AT THE VERY LEAST SHE SHOULD'VE GOTTEN WITH PAXTON. SHE HAD THAT NICE HOT JOCK LINE AT THE END OF SEASON 3#im fabneesa 4 life but i would honestly be haply with her dating paxton. they're both cool and they'd be fun together. and she deserves a#nice hot jock boyfriend.
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as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out
I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it
it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2
#even if i dislike how theyve been handling this whole mimic cassies dad factory mapbot bonnie bully stuff#the past like 2 releases 3 after sotm#after watching johns theory video it really does feel like stuff was more purposeful with thought put into it when u plug in cassies dad#even if the plot of him being behind mxes and trapping mimic is pushing other more important characters aside#its probably what happened and accepting that makes the story at least seem more thought out#it did make me feel better about it bc like. it at least feels like theyre cooking#like what theyre working on DOES have a direction and a plan and it isnt just random stuff like how it felt when hw2 came out#i might still think that the stuff theyve been doing the past few releases is boring af and uninteresting#compared to earlier concepts like focusing on vanny and the possession aspects and sentient glamrocks#(we could see more of it with freddy if theyd let him come back ever)#but like. at least it has thought put into it and feels like theyre actually trying to set shit up for something#like sotm is an ORIGIN#the tagline was 'sometimes you have to understand the past to see the future'#at the end of the day sotm is a setup for a campaign thatll take place in present day anf#even if its taking ten thousand years to get there im excited for it#aka its taken a long time to tell this story setup of cassies dad and mimic and shit and it might be boring for some people#(me)#but at the end of the day its meant to be setup explaining the past of why mimic exists (even if that's already in tbe books)#so after we 'understand' it we can get back to present day#and focus on its current victims vanessa gregory cassie etc#cassies dad is 100% dead if hw2s protag is him so he woukdnt be relevant anymore. just another character thing to serve cassie#im just saying like after sotm its wide open for getting back to the plot#and i think its actually right to say that bc like all of this has been setup. if hw2 protag is cassies dad its a prequel to ruin#so rn ruin is the most recent game in the timeline. meaning the next game that takes place in current tjme will focus on the current mains#Gregory cassie vanessa#sorry for fnaf plot posting again ive been thinking about it a lot the past few days#thought id balance some negative ive posted with a positive since im feeling better about it myself :)#one day we're gonna be so back and its gonna be great#its just gonna be a long annoying wait lmao#thoughts
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Omg you're back again hello 👀 how have you been????
Big mood on the "man I wish this author would finish their fic" LOL I've been rereading my own wiring recently and going wtf. Where's the rest of it?
For a limited time only babyyy
But I've been good. Extremely busy but it's okay, the pto is worth it. That's what I keep telling myself at least :) but how are you??? Is anything interesting happening? New developments perhaps 👀
The funny thing is that I've actually been talking with a few mutuals, and they've all told me that they recently went back to re-read their drafts. Maybe it's something in the air or we're all feeling a bit nostalgic? Or because everyone is on break since it's summer.
#cattycattitude#im self projecting#Right?? When I read an incomplete fic#I don't hound the author down to finish it because it's rude as hell and things take time. People are busy#not in this case. I have a direct open line of communication with this author and they are about to receive a very strongly worded pep talk#you know what i think it could be#and take this with a grain of salt cause I'm speaking from my experience#but i feel like since we know how we want the story to go#and we've basically crafted the entire fic in our heads#we only pick the parts that we really like#for example when go back to rewatch clips from a movie#we just watch the parts that we like#i dont give a shit about the random conversation 28 mins into the movie#but its important because it advances the plot or it serves another purpose but regardless its important#but since im writing it I have to add in that random conversation otherwise the fic doesn't make sense#but thats BORING#I DONT WANNA DO IT#so rather than just sitting down and taking the 2 minutes to write that dialogue#i just push it to the side and pretend that ill come back to it#but i dont cause its always going to something boring to me even if it really isn't#super duper big mwah#lovely person#ask
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Me: Okay, I've only got the 50 floor treasure dungeon left and I'm done with Treasure Dungeons
*immediately unlocks a 75 floor treasure dungeon*
#don't mind me having a moment#these dungeons serve no real plot purpose and are really just there for recruiting mons and getting neat items#there is no real reason to play them#...but i guess a 75 floor dungeon could be a good test run for the eventual 99 floor dungeons....#specifically silver trench
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watching house md in one go really makes you see when the writing went nosediving huh
#season 5 first episode ??????????#whats going on?#i really hate when they try to prove a stupid point that serves no purpose#just to brush it away for the over arching plot of house being gay with wilson#hur dur house is mean#thats it???????????????????????#like im sorry they are trying to force the narrative to make house the villain but tbh he's right???#'he's so insensitive' ok stop projecting your fears and limitations on others and maybe he'll stop shutting you down#also the hospital drama is getting out of hand for no reason#i dont know man there's this 'house is so mean and destroys everything he touches' forced view#when is people not know how to self regulate#it's not house's problem that some people can't separate their self with their work#sure it's house's MO to take everything personal but he always has this moment when he's like 'game's over. this is real life now'#other dont have this ability and after berating house for 4 seasons for taking things personally then make the biggest fucks up and then cr#anyway i have opinions about house#he's blorbo#he's my little mew mew
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a bit obsessed with the idea of kusakabe dying as a form of sacrifice to specifically protect/save somebody else. it's consistent enough with the theme of the past generation achieving no meaningful feats against significant threats but it's also ironic enough that someone without a technique and who claims their philosophy is primarily self-sacrificial - although he tends to stay from his own ideals in critical moments, proving he's not only brave when necessary but he does have a sense of responsabilty and guilt - ultimately redeems themselves through death resulting in the achievement of something his colleagues have failed to do. not that i'm wishing for him to die, i hope he doesn't. but it would also make a clear-cut distinction between him and a character like mei mei, who narratively serves a very similar purpose (besides her being a foil to nanami). to have someone be awarded by their selfishness just for it to not be worth much within a world and system that runs and sustains itself due to the sorcerer's labour power, whose only means of subsistence is to sell themselves away. a class of people who is doomed no matter what path they choose to take, as long as they do not break free from their duties and as long as the system doesn't collapse. a death that could serve as a symbol of punishment towards solidarity and altruism but a win for revolution.
#okay gege came for me when i said i didn't like kusakabe and now i'm thinking so much about him and his purpose in the story#why would he go against his own ideal and what is his purpose besides introducing questions like 'is self sacrifice noble?' you know?#so that got me thinking about him dying or suffering a big loss and how that would consolidate his character in my eyes#unless his purpose is completely different and i'm just deeply misreading the situation#if his purpose is to simply highlight personal choices and free will vs his generation's dogma#then i suppose him dying could serve no purpose but i'm not finding that side of the coin very straightforward or totally compelling#but again i feel like i'm failing to read him so maybe it is skill issue#anyway obsessed with kusakabe today awkkajwkaj feeling personally attacked by this twisted chain of events#gege really came for my ass after i was vocal about my kusakabe hate (which i feel like is dead at this point rip 🕊️)#which by the way is so mean. god forbid a bisexual do anything 😔 why can't i be a hater man?#also don't take this post seriously it's more about my mediocre reading of his character and my headcanons/wishes than a theory#i'm not trying to imply he will die or that there is narrative purpose in that#just that it makes sense in my brain if that's the case and the plan gege has for his character#but also he's literally the info dumpster gege probably wouldn't kill him because who will explain things to us 😂#he's like our amateur narrator i bet that gives him total plot armour#ps. maybe this is just my zero braincells moment#i just hate that i don't get it like i want to understand why he exists#but i'm aware that maybe this is a me thing and maybe everyone else just get it#and that makes me feel like that meme#let me iiiinnnn#okay bye
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never been the biggest fan of people who subscribe solely to the writing advice "your characters are only tools to tell your story" and then make the most flat and least compelling characters you've ever seen. like rip to you if you're so detached from your own characters but i'm over here crafting characters for my audience to actually care about and have an impact on my audience and not making characters who are just solely Plot Device The Character
#i understand what some ppl mean when they say 'tools' but some people take that entirely too literally and end up making characters that#don't serve any purpose beyond being a plot device tm and that's it#think like a characters parents passing away right. and those parents being dead never really being brought up again#or those characters not having an identity beyond them being dead#that kind of writing irks tf out of me
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baffled how Rebecca’s whole psychic plot is going to wrap up though. truly don’t know what’s going on there
#i was feeling so strongly that shite in nining armor was going to be about jamie#and about how him coming to his full potential would lead richmond to the trophy#but like#rebecca's plot has drifted away from being as worried about the team winning as she was at the start#and it's much more personal about her journey learning to love again#and all the other clues seem to do with romance#so why would that be about the team??#and also we like#got those little clues#but to what purpose did they serve??#other than like introducing the idea that love comes around unexpectedly???#i don't know#i don't really know what's oging on here#ted lasso
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the absolute 50/50 in the notes of that link i shared whether people are hating or thinking its cool that the black sails ships are being reused for one piece
#personally i think its neat :)#ive been curious about how those ships were apparently just like. still around unused where they used to film w them so its cool#they get to serve a new purpose and i get to see them again in a sense#also after i showed my gf black sails shes started showing me the one piece manga#and there really do seem to be certain Themes i enjoyed in black sails also present here even if so far to a less complex extent#and im always a fan of just like. very silly battle shounen powers#cpost#bs blogging#on a whole i dont like live action anime adaptations but i also watched the first episode yesterday and it was fun. i think the casting#is really good and the way they interweave a bunch of early plot points works well
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aini as a game makes me SOOOO mad because it was SO CLOSE to being perfect
#like listen boy.#all the gameolay stuff and the somniums are so much better than aitsf#it had interesting themes that built up on the last games#it had some really good setup for character exploration#esp with mizuki aiba and ryuki now that date’s gone#the new characters are almost if not just as compelling as the the first games (… if the game actually focused more on them)#had one (1) really good plot that felt interconnected like how the first game did it#but man#they fucked it up bad#the entire timeline twist is useless and only really serves the purpose of having a twist#with the entire narrative bending over backwards to fit this twist#2 borderline pedophillic relationship!!#2 missed opportunities of characters (lien and kizuna)#absolutely no interesting exploration of character dynamics EVEN WHEN THE STPRY WAS BEGGING FOR IT#and instead having the characters TELL who they’re close to and how that affects them instead of SHOWING IT#the cast is completely flooded with characters from the original game that didn’t need to be here#date.#and despite EVERY CHARACTER from the first game being here the ONLY one who actually benefits is amame#with every other returning character either downgrading or staying exactly the same#and a really bad mix of fast pacing + too many idea + none of them being explored properly#that makes it feel like the game has nothing going on and too much going on at the same time#uchikoshiposting#aini#aini spoilers
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Raising Chaos.
masterlist.
cw: captivity whump, demeaning language, burning (specifically of someone’s hand) as a torture method, sadistic whumper, inhuman whumpee (let me know if i missed any)
***
Chiar had learned to fear the sound of Bridge’s footsteps in the hallway. It had taken a while…how many days had he passed in this place anyway? When would they realize he wasn’t going to talk?
The idiots.
They couldn’t make him.
The footsteps came closer.
Chiar tried to push himself up. He had to be ready– had to be. He couldn’t face Bridge on the ground. He couldn’t.
His hands shook against the stones. Bridge had stopped bothering with the chains. Like he said, there was nowhere for the cryptid to go. No one for the cryptid to use his “abilities” on. Unfortunately, Bridge seemed to know that Chiar couldn’t hurt him unless he had skin on skin contact. He always wore gloves and long sleeves.
The lack of restraints served as just another way of reminding Chiar exactly what Bridge thought of him.
“You’re pathetic.”
I’m not pathetic.
His arms collapsed. Every part of him throbbed– Bridge hit hard. Harder than the thugs that used to wait for Chiar in the corners of the cities.
Chiar pressed his head back against the stones.
Silence.
A faint ringing in his ears.
And the door swung open. Slammed shut.
Chiar did not look up.
The footsteps were recognizable. As was the raspy breathing.
Leave me alone.
Bridge kicked him. Hard in the ribs. “Get up.” There was no pity in his voice. No sign of ever giving up. It was as hard and annoying as that first day.
Chiar didn’t move. He hissed in pain, but didn’t move. The stones provided more comfort than Bridge’s relentless questions.
“No.” There was no point in getting up. There was no point in listening to Bridge’s condescending questions either, so he covered his ears as best he could with his hands.
His Oath held him.
He would not break it.
I’m not pathetic.
Bridge was wrong.
He had held out. It hurt, but he was holding out. And that, more than anything else, was as good as spitting in Bridge’s face. There was a ghost of a smile on his face as he curled up on the floor.
But Chiar had not seen the annoyance on Bridge’s face that had quickly flickered to anger. Bridge grabbed Chiar by his hair, hauling him to his feet.
“What did you say to me?” Bridge drawled each word out, but behind the casual tone was an underlying threat.
Chiar heard it loud and clear. He yanked his head out of Bridge’s grip. The buzzing increased. Not loud enough to become distracting, but loud enough to make it hard to think clearly.
He smiled– more of a grimace– at Bridge. “I said, go fuck yourself.”
I can take whatever you throw at me, Interrogator.
Bridge’s mask of cordiality vanished. He backhanded Chiar across his mouth.
“It’s time you learned a lesson in respect.”
Chiar stepped back, the taste of copper coating his teeth. The buzzing turned into steady white noise.
But Bridge’s eyes were on Chiar’s hands– the energy had surged under his fingers. His already distinctive blue nails had taken on almost a glowing tinge.
Chiar spat the blood out.
Is that the best you’ve got?
Bridge smiled. It was not a kind smile. Chiar felt a shudder spike through his nerves as he glanced down at his hands.
For a brief moment, he thought about what it would feel like to wrap them around Bridge’s throat and surge. To have Bridge choke under his fingertips, unable to hold the wash of energy that Chiar forced into him.
Bridge was still smiling.
Chiar backed into the wall and as Bridge crossed the distance between them, put his hands out to stop him.
But Bridge only grabbed his wrist and jerked him forward, manacling his hand to the wall. His grip was stronger than Chiar expected, and he half-expected for the bones to crack under Bridge’s hand.
He cursed. Loudly. He was past caring if Bridge heard him.
But that infuriating smile never left Bridge’s face. “You’re going to learn respect, cryptid, mark my words.”
Respect?
For what? For who? For the humanity he’d lost? For the remnants of humanity that remained?
I think not.
Chiar wrestled with the metal on his wrist. “Once I’m free—” this was emphasized by another ripping yank at the chain, “Once I’m free, you’d better run–” Blood trailed down his arm.
There was no release, and the metal burned, so when Bridge approached, Chiar lunged at him with his free hand. In the darkness, his eyes glowed. Sparks of energy formed on his nails and traced their way up his arm.
Bridge backed away.
Chiar continued to yank at his chained wrist, spewing every curse he could think of at the Interrogator. He hated Bridge and his stupid condescending words and his interrogation tactics–
And–
Chiar’s thoughts came to an abrupt stop. The buzzing died down, replaced with an emptiness that swallowed him and an exhaustion that could drown him. The air bled with a heaviness that pressed down all around him.
Bridge had neatly stepped to the side and taken hold of Chiar’s free wrist in a gloved hand.
Chiar hissed at him, trying to pull away, but the Interrogator’s grip was as unyielding as the metal. Bridge tied a thick rope around the cryptid’s wrist, and looped the ends through a hook in the ceiling. When Bridge stepped back, Chiar’s arm was suspended in midair, though he tried to yank it back.
Chiar felt a spike of fear cut through his anger. “What is the purpose of this?” His tongue felt strangely thick.
The glowing in his eyes had died to little more than a faint light.
Bridge didn’t deign to answer. He stepped out of the cell.
Chiar’s head swam. The anger had quickly morphed into all-encompassing exhaustion. He collapsed against the ropes, only looking up to watch Bridge return with a torch.
A torch?
What did the Interrogator need the torch for? He choked on the fear rising in his throat. If he had eaten anything recently, he would have thrown it up.
In the darkness the flames moved like a creature of their own, bending, twisting, taking shapes beyond comprehension.
They came closer.
“This is a lesson you won’t forget.” Bridge’s voice dripped with false sympathy.
No.
No.
The flames flickered. Red. Blue. Red again as they enveloped Chiar’s hand.
He screamed. More from the horror of it than the pain. That was his hand— his hand— burning. The smell of charred skin— that god awful smell— was because his skin was on fire.
The rope frayed under the double pressure of Chiar’s frantic struggle to escape the fire and the flames themselves. With a final snap of the rope, Chiar curled in on himself, cradling his hand to his chest.
If anything, the pain increased with the absence of fire.
Chiar sobbed, the throbbing burn spreading up his arm and settling into a rhythm.
Dimly, he registered Bridge’s words. “Have you learned to respect me now, cryptid?”
The torch flickered closer in warning.
Keep that back. He needed that far far away from him.
Keep that back!
The words fell out of Chiar’s mouth before he could stop them. “Yes! I’m sorry, I’m sorry—” And then he curled back in on himself, held up only by the chain on his undamaged wrist.
Bridge was smiling as he left the cryptid in the darkness.
tagged: @kira-the-whump-enthusiast @pigeonwhumps (let me know if you want to be added/ removed)
#my guy chiar#cws above the cut#look i lost sight of the plot for this#a long time ago#and i have no. idea where i was going#with this scene in particular#but it’s been sitting in my drafts for a while#it just doesn’t serve a real purpose to the plot#because bridge isn’t really interrogating him for answers or anything#it’s just#whump#ah well#enjoy#whumpblr
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the unexpected aspec experience of opening up a word document to write more pages for an ~adult~ fic, happily writing a little bit, and then suddenly being completely uninterested in the subject material anymore. 0/10 very inconvenient, finishing this fic will take forever at this rate
#[pensive emoji]#this is why ~adult~ fics that include other stuff in them too are more consistently engaging to me#like. the logistics of an eldritch being being involved is interesting regardless of if I'm interested in the main focus of the fic or not#another example of other stuff that makes it always interesting to read is the character interactions on an emotional level#it can be fun and interesting to read even when I'm not actually interested in seeking out an ~adult~ fic if it reveals character stuff#or shows things about the dynamic between two characters. or shows something about their issues and insecurities and perspectives#adult times as a way of showing anything from manipulation to adoration to endless trust to longing for a closeness that isnt there...#theres so many interesting things that can be shown and explored. especially when its such an inherently vulnerable thing.#me when characters are put in an emotionally vulnerable situation: >:) yes ha ha ha yes#idk I'm just documenting an aspec experience here because it's interesting to figure out how to put my thoughts into words here#and explaining that 'yes it really Can serve more purposes to be put in fics than just being Into It' feels worthwhile#gotta throw my aspec perspective out there into the void#but yeah this post is about a spicy ford fic im writing that has no plot. which is why its being posted here lol#ive also mentioned aspec stuff on this blog before so it feels relevant enough to me#the community tag feels so dramatic i am sorry for any disappointment caused by this post not having anything in it beyond mentioning a WIP#but 🤷♂️ its technically the topic of the post i guess
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Yesterday we had our first writing session working on the musical and we actually managed to figure out a lot of the plot and to translate the thematic ideas I had into an actual cohesive plot and actual rounded characters!
#if in the past I thought it'll be written in 30 years I know think it'll be written in 10 or so years#also there is this one reoccurring element that was initially introduced as part of the plot#but we have managed to turn it into something that so organically and brilliantly serves a thematic purpose as well#that I am honestly astounded.#what a brilliant subtle patriarchy allegory I -#we really did that huh.#writing a musical with my gf's roommate was not on my bingo list lol yet here we are#personal
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