#but pulling that scene in episode four is like :/

[sskk-manifesto]

Next time we should just skip over ep 3 and do a chapters 84-87 reread

[sungwanns]

what we could’ve had with spencer and jj blah blah blah ELLE what we could’ve had with spencer and ELLE !! THATS what we should be mourning

[grichel]

i also caught up on rwby today and robbie daymond cheshire cat is the highlight for me simply bc i like his voice.

[mrs-weasley-reid]

AUGUST REC FICS

Hello, my sweets!! Here I am, once again, for yet another month of reading and living vicariously through our one and only Reader. I haven't read much this past month, and most of these sweet authors are people I follow (and shockingly, some are my mutuals, too !!! I'm too much of a fangirl to believe it's true). Give these gorgeous, spectacular writers a ton of love. They all deserve it so much, considering they're blessing us with such amazing work for free. Like. Comment. Reblog. The equivalent of a five-star review

Like always, I will be going based on what I've read recently and not by the date the fic was posted. Reminder to please respect these writers. Some contents are 18+. MINORS should not be interacting in any way.

— ✿ — ✿ ✿ — ✿ ✿ ✿

Spencer Reid

✿ a muted shade of green by @dalamjisung ↳ the flow of this fic was so smooth my jaw dropped down on the floor as i read through (writer's first reid fic, and it was chef's kiss)

✿ hearts aligned by @raekensluver ↳ OMG this one had me melting. roommate spencer is such a dream

✿ sick love by @misserabella ↳ guilty pleasure unlocked. a wonderful reading session filled with interesting discoveries

✿ behind closed doors by @incognit0slut ↳ i loved binging this so much !!! was a giggling, kicking mess while reading this one; and it has four parts ! we're so spoiled

✿ kiss it better by @nereidprinc3ss ↳ tmi but was having an episode of mild anxiety attack, and this saved me in the middle of the night, giggling myself to sleep, so thank you for such amazing work x

✿ dead of night & nightvisions by @cxrrodedcoffin ↳ lol i read this at work and had to fight battles not to make any facial signs that i was consuming kinky content. the second part was another level, i was cackling like a witch

✿ much ado about nothing: act iii, scene v & act iv, scene i by @incognit0slut ↳ act iii, scene v left me speechless, reader didn't fold and i took that as a win. act iv, scene i played with my emotions lol

✿ just a number by @reidsdaisies ↳ i became a stand-up actress while reading this because it's overwhelmingly spicy and filled with tension i had to provide comedic relief for myself

✿ untittled req response by @mandarinmoons ↳ no because i saw my reblog post of this and i immediately snorted and then laughed some more after rereading it. pipe cleaner will never not be funny to me

✿ poison me, i'm fine by @gghostwriter ↳ no because this one needs more attention ?????????????? i loved reading this so much i was so tempted to pull my heart out and ship it to pau, show how crumpled it was after reading

✿ my best colors for your portrait & my face in every place by @none-of-your-bullshit ↳ i wasn't lying when i said august is for angst and i immediately gobbled this up after seeing it. the way my chest was so tight but also smiling because the writing style is amazing got me looking like a lunatic

✿ cute, outraged genius by @lavenderspence ↳ tina got me laughing like a gremlin. it's so adorable she made me fall in love with spencer all over again

✿ another untitled req response by @mandarinmoons ↳ sorry, sweethearts, ket just couldn't be bothered with titles lmao. secret lover reader is my favorite lover, sooooo you all will enjoy this cutie patootie creation

✿ one single thread of gold by @gghostwriter ↳ you'll overdose of sweetness. it's so adorable and a great way to feel giggly about spencer reid.

✿ for the fear of falling apart | part one by @pathologicalreid ↳ i haven't read the rest of the parts but mhmmm this was DELISH. well-written creation that made me show emotions while reading at work. my coworkers asked me my my eyes were so wide and i think that says a lot at how great this is

✿ second to none by @raekensluver ↳ ooooo this one got my blood boiling in a good way

✿ untitled work by @sincerelybubbles ↳ adorable stuff make me melt especially when it's a spencer one

— ✦ — ✦ ✦ — ✦ ✦ ✦

Aaron Hotchner

✦ darling, in any life series by @hotchfiles ↳ at this point are we even surprise im including yet another series form lari here ? anywayyy, i love me some old flame trope

✦ picket fence dream by @hotchfiles ↳ this is a new part from the choiceless hope series and i gobbled it up. i was screaming when i read this

✦ tells by @ssahotchnerr ↳ first thing i read in the morning, and i sobbed from the overwhelming sweetness

✦ silver by @solardrop ↳ okay but this was so adorable ??? plus im def one of those gals who tried to throw herself on him, maybe even catapult myself

✦ sympathy for the devil by @hotchfiles ↳ nosebleed. spice level is not as high as i make it seem but the writing really got me sweating. just read it, you'll understand what i mean

✦ spending time with you by @lavenderspence ↳ no because TINA CALLED ME OUT WITHOUT CALLING ME OUT. i was slightly offended. the gasp i gasped was so loud asdkfnkg. but it is adorable, go read it pls pls

✦ doctor, love by @none-of-your-bullshit ↳ i love when reader slaps the character with some reality like a seasoned raw steak.

sorry, not sorry if this post is filled with lari. I reread her works religiously, so here are my favorites from hers truly:

✦ help me hold onto you ↳ oh, this is like crack for me, and i always come crawling back no matter how hard i try to stay sober

✦ half asleep takin' chances ↳ still waiting for future aaron somewhere out there

✦ choices ↳ gonna be honest with everyone this one makes me wanna deck aaron hotchner and then deck reader for folding so easily and also deck myself because im no better than reader

✦ quis ut deus? & daniel 12:1 ↳ my fave series from lari and i will never not reread them over and over and over and over again because i love it so much idk what's the appeal on me but i love it and i want this framed and buried with me even if it's unfinished

I haven't had a lot of time to visit the good ole "for you" feed in a while, so I apologize for missing all the amazing work every writer has put out this month. I will make it up to you, I promise! And if you'd like, you can send me works or mention me so I can read certain creations that you deem noteworthy for the next rec fic month!

love lots, ker x

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[fuckyeahgoodomens]

Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio and we created the title sequence to Good Omens Season Two. So this scene is quite literally a continuation from Season One.

An interesting detail with this scene is the fly. The fly is significant because it stores Gabriel's memory.

Gabriel is hidden in every scene. This is the first time we see it.

This goat is half bird, half goat, representing a mistake in a moment of transformation.

In the pickled herring barrel, we have literally red herrings sticking out.

A lot of the gravestones have hidden engravings, easter eggs, all written by Neil.

[This one says: HERE LIES THE FORMER SHELL OF BEELZEBUB referncing Beelzebub having a new face in S2 :), another ones are: EVERYDAY, JANE AUSTEN, Here lies ADAM (the Adam from Adam and Eve is meant)]

Another hidden Gabriel.

Our same character that was trying to escape Hell in Season One titles is also trying to escape here, moving in the opposite direction to the rest of the procession. Except this time he's apprehended and dragged back into the procession.

Our Hell spider from episode four makes a little appearance in the background here.

Can you tell where the bus is going? Director Douglas McKinnon selected Powell and Pressburger's Stairway to Heaven to put on the billboard.

Another thing to note here is the type is all handmade specifically for Good Omens. The Alphabet only exists within the show.

The big floating turnip is a nod to Azirafel's magic tricks.

The Ladies of Camelot poster we pulled from the show.

We added plaques to the back of the chairs and Neil chose who to honour.

[There are: A TALE OF TWO CITIES by CHARLES DICKENS, PRIDE AND PREJUDICE by JANE AUSTEN, THE CROW ROAD by IAIN BANKS (twice!) and GOOD OMENS by TERRY PRATCHETT (Neil missing for some reason :) <3)]

Saraqael made an appearance from Heaven.

Our Space is back from Season One. Aziraphale and Crowley are having a little dance here. A moment of flirtation. There's a tiny planet in the middle that comes into existence at this moment.

Our Scottish tartan hills make an appearance here.

The aeroplane and the airline is a little bit of a clue here.

[THY KINGDOM AIRWAYS 👀]

It's raining love hearts in reference to Aziraphale's attempt at making Maggie and Nina fall in love.

Here are elevators to Heaven and Hell. A wee thing to spot. Here is Gabriel in the lift arriving from Heaven.

We've updated our flags to reference some of the plotlines in Season Two. For example, The Second Coming.

The movie poster artwork changes every week, representing the episode plotlines and the minisodes. We made the posters to look like the time period and in this case we've got a Good Omens version of Buddy Holly.

[The posters are:]

In the snack bar some of our popcorn is actually communion wafers.

There are specific characters from Season One in the boxes watching the movie as the procession goes by. This includes some of our original concept art from Season One.

The duck playing the accordion is from a newspaper headline that someone is reading in The Dirty Donkey from one of the episodes.

[this is also from the Good Omens book :): "Daily Mail. 'Letter From America.' Um, August the third," said Newt. "Just after the story about the woman in Worms, Nebraska, who taught her duck to play the accordion."]

Each episode is showing a new movie on the screen, each one selected by Douglas, and has clues about what's to come.

The season one phone box tumbles in the background.

The big mountain is made of all the ingredients from Season Two and a couple of remnants from Season One. We are heading towards the biggest Easter Egg, which is the lift. We're heading towards the Second Coming..

[stevie-petey]

episode five: the nina project

His confusion is adorable and you can’t help but press yet another kiss to his nose. “Wake up, honey.” “Five more minutes?” “Nancy seemed pretty alarmed–oof!” Steve’s arms wrap around you and pull you into his chest. He’s overly warm from sleep, his cologne is faint, but still it feels like home.  Steve nestles against you and sighs, content. “Much better.”

Summary: you and dustin steal pancakes to spite ted wheeler, steve just wants one morning of peace, nancy takes you to a haunted house, cobwebs are surprisingly intimate to remove from someone, and vecna decides to play flashlight tag with everyone. hes so sweet :)

Rating: general, some swearing

Warnings: mentions of blood, panic attack, , swearing, fem!reader, use of y/n

Words: 7.2k

Before you swing in: hey gang ! i present chapter 5, aka my least favorite ep of season 4 </3 however, she was very fun to write and i enjoyed twisting some scenes together ;) enjoy, thank yall for waitin !

–

“Hey, bee.”

The line is quiet.

You sound tired, you know Jonathan will hear the exhaustion in your voice, and he’ll worry. 

“I, uh. I miss you.” And you do. 

You’re in the Wheeler’s kitchen, Nancy and the others are down in the basement, trying to pretend that tonight they’ll fall asleep. The reality is that you’re all too afraid to fall asleep. The terror of what could happen in the dark ensures this. 

Steve sits on the counter across from you. He stares down at his hands, picks at his nails. He doesn’t want to be here, he doesn’t want to hear whatever you have to tell Jonathan. When you demanded to call him, Steve had originally denied you. He didn’t understand why you’d want to talk to him or why you’d risk not having your walkman on after what happened with Max. 

But then you’d broken down into tears and Steve gave in.

“Listen, I know we haven’t talked in a while.” To think that four days without hearing Jonathan’s voice is now considered a while saddens you. For years you couldn’t go more than a few hours without his voice. “But, um. It’s been… it’s been awful, without you.”

I could die tomorrow and I can’t remember what your hand felt like within mine.

A tear falls down your face and you wipe it away. You’re so tired of crying. “I don’t… I don’t know how much you remember, the last time we spoke. I just-I’ve had the worst week of my life and I could really use your voice right now.”

Jonathan is still the one you run to. He always will be. 

The line remains quiet. 

“Please, can you just… call me? I–” breath catching in your throat, you choke on the words that simmer on your tongue. “I’m really scared, bee.” 

This is the first time you’ve ever spoken the words out loud. They’re whispered, they come out hushed, as if afraid someone will overhear and call you weak. 

The voicemail line beeps, indicating that you’ve used up all your time to record the message. Numb, you place the phone against the wall. 

Steve looks up, sensing the conversation as drawn to a close. He stands up and wraps you in his arms. You’re cold to the touch. It unnerves him. You’ve always been so warm, so full of heat. “Did he… what did Jonathan say?”

Your head drops against his chest. “He didn’t answer. Voicemail.”

“Oh.”

The silence drags on a painfully long time. You reside in Steve’s arms, seeking comfort in whatever touch you allow from him. Your headphones, which rest against your neck, dig into Steve’s uncomfortably. Clearing his throat, he taps them with his finger. “Music?”

You nod, too tired to fight him. Ever since the cemetery, Steve and Dustin have insisted that you never take your headphones off. Music is what saved Max; they’re convinced they can keep you out of harm’s reach if you listen to your favorite song as well. 

“The tape, please?” You mumble softly to Steve, slowly lifting your arm to point to the kitchen table.

Understanding what you’re asking, he quickly lets go of you to retrieve it. Grabbing the old tape, his fingers find your walkman buried in your pocket. Steve puts the tape inside, eyes skimming over the writing that resides on it.

For bug.

“Will you ever tell Nancy?” He finds himself asking, unaware that the question had even been on his mind. 

It was only days ago that Steve’s biggest problem had been Jonathan’s vague question of “what if”. Now he stands in Nancy’s kitchen, cradling your body, wondering just how many more hours he has left with you. 

You rub your head tiredly. “I will, it’s just…”

I could be dead by tomorrow.

The words go unsaid, hanging in the air between you and Steve.

He stares down at you. Guilt twists in his chest. He’s caught between you and Nancy, between saving you and sparing you. A strand of hair falls in your eyes. Steve brushes it aside, his cracked lips press against your forehead. 

“Hey,” Lucas stands awkwardly by the kitchen counter. He looks between you and Steve, a sad, yet nervous look in his eyes. “I’m sorry to interrupt, but Max told me to come get you, Y/N.”

“Is everything okay?” You ask worriedly, stepping out of Steve’s arms. 

Lucas sees your worry and immediately raises his hands. “She’s fine, she’s just five seconds away from murdering Dustin. He keeps trying to turn her music all the way up and it’s hurting her ears.”

A ghost of a smile crosses your face. In his own, albeit flawed way, Dustin is trying to show how much he cares for you and Max. “I’ll talk to him.”

While Lucas nods with relief, you kiss Steve’s cheek and wish him a soft goodbye. The two boys are left alone in the kitchen. Mr. and Mrs. Wheeler have long since gone to bed. Holly, too. 

Steve clears his throat. Lucas hasn’t left yet, and Steve doesn’t really know what to do. It’s been an exhausting few days. All he wants to focus on right now is you; already your absence makes his body weak. 

“How do you do it?” Lucas is so quiet that Steve almost doesn’t hear him at first. 

“What?”

“How do you do it?” Lucas asks again, this time with more urgency in his voice. He’s looking at Steve, his body stoic. There are tears in his eyes, though Steve doesn’t say anything. “How can you love Y/N and not want her to die?”

The question stuns Steve. 

Lucas stares up at him and for a moment he looks like the twelve year old kid he met all those years ago. Only now he’s fifteen, taller than ever before, and he’s experienced more loss than any kid ever should. 

Steve forgets, sometimes. How young they all are.

He sighs. “Look, Lucas–”

“I don’t think I can do it.” The boy leans against the counter, his entire body weight threatens to collapse. “I just, I love Max so much. And seeing her today… she almost-she almost–”

Lucas inhales suddenly. He doesn’t allow himself to cry, he doesn’t want Max to see the tear stains later. He shakes his head, instead. “What do you do, when the person you live for is already set on dying?”

Steve wants to tell him that you and Max aren’t dying. He wants to tell the teen that they’ve faced worse monsters than Vecna. They’ve escaped Russian lairs and navigated tunnels rooted with poisonous particles. They saved Will, closed a gate that was an endless abyss. 

But none of it amounts to the loss they’d feel if you and Max died; Lucas is the only one who truly understands this. 

So Steve doesn’t lie to him. 

Instead, he says, “You hold their hand.”

And that’s all they can do. 

–

Everyone takes turns watching over you and Max that night. It was Nancy’s idea, one you were entirely against. 

“Max is the one who had the vision, I don’t need you guys–”

“Shut up, Y/N.” 

The argument was over before it even really began. Dustin had shoved your headphones back on and turned the volume so high that you nearly winced. Steve laughed before dragging you over to the couch and forcing you to lay with him. 

“I’ll be first watch for Y/N.”

Robin had rolled her eyes. “I know death is like, totally evident. But you disgust me.”

Soft laughter rippled through everyone, but soon the shadows fell and night took over. Despite your protesting and insistence that the Beatles would keep you up all night, you somehow fall asleep against Steve’s chest. 

It’s the first time you’ve slept through the night in weeks.

– 

You wake up to Nancy shouting at Dustin.

“Then where is she?” She exclaims, shaking his shoulders.

Still half asleep, it takes you a few moments to understand what’s going on. “Where’s who?” You ask through a yawn, rubbing your eyes. 

“Max!” Nancy glares at your brother. “She isn’t down here, Dustin was supposed to keep watch.”

Your heart stops. Immediately you sit up, ignoring Steve’s groaning as you forcefully shove against his chest to stand. Even though you roughly pull from his grasp, he’s back asleep in seconds. “What do you mean she isn’t here?”

“I swear I just dozed off for like…” Dustin looks down at his watch, worried and guilty, and his face pales when he realizes what he’s done. “An hour.”

“Dustin!” You screech, now panicking as well. Before he can say anything else, you’re already running up the steps to find Max. Nancy follows close behind. “I swear to God, if she’s hurt–”

Max sits at the dining room table, head down with her headphones on. You and Nancy let out heavy sighs of relief while Dustin rolls his eyes in annoyance. 

Mrs. Wheeler greets you in the kitchen. “Good morning, guys!” When she notices you holding your chest, she frowns slightly. “Is everything okay?”

“Yeah,” Nancy breathes out, her own nerves finally settling. “Everything’s… okay.”

“Very okay.” You chime in, forcing a happy smile on your face. Pointing to the pancakes on the stove, you hum with gratitude. “Especially now that I know you’ve made your famous pancakes, Mrs. Wheeler.”

“Aw, you’re very kind, Y/N.” The woman gushes. She grabs a plate and starts piling the pancakes on. “Here, take as many as you’d like. You know, I think it’s sweet that you guys are sticking together like this.”

Mr. Wheeler flicks his newspaper with a huff. “Could try sticking together at a different house for a change.”

Nancy ignores her father and walks towards where Max is sitting. You and Dustin share a look, both of you despise the man. Shoving a pancake into your mouth, you moan dramatically. “But where else would I get such fantastic food, Ted?”

He glares at you while Mrs. Wheeler chuckles. “You know you kids are welcomed here anytime.”

“Totally, you’re like family.” Dustin smiles kindly at her before pointing to the remaining, untouched pancakes. “May I?”

Mrs. Wheeler readily offers your brother a plate and he eagerly starts stacking as much as food as he can. You grab a few more pancakes for yourself; they’ve always been your favorite. Mr. Wheeler notices you grabbing more and he narrows his eyes. “Yeah, why not? Take us for all we’re worth.”

“You heard the man.” You nod at Dustin, catching his eye.

Understanding immediately, your brother smiles even wider. “Okay!” 

Together, the two of you grab the remaining stack of pancakes and throw them onto your plates. Mr. Wheeler watches in disdain, his coffee cup raised just before his mouth. Seeing the mug, you gasp. “Oh! Mrs. Wheeler, could I possibly bother you for some coffee as well? I know Mr. Wheeler really values his expensive roast, but with everything happening this week…”

You stare up at the woman, eyes wide and innocent. Mrs. Wheeler places a hand against her heart and coos at you. “Oh, of course you can have some of Ted’s coffee, honey. Let me fix it right up for you.”

“You’re too kind.” You thank her, shoving yet another pancake into your mouth. Speaking through the food, you turn to her husband. “Thanks, Ted!”

Dustin snickers while the man clenches his jaw. Satisfied, you make your way over to the table and join Max and Nancy. 

“Holly let me borrow some of her crayons.” Max explains as you sit down. There are papers scattered all over the table. “We’ve been having fun all morning, right, Holly?”

The young girl hums in agreement, not looking up from her Lite Brite. “Hi, Y/N.”

“Hey, Holly.” You pinch her cheek, causing her to giggle. It’s rare to see Holly outside of the Wheeler house. You’ve babysat her a few times over the years, and she enjoys the cookies you make, but your interactions have always been limited. She seems to like you though, which pleases you. “Can I draw as well?”

Holly nods enthusiastically and quickly hands you a crayon and paper. “Here!”

“Thank you,” you accept the blue crayon and start to doodle something, keeping the girl distracted. As she colors with you, you finally look at the drawings that litter the table.

When your eyes land on them, you forget how to breathe for a moment. They’re horrible, filled with blood red. Ruined landscapes surround bodies wrapped in vines. The figures are twisted, disjointed. 

“You drew these, Max?” The thought terrifies you. 

“Is this what you saw last night?” Nancy asks softly, her expression mirrors your horrified one. 

Max shifts uncomfortably. “It’s supposed to be. I, uh. Thought it’d be easier to draw it out than to explain it, but… not so much.”

“I’m so sorry,” you breathe out, reaching across the table to grab her hand. 

Nancy touches one of the drawings, this one depicting Fred’s and Chrissy’s corpses. “Is that…?”

“It was like they were on display or something.”

You nearly gag. “Oh, my God.”

Max doesn’t look at you. “And then there was this red fog everywhere. It was like a dream. A nightmare.”

Nancy asks if Vecna could just be trying to scare her, but Max doesn’t seem sure. She explains how he originally used Billy, but last night felt different. “He seemed surprised, almost. Like he didn’t want me there.”

You frown at this. “Then that would mean Fred and Chrissy never made it to wherever you were. That Vecna didn’t take them there.”

“Maybe you infiltrated his mind.” Dustin offers as an explanation, now joining at the table. “He invaded your mind, right? Is it that big of a leap to suggest you somehow wound up in his?”

“It makes sense,” you bite your lip, abandoning the drawing you were working on with Holly. 

“Like Freddie Krueger’s boiler room.” Dustin adds, oddly excited about the idea. When Holly doesn’t understand the reference, your brother readily explains. “He’s a super burned-up dude with razors for fingers.”

“Dustin,” you try to get his attention, worried he’ll frighten the kid.

But of course he continues. “And he kills you in your dreams–”

“Dustin.” It takes smacking his head to finally shut him up. He yelps in pain, cowering, but you glare at him. “You’re such an idiot sometimes.”

“She wanted to know about Freddie Krueger!”

“She’s a��kid.”

“But–”

You hit Dustin’s shoulder this time. “Apologize and tell Holly that Freddie Krueger isn’t real.”

After begrudgingly apologizing to Holly and explaining that it’s all just a movie, Dustin adjusts his hat and continues the conversation from earlier. “Anyways, just think about it. What if Max somehow unlocked a backdoor to Vecna’s world?”

“You mean, like another gate?” You’re so tired of goddamn gates.

Dustin shrugs. “Possibly? Who knows, maybe the answer we’re looking for is somewhere in this incredibly vague drawing.” He stares down at the picture he’s picked up and scowls. “God, we need Will.”

“For his artistic abilities or his connection to the Upside Down?” You ask, looking around the table. “Because either way, I agree.”

Max shakes her head, annoyed. “I tried calling them again this morning, but it’s the same busy signal.”

“I wasn’t able to get through last night, either.” You admit, watching with slight curiosity as Nancy starts compiling all the drawings. “Anything catching your eye, Wheeler?”

“Is this a window?” She asks Max, who quickly says yes. “Stained glass with roses?”

Max perks up. “Yeah. See? I’m not so terrible after all.”

Sipping your coffee, you wave the mug at her, unconvinced. “Your composition could use some work.”

She glares at you, but Nancy doesn’t pay attention to any of it. Instead, she starts sorting through the drawings with vigor. “Well, it helps that I’ve seen it before.”

Before anyone can question what she means, Nancy starts folding pieces together and arranging them. At first you’re confused. You don’t understand what she’s trying to do. But as the pieces start to take shape and you recognize what she’s doing, you drop your crayon in shock.

“It’s pieces of a house.” Max realizes as well.

“Holy shit…”

Nancy grabs a marker and outlines the house’s shape. She fills in the windows, adds details that she shouldn’t know about. “Not just any house.” 

She folds another drawing, careful with its edges. The drawing becomes a clock, its center the rose stained glass. Nancy drops the folded up grandfather clock in the center of the house she’s created. It lands with a quiet, yet final, thud.

Seeing the house unnerves you, and you shiver slightly. Nancy notices your unease and her eyes soften with dread. “It’s Victor Creel’s house.”

You suck in a breath and Nancy is already leaving the table. Dustin looks at you, confused, before calling out to her. “Where’re you going?”

“To wake the others.”

“I just wanted pancakes,” you mumble sadly, quickly shoving the breakfast aside so that you can follow after Nancy. 

She’s already shaking Lucas awake by the time you catch up. Robin is slouched against the coffee table and you take pity on her. Nudging her softly, you ease her awake. “Hey, rise and shine, sleeping beauty.”

“Why does my neck hurt?” She groans, eyes still closed.

You laugh. “Because you decided to sleep against a table, dummy.”

“Why’d you let me do that?”

“Blame Steve, not me.” You kiss her forehead, leaving her to wake up more on her own. Nancy has finally managed to rouse Lucas, so you turn to where Steve still sleeps soundly on the couch. He looks so young when he sleeps. His delicate features aren’t clouded by the worry he always seems to carry with him.

The morning sun seeps through the only window in the basement and basks against Steve’s face. He’s a warm honey-orange in the glow, and your chest constricts in a sickly sweet way that you’ve come to love. Walking over to him slowly, you press yourself against him and litter kisses across his face.

Steve scrunches his nose, surprised by your sudden body heat. “Y/N?”

“Nancy may have connected Victor Creel and Vecna.” You tell him in lieu of good morning. 

He opens his eyes, blinking a few times as he yawns. You don’t think he’s heard you, he’s never been a morning person. “What…?”

His confusion is adorable and you can’t help but press yet another kiss to his nose. “Wake up, honey.”

“Five more minutes?”

“Nancy seemed pretty alarmed–oof!” Steve’s arms wrap around you and pull you into his chest. He’s overly warm from sleep, his cologne is faint, but still it feels like home. 

Steve nestles against you and sighs, content. “Much better.”

You know that Nancy will be upset you’re taking so long, you know you should be next to Max, making sure her headphones are on, but you can’t bring yourself to pull away from Steve. You know you’ve asked so much from him lately; expected more from Steve than you know he’s willing to give you. And so, for now, you indulge him, risking a kiss before the others see.

Steve kisses you back; he always kisses you back. His lips move against yours, languid and slow, and for a moment everything is okay again between you.

– 

“Nancy, you know I trust your judgment,” you poke your head through the trunk’s gap and find the girl’s eyes in the rearview mirror. You’re in the back of the car with Steve and Dustin while Nancy drives. “But do we really have to do this?”

“It’s the only way we’ll get answers.” She sighs, although she also looks uneasy as her car comes to a stop. Nancy parks and everyone silently gets out. 

In front of you is an old, dilapidated house. Its shutters are boarded up, the blue paint has long since chipped away and rusted over. The yard before it is a mess; weeds grow everywhere and old debris litters the green. No one has touched this house in years, maybe even decades.

“The Creel house,” you murmur to yourself. The wind around you picks up, a chill hangs in the air. Every nerve inside your body stands on edge, screaming at you to run away. There’s something ominous, dangerous even, about this house. 

You don’t like any part of this.

“Yeah, that’s not creepy.” Steve voices what everyone is thinking.

Max sees your discomfort and she nudges you softly. “Hey, it’s just a stupid house.”

Shame washes over you. Max shouldn’t be the one offering comfort. It should be you reassuring her, not the other way around. Swallowing thickly, you nod at the girl before following the others. 

When you get closer to the house, it becomes clear that you’ll have to break in. A padlock rests against the boarded up door. Nails are rusted into its wood, sealing the horrors within the house. Steve groans. “Oh, joy.”

“I brought hammers, we can try to pry the nails out.” Nancy says, as if it’s perfectly normal to bring hammers with you to a haunted house.

“Of course you brought hammers.”

Nancy ignores you and runs back to the car, quickly returning with the tools. She hands one to Steve, who wastes no time digging into the nails and pulling them out of the wood. Nancy joins him, but it’s an achingly slow process.

“What exactly are we supposed to be looking for in this shithole?” Steve grunts, pulling off yet another nail.

“We’re not sure,” Nancy admits, wincing slightly at a particularly difficult nail. “We just know this house is important to Vecna.”

“Sure, so let’s bring Max and Y/N to a place from Vecna’s red soup mind world.”

You flick Steve’s head, sending Nancy an apologetic frown. “He’s just upset he couldn’t sleep in today.”

“Maybe the house holds a clue to where Vecna is.” Dustin suggests. “Why he’s back, why he killed the Creels. And how to stop him before he comes back for Max, or before he tries to go after Y/N.”

“We’re stopping him before he comes back for Max.” You remind everyone, an edge in your voice.

The group is quiet for a moment. Steve and Nancy share a concerned look with one another, something unspoken passes between them. The look upsets you, but you don’t have time to care. Eventually the silence becomes too much for Lucas, and he hesitantly asks if anyone thinks Vecna is actually inside the house.

“Guess we’ll find out.” Max says, looking at you briefly. The last nail falls, and together Steve and Nancy pull the board off the doorframe. It lands with a loud thud on the porch, sending fallen leaves and dirt into the air. 

You cough. “Christ.”

“Sorry, angel.” Steve looks remorseful, but you wave him off. He faces the door and twists the knob. It doesn’t budge. “Should I knock, see if anybody’s home?”

“No need,” Robin calls out, and it’s only then that you realize she’s no longer beside you but rather halfway in the front yard. She’s holding up a brick, a wicked smile on her face. “I found a key.”

“Oh dear God.” Your eyes widen. Steve tugs at your jacket as soon as Robin throws the brick. You fall against his chest, heart pounding. The stained glass shatters. Poking your head through the broken glass, you breathe out. “Nice, Robin.”

She bows. “I try.”

Steve gently pushes you aside so that he can reach his arm through the hole. He’s careful not to touch the jagged edges of the glass. Finding the knob on the other side, he twists it roughly, unlocking the door.

He’s the first to go in, and he lets out a low whistle. “Jesus.”

You follow after him, turning your flashlight on in the process. The stench of mildew is what you notice first. It’s poignant, intermixed with the scent of dust and discarded furniture. The house is filthy, covered in cobwebs; it’s practically frozen in time. 

Lucas tries to turn a light on, but it’s useless. Everyone turns their flashlights on, and Steve looks around, bewildered. “Where’d everyone get those?”

Dustin turns to him and lets out a surprised huff when he realizes Steve doesn’t have anything in his hands. “Do you need to be told everything? You’re not a child.”

Steve stares at him and you roughly hit your brother’s chest. He can be such a jerk sometimes, you don’t understand where this shift has come from. “Don’t be such an asshole.”

“Thanks, Y/N.” Steve accepts the spare flashlight you hand him while Dustin rubs the spot where you hit him, tossing his bag to the ground. 

You walk deeper into the house, scanning your flashlight over the furniture strewn throughout. Draped cloth covers them. A mirror stands before you, its frame a rusted gold. You find a girl in its reflection, and for a moment you almost don’t recognize that it’s you. 

“Hey, guys?” Max calls out to everyone, catching your attention. She’s standing in front of something, an uneasy look on her face. “You all see that, right?”

She’s pointing her flashlight at a grandfather clock. You stumble back when you see it, breath catching. The bones in your body scream at you to run away. “Is that…?”

You can’t bring yourself to finish the question, but Max understands anyways. She nods, eyes never leaving the grandfather clock, silently confirming that it’s the one she saw in her vision. 

“I don’t like this.” You turn to the group. None of you should be here, you had no right to enter the abandoned house. 

“C’mon, Y/N. I mean, it’s just a clock, right?” Robin shrugs half-heartedly. Before you can stop her, she steps closer to it and wipes her hand against its glass. Dust smears away. “Just an old clock.”

Steve isn’t convinced. “Why is this wizard obsessed with clocks?”

“Please don’t call him a wizard.” If you’re going to die, you’d rather it be at the hand of some dangerous, other dimensional creature. Not a wizard. 

“Sorry, but what if he’s like, I don’t know. A clockmaker or something?” 

Dustin breathes heavily through his nose. “I think you cracked the case, Steve.”

“All I know is that the answers are here.” Nancy looks around, not sounding as convincing as she’d like. “Somewhere.”

“You really want us to stay here?” You ask her, slight resentment in your voice. You trust Nancy, you always have, but something feels wrong about all of this. There’s this voice, screaming in your head, to get out. To leave, never return; the voice won’t leave, and you’re afraid it’ll rip your skull to pieces soon. 

Nancy offers you a reassuring smile. She understands your fear, that she’s asking a lot from you and Max right now. She’s placed you in the heart of the monster that wants you to die. “Everyone will stick together, no one will be alone. We’ll stay in groups. I promise.”

“But–”

“Robin, upstairs.” Nancy instructs, pointing towards the steps for the girl to follow her. They’re gone in seconds, already off on their own adventure yet again. Your throat feels gummy with fear. 

Max grabs Lucas’ hand and rushes off without another word. Steve and Dustin are left with you. They exchange words, bickering about something, though you don’t process what they’re saying. They wander off somewhere, unaware that you’re lost in your panic. Breath spiking rapidly, your muscles tense together, prepared to run. You need to leave. This isn’t safe. You’re going to die.

Light headed, you blindly fall against the stairs behind you. You’re struggling to breathe, the room spins. Desperate, your head falls towards your knees. Curling into yourself, you try to steady your breathing. You think you’re having a panic attack.

In through your nose. 

Out through your mouth. 

Except your breath gets stuck in your throat and blood drips from your nose. Frantic, you harshly wipe at your face, smearing the blood even more. 

Your first nosebleed. Another one of the symptoms. No one can know about this. 

The grandfather clock looms over you; it taunts you. 

“Hey, Dustin. You there?” A voice breaks through your panicked haze. “Remember me?”

They’re familiar. You know the person, you know you do. Carefully, you lift your head up. Looking around, you try to find the source of the voice. 

“Hey, if anyone’s there, I really think I might be in a bit of trouble here.”

It’s Dustin’s bag. 

“Wheeler? Anybody?”

“Eddie?” You rasp, barely able to pronounce his name. Your mouth is numb, your body still stuck in its terrified state. You have to press the walkie close to your lips, too weak to say anything else. 

“Henderson?” While Eddie is relieved someone answered him, he’s surprised that it’d been you. “Can you-can you get your brother? I’m kinda in deep shit.”

Your stomach twists at the anxiety in his voice. “He’s not with me.”

“Shit.”

“What’s wrong?”

“It’s Jason–” Static comes through, cutting off whatever Eddie is trying to tell you. “They-it’s not–”

The static intensifies. You hit the walkie, frustrated. “Hello?”

“–Boat and I think–” Eddie cuts in and out in a dizzying manner. “Here, and they’re–holes!”

“Holes?” None of what he’s saying makes any sense. “Boats? Are you-are you trying to tell me that there are holes in the boat?”

“No!” Eddie screeches, but then the broadcast goes out completely. 

You stare down at the walkie, brows knit together in confusion. “What the fuck?” 

But Eddie doesn’t respond. It’s quiet again. 

With a huff, you toss the walkie back into Dustin’s bag and sling it over your shoulder. At the very least, the bizarre conversation with Eddie was enough to pull you out of whatever spiral you’d been in. Steve and Dustin will be looking for you soon, probably even send out a search party if you don’t follow them upstairs. 

“‘The world is full of obvious things,’” Dustin’s horrible British accent greets you when you finally find him upstairs. He’s standing with Steve in a random room, though the older teen doesn’t look particularly pleased. “‘Which nobody by any chance ever observes.’”

Steve looks at your brother as if he’s grown a second head. You lean against the doorway, smiling slightly. “It’s a Sherlock Holmes quote, Steve.”

Both boys whip their heads around to face you. Dustin looks shocked, while Steve looks like he’s seconds away from strangling you. “Were you-were you alone?”

“Dude, how could you?” Dustin shoves his chest, already blaming him for abandoning you. “You know we can’t just leave her alone, she’s practically patient zero!” 

Steve slaps Dustin’s hands away and reels back to yell at him, but you step between them. “Okay, first of all, I’m cursed. Not infectious. Second of all, you both wandered off without me, but I’m not a goddamn child. I can take care of myself.”

“Yeah, but–”

You hold up your walkman up to Dustin’s face, shutting him up. “I also have this, in case you two idiots forgot.” 

“That’s great,” Steve responds sarcastically, rolling his eyes. “That’s real great. Totally reassuring that your life rests in a walkman.”

“Take it or leave it, Harrington.”

“Actually, can we go back to you knowing Sherlock Holmes? I’m dating a nerd. That can’t be good for my image.”

Dustin snorts. He pats Steve’s chest, already walking away. “Yeah, okay, buddy. Your ‘image’.” 

Steve scoffs at him and you pull the two boys away. “Stop being annoying, we’re supposed to be looking for clues or whatever the hell Nancy told us to do.”

No one argues, and the three of you split up. Dustin wanders towards one side of the room, you make sure to keep an eye on him as he looks around. You go with Steve, following him to the other side. 

A vent catches Steve’s eye. He nods towards it, alerting you of it as well. You shrug, indifferent. He bends down, opening it to reveal a collection of jars with twigs and debris inside. You make a face. “Gross.”

Steve reaches inside, picking up one of the jars. He brings it closer, aiming his flashlight to illuminate its contents. When the light reveals dead spiders inside, your heart lurches fearfully. You’re fucking terrified of spiders. 

And then, naturally, one begins crawling up Steve’s arm.

You scream, your fear alerting him of the insect. Steve drops the jar and quickly swats at his shoulder, stumbling backwards. He’s freaking out, so are you. You’re hitting his shoulder as you scream, stuck between wanting to help him and wanting to leave him for dead. 

“Stop!” You screech, falling backwards as well.

Steve doesn’t hear you, breaking through the doorway, before the two of you collide into another body. “Woah!” 

Nancy’s arm steadies you, concern etches her face. “What’s wrong?” 

“There was a spider,” Steve speaks for you, panting. He knows your fear of the creature. He brushes at his jacket, as if he can still feel it crawling upon him. “It was a black widow.”

Your heartbeat is in your chest. Looking at the door you crashed through, you topple forward and slam it shut. “Fuck this room.”

“That bad, huh?” Nancy can’t hide her laugh. She feels bad that you had to experience a black widow, but your almost childish reaction amuses her. 

“Fuck spiders.” Is all you can say. 

Nancy starts to laugh again, but stops mid-way. “Oh, oh no.” Her hand reaches towards Steve, her fingers find his hair. 

Steve flinches away, both from shock that she’s even touching him and from the idea that there’s something residing in his hair. “Is there something? Shit, okay.” He instinctively moves towards you, freaking out, but Nancy gently chides him. 

“Stop moving, come here.” She stands behind him now, her fingers still in his hair. Softly tussling the strands, you watch as she gently plucks a cobweb. “I got it.”

It’s the way her voice softens when she speaks to Steve, the delicate way her fingers course through his hair as if she’s always done this. You suppose, in a way, that the delicacy comes from practiced ease. She used to do it all the time. 

Unable to stop yourself, you raise your eyebrows. Something twinges in your chest. An icey, red hot feeling that you despise. 

Nancy must sense that she’s upset you, because she awkwardly clears her throat and snatches her hand away. “I’m sorry,” she mumbles, fearful she’s crossed a line.

Steve steps away, already back by your side.

“If there’s a spider in Steve’s hair, you’re never gonna find it until it lays eggs and the babies spill out.” Robin suddenly appears, cackling at her own joke. 

“What’s wrong with you?” Steve hisses at her, patting his head, now slightly paranoid. 

Robin leaves just as suddenly as she arrived, her laughter echoing in the hallway. Steve looks at you, and you merely shrug. “It’s Robin, what can you expect?”

“She’s got problems.” He huffs. When Nancy agrees, Steve jumps at the opportunity to lessen the iciness he feels between you and her. He wishes things were how they used to be, back before feelings complicated everything. “It’s, uh. Cool that you and Robin are friends now.”

Nancy doesn’t say anything, and you busy yourself with running your hands over the expanse of Steve’s back. You do it because you’re worried Nancy may have missed a few cobwebs, though a part of you knows that you also do it to show her that you can. That Steve allows your touch, leans into it. 

“Maybe after we find Vecna, kill him, save the world and stuff, maybe we can all go out or something?” Steve knows it’ll never happen, but he still says it anyways. It’s his way of extending friendship to Nancy, proving to her that there aren’t any hard feelings. “A long overdue double date, you know? You, me, Y/N, and Jonathan when he’s back.”

Jonathan’s name slips from Steve’s mouth before he can stop it. He knows he’s made a mistake.

You look away from him, the guilt of remembering Jonathan’s words. His dangerous reminiscing, how you still haven’t told Nancy.

And Nancy looks away because she’s reminded of her problems with Jonathan. The distance that has grown between them. How it feels like they haven’t been on the same page for a long, long time now. 

“I’d-I’d like that.” You finally say, the words bitter.

Nancy nods, her own uncomfortable expression mirroring yours. “Yeah, totally.”

Neither of you sound convincing. Neither one of you can look the other in the eye. You can’t bear to look at Nancy because of the overwhelming guilt. Nancy can’t bear to look at you because you’re Jonathan’s best friend. 

“We can bring Robin on the date!” Steve is desperate to break the tension. He hates it, he hates that Jonathan has created a chasm that he can’t cross. “I’m sure she’d love to join.”

Thankfully Nancy laughs. “Why would she want to third wheel?”

“Who says Robin would be the third wheel?” You say, relieved by the change in topic. “She’d be my date, obviously. Steve would be the third wheel.”

“Obviously.” Steve rolls his eyes, though there’s fondness in his voice that Nancy doesn’t miss. 

You pick the last of the cobwebs off of him. Running your fingers through Steve’s hair one last time for good measure, you poke his cheek. “You’re officially cobweb free, by the way. We should probably get back to searching the house.”

“‘The obvious things are not what people observe,’” He catches your hand as it falls, squeezing it. “Or-’don’t observe’?”

Steve’s cute little frown warms you. He’s trying to impress you, quoting what your brother had only a few minutes ago. You squeeze his hand back, your cheeks warming as you smile up at him. “‘The world is full of obvious things by which nobody by any chance ever observes.’ You were close.”

“Thanks, angel. I would’ve gotten it eventually.”

“You would’ve.” 

The tenderness that Nancy sees in Steve’s eyes burns. The way you’re smiling at him, the softness underneath your voice. She sees the way you squeeze the other’s hand. It makes her ache; she misses holding Jonathan’s hand. 

– 

You stand underneath a chandelier, its lights flickering. The sight is a familiar one. Flickering lights have become a part of your nightmares. 

Max and Lucas had called everyone over to where they were. They’d found the lights that way. 

“It’s the Christmas lights all over again.” You don’t know why you’re whispering, but it feels wrong not to. 

Nancy nods in agreement, but Robin leans forward. “Christmas lights?”

“When Will was in the Upside Down, the lights… came to life.” Nancy explains, staring up at the way the chandelier flickers now. 

“It’s how we knew he was alive.” Your chest tightens at the memory. You’ll never forget the dread you felt, realizing that Will was alive, yet trapped somewhere you could never reach. 

Lucas clenches his fist. “Vecna’s here. In this house. Just on the other side.”

Steve grabs your hand, protective. He doesn’t like the idea of Vecna being so close to you. When the lights stop flickering, he pulls you closer to him, on edge. Equally as scared, you turn to Max to make sure she has her headphones nearby. 

“Max, get your headphones on.” You command her, but she doesn’t listen.

“I think Venca just left the room.” Robin announces, looking at the group surrounding her.

Max frowns. “Did he hear us?”

“Can he see us?” Steve asks, hand skimming the walkman that resides in your coat pocket. Your headphones dangle from your neck. He positions himself so that if he needs to, he’ll be able to grab them as fast as possible.

“Headphones.” Lucas echoes your prior command, only this time Max doesn’t hesitate to put them on. He looks at you, too. “Y/N.”

You shake your head at him. Not yet. You’re scared that if you play your music right now, you’ll somehow miss any signs of danger for Max. You can’t be distracted, you can’t risk it. 

“Everyone turn off your flashlights and spread out.” Nancy orders. There isn’t any time to argue, she recognizes that. You’ve made your choice. 

Steve protests not having any lights on, and you can’t help but agree. The idea of running around the house without any sense of guidance makes you incredibly uneasy. It makes you easy targets.

But no one listens, already spreading out as Nancy told them. Steve groans, knowing you have no choice but to follow along as well. “Jesus Christ.”

“We’ll be fine.” You promise him, but Steve refuses to let go of your hand.

Robin is the first to find Vecna. 

“I got him!” Her flashlight is pointed in the air, illuminating for only a second before the light dies completely. She slowly lowers it, defeated. “I… I had him.”

Then Steve’s flashlight turns on. He holds it away from him, though quickly he realizes that the light is following something. “He’s moving. I-I think he’s moving!”

Steve makes it to the top of the stairs before the light dies once more. He curses in agitation. But before he can complain, your flashlight turns on. 

“He’s back,” you whisper, too afraid to raise your voice. Steve tries to snatch the flashlight from you, he doesn’t want Vecna anywhere near you, but you push him away. “He’s taking us somewhere.”

“Up here,” Max says, pointing towards a door. It’s cracked, faint light seeps through. Shoving it open, she reveals a separate staircase. 

“It’s an attic,” Robin’s voice pitches an octave. “Of course it’s an attic.”

No one says anything as you make your way upstairs. Your light shines brightly, growing stronger and stronger with every step you take. Dustin tries to warn you guys that it could just be a trap, but his protests go ignored. 

He’s probably right, but you’re already cursed and you have nothing to lose. 

When you reach the attic, a single lightbulb hangs from the rafters. It flickers wildly, growing dimmer and stronger in stuttering patterns. Your flashlight begins to mimic the light’s pattern, before everyone else’s flashlights flicker on. 

You all stand around the lightbulb, flashlights now joined together. 

“Okay, what’s happening?” Steve looks around, anxious. 

No one answers him. No one can answer him; but you can. The hair on your arms stands up. Static swirls around you, your body shivers at the sensation. 

You’re standing where Vecna’s standing.

“He’s here.” 

No one asks you how you know this.

A searing pain rips through your head. It’s so sudden, so jarring, that you can’t mask the pained sound you make. Everyone looks at you, terrified that you’re next, before the lights go haywire. The flashlights reach a burning capacity, energy exceeding their limits. One by one, they explode. 

Glass flies everywhere. One piece cuts your cheek. The cut isn’t deep, it’s only a superficial wound, but Steve has your head in his hands before the blood can even begin to drip down your skin. 

The lights go out. Steve tends to you in the dark.

The entire car ride back to Nancy’s, his hand never leaves yours.

-

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[tired-and-ticklish]

Employee Training

Disclaimer: This is a tickle fic, so if that isn’t your thing, then just ignore this. 

Summary: Jax isn’t taking his job seriously, so Gangle decides he needs some extra… training.

TW: Tickling (maybe a bit intense?), Restraints, Jax Being Jax, Spoilers for Episode 4: Fast Food Masquerade.

(Let’s face it, a lot of us saw that scene and were all thinking the same thing.)

Working a normal fast food job wasn’t at the top of Jax’s list of adventures. He’d rather be back at the circus, putting more centipedes in Ragatha’s room or stealing Zooble’s parts. But instead, he and the others were forced to work a terrible minimum wage job with an annoying Gangle as their shift manager.  Hell, it was the crybaby’s idea in the first place!

“Ooooh Jaaaaax~!” Speaking of the pain in his tail, Gangle called out from behind the rabbit, that stupid smile from the mask Zooble gave her still plastered across her face.

“The bathroom looks like a biohazard and needs a good scrubbin’!” Gangle told him.

“Shouldn’t like, a biohazard crew take care of that?” Jax asked, not wanting to put in anymore effort than the job was already requiring.

Gangle laughed. “Ohoh, Jaxy boy, don’t you want to be a model employee?”

“No, I don’t care about any of this.” Jax responded, crossing his arms.

“Well, that doesn’t sound like a can-do attitude to me!”

God, was she getting more annoying? “It’s not.”

Another laugh, simply followed by one word. “Bad.”

“I like you better when you’re sad.”

There was a sound, like glass cracking, but Jax ignored it. Honestly, the whole ‘chipper, happy-go-lucky’ attitude Gangle had at the current moment was making him wish they had stuck to the butcher adventure Caine suggested in the first place. Darn Pomni, darn suggestion box, darn not being able to actually swear in this Hell hole called a circus.

“Well..” Gangle replied, Jax either not noticing, or more likely, not caring, how close she sounded to strangling him. “Maybe you need some more…”

She paused, like Caine did sometimes, it was a bit uncanny to see. “More-”

“Training!” Gangle interrupted before he could finish.

Suddenly, two hands grabbed Jax, squishing him like a squeaky toy before dragging him into the back of the restaurant. Once they let go of him, Jax was shocked to find himself in a completely empty, dark room, save for the TV that suddenly turned on. On it was an employee training video, complete with the ‘motivational music, staring and made by Gangle, explaining how it would teach him how to be a good team member and asset to the cooperation.

Jax questioned when Gangle even made the video. Or maybe it was Caine’s doing? The adventures made no sense, so why did he expect a ‘normal’ one to make sense? The way the Gangle in the video spoke made Jax uncomfortable, talking about how dreams were unrealistic, and to stop trying. It was like she was losing it.

“But before we get into all that, first things first!” The Video-Gangle asked, smiling. “Are you smiling?”

“Uh, no…?” 

The music stopped. “Why not…?” Gangle wasn’t smiling anymore, just staring right at him.

Faster than Jax could respond, he was suddenly in a chair, four mechanical arms coming out and grabbing his limbs. They twisted him a few different ways, before shoving his face right into the TV. “Wait- Wait wait! N-Nobody can see this… right?” Jax asked nervously, suddenly regretting any and all decisions in his life that had led to this moment.

“Time for your employee reevaluation!”

With that, the robotic limbs pulled Jax back into the chair, his arms pulled up as far as they would go, his legs pinned down to the leg rest. Jax’s eyes darted around the room, trying to see anything he could use to try to free himself. He couldn’t move, couldn’t escape, couldn’t stop whatever Gangle had planned for him. 

“As an employee, you have to remember to smile!” The video continued, Gangle sounding more and more manic. “Don’t worry, we can help you with that!”

More arms popped out of the chair, Jax feeling his heart skip a few beats when he saw what the hands were doing, wiggling their fingers at him teasingly. Gangle couldn’t be serious, right?! His dread only grew as two of the hands removed his shoes, another unbuttoning his work shirt.

“G-Gangle wait wait wait! I-I-I’m smiling! I’m smiling!” Jax cried in a panic, trying to pull his arms down. “Y-You don’t have to do this!”

The Video-Gangle tsked lightly “Silly, we have to make sure our employees know that we serve with a smile~!” A sinister giggle came from her as she said that.

Jax swore he was going to find a way to break that plastic mask Zooble gave her! However, his thoughts of revenge were put on hold as one of the hands made a few test pokes to his stomach, causing him to jolt. This was bad, the way Jax’s body had been designed in this digital world physically made him unable to bite his lip, so that strategy was out the window. Seems like the jolts he made were all the hands needed, descending upon him.

“W-Wahahahit wahhait nohhohohoho!” Jax snorted, trying to twist and turn away from the devilish hands.

“See, isn’t that better~?” Video-Gangle asked, her ribbons wiggling as well “I’ll check on you in a while!”

A while?! How long was a while?! The darn clock seemed busted, what if he was in there for hours?! Unfortunately, it didn’t seem like Gangle, or the robotic arms cared, the TV turning off as a pair of hands attacked his armpits.

“N-Nohohohoh nohohoho come bahahahack!” Jax pleaded. “I-Ihihihih’m smihihihihihling!”

The robotic hands continued their assault, gently tracing around his armpits, while the ones on his stomach dug right in, causing him to attempt to kick his legs. They hadn’t exactly gotten to his absolute worst spots yet, but Jax had a feeling it was only a matter of time. His paws were exposed, and he could swear he could sense two hands just behind his ears, waiting for the go-ahead to strike.

“Cohohohohome ohohohohon!”

He really hated how much they could actually feel in the circus sometimes. Sure, it was funny to see the others in pain, or watch their panic as he attacked their own worst spots, but having the tables turned on him? It also didn’t help that, thanks to Gangle, the arms knew exactly where his worst spots were, and how harshly or softly to tickle them to drive him up the wall. 

Case in point, one hand swirling a finger right on his navel, threatening to tickle the inside, while also cruelly never actually doing it. The ones on his armpits spidered up and down, even attacking his ribs at a few points. Jax wasn’t sure how long the tickling had gone on for, before the TV turned back on, Gangle’s face smiling at him. The hands stopped, allowing the rabbit to catch his breath. The relief Jax felt was short-lived, however, as the Video-Gangle spoke again. “Step one of your employee reevaluation is complete!” Gangle told him, sounding proud. “Now that you’re smiling, we’ve got to work on your attitude! Being rude to customers, or other coworkers, especially by throwing them in the deep fryer, is strictly forbidden at Spudsy’s!”

“Come on, it’s not like Rags was hurt all that badly.” Jax tried to argue, before immediately regretting it as he noticed the arms were grabbing something just out of his field of vision, making him dread whatever would be next.

“That’s the kind of attitude I’m talking about!” Video-Gangle huffed, before smiling again. “So, I thought you could use some extra motivation!”

Jax’s heart, or, what he supposed he could call a heart in this digital body, nearly stopped as the mechanical hands came back with paint brushes.

“Oh… [trumpet honk]...” The rabbit responded in disbelief. “Y-You’re not actually [quack]ing serious, r-right?!”

Unfortunately for him, Gangle was dead serious, as the paintbrushes glided up and down his paws, making him snort. The pair of hands by his head also got in on the action, softly, slowly, and tortuously rubbing up and down the insides of ears, making him scream out in ticklish agony.

“GA-GAHAHAHANGLE NOHOHOHOHO!”

“Aww don’t worry, I’ll check on you in a while again!” More random noises came from Jax’s mouth, trying to swear, but instead there were a few more musical instrument noises, a car honk, and even a cow moo at one point. That only seemed to encourage the hands to be even harsher toward him, one of the paintbrushes going in between his toes. Jax howled with laughter, trying to twist and turn away from his fate.

“IIHIHIHIHIHIH HAHAHAHAHATE THIHIHIHIHIHIS STUHUHUHUHUHPID AHAHAHAHAHAVEHEHEHENTURE!”

Jax then let out an uncharacteristic squeal as he felt feathers brushing up and down his ears. This was maddening! As the paintbrushes picked up their pace, Jax felt a horrible thought enter his mind. Would Gangle actually let him out of here? Or would she just keep him there until the end of the adventure, making sure he couldn’t destroy anything or cause problems for anyone else? “P-PLEHEHEHEASE PLHEHEHEHEASE IIHIHIHIHI’LL BEHEHEHEHEHAVE!” Jax cried out desperately.

It seemed to work, as the tickling suddenly stopped, the arms releasing him. Jax caught his breath, feeling a few phantom tickles linger. He brought his hands up to his ears, trying to rub the tingling sensation away as the TV turned back on.

“Thank you, valued employee, for deciding to be a team player!” Video-Gangle told him, looking happy, proud, and… relieved? Maybe Jax was imagining things. “Of course, here at Spudsy’s, we respect our employees needing time for themselves, so you may take a few moments to get yourself together before heading back out there!”

Small mercies, Jax supposed. “You’re uh… not going to tell anyone about this, right?”

Video-Gangle simply giggled, before the TV turned off once again, leaving Jax alone with his thoughts. Well, he supposed this made both of them even, in a way. Jax knew about the figurine thing, and Gangle managed to make him beg for mercy. He shook his head, getting his dumb uniform back in order. Once he was more composed, one of the large hands from before gently pushed him out of the room and back into the work area, patting his head before disappearing to God knows where.

Back to work, Jax supposed.

[jayktoralldaylong]

Alright, there's something I'd like to talk about, and let's come at it with an open mind. When Season one of Arcane ended I was 99% sure that Mel was not going to make it to this season. I was praying for every kind of miracle that could happen just to keep that beautiful goddess on screen but she was the first line of contact for that bomb.

Now that everything has been revealed, I want to talk about that bomb.

Ironically, Season two episode one starts with the exact same shine of gold that ended season one.

See, season one:

Season two:

And when the smoke clears we can see her leaning really close to Jayce, like she got blasted towards him.

Now, looking at the seat arrangements from Season one, I can actually see it a lot better now that I'm taking a second look. We can see that she is standing directly in the line of fire, Jayce is standing to her left and Viktor is sitting in his chair, Jayce's chair. Just about everyone sitting by her right died, Salo is sitting furthest away from the blast, opposite her. He probably saw it just a few seconds before she did.

And when she wakes up, all groggy and out of focus, her hands are on his shoulder. They been there, she did not just put them there, she already had her hands on him. Protecting him.

But what I really want to pay attention to, is the look on Mel's face when she and Jayce take in the damage.

The entire place burned down. Realistically, not a single person should have survived that, especially not unharmed.

Then the damage starts sinking in (Don't look at Jayce, look at Mel):

Look at Mel, as they look around the room of injured Councillors.

Jayce is panicking, full on panicking, he's had his nerves rattled, he's never seen anything like this (unlike Mel who, if the audience remembers, grew up in Noxus). And the sweetest thing is how she follows him around, trying to comfort him, while he's trying to shake Cassandra awake.

And she stays right there by his side, until her mother pulls her away (foreshadowing about their duties pulling them apart perhaps?)

Now, imagine you were in the middle of a disaster, a terrible disaster, and you had the power to save every single person in that room, but you did not know this because no one ever bothered once telling you that you had powers. However, in that moment, you did indeed save one person, without knowing, without even thinking. Who did Mel save?

She saved Jayce. (The craziest thing about that.....is that.... Viktor was literally right beside him. He was right beside Jayce OMG 😭😭).

Watching this scene, I cannot imagine the amount of guilt that threatened to swallow Mel whole ever0y time she saw the aftermath of what happened and a small part of her brain would nag her that she could have prevented it, that she could have protected Jayce's friend.

So why Jayce? Why ONLY Jayce?

"Because she loves him."

Obvious answer, two plus two equals four, but this is Arcane we're talking about, there is more to this simple equation and it is plain to see in their reactions in the aftermath.

Jayce is devastated. He is new to war, he does not know shit about it, it scares him to see all the people that he respects flattened like they are nothing. The Piltover Council means something to Jayce.

To Mel, they are colleagues. They are.... people with names and faces and power. They are people she would help on a normal day, but at the first sign of danger she clung to one person.

Jayce was Viktor's first friend, and he was Mel's too. He was the first person to tell her that she was not crazy. The first person to strangely believe in her dreams, to pour out affection not out of arrogance but genuine care that he was not ashamed or even hesitant to show her. He fought for peace when she began to doubt. When she felt unstable, his naivete and pure heart steadied her.

Mel loved Jayce. Loved him so much that she did not freak out when he was tweaking cause of the Arcane. So much that she fought for him when he was getting outright dominated by his ex. 💀💀 And while it is not the space shattering world changing soul bonded union of javik, I think it is beautiful that Mek loved Jayce.

I think it's ironic that the brotherly love that people keep trying to achieve with Jayce and Viktor was represented so well with Jayce and Mel. I think it's iconic that a male and female character that banged on screen can go their separate ways without a dramatic breakup and without losing the entirety of their care for one another (cause some of it was definitely damaged after their individual trauma).

What I'm trying to say is that Mel loved Jayce. The love was there. Call it romantic or platonic or whatever but she cared about him more than she cared about anyone in that room when that bomb went off.

And it just twists something in my heart....that Jayce was so loved by the two people that meant so much to him. That he gave all of his heart out and they gave everything back because of how selfless his love was. Everyone says Viktor and Mel are out of Jayce's league but they both keep putting him first. (⁠T⁠T⁠) They just cannot resist that all encompassing love of his. It saved Viktor, and it saved Mel who finally found her truth, and lost him to find it.

[pinklemonslices]

little tiny fic, a missing scene of sorts? just after niko outsmarts the night nurse near the end of episode 7 🫶

—

“Oh, did you guys know, zombies are real,” Niko says, and Charles is sure he would be more intrigued by that if she had said it at any other time, after any other event. He’ll have to ask her about that later. For now, he settles for a little sound of astonishment.

His mind is more occupied with what she did just before that, having managed to buy him and Edwin more time on earth — together — via outsmarting a literal transdimensional being.

“Thanks,” he breathes out, shock still bouncing around inside him like a pinball. Niko might really be an angel, he thinks. There should really be a halo floating above her head, to match her inhuman kindness.

Edwin shifts beside him, “Yes, thank you, Niko.” His voice is shaky. Charles looks over, and Edwin meets his gaze. The sight alone could kill Charles a second time, if that were possible. Despite being back in his nice, unbloodied clothing, Edwin looks just as broken as he did on the stairs, with watery eyes and an expression of clear exhaustion.

He makes a face, which Charles realizes is a sorry attempt at a smile, and his heart aches. “And thank you, Charles. For coming to get me.”

Without saying anything, Charles makes a move toward Edwin, pulling him into the tightest hug he can manage. Edwin tenses for only a second, before he wraps his arms around Charles in return.

“Always, mate.”

Charles feels Edwin melt into him, like butter in a saucepan. His head finds a place to rest on Charles’s shoulder, as he releases an unsteady sigh.

And god, Charles means it when he says ‘always.’ He couldn’t live (figuratively speaking, anyway) without Edwin beside him, Edwin sighing in his arms, Edwin rolling his eyes fondly when he cracks a bad joke, Edwin solving cases with that clever brain of his. He wouldn’t be able to stand it. Maybe he would just dematerialize, or something.

He would go to Hell a million times, if he had to. He’d run up and down that staircase a million times and throw however many molotov cocktails it took to get Edwin out safe.

There’s not one thing he wouldn’t do to stay with Edwin.

Charles holds him a little tighter. He’s not sure he’ll ever be ready to let go. Hopefully Edwin won’t mind; it might be a little hard to solve cases this way, but they could make due.

They will have to, because Edwin is solid and real against him, and they are not in Hell anymore, and it’s all Charles ever needs. Since he died, he has not wanted Death or The Night Nurse’s Heaven. He found his thirty-four years ago, and it is greater than anything they could offer.

With mild difficulty, Charles manages to pull back just far enough to make good eye contact. Edwin’s eyes are gray and green and they hold the whole world in them; Earth, Heaven, and Hell displayed in hues fit for an angel, a holier trinity than anything the bible could ever fathom.

Edwin takes a shuddering breath, and Charles wants to cry — wants to go back in time and take Edwin’s place.

“I’m glad you guys are okay,” Crystal says, after what feels like years. Charles tears his attention away from Edwin in his arms, to look at her. He thinks he should probably feel bad for not allowing her to go to Hell with him, but it was no place for her.

No place for Edwin, either.

“Me too.”

Niko nods, “Me three.”

Charles cracks a smile. “Glad we’re in agreement.”

Edwin squeezes Charles’s arm tightly before letting go of him and taking a small, singular step backward, and Charles mourns the loss instantly.

They have time, thanks to Niko, he reminds himself. Literally forever.

He hugs Niko next.

[mellxncollie]

i'm someone who loves seeing process stuff from artists and creators, so i'm going to assume there's at least some others who will also enjoy seeing this kind of thing.

a few weeks ago i started rendering some before and after gifs to share with the dgd discord, and so here's some of those!

coloring

this first bunch show some gifs with and without all of the coloring layers - the befores are what the gifs would look like if i just applied my sharpening filters and nothing else.

sometimes the original is pretty good, and the coloring is more stylistic, other times (see: 90% of the hell scenes in episode 7) it's absolutely essential for you to be able to see anything that's going on

+bonus coloring demos (not before/afters)

sharpening and coloring

if you struggling to see why i'm even sharing the difference between sharpened and unsharpened gifs, totally fair, sometimes it can be really hard to see what that sharpening does. try looking at things that might be shiny/wet: eyes, teeth, plastic, metal.

in this one, the before shows the gif without the coloring layers AND without the sharpening:

these next three images aren't gifs, but show a frame before sharpening, after sharpening, and then the final

attempting to pull apart brightening and coloring

these four show a progression: raw footage -> sharpened -> adjustment layers that don't change the colors -> final gif

again, same progression:

[spitdrunken]

i am absolutely insane about your headcanons with the vee's, my mind is so full now... this is exactly what i was hoping to find when searching through the hazbin x reader tag after watching the episodes 👁️🙏🏻 please i'm so!! the being a writer for the vee's imagine is such a good idea, val and his.. comment especially got to me..

also, for your consideration:

Val — or all of the Vee's, really —, but, in the beginning, he's really not convinced about the quality of your dialogues, despite all the lines he's read (or, well, has had Vox read to him), so naturally you have to read your previous stories out loud to him, cheeks flushing and squirming when it gets to particularly graphic scenes and his gaze on you is so very heavy, smoke caressing your jaw while you stumble over your words.. It's worse if you've written about them and a character who resembles you, and Val's smile widens when you skip from story to story, mentioning the character — definitely not you — sucking Vox off, bending over willingly for Val and begging for Velvette to touch her, or even take all three of them at once, greedy...

Also the. love potions Velvette makes have me feeling things.. Her or Vox but they might end up putting a drop or four into your glass — purely accidentally, of course! —, and...

this is terrible.. my mind is too full now... i might have to post writing for hazbin now and it is your fault alone.. (affectionate; truly, I've enjoyed your thoughts so very much!! thank you for sharing!)

I'm glad you enjoyed it so much :D!! I had an absolute blast writing it myself, and I've been thinking about it lots!! Your ask made it even Worse (/pos) and I simply had to write more!! Please please please let me know if you write something for Hazbin, I can tell from your ask already that it'll be wonderful! And if you ever wanna chat about these guys, feel free to message me again, haha.

Notes: power imbalance, sexual harassment, heavily dubious/noncon due to love potion usage.

The fact Vox even bothers at all to take the time to sit Valentino down and read to him is already a show of your quality— He really wouldn’t go through wrangling him like that for just anyone, especially not with Val getting a bit pissy when being reminded your works were being compared to his. He needs to be told that, obviously, Val, some mere written words are never going to compare, especially not in earnings, to his creations. This placates Valentino. But all Vox gets for his efforts are a lazy flick of one of Valentino’s four wrists, his eyes not even looking at him. “Look, I still think it fucking sucks. But if you wanna hire them so badly, whatever. I’ve got better shit to do than listen to daddy’s horny story-time.” Suffice it to say, he becomes a lot more… Amiable (poor you) once you’re actually working there, and he has a face to attach to the stories. He can tell upon first glance that you’re one of those pathetic little hermits, too scared to leave your own shitty apartment, barely scraping by— He’s recruited plenty of those types as whores, after all. So easily pushed around that it shouldn’t give him nearly as much satisfaction as it does.

When Valentino practically demands you join him in his room and read your previous work to him, you sputter out protests, heart skipping a beat. Every employee in the company has something bad to say about this man, and so he’s about the last person you want to be caught alone in a room with. Especially not his bedroom.

“Ah, sir, I’m not really sure—“ But he’s already wrapping one of his arms around your shoulders, pulling you flush against his side as he drags you through the halls. The first thing that strikes you is how different the texture of coat is than you were expecting. It doesn’t even feel like anything at all. “Oh, sweetheart, call me Valentino. No need to be so unfamiliar with each other.” He practically purrs, a single finger tracing up the contours of your chest. “I feel like we’re going to get quite familiar.” If all the alarms weren’t ringing in your head before, they most definitely are now. But there’s nothing you can do. His grip on you is tight and, underneath his red coat, you can feel the hard metal of a pistol pressing against you.

He takes you to his room, walls covered with posters featuring himself, and you hardly have the time to look around before he sits you down on one of his red couches, still caught underneath one of his arms. It’s hard to think, much less speak, as Valentino starts to prod you to pull out your phone and start reading. “No need to be shy. You’re such an artista, aren’t you? Don’t keep me waiting.” It’s easy, at first. When the scene hasn’t grown explicit yet, and you can pretend you’re only reading the text out loud to yourself like you always do, making sure the sentences sound right. But Valentino makes it hard for you to distract yourself entirely. He rubs circles on the skin of your thigh, and the smoke from his pipe has long since been the only thing you can smell. The red smoke makes your head a little hazier, tongue a little looser— Though that all just might be because you’re not getting enough oxygen. Your every muscle is tense and, you think, this is what being a prey animal must feel like. The first time you stutter out the word ‘cock’, Valentino barks out a laugh, loud and sudden, entirely contrasting with the sultry demeanour he’s been putting on the whole time. You jump, gaze flickering from the screen to his face, before continuing. It gets worse when you realise exactly what story you’re reading out loud to him, one of the ones you’d never even posted anywhere, so utterly self-indulgent and poorly thought out that you regret it with every ounce of your being. (Unbeknownst to you, Vox has already read every draft you’ve ever typed up, but that’s neither here nor there.)

“Sorry, can I maybe, um, read a different one?” You practically squeak out. “I realised I have some better drafts, and…” “No,” Valentino shuts you down, tone temporarily harsh. “Don’t get too fucking cocky now, you’re already taking up enough time as it is. Shit’s about to get interesting, finally.” He’s saying all of this as if he wasn’t the one to drag you there in the first place.

So you trudge onward, reading as fast as you possible can, just trying to tough it out. As you read about a scared, unaccomplished demonic main character catching the eye of a trio of some of the most famous demons in town—through entirely unrealistic circumstances—you can see his grin grow wider from the corner of your eye. His nails dig into the flesh of your thigh, the smoke surrounding your face turning to caress your cheeks.

“So, let me gets this straight… You wrote about a trio of powerful demons with matching names, taking turns fucking an absolute nobody silly. One of them’s a pimp, the other a fashion designer, and the other a business man.” Valentino doesn’t give you the chance to respond. “Greedy little slut. You even chose this one specifically to read out to me, huh? Seems I got you all wrong,” he hisses out. “This must be a dream come true for you, isn’t it?”

Let’s just say that you got enough ‘material’ to write another four or so stories, just from that line alone.

----- A drop of love potion, and models always behave the absolute best, or so Velvette thinks! (As long as you don’t put in too much. It’s very hard to take good pictures when the girls keep trying to kiss you.) No bitching, no whining, only an easy to pose, cute demon to work with. And if she dresses you up in clothes that reveal more than they obscure, purely for her own enjoyment and usage, who’s going to blame her?

Certainly not you. You won’t remember a single damn thing. Not even the parts where you babble on about how pretty and gorgeous and cool she is, and how you’ve admired her for so long— All things she’s heard a million times before. Normally, she wouldn’t care less about it, but such words coming from someone with only a drop of her potion in her system means they’re all the absolute truth. She thinks it’s almost cute when it’s coming from you, really. ------------ Vox, on the other hand, would be more likely to use his hypnosis on you than a love potion. Just to have a few minutes in the middle of a meeting where you’re practically putty in his hands, all of your usual anxiety and shame having slid right off of your shoulders. He doesn’t feel any guilt about it whatsoever. Having read all of your works, he finds it safe to say that this is the exact kind of scenario you would enjoy…

And even if you didn’t, he still would. He gets a bit of a thrill out of the loopy, relaxed smile on your face as you nuzzles your cheeks against his arm, professing all of the thoughts you had about him before working at VoxTech, and the ones you still have today. It’s during one of these exact moments, that he’d likely find out that Valentino had fucked you already, something he hadn’t found necessary to mention. They’ll have a bit of a discussion about that later!

[rootspiral]

Agatha All Along deep dive: episode 3 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

hey hey, it's episode 3 Through Many Miles of Tricks and Trials and we're on the Road, witches!

Agatha knew All Along (that Billy created the Road), evidence number 1 out of 646132.

And see how they added black bars in this episode? They're getting ready to switch aspect ratio like they did in Wandavision

but like, she's not wrong. you see that sharon's not wrong, don't you? she has been kidnapped by witches. again.

agatha's grimace when they say it's all her fault. which a) it totally is and b) she never expects other witches to be supportive of her anyway

oh sharon, you beautiful fish out of water. we all laugh at her, meanwhile she's PANICKING. HARD.

this particular group needs to figure out how to do that first, Billy. but hey, they'll get there. sort of.

Jen, looking directly at agatha: why is this MAGICLESS HELPLESS lady coming with us on a deadly mission, whose sick idea was this? she has no business being here!

Sharon, her voice drowned by everyone else: see that's what I've been trying to tell you~

Agatha deflecting hard, like the coward she is: HEY THIS IS MY GOOD FRIEND MRS HART YOU'RE TALKING ABOUT

a very scared coven looks at agatha for answers, because she's the only one who's ever been on the Road.

agatha, who's never fucking been on the Road and made up the whole thing: I've bullshitted my way into this mess, I'll bullshit my way out of it. live laugh love bitches!

I'm looking at this scene clearly for the first time now that I've brightened it, and wow, the others are worried, but sharon looks so scared, always so scared

billy is having the time of his life, and you'd think agatha would step in at some point and warn him about what he's done. but nah. let's wait and see. as long as she's covering her own ass.

lilia looking at billy's sigil like, damn that's some neat handiwork, wonder who did that. she sounds like a cool witch.

agatha totally insults stuff when she's impressed with it like some cheap anime tsundere

lies.

but see how she puts her whole body between billy and the others? super protective mama

HOW COULD YOU GUYS LOSE HER SO QUICKLY. it's funny and all, but this is exactly how she'll die: they'll forget about her until it's too late.

it's so clever what they're doing with sharon, and it's so clever that they chose debra jo rupp for it, because she's so delightfully funny. I've talked already about how the comedy in the first few episodes is deceptive. sharon is living in a horror movie and you're not supposed to see it quite yet.

you think she's a funny old lady upset about losing her purse. you think maybe she's gonna find out she's magical and join the coven, who knows! so much fun, so many possibilities! you don't think that this is a woman in her 70s who was brutally tortured by a witch only a few years back, you forgot the lesson from wandavision. this evening she was tending her garden and now she's god knows where with a bunch of those very witches she's sure to be terrified of, kidnapped by a neighbor she thought she could trust. think about that, she's not going home, ever. I'll elaborate more at the end of the episode, but this is a show about the inevitability of death. sharon is like nicky, doomed by the narrative, and it'll take you two or three or four rewatches to fully see it and to make your peace with it.

alice tenderheart, alice braveheart jumps to the rescue with no hesitation. she is a protection witch. she protects.

agatha stands in the back and (pretends she) doesn't care, like some asshole.

hey agatha, hey agatha? fuck you. fuck you agatha.

she's pulling all this out of her ass. she might as well be doing fart noises right now

my headcanon is that this is where Billy dreams to retire with Boyf in their golden years. you know he thinks about that sort of stuff

thank you to @friedwizardwhispers for pointing out that agatha is also in awe of the Road and the magic it took to create it. she is! look at her here, she's scared but also excited, she's fundamentally a nerd who's always hungry to learn and discover more about magic and spellcraft. she hates the witch community but she's also obsessed with it

now look at this sequence: agatha demonstrates once again that she knows Billy is behind all of this. only she goes about it with hints and metaphors because - you know - she's a damn fucking coward

sharon has gone through all the stages of grief in twenty minutes: denial (this is a kidnapping!), anger (this came from talbots, you can't have it!) bargain (okay, okay, okay, catching my breath, okay), depression (I don't know how do you expect me to walk and walk and walk when there is nowhere to walk to!) aaand now she's accepted her fate. time to get drunk. and die.

"That would be such a bummer." WOULD IT NOW BILLY. WOULD IT BE SUCH A BUMMER IF SHARON DIED SO SENSELESSLY? WOULD IT SEND AUDIENCES THROUGH ALL FIVE STAGES OF GRIEF TOO IF SHE WAS KILLED LIKE THAT??? IT'S ALMOST AS IF THEY'RE DOING IT ON PURPOSE OR SMTH BILLY

what I'm saying is, the writers are truly basking in some cruel irony right now. especially considering that billy is going to feel so responsible about sharon's death

the others look back at the house, agatha is the only one looking at billy, she's the only one who understands the implications of the exchange between billy and sharon. I imagine her process being something like "this is really going to hurt the kid later -> should I say something? -> should I step in? -> should i...? -> ... ->nah"

so the moon in the sky and the color of the leaves on the Road depend on the trial? is that why they were blue just now? I need to pay more attention to stuff like that

sharon takes a deep breath, sighs, goes into the house last.

sudden aspect ratio change! not my favorite outfits, but I love those pants on kathryn

see you tomorrow peeps ❤️

go to episode 3 part 2

[prickly-paprikash]

Something cool about Blue Eye Samurai is how sex is juxtaposed with the end-goals.

I really love how our three protagonists are all obsessed. And that obsession defines them, torments them, and are subsequently reborn through their obsessions.

Mizu, of course, is obsessed with the concept of revenge. It's not even about getting even or getting justice as some might use to justify the bloody road taken—it is simply about seeking satisfaction for Mizu. She cuts a bloody swathe across Japan because of what the Four White Devils did to her mother and herself. She does not concern herself with the ramifications of her wrath but merely charges forward, leaving behind a trail of viscera and gore behind her.

Like I said before, her vengeance and obsession with satisfaction is not painted by the show as wrong. It is how she allows it to affect others along the path. It's why the episode with Madame Kaji is so enlightening; Mizu should not tackle this quest as a vengeful revenant; an onryō. She has let the world define her as a monstrosity and so she embraced it, when Swordfather and Madame Kaji knew what the correct path was to satiate her need for vengeance. Treat her sword as the Artisan's tool it truly is. Treat her body the way an Artist would treat their canvas.

Madame Kaji and Swordfather are both outcasts, for being a woman and a blind man. Yet they found strength in their exclusion, becoming single-minded in their fields of art. Because sex is art and swordsmithing is art. It's what makes Mizu's body writing scene so fucking good.

Artistic vision becomes stagnant when one pulls from only one source. They become rigid and unbending when Mizu, like her namesake, must be fluid. She has shown fluidity in her use of her gender and her morals, but cannot apply that same flexibility towards her goal. Throughout season one, she was becoming an uninspired artist, merely painting the world in hues of scarlet. In a world that forces Women to be either Wives or Whores, Mizu chose to be a Warrior—but a warrior fights for a cause, whether it be just or otherwise. A soldier fights in an army. Mizu is neither of these things. She is an Artist first and foremost, and her medium is Death. Sex, something Mizu was at first hesitant before her failed marriage, and something she actively avoided afterwards, is what gives her a new perspective. Like an Illustrator studying life to better draw their intended worlds, taking inspiration from wherever one can find it.

Taigen and Akemi are also equally affected by the artistry of sex, as befitting of Mizu's fellow protagonists.

Akemi is quite obviously Mizu's narrative foil. Mizu chases after revenge like a bloodhound whereas Akemi longs for freedom like a bird in a cage. Both are fierce women who are unsatisfied with their lot in life, with their sex and gender being used against them in their lives. Literally, the episode "The Tale of the Ronin and the Bride" is a fucking triple entendre:

Mizu is the Ronin as well as the Bride.

The play showcases the tale of the Ronin and the Bride.

It is also Mizu as the Ronin and Akemi as the Bride.

And when Mizu finds her center as she melts down her blade and engages in body writing, this scene of enlightenment is juxtaposed with Akemi laying with her new husband Takayoshi. Both, in this moment, are taking control of their lives through sex. They are both taking control of their futures through the ways Madame Kaji taught them. Mizu and Akemi are both rebels against this oppressive society, and are both talented artists with their body. Whether that be sex, politicking, or ass-kicking.

Taigen, like the two women before, finds freedom through it but in a more subtle manner.

Where Mizu and Akemi are narrative foils, both using sex as a form of art and escape, Taigen finds liberation through his awakening.

Like the closeted bisexual man he is, he begins his journey of self-realization when he first encounters Mizu at the Dojo.

Every single battle these two have is purposefully rife with sexual tension. All his life, Taigen has been taught that a man must live with honor. That he must take control of his life and his identity, or he will have failed and that he is better off dead than to live with such shame.

Taigen is just as much a victim of the Patriarchal society around him. Mizu rails against it violently. Akemi seeks to run away from it all. And Taigen, with the privilege given to him by his manhood, chooses to become a perpetrator, enabling the vicious wheel of society to keep moving forward.

His obsession with honor leads him to hunting down and even protecting Mizu. Mizu is no doubt the better warrior, but even she knows she owes so much to Taigen. The blockhead not only did everything to protect her in the valley, but also sealed his lips shut even under the duress of torture. His obsession with honor becomes an obsession with Mizu.

His regrets over tormenting her over her looks and ethnicity as a child. His shame in having lost so decisively in his own dojo. Taigen was a man born with nothing and climbed up to the top with every advantage he could muster, and suddenly it's all ripped away by this one vengeful spirit passing by.

Taigen learns to surrender control around Mizu. He begins to discover his own sexuality and purpose around Mizu, redefining what honor really means to him now that he, as a man, has a budding attraction towards the man who beat him.

Mizu's Vengeance. Akemi's Freedom. Taigen's Honor. In all three, Sex becomes a catalyst in redefining what each of these concepts truly mean to them all. It's not just sex of course, but it is undeniable how the writers keep juxtaposing sexual acts and thoughts with massive character moments.

It changes how Mizu chases after her Vengeance. It recontextualizes how Akemi can be Free. It showcases the absurdity of the Honor forced upon Taigen.

It's so fucking refreshing seeing Sex not used as fanservice or shoe-horned in just to further a stale, poorly written cis-heterosexual romance; but used as a plot point that cannot be ignored. An impetus that fuels the narrative.

Moving forward, I'm curious as to how sex will be used.

The next few ideas aren't as sound or organized because I'm neither Asexual nor Genderfluid, so please if anyone reads this who understands it better, feel free to point it out.

I think it'd be cool if Mizu met the inverse of Madame Kaji. A person who is apathetic to sex. Sure, Swordfather has shades of this, but I'm tired of the person with disabilities also being on the Asexual spectrum. And I'm not saying that Ace or Graysexual people with disabilities don't exist! But they always tend to be written as having some form of disability (Varys from ASOIAF) or a Robot.

Just as artists need a variety of sources to pull inspiration from, I hope in the next seasons we get to see different perspectives on sex and gender. In London, it feels like Mizu finding the other half of herself, and with that having a better way of tackling her own identity. Whether it be gender, sex, combat, etc.

Basically what this inane rambling amounts to is that Blue Eye Samurai tackles sex and violence and revenge and obsession in ways that most media has yet to truly do. So that was pretty cool.

[rafesangelita]

໒꒰ྀིっ˕ -｡꒱ྀི১ season four (part two) let’s talk about it..

episode six:

i hate myself rn because why do i find young luke hot?? absolutely insane. larissa looked so sweet, this is unfair!! and the way jj put a hand to his heart when he was leaving the lighthouse?? SAD. rafe’s biceps look insane. i hope both sarah and rafe get to get in contact with wheezie at some point :( ruthie acting smug the whole time at the court house is making me want to crash out. when jj said “the new figure eight.” YEAH.

episode seven:

i hate groff and luke with a passion. FREE POPE RIGHT NOW!! so sofia knows she messed up but i just can’t see rafe getting past that, like there’s no way. POPE GOING TO THE MARINES?? SAY SIKE RIGHT NOW. i needed that scene with popecleo. groff is so fake i can’t do this rn. like how can you sit there, say all that heartfelt stuff and then lie on jj like that. NO WAY JOHN B MISSED WITH THE MOLOTOV ARE YOU JOKING??? LMAO.

episode eight:

john b is really doing it for me this season.. got me thinking. kie looking at sarah all crazy when she took the joint from john b lolll. john b being so supportive <333. groff calling the cops on jj, i hate himmmm!! and him making jj open that casket was so wrong of him omg. KIARA GETTING KNOCKED OUT HELLO??? POPE RUNNING OUT OF SIGNING MARINE PAPERWORK YESSS. ruthie and kelce pulling up with bats, i’m cringing so bad rn. WHY WOULD SHE PUSH SARAH ON THE GROUND WTF!! GROFF JUST SHOT HOLLIS (why do i feel bad for not liking her now?)

episode nine:

i’m sorry but why would the pogues go out in the open with a police boat?? PLSSS.. RAFE JUST PROPOSED TO SOFIA WITH HIS MOM’S RING I’M GOING CRAZYYY RN. rafe defending the pogues all backhanded is on brand for him i’m afraid.. kie cutting rafe free, okay..

episode ten:

PLSSS rafe yelling in the street like that LMAO. john b and all those apples in his shirt.. rafe having all that money and not even OFFERING to buy sarah something to eat is so crazy 😭. rafe being taller than everyone in the street is doing something to me. GROFF JUST TOLD RAFE ABOUT SOFIA WHAT DOES THIS MEAN?? so rafe literally told her to “pack your shit, get out of my house.” i just knew it wasn’t gonna last 😭 at least we got bf rafe content though, so.. SARAH SAVING RAFE AND SAYING “that’s my brother.” PLEASE RECONCILE I NEED TO SEE IT!! BYEEE THEY HUGGED AND CRIED THIS IS WHAT I NEEDED.

WHAT DO YOU MEAN JJ DIED?? THAT’S LIKE THE WORST THING THE WRITERS COULD’VE DONE, HELLO?????!

[stevie-petey]

episode four: will the wise

“What do you want, Hargrove?” Steve asks, situating himself so that more of his body is in between you and Billy.  He sucks his teeth and then lets out a cold chuckle. “Nothin’, just didn’t know that this little sweetheart had it in her.” “Don’t call her that–” “I mean, her boyfriend runs off with your girlfriend?” Billy chuckles again. “I’m surprised Y/N Henderson ran into your arms, Harrington.”

Summary: jonathan is gone for one day and suddenly all hell breaks loose, your hesitant friendship with steve is already rocky (thanks billy) but steve is hot when he's angry tbh, you become a couple's counselor to lucas and max (sorry dustin), and you're now officially the world's worst cat owner ever. and babysitter. but what else is new ?

Rating: general, swearing

Warnings: use of y/n, fem!reader, mentions of blood and scars and knives

Words: 5.7k

Before you swing in: hello ! happy friday, heres chapter 4 :) before i say more, i wanted to inform yall that i started doing blurbs for come home if youre interested in seeing more lil scenes between everyone. they can be found here x. anyways, i absolutely cannot believe we're already halfway through the season (im skipping episode seven obviously, since its just an entire el ep). this chapter we see a liiiil more of readers dynamics with the kids, so im super happy about that. next chapter we finally get steve, dustin, and reader so !!! hella excited about that. for now, pls enjoy <3

-

Mike and Lucas split up and go outside while you, Dustin, and Max start running through the halls, shouting Will’s name. 

“Will!” You’re more pleading rather than shouting. It’s happening again. It’s fucking happening again. Your mind is running a million miles a second, you feel the cold hand of fear twist around your throat. The last time you felt fear like this was when you showed up at Jonathan’s house and collapsed in his arms right after finding out Will had gone missing. 

And now he’s gone again, but Jonathan isn’t here this time to keep you steady. 

Dustin cups both hands over his mouth. “Will!”

You all turn a corner but Will isn’t there. Nothing. 

“Dustin!” Joyce rounds the corner, alarmed. “What’s going on? Where’s Will?”

The woman is moreso asking you than the kids, but you can only shake your head at her helplessly. “I don’t know, Mrs. Byers.”

Joyce holds your gaze and you feel so ashamed of yourself. You’ve let her down again. She’s always been so trusting of you with her children, and here you are, once again a fucking wreck trying to find the son you’ve lost. 

Down the hall, a door flings open. “The field!”

The four of you turn and find Lucas standing there, panting and out of breath. He motions for you all to follow and in a heartbeat you begin to run outside after him. 

There, you find Mike in the field with Will standing next to him, and for a second you feel relief wash over you. He’s okay, he’s safe and isn’t in another dimension. But as you get closer, you notice the stiffness in Will and the way Mike is shaking his shoulder. 

Something isn’t right. 

“I just found him like this!” Mike is shouting. “I think he’s having another episode!”

This would make two in two days. 

When you reach Will, you finally grasp how dire the situation is. He looks horrible, his eyes have rolled into the back of his head and are spasming. His body shakes, his fingers twitch by his side and the veins in his neck strain. 

Joyce quickly grabs him and starts shaking his shoulders, pleading with him. “Will, sweetie, wake up! It’s mom!”

You cover a hand over your mouth as you watch, horrified. Dustin and Lucas stand next to you, each clutching your shirt in fear. Their fear grounds you, making you focus back on them and pull them closer to you. You try to give them as much reassurance as you possibly can, but you know it’s useless. All you guys can do is wait for the episode to end. 

Max stands across from you, watching the situation unfold with her own uncertainty. She doesn't understand what any of this means. Why this is happening to Will, and why you’re close to tears as Joyce pleads with her son to come back to her. 

The fear on her face is why you agree to Mike to not let Max into the party. They’re all so fucking young. Too young for any of this. 

“Will, can you hear me?” Joyce pats Will’s face and you pull the boys even closer to you. Mike refuses to leave Will’s side. 

“He’ll be okay,” you whisper to the kids, but you’re selfishly trying to comfort yourself. 

Tears form in Mike’s eyes and you just want it all to stop. Will isn’t waking up and Dustin is shaking against you and Joyce’s pleas have become more like begs and it’s all too much. 

Then, Will’s eyes snap open and he takes a sharp breath that hurts your own chest to hear. 

You release the breath you’d been holding. The worst of it is over.

Will looks around shyly, as if he already knows it’s happened again. Joyce exhales and kisses his cheek and wraps him in her arms. Mike and the others look around, uncertain but relieved, while Max stands off to the side. 

You wish you could explain it all to her, but it wouldn’t be right.

Slowly, once Will has recovered, you and the kids walk with Joyce back to their car. Dustin’s hand hasn’t left yours and you secretly wouldn’t let him go anyways if he tried. 

“Have the episodes always been like this?” You ask your brother, now remembering that he had to witness that alone on Halloween night. 

“Yeah,” Dustin responds, his voice small. 

You squeeze his hand and follow after Joyce. In your head, you’re creating a list of all the baked goods you can make with the ingredients you know you have in your kitchen. They all deserve some oatmeal raisin cookies after this.

When you get to the car, you break away from the kids and step in front of Will. He’s pale, paler than he’s been in a while, and it’s only now that you see the bags underneath his eyes. He’s gotten worse, how could you have missed that?

You should’ve seen the signs sooner. 

“Did I scare you?” Will asks, and you immediately grab his hand. 

“No, never. You just… gave me a reminder that I love you. Go get some rest, little bee.” You kiss his cheek goodbye and he quietly gets in the car. 

Joyce is behind you, and once Will is safely in the car you turn to face the woman. “Call me if anything else happens, please?”

She nods at you, already understanding why you need the reassurance. There’s a warmth in her eyes, even if every other part of her seems exhausted. “I will.”

“I know I’m not a scientist, or–or a licensed therapist but I just–”

“Sweetie, I understand. Apart from Hopper, you’ve done more research and reading than anyone else. If Will gets worse, I’ll call.”

You smile at the woman appreciatively. “Thank you.”

She squeezes your shoulders and then gets in the car, driving off. You stand there for a moment, needing a second to compose yourself, before turning around to join the kids standing on the school’s steps. 

They seem to have all forgotten about Dart, but you sure as hell haven’t. Dustin fiddles with his walkie and won’t meet your eye, which only reminds you of how weird he had been acting in the bathroom earlier when he conveniently couldn't find Dart.

The two of you are definitely having a code blue tonight. 

“Dustin, you’re my ride to work.”

“What?”

“Jonathan can’t take me, so I have to ride on your pegs.”

“Who’s Jonathan?” Max asks. 

You give the girl a thumbs up. “Love the enthusiasm to understand everything, unfortunately I need to get to work and lecture my little brother.” 

“Good luck, Dustin.” Mike snickers. 

Your brother waves him off. “Yeah, yeah.”

You say goodbye to the kids, giving a stern warning that if they find any signs of Dart to tell you immediately. “I’m looking at you, Wheeler.”

Mike groans and you leave him to wallow as you hop on Dustin’s bike pegs 

“She always this bossy?” Max mumbles to Lucas.

He shrugs. “Yeah, but she’s also always right, so.”

You blow a kiss towards the boy, and he blushes. Once Dustin is ready, the two of you head towards town. 

The bike ride is quick, one of the small perks of living in a small town. The entire ride, you and Dustin are quiet. You both know that you have many choice words to say, but Dustin still looks shaken up from Will’s episode and you’re not doing too well, either. 

When Bookstrordinary’s sign greets you, you tap Dustin’s shoulder to alert him to stop. You can walk the rest of the way, you don’t want him out too late in the dark. 

“You’re lucky I can’t call off tonight, otherwise I’d kill you right now.”

“You’re such a great big sister, Y/N.”

“Thanks, I try.”

You hop off the bike and sigh. “When I get home tonight, you and I are talking.”

Dustin looks down, but takes a deep breath and salutes you halfheartedly. You laugh a bit, salute back, and then tell him to bike home safely. 

– 

After a very long and anxious shift, you ask your coworker for a ride home.

Alex almost drops his keys and looks around, as if you could be talking to anyone else in the empty store. “M–me?” 

“Yes, Alex. I need a ride home.”

“Where’s Jonathan? I won’t like, die if I drive you, right?”

You roll your eyes. “No, he’d only kill you if you didn’t drive me home since it’s late.”

Alex exhales, relieved. “Okay, yeah. I can take you home, then.”

By the time you get home, it’s later than you anticipated. Alex was kind enough to drive you, but had you known he was a new driver who went ten below the speed limit, you would’ve just walked. 

You walk inside and all the lights are off. Your mom is on the couch with Mews, softly snoring while some program plays on the TV. She tends to do that now, fall asleep on the couch rather than her bed. Too many memories, she explained once to you. 

Quietly you take your shoes off and grab some leftovers in the fridge. Dustin’s door is closed and his own light is off, which you sigh at. 

“Shit.”

He could be tricking you into thinking he’s asleep, but you could just be overthinking it. Dustin has been having more nightmares recently, you’d feel horrible if you knocked on his door and woke him up from his much needed sleep. He’s been through enough today. 

You eat your dinner, alone at the table, and you wonder how exactly you’ve wound up here again. Monster on the loose, Will in danger, Jonathan off with Nancy. 

Seems like you can never have a normal November ever again. 

After you’re done eating, you tiredly head to your room and collapse on your bed. Except, instead of landing on your soft pillows, you land on a hard body instead.

“Oomph–” A voice groans underneath you. 

You fling yourself off, finding Jonathan laying there. “Jonathan Byers, what the fuck are you doing in my bed?”

He rubs his eyes. “Said we’d call tonight.”

You stare at him. “That doesn’t at all answer my question.”

“We said we’d call tonight, but then Nancy and I realized our calls could be traced here, too. To your house, but I promised to keep you updated, so… Here I am.”

“And napping in my bed was just something you had to do?”

Jonathan yawns. “Yup.”

You flick his forehead. “Scoot over.” 

He makes room for you on the bed so that you lay side by side. Technically he’s not supposed to sleep in your bed, but your mom never said anything about naps or cuddling. You nuzzle against Jonathan’s chest, allowing the fear and anger from today leak out of your bones as you rest them. He’s always had that effect on you.

Here, in Jonathan’s arms, you feel the safest.

“What did I miss today?” You ask once you’re settled in. 

Jonathan thinks for a moment. “Well, Nance and I got the tape recorder and then drove to her house. She called Barb’s parents, told them she had to confess something about Barb and to meet her tomorrow at Forrest Hills Park in the morning.”

“She’s a genius.”

“She is,” Jonathan lazily responds. He’s drawing small circles against your hand, which is splayed against his chest. His sweater, one you bought him for his birthday, is soft against you. Jonathan seems happy right now, or at least content, and you almost don’t want to ruin the moment. 

It’s so rare to have him like this these days. The old Jonathan, shy and quiet and bashful. 

But he has to know about Will and Dart. It’s only right that he knows. 

“Something happened today, at the middle school.”

There must be something in your voice, because the second the words leave your mouth, Jonathan sits up to look at you. “What happened?”

“My brother found a baby monster from the Upside Down, named him Dart, hid it from me, and now he’s lost.” Jonathan stares at you and you can only sigh. “Will also had another episode. His second one in two days.”

“Fuck…”

“Yeah. Got to the middle school and suddenly I was chasing around some lizard looking thing from the Upside Down. Pretty typical day, honestly.”

“I wish I could’ve been there, I’m sorry. I can help you look for Dart tomorrow–”

“It’s okay,” you reassure Jonathan. “If anything, this all just proves that you and Nancy are onto something. I mean, it’s been a year and we’re still dealing with so many fucking problems due to their carelessness. How the fuck does a creature from the Upside Down just happen to survive and find its way to my brother? I mean, what if someone else had found it?”

You shake your head. “Something’s going on. You and Nancy need to keep going. Expose those evil fuckers.”

Jonathan frowns. “But what about you? What if the baby monster has a bigger, angrier mom and you get hurt?”

You hadn’t thought about that, honestly. “Huh, that’s a great question.”

“Bug–”

“I’ll be fine, bee. Those assholes at Hawkins Lab need to pay.”

Jonathan throws his head back, closes his eyes, and sighs. He knows he can’t argue with you about this, you already willingly took over the role of babysitter, but he still doesn’t like it. Sometimes your selflessness makes him want to scream.

“I hate that you’re always right.”

“I personally love it.” You respond, and Jonathan laughs. He uses his whole chest, it’s breathy and deep and full of warmth, and you smile and kiss his cheek as he laughs. 

No other conversation follows, you and Jonathan are content with just laying there in silence. It’s been a while since you guys were this close. Limbs tangled with limbs, the warmth from the body heat almost too much to stand, yet just enough to love. 

He stays for a while, but eventually he kisses your forehead and tells you he has to go. “Early morning, but I promise I’ll be back the next day.”

“I’m holding you to that.”

Jonathan laughs again and untangles himself from you. He presses another kiss to your forehead, playfully tucks your blanket underneath your chin like a child, and then wishes you a goodnight as he leaves through your window.

– 

For some goddamn reason, you miss your four fucking alarms this morning and oversleep. By almost an entire hour. You’ve never, ever slept through your alarms this horribly before, and you’re blaming the Hawkins Lab people for it. 

Now, you know the real reason is because you’ve spent every night for the last three weeks obsessively researching post-traumatic stress disorder, but blaming Hawkins Lab makes you feel better. 

You get ready as fast as you can, and of course this happens the one morning Jonathan can’t drive you to school and you have to bike. Your mom and Dustin have already left, which. Fuck. You still have to talk to Dustin about Dart. 

Not off to a great start this morning. 

It takes a burnt piece of toast for breakfast, cramped calves, and a lot of prayers, but you manage to make it to school only minutes before the first bell rings. When you arrive, you have just enough time to notice that both Steve’s car and Billy’s car are parked in the lot. 

Great. You have to deal with them both alone today. 

As you’re walking inside, you hear a few people whispering about Jonathan and Nancy. Seems like word has spread that they skipped fourth period together yesterday and still haven’t returned yet.

Awesome. Steve will definitely be in a great mood today once he hears about that.

He can’t seem to catch a damn break. 

And neither can you, because you quickly realize how weird it is being at school without Jonathan and Nancy. It’s lonely, and Steve still seems to be hiding from you. 

No, not hiding, you remind yourself. He’s still hurt, he asked for space and the least you can do is give it to him. You told him where to find you.

And find you Steve does. 

You’re in the lunchroom, staring sadly at your pathetic lunch consisting of a handful of granola bars, resolving yourself to a lonely lunch without your friends, when Steve’s body slides into the seat next to you. You look up, surprised, and he raises his eyebrows at you. 

“We need to talk.”

“Okay… About what? I forgot what topic we’re on. Are we still on the whole friends conversation?”

Steve isn’t in the mood for this. “Where did Jonathan and Nancy go?”

Fuck. 

You look around the lunchroom, scared that the wrong people could be listening in. “I… Okay, I know we just had a whole conversation about being honest and I begged to be your friend again but… I can’t tell you.”

Steve takes several seconds to respond. You know he’s doing everything he can to not completely snap at you. “You… can’t tell me where my girlfriend ran off to?”

“No…” 

“You recognize how fucking stupid that sounds, right?”

You swallow. “I do.”

Steve pinches the bridge of his nose. He’s so beyond pissed off right now. Yesterday you were in his car, reassuring him that he’s a good guy and charming and pretending to be his friend again. Now, you won’t tell him where the fuck his girlfriend has gone. 

Steve isn’t an idiot. He knows there’s more to why you ditched him this summer, something you refuse to tell him, and he respected that. He did. He hadn’t wanted to push you too far, but it’s pretty damn ironic that you’re trying to get back into his life while still fucking lying to him. 

You see the obvious frustration on Steve’s face, and you wince. You take another look around, deciding to risk it. This isn’t fair to him, he deserves to know because from an outside perspective, you’d also be incredibly pissed off if your girlfriend just up and left with the guy she has weird feelings for. 

“Listen,” you lean in close, whispering, “Jonathan and Nancy went off to get evidence about who really killed Barb.”

Steve whips his head back. “What–”

“Shh!” You reach behind his head and shove him back down so that you can whisper again. “That’s all I can tell you. There’s… There’s people who could be listening, bad people who could hurt us and–”

“Well, what do we have here?” A voice interrupts.

The hair on the back of your neck stands up. 

It’s Billy.

You and Steve break apart, but he places a hand on the back of your seat in a protective manner. You lean in closer to him, trying to make yourself smaller as if Billy doesn’t already have his eyes on you anyways. 

“What do you want, Hargrove?” Steve asks, situating himself so that more of his body is in between you and Billy. 

He sucks his teeth and then lets out a cold chuckle. “Nothin’, just didn’t know that this little sweetheart had it in her.”

“Don’t call her that–”

“I mean, her boyfriend runs off with your girlfriend?” Billy chuckles again. “I’m surprised Y/N Henderson ran into your arms, Harrington.”

Billy learned your name. 

You don’t want to know how. 

“I mean,” Billy shrugs. “It’s a genius plan. Scorned lovers pissing off their exes. But from what I’ve heard, the school’s sweetheart wouldn’t even hurt a fly.”

“Jonathan and I aren’t together.” You finally find your voice. 

This only seems to entice Billy. He takes a step forward and leans against your table. “So, you’re single then?” 

Steve’s hand tightens around your seat and you feel his body tense. Billy seems to notice this, too, and shakes his head. 

“I know I promised I’d leave you some, Harrington. But this one?” He leans in closer to you, his breath minty and cold as it ghosts against your face. “She’s cute. I think I’ll keep this one.”

A chair goes flying across the room as Steve stands up. He has his fist raised and you’ve never seen his eyes so cold before. He hates what Billy is implying about you, as if he has some claim over you, as if you aren’t a human fucking being. 

You’re so much more than that.

“Don’t talk about her that way.” Steve growls out, his face inches away from Billy’s.

Billy seems to come to life, having finally cracked Steve Harrington, and within a second he has his own fists raised. You’re aware of everyone’s eyes on you in the lunchroom and vaguely you remember Steve confessing to you how much of a hardass his father is on him about school. He can’t get into any more trouble, especially not because of you. 

You shove yourself between Steve and Billy, despite how much your body screams at you to run away for being so close to the other boy. You ignore him, and force Steve to look at you. “Not here. Please.”

Steve looks between you and Billy, sees the pleading in your eyes. He sighs and reluctantly backs down. 

“Seems like the sweetheart has you whipped, Harrington.” Billy remarks, a pleased smile on his face. “Makes me want her even more–Shit!”

Milk drips down Billy’s entire shirt. 

“Oops,” you say, without any ounce of sincerity. You set the empty carton down and give the boy a aren’t I such a clutz? look. “God, silly me! I can’t hurt a fly, but it seems I also can’t hold a milk carton properly.”

Steve stifles a laugh next to you, and around the room a few others are brave enough to laugh as well. You smile innocently at Billy, who looks five seconds away from flipping the table. “Sorry about that.”

Billy, knowing he’s being watched, forces a smile himself. “You’ll pay for that.”

“Oh, I’m sure the shirt was only worth $5 anyways.”

This time Steve lets his laughs out and it calms you, steadies the shakiness you feel as you stand off against Billy. You hope you’re hiding how fucking terrified you are right now. 

You wait for a response, but Billy only storms out of the lunchroom. It’s quiet for a few moments, but slowly the usual buzz in the room returns and everyone goes back to their conversations. You stand there, your heart still in your throat, and Steve’s hand brings you back. 

“Hey, sit.” He tugs you back down and you’re too numb to fight back. “That was awesome, but are you okay?”

“Honestly? No.” 

He thinks for a moment. “Alright, well. I’m still mad at you, so… Would it be shitty if I left?”

Despite everything, you find yourself laughing. “No, Steve. I understand.”

He lingers. “Are you sure? I mean, I can stay…”

“No,” you squeeze his hand. “We can talk more about this later. Alone, without possible psychotic spies around. Go.”

Steve bites his lip, but he’s still angry at you and he has so many things he wants to ask but you’re pale and still shaking from Billy. If he demands more from you, Steve knows it wouldn’t end well for either of you. You both need your space right now, that’s one thing he’s come to learn about you and relate to himself. 

Sighing, he stands up and, to try and make up for being the asshole who leaves a vulnerable girl alone, Steve ruffles your hair. “Stay out of trouble, will ya?”

“No promises.” You smile up at him, though you know it looks as tired as it feels.

He hesitates again, pauses for a few seconds, but eventually he leaves. And then you’re left alone again. 

– 

As soon as school lets out, you march straight over to the middle school, knowing the kids are bound to be there. Dustin, specifically. He’s managed to slip through your fingers three times now. 

Holy shit, you’re really losing your touch.

The second you find the little asshole you’re going to demand a code blue, doesn’t matter where you’ll be, and then interrogate him about Dart and figure out whatever the hell else he’s hiding from you. Then, you’ll make him clean Mews’ litter box for a whole month. 

You’re so lost in your revenge planning thoughts, you almost walk right past Lucas and Max arguing in the parking lot. 

“What is wrong with me? What’s wrong with you?” Max flies past you, her shoulder knocking against yours. You steady her and notice she’s talking to a very nervous looking Lucas. 

Oh dear. 

“I don’t understand!” He calls after her.

“Hey, what’s going on?” You try to intervene, but Max rips herself out of your grasp and gets in Lucas’ face. 

“No!” She’s shouting now. “I don’t understand! You guys act like you want me to be your friend but–but then you treat me like garbage?”

Huh. She’d get along great with you and Steve. 

Lucas looks over at you, helpless. “That’s not true!”

“Don’t look at me, buddy.” You tell him. 

“Yes, it is! You go and hide in the AV Club, keeping secrets like we’re in second grade or something…” Max’s words catch in her throat, giving you a glimpse of the hurt girl underneath her indifferent exterior. “You know, I thought you guys wanted me in your party.”

You step close to her. “Max, I know it might not make any sense but–”

“Don’t tell me you’re in the party but I’m not.”

Now it’s your turn to look towards Lucas for help. 

He sighs. “Look, we want you in our party, but it’s…”

“But what?” Max looks between you and Lucas, obviously becoming more and more hurt the longer this conversation goes on. 

“There… there are just things.”

“Things, yeah.” You unhelpfully echo, but Lucas glares at you. “Sorry.”

He tries again. “There are things we can’t tell you, alright? For your own safety.”

“Lucas,” you warn, scared he’ll say too much, but Max just gets angrier. 

“My own safety?”

“Yes!” 

“Because I’m a girl?”

Well, that’s certainly one way to look at it.

Lucas scoffs. “What? No!”

You step in between the kids. “Alright, no. That’s not it at all and this conversation will just keep going in circles.”

Max ignores you. “Did you keep secrets from El?”

You and Lucas share a look, and then, at the same time, ask, “How do you know about El?”

“Did you?” She presses, but she’s looking more at you now than Lucas. She’s expecting you to take her side, to tell the boys to be nice to her and let her into the party, but the scar on your upper arm burns and your ankle faintly throbs. Those wounds will never fully go away; you’ll carry them with you your entire life.

You know how shitty it feels to be left out, but you also know how shitty the nightmares are as well. Max can never be brought into the Upside Down. Not when she has the chance to live a happy and normal life, free from any danger and turmoil. 

“That was different,” you tell Max, trying to be as gentle as possible. “I really, really wish I could explain, but I can’t. It’s for your own good. If I could’ve prevented the party from going through what they have, I would’ve. But I couldn’t, and it haunts me every day.”

Max stares at you, and you admire how much spunk she has in her. You can see her thinking about what you’ve said, analyzing your words for any lies or deception, and you know she’s spent years doing this on her own. Your heart breaks for her.

Billy’s anger flashes in your mind. Max is an intelligent girl, but you know he’s the reason why.

When she can’t find any lies in your words, she just sighs and shakes her head. “You know what? Forget it. Okay? I don’t want to be in your stupid party anyway. I’m out. Have a nice life.”

Lucas stands there for a moment, processing what’s just happened. “Max!”

“You still stink, by the way.” She calls back, and you step back a bit from Lucas. 

“Not to make this worse, but she’s right.”

Lucas glares at you but then sniffs his jacket, cringing with repulsion. “Oh, shit!” 

He throws his hands up in the air and starts walking back towards the school. You don’t follow for a second, instead you watch as Max skates down towards the parking lot, where Billy is waiting. He has his arms spread against his car, and he seems to have noticed you long before you noticed him. 

Billy’s eyes pierce yours and you shudder. There’s a hatred in his eyes that you’ve never seen before, unlike anything else. Again, your heart breaks for Max. You can’t imagine having an older brother like him.

You force yourself to turn around and join Lucas up ahead. Gross, sleazy men are the least of your concerns right now. 

But then Lucas turns and makes eye contact with Billy before you can warn him not to. “Why is that guy glaring at us?”

You shove Lucas to keep walking. You don’t at all like the disdain in Billy’s eyes. “I poured milk all over his shirt today. Keep moving.”

The boy trips over a rock. “You what?”

“Long story, can we please just go inside and find Dustin? I need to talk to him.”

Lucas sighs, knowing that what he’s about to say will only anger you more. “I can’t find Dustin either. We were supposed to meet by our lockers after school to keep looking for Dart.”

You stop walking. “And he didn’t show?”

“Nope.”

“I’m going to kill him.” You know exactly where your brother is: at home hiding Dart and trying to figure out what to do with him. 

Lucas senses you know something. “Y/N, what did he do?”

“Nothing!” You cover for Dustin quickly, because he’s your idiotic brother whose problems are also somehow yours. You’ll always have his back, but you also hate lying to Lucas. “He just probably had to head home immediately. Our mom has guests over.”

“Guests?”

“Yeah! Totally unexpected, I know, but you know how our mom is.” You start speed walking towards the bike rack. You need to head home. Now. 

Lucas doesn’t believe you. “Y/N–” 

“I’m sorry about Max, by the way!” You call as you run towards your bike. “Talk to her! Obviously don’t mention the… Stuff, but just know if it doesn’t work then it’s for the best! We have to keep her safe!” You’re rambling as you unlock your bike and hop on. 

Lucas is not far behind you. “Are you seriously giving me girl advice as you’re running away from me to go cover for Dustin?”

“Yes. Bye, Lucas!” 

He lets out a frustrated groan and calls after you, but you kick up your kickstand and immediately pedal away, leaving him in the dust. You feel bad, you do. Lucas is one of your favorites to interact with, he’s always been the most rational, but right now you have to go make sure your brother doesn’t burn down this entire town.

You’ll bake Lucas brownies later. 

– 

“Dustin Henderson, you’re so dead!” You slam the front door, sweaty and out of breath from your frantic bike ride.

“Y/N! What’s going on?” Your mother clutches her chest, obviously frightened by your sudden entrance. 

You quickly walk towards Dustin’s closed door. “Everything’s fine, just sibling stuff.”

“Oh, well have you seen Mews?”

The door is locked. Of course the fucker locked the door. You start pounding on it. “Dustin, let me in before I radio all your friends.” Then, you call to your mother in the living room. “And no, I haven’t seen Mews, mom.”

You hear her sigh and mutter to herself where Mews could be, and you figure you’ll help her look after your idiot of a brother lets you into the room. 

Again you pound against the door. “Dustin, I swear to god–”

The door swings open and a hand grabs your shirt and flings you inside, before promptly slamming the door behind you. Once you’re inside, Dustin turns to you, worried. “We have a problem.”

“Damn right we have a problem, where the hell have you been–” There, behind Dustin, is his turtle’s tank, completely shattered. Bile rises to your throat. “Please tell me Yurtle suddenly got super strong.”

Dustin walks over to the tank and holds up what looks like slimy plastic. “So, I kept Dart.”

“Dustin–”

“And he grew. A lot. This is his old skin.” He throws it back down. Then, backing away from you a bit, he admits, “I also can’t find him.”

It takes everything within you not to strangle the kid right then and there. You start pacing the room, mumbling to yourself, “I’m a good sister, I’m a good sister, I’m a good sister.”

“Y/N, I’m sorry, alright? I just, I got excited and Dart likes me and–”

A loud growl cuts your brother off. In a heartbeat, he’s back by your side, clutching your shirt in fear. Instinctively, you pull him behind you and reach for your switchblade that you always keep in your pocket now. After everything that’s happened, you find comfort in having the weapon always close to you. 

Slowly, you and Dustin start walking towards where the growl came from. Your hand never leaves his back, ready to push him out the door in case anything happens. There’s horrible grunting noises coming from the corner of his room. As you walk closer, you see a trail of dark red scattered across the carpet and his chair.

It’s blood. 

The realization makes your breath hitch. 

The grunting gets louder as you approach the chair, and then, slowly, you peek behind it. There, you’re met with a gruesome sight.

Dart is eating Mews.

He's bigger than he was yesterday. Way bigger. Dangerously bigger.

You scream, unable to help it, and Dustin quickly covers your mouth so that you don’t alert your mother. The sound seems to alert Dart, however, and he raises his head from Mews’ stomach, covered in blood, and lets out a horrific screech. 

Its mouth opens the same way the monster’s did at Jonathan’s last year, the same monster that had almost killed you and your friends. The sight paralyzes you in fear as the memories come crashing back from that night. The scar on your arm burns again. Your ankle twings in pain, and you feel sick. 

Your cat is dead. 

And Dustin has been hiding a fucking baby demogorgon in your home. 

-

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