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#but no i've never read dracula
spicebiter · 2 months
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Reading List (Latest Update Aug. 4, 2024)
The full list of books I'm interested in reading. Spoiler before you open the read-more: This list has 500+ entries so it's a tad long. The only reason it isn't numbered is because of tumblr's character limit on blocks of text, which this far exceeds. It is, instead, bulleted and separated into chunks of 50 after the cut.
I'm pretty much constantly adding things to all of my lists- hence why I'm amending when this was last updated to the title itself- and will update this post anytime I update the wheel I use to randomize my next choice, which usually happens after I've added or subtracted a significant number of options.
Beowulf
Norton Anthology of Theory and Criticism; Third Edition
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Watership Down by Richard Adams
The Goblin Emperor by Katherine Addison
Who’s Afraid of Virginia Woolf? by Edward Albee
Monsieur Proust by Celeste Albaret
The Five People You Meet in Heaven by Mitch Albom
Tuesdays With Morrie by Mitch Albom
Little Women by Louisa May Alcott
The Kitchen Boy by Robert Alexander
Brick Lane by Monica Ali
The Divine Comedy by Dante Alighieri
Daughter of Fortune by Isabel Allende
The House of the Spirits by Isabel Allende
Eva Luna by Isabel Allende
The City in the Middle of the Night by Charlie Jane Anders
Andersen’s Fairy Tales by H.C Andersen
I Know Why the Caged Bird Sings by Maya Angelou
Animorphs Series by K.A Applegate
Our Wives Under the Sea by Julia Armfield
Mostly Dead Things by Kristen Arnett
I, Robot by Isaac Asimov
Oryx and Crake by Margaret Atwood
Emma by Jane Austen
Mansfield Park by Jane Austen
Northanger Abbey by Jane Austen
Pride and Prejudice by Jane Austen
Sense and Sensibility by Jane Austen
Oracle Night by Paul Auster
Bunny by Mona Awad
Borderline by Mishell Baker
If Beale Street Could Talk by James Baldwin
Just Above My Head by James Baldwin
Crash by J.G Ballard
North American Lake Monsters by Nathan Ballingrud
Cousin Betty by Honore de Balzac
The Language of Thorns by Leigh Bardugo
Ninth House by Leigh Bardugo
I’m With the Band by Pamela Des Barres
The Beautiful Thing That Awaits Us All by Laird Barron
Gateways to Abomination by Matthew M. Bartlett
Simulacra and Simulation by Jean Baudrillard
The Wizard of Oz by L. Frank Baum
Cinderella is Dead by Kalynn Bayron
The Stone in the Skull by Elizabeth Bear
Waiting For Godot by Samuel Beckett
Memoirs of a Dutiful Daughter by Simone De Beauvoir
The Second Sex by Simone De Beauvoir
Art of Fiction by Walter Besant and Henry James
Pushkin; A Biography by T.J Binyon
The Etched City by K.J Bishop
The Cruel Prince by Holly Black
The Atlas Six by Olivie Blake
Out of Africa by Karen Blixen
In the Vanisher’s Palace by Aliette De Bodard
Wake of Vultures by Lila Bowen
Vengeance Road by Erin Bowman
The Ends of the World by Peter Brannen
My Sister, the Serial Killer by Oyinkan Braithwaite
Jane Eyre by Charlotte Bronte
Wuthering Heights by Emily Bronte
Angels and Demons by Dan Brown
A Song of Wraiths and Ruin by Roseanne A. Brown
Sonnets From The Portuguese by Elizabeth Barrett Browning
The Shockwave Rider by John Brunner
The Serpent and the Rose by Kathleen Bryan
Helter Skelter by Vincent Bugliosi and Curt Gentry
Notes of a Dirty old Man by Charles Bukowski
Between Two Fires by Christopher Buehlman
The Master and Margarita by Mikhail Bulgakov
A Clockwork Orange by Anthony Burgess
Pontypool Changes Everything by Tony Burgess
Song of the Simple Truth by Julia de Burgos
A Little Princess by Frances Hodgson Burnett
The Secret Garden by Frances Hodgson Burnett
Gender Trouble by Judith Butler
Parable of the Sower Octavia E. Butler
American Predator by Maureen Callahan
A Most Wanted Man by John Le Carre
Through the Woods by Emily Carrol
In Cold Blood by Truman Capote
The Vorrh by B. Catling
Don Quixote by Miguel de Cervantes
The Amazing Adventures of Kavalier and Clay by Michael Chabon
The City of Brass by SA Chakraborty
The Long Way to a Small, Angry Planet by Becky Chambers
Moliere Biography by H.C Chatfield-Taylor
The Canterbury Tales by Geoffrey Chaucer
The Perks of Being a Wallflower by Stephen Chbosky
Journey to the West by Wu Cheng-en
Wicket Fox by Kat Cho
The Awakening by Kat Chopin
Murder on the Orient Express by Agatha Christie
The Bone Witch by Rin Chupeco
Finna by Nino Cipri
The Divinity Student by Michael Cisco
The Black God’s Drums by P. Djeli Clark
Pranesi by Susanne Clarke
Parasite by Darcy Coates
The Meaning of Consuelo by Judith Ortiz Cofer
Swimming With Giants by Anne Collet
The Adventures of Pinocchio by Carlo Collodi
Heart of Darkness by Joseph Conrad
Labyrinth Lost by Zoraida Cordova
Dark Matter by Blake Crouch
Inherit the Wind by Linda Cushman
Plain Bad Heroines by Emily M. Danforth
Dreadnought by April Daniels
The Devourers by Indra Das
Fifth Business by Robertson Davies
The Child Finder by Rene Denfeld
The Red Tent by Anita Diamant
Do Androids Dream of Electric Sheep by Philip K. Dick
A Tale of Two Cities by Charles Dickens
Great Expectations by Charles Dickens
Oliver Twist by Charles Dickens
Collected Poems of Emily Dickinson
The Year of Magical Thinking by Joan Didion
Crime and Punishment by Fyodor Dostoevsky
The Possessed by Fyodor Dostoyevsky
The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle
Escaping Exodus by Nicky Drayden
An American Tragedy by Theodore Dreiser
House of Sand and Fog by Andre Dubus III
The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy
The Count of Monte Cristo by Alexandre Dumas
The Man in the Iron Mask by Alexandre Dumas
The Three Musketeers by Alexandre Dumas
Ella Minnow Pea by Mark Dunn
The Name of the Rose by Umberto Eco
A Heartbreaking Work of Staggering Genius by Dave Eggers
Nickel and Dimed by Barbara Ehrenreich
This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
Less Than Zero by Bret Easton Ellis
The Collected Stories by Welty Eudora
Middlesex by Jeffrey Eugenides
The Virgin Suicides by Jeffrey Eugenides
Introducing Evolutionary Psychology by Dylan Evans and Oscar Zarate
A Collapse of Horses by Brian Evenson
The Crimson Petal and the White by Michel Faber
The Wretched of the Earth by Frantz Fanon
What Ever Happened to Baby Jane by Henry Farrell
As I Lay Dying by William Faulkner
Sanctuary by William Faulkner
The Sound and the Fury by William Faulkner
The Faceless Old Woman Who Secretly Lives In Your Home by Joseph Fink and Jeffrey Cranor
It Devours! by Joseph Fink and Jeffrey Cranor
Welcome to Night Vale by Joseph Fink and Jeffrey Cranor
Time and Again by Jack Finney
Tender is the Night by F. Scott Fitzgerald
Madame Bovary by Gustave Flaubert
Gone Girl by Gillian Flynn
Everything is Illuminated by Jonathan Safran Foer
Johnny Tremain by Esther Hoskins Forbes
The Good Soldier by Ford Madox Ford
A Passage to India by E.M Forster
The Diary of Anne Frank
Lies (and the Lying Liars Who Tell Them) by Al Franken
River of Teeth by Sarah Gailey
Upright Women Wanted by Sarah Gailey
Good Omens by Neil Gaiman and Terry Pratchett
Neverwhere by Neil Gaiman
At Fear’s Altar by Richard Gavin
Count Zero by William Gibson
The Miracle Worker by William Gibson
Neuromancer by William Gibson
Howl and Other Poems by Allen Ginsberg
The Empress of Forever by Max Gladstone
Dead Souls by Nikolai Vasilievich Gogol
Lord of the Flies by William Golding
Marathon Man by William Goldman
These Violent Delights by Chloe Gong
The Nature of Witches by Rachel Griffin
Grimm’s Fairy Tales by Jacob and Wilhelm Grimm
My Life in Orange by Tim Guest
The Library of the Unwritten by A.J Hackwith
The Curious Incident of the Dog in the Night Time by Mark Haddon
The Raw Shark Texts by Steven Hall
The Gone-Away World by Nick Harkaway
Empire of Light by Alex Harrow
The Little Locksmith by Katherine Butler Hathaway
City of Lies by Sam Hawke
The Library at Mount Char by Scott Hawkins
The Scarlet Letter by Nathaniel Hawthorne
Bride by Ali Hazelwood
Descendant of the Crane by Joan He
Sacred Time by Ursula Hegi
Catch 22 by Joseph Heller
A Moveable Feast by Ernest Hemingway
The Complete Short Stories of Ernest Hemingway
The Sun Also Rises by Ernest Hemingway
The Final Girl Support Group by Grady Hendrix
How to Sell a Haunted House by Grady Hendrix
We Sold Our Souls by Grady Hendrix
Dune Series by Frank Herbert
Cover-Up by Seymour M. Hersh
Siddhartha by Hermann Hesse
Hex by Thomas Olde Heuvelt
The Last Cuentista by Donna Barba Higuera
Heart Shaped Box by Joe Hill
The Outsiders by S.E Hinton
The Book of Magic by Alice Hoffman
The Ice Queen by Alice Hoffman
The Invisible Hour by Alice Hoffman
Magic Lessons by Alice Hoffman
Practical Magic by Alice Hoffman
The Rule of Magic by Alice Hoffman
Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman
The Iliad by Homer
The Complete Polysyllabic Spree by Nick Hornby
High Fidelity by Nick Hornby
Songbook by Nick Hornby
To Escape the Stars by Robert Hoskins
A Thousand Splendid Suns by Khaled Hosseini
The Kite Runner by Khaled Hosseini
Pigs at the Trough by Arianna Huffington
The Hunchback of Notre Dame by Victor Hugo
Les Miserables by Victor Hugo
Warrior Cats Series by Erin Hunter
The Forest of Stolen Girls by June Hur
The Mirror Empire by Kameron Hurley
The Stars Are Legion by Kameron Hurley
Their Eyes Were Watching God by Zora Neale Hurston
Brave New World by Aldous Huxley
Dread Nation by Justina Ireland
A Single Man by Christopher Isherwood
The Unconsoled by Kazuo Ishiguro
The Lottery by Shirley Jackson
Daisy Miller by Henry James
False Bingo by Jac Jemc
The City We Became by N.K Jemisin
The Fifth Season by N.K Jemisin
Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen
The Dream-Quest of Vellitt Boe by Kij Johnson
Howl’s Moving Castle by Dianna Wynne Jones
My Heart is a Chainsaw by Stephen Graham Jones
The Only Good Indians by Stephen Graham Jones
Finnegan’s Wake by James Joyce
Ulysses by James Joyce
The Trial by Franz Kafka
The Archidamian War by Donald Kagan
The Fall of the Athenian Empire by Donald Kagan
The Outbreak of the Peloponnesian War by Donald Kagan
The Peace of Nicias and the Sicilian Expedition by Donald Kagan
The Vegetarian by Han Kang
The Hunger by Alma Katsu
Girl, Interrupted by Susanna Kaysen
The Story of My Life by Helen Keller
Out of Control by Kevin Kelly
The Paper Menagerie and Other Stories by Liu Ken
Ironweed by William Kennedy
You By Caroline Kepnes
On the Road by Jack Kerouac
Flowers for Algernon by Daniel Keyes
The Secret Life of Bees by Sue Monk Kidd
The Very Best of Caitlin R Kiernan
Carrie by Stephen King
Christine by Stephen King
Cujo by Stephen King
Pet Sematary by Stephen King
The Shawshank Redemption by Stephen King
The Shining by Stephen King
Thornhedge by T. Kingfisher
The Twisted Ones by T. Kingfisher
The Jungle Book by Rudyard Kipling
The Legends of King Arthur and His Knights by Sir James Knowles and Sir Thomas Malory
A Separate Peace by John Knowles
Gidget by Frederick Kohner
The Cipher by Kathe Koja
Into the Wild by Jon Krakauer
Extravagance by Gary Krist
Empire of the Vampire by Jay Kristoff
Babel by R.F Kuang
The Poppy War by R.F Kuang
The Namesake by Jhumpa Lahiri
False Hearts by Laura Lam
The Wide, Carnivorous Sky by John Langan
The Devil in the White City by Erik Larson
The Girl With the Dragon Tattoo by Stieg Larsson
The Changeling by Victor Lavelle
Lady Chatterley’s Lover by David Herbert Lawrence
Lies of the Fae by M.J Lawrie
Carmilla by Joseph Sheridan Le Fanu
A Wrinkle in Time by Madeleine L’Engle
A Wizard of Earthsea by Ursula K. Le Guin
The Dispossessed by Ursula K Le Guin
The Left Hand of Darkness by Ursula K. Le Guin
The Song of Names by Norman Lebrecht
The Raven Tower by Ann Leckie
Jade City by Fonda Lee
Forest of Souls by Lori M. Lee
The Dirt; Confessions of the Most Notorious Rock Band by Tommy Lee
Ninefox Gambit by Yoon Ha Lee
The Complete Pyramids by Mark Lehner
Solaris by Stanislaw Lem
Imperialism, The Highest Stage of Capitalism by Vladimir Lenin
Human Errors by Nathan H. Lents
The Phantom of the Opera by Gaston Leroux
The Fortress of Solitude by Jonathan Lethem
Rosemary’s Baby by Ira Levin
Small Island by Andrea Levy
A Ruin of Shadows by L.D Lewis
Teatro Grottesco by Thomas Ligotti
Six Crimson Cranes by Elizabeth Lim
Let the Right One In by John Lindquist
Stranger Things Happen by Kelly Link
The Holy Barbarians by Lawrence Lipton
The Three Body Problem by Cixin Liu
The Hike by Drew Magary
The Naked and the Dead by Norman Mailer
Sea of Tranquility by Emily St. John Mandel
One Hundred Years of Solitude by Gabriel Garcia Marquez and Gregory Rabassa
A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars
Life of Pi by Yann Martel
Mary Reilly by Valerie Martin
Property by Valerie Martin
The Razor’s Edge by W. Somerset Maugham
Rebecca by Daphne du Maurier
A Bolt from the Blue and Other Essays by Mary McCarthy
The Group by Mary McCarthy
Angela’s Ashes by Frank McCourt
Fletch by Gregory Mcdonald
Atonement by Ian McEwan
The Rapture by Claire McGlasson
Every Heart a Doorway by Seanan McGuire
Quattrocento by James McKean
The Nanny Diaries by Emma McLaughlin
Terms of Endearment Larry McMurtry
Moby Dick by Herman Melville
The Colonizer and the Colonized by Albert Memmi
A Mencken Chrestomathy by H.L Mencken
My Life as Author and Editor by H.L Mencken
Peyton Place by Grace Metalious
The Vanishing Newspaper by Philip Meyer
Perdido Street Station by China Mieville
The Life of Edna by St. Vincent Millay
Death of a Salesman by Arthur Miller
Sexus by Henry Miller
Slade House by David Mitchell
Gone With The Wind by Margaret Mitchell
Social Origins of Dictatorship and Democracy by Barrington Moore Jr.
The Beautiful Ones by Silvia Moreno-Garcia
Certain Dark Things by Silvia Moreno-Garcia
Beloved by Toni Morrison
Jazz by Toni Morrison
Song of Solomon by Toni Morrison
Gideon the Ninth by Tamsyn Muir
The Wind-Up Bird Chronicles by Haruki Murakami
In the Miso Soup by Ryu Murakami
Convenience Store Woman by Sayaka Murata
Earthlings by Sayaka Murata
Speak, Memory by Vladimir Nabokov
Reading Lolita in Tehran by Azar Nafisi
The Ritual by Adam Nevill
Under the Pendulum Sun by Jeannette Ng
The Complete Works of Friedrich Nietzsche
The Time Traveler’s Wife by Audrey Niffenegger
Ringworld by Larry Niven
Vurt by Jeff Noon
Mutiny on the Bounty by Charles Bernard Nordhoff and James Norman Hall
Twelve Nights at Rotter House by J.W Ocker
Revenge by Yoko Ogawa
Akata Witch by Nnedi Okorafor
Binti by Nnedi Okorafor
Flowers of the Sea by Reggie Oliver
Starvation Heights by Gregg Olsen
How To Breathe Underwater by Julie Orringer
Radio Silence by Alice Oseman
When the Emperor Was Divine by Julie Otsuka
Mr. Fox by Helen Oyeyemi
White Is For Witching by Helen Oyeyemi
Certain Dark Things by M.J Pack
The Secret of Ventriloquism by Jon Padgett
The Gnostic Gospels by Elaine Pagels
Haunted by Chuck Palahniuk
Complete Stories of Dorothy Parker
Dark Harvest by Norman Partridge
Bel Canto by Ann Patchett
Wolf Brother by Michelle Paver
Night Film by Marisha Pessl
How the Light Gets In by Jolina Petersheim
The Song the Owl God Sang by Benjamin Peterson
A Mankind Beyond Earth by Claude A. Piantadosi
My Sister’s Keeper by Jodie Piccoult
We Owe You Nothing by Punk Planet
The Bell Jar by Sylvia Plath
The Unabridged Journals of Sylvia Plath
Complete Stories and Poems of Edgar Allen Poe
Witchmark by C.L Polk
Complete Novels by Dawn Powell
Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell
The Overstory by Richard Powers
Truth and Beauty by Ann Pratchett
Discworld Series by Terry Pratchett
The Legend of Bagger Vance by Steven Pressfield
Brokeback Mountain by Annie Proulx
Swann’s Way by Marcel Proust
The Godfather by Mario Puzo
The Fountainhead by Ayn Rand
The Yearling by Marjorie Kinnan Rawlings
A Study in Drowning by Ava Reid
Juniper and Thorn by Ava Reid
I’m Thinking of Ending Things by Iain Reid
High Moor by Graeme Reynolds
Sybil by Schreiber Flora Rheta
The Vampire Chronicles by Anne Rice
Letters to a Young Poet by Rainer Maria Rilke
Stiff by Mary Roach
Trail of Lightning by Rebecca Roanhorse
Robert’s Rules of Order by Henry M. Robert
The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson
The Language Construction Kit by Mark Rosenfelder
The Planet Construction Kit by Mark Rosenfelder
The God of Small Things by Arundhati Roy
Lisa and David by Theodore Isaac Rubin, M.D
The Hacker and the Ants by Rudy Rucker
Swamplandia! by Karen Russell
Empire Falls by Richard Russo
The Sunshine Court by Nora Sakavic
The Catcher in the Rye by J.D Sallinger
Franny and Zooey by J.D Sallinger
The Man Who Collected Machen by Mark Samuels
Ariah by B.R Sanders
Blindness by Jose Saramago
Shane by Jack Schaefer
Vicious by V.E Schwab
Fever Dream by Samanta Schweblin
Bhagavad Gita by Graham M. Schweig
The Lovely Bones by Alice Sebold
Me Talk Pretty One Day by David Sedaris
Love Story by Erich Segal
The Complete Poems by Anne Sexton
The Complete Works of William Shakespeare
The Priory of the Orange Tree by Samantha Shannon
Pygmalion by Bernard Shaw
Frankenstein by Mary Shelley
Unless by Carol Shields
City Come A-Walkin’ by John Shirley
Balzac and the Little Chinese Seamstress by Dai Sijie
Crush by Richard Siken
Hyperion by Dan Simmons
The Terror by Dan Simmons
The Jungle by Upton Sinclair
Oil! by Upton Sinclair
Of Sorrow and Such by Angela Slatter
A Tree Grows In Brooklyn by Betty Smith
The Flinch by Julien Smith
Chlorine by Jade Song
Beneath the Citadel by Destiny Soria
Ethics by Benedictus de Spinoza
Last Breath by Peter Stark
The Luminous Dead by Caitlin Starling
Fiddler on the Roof by Joseph Stein
The Grapes of Wrath by John Steinbeck
Of Mice and Men by John Steinbeck
City Under the Moon Hugh Sterbakov
Islands in the Net by Bruce Sterling
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
Treasure Island by Robert Louis Stevenson
The Bone Shard Daughter by Andrea Stewart
Dracula by Bram Stoker
Uncle Tom’s Cabin by Harriet Beecher Stowe
Sophie’s Choice by William Styron
Valley of the Dolls by Jacqueline Susane
Stations of the Tide by Michael Swanwick
The Joy Luck Club by Amy Tan
The Opposite of Fate by Amy Tan
Vanity Fair by William Makepeace Thackeray
Fierce Femmes and Notorious Liars by Kai Cheng Thom
Fear and Loathing in Las Vegas by Hunter S. Thompson
Walden by Henry D. Thoreau
An Affair of Poisons by Addie Thorley
Secrets of the Flesh by Judith Thurman
Lord of the Rings by J.R.R Tolkien
Anna Karenina by Leo Tolstoy
War and Peace by Leo Tolstoy
A Confederacy of Dunces by John Kennedy Toole
Sisyphean by Dempow Torishima
The Song Reader by Lisa Tucker
A Connecticut Yankee in King Arthur’s Court by Mark Twain
The Adventures of Huckleberry Finn by Mark Twain
The Adventures of Tom Sawyer by Mark Twain
The Prince and the Pauper by Mark Twain
The Art of War by Sun Tzu
Driving Miss Daisy by Alfred Uhry
Chilling Effect by Valerie Valdes
Palimpsest by Catherynne M. Valente
Space Opera by Catherynne M. Valente
Annihilation by Jeff Vandermeer
Crier’s War by Nina Varela
A Journey to the Centre of the Earth by Jules Verne
Around the World in Eighty Days Jules Verne
Twenty Thousand Leagues Under The Sea by Jules Verne
The Last Empire- Essays 1992-2000 by Gore Vidal
Just a Couple of Days by Tony Vigorito
The Empress of Salt and Fortune by Nghi Vo
Candide by Voltaire
Galapagos by Kurt Vonnegut
Slaughterhouse Five by Kurt Vonnegut
Fire in the Sky; The Walton Experience by Travis Walton
Blood Over Bright Haven by M.L Wang
The Graduate by Charles Webb
The Golem and the Jinni by Helene Wecker
Project Hail Mary by Andy Weir
I Am Not A Serial Killer by Dan Wells
The Invisible Man by H.G Wells
The Time Machine by H.G Wells
The War of the Worlds by H.G Wells
All Systems Red by Martha Wells
The Cloud Roads by Martha Wells
Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells
Prophesy Deliverance by Cornel West
Ship of Smoke and Steel by Django Wexler
Ethan Frome by Edith Wharton
Roman Fever by Edith Wharton
Leaves of Grass by Walt Whitman
Rebecca of Sunnybrook Farm by Kate Douglas Smith Wiggin
The Picture of Dorian Gray by Oscar Wilde
A Streetcar Named Desire by Tennessee Williams
The Code of the Woosters by P.G Wodehouse
Shadow of the Torturer by Gene Wolfe
The Electric Koolaid Test by Tom Wolfe
Old School by Tobias Wolff
John Dies at the End by David Wong
A Room of One’s Own by Virginia Woolf
Mrs. Dolloway by Virginia Woolf
Bitch; In Praise of Difficult Women by Elizabeth Wurtzel
The Black Tides of Heaven by Jy Yang
Negative Space by B.R Yeager
Beneath the Moon by Yoshi Yoshitani
The Shadow of the Wind by Carlos Ruiz Zafon
Tomorrow, and Tommorow, and Tomorrow by Gabrielle Zevin
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Arthur at Lucy's death bed à la Branson and Sybil
idk it just happened, I'm sorry
Also what is with Stoker pulling a Hamlet on us in these chapters? Like Lucy's mom, Arthur's father, Mina and Jonathan's father figure, and then Lucy, all dead within the same few days. Bro chill
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Medical log, stardate 18935.15. Once more have I seen the tailor go out in his lizard fashion—
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theoscout · 1 year
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To be honest, I think I relate to Jonathan and how he's so genre blind and ignoring every red flag ever. I don't think he's completely ignoring them, it's just that it appears that way in his diary because he's trying to calm himself down. Don't you do the same thing when you're feeling threatened? Assignments due, health problems creeping up, rent, global issues and disasters, but rather than looking for ways to overcome them you hunker down and post memes on the internet. Jonathan's just doing the same thing, only it's him talking about the local food and stuff and trying to keep it casual, he only begins to let his calmness slip when it becomes too obvious.
Also he really loves his friends and wife and I find that adorable
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hiihavebrainrot · 5 months
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Dracula Daily Day 1: Harker didn't sleep well because of 'queer dreams', huh 🤨🏳️‍🌈 (linguistic drift, I know, but it's funny)
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evilfloralfoolery · 3 months
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just curious but have u ever seen the vampire diaries cuz i think you'd like it
I have not. I read the premise some time ago and it's not really my thing. I'm really Team Werewolf, but there are a handful of more "classic" vampire movies that I like. I'm kind of picky lol.
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hecatesbroom · 4 months
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Tapping into my dark past (time spent taking pictures of books for social media (instagram)) to show you all how completely normal I'm being about Dracula right now
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Google having free-of-charge eBooks is both the best and the worst thing that could ever have happened to me.
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doofnoof · 1 year
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They weren't lying, those Re: Dracula wedding vows can Make Me Cry Until I Feel Sick
It's just. Mina's love for Jonathan, the way he pledges his life to her and she thinks he's still delirious when he is in fact saying he's gone through hell and he'd do it again, all for Mina. The way that when he flung himself from Castle Dracula, he wanted to think only of Mina, and said his goodbyes to her more than he did anybody else in his life, more than even his father figure.
And she doesn't yet know the extent of it, but she feels the very same way for him, and the fact that later in the story she goes through the same hell Jonathan went through to protect him, and for what Dracula does to Mina, Jonathan intends to kill the thing he was previously unable to kill for his own sake, and pledges to follow Mina into hell because he loves her. She's finally his wife, and he's her husband, and they want so badly to move forwards. Imagine how they must feel. Mina thought Jonathan had died and that she'd lost him forever, and Jonathan thought he would die in Castle Dracula and never see Mina again. But Jonathan survived, and now their fears are all swept away because the thing they most want in life is eachother, and now they have it.
Love is real in this Chili's tonight. Pure, flawless love, and I am shaking and crying. I wish that Lucy, who is so unbelievably sweet and kind-hearted, could have the same luck that Jonathan and Mina had, and that her life with Arthur would be filled with the kind of love, joy, peace and devotion the Harkers find in each other, and I am devastated to know that the rest of Lucy's life is going to be torturous at best.
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WHERE IS MY GOOD FRIEND JONATHAN HARKER
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yallemagne · 2 years
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So, on a plane yesterday, I skimmed through the rest of P.N. Elrod's book, Quincey Morris, Vampire.
It's not very good. It's poor fanfiction. I do not support attacking fanfic writers or the stereotype of fanfiction being the epitome of bad writing (most of my writing is fanfiction and I'm rather proud of some of it [some bc a good deal of my older work is amateur]), but it's a rather amateur plot where Elrod spends the entire book rewriting the book she's supposed to be building off of, not desecrating.
Now, Elrod has quite a few vampire books, so I think this story is just a self-indulgent take on a neat lil idea she had, but she felt the need to discard all of Bram's vampire lore and all of Bram's plot and squish her own in. I respect Elrod as a fellow fanfic writer, but I don't respect her character assassinations of Jonathan and Renfield and the attempts to justify the assault of Lucy and Mina. Though I guess that Dracula was an unreliable source? Hopefully, the intention was not for the reader to take Dracula's claims seriously.
Since I skimmed, I cannot say that I am the best source. I did read the beginning part up until Dracula starts claiming Jonathan is an insane adulterer. Then I just couldn't take any of it seriously. I mean, I couldn't really take it seriously when Dracula and Quincey were just... having a calm conversation but whatever.
Spoilers of course.
So, in the story, Quincey's body is dragged from the sleeping team's side by wolves and they cannot find him once they wake. Why did the wolves drag him? Because Dracula is apparently alive and has figured out that Quincey is a vampire. Dracula blackmails Quincey into coming with him back to his castle. If he had refused, Dracula would have murdered Quincey's whole team.
And yet after that, the book tries to claim that Dracula was secretly in the right the entire time.
Dracula has green eyes. It has no plot relevance, I don't believe Quincey remarks on the change from red to green, it's just a dumb detail that keeps being shoved down our throats.
Through Dracula's guided questions, Quincey realizes that a woman he had sex with years ago that drank his blood and forced him to drink hers was a vampire (apparently she's also a character from one of Elrod's other books). Why didn't he change into a vampire sooner? Dracula claims there are two different types of vampires, and he's the cooler one while Quincey is the lamesauce one. So Quincey only has to drink animal blood. Quincey worries that his tainted blood may have killed Lucy but Dracula's like "... nah".
Quincey confronts him on everything, but Dracula has a bullshit answer for anything. I feel the only bearable way of reading this is the interpretation that Dracula is gaslighting Quincey. Quincey says "you killed Lucy, you fed on her repeatedly and she died of blood loss". Dracula says "no that was your fault. she would have gotten better if you just left her drained of blood". Dracula claims that Mina's still gonna become a vampire, but bc she wished hard enough I guess she got to not be hated by God anymore. And he claims he broke off his connection with her amicably, and they're totally cool now.
He claims that he was in the right to kill Renfield because Renfield was a madman and would have hurt the team... when he only attacked Dracula in defence of Mina. This is so damn ableist. Dracula, you can't claim self-defence when you are a fucking vampire with the power to hypnotize people. That was a gratuitous use of force against a mentally ill man that was of no great threat to you.
Worst of all, when told of Jonathan's account of the Weird Sisters assaulting him, he's like "oh, I didn't interfere. I watched. they had their way with him several times. and he liked it. I mean, he had an ensuing mental breakdown, but he was totally down with being raped in his sleep every night." He claims that Jonathan was just oversensitive to the paranormal and that everything he wrote in his journal was delusions. He gaslights Jonathan. Apparently, there were servants in the castle. Dracula, you fucking twit, that would be the strangest thing to fucking lie about, and you know it. When questioned why he locked Jonathan in his castle and left him for dead instead of taking him to Whitby with him, Dracula waves his hand like "eh. couldn't. don't ask me to elaborate. I'm still an amazing host."
Quincey later denies Dracula's claims about Lucy's death being all their fault, but he never contradicts the claims about Mina and Jonathan. In fact, he constantly repeats the part about Jonathan being oversensitive. So? He agrees with Dracula that Jonathan and Mina being assaulted was okay? He agrees with the ableist notion that Renfield needed to be "put down". Maybe I just skimmed over a part.
Dracula forces Quincey to drink animal blood and stuff. Shows him the ropes. Quincey goes out and actually finds Arthur and Jack still grieving him. He does not reveal himself. I was glad that Arthur and Jack don't have their characters assassinated. They end up shooting a wolf and Dracula gets mad and Quincey is like "you literally had my body dragged away by wolves, they were acting in retribution, you don't get to kill them for it".
Blah blah I dunno, Quincey moves back to London. He tries out his cool vampire powers to harass some lower-class people. He bites a sex worker (super uncomfortable with this part, he says himself that he felt betrayed by the fact his vampiric paramour forced vampirism onto him without his consent while he was in the throws of passion, and he does it to someone else?) He meets Elrod's OC.
Bertrice Holmwood is a Mary Sue. Okay? She's a manic pixie dream girl, she's a strong independent woman that needs no man (except that she sorta blackmails Quincey into sleeping with her), and she doesn't feel like a real human being.
She's yet another hastily shoved-in plot device. She's Arthur's older sister by exactly one year and her whole deal is that she's the black sheep of the family because she's a girlboss. Ugh. She's less of a character and more of Elrod's vague idea of a cool woman.
"Black sheep", Arthur loves her! They're on good terms and they're very protective of one another. She's not ostracized at all. But here's the thing, if she always existed and she and Arthur had such a close relationship, why was she never mentioned in the original book? Now, I'm not gonna get mad that Bramothy didn't make Elrod's OC canon. I'm gonna get frustrated that Elrod so poorly shoved her in. If Arthur is not an only child, why did all the managing of his father's funeral fall to him? Why was she never present or mentioned in scenes pertaining to Arthur's grief? Because she's not... real. And it doesn't fit the original story for her to be real.
I would have vouched for her role in the story if she had been Jack's secret sister instead. Jack having a sibling that he doesn't really interact with during the course of Dracula is realistic because he has a job and he's not a noble. You could even make her Quincey's sister visiting from Texas upon receiving news of Quincey's death. But. Well. They're not Alabamian so the sex would be out of left field then /j.
She is told the events of the book and is like "I'm gonna kill VH for hurting my baby bro" and like. Fair. Honestly, I appreciate that the book calls out VH's manipulation methods instead of trying to twist it like VH was the secret evil all along and Dracula was the good guy. It seemed like that was how it was gonna play out in the beginning, but Quincey empathizes with VH while still criticizing his methods. It's a human take on VH. Sucks what Elrod did to Renfield, Mina, and Jonathan, though.
Bertrice hangs out with Quincey a lot, but my eyes glazed over for those parts bc of all the written-out lower-class accents. Despite her being rich, she hangs out in exclusively the slums of London apparently. It makes her less likeable honestly. Stop gentrifying the neighbourhood, Bertrice. But one scene I did read was when she took him to a fortune teller that used tarot cards to explain his whole situation. One of them was "you've been lied to" and from Quincey's later insistence that Lucy's death was none of their faults, I think he rightfully took it to mean that Dracula was lying? But he doesn't apply that logic to his interpretation of Mina and Jonathan's story, nor Renfield's death...
Quincey reaches out to Arthur and Arthur is a bit spooked.
Arthur: You're dead! You're a vampire! Begone! Quincey: I'm actually a good vampire. 'Just drink animal blood. Arthur: You're lying! Quincey: I'm not. Arthur: Oh, okay. It's good to have you back.
Quincey tries to talk to Van Helsing, but Van Helsing refuses to believe him. Jack on the other hand...
Jack, on the other side of a door: Quincey, is that you? Quincey: Yeah. Jack: If it is you, open this door. Quincey: Okay, but don't freak out. VH: DON'T LISTEN TO HIM HE'S A MONSTER. Quincey: *opens door* Hey. Jack: Ah, hey bud, good to see you again.
It's funny how easily Jack accepts that Quincey is alive and totally chill, especially with VH screaming at him that it's all lies. You would think that he'd at least be equally as unsure as Arthur. VH storms out I think, and Quincey explains to Jack everything-- that VH is probably just defensive bc if Quincey is a vampire and totally chill, that opens the door to the possibility VH was wrong about Lucy. But he restates numerous times that Lucy was dead, she died of blood loss, the Bloofer Lady was not Lucy because that vampire fed off of children, and there was no part of Lucy left to reason with.
VH apparently kidnapped Arthur and Bertrice. Why? I dunno, because he was paranoid about Quincey. But he cages them and that's just super weird. Quincey tries to remedy this by having Jack reason with VH. When that doesn't work, Quincey tries to reason with him with a *bit* of hypnotism. It doesn't work. VH shoots him several times in the chest and, assuming Quincey is dead, crosses himself and leaves.
Quincey isn't dead, he's fine.
Uh? The End? The Harkers never show up, so they're unable to defend themselves against Dracula's claims against them. It really frustrated me. And of course, Renfield couldn't defend himself, and Quincey only barely argues on his behalf before blindly believing Dracula. VH serving as an antagonist felt okay seeing as he's not vilified, he's just painted as a grieving, irrational old man. That's realistic. Except for his kidnapping of Arthur and Bertrice... which was just... so melodramatic.
Also just... so I mentioned that Bertrice and Quincey have sex and it was kind of coerced. I don't recall when this happened, it's really that pointless to the plot. So Bertrice springs it on Quincey that she knows he's a vampire, and in the high stress of that confrontation, she asks him to have sex with her and bite her. He does. Eh.
All in all, the book kind of reads like a very self-indulgent work of fanfiction. Whatever Elrod wished to put into the story, she put in with disregard to the actual events of the book she was basing her work off of. It honestly wasn't the worst Dracula fanfiction I'd ever read, though the victim-blaming was atrocious. I appreciate that Bertrice was a bit more than just a fuck-buddy for Quincey. Her protectiveness over Arthur is a bit of a character trait. I also like that the Suitors are still bros. The conversations between Jack and Arthur that Quincey listened in on felt like I was reading a better story for a bit, their friendship felt real.
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Let me preface this with: I absolutely do not underestimate the power of the imagery of Christ on the cross - the crucifix. Yes it was and is a defining moment of the universe.
...but I don't feel like it's the best choice for fighting vampires.
Hear me out!
The Cross was the path to salvation. The sacrifice. The ultimate sacrifice (and I mean this literally.)
But it was the Resurrection that defeated Death. And vampires are undead (or demon animating dead bodies.) Either way, death imagery.
I just feel like an image of the Empty Tomb as universal and accepted as a Crucifix would work better for combating vampires. Christ's death was unfathomably powerful but it's His victory over death we'd need to invoke to fight the undead.
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diavorchid · 2 years
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ig this is as good time as any to say I've been very intrigued by the concept/au of jack and mina being platonic soulmate ever since they met in september... but sadly I'm not that invested to actually cook up anything. so. just gonna throw it out there.
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moodyvamp · 1 year
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how do I get over my fear of annotating books please
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Fuck it, I signed up for dracula daily.
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maureen-corpse · 1 year
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I have decided that the romanticization of vampires is not just a Thoughtless Bastardization but actually a shift to vampires representing something else altogether and when we romanticize vampires what some of us are actually doing is coming to terms with the fact that we are stuck living in a swamp and we're just going to get ticks sometimes
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