#but man am i excited for it

[quixoticprince]

I haven't drawn in so long and tf2 comes back with a bat to my brain again after I first got super into it when I was *checks notes* 14 I gotta get my gears wet again and like, rediscover how to draw and I'm wetting my feet again with a heavymedic shit post 😭

------------------- EDIT: The original images contained a text post from someone who did not want that text post spread - So let's have the blank versions instead! Imagine any dialogue in there that you want lol

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[botanyshitposts]

how crazy would it be if i became a biology lab instructor. would that be crazy or what

[manyrepulsivethoughts]

that one post comparing ruin's and LN2 endings altered my brain chemistry so now have this

[dredgesnails]

everyone keeps going wow i can't believe mumbo is so suspicious of the two most loyal life series members but you also have to remember his life series experience so far has been grian threatening and then succeeding to kill him while the southlanders fall apart and then dying to lava while butlering for grian and falling off a cliff because he was upset about a tower building contest that grian had a hand in and then dying to the warden that grian and etho brought to the surface. so like. he's not had the best track record

[silverlininghills]

"300 tracks"

you know those hand signals tyler does during the line "300 tracks in my Adidas track jacket"?

i, like probably everyone else, assumed that was him signing 3-0-0 with his hands.

but no. he's signing F-0-0.

consider the ASL signs for F vs 3:

yeah, he's definitely signing F there

so what does F-0-0 mean? well, funny thing about that--you know hexcodes? those 6 digit codes that indicate a specific colour? well, there are also three digit codes as well, where you basically double each number to get the full 6 digit code. wanna guess what #F00 is?

yup, that's pure red babey!!

and, better yet, wanna know what its complementary colour is?

why it's pure cyan of course!!! y'know, like the whole __cla_im00FFFF.jpg = CLAIM CYAN = I AM CLANCY thing.

tyler, you sneaky sneaky bastard.

[teaboot]

tranny freak :)

[carolperkinsexgirlfriend]

can you see the stars in your dreams (and do they have a lot to say about me) - Part 17

Or: a secret Admirer AU

PART 1 || PART 2 || PART 3 || PART 4 || PART 5 || PART 6 || PART 7 || PART 8 || PART 9 || PART 10 || PART 11 || PART 1 || PART 13 || PART 14 || PART 15 || PART 16

Eddie’s back to school on Tuesday, black eye turning a mottled sort of green, lip scabbed over. From where he’s hemmed in by Robin and Chrissy, Steve watches Eddie catch a glimpse of him and bolt the other way.

Jeff sighs, lets go of his hold on Chrissy’s arm, and says, “sorry, Steve. I’m just gonna—” and then he points toward Eddie and follows after him without another word.

Steve’s gut clenches with guilt. He’d put that look on Eddie’s face, had caused the rift in his and Jeff’s friendship, had split the forming group up with his ridiculous crush. But Chrissy and Robin are still here, standing by his side.

“Are he and Jeff okay?” Steve asks, biting his lip as he glances at Chrissy.

“I think so,” she says, looking after her boyfriend. “They talked on the phone, but Jeff didn’t tell me what about.”

“Forget about them,” Robin replies, reaching out to take his hand even as it makes everyone around them stare. “Come on, Stevie, or we’ll be late to Ms. Clickity Clack’s class.”

Steve passes the rest of the day in a daze, the spot at his side a revolving cast of Chrissy, Robin, and Jeff, like they’d all talked behind his back and decided he couldn’t be trusted with being alone right now. Steve can’t blame them because as soon as he’s left unattended in his big empty house, he gets out his notebook and pen, and begins to write.

   Eddie —

   I’m sorry I never got to read your last letter, but it wasn’t for me anyways. Maybe none of them were, not really. And I’m sorry about that, even sorrier about how your pretty face got caught in the ceasefire. I’m just full of sorries I’m to scared to tell to your face—from the way you ran when you saw me in the hallway this morning, maybe you wouldn’t want me to anyway.

   You’ve always been the brave one, so you must really want to not see me, huh? I hope you and Jeff are friends again. I’m sorry about that too, I’m the one who asked him not to tell you. I was afraid, but that’s no excuse.

   I don’t know how to stop wanting to right write to you. I can’t turn off the part of me that still wants to know everything about you. There’s a whole in my heart, and I keep trying to find people to fill it, but I can never be in love with someone who loves me back. You know?

   I’m sorry, Eddie. Maybe someday, I’ll get to say it to your face.

   Sorry,

   Steve

He closes the notebook on the damning words and shoves it into his nightstand so he doesn’t have to look at it. Sleep doesn’t come—the house is too quiet. He grabs the phone off his dresser and calls the only other person he knows whose parents trust them enough to have a phone in their bedroom.

“H’lo?” Robin mutters sleepily after finally picking up the phone six rings later.

She sounds tired—Steve’s sorry he woke her. “I wrote another letter,” he says.

That seems to perk her up instantly, as she hisses down the line, “Steven James Harrington.”

“Not my name, Robin Steven Bobbington,” he replies, talking right over her shrieked “well, that’s not mine!” to continue, “I’m not going to send it.”

“You better not,” she replies, and Steve can hear some rustling on her end, like she’s settling back down into her bed. He wishes, suddenly, that he was in there with her, clutching her hand as they fall asleep side by side. Instead, he lays down on his own bed and concentrates on the noises coming down the line.

“Is it stupid that I miss him?” he asks.

“Yeah, kinda.”

“Robin!”

She laughs, a quiet sleepy chuckle that warms him straight through. “I’m just saying! He’s been treating you like shit, Stevie.”

Steve sighs, burrowing down under his comforter and taking the phone with him. “He was different in the letters,” he whispers, like someone in his empty house might hear him otherwise. “Sweeter, you know?”

Robin sighs, “I’m sorry.”

“Yeah, me too.”

There’s enough sorries to go around for all of them, apparently. They’re quiet for a while, Robin’s breathing keeping him company in his big, lonely bed with his big, lonely thoughts.

“I love you, Robbie,” he whispers. “You know that, right?”

He’s been saying it a lot lately, throwing the words around like they’ll connect this time and get him something real. And they had, with Chrissy, with Robin, hell, even with Jeff. Just, not with Eddie. Maybe someday, he’ll learn to be okay with that.

“Love you, too, Dingus,” Robin replies, like it’s easy.

He falls asleep that night to the sound of Robin’s quiet snoring.

***

Eddie thinks about it—obsessively, compulsively. He dreams about it, jerks off about it, fucking cries about it. He reads the letters, again, and again, and again, wishing desperately that he still had that first one. At school, he checks his locker obsessively, compulsively, hoping there’s another note in his locker—there never is.

“Dude, what’s your problem?” Gareth asks, an elbow into Eddie’s side.

“Ow, ribs!” Eddie cries, curling away from him and into Doug at their usual lunch table.

“Sorry!” Gareth replies, leaning away from him and raising his hands up like that’ll somehow prove he’s harmless.

Jeff snorts around his sandwich, “gotta be careful, Gare-bear. He’s precious cargo now.”

“Oh fuck off,” Eddie replies, rolling his eyes as the rest of Hellfire laugh around him.

“No, but seriously, dude,” Gareth asks, this time without the thrown elbow. “What’s up with you?”

Eddie looks across the cafeteria at Steve and Chrissy’s usual spots, still empty the way they have been for weeks. He worries, sometimes, that they’re not eating, and it’s his fault.

Hopefully, they’re just packing lunches from home and eating somewhere else (he’s been too afraid to check).

“Can’t tell you buddy,” Eddie replies, still looking at the empty spot like that’ll somehow make the duo appear. “I promised.”

Gareth, clearly having followed his line of sight, leans closer and asks in an unsubtle whisper, “but it’s about you know what?”

Doug sits on, oblivious, but Jeff snorts again and asks, “okay, you didn’t tell me jack shit, but you told the freshman?”

“Sophomore, jackass!” Gareth cries, before seeming to realize the implications of Jeff’s sentence. “You told Jeff?”

“I knew before you did,” Jeff says smugly, and Eddie’s starting to get pissed off about that again.

“How!”

“Jeff, dearest?” Eddie grits out. “Do you want me to punch you in the face?”

That shuts the table up catastrophically. But in the end, Jeff sighs and says, “I’m coming over after school,” and the rest of lunch is spent fielding Gareth’s indignant questions.

True to his word, Jeff climbs into Eddie’s passenger seat at the end of the day. Eddie doesn’t take them to the trailer, he just drives around, taking back roads round and round, restlessness making his fingers twitch in the gear shift.

Jeff’s the one who breaks the silence, in the end. “I’m sorry I didn’t tell you,” he says, making Eddie flinch at the sudden noise. “Steve just seemed so scared, and Chrissy was crying so—”

“He was scared?” Eddie interrupts, stuck on the thought. He’d known that, before, but now that Eddie’s afraid, too, it hits like a punch to the chest.

“Of course he was,” Eddie replies to his own question. Suddenly unable to focus, Eddie pulls over to the side of the road. “I’m scared, too.”

Jeff sucks in a breath; Eddie doesn’t look away from his own knees.

“Yeah?”

Eddie bites his lip, knowing that Jeff will be able to read between the lines. “Yeah.” His eyes are watering, and Eddie swipes at them, embarrassed. “And I know we’re supposed to be talking about us, but I just—”

“No, hey,” Jeff replies. Eddie hears the sound of his seatbelt unbuckling, and the rustle of him shifting in his seat, and suddenly, Jeff’s hand is clasping Eddie’s shoulder, shaking him around just a little. “You’re my best friend—we’re fine, dude.”

Eddie swipes at his eyes again, “I think I want to ask him out, but what if I’m wrong?” Eddie asks, tracking Jeff’s expression out of the corner of his eye. “I don’t want to hurt him again.”

“So, what?” Jeff asks, voice deadpan. “You find out he likes you and suddenly he’s not just a jock anymore?”

Eddie looks down at his own knees, bracing for a hit he knows will never come. But, Eddie’s always been good at hurting himself, so he thinks about that yellow nail polish again, the enraptured look in Steve’s eyes during every D&D session, the way he’d glued himself to Robin Buckley, band nerd supreme’s side in recent weeks. The way he’d look at Eddie like he wasn’t the king of the freaks, like he was worth something.

“He was never just a jock,” Eddie murmurs. “I just never let myself think about it.”

Jeff mmmhmms him and Eddie knows him well enough to hear the doubt beneath the agreement.

“I was afraid, okay?” Eddie laments, scrunching his eyes closed tight until that makes his bruised eye ache too much. “You wouldn’t get it.”

At that, Jeff scoffs, and before Eddie can start up another tirade, he replies, “right, the black guy dating a white girl in Po-dunk, Indiana has no idea how scary it can be to make a move on the person you like.”

Okay, fair.

“You know what could happen if the wrong person finds out?” Jeff continues. “I’ll be lucky if they let me get out of town alive.”

“Okay, okay! I get it, sorry!” Eddie cries, throwing his hands up in defeat. And Jeff, being the asshole he is, just laughs at his discomfort. “How’s that going anyway?”

“With Chrissy?” Jeff asks, continuing when Eddie nods. “She’s great, man. I really, really like her.”

He’s smiling all goofy and in love. Eddie waits for the jealousy to hit; it never comes. Even as he’d flirted with her, there’d always been a disconnect for him between the letters and the girl. He knows why, now.

“I’m happy for you.”

Jeff aims that same goofy smile at him and punches his shoulder. “Thanks, man.”

Eddie wants to feel that way about someone. He wants to think of them and smile like he just can’t help himself. And with Steve Harrington of all people, maybe he can.

“If I ask Steve out, do you think he’ll still say yes?”

“Oh, for sure,” Jeff replies without hesitation before he turns to Eddie and eyes him up and down. “But are you sure you want to?”

Eddie bites back the defensive retort rising on his tongue, and grits out, “what do you mean?”

Jeff sighs and leans back in his chair. Eddie waits, three seconds from snapping as he stews in Jeff’s silence, hands clenched so hard against the steering wheel that it feels like one of his nails might pop clean off. 

“Jeff–”

“No one’s ever liked you before!” Jeff cries, and it hits Eddie like a punch to the sternum. “And maybe it’s not fair of me to ask but, are you sure you even really like him?”

“What?” Eddie asks, his mind a record skipping against a bent needle. “What do you–”

“Eddie, man,” Jeff sighs, swiveling his head to finally look Eddie directly in the eyes. “Do you like Steve Harrington, or do you just like that he likes you?”

He drops the wheel, hands almost numb as he shakes them out, no longer able to meet Jeff’s eye. 

How would anyone ever know that for sure? How can he know the origin of a feeling when it’s been there, simmering in the background of his brain, just waiting for him to wake up? How can he separate the feeling for a person and the person’s feeling for them?

That’s like asking him to unbraid his hair, let it fall back together, and still be able to tell which strands made up each component of the braid–it can’t be done.

But, “Gareth said I was obsessed with him,” Eddie replies, barely above a whisper. “Like, before I knew he wrote the letters?”

“Yeah?”

“Yeah.” Eddie laughs, but it’s just like Steve said–it sounds different when he doesn’t think it’s funny. “And, he was right, you know? I was flirting with Chrissy, but I couldn’t stop thinking about him.”

Eddie runs a shaking hand through his hair and buries his face into his hands with a shudder. “He’s just–he’s Steve Harrington, right? Everyone knows everything about him, but then he just changes the script!” Eddie’s smiling now, manic, animated. “And I wanted to know everything.”

Eddie drops his hands to look over at Jeff, meeting his eyes once more. Jeff looks patient, ready, hopeful in a way he hadn’t before, so Eddie keeps talking.

“Like, Chrissy was flirting with you and he didn’t even seem to care, and the yellow nail polish, and he came to Hellfire, Jeff. Steve Harrington came and watched us play Dungeons and Dragons.”

“I know,” Jeff replies, grinning now, pearly whites all on full display. 

“And when he came to band practice, he was just like, watching me, and I sort of wanted to die, but in a good way, you know?”

Jeff decidedly does not look like he knows, but he’s still grinning across at Eddie like he’s proud of him. Eddie’s kind of proud, too, that he’s managing to say all of this aloud. It feels somehow new and a long time coming at the same time. 

“Okay, you can ask him out,” Jeff says, turning forward in his seat and buckling his seatbelt once more. 

Eddie laughs. “Oh, because I needed your blessing?”

“Yeah,” Jeff replies, grinning as he turns back to Eddie, looking him up and down like he’s a slab of meat Jeff’s checking for its quality. “Maybe wait until you’re healed up, though. You look like one of those cardboard box kittens that I keep seeing on the news.”

“Shut up!” Eddie squawks, but he’s smiling, helplessly, hopefully.

Eddie Munson with a chance at love, who would’ve thought?

PART 18

[milkhorns]

🧊✨

[hartteart]

in which the ghost of past/present/future has the worst color palette known to spritekind

[egophiliac]

just thinking about hair and faces

[nimuello]

everything about this memory was perfection but i couldn’t stop thinking about this part 🥺🌟

[kelin-is-writing]

Sorry guys, can’t hear anyone over the huge heart-eyes I have for this man right here 😍🤍

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.