#but long for the kind of stuff I normally post on here

[poppitron360]

@cometmoons so for some reason tumblr has glitched and isn’t letting me respond to the ask you sent me so I’m just gonna do it like this.

OK OK OK OK OK OK SO-

There is SO MUCH to talk about with Wouldn’t You Like. I feel like it’s hard to describe on a written post so I took the liberty of downloading a music notation app and transcribing the bits I wanted to talk about (This took me aaaages. But it was a really fun process and taught me a lot.)

Be warned this is a LONG post.

Firstly, here’s my overall take on the narrative of this song:

Odysseus is one of the smartest heroes of Greek Myth. He’s a mentee of Athena. He’s tactical. Yes, he is a fighter, but he’s for the most part a strategist and he uses diplomacy and cunning and his words to defeat his foes. Big Slytherin energy. Up until this point, that’s all he’s ever used. Eurylochus has doubted and challenged this approach, and has now come to him, saying that Circe is too powerful to defeat and that they should just run away. Odysseus “Pride is my fatal flaw” of Ithaca is insisting on fighting Circe, but is realising that he might not be able to talk his way out of it.

Hermes has now shown up like “hey ✨dAhLiNg✨how about you try something different? DRUGS!”, offering him a taste of something he’s never had before… power.

This, in my opinion, is a big step in Odysseus’ fall from man into monster, and Jay uses music in so many different ways to convey that, so let’s start with a break down of the song one section at a time:

Intro:

For most of the song, you’ve got the Lyre/Harp playing- Hemes’ signature instrument, which is significant to him because according to myth he invented the Lyre. This is the first thing we hear in the song, immediately setting up the things you need to identify his character.

Harps and Lyres are typically used in film and videogame music to give a mystical, magical atmosphere. I love how Jay blends modern (1980s) Synthpop with more classical, eclectic instruments that don’t normally fit the style. I’m assuming for budgeting reasons he’s using a VST or some kind of sample pack and not a real harp (session musicians are EXPENSIVE), but still- you hardly ever hear a harp in this kind of music but it WORKS.

The introduction played by the harp also lays out something that is shown throughout the whole song:

AEOLIAN MODE!!!!

Modes are hard to explain bc I barely understand them myself (I said music theory was my special interest, not that I was any good at it) but according to the Wikepedia article I’m reading about them right now, they were used a lot in ANCIENT GREECE. The Aeolian mode specifically was used a lot back then. The word “Aeolian” comes from… you guessed it- the Islands of Aeolus!!!

Aeolus, being the God of the wind- Aeolian mode is this mystical, free-flowing mode that simulates the feeling of wind.

You know when you hear a high wind through a telegraph pole you get this whistling sound? That’s basically a rudimentary, naturally occurring Aeolian Harp. There’s a whole Physics lecture about sound frequencies and microtones and shit in here that I am not yet qualified to give but this kind of stuff FASCINATES me about music.

I found this 60sec short that explains Aeolian mode really well from a channel I really like: https://youtu.be/bJ6TRQ3k45Q?si=sksSz4xyf_96uMrp It’ll give a much more concise explanation than I could, but basically all you need to know is that the melodies are in this special scale.

Aeolian mode is the natural minor scale. It’s often used to feel spooky and mystical- perfect for a song like Wouldn’t You Like where this magical character is singing about a magical plant. It’s not the standard G minor scale, but something a little more twisted and not really something we’re used to hearing, giving it a mysterious quality.

This is established immediately by the harpline, and sets the entire tone of the song. We then hear his trademark giggle, and so in the first 3 seconds we know everything we need to know about who Hermes is and what he’s like.

Speaking of the giggle- I briefly mentioned Panning in my post about Scylla, and while I can’t discern any use of it just by listening, but I imagine Jay’s probably used a subtle amount of it to give the sense of Hermes flying overhead.

Panning is a thing done in audio production where you can choose how much of the sound is heard on the left or the right.

Verse 1 (“I must say”… etc.):

It’s very gentle at this point, the orchestration and vocalisation is calm and lilted. It’s very beautiful, although the minor tonality gives it a slightly uneasy feel. (Often the minor key is described as sounding “sad”, but that’s not always the case. This is a great example).

The harp melody is repetitive, giving a sense of persistence, this adds to the sense of unease. It also has elements of hip-hop, as a gentle beat comes in as the chorus starts.

Chorus 1:

Now the harp cuts out and you’ve got that synth bass-line coming in- the repetitive, insistent beats and this “four-on-the-floor” drum pattern where the bass drum (which sits on the floor) kicks on every beat (in a four-beat bar). This feeling of it almost pounding in your head on every thump.

The instrumentation is very stark, you’ve just got the vocalist, the bass, and the bass drum. This technique is used by Taylor Swift in both the songs “Look What You Made Me Do” and “Vigilante Shit”- this really makes you listen to the lyrics as there’s nothing distracting you. As this is the first time we’re hearing these words, it draws you into what he’s saying.

On the line “Wouldn’t you like to have some of the magic?”, the Lyre comes in, playing this repetitive line that goes up and down and up and down. It’s a repetitive, almost hypnotic sound.

Verse 2 (“She can turn you to an animal”… etc.):

This is when this bluesy piano comes in.

The piano is used a lot in different points of Epic- it’s an essential part of any musical orchestra pit or just a song in general, and crucial in every composers instrumentation arsenal (and was also the first instrument I ever learned to play and my first real taste of music, so it’s not like I’m biased or anything)- but it’s mostly associated with Athena as it’s her signature instrument. It’s a stretch, but my interpretation is that Hermes is trying to appeal to something familiar to Odysseus. So far the only God he’s interacted with at length is Athena, who taught him this idea of being strategic and tactical. Hermes is acknowledging that this is Odysseus’ main way of fighting, while also showing him that there could be something more to it.

The piano plays these low-octave chords in this syncopated rhythm, which adds a layer of intensity that you didn’t have in verse one. This continues into the second chorus.

Chorus 2:

The orchestration is much more intense, pulling the audience (and Odysseus) in.

I’m gonna talk a lot about the musical “language” that Jorge has established for the universe- bits of music theory he’s tied in with themes that don’t necessarily have the same connotations anywhere else, because I think it’s genius.

Jay has said that the mythical beings (Gods, monsters, Odysseus when he kills the suitors) are all able to summon non-diagetic backing vocalists to back them up. Interestingly, Hermes doesn’t use this the first time round, speaking to Ody on his level, and is now rising up and displaying the power he’s tempting him with.

This is when we first hear the backing vocalists. There’s now a group of voices, so there’s more people urging you to taste the flower. Musically speaking, the harmony moving in the same rhythm with the same words as the soloist creates a sense of movement, congruent with Ody’s temptation.

Here is where we get to how this harmony works. This is the section that will actually answer your question.

First of all, I also struggle with overstimulation so I totally get what you’re talking about. There’s a right way and a wrong way to do backing vocals, and I know from experience that writing harmonies as complex as this takes skill and practice.

I think that’s why music is so special to me. The sensory calm certain sounds and songs give me, the good kind of stimulation and the bad kind. It has always made me so curious as to why and how the choices made in music can impact a person psychologically, make the listener feel immersed in a story, inflict specific emotions.

This is what fascinates me about music theory. Yes, it should overwhelm you. Yes, it should sound wrong. But it doesn’t. It WORKS. And what’s so interesting to me is why.

Jorge describes it as “crunchy and punchy” which is honestly perfect.

He is of course, referring to dissonance.

I have been studying music most of my life, and pretty much every music teacher I’ve ever had describes dissonance as just “sounding smushy”. It’s actually “a lack of harmony among musical notes”, usually two notes next to each other played at the same time.

But why does this sound “crunchy” and not “smushy”?

The Melody remains modal, as it has done the entire song. This is our grounding, our “Home”, but the harmony does something different. It’s moving down and up, flowing like wind, like the sea. And it’s doing this chromatically- using notes from the G minor key instead of the Aeolian mode- which creates clashes. Also known as dissonance. Also known as “smushy”.

And this is where we break out the good ol’ notation! I transcribed this myself by ear, so it might not be perfect. I can sight read tablature but not sheet music, so if this is wildly off then I’m sorry. I find it easier to explain music through annotations, but in order to make this screenreader accessible, I’m just gonna cite the lyrics and explain it in the text underneath.

In this section, “Wouldn’t you like to have some of the magic? Wouldn’t you like your outcome preferred?” The melody pretty much remains on C this whole time, only changing at the end of each two-bar phrase. This gives a forceful, repetitive, driving feeling. Hermes is being very persistent here.

For the first two-bar phrase- “Wouldn’t you like to have some of the magic”- both harmonies are the same. They then split at “Wouldn’t you like your outcome preferred?”

“Wouldn’t you”- The harmony starts on G, which is the root of G minor (the key that we are in). This is diatonic (using the notes from the key)- so it sounds nice, not “smushy”.

“Like to”- We then go down to F sharp, which is dissonant to the Aeolian mode, even though it’s the major 7th of G minor. This is why it sounds “smushy”

“Have some of the”- And here is where the “crunchiness” kicks in. It’s resolving down to the flattened 7th, which is F natural. The flattened 7th is the modal note.

“Magic”- The first two-bar phrase ends in E natural, which is dissonant to the mode. The melody also ends in D, which provides a lot of dissonance with the E as they are right next to each other, which can create clashes.

“Wouldn’t you”- This is where the two harmonies split. Harmony 1 goes back to G, which is the root of the mode. Harmony 2 goes down to E flat, which is also consonant (not dissonant).

“Like your”- Harmony 2 goes down to D, which is dissonant with the note in the melody (C) because they are next to each other. Harmony 1 goes to F sharp, which is dissonant to the Aeolian mode, as said before.

“Outcome”- Harmony 1 resolves to an F, and Harmony 2 goes back to an E flat.

“Preferred”- The last two notes “smush” as F natural (Harmony 1) and E natural (Harmony 2) are a semitone apart, then both harmonies join at E natural, which clashes with the D in the melody.

So the pattern goes from “nice” to “smush” to “nice” to “smush” to “nice” to “smush” to “nice” to “even more smush” and then when the next part of the harmony starts “deep in the night” you resolve back to the G, which is the tonic note.

Why does the dissonance work in this song?

It’s passing. Going down by step and resolving to a modal note. Passing notes that resolve don’t have that smushyness. They crunch.

Dissonance is a funny thing. Often musicians stay away from it because it sounds muddy and awkward and not great, but it can at times sound quite sweet, and with skill and knowledge you can learn how to use it effectively.

It also works here because it fits with the aesthetic and Hermes’ character. We’re already in this spooky, mysterious mode. We’re in a minor key. And Jay is using all these other musical techniques to give a slightly uneasy, hypnotic feel. The dissonance feels strange- not the sweet, diatonic harmonies we’re used to hearing. This is what makes this song stand out, and what makes Hermes such an intriguing and appealing character.

There’s this “up and down” melodic pattern that occurs throughout the song in several places. While Harmony 2 is doing that, Harmony 1 is just going down, repeatedly. I find it interesting that Odysseus isn’t rising to this power, but falling to it. It hints at Hermes’ trickster nature. These musical motifs (harmony, the harpline, the synthline, etc.) go up and down and up and down and up and down like gentle waves. We’re on the ocean. It’s lulling, compelling, hypnotic. “Come hither” whispering in the ear. It’s creepy, to be honest, and shows a darker side of the song that I will talk about later.

Bridge (“Here in the root of this flower”…etc):

Jorge has talked about how this is one of his favourite bits to sing, and musically that makes perfect sense.

Firstly, you’ve gotta hand it to Troy Doherty’s amazing performance. Hermes is so expressive even without seeing him.

Quick note about vocal techniques- YOU CAN HEAR SMILES. The act of smiling changes the shape of your mouth and thus changes the quality of your voice. You can HEAR Troy break out into a smile on the line “Though it’s only for a moment, ‘til you’ve beaten your opponent”. This is also my theory as to why the line “Penelope Whyyyy, you know I’m too shyy” is so stuck in everyone’s mind. Try singing it without smiling and then try singing it while smiling. Do you think it would’ve been that catchy if Jay wasn’t such a cutie pie?

Smiling is contagious, even if you’re only subconsciously noticing it. Hearing a smile gives you that little hit of dopamine.

When we hit the bridge, the piano, bass, and backing vocals cut out. Again, it’s just drums, harp, and lead vocals. This signifies a new section of music and also does the same trick as before- drawing you into the vocalist- but this time making you focus on the melody instead of the lyrics.

This whole bit is solely in Aeolian mode. The downward motion of the bridge increases the intensity of the song, dragging you into his words, falling into the power of the root. It’s sort of a callback to the downward motion to the second harmony line.

The constant quaver rhythm of this rising and falling conjunct “stepwise” melody gives a spiralling feeling, leading downwards. The rhythm is almost conversational, which fits with a mode like Aeolian that flows like the wind. It’s also why it’s so catchy and fun to sing. I love how Jorge composes in this uncommon scale in this particular pattern to reflect this idea.

There’s also one particular detail about the rhythm of this riff that compositionally shows something even deeper:

THIS IS IN TRIPLETS.

DO YOU KNOW WHAT TRIPLETS SYMBOLISE IN EPIC???

RUTHLESSNESS.

Ruthlessness is usually a theme reserved for Poseidon, Act 1 Athena, and Act 2 Odysseus. You wouldn’t expect a “friendly” God like Hermes to be using it. But he is. He’s being persistent, constant. He is trying every trick in his bag to persuade Ody to take the flower.

Jay is VERY deliberate about his arrangements and his composition, so this is not a coincidence. He has established this “language” of musical voices, rhythmical voices, and motivic voices to symbolise all his characters and themes. It’s fascinating to me that he made this choice for Hermes. Ever so subtly hinting that the God might not be as benevolent as he seems.

Chorus 3:

The instrumentation of this new chorus is pretty similar to Chorus 2, except…

These DRUMS.

I asked my dad about these while I was staying with my parents over the Xmas holidays, and it resulted in a 5-minuite-long infodump about a specific type of drum used in 80s pop music (yeah I totally definitely don’t see the family resemblance at all /sarcasm). Any Brit in the audience might recognise this drum sound as sounding almost identical the intro to a show called East Enders (which I never watched, but was aware of) and idk if that was Jay’s intention, but the drums apparently have a long and complicated history, which I will give you the abbreviated version. (If this is too much information you can skip the next paragraph if you so wish, I realise this can be overwhelming)

Bass drum called the Simmons’ drum- electronic drum pad- famous for being hexagonal- they were radical in that they gave an electronic palette to modern dummers- they weren’t well-built and the very earliest ones were made from the same composite materials as police riot gear- caused repetitive strain injury that became known by session drummers as “Simmon’s wrist” because it was a bit like using your drumsticks on concrete (What’s that? You don’t think music is as intense as sport? Musicians get injured just as much as footballers do)- the sound is one of the most distinctive sounds in 80s music and entirely synthetic, generated through synthesis so some poor technician had to sit and programme a synthesiser to sound like a tom-tom- in the 90s and early 00s it was seen as cheap and over-the-top but is now looked on with a sense of love and nostalgia.

This is, of course, a sample of the Simmon’s drum as I doubt Jorge owns a real one.

So what does that do for Hermes? It grounds the song it its 80s retro aesthetic, creating Hermes’ unique stylistic voice. Jorge has described how he got the idea for Hermes’ sound when he saw a retro, multi-coloured lamp that made him think of 80s music. Each character in Epic has their own soundscape, and this very particular drum sound adds to it.

It also adds intensity to this final chorus. These loud, heavy drum sounds give that adrenaline rush that the previous verses and choruses have been building to, when Odysseus finally takes the flower.

Then we get Odysseus singing the “oOOOooOoOOhHHHhs” as he eats the holy moly, then the chorus ends, and we get a repeat of the harpline from the intro as he thanks Hermes for the help.

My conclusion:

Odysseus has made a Faustian pact with Hermes, the trickster god. While Hermes’s words are friendly with no ill-intent, the composition and orchestration lean more towards this idea of “making a deal with the devil”. Gods know the game, and how it’s played. You, mere mortal, do not. When they entreat mortals to do their bidding will offer riches, money, fame, success, magic, power, but very rarely are their motives sound.

This is Odysseus’ first taste of the magic that separates gods and monsters from mortals. He is able to fight Circe as an equal, and this new development teaches him that he doesn’t always have to be strategic and diplomatic, but ruthless and relentless as well.

I know that the fandom see Troy Doherty’s performance of Hermes as “omg babygirl so slayyyy!!!” But there’s actually a deeper level to what he’s doing here. He’s a trickster God, tempting and teasing Odysseus down a path of magic and power- giving him the first taste of something that will later drive him into becoming the Monster. Hermes is almost seducing him to the dark side, using rhetorical questions, waving the Holy Moly in front of his face and saying “Come on. You know you want it. Wouldn’t you like a taste of the power? Wouldn’t you like to be victorious for once?” In his lyrics describing a “taste” of the power being something almost like a temptation. Odysseus is breaking from his norm- using magic and might instead of logic, diplomacy and reasoning. While he’s doing it to save his men, this is a major step in his descent into monsterhood, and it’s fascinating how Jay does this not only lyrically, but musically as well, using what’s called “word painting” (music and words working together) to create the sense of hypnotism and manipulation.

Hermes is being:

Ruthless (triplets),

Ceaseless (repetition),

Persuasive (rhetorical questions),

And hypnotic (lilting, lulling melody).

He’s drawing you in, forcing you to listen to him (stark instrumentation focusing on the vocals, then increasing the instrumentation as the intensity progressively increases, culminating in this big, expressive final chorus with this pwerful drum sound)

Overall Jorge uses all these techniques to show Hermes manipulating Odysseus into taking the flower. By subconsciously making you feel the temptation that Ody- the Narrator- is feeling through music and orchestration.

So anyway, those are my thoughts on “Wouldn’t you like”. I didn’t even have time to talk about “Dangerous”- perhaps I’ll make a separate post about that but no promises. Thank you so much for reading if you made it to the end!

[deoidesign]

Thinks about my next series again... I drew the icon for it!

I'm planning to have it launched within a year! I'm hoping for summer 2025. I want to make a prelaunch page before Time and Time Again ends so people can subscribe if they're interested, but I'm worried the series return would be too early...

[lordelmelloi2]

🥲

[reminiscentrainclouds]

You guys ever feel trapped? Yea I'm well-acquainted with the feeling of being trapped.

[grmpgm]

ok executive dysfunction is kind of ruining my life actually

[icewindandboringhorror]

Recent things.. mostly just writing screenshots lol

[sollilua-2]

so i was doing some quick warm ups and decided to do some doodles of a character from a rp

the artstyle + design ended up being so different from my usual one (i had NO idea i knew how to draw like this) but i still think it's a bit cool so i'll post it lol

[thethingything]

I keep randomly remembering that the reason our brain is especially fucked and a bunch of our symptoms are worse right now is because of like, an avoidable external thing that's chemically affected our nervous system instead of either our symptoms flaring up on their own or some specific stressful event triggering it, and for some reason that keeps making us feel especially bad about it.

like our mental health being bad because of stressful stuff going on and our mental illnesses randomly flaring up both suck, but I can handle our brain just doing its own thing and/or reacting to what's going on around us.

but something about it being a medication that someone else prescribed that's changed the way our brain functions is significantly more distressing in a way I can't put into words properly. a lot of the symptoms we've got (apathy, brain fog, alexithymia, memory problems, etc) are very typical depression and dissociation symptoms, but they're like a weird version of them that feels very different to how we normally experience them.

the only way I can describe the difference in feeling is that it feels more "artificial" but I can't even really describe what I mean by that. if normal brain fog is looking out the window on a foggy day, this is looking out of a window that's been covered with those frosted vinyl sheets. you can't see shit either way, but the feeling is very different.

I just desperately want it to go away. I'm finding it hard to be enthusiastic about things I'm normally excited about no matter how bad our depression gets, and our usual coping mechanisms for getting our brain to register positive things aren't really working because it's not the same underlying mechanism.

it feels like any control I did have over our symptoms and anything I could do to help with them has been stripped away and all I can do is wait it out and hope it fixes itself, and the whole "being given a drug that changes how your brain functions and takes away your control over what your brain is doing" is pretty much the exact phobia I was trying to learn to figure out how to deal with before we get dental work done, and for the dental work it'd be like... idk probably an hour at most, whereas now I'm just stuck dealing with experiencing it 24/7 for an undetermined amount of time

[hershelchocolate]

Oddly enough I feel like now is the perfect time to write my next Lyf fic. I've been wanting to do it for a while, but Whisper Court has kept me too busy to write anything else. Now that that's mostly done, I'm free to write some fic and my cold is mostly gone so my brain isn't melting anymore

I'm still hurt I am still Injured but oddly enough. It makes writing the fic I have in mind more appropriate. I just still, after all this time, cannot come up with an excuse for why Monsters Lyf would be injured for multiple days in a row

[lucalicatteart]

Poll adventure (paventure? lol) Day 15: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should purchase some new shoes for himself while he's in the city...

~

It costs quite a bit of coin, but in the end he decides that having a new sturdy pair of boots will serve him well on his travels. After he's done in the shop, he rushes back to the local inn before nightfall, eventually settling into a somewhat restless sleep..

The next morning, he orders some cheap vegetable stew from a food stall, then lounges in a park as he has his breakfast, watching the squirrels weave through flowering trees and birds pecking about in the dewy grass.. When finished with his meal (and sufficiently recovered from the emotional turmoil of burning his tongue on the soup), he quickly sells his old pair of shoes to a sketchy pawn shop before finally getting back to his journey...

By his calculations, if he he walks all day, it should only be two more sleeps before he gets to his destination, so he sets out to travel as efficiently as possible. He doesn't have the money to rent a cart, or the skill to ride a borrowed horse, but, he does have some fancy new walking shoes and a renewed sense of purpose. No more meandering through fields looking for flowers, napping in the shade, or scanning the ground for cool rocks.. He's going to focus this time!

......After a few hours, he comes across a broken down carriage in the middle of the road, with few people surrounding it, seemingly stuck trying to repair a wheel or something. It's hard to discern from afar..

Maybe if he helps them, he could get a free ride.. or some coins.. or make a new lifelong friend! Who knows? Possibilities flood his mind, this is what adventuring is all about! Wandering into interesting situations and making the most out of them!! .. But, then he recalls his previous oath.. he's supposed to focus today and not allow himself to sidetracked.. And who says he has the skills to help anyway? It could always just be a waste of time... Hmm...

What should he do?

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[itty-bitty-sunshine]

The illusion of choosing a path when it had been carved out from the start

It was out of love, though. For you.

You can walk out if you want.

[technofeudalism]

every single comment on this post has been nuked by reddit.

per what reddit mods have said, they are apparently cracking down on anything glorifying Luigi Mangione or "promoting violence".

so we're absolutely clear on reddit's opinion of "promoting violence":

r/CombatFootage, which regularly shares high definition, extremely graphic war footage, including drones dropping grenades on prone soldiers in Ukraine/Russia and people having limbs being blown off by explosions, has 1,761,375 subscribers. It is one of the top 500 subreddits by subscribers and in the Top 60 NSFW subreddits.

The Columbine Shooters have a subreddit for discussing the Columbine Killers and their families with over 33,000 members. It has been active since May 5th, 2020.

The Sandy Hook shooter has a subreddit dedicated to discussing him with 3,551 members. Here are some of the posts, in addition to pictures of him as a child. It has been active since December 3rd, 2021. he is also described by a mod of the subreddit as "not a pedophile, but an ephebophile."

The Pennsylvania Weis Markets shooter has a subreddit dedicated to discussing him with 500~ members. It has been active since April 15th, 2022.

The Apalachee High School shooter has a subreddit dedicated to discussing him with 260~ users. It was created the day of the shooting, September 4th, 2024.

if you dig through the frequent contributors to these subreddits, you will find that the vast amount of crossover from the users occurs in communities such as r/teenagers, r/highschool, r/roblox and a wide variety of subreddits dedicated to self harm, severe mental health struggles and other mass killers or topics related to them. totally normal stuff that reddit allows.

this is without seeking out all of the alt-right rat nests that have buried themselves underneath somewhat innocuous-looking community names pushing dog whistles and avoiding overt calls for violence.

every last one of these social media platforms, including the one that we are on, overtly allows glorification and deification of the most notorious, mentally unwell, violent, extremist mass killers in modern history. but if you show any kind of approval of what Luigi Mangione is accused of doing, you are censored not in days, but hours.

i sincerely hope this opens the eyes of people who previously didn't see the forest for the trees. this is what is meant by “they got you fighting a culture war to stop you fighting a class war.” not that our cultures aren't significant or that we don't have differences, but that ultimately, the divide among us lies in wealth, not in skin color.

as long as the "poors" are killing each other, there's no reason for alarm or concern. it's only when the roles are reversed that we see action taken or examples made of people like Luigi Mangione.

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[invisiblyvisiblejay]

the girl im dating doesn't know what the omegaverse is which is like lowkey insane to me. she's like. the first person ive been close to who has never really been involved in fandom or like. twitter culture which is just really interesting sometimes like for example i forget that the omegaverse isn't common knowledge. or like. the way i use the label asexual is sort of Technically correct but is very confusing to most people outside of Knows A Lot About Specific Identities culture because even though it's technically about sexual attraction and not really associated with someone's willingness to have sex the general public (or. the general public who has a working idea of what asexual means) understands it more to be about wanting or not wanting to have sex. and i don't use the label correctly anyways lol i don't particularly use any of my labels in a way that would actually convey what i mean to a normal person. but the general point is wow all of my close friends up to this point. every single one of them. have been involved in fandom culture

[bisexualiteaa]

actually dying for a cooper howard x vaultie!reader smut where they have some slow burn longing steaminess, but coop thinks she’s too good for him UNTIL she comes in contact with a sex pollen-esque chem and he finally gives in to save her 🥵 please work your magic and elaborate however you want

A Flame in Your Heart

Cooper Howard x Fem Reader (SMUT!!)

CW: NSFW like absolutely filthy y’all, you’ve been warned. 💀 unprotected sex, irradiated cream pie, p in v, p0rn w/ plot, slow burn, flirting, cursing, perverted thoughts, dub-con (because of chem usage though consent is asked and given!) rough sex, dirty talk, choking, praise kink, degradation, squirting, mention of fingering, FEELINGS!! Slight deviation from TV series, possible grammar/spelling mistakes, cooper starts off mean but slowly warms up to reader

AN: I absolutely LOVED this request! I was up all night writing down all my ideas and spent all this morning perfecting it, and this has to be my longest one yet! I thank you for your patience anon and my lovely readers as I finally post this! Hope you enjoy and that I have done your ask justice! ❤️

Life outside of the vault was difficult to say the least. You felt hunger and dehydration in ways you’d never experienced before, going out of your way to do desperate things you would normally never do in order to get said food and water. The heat was unbearable, every stretch of land you walked across had a danger lurking around every corner, and worst of all, you’d never felt so alone. You weren’t sure what it was about you, maybe it was because you were new to the surface, maybe it was your nearly perfect skin, but everyone seemed to stare or glare at you when you would walk through. It wasn’t until you’d passed through Filly, meeting Ma June that you realized people didn’t take kindly to people like you. “Vaulties” she called them, an audible disdain in her tone, making you look down to remember you were in your blue and gold Vault-Tec suit. “I’ll be going then, have a nice day!” You said skiddishly, offering her a kind smile before turning and exiting the shop. You just wanted to make friends, why was that so hard up here? So when your eyes set on a man clad in classic Wild West cowboy clothes, watching smoke settle after a stand off, you weren’t sure why but you knew that was who you needed on your side in this world. Before you knew it, your feet were already moving and mouth speaking to him, grabbing his attention.

“I ain’t no charity case sweetheart, I don’t take on strays” The ghoul spoke, his southern drawl making him even more memorable than the marred texture of his skin. You looked to the dog that trailed not far behind him as he walked, changing its pace to keep up with the man. “The dog there with you tells me otherwise” you quipped. “Ain’t my dog” he responded harshly as he continued walking. “I can make it worth your while!” You yelled, making him stop in his tracks for a moment, a scary sight at first before you worked up the nerve to come closer once he turned back to you. “And how you suppose you’d do that?” He asked, and at first you didn’t know what to say, the words leaving your mouth before you could really think of a good enough reason. Did nobody like company anymore these days? “Well…I can be your scavenger! Pretty good at collecting stuff” you offered, shaking your bag and making things rattle around inside to prove it, making him give a huff of a chuckle. “‘f I wanted a pack mule I’d‘ve found a brahman” he shot you down. “Okay, then I can be good company to talk to!” You offered. “They make radios for when I want to listen to someone yack” he shut down once again. “I’m a good cook! Even with shitty supplies, I can make a stew that’d put a smile even on the meanest son of a gun’s face” you said, hopeful that he’d at least take you for something, but you had a feeling he’d probably turn you down again. “Iguana on a stick’s just fine” he said, though he had to admit the stew sounded good. Reminded him of home before all this wasteland bullshit. “Oh, umm…” you said awkwardly, your tone growing quiet and my how it put a sad look in your eyes. The evil part of him liked it, seeing your sweet innocent face all downturned but the part that was still human deep down, the part that hardly ever saw the light of day anymore, had half a mind to let you.

“Got a lotta nerve walkin’ up t’ me, girly. If you somehow been lucky enough that you ain’t met dangerous yet, you’re lookin’ at someone who could put you down before you’d even mutter your last words” he threatened, motioning to the double barreled shotgun in his hands. “I know, I saw it first hand. You hold yourself well, I envy that. I’m new to all of this and just really want someone who can help me hold my own the same way” you explained. “Look, I know I don’t look like much but please just give me a chance” you begged, looking up at him with a fighting spirit in your eyes that he had to admit, he was pretty impressed in seeing in a vaultie. “You help me, I help you, however that ends up being” you offered, standing strong on this and damn if he didn’t see a little bit of himself in you at that. He gave a sigh, tilting his head down before shaking it, not believing himself for the words he was about to say. “Alright, but the minute you start draggin’ you’re out, got me?” He said, and he hated the way his cold heart seemed to pump a little faster upon seeing your eyes light up with joy and a smile stretch to your face. “Oh thank you, thank you, thank you!” You said, opening your arms up to hug him but being met with the barrel of his gun poking your stomach to keep space between you. “I don’t do hugs” he spoke gruffly, making you back up enough to where he’d drop the gun back to his side. “R-Right…sorry” you apologized, embarrassment washing over you but still glad to finally have someone in your company. “C’mon, I ain’t got all day now” he said, motioning you to start walking, so you joined him.

Your travels with him certainly weren’t at all what you were expecting them to be. From being used as bait, to being tied up with rope most of the time you’d traveled together, or being sent in as his scavenger, you weren’t prepared for a lot of the reality you faced with being up on the surface. Most nights made you question why you’d ever left the comfort of the vault, why you’d abandoned a trusty food supply, regulated temperatures, a safe place to sleep that wasn’t riddled with radroaches or had the likely hood of waking up to a raider with a knife at your throat for no reason. Then you would remember the experiment in your vault, why you left that awful place for arguably a worse reality on the surface but at least you had freedom. Out here you were free to say what you want, do what you want, consume what you want so long as you could defend yourself incase that supply wasn’t unclaimed. You’d gotten pretty handy with a gun in the most recent weeks. Cooper, you learned one night was his name, using empty glass bottles as targets to help teach you accuracy and how to hit things from a longer range. In exchange, you came a little more useful than he had first thought. You had some useful stuff on you for trade like chems, ammo and food, were a good extra bag to hold stuff in, and you were a better cook than you’d talked about. Sure you had a tendency to talk too much, and you weren’t great with a gun, but you were getting there.

“Might I suggest takin’ them clothes instead of wearin’ that suit?” He said, making you look at him weird for suggesting you strip a dead raider of their clothes. “Why would I do that…?” You asked, genuinely confused and not sure what he was implying either, he was a hard man to predict. “Because, people see that shit and get real mad. People up here don’t like vaulties or the ones that run ‘em” he said and it made sense, it helped you understand why you kept getting evil glares each time someone would look at you or talk to you. You figured he knew best, so you took the shirt and pants from one of the female raiders, tucking them into your bag to change into at a better time. He gave a chuckle watching you do so, apologizing to the dead body profusely as you took their clothes and whatever valuables they had on them for the betterment of your own survival. You were still so naive, part of him was hoping he could slowly start to break and corrupt your way of thinking, but that was a thought for another time.

Before you knew it, night finally began to fall. The sun setting across the horizon gave the air less of a hot, harsh bite as the temperature began to cool rapidly across the sands of the Mojave. All you managed to grab was a pair of beat up, old jeans and a tank top, so as soon as the sun set, the chill set in. As you both set up camp for the night just outside of an abandoned rest stop, you started a fire to cook some of that stew you talked about being good at. He had to admit, it was pretty damn good, likely the best thing he’s had since before the bombs went off. Though even the kindling fire couldn’t manage to chase the chill away, watching you run your hands up and down your arms to try and warm up some by it. He felt a slight pang in his heart, watching you shiver like that, how your eyes lit up by the blaze of the fire and your hair seemed to be tousled just right. You were pretty, too pretty to be trekking this wasteland, and certainly too pretty to be trekking it with him of all people as your company. Even he had a heart still, as cold as it was, so out of kindness he shrugged his duster from his shoulders, draping it around you. You looked at the fabric pooled around you, pulling it over you better before looking to him as he sat down across from you again. “Ain’t no use if the cold gets ya” he said, making you smile appreciatively at him as you realized what he did. “Thank you” you replied, a slight blush fanning to your cheeks as the chattering of your teeth finally died down and you grew warmer. It smelled like him, sure it had splatters of old dried blood and was rather worn, but it had that gunpowder and smoke smell to it that you associated with him. “Don’t say I never did nothin’ for ya” he replied, trying to sound cold but it didn’t come off that way, making you chuckle. “What do I owe you?” You asked, making him fall silent for a moment as he pondered the answer to your question. He looked you over for a second before tipping his hat down to cover his face a bit, the signal that he was about to try and get some sleep. “Just keep watch for a bit, I’ll be up in a few hours” he responded, and while it wasn’t what you were expecting, you’d take it.

He was startled awake a couple hours later when he heard a commotion, you yelling at someone telling them to back off that this place had been claimed. The raider you were up against didn’t seem to like that very much, claiming that wasn’t how it worked up here. The altercation took a turn for the worst when the man reached for his gun but you were quick to fire and kill him before he could let out a shot. A shaky feeling set in your hands and a horrified expression across your face at the realization that you just killed someone. Cooper, who was certainly wide awake now, was rather impressed by your quick timing and precision, coming up behind you to lay a gloved hand to your shoulder. “Well would ya look at that, looks like them lessons been payin’ off after all. How’s it feel?” He asked, looking down at you as you stared at the gun in your hands. “He was yelling at me but…he was aiming at you. I don’t really know what came over me, I didn’t like that he was going to shoot you so I just…I killed him” you said, recounting the encounter to him as if he hadn’t seen it himself. He didn’t really know what to think in that moment as you explained how your mind worked, he was proud for sure at your show of improvement with a gun, yet also touched at the same time. No one ever really looked out for him since he started his bounty hunting, he was a well hated man by many but you defended him without really any reason to. You’d just learned his name not but two weeks ago, and before that he was dragging you around with rope yet you still defended him, had you two really gotten closer in the time that’s passed since? He wasn’t sure, but it was something he could mull over while you were sleeping. “Get some rest vaultie, sun’ll be up soon” he said, knowing you likely wouldn’t get much sleep with the adrenaline still coursing through you, but it was at least worth a try, you two had a long day ahead of you.

When you woke up that next morning, things felt a little different between you two. You weren’t some annoying little dog following him anymore, you were an equal. He no longer looked at you and treated you like you were lower than him as you both set out across the wastelands, he had respect for you. Hell, he even started talking with you now when you were out traveling which was almost unbelievable. You learned through those conversations that he used to be an actor in Wild West themed films, explaining his outfit, and that he was married before the bombs dropped. You of course told him bits and pieces about yourself in exchange, after all it only felt fair but it was also nice to just finally talk to someone after all this time.

When night time fell again you two sat enjoying a meal by the fire together, only rather than across from each other, he sat next to you, making a blush come to your face as you’d smiled sweetly at him. “Glad to know I don’t have germs anymore” you said jokingly, making him chuckle. “Give an old man some credit. It ain’t exactly all peaches and marmalade out here darlin’, even cute can be deadly” he said, the nickname and him calling you cute sending a deeper blush to your cheeks despite knowing it’s just how he spoke. Whether it was the lack of contact with other people for so long, or just his charm you couldn’t quite tell, but it always seemed to have an effect on you. “Just teasin’ you, I get it. I’d tie me up and use me for bait too if I’d been doing this as long as you have. It’s a shit hole out here” you said, making him look at you as you dropped the first curse word he’s ever heard from you. “Well I’ll be damned, either I’m a bad influence or you’re finally growin’ outta that naive shell there, vaultie” Cooper replied, making you laugh as you saw a smirk stretch to his thin, marred lips, the first one you’d seen in a while that wasn’t brought on by drugs, chems or that first sip of a good bottle of alcohol. “Probably both” you quipped, making him chuckle. “Yeah, probably. Been told I ain’t easy to stomach” he said, making you hum. “You’re alright in my book, Coop” you replied with a sweet, genuine smile that matched your tone and was that butterflies you felt in your stomach? Did you just call him Coop? No ones called him that in ages, why did it make his heart start to flutter a bit? “You ain’t so bad yourself, vaultie” he responded, still affording you that small smile before turning back to his food. “Keep making food this good and I just might have to keep you around” he joked, making you giggle and break the slightly tense silence. “It’s not much but I certainly try. I’ll definitely make sure to stay good at it, I like traveling with you” you said, unintentionally coming off flirtatious and fuck there it goes again, that feeling in his chest and his stomach like he needed to hit his inhaler but he felt great. What were you doing to him?

“Hey, if it isn’t too much can I ask you a sort of…personal question?” You asked, holding the beat up bowl in your hands as you looked over at him. This was normally the part where he would say no, absolutely not, he wasn’t here to be questioned on his personal matters. Yet, with you, it was different. Ever since last night he hasn’t been so on edge with you, it was like he’d warmed up to you. “Depends on what you’re askin’ there, sweetheart” he said, the nickname once again making you blush. “Do you…miss them? Your wife and daughter?” You asked, not sure if it was a good subject or good question to ask but after finding out, you were genuinely curious. He looked down at his bowl again, thinking of the proper response to your question. The old him would have been defensive, told you it was none of your business, but now? He wasn’t sure. “Ain’t a day that goes by that I don’t think about ‘em. About the way I ran out on ‘em when them bombs dropped” he answered, making you give him a sad look as genuine guilt filled his tone. This was the most honest and open he’s been with you this whole time. “I feel guilty. Not sure if I feel guilty for runnin’ out and leavin’ ‘em behind or guilty for the way I ran out, been tryin’ t’ figure that out for quite a while now and I still ain’t sure” he added, and you sympathized with that. Everyone has regrets, things they’ve done in the past that they aren’t proud of, people up here were no different in that aspect. “Well, in the short time I’ve gotten to know you, I’ve come to understand that everything you do has a valid reason behind it. So even if you feel it was a shitty thing to do, you obviously had a reason for doing so. No one can blame you for trusting your gut, and I don’t think you should blame yourself for doing so” you responded, your hand falling to his as a comforting gesture, your words ringing in his head almost as if you’d opened something in his mind, something he’d never really gave himself to think about before. He looked down at your hand that rested on his, noticing the way you didn’t flinch away from him like others did, the way you were brave enough to walk up to him, talk to him, *trust* him when he made it very clear that you shouldn’t. It was smaller than his, softer for sure, but warm all the same, then he looked up to see that caring look in your eyes and smile on your face that told him that you cared. “Guess you’re right, still wonder sometimes if it was the right choice to make” he replied. “I understand. Everyone has regrets, we all look at the past and hold at least something that we’ve done before in regret, it’s what makes us human” you said, making him give a huff as a chuckle. “You got anybody?” He asked, making you look down as you moved your feet along the dirt. “An ex-husband, but not anyone I really care about, no. My parents passed a few years before the bombings and he and I split up when I caught him cheating on me with some other woman in the vault..” you explained, not sure why it hurt you to tell the tale still, but you felt it was only fair considering what you’d asked of him to share. “Sorry t’ hear that” Cooper said, making you chuckle weakly, a somber look coming to your face that made his heart wrench. “I haven’t exactly been in love since, and considering he and I split up just a little over ten years ago, really says something I guess, huh?” You asked, trying to laugh to bring up the mood, knowing you sounded pathetic. “He was the fool, not you darlin’. He was the one skippin’ out on one hell of a woman” Cooper said, making you look to him and blush a bit as you gave a chuckle at his response.

“Thanks” you replied appreciatively and with a smile before casting your gaze down to see your hands were still connected and it left you blushing harder with embarrassment, you’d been holding his hand this entire time without realizing it. “Oh my gosh, I’m so sorry! I didn’t mean to make you uncomfortable if I have I-“ “relax vaultie” he cut you off, pushing your hand back down onto his to assure you that he was far from uncomfortable. “It’s…rather nice actually” he admitted, making you feel relieved but your heart fluttered in your chest from it. A thick tension soon began to set in between you both after that night, something of an unspoken, kindling romance beginning to develop. “Then there it can stay” you said, making him smile softly at you, tipping his hat at you as a silent thank you.

Months passed on like this, where you’d spend the days scavenging, picking the land for its resources you could find and hunting bounties by day, then spending your nights by a fire growing closer and closer with every passing day. Through your shared meals, jokes, deep conversations, and plenty of near death experiences, you started to notice your fondness of the ghoul you traveled with. The way you’d hang onto his words with that southern accent that seemed to pull at your heart strings, or the way you’d go out of your way to stand between him and a stray bullet. You’d helped him on more than one occasion in getting out of a sticky spot, or getting him the stuff he needed to keep from turning feral. In return, he started to notice he was feeling the same towards you. There was this sudden need to keep you safe, to do nicer things for you, to speak better towards you, even flirt with you at times. Some nights there’d be so much tension in the air, it’s a miracle you haven’t jumped each other yet. Though in his eyes, as much as his heart yearned for you, he knew you were too good for him. You’d been hurt before, and he had a reputation for hurting people, feeling undeserving of even just the sweet smiles and company you afford him even now. You didn’t need someone like him, you needed a good man, someone who didn’t kill for a living, someone who could treat you right, someone who didn’t look the way he did. You were soft and warm, he was rough and cold, though he supposed that’s where the term “opposites attract” came from. So even when he was a whole bottle deep, he was sure to hold his tongue to a certain point.

Some of those nights around the fire were spent sober, others not so much, and this night happened to be one of those nights spent under the influence. You two had stumbled across a mini-mart, doing your best to out run the radstorm that had been trailing you guys for hours, coming in just to find whatever supplies you could to make it through the next week and possibly hunker down for the night. So imagine your surprise when you seemed to have found the largest chem stache you’d both ever laid eyes on. “Coop! Come here, you gotta see this” you said, making him run towards you to make sure you weren’t hurt or in trouble. His nerves were eased once he saw you, fully intact. “Tell me I’m not seeing shit” you said, pointing to all of the supplies sitting in a box on the table, joined by other supplies around it. You both looked at each other in complete and utter disbelief, this would keep you stocked for months, maybe even a whole year if you conserved it well. “Well ain’t that just the prettiest fuckin’ sight” he said. There was no way a horde of chems this large and this valuable was just completely unprotected you reasoned, so you routed around the place, scoping out for any raiders, straggling traders or ferals who happened to still be around. It was as if heaven was shining down on you both as you found no one around, seemed like no one had been here for days. So you did the most logical thing anyone would do in this situation. Stuff each of your bags to the brim of drugs of all varieties! Seeing as you had food, chems and even some clean water and alcohol lying around, Cooper locked and barricaded the door shut, proposing it could be a good spot to sleep for the night. With a radstorm approaching, it was best to have a roof over your heads to keep out the rain and potential radiation sickness that came with it. “This is the closest fuckin’ thing to a slice of heaven I’ve seen in ages” he said, aside from you is what played in his mind but he couldn’t speak that out loud, no matter how much he wanted to. “You said it!” you replied, and it’s even better with you here you thought, but thought it best to keep it to yourself. He plopped down on the couch, kicking his feet up to rest on the small table that seemed to be in shambles, enjoying a tape that was playing on the TV that he was surprised to still see functioning. “Holy shit, this thing still works?” You asked, amazed to see working technology out in the wastelands, sitting next to him as you watched it with him. He gave a smirk at your reaction, thinking it was cute the way your eyes would light up when you got all excited over something. Deep down it made him want to give you everything you laid eyes on like that just to see it pointed towards him. “Guess so” he replied, enjoying your excitement only to see you turn and look his way, which was his signal to stop staring holes into you before he gets caught. “I dunno about you baby doll, but I ain’t about to spend tonight sober with this stache sittin’ here ‘n front of us” he said, making you laugh as he routed through all the different drugs and chems til he found what he was looking for.

In the process of searching through it all, a small metal box fell to the floor at your feet. It looked like a box of mentats only the design was different, instead of the characteristic green and white box was a red one covered with hearts labeled DN-Chem. You supposed the worst that could happen was turn into the man sitting next to you, which you figured wasn’t the worst fate to succumb to all things considered, so you went against all better judgement and said fuck it, popping two of the mentat like chems and chasing it with the vodka he’d found to wait for it to take effect. “The hell is DN?” He asked, looking at the box, wondering what it was you took. “Don’t know, guess we’ll find out here soon because I took two” you said, taking another sip from the bottle of vodka he passed your way, and he gave a chuckle as you handed it back to him. “You come a mighty long way, little lady” he commented before setting the metal pill box down. He took the bottle from you, taking a swig, then placing one of the small viles into his inhaler before taking a hit of it then lying back, breathing a sigh of relief as it and the alcohol entered his system like the perfect remedy to any ailment. As about a half an hour rolled by, you waited for the high to set in but it never came, instead you were just getting hot, like really hot. There weren’t any windows open, and it was night time so you shouldn’t be this uncomfortably hot for how it was but you felt like you were on fire. “Shit, it’s hot as hell in here…” you complained, shaking off your jacket that you’d picked off of some raider a few weeks back, making him look to you curiously. “Lightweight” he quipped, making you chuckle. “Accept I don’t feel anything, I just feel hot” you said, making him hum with intrigue before turning back to the TV. “Give it some time, you’re new to all this. ‘m sure your body is wonderin’ what the hell you just put in it” he said, and he had a good point, maybe it was just a side effect of not doing them so often compared to his every day use.

As time went on, you began to notice the way your eyes couldn’t help but be glued to him, more specifically glued to the way his legs were now spread as he sat back. You wondered to yourself what he looked like beneath all that cowboy get up, what his reaction would be like to see you getting on your knees for him and slotting yourself between his spread legs. You shook your head to try and rid yourself of such inappropriate thoughts, but what you couldn’t stop no matter how hard you tried was the feeling of arousal beginning to pool in your panties. Sure he flirted with you every now and again, but you doubt he felt towards you the same way you did for him. To him you were sure you were likely more akin to a pet than a friend, useful and nice to have around, but not anything further. At least so you thought. You’d rather hoped you were wrong in assuming so, that maybe he saw you the same way you saw him. You bit your lip as you tried bouncing your leg to relieve the ache between your thighs, a light pink dusting your face and neck even up to the tips of your ears, but nothing worked. Even as you closed your eyes, all you could picture was you laid out on the couch beneath him, or bent over it with him behind you, or you riding him on it. “Been awful quiet. You doin’ alright over there, sweetheart?” Cooper asked you, and the audible whimper you let out from the nickname left you completely embarrassed. You clasped a hand over your mouth, god you were horrified but he gave a grin and a chuckle in response. “I’m so sorry, I don’t know what’s gotten into me all the sudden. I feel so…weird?” you said, unsure if that was really the proper word to explain it but it was the only way you could really word it off the top of your head with how much your brain felt as if it was turning to mush. “Ya took some chems, it’s gonna feel a bit fuzzy” he said, trying to assure you that feeling a little funny was normal, but this? This didn’t feel normal, not even for a chem high. You tried your best to swallow harshly, doing everything you could to try and relieve the dry ache you felt in your throat at the moment upon looking at him. You grabbed the bottle of vodka, taking a few sips but even that couldn’t grant you bliss from it. The throbbing in your core was driving you absolutely insane. You swore up and down that it was like you could feel your heartbeat in your chest, stomach, and in your cunt all at the same time. “No, this is different…I don’t think what I took was a normal chem, Coop…” you said, trying not to panic at the effects that were setting in but god you felt like you were absolutely feral. He turned to look at you, watching as you clamped your thighs together and the red that fell over your face. “I feel like an animal in heat” you said bluntly, making him go into a near coughing fit as you took him off guard. However that piqued his interest enough to pick up the little metal box again to see what it was you took. “I ain’t ever heard of a chem that does that, was that DN shit the only stuff you took?” He asked, growing slightly concerned for you and whether he had a possible horde of laced chems, or just an extremely horny woman on his hands. Speaking of hands, you were lost in thought staring at them, at the way they gripped the couch like you wanted him to grip your thighs, at the way they looked in those leather gloves he always wore. You wondered how it would feel wrapped around your throat, or how it would feel if his fingers were buried deep inside of you. Shit. This was getting out of control.

“Hey, ya with me still?” He asked, snapping to try and get your attention back on the matter at hand, making you shake your head yes as you broke from your perverted thoughts. “Is that DN shit the only thing you took?” He asked again, making you shake your head yes once more, because you knew damn well your voice was going to betray you the moment you tried to speak. That had to be it, it was the only thing that was different out of it all and the only thing he’d never heard of before. He knew it wasn’t the vodka either because he was drinking it with you, so if it was affecting you, it would have affected him and it hadn’t.

It took him a minute to put two and two together before he finally realized the abbreviations stood for Date Night, reading the instructions and effects on the inside of the tin’s lid. “Shit..” he said as he read it, realizing this was a hand made thing thrown into the bunch by whoever was running this place. “Did you read the lid before you popped them pills?” He asked, making you go wide eyed. As if this couldn’t get any fucking worse, this shit show could have been avoided had you just read the inside of the lid. “There was instructions?? Oh my god…what the fuck did I take?” You asked, concerned for yourself and the tone he had while reading it. “Somethin’ that the creator of it called Date Night. Looks like it’s a…well looks like it’s a handmade sex chem” he said, making you cover your face with your hands out of sheer embarrassment, you’d never wanted to die out in a radstorm more than you did right now. “Please tell me you’re fucking joking, cooper…” you whined, watching him read it more. “How much of it did you take?” He asked, almost scared to know and you were scared to know why. “Two?” You replied, making him whistle at that as he read it. “Fuckin’ hell sugar..” he said through a chuckle, and that nickname made a shiver run through you, sending electric bolts straight to your throbbing cunt. You did your best to bite back the whimper. “You’re only s’possed take one, and with you bein’ new t’ all this, I wouldn’t have taken more than half” he said, making you just wish you could just dig a hole and die in it already. “Fuck me…wait, shit! N-Not literally fuck me I- well I mean I’d like if you did but…FUCK! Forgive me Cooper, I’m so sorry, I can hardly think straight” you said, making him chuckle. “Well sweetheart, I think you and I both know there’s only one good fix for this situation” he said, making you whimper pathetically at the thought, your thighs squeezing together even more as you tried to fight to stay sane. Your eyes cast downwards to his lap once more, seeing the tent forming in his pants, clearly you weren’t the only one all worked up here. “I don’t want to make you feel like you have to, Coop. I can run off and take care of myself if it makes you uncomfort-“ you rambled but before you could finish, his hand cupped the side of your face, pulling you in for a long awaited kiss. You moaned into it without meaning to, feeling the way your body immediately relaxed upon wrapping your arms around him with no hesitation as the sweet innocent kiss turned passionate and dirty rather quickly.

“I won’t lie t’ you, doin’ this with you has passed my mind more times than I’d care to admit, but I don’t wanna cross that line unless you really want this” he said, looking into your eyes and making sure that this was truly what you wanted, that you felt the same way he did. “Coop, I know I’m under the influence of whatever the fuck this drug is, but trust me when I say, I’d be just as good with it sober. Been thinking about it for probably just as long as you have, if I’m honest with you. I want this, I want you and right now I want you so fucking bad that I might lose my mind if you don’t fuck me” you answered bluntly, taking him by surprise at just the sheer amount of absolute filth that left your otherwise innocent mouth, making him chuckle at your use of curse words and how desperate you were for him. “That so sugar?” He asked with a grin, enjoying teasing you at your neediest moments, including now. “God yes, Cooper please..” you begged, nearly moaning in reply and he’d spent time mulling over it before, denying himself the chance but just as the chem stache was a pot of gold, he took this as one of the best opportunities being placed in his lap by whatever higher power existed out there, making him waste no time in kissing you once more. “Good, because I don’t think I’d be able to hold myself back once we’ve started” he said, and the idea made you moan. “Don’t want you to hold back, want all of you” you said, and your wish was his command.

By the time your brain could finally catch up with you again, your clothes were strewn out all around you, your tank top hanging over the back of the couch, your jeans thrown haphazardly on the arm rest behind you, his pants on the floor, his hat on the table and shirt and duster having fallen somewhere behind the couch. By now, you’d already cum on his fingers twice, and on his cock once, this was your fourth round and this shit still had you on fire. “Yes!! Oh fuck, Cooper!” you moaned as your legs wrapped around his hips, keeping him as close to you as you could get, your fingers digging crescent shapes and puffy red lines into his back that unfortunately he knew wouldn’t stay long thanks to his ability to heal stupidly fast. “Doin’ so good for me, baby doll. Look so pretty like this for me, all splayed out like a needy little whore” he praised and degraded through his groans, making you moan and roll your eyes into the back of your head at the praise mixed with degradation as his cock was drilling deep inside you like tonight was all you guys had. “Yeah, you like that, huh sweet thing? Like it when I tell you how good it feels and call you names?” He asked, making you nod your head yes because there wasn’t a single thought in that brain of yours other than his name, which you spoke like a mantra. “Never knew such a sweet lil’ thing like you would be such a dirty little minx. Fuck…enough to make a man like me go feral, ya know that?” he said, making you giggle as you moved his free hand up to your throat, urging him to choke you, and he groaned at the sight. Your kiss swollen lips all puffy and shining with spit, your cheeks dusted a constant pink that grew darker anytime his cock brushed that spot deep inside that made you cling to him, your eyes half lidded, looking up at him like he was your savior. It made him absolutely rock hard knowing you’d pick him over anyone else in this god forsaken wasteland. “My, you are just a little freak, ain’t you? Oh we are gonna have fun together, you and me honey” he promised, squeezing your throat tight enough to restrict your airflow but not enough to hurt or cause any damage. Just enough to get that puddle of a brain of yours all fuzzy as you got closer to your fourth orgasm of the night. “Cooper…’m so close, so close please!!” You begged, feeling the heavy drag of his cock as he pounded into you, leaving you damn near screaming as it nudged your cervix and that spongy little bundle of nerves deep inside. “Go on honey, I gotchya. Let go for me, wanna see those pretty faces and hear those pretty noises you make” he said, angling his hips just right to hit that spot over and over again. “Oh fuck, oh fuck I’m gonna cum again, I-“ you warned before your moans rose in pitch as your walls clamped around him, gushing on his cock as your orgasm hit you like a freight train. Your body arched off the couch, stars filling your vision for a moment as you felt your release gush out and coat your inner thighs, screaming his name like it was your only chance at salvation. “Well ain’t I just the damn luckiest man in the wastelands right now, got me a pretty little vaultie and she’s a gusher” he said, making you whimper at his teasing but judging by the way he emptied himself inside you for the second time, you took it as a sign that he liked that about you. “Holy shit, I-I didn’t know I could do that” you said, thoroughly shocked with what your brain and body were doing as they almost seemed to almost be working against each other. “Do it again for me” he said, grabbing you and moving you both to where you were straddling him this time. His hands rested on your hips, helping guide you as you speared yourself on his dick with ease from how absolutely soaked you were, making you both throw your head back and moan. “Now that’s a damn good sight” he said, making you lean in to kiss him once more as his hands helped you start and keep a steady rhythm with your hips. It was definitely going to be a long night, but one you two have been needing for months, maybe even longer.

It’s a good thing ghouls have remarkable recovery time, because in order to finally get you sated and back to normal, you both had to spend all night going at it. Granted, it was aided by the mix of pent up sexual tension and pent up sexual frustration, but it was dawn before you both had gotten to a point where you could even *try* and fall sleep. First few times was on the couch between missionary, doggy and you riding him, next was you bent over it, with your pretty legs spread and ass in the air for him. Then, you used the arm rest of the couch as a pillow beneath your hips as he stood up while you laid out on the couch. He liked that one a lot for the way your tits would bounce with each and every forceful thrust into you, jolting your body. After that, it was done standing up with your back pressed against a wall, your legs and arms wrapped around him to keep him deep inside of you and fill you til he had nothing left to give you. From that point on, the rest of the night was all a hormone-hazed blur, but you knew well that he took care of you. You woke up unbelievably sore, your joints aching in places that you had no idea could even ache, a swollen, angry throb between your legs for the harsh, almost punishing treatment to your pussy followed by bruises, bite marks, scratch marks, hand prints etc. littered your skin as you woke up curled into Cooper’s side. You gave a gravelly groan as the sun shone in your eyes through the windows, making him chuckle at the way you were such a ray of sunshine except in the morning. Coming to learn that you absolutely *hated* mornings. Though you suppose you started to enjoy them more since traveling with him. “Mornin’ sunshine” he said coyly, making you groan disapprovingly at the way the sun was in your eyes, making you hold your hand up to cast a shadow on your face and grant you some relief. “Morning” you answered, your voice hoarse and half gone from sleep and all your activities that transpired the previous night. “Ain’t that a pretty sight” he said, turning and seeing you curled up to him, naked, your hair all messy from sleep and the hickeys and bite marks littering your skin, making you chuckle. “Last night was definitely something, can’t believe you’ve been holding all *that* out on me” you joked, making him give a dry laugh. “Could say the same thing about you, sugar. Had no idea that mind a yours could be so filthy. You’re a wild thing to party with, lil’ lady” he teased, sliding his arm around you to keep you close, making you hum as you lay soft, appreciative kisses to his collarbone and chest. “You’re fun too, and thank you for taking care of me last night. I’m sorry that it ended up happening the way that it did, I wanted to work up the courage and tell you some other way, I really did, but I guess life had other plans” you said making him chuckle as he saw you blush when he kissed your head. “Drunk words are sober thoughts they say, so I’d say I made out pretty good. But don’t sweat it, not sure how I deserved someone as good as you, but it’s good to know I ain’t as hard to stomach as most people say” he said, pulling you in for a soft, heartfelt kiss. “I think you are just perfect, Cooper” you said, your hand resting on his scarred chest as you looked at him with that gaze he swore he’d do anything to see pointed his way.

“You really wanna be my girl?” He asked softly, sounding shocked and with some self doubt still lacing his tone, but he had to be sure this was what you wanted outside of the drug’s effects. He cared for you deeply, in a way that he hasn’t felt in a very long time, but maybe you were just the right person for him to finally open his heart up to. His question made you giggle as your heart fluttered in your chest with excitement. “I absolutely do, I meant it when I said it last night, I mean it just as much now. I think we’ve danced around it for long enough, don’t you?” you replied, making him smile the most genuinely happy smile you’ve seen him wear since you’d met. “Just checkin’” he said, before laying a sweet kiss to your lips, wishing every morning could be like this one. Maybe it could, now that you were here with him.