#but like WHo the general is..is an interchangeable thing

[folkdevilism]

Hard agree on what you said about DH1's success and the gameplay being the main thing that made it a hit. I do like DH1's story, for what it's worth, but you can definitely tell that it was mechanics and gameplay first and foremost, with the narrative following the gameplay, but it worked.

Second hard agree on DH2 Emily basically being "female Corvo." I previously touched on the topic in a different response here, but the bulk of Emily and Corvo's lines in DH2 largely felt flat and interchangeable, but with only slight modifications to align with the chosen player character.

I'm also really glad to see there are other people who hated the fact Delilah was brought back for the sequel, because she felt like such a fucking pompous one-dimensional cartoon villain throughout the entirety of the story, and the sob-story background lore and class themes didn't really change that. I saw another post that essentially described her as "swaggering, puppy-kicking evil," and that's basically how I felt about her as a whole in DH2. It might have worked for Burrows in the first game, but Delilah in DH2 felt like one of the most obnoxiously one-dimensional characters in the entire cast, imo.

I differ somewhat in that I actually liked Jindosh and the Outsider, and I still find the Outsider fascinating in his own right, but I think his appearance in DOTO was probably my least favorite incarnation of him. Yes, in DOTO he's still cryptic and randomly appears to grant the protag supernatural powers and make comments on the player's choices, but with the removal of the chaos system, the gameplay as a whole felt a lot more hollow. I feel like the Outsider works best as a character when he's acting as a cryptic spectator to the player. I think he still works fine when you interact with him directly in short bursts (like on the island in the Void) because it's still mainly him commenting on the game's events and the choices you'll be faced with without forcing anything on to you, but also felt like the scene where he grabs Billie and presses the supernatural arm on to her to be really jarring and out of pocket, and it felt like such a far cry from how we've seen him act in general.

I also agree that Billie was a good choice for DOTO as a protagonist to end the Kaldwin arc, but she still suffers because so much of DOTO feels half-baked compared to the prior games.

>i want a new cast. we can see them, visit them & maybe ally with them, but i never want to CANONICALLY play as corvo or emily again. Maybe Billie bc she's just fucking based as shit idk sue me.

If they ever got around to making a DH3, I'd rather it take place in an entirely new setting and with new characters as well. I could also roll with DH3 if it took place in a new universe with similar game mechanics, but functioned as more of a spiritual successor to Dishonored instead of a formal sequel in the same world/timeline. Like you said, revisiting Emily and Corvo as bonus content or NG+ content would be fine and cool to do for funsies, but as much as I enjoy those characters, I also feel like they wrote themselves into a corner and they've already done everything they could possibly do with the Kaldwin storyline at this point, imo.

I'll always have a soft spot for Dishonored 2, but I still occasionally wonder what kind of game we could have gotten if it had been allowed to focus solely on Emily instead of trying to accommodate two playable main characters.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[whoatemyshoe]

"just google it" "do your own homework" "google is free" "find it yourself the information is out there"

but they are. they are asking people who have that information, for the information. they are doing their homework by reaching out and asking people questions. just because it's not typed on a search bar, doesn't mean it's any less of putting an effort to finding things out.

like i'm sorry people in the past refused/ridiculed you when you asked them for help. doesn't mean you have to be like them tho. why is learning through human interaction rejected in favour of isolated learning?

[darkandstormydolls]

PSA to all historical fiction/fantasy writers:

A SEAMSTRESS, in a historical sense, is someone whose job is sewing. Just sewing. The main skill involved here is going to be putting the needle into an out of the fabric. They’re usually considered unskilled workers, because everyone can sew, right? (Note: yes, just about everyone could sew historically. And I mean everyone.) They’re usually going to be making either clothes that aren’t fitted (like shirts or shifts or petticoats) or things more along the lines of linens (bedsheets, handkerchiefs, napkins, ect.). Now, a decent number of people would make these things at home, especially in more rural areas, since they don’t take a ton of practice, but they’re also often available ready-made so it’s not an uncommon job. Nowadays it just means someone whose job is to sew things in general, but this was not the case historically. Calling a dressmaker a seamstress would be like asking a portrait painter to paint your house

A DRESSMAKER (or mantua maker before the early 1800s) makes clothing though the skill of draping (which is when you don’t use as many patterns and more drape the fabric over the person’s body to fit it and pin from there (although they did start using more patterns in the early 19th century). They’re usually going to work exclusively for women, since menswear is rarely made through this method (could be different in a fantasy world though). Sometimes you also see them called “gown makers”, especially if they were men (like tailors advertising that that could do both. Mantua-maker was a very feminized term, like seamstress. You wouldn’t really call a man that historically). This is a pretty new trade; it only really sprung up in the later 1600s, when the mantua dress came into fashion (hence the name).

TAILORS make clothing by using the method of patterning: they take measurements and use those measurements to draw out a 2D pattern that is then sewed up into the 3D item of clothing (unlike the dressmakers, who drape the item as a 3D piece of clothing originally). They usually did menswear, but also plenty of pieces of womenswear, especially things made similarly to menswear: riding habits, overcoats, the like. Before the dressmaking trade split off (for very interesting reason I suggest looking into. Basically new fashion required new methods that tailors thought were beneath them), tailors made everyone’s clothes. And also it was not uncommon for them to alter clothes (dressmakers did this too). Staymakers are a sort of subsect of tailors that made corsets or stays (which are made with tailoring methods but most of the time in urban areas a staymaker could find enough work so just do stays, although most tailors could and would make them).

Tailors and dressmakers are both skilled workers. Those aren’t skills that most people could do at home. Fitted things like dresses and jackets and things would probably be made professionally and for the wearer even by the working class (with some exceptions of course). Making all clothes at home didn’t really become a thing until the mid Victorian era.

And then of course there are other trades that involve the skill of sewing, such as millinery (not just hats, historically they did all kinds of women’s accessories), trimming for hatmaking (putting on the hat and and binding and things), glovemaking (self explanatory) and such.

TLDR: seamstress, dressmaker, and tailor are three very different jobs with different skills and levels of prestige. Don’t use them interchangeably and for the love of all that is holy please don’t call someone a seamstress when they’re a dressmaker

[headspace-hotel]

"Scientists should be working on curing cancer instead of doing [Thing]" just get funnier and funnier to me over time because

there's so many papers and studies about curing cancer that they drown everything else out. God help you if you're trying to research something that has ever been considered applicable to cancer research.

"cancer" is a whole category of diseases that includes hundreds of different things

The way i understand it, "cancer" is a consequence of cells aging and being exposed to stresses over time. The goal is to stop it from developing too early, curing cancer IN GENERAL is a bit like trying to cure entropy

the amount of progress we've made on treating and preventing cancer even in the last few decades is so insane, it's a lot more impressive than "curing" a single disease would be.

different scientists aren't interchangeable. What's a meteorologist going to do for cancer research

If we didn't have the other scientists, we would die a lot more of the other stuff

there WAS that one guy who programmed an AI to categorize different types of cookies and pastries that ended up being great for detecting cancer cells, so YOU NEVER KNOW

[beatrice-otter]

I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.

You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.

I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.

On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.

Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.

On a factual level, let's look at "aiding and abetting genocide," shall we?

First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:

Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).

Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.

Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.

Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.

So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.

Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.

Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.

Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.

And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.

I really hope you can see the significant and substantial difference between those two positions.

But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.

"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."

Do you get why there's a problem with that line of thought?

[batmanisagatewaydrug]

Is there difference between "having a fetish" for a trait and "fetishizing" people who have it? I've seen some posts on here talking about the fetishization of certain demographics like its something people are morally bad for doing, but I've also seen things saying that people can't control their kinks/fetishes. Is this a case of "two words that look alike but mean different things"?

okay so I'm gonna use myself as an extremely specific example here because I don't want to throw any identities that I don't hold under the bus

let's say you're really, really into short white bitches with curly hair and big noses, okay? like, to the point that you cannot get off if a short white bitch with the big nose and the hair isn't involved. sex simply will not be satisfying without such a partner.

generally speaking, this is understood to be what differentiates a fetish from a kink. a kink is a fun little thing that falls outside the sexual norm, which you may be able to take or leave. maybe it's cool to do, but your sexual enjoyment isn't predicated on it being a part of your sexual encounters. a fetish is, basically, not optional. (there's a bit more about this in my sex ed FAQ.)

and this is fine, right? having one thing that you're really, REALLY into is fine.

now, let's talk about fetishizing. for many people with fetishes, the thing that turns them on will be exciting and, yes, perhaps even arousing even when they encounter it in nonsexual contexts. that could be rope, latex, balloons, you name it. it could also be people, either certain body parts or certain traits. so where we run into a potential conundrum is how you are treating those people.

let's revisit that short white bitch curly hair big nose fetish. when you see women who look like that, you might feel aroused. and that, by itself, if fine. but are you able to interact with these women in a way that doesn't center your fetish? if I post some selfies, for instance, are you going to feel the need to leave an unsolicited sexual comment? if we meet in real life, are you going to speak to me respectfully and reasonably without resorting to sexual harassment? do you recognize short white bitches with curly hair and big noses as individuals with different personalities, opinions, and needs, or are we all interchangeable? in short: do you see us as being as fully human as people who don't activate your fetish?

thought crimes aren't real, but how you treat people very much is.

[celestialholz]

Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')

Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -

Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.

... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.

Or maybe you just want a definitive way to win the argument of "are these two fucking?"

But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.

Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:

Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)

Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)

... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.

Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.

... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.

Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.

And then there's what it means.

This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.

But part of that's irrelevant when you're as immortal as these two.

So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.

And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?

Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.

What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.

What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.

But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.

It's about holding hands and loving and never letting go, even if it kills them.

... It's just about the most romantic and gorgeous thing I've ever fucking seen.

There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.

And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.

I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.

They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.

They did The Wrath of Khan better than The Wrath of Khan did it.

And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.

So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.

(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)

[pedrospatch]

fall into temptation | one

Jackson! Joel Miller x Preacher’s Daughter Reader

series masterlist

summary: Of all the women to catch Joel Miller’s attention—it just had to be one of the goddamned preacher’s daughters.

warnings/tags: 18+ ONLY, MINORS DNI. SLIGHT PHYSICAL DESCRIPTION OF READER, mentions of her hair which she can put up into braids as well as her style of clothing. despite the nickname Joel gives her, it does not speak to her body type or size. AGE GAP (reader is in her 20’s and Joel is 56, i know, i know but this is self indulgent because my birthday is next month idk just let me have this one) canon language, canon violence, several mentions of religion, terms pastor and preacher are used interchangeably here and there, mentions of the bible and religious symbols (cross), innocent/virgin reader, very brief scene of attempted sexual assault, no explicit smut (yet). asshole Joel, protective Joel, hints of softish dom Joel (if you squint). reader has two sisters, the only physical description for them is their hair, which they can also braid as well as their style of clothing.

MOODBOARD FOR AESTHETIC PURPOSES ONLY, NO MENTION OF RACE OR BODY TYPE.

word count: 8.4k

Jackson, Wyoming

Fall 2024

Joel had seen him around the community before. 

He’s an older man in his late sixties or possibly his early seventies with thinning, snow white hair and silver, wire rimmed glasses that always seemed to be perched on the tip of his pointed nose. He was a good, kind man from what Joel could gather—offering up warm smiles and friendly waves to anyone who happened to cross his path, stopping to greet and say hello to familiar faces. The hem of his starched white shirt is tucked into pressed black slacks and even from where he stood across the road near the horse stables, Joel noticed the book clutched in his right hand, old and bound in supple, worn black leather with the words Holy Bible etched into the cover in flaked gold lettering.

Jacob, he thinks his name is. Or was it Josiah?

Something biblical—a name fit for a man who was so fucking clearly devoted to the big man upstairs.

Joel knew his own name was a biblical one, but he was the furthest thing from a man of God. After all that he’d done in the past twenty years, there was only one place he was going and that place wasn’t exactly known for its pearly gates or sweet cherub angels playing harps.

Joseph? Was that it? 

He couldn’t be certain.

Not that Joel really even cared to know his name. 

It’d been a couple months since Joel arrived back in Jackson with Ellie after Salt Lake City and the truth of the matter was that he preferred to keep to himself whenever it was possible. Joel had zero interest in getting to know the people of this settlement, not unless he had to for the sake of patrol duties—and that’s only if he hadn’t been able to weasel his way out of getting assigned with a partner who wasn’t Tommy or Maria, the only two people in the whole fucking community Joel could stand being around. Minus his kid of course, but even he and Ellie could really only take each other in small doses lately. Perhaps it was their tense, strained relationship that was to blame for the fact that Joel Miller walked around this place with a standoffish attitude and a permanent scowl plastered on his face. 

Most people were smart enough to scamper off in the opposite direction when they saw him coming. He was never offended by it. It’s what he wanted. He wasn’t here to make friends.

In fact, the closest thing he had come to a friend outside of his brother’s wife was Esther, the woman Maria and Tommy had tried setting him up with when he first got back to Jackson. He wouldn’t go as far as calling her a friend, either. That’s a little too generous. Friend? No, more like a good fuck when he couldn’t drown his bitterness with Seth’s barrel aged bourbon and he was in need of a different kind of distraction.

But there was a reason this particular man piqued his curiosity. Actually, there were three reasons he managed to garner Joel’s attention and all three of those reasons were trailing behind him in an orderly, single file line, each one more fucking gorgeous than the last. He was positive he’d never seen them around before—because how could he possibly forget the faces of the most beautiful women in this town?

They’ve gotta be sisters, Joel thought to himself, his hand resting on the neck of the horse that he’d ridden out to patrol that morning, a dark, chestnut mare named Willow. Although he was supposed to be walking her inside the stables and back into her stall, he found himself far too distracted. While the three women weren’t identical to one another, the similarity in their traits such as hair color and their skin tone confirmed his suspicions that they were related. They all styled their hair in neat halo braids and wore slightly different color variations of the same getup—pressed, long sleeved blouses tucked into knee length floral printed skirts and worn, leather oxford shoes.

Clutching the brown leather strap of his rifle in his opposite hand, Joel leaned himself against Willow and squinted against the bright afternoon sunlight in an effort to get a better look at them. 

The first two were slightly on the older side. If Joel had to take a shot at their age, he would guess the women were in their thirties—a man of fifty six, he still had about two decades on them, easy. Joel let his gaze shift, his dark brown eyes flickering to the last one. His breath audibly hitched in his throat and part of him wondered just how fucking dumb he had to be to be drawn to the youngest one of the three. It couldn’t be fucking possible—you couldn’t be that much older than your mid twenties, if that. 

Joel’s grip on the strap of his rifle tightened. 

All three of you were beautiful beyond words—why the fuck did it have to be you who held over his interest?

“Take a picture,” Maria remarked with a tiny laugh. She dismounted her horse and peered at Joel over the black stallion’s back. “It’ll last longer.”

She’d led that morning’s patrol, her first time back on duty since she had given birth to her son in the spring. Joel had returned to Jackson right on time to meet his one month old nephew, Noah. 

He cleared his throat and shrugged. “Just tryin’ to figure out what their deal is, that’s all.” He paused, then remarked, “Didn’t know polygamy was a thing around here.”

His comment must have struck a nerve in his dear sister in law—fiercely protective of the people who were under her leadership, Maria hadn’t found the sister wives implication the slightest bit amusing. 

“Watch it, Joel,” she admonished, shooting him a warning glare. “He’s the town’s pastor and those girls happen to be his daughters. So let’s keep our wise ass cracks to ourselves, shall we?”

His daughters? He almost couldn’t believe it. Surely the girls must have taken after their mother because they sure as hell didn’t get their good looks from their old man. They hardly looked anything like him.

“Pastor,” Joel repeated with a small hum. He then remembered her pointing out an old church house back during the winter when she’d given him and Ellie the grand tour of the community. “So he ain’t got a real job like the rest of us?”

Maria rolled her eyes. “His job is a real job, Joel. It might be hard for you to believe, but there are still a lot of people of faith around here,” she explained to him. “He provides them with comfort and with hope—”

He snorted sharply through his nose. “Hope?”

“Yes, hope,” she snapped at him. 

“Hope for what, Maria? That things will go back to fuckin’ normal? That the end of the world is temporary?”

Maria crossed her arms over her chest, jutting her chin. “Some people never lose hope, Joel. There’s a lot of people who need this man and he serves a much bigger purpose than what you’re giving him credit for.”

“And what about the girls? They have it easy too? Do they just stand there lookin’ pretty on Sundays while their old man reads verses out loud from the most useless fuckin’ book known to man?”

“If you must know, they work in the schoolhouse,” she answered, tossing him another glare. “They’re teachers. The oldest one, she teaches Ellie’s class. The middle one, she teaches the primary school aged children and the youngest? She takes care of all of our little ones. She prepares our preschool kids for her sister’s class by teaching them numbers and basic literacy. Shows them how to start counting, reading and writing, things like that. She also helps run the commune’s daycare.”

“At least they have real jobs,” Joel mumbled under his breath. 

“What was that?”

He feigned innocence. “Nothin’. Nothin’ at all.”

“That’s exactly what I thought.” Maria pointed her finger at him. “Come on, let’s get these guys back into their stalls. It was a long ride this morning, I’m sure they could use some rest.” Taking her stallion by the reins, she started leading him over toward Logan, one of the stable hands who helped take in the horses coming back from patrol. 

Joel took Willow’s reins in his hands—but before he could even think of moving another muscle, he glanced up and saw the preacher leading his three daughters past the stables and right past Joel. His self control faltered. All that he could do was stare at you, his eyes fixed on you so blatantly that one of your sisters had taken notice. Grinning, she turned back towards you and lifted a hand to her mouth. She used her palm to shield her lips from Joel’s view and whispered something to you over her shoulder.

Shit. 

He’d been caught gawking.

He thought about making a beeline for the stables but it was too late. 

Perplexed by whatever it was that your older sister had just said to you, you gave her an odd look, but then followed the subtle nod of her head. 

Glimpsing over in his direction, your lips parted in complete surprise and you came to an abrupt halt in the middle of the dirt road when you found your gaze meeting that of the much older, rugged man standing there with a gun slung over his shoulder.

Unsure of what else to do, Joel simply offered you a polite nod of his head. The gesture was innocent enough but it startled you. He could tell by the way you let out a small gasp and turned away from him, your eyes falling to the ground as you scurried to catch up to your father and sisters like a spooked little mouse. 

Joel couldn’t help but shake his head and laugh.

“Is the preacher aware that his precious little daughters pay frequent visits to The Tipsy Bison at such late and ungodly hours?” Joel quipped. He gestured to a booth nestled over in a corner of the dimly lit bar with a subtle jerk of his chin. “S’gotta be the third or fourth time I’ve seen them here in the last couple of weeks.”

Tommy’s eyes followed his brother’s gesture. “Oh man, not again,” he said with an exasperated sigh. He shook his head. “Those girls, they ain’t got no fuckin’ business hangin’ around this place and much less at this fuckin’ hour. But the middle one, she’s a whole lot of trouble.” He paused, just long enough to nod at one of the three sisters, the one who was wearing her hair loose around her shoulders, twirling a lock of it around her finger as she made flirtatious fuck me eyes at the group of drunk patrolmen sitting a few tables away. “She’s somethin’ of a rebel, that one. Likes to drink a lot, get herself involved with things that she ain’t really supposed to be messin’ with. She’s the one who convinces the other two into sneakin’ out and comin’ to the bar when their old man goes to sleep.”

Joel chuckled in disbelief. “You fuckin’ serious?”

“As a heart attack. And then there’s the older one. I know she likes to drink too, but she’s a lot calmer than the other one. Ain’t gotta worry about her all too much, y’know? She tries to be the chaperone—it don’t always work out that way, though. Her halo ain’t exactly perfect either.”

“What ‘bout the youngest one?” Joel asked in the most nonchalant tone he could possibly muster. “Where does she fall on the scale between angel and devil?”

You’re carefully perched on the edge of the booth, your pretty features twisting in disgust with every sip of the rich, amber colored liquid in your glass. Unable to stomach the burning alcohol, you set it off to the side, abandoning it in favor of a glass of water instead.

“Her?” Tommy grinned, leaning back into his chair as stated, “Oh, she’s an absolute angel. She’s just ‘bout the sweetest fuckin’ thing you’ll ever see in your whole damn life, big brother. She’s gotta be the kinda girl who all the little birds and woodland critters sing to when there ain’t no one around,” he laughed. “She’s real good. Too good. Wouldn’t surprise me if the lord sent her down from heaven himself.”

Joel tossed him a skeptical look across the table.

“She really as innocent as she seems?” 

“I don’t think she even knows what it’s like to hold another man’s hand,” his younger brother laughed again and reached for his beer, taking a generous swig. 

Joel hummed softly and lifted his glass of whiskey to his lips. The mere thought of you being so pure and so innocent—untouched by anyone else—caused something to stir deep in his lower belly. 

“She’s the old man’s pride and joy,” Tommy continued, breaking into his train of thought. “Kind. Polite. Behaves. Doesn’t get herself into any kinda trouble—I mean look at her, she can’t even choke down a glass of whiskey. She’s just too good of a girl.”

Joel proceeded cautiously with his next question. “Any of them taken?” 

Surprised, Tommy raised his eyebrows. “Joel, don’t fuckin’ tell me—”

“No, I ain’t interested,” he interjected, rolling his eyes. “Just a curious motherfucker, that’s all.”

He didn’t seem too convinced by Joel’s answer. “They’re all single from what I know. To be honest, there ain’t a whole lot of men around here their old man would approve of,” he remarked. “Don’t get me wrong, he’s a nice man and all, but when it comes to his daughters, he’s real strict. Not that controllin’ has done him much good, though.” He lowered his voice as a fellow patrolman walked past their table. “The middle one’s fucked her way through this entire town and then back again. She even made a pass at me while Maria was pregnant with Noah, if you can fuckin’ believe that.”

Amused, Joel snorted into his drink. Ballsy. “How goddamn drunk was she?”

Tommy ran a hand through his jet black curls. “Wasted. Oldest one ain’t exactly the Virgin Mary, either.”

“And the old man doesn’t know?”

“Nope. Ain’t nobody gonna snitch on grown women in their thirties.” Noticing the amused expression on Joel’s face, he adds, “By the way, just in case you haven’t figured it out, this stays between us, Joel.”

He smirked. “Which part?”

“All of it. And take it from me, those girls? S’best you keep your distance from them,” he warned as he stood up from the table. He picked up the blue denim jacket draped over his chair, shrugging into it. “Don’t go gettin’ any dumbass ideas, alright?”

“Look, if the wild one makes a pass at me, I ain’t gonna turn her down. S’not like I’ve got a pregnant wife at home.”

“Joel, I fuckin’ swear. If you even think ‘bout it—”

He held up his hands to stop him. “Relax. Was just a joke.”

“Right. M’sure it was.” Tommy snorted. “Listen, I gotta get back home. Don’t wanna leave Maria on her own with the baby for too long.”

“How’s she been holdin’ up?”

“She’s been so tired. Jugglin’ motherhood, runnin’ this place, and bein’ back on patrol duty. I keep on tryin’ to tell her to slow it down, but she just won’t listen to me.” He let out a small sigh and waved a dismissive hand. “But anyway. If you’re all good to head out, I can walk you back to your place since it’s on the way to mine?”

Joel looked down at his glass, still half full. “I think I’m gonna hang back for a while longer. I’m on the roster for evenin’ patrol tomorrow, s’not like I’ve gotta be up at the ass crack of dawn.”

“Suit yourself.” Clapping him on the back, Tommy bid him goodnight and started towards the door. 

As soon as he was gone, Joel looked over towards your booth. He watched as you whispered into the ear of your eldest sister who nodded her head in understanding. You stood up and said something else to her, then spun around on your heel, long skirt flowing along with the movement. Head down, you hastily made your way across the bar, being careful so as not to bump into anyone along the way.

You were leaving. Alone. 

In the middle of the fucking night? While drunk morons poured in and out of the bar?

She’ll be just fine, he tried to convince himself. 

Joel frowned to himself, gripping his drink tightly in his hand as he scanned the room.

Sitting at a nearby table was Kent, some idiot he’d been stuck with a time or two for patrol. He clocks the smirk that crossed the younger man’s face, his eyes following you all the way to the door. Leaning forward over the table, he whispered something to his buddies, his smirk widening. His comrades, all who looked and behaved more like teenagers rather than grown men, lifted their beers to him, nodding in encouragement. Drunk off his ass, Kent drained the rest of his own beer, slamming the glass bottle down onto the table before clumsily stumbling to his feet. 

Joel momentarily froze as soon as he realized what was happening. 

Kent was going after you. 

Joel’s lips pressed together into a tight, thin line.

Setting his drink down, he stood up from his table and slipped on his jacket before following suit.

Joel stepped out of the bar and into the night, the chilly evening air nipping at his face. He took a look around. 

You were nowhere to be seen. Neither was Kent. 

That couldn’t fucking be good. 

“Where the fuck did you two go,” he muttered to himself under his breath.

That’s when he heard it. 

The sound of muffled screaming coming from the side of the building. Joel didn’t hesitate. Following your smothered cries for help, he whipped around into the dimly lit alley nestled in between the bar and the commune’s mess hall. You’re pinned underneath Kent with your skirt bunched up around your waist. One of his hands was covering your mouth while his other hand clawed its way up your bare thigh. 

“Aw, c’mon now, sugar,” Kent slurred his words together. “It’d be a fucking shame to let someone as cute as you stay a fucking virgin. Don’t be coy—I know you’re just like your stupid slut of a sister. She’s got no trouble spreading her fucking legs for me, y’know.”

Red.

It was the color that flashed in Joel’s mind. It was all he could see as he went up behind Kent, letting his hands reach for fistfuls of his leather jacket. He lifted him off of you with ease, slamming him hard against the brick wall of the mess hall. Pulling him forward, Joel slammed his body into the wall once more, knocking all the wind out of his lungs. 

“Miller, what the fuck are you doing!” Kent gasped out, frantically pawing at the older man’s hands in an effort to break free. “Get the fuck off me!”

“Takin’ advantage of an innocent girl?” Joel hissed at him, tightening his grasp on the collar of Kent’s jacket. “Think that makes you a fuckin’ man?”

Though he was still intoxicated, the sheer terror of being caught in Joel Miller’s hands sobered him just enough that he started sputtering an explanation. “I wasn’t fucking taking advantage of her! Her and her whore sisters were making eyes at me and the guys all fucking night! She fucking wanted it! She asked me for it, couldn’t even wait long enough to get back to my place—”

The lie came straight through his chattering teeth. The same teeth he would be picking up off the ground in the next minute or two. 

Joel knew he didn’t need to ask. Still, he turned to you, his rage only intensifying when he took in the sight of you lying there on the ground, the hem of your light blue floral skirt hiked around your waist. 

“That true?” He questioned you. “You wanted it?”

You stared at him with wide and fearful eyes.

A single tear slipped down the side of your face.

“Answer me, darlin’,” he prompted. “You wanted this?”

“No. I didn’t.” Your voice was small, barely audible.

But he’d heard it loud and clear. 

“She’s lying!” Kent tried to tell him. “She’s—”

Joel delivered the first punch, a blow so hard he’d felt the younger man’s nose crack underneath his curled fist. He struck him again and again, the blows coming in harder and harder, turning Kent’s face into a bloodied pulp.

If Joel didn’t get a grip, he would kill him. Part of him wanted to fucking kill Kent for putting his hands you—and more so for accusing of you wanting it. Pathetic fucking bastard. 

Holding Kent up by the throat with one hand, Joel pulled his switchblade from the back pocket of his jeans with the other. Fingers curled tightly around the hilt, Joel held up the knife into Kent’s view. He had left his eyes purple and swollen, but judging by the pitiful little pleas for mercy, it was clear that he could still somehow see the sharp blade being held an inch or so away from his face. 

“If I ever catch you anywhere near her again, I ain’t gonna be so fuckin’ generous,” Joel growled warningly. “I ain’t gonna let you walk away next time, boy. That understood?”

He nodded. “Un—Understood.”

“Good.” Joel released him, stepping backwards as he fell to the ground. “Get the fuck outta my face. Now.”

Kent managed to scramble to his feet and staggered off, disappearing from the alley. 

Chest heaving, Joel inhaled a deep breath through his nose, then exhaled it through his mouth before turning to you once more. 

Petrified, you still hadn’t moved a single muscle.

You looked fucking terrified. Whether it was from Kent’s assault or the way Joel had nearly beaten him to death right in front of you, it was hard to tell.

Crouching down beside you, Joel caught your subtle flinch. He proceeded to move slowly as he reached for the hem of your skirt. Delicately, he gripped the soft, flowing fabric and pulled it down into place. Joel then held his hand out to you. 

You hesitated for a split second, but accepted his hand and allowed him to help you up to your feet. 

“You alright, little dove?” The nickname had fallen from his lips before he could even think to stop it. 

“I think so,” you replied, nodding your head. You’d started to tremble and even though it had nothing to do with being cold, Joel took notice of it and he shrugged out of his camel colored jacket. He gave it to you, draping it over your shoulders. The scent of him instantly enveloped you—a mouth watering masculine mixture of clean soap, woodiness, and musk. It was far more intoxicating than the scotch you had tried back inside the bar. He didn’t utter a word to you as he wrapped his jacket around your body, both of his hands pulling gently at the lapels to bring them together in front of your chest. That was when you glanced down and saw he’d injured his hand. You gasped lightly. “Are you okay?”

Maybe it was the adrenaline, but Joel hadn’t even noticed that he’d split his knuckles wide open. Giving it a light shake, he assured you gruffly, “M’fine.”

Without thinking it through, you gingerly grabbed Joel’s hand, holding it in both of yours. “It doesn’t look like nothing,” you countered. You inspected it as best as you could in such poor lighting. “You’re bleeding.”

“Trust me, I’ve had a whole lot worse,” he deadpanned.

Ignoring his remark, you asked, “Can you move all your fingers for me? Just to make sure that it isn’t broken?”

Joel felt a strange warmth radiate in his chest. 

Fucking hell, Tommy had been right about you. 

You really were too good.

“Darlin’ I already told you m’fine—”

“Please?”

That word, and the way you’d said it, sent a shiver up the length of his spine.

Joel started wiggling his fingers in your palms. He winced slightly at the soreness. More than that, he knew his cuts and bruises would be all the fucking proof Tommy and Maria would need to know that he had been the one who rearranged Kent’s face. 

“See?” He spoke after a minute as he continued to move his fingers up and down. “Ain’t broken.”

“Let me clean you up,” you offered. Looking up at him, you cradled his hand as if it were a fragile baby bird you wanted to take home and nurse back to health.

“That really ain’t necessary.”

“You just saved me from—it’s the least I can do for you,” you insisted. Seeing him open his mouth just to protest again, you cut him off. “Please?”

There it was again.

Christ. That word sounded too good coming from those plush, pretty lips of yours. 

Joel sighed out in defeat. “Alright then,” he relented. “I s’ppose there ain’t no harm in lettin’ you clean me up a bit, little dove.”

Pleased that he had finally accepted, you carefully let go of his hand and took a step back, beckoning for him to follow you. “Come with me,” you said to him. “I know somewhere private we can go.”

When you came to a stop at the old church house, Joel shook his head and took a step backwards. 

Puzzled, your brows knitted together. “What is it? What’s the matter?”

He backed away further. “I ain’t goin’ in there.” 

You tossed him an amused glance. “It’s a church.”

“Yeah, I know that. I ain’t exactly a man of God.” 

You couldn’t help but giggle. “So? What does that have to do with me taking you inside to clean your hand up for you?”

Shuffling his weight from boot to boot, Joel shrugged. “Just don’t think I belong in there, that’s all.”

“Do you think you’re going to melt if you step foot inside?” you teased him. After a minute, it became apparent that he was being serious about it. Joel’s discomfort about going inside the church wasn’t some kind of joke on his part, it was real. “Don’t be silly. It doesn’t matter that you’re not a man of God. That doesn’t mean that you’re going to explode or burn into a pile of ashes for going inside, you know.”

“After all the terrible shit I’ve done?” He looked up at the building, shaking his head again. “I just might burn, little dove.”

You bit back a small smile. You’d already grown to be quite fond of his sweet nickname for you. 

“There’s a first aid kit inside I can use to patch you up,” you told him. “It won’t take long, I promise.”

His lower lip rolled in between teeth as he thought it over. “I ain’t too sure about this—”

“It’s only going to take me five minutes to get your hand cleaned up and then you can leave. Okay?”

You were as stubborn as you were sweet. How the fuck was he supposed to say no to you?

Reluctantly, Joel finally agreed to it. “Okay.” He followed you up the creaking, wooden porch steps towards the double doors. He’d just started to wonder how the two of you were even supposed to get into the building after hours when you leaned down, lifting the old mat on the floor to reveal a set of keys. Unable to help himself, he scoffed, “Serious?”

“Doesn’t everyone keep a key under their mat?” 

“Yeah at their fuckin’ house. Not their church.” 

“Well to be fair, this is kind of like a second home. I spend quite a bit of time here,” you confessed.

Joel raised an eyebrow at you. “So much time that you’ve decided to keep a set of keys under the mat?”

Sheepishly, you nodded. “Sometimes when I can’t sleep at night, I’ll come here alone and sit with my thoughts for a while.” You shrugged. “Maria let me have the spare set of keys. She knows I come here and so does the rest of the council. I trespass with their full permission,” you kidded with a small grin. 

Unlocking one of the two doors, you stepped over the threshold and waited expectantly for Joel. But he stood there, making no move to join you on the other side. 

“This place gives me the fuckin’ creeps,” he admitted. 

You laughed. “It’s only the outside that’s creepy, I promise.”

Grimacing, Joel finally walked inside, his back and shoulders stiff with tension as he stepped into the place of worship. 

You closed the door and flipped on the lights, then opened a second set of double doors with another key from the ring. 

“Whoa.” He was pleasantly surprised. For as old as this place was, the interior of the church was quite nice. He could tell that it had been well cared for in its lifetime—the former contractor in him had little choice but to appreciate the high ceiling, the large windows, and the satin finish of the white paint on the rustic, wooden panel walls. 

There were a total of twelve pews, six on each side of the church. There was an older, antique piano in pristine condition nestled over in one corner of the room and in another, there was a large chalkboard propped up on a wooden easel, biblical verses that had been the focus of the congregation’s previous gathering still scribbled across it in white chalk. 

“See?” You nudged his arm with your elbow. “This isn’t so awful, right?”

“S’ppose it ain’t all that bad,” he muttered. 

Your eyes twinkled with pure amusement, adding, “And you didn’t burn into a pile of ashes.”

“Yeah, yeah,” Joel grumbled out in response. “Can we just get this over with so I can get outta here?”

You tossed him a playful little eye roll then nodded towards the pews. “Go ahead and just have a seat anywhere,” you instructed him. “I’ll be right back.”

You disappeared down a short, dimly lit corridor.

Letting out a heavy sigh, Joel slowly made his way down the aisle holding his injured hand against his chest. Now that the adrenaline had started wearing off, it’d started throbbing with pain.

There was an altar at the front of the church—if he could even call it an altar. 

It was a plain oakwood table with a white fair linen cloth draped over it and nothing else. 

Above it, bolted onto the wall, was a wooden cross.

He averted his eyes, turning away from it. 

Of all the shit to be intimidated by in this world. 

A fucking slab of carved wood. 

Joel’s attention shifted over to the chalkboard. He squinted at it, silently reading the verse to himself.

God is faithful, and he will not let you be tempted beyond your ability. 1 Corinthians 10:13

“But with the temptation, he will also provide the way of escape, that you may be able to endure it,” you recited the rest of the verse from behind him.

“No offense darlin’, but it sounds like nothin’ but a whole lotta gibberish to me,” he remarked to you over his shoulder. 

“No offense taken, Joel.”

Whirling around on the heel of his worn boot, Joel blurted, “How did you know my name?”

“You’re Tommy Miller’s brother. Everybody in this town knows your name.” You held up the white tin box in your hands. A big, red cross had been spray painted onto the lid. You sat down in the first pew and patted the seat right beside you. “Come sit.”

He sauntered over and dropped down next to you, watching as you opened up the box and started digging through its contents. “You know my name,” he stated after a few seconds of silence. “Sure would be nice for me to know yours.”

Smiling politely, you told him your name.

Joel repeated it. It rolled almost too sweetly off his tongue.

“S’real pretty, little dove. Just like you.”

His compliment nearly knocked all of the air out of your lungs and for a split second, you have to remind yourself to breathe.

Cheeks burning, you murmured a small thank you and plucked a bottle of saline solution from the kit along with a piece of clean cotton. You tried not to think about the way his eyes were fixed intently on you as you unscrewed the cap and poured a bit of the liquid onto the cotton. “It shouldn’t sting,” you reassured him, reaching for Joel’s injured hand. It was rough and calloused, a stark contrast against your own soft and smooth. You set his hand down on your knee, a strange sensation fluttering in the depths of your lower belly when the warmth of his skin seeped right through the fabric of your skirt. 

Comfortable silence fell over the both of you like a curtain as you started cleaning the blood off of his knuckles and his long, thick fingers. 

“You really believe in all this stuff?” Joel spoke, his question echoing off the bare walls of the church. 

You continued dabbing at his cuts, thinking it over in your head for a moment.

“I honestly don’t know,” you admitted.

Your answer took him by complete surprise.

“What do you mean you don’t know?”

“I have always been taught to believe in God, Joel. It’s all that I’ve ever known. I grew up in a religious community,” you explained to him, making sure to keep your eyes focused on his hand. Tossing aside the bloodied wad of cotton, you picked up another piece adding more saline to it. “After the outbreak, things changed, of course. I couldn’t imagine how He could let something like this happen. When we lost our mother to infection about five years ago, I stopped praying. I finally stopped holding onto the ounce of hope I had that He would make the world right again. I refused to believe in God. Sometimes I still do,” you confessed quietly.

“You said you spend a lot of time here. Why come to church if you’re not even sure you believe in any of this shit anymore?”

“I’m always here because there’s still a part of me that thinks there’s a chance for me to believe again. When I told you I come here when I can’t sleep at night, it’s true. It’s my time to be here completely alone, the time that I use to mend my broken relationship with God. Or at least, I’ve been trying to mend it.” Taking a little glass pot of homemade antibiotic ointment one of the women in the town made and traded, you took off the lid and scooped out some of the salve with the tip of your finger. You applied it carefully to his cuts and continued, “But lately, the more that I try to pray and talk to Him, the more foolish I feel. It’s just not working. It hasn’t been working for a long, long time.”

“Then why keep tryin’ if it ain’t workin’ anymore?”

“Because I don’t really have much of a choice.”

“Your old man?” Joel guessed, wincing slightly as you went over a particularly sore spot on his hand, right over the torn up knuckle of his index finger. 

“Mhm.” You nodded. “My father never lost faith in Him. He knows how I feel, but he refuses to let me give up on God. He won’t ever let me miss church or go to bed without reciting my nightly prayer. He won’t let me abandon our faith. Not until the day he is cold and buried in his grave.”

“So what I’m gettin’ is that he forces you?”

You finished applying the ointment and wiped the remnants lingering on your finger off on your skirt.

“Force is such a harsh word. I wouldn’t say that—”

“He’s forcin’ you,” Joel said, flatly. 

“Joel—”

“You can twist it however the hell you want, sweet girl,” he cut you off. “But if you’re tryin’ this fuckin’ hard to make yourself believe in somethin’ just for the sake of appeasin’ your dad because he can’t or won’t accept how you really feel ‘bout all this, well I hate to break it to you, but you’re bein’ forced.”

Your eyes widened ever so slightly at his words. 

You had never thought about it like that before.

Placing the lid back onto the pot of ointment, you put it back into the first aid kit and then set the tin box down onto the floor. You sat back and clasped your hands together in your lap, not knowing what else to say to him. 

He was right, after all. 

Joel’s fingers lightly squeezed your knee. “Hey.”

You brought your gaze over to meet his. “Hm?”

“Can I ask you somethin’ ‘bout your dad?”

“What is it?” 

Joel chose his words carefully. “Has he ever—he ain’t ever done anythin’ to hurt you, has he?” he asked you, earning himself a perplexed stare. He continued to elaborate. “What I mean is, he ever put his hands on you or anythin’ like that?”

Oh. That’s what he meant.

“Never,” you assured him quickly. “He would never lay a single finger on me or my two sisters.”

He gave your knee another squeeze. “Just needed to make sure of it, sweetheart. Back in the day, I used to hear and see awful things on the news ‘bout—”

You were quick to cut him off. “Look, my father isn’t perfect, but he’s not like that. He’s a good man who only wants what is best for us. He’s strict and he can be tough, but it’s only because he cares. He just doesn’t want us running down the wrong path.”

“The wrong path?”

You shrugged. “Life here in Jackson is decent, but there’s a lot of temptations he doesn’t want any of us falling into. He wants to protect us.”

“By controllin’ you.” 

It had been a statement, not a question. 

Giving him a wry smile, you assured him, “Joel, it’s really not as bad as you’re making it sound. I could be a whole lot worse off than this, you know.”

There was another short bout of silence.

Joel’s dark eyes fell to your blouse, noticing how a couple of the top buttons had come undone. 

He caught the slightest glimpse of the soft curves of your breasts—all it had taken was just a peek at them for his cock to twitch against the zipper of his jeans.

Don’t you get hard in a fuckin’ church, Miller.

His gaze wandered down a little further and that’s when he caught sight of the cross hanging from a delicate gold chain clasped around your neck.

Joel expected the sight of it to calm the straining in his jeans. Somehow, it only made it worse. 

“Earlier, when we were standing outside,” you had started to say, “You said you might burn if you came inside the church because of all the terrible shi—things that you’ve done.”

“S’right.”

You peered at him with curiosity. “So what exactly have you done, Joel?”

Joel leaned back into the pew, shaking his head at you as he finally pulled his hand from your knee. 

“You really don’t wanna know, little dove.”

“Why not?”

His answer was honest.  “Don’t want you to be scared of me.”

Angling your body towards him, you placed one of your hands on his thigh. Your fingers burned right through the dark blue denim of his jeans.

Joel’s lips parted slightly, taken aback by the bold move and the sudden shift in your demeanor.

Were you the same girl who’d nearly had a fucking heart attack a couple of weeks ago when Joel had nodded at you back at the stables? 

“I’m not scared of you,” you murmured, softly. You gave his leg a squeeze, pulling your plump bottom lip between your teeth. Between that and the wide innocent doe eyes that you were giving him, it was taking every last ounce of strength Joel had inside him to keep a straight face, to pretend you weren’t driving him absolutely wild with desire.

He couldn’t even remember the last time he’d felt such an incredible need to have someone. 

Want, sure. 

He had wanted Tess. He had wanted Esther. 

But Joel didn’t just want you. 

He fucking needed you. 

And he didn’t know why.

“I’m not scared of you,” you repeated, trailing your hand further up his thigh, setting a fire neither one of you would soon be able to contain. 

Joel leaned forward, bringing his face dangerously close towards yours. His warm breath fanned over your lips. It was still laced with bourbon. “You sure ‘bout that, darlin’ girl?” 

You tried to answer him in the steadiest voice that you could muster, but it was impossible for you to hide the effect this man had on you. 

You breathed out a shaky, “I’m sure.”

Lifting his uninjured hand, he reached up to tuck a loose lock of hair that had fallen out of your braids behind your ear. As his hand fell away, the palm of it grazed against the silkiness of your cheek. 

Though brief, the contact sent an electric current through each and every last single nerve ending in your entire body. 

Exhaling sharply, your eyelids fluttered closed. You nearly whimpered out his name. “Joel?”

“What is it, babygirl? What do you want?”

“I—I want you to kiss me.” 

Joel leaned in even closer, stopping only when his mouth was less than an inch away from yours. 

You heard him chuckle softly. 

“Y’know, I’d expect better manners from a good girl like you,” he tsked lightly, his nose skimming near the corner of your mouth. Closer. “What’s the magic word, little dove?”

“Please.”

“S’much better.”

Your heart pounded with anticipation.

It was almost too much for you to handle. 

Joel closed the remaining gap of space, capturing your lips with his own. He remembered his brother talking about you at the bar—how he had told Joel that you had never even held a man’s hand before.

It occurred to him that he was giving you your first kiss. Him. Joel Miller. The town’s resident asshole and a man who was well over twice your own age. He was the one giving you your very first kiss. 

The guilt suddenly started to creep in, sinking into his bones.

What the fuck had he been thinking? 

And what about you? 

Where the fuck had your common sense gone?

Probably ran off together with Joel’s.

“Sweetheart,” he murmured, pulling away slightly in an attempt to stop it from going any further. He tried again, mumbling against your lips, “We gotta stop. This ain’t right—”

You were having none of it. 

None. 

Clutching fistfuls of Joel’s denim shirt, you swung your leg over his thighs and straddled his lap. Your knees rested on either side of him on the bench. 

“Please,” you nearly pleaded. “Just kiss me. I want it—I want this. I promise you that I do.” You placed both of your hands on his broad shoulders, sliding them around him as you slowly sank down further onto his lap. “I want this, Joel.”

Suddenly, he realized that you were asking him for more than just his kiss. 

Now he knew for sure that all common sense had left that pretty little head of yours. 

“Baby, y’need to think real hard ‘bout this—”

Desperate, you uttered one final, “Please.”

Joel bit back a groan. How could he deny you? 

He couldn’t. Simple as that. 

“You sure ‘bout this?”

Your fingers toyed with the curls at the nape of his neck. “Yes. I’m sure.”

“C’mere then, darlin’ girl.”

Joel cupped the side of your face in his large palm and tilted his head up towards yours. Your mouths fused together and although he tried to be gentle, it was proving to be much too difficult—how could he be gentle when you were practically clinging to him? Holding onto him with fervor as if you’d been holding onto dear fucking life itself? 

Temperatures rising, you quickly shrugged out of his jacket, letting it fall to the floor behind you with a soft thud before wrapping your arms around him once again. You melted against him as your mouth molded to his in a perfect fit. 

His teeth nipped at your bottom lip, silently asking for permission to explore the cavern even further. 

Eagerly, your lips parted, granting him access. His tongue slipped past them, meeting yours in a slow and sensual heated dance. 

You breathed him deeply into your lungs, a little moan vibrating at the back of your throat. 

Joel’s hands went to your waist and he yanked the hem of your blouse free from your skirt. 

“Can I feel you, baby?” he asked, breathlessly. His mouth abandoned yours and he began to trail hot, open mouthed kisses underneath your jawline. 

Dazed, all you could do was nod in reply and utter, “Mhm.”

Joel’s hands slipped under your blouse and he slid them up the length of your sides. “Fuck, you gotta be the softest fuckin’ thing,” he cursed against the delicate, tender flesh of your neck. His lips latched onto your pulse point, suckling at the skin there as his fingertips dug into your hips. He needed to feel more, but he forced himself to wait. The last thing he wanted to do was make a wrong move or move too fast and scare you off.

“Joel,” you mewled his name. “Joel, I need—”

You trailed off, moaning when his mouth released your skin with a loud, wet popping noise. 

“Tell me, sweet girl. Tell me what you need and I’ll give it to you,” he promised. “Anythin’ you need or want, I’ll give it to you. Just say the fuckin’ word.”

“You, Joel. I need you.”

His hips involuntarily bucked upwards and you let out a startled gasp the moment you felt his bulge, hard as a rock, brush against your clothed cunt. 

Tearing away from him, it suddenly hit you. You’re in a church, straddling a much, much older man in a pew—and if that wasn’t sinful enough, the warm and slick arousal pooling between your thighs only proved that you were ready to fall into temptation, give into the lust and give your body to Joel. But it was none of those things that worried you. It was something else. 

You pulled yourself out of his arms and jumped up off his lap, nearly tripping over your own two feet.

“Darlin’ are you—?”

You didn’t even hear the rest of his question.

Knees trembling, you somehow managed to make your way up to the altar. Heart pounding and head spinning, you planted both of your hands firmly on the table and steadied yourself. Part of you hoped that Joel would just get up and leave. But a bigger part of you hoped he wouldn’t. 

Joel rose to his feet. “Listen, ain’t nothin’ wrong if you changed your mind, alright?”

“I didn’t,” you choked out. “That’s—that’s not it at all.”

“Then what’s the matter?”

Embarrassed, you tried to explain yourself. “I have never done anything like this before. I’m a—”

You couldn’t even bring yourself to say the word out loud. 

“You’re a what?”

Blazing heat flooded your face. “Joel, please don’t make me say it,” you groaned. “For the sake of my sanity, don’t make me say it.” You heard the sound of his brown leather boots as he walked up behind you, one heavy footstep after the other.

“Turn around, sweet girl.” 

Joel’s command was firm but still gentle. 

Swallowing dryly, you obeyed and did as you were told. He stood close and you found yourself at eye level with his chest. 

“Look at me.”

You tried, but couldn’t. 

“I said, look at me.” Joel gingerly took your chin in between his thumb and index finger. He lifted your face, forcing your gaze to meet his own, timid and submissive meeting bold and dominant in a sweet and tender exchange. “Never known the lovin’ of a man, have you little dove?”

He backed you up against the table, pinning you in between it and himself. Planting both of his hands on either side of you, he caged you in and brought his chest flush against yours, pressing your bodies together.

Close, but somehow not close enough.

Joel lifted his hand to your cheek, cradling it in his palm. His thumb swept over your quivering bottom lip.

You reached behind you, clutching at the fair linen as you tried with every fiber of your entire being to remind yourself that you were standing at the altar where your father preached and delivered all of his sermons to the faithful people of Jackson. 

The very same altar where your father encouraged you to kneel and pray in effort to mend the broken relationship you had with God. 

You couldn’t help but to think if you were to get on your knees tonight, it wouldn’t be for prayer.

“I asked you a question, darlin’.” Joel’s voice broke into your train of thought. “Need you to be a good girl and give me an answer, alright?”

“My father loves me,” you stammered out in reply. “He loves me and my sisters—”

“C’mon, babygirl.” He chuckled and shook his head at you, lightly pinching your cheek. “That ain’t what I mean and you damn well know it.”

Sighing softly, you finally answered, “No, Joel.”

“No, what?”

“No, I’ve never known the loving of a man.”

Joel slipped the tip of his thumb between your lips and leaned into you, his hardness pressing against your upper thigh. Even through all the clothes, you could feel every inch of him. “Do you wanna know how it feels, baby? What it feels like when a man makes you his own?” 

You nearly moaned around his finger. “Yes.”

“Yes, what?” he prompted, pulling his hand away.

“Yes, please.”

“I can show you.” Joel paused. “But not tonight.”

You stared at him in disbelief. Both of you were so clearly riled up and he was going to take a pass?

He almost laughed at your expression. 

“C’mon, don’t give me that face.”

“But Joel—”

“Just don’t wanna rush it, not with you,” Joel said in a tone so soft it nearly threw you for a loop. “M’gonna need you to be real patient for me, just for a little while, alright? You think you can do that, little dove? Think you can be patient for me?”

Your answer came without an ounce of hesitation.

“Of course,” you breathed.

You would wait an eternity for Joel Miller.

[miraculouslbcnreactions]

You know what would make the Lucky Charm more balanced? Make it so that there are times where other characters figure it out, not just Ladybug. That way, it doesn't make Ladybug hypercompent and makes it possible for other people to save the day.

I don't mind Ladybug being the one best suited to Lucky Charm. I don't think it makes her hyper competent because you don't need a Lucky Charm to save the day. It's just the way that she saves the day. The other characters should have their own unique talents that let them win fights. Generally speaking, that's how strong teams work.

For a random example, let's talk about the teenage mutant ninja turtles simply because I think most people know something about that franchise. The character Donatello (aka Donnie) is the team's tech guy. He makes all kinds of inventions that help them save the day. The show would not be improved if all four of the turtles were able to take on this inventor role. I'd argue that it would actually be lessened because the characters would become interchangeable. This is something that the franchise seems to agree with as each version of the show gives each turtle unique skills and personality traits that makes each of them indispensable in their own way, which is what I think Miraculous should have done with the temp heroes.

That being said, I do think that there's a way to make your idea work. I'd just go a slightly different, more lore balancing route since Lucky Charm is technically bad lore and you all know how I feel about bad lore. So let's talk about giving it a minor tweak and how I think that would actually improve things.

Tikki is supposed to be Creation, not Luck, so the Lucky Charm shouldn't have anything to do with Luck. It should just be pure Creation where the holder comes up with a thing they want and that thing then pops up. It could also have a give and take element where the holder gets what they asked for if they want something specific, but they could also just call the power as a hail Mary and Tikki would come up with something on the fly, leading to the occasional puzzle.

This leads me to my proposed changed.

I personally think it would be hilarious and honestly more fun for Marinette's character if she could summon anything she wanted, but the Lucky Charms stay exactly the same because that's just how her mind works. Even when Tikki is helping, it's still all wacky items because Tikki knows how Marinette is and just goes with it.

For example, in Copy Cat, Ladybug turns a spoon into a hook for a cobbled together fishing pole. Wouldn't it be even funnier if Marinette summoned a spoon on purpose because she was thinking of the makeshift thing she cobbled together in order to fish up something she dropped from her balcony? Then, post fight, Chat Noir praises her like always, only to then ask, "So why a spoon and not a fishing hook?" And Ladybug just stares at him because oh, right, those are things they make. She could have done that. Ooops.

And in Malediktator where she summons a sniper rifle to get a laser pointer? Well, she was thinking about this silly comic about a cat assassin! She totally spaced on the fact that you could just get a laser pointer by itself.

Eventually, her team learns to just go with it and not ask questions. Meanwhile, the general public thinks that the Lucky Charm is some random item that Ladybug has to figure out and no one bothers to correct this misunderstanding. You can even have a running gag of new team members learning the truth and going through the acceptance process of, "Hey, you try thinking up how to set a trap while a 5 meter tall lollipop is trying to crush you! Your mind goes to what it knows, not to the ideal solution, okay???"

If we go with this setup, then other people can wield the Ladybug and use Lucky Charm effectively, they'll just use it in a very different way from the way Marinette uses it. There will also be people who are just not suited to the Ladybug since that was initially how the powers were supposed to work and it made perfect sense. Kwamis should have ideal holders along with okay backups and terrible backups. I personally think Alya would be an okay backup since she's creative, but not creative in the same way Marinette is, leading her to be a lesser Ladybug. Adrien, on the other hand, should generally suck at the Ladybug as he simply doesn't have that style of creative thinking. Which is fine. Better than fine, even! You don't want your characters to be interchangeable! They should all have strengths and weaknesses!

This is one of the show's big flaws. Since everything is on Marinette's shoulders, the other characters rarely get a chance to shine and so they feel interchangeable. For example, if gift always shows the target what THEY want, then why does Rose need to be the one to wield it? Juleka could wield it just as easily. And if Ladybug is generally the one telling Marc and Nathaniel what to summon with their powers, then their creativity is not needed. Anyone could wield the rooster and the goat! The show has completely failed to understand what makes teams memorable and so we have a bloated, boring team whose presence I'm dreading because they had five seasons to set these guys up and yet here we are.

[doufudanshi]

ON GHOSTS AND DEMONS: Wei Wuxian's "demonic" cultivation?

There are a few big misconceptions I have repeatedly seen in English-speaking fandom about things that are fundamental to the story of MDZS. One of them is this—

Wei Wuxian is not a demonic cultivator.

To prove this, let's take a deep dive into the original Chinese text of MDZS.

(Adapted from my original gdoc posted on Twitter on May 27, 2022. All translations my own unless otherwise stated.)

Demon vs. ghost

Let's start from the very basics. In addition to orthodox cultivation using spiritual energy and a golden core, there are two other forms of cultivation that are mentioned in the novel:

魔道 (mó dào), or “demon cultivation/path.”

鬼道 (guǐ dào), or “ghost cultivation/path.”

To be clear, 魔 mo "demons" and 鬼 gui "ghosts" (and thus their respective cultivation/paths) are not interchangeable because of the in-universe worldbuilding within MDZS. Using the characters in the term 妖魔鬼怪 "monsters," MXTX created four distinct categories of beings, each of which has a strict definition in the novel. From chapter 4 (jjwxc ch 13):

妖者非人之活物所化; 魔者生人所化; 鬼者死者所化; 怪者非人之死物所化。 Yāo (妖) are transformed from non-human living beings; mó (魔) are transformed from living people; guǐ (鬼) are transformed from the deceased; guài (怪) are transformed from non-human dead beings.

And of course, WWX hoards all the ghost-type pokemon monsters at the Phoenix Mountain tournament, and he only exerts control over corpses, spirits, and the like (aka people who have already died). (As opposed to Xue Yang, who appears to have been actively trying to make 魔 "demons" out of living people with those "living corpses" of his, perhaps.) (And, ironically, in order to avoid showing necromancy / zombies on screen, CQL technically does show WWX practicing demon cultivation because everyone is "supposedly alive" even when they're corpses? Which is, funnily enough, far worse morally in the MDZS universe, lol.)

So, intuitively at least, we know that WWX must be practicing ghost cultivation—now let's look at some concrete examples from the book.

Running the numbers

1) 魔道 (mó dào) means “demon cultivation.” As such, it must use living humans.

魔道 appears one (1) time in the novel.

Yes, once. The only time it appears is in the term 魔道祖师 modao zushi, or the namesake of the novel, in chapter 2. This is a title the general public has given him through rumors:

魏无羡好歹也被人叫了这么多年无上邪尊啦、魔道祖师啦之类的称号，这种一看就知道不是什么好东西的阵法，他自然了如指掌。 Wei Wuxian wasn’t called titles like “The Evil Overlord,” “The Founder of Demon Cultivation,” and so on over the years by others for nothing—he knew these sorts of obviously shady formations like the back of his hand.

2) 鬼道 (guǐ dào) means “ghost cultivation.” As such, it must use dead humans. 

鬼道 appears 12 times in the novel.

Here is the first instance that 鬼道 appears, which I believe is the first time Wei Wuxian's method of cultivation is properly introduced. From chapter 3 (jjwxc ch 8):

蓝忘机 […] 对魏无羡修鬼道一事极不认可。 Lan Wangji […] had never approved of the fact that Wei Wuxian practiced ghost cultivation.

Here's another quote from chapter 15 (jjwxc ch 71) for funsies:

蓝忘机看着他，似乎一眼就看出他只是随口敷衍，吸了一口气，道：“魏婴。” Lan Wangji looked at him as if he saw through his half-hearted bluff. He took in a breath, then said, “Wei Ying.” 他执拗地道：“鬼道损身，损心性。” He stubbornly continued, “Ghost cultivation harms one’s body, and harms one’s nature.”

3) 邪魔歪道 (xiemowaidao) means heretical path/immoral methods/evil practices/underhanded means/etc—e.g., lying, cheating, stealing, bribery, and so on.

It appears ~24 times in the novel.

I mention this last term because it is often used to refer to Wei Wuxian's cultivation, but as a pejorative. Every instance of 邪魔歪道 is said by or to quote someone looking down upon Wei Wuxian’s cultivation (Jin Zixun, Jin Ling, etc.) and referring to it derogatorily, whereas every instance of 鬼道 guidao/ghost dao is said by someone discussing it neutrally and/or factually (Lan Jingyi, Lan Wangji, Wei Wuxian himself, random cultivators at discussion conferences, the narration, etc.). Here is a pertinent example with Jin Ling (derogatory) and Lan Jingyi (neutral) in chapter 9 (jjwxc ch 43):

金凌怒道：“是在谈论薛洋，我说的不对吗？薛洋干了什么？他是个禽兽不如的人渣，魏婴比他更让人恶心！什么叫‘不能一概而论’？这种邪魔歪道留在世上就是祸害，就是该统统都杀光，死光，灭绝！” “We are discussing Xue Yang,” Jin Ling said angrily. “Am I wrong? What did Xue Yang do? He’s scum that’s lower than a beast, and Wei Ying is even more disgusting than him! What do you mean ‘don’t make sweeping generalizations?’ As long as those practicing this kind of demoniac, heretical path are alive, they’ll continue to bring disaster. We should slaughter all of them, kill all of them, annihilate them once and for all!” 温宁动了动，魏无羡摆手示意他静止。只听蓝景仪也加入了，嚷道：“你发这么大火干什么？思追又没说魏无羡不该杀，他只是说修鬼道的也不一定全都是薛洋这种人，你有必要乱摔东西吗？那个我还没吃呢……” Wen Ning shuffled around. Wei Wuxian gestured at him to stay still, only to hear Lan Jingyi also cut in loudly, “Why are you getting so riled up? It’s not like Sizhui said Wei Wuxian shouldn’t have been killed. All he said was that people who practice ghost cultivation aren’t necessarily all like Xue Yang. Do you have to go around breaking things? I didn’t even get to eat any of that yet…”

Tl;dr—Wei Wuxian does not 修魔道 practice demon cultivation. When Wei Wuxian’s craft is discussed in a neutral and factual manner, it is referred to as 鬼道 ghost dao. 

In fact, Wei Wuxian’s imitators are also referred to explicitly as 鬼道修士 ghost cultivators.

魏无羡早就听说过，这些年来江澄到处抓疑似夺舍重生的鬼道修士，把这些人通通押回莲花坞严刑拷打。 Wei Wuxian had heard a while back that over the past few years, Jiang Cheng had gone around snatching any ghost cultivator suspected of being possessed or reborn, detaining them in Lotus Pier to interrogate them using torture.

So why the confusion?

Of course, there is the matter of the novel's title, which I will get into in a second. But the real issue is a matter of translation.

The idea that WWX uses "demonic cultivation" is a misconception in English-speaking fandom due to issues with the translation of terminology. Of note, EXR actually did translate 鬼道 guidao as "ghostly path" most of the time, though there were at least 3 instances of "demonic" and 1 instance of "dark," especially regarding the first few.

However, this misconception was perpetuated (and arguably worsened) by 7S's official translation, which not only mistranslated additional terms as "demonic cultivation/path" (at least in book 1), but also consistently mistranslated every instance of 鬼道 as "demonic cultivation/path."

So why is this book called 魔道祖师, commonly translated as "Grandmaster of Demonic Cultivation?"

One possibility is one posed in Chinese-language meta online, which often cites that WWX himself is a sort of 魔 demon. While this may be true—after all, he can hear the voices of the dead—it doesn't quite explain the fact that the title sets him up to be the 祖师 or "founder."

My take is that this novel is very much concerned with hearsay vs. truth. This is one of the many monikers WWX is given by the public, who collectively view him as evil. (Also of note is that the non-cultivator public is not aware of all the nuances that cultivators learn re: distinctions between the 妖魔鬼怪 monsters.) In the quote from earlier, note that the first title we're given is actually 无上邪尊 “The Evil Overlord,” then 魔道祖师 "The Founder of Demon Cultivation." Like, what can that be other than MXTX telling us, "please take both of these with a HUGE grain of salt, lol."

(And not only the title, but the very first line—"魏无羡死了。" / "Wei Wuxian is dead."—is a lie.)

I think the title is genius, honestly. It intentionally makes readers come into the novel with preconceived notions that Wei Wuxian practices 魔道 demon cultivation and evil techniques—just like the public in the novel. What better way to tell a story warning about the dangers of how easy it is to fall for misinformation and jump to incorrect conclusions?

(Though, in our case, perhaps it worked a little too well.)

[yannisdesk]

On Arcane & Antivillains

One thing I really enjoy about Arcane is how it handles antivillains.

For one, most of the characters (main ones) would actually fall into the category of antivillain at one point, or in the case of our two protagonists, become one. Arcane is arguably ripe with them.

An antivillain is essentially the opposite of an antihero. Simplified, antiheros do good things out of selfish or questionable motives, antivillains do things that are objectively bad or evil, but for noble reasons or for a greater cause. Another term for them is "sympathetic villain" however that term is too vague (there are villains out there who are sympathetic, but are none the less traditionally evil and therefore do not qualify as antivillains), and "antivillain" is a much better term mirror to "antihero." A common thread I've noticed among antivillain characters is some level of a Machiavellian approach to achieving their goals - the ends justify the means type of philosophy is something you'll always find characters that fit this category. At the very least, they dabble with it. In their eyes their actions are always justified because they're fighting for a good cause.

To put things into perspective, I'll use two examples. Harley Quinn shifts around, but she is frequently an antihero, take her depiction in both Suicide Squad movies. She does take down bad guys, however she's not doing so out of a sense of altruism, but to get a reduced prison sentence. Very cut-and-dry example of antiheroism.

On the flip side you have Magneto. Now from what I've seen (I've dabbled in the comics, but haven't dived in all the way) in the comics he gets very dark with the antihuman action. But in the Xmen movies, he definitely does some down right villainous stuff, but his intention remains the same - he wants mutants to live in a world free of bigotry and he's willing to do anything necessary to achieve that, including committing atrocities.

Now if this sounds very confusing to you and you swear you've heard these terms interchangeably or that you can think of several characters that are labeled as type A when they should be type B or vice versa, that's pretty normal. These aren't archetypical heroes and villains we're talking about, so it can be hard to categorize them, and honestly most characters in general will go back and forth or shift at one point or another, so all you need to know is that those definitions are the ones we're working with in this post.

Here are the characters from Arcane that I think suit this label, and others that I think will.

Disclaimer: this is not me hating on the characters. I love all of these characters for this layer to their character. This is not a "oh, look, this character is bad actually," post. If anything, consider it a celebration of their gray morality and how well its explored in the show.

Silco

Duh. Silco is objectively pretty evil. Setting up a drug empire that destroys your own people, getting in-cahoots with corrupt cops, killing kids, and aiding in destroying a young girl's mental health is multiple levels of foul. However, for him, all of this was part of an elaborate plan to liberate Zaun, which is being aggressively oppressed by Piltover. They were necessary sacrifices made to the cause, and worth it because it will bring forth better days for him and his people. Now obviously, a lot of his actions definitely have to do with his own ego, however the only time Zaun isn't prioritized is when it comes to Jinx, who is like a daughter to him, and even that realization comes to smack in the face late in his arc.

Sevika

I'd argue she's even more noble than most since she truly is rooted in the cause for Zaun. Not only is she willing to do some pretty bad things for the "greater-good", she's even willing to betray people who she views as unfit or incompetent. And what's even more telling is that she doesn't do this for power (which is arguably a part of Silco's prerogative). Sure, she's his #2, but he doesn't exactly show any favoritism. And Sevika seemingly isn't even trying to become the new leader of Zaun after Silco's death from the season 2 clips, but will support Jinx, despite the fact that she probably could dethrone her. She's no true blue hero, but she's not a megalomaniac either.

The Entire Council of Piltover (Minus Mel & Jayce)

As obnoxious as they are, none of them are mustache-twirling villains. As we see with characters like Sheriff Grayson (not a council member, but they share the same sentiment), they legitimately think they're protecting the city with their neglectful leadership and oppression of Zaunites. Yes, this includes Heimerdinger, who seemingly only started caring about Zaun once he was booted out of the council, so that places him firmly in antihero territory in my opinion.

Why did I exclude Mel and Jayce? Their plots are actually upward in terms of morality, especially Jayce who by the end is closer to being a traditional hero by prioritizing peace and progress over the status quo or war, and actively makes the first move of trying to right Piltover's wrongs. Mel's arc has also moved this direction as well, as she went from arguing that Jayce and Viktor should build Hextech weapons in case of war with the Zaunites, to fully embracing peace. You could argue that Mel wanting the weapons means she was at some point an antivillain, and I might agree, but as it stands, she's firmly in the clear.

So, why are the rest of the council still considered antivillains? Honestly, we just don't know much about their motivations to say. They ultimately did a good deed in voting for peace, but you know, one good deed doesn't wash-out the bad and vice versa. They're not even on thin ice for me, they're still fighting for the surface.

Marcus

Questioning your actions does not mean you can't be an antivillain, and Marcus is a good example of that. He's is kind of like Caitlyn if she were way less compassionate and very incompetent. Marcus does not think his actions are evil, according to show runners he only places Vi in Stillwater to protect her from Silco; he gets involved with Silco because he wants justice for the building explosion and it goes out of hand. That said, he also threw a child into a dangerous prison with no charges and with the intention of keeping her there for life, and worked with a kingpin who was actively antagonizing his own people while reaping benefits from an abusive system. So yeah, Marcus falls more into being an antivillain than full-blown villain, he's still firmly an antagonist though.

Ambessa

I know it's very popular in the fandom to call Ambessa a traditional bad-guy type of villain, but she is actually very nuanced. For one - she does not see her actions as evil, nor are her motivations behind doing them rooted in it. Ambessa, as she states in Mel's flashback, was raised in the Noxian way. Her grandfather literally made her search the dead bodies of the people they massacred when she was a youth, and she was indoctrinated to believe that this was in the best interest of her family and the Noxian people. By showing strength and ruthlessness, she's telling the rest of the world: "Stay away from House Medarda and Noxus." Hence, why Kino's death wrecks her, because she values herself over how effective she is at warding people off from messing with her family. Her main reason for getting involved with the war between Piltover and Zaun will 100% be because Mel's life was nearly lost due to Jinx's bomb, and this is coming straight off of her son's death mind you. So, while Ambessa may definitely be one of the most ruthless people on this list, she is not at Palpatine levels of evil yet, not by a long shot.

Jinx

You guys saw this coming, right? This barely needs an explanation. Jinx grew up in the Lanes, was a victim of Piltover's oppression multiple times throughout her youth, was willing to fight for their freedom as seen in episode 2, and in the end, that desire, along with her being adopted by Silco, manifested in her doing multiple acts of violence, including terrorism against Piltover, which frequently hurt people who weren't guilty of anything. (No, blowing up the building in episode 3 doesn't count as one of her evil deeds because it was an accident.) We understand completely why Jinx does what she does, even though it hurts to see her slip farther and farther into this mindset.

Vi

Way more subtle (for now) but I'd argue she's there come episodes 8 and 9. Hell, you could argue that her arc is about her sense of morality breaking down due to realizing how impossible the situation between Zaun and Piltover is, and embracing an "ends justifies the means" type mindset that Vander tried to sway her against back in episode 2. Wanting to stop a kingpin from using this new dangerous drug to destroy your city and sister? A noble cause, indeed. Not really caring that (or being passive over the fact that) children die in process because of their approximation to said bad guy? Yikes. [EDIT: Since we're on this topic: here's a link to where I explored this aspect of her character. I did this a while ago, but I thought it best to include it here too for added context). Now, I know what some of you are going to say - how is this any different from, say, Steve Rogers telling Wanda Maximoff that sometimes there's collateral damage when doing hero work? The difference is that Steve didn't argue that those people had it coming because they're associated with the bad guys/or in their way, which Vi does. That's some dangerous conviction right there, and we'll probably see that elaborated on in season 2 given that she's becoming an Enforcer which is a position that lends itself to abuse of power (and if it goes anyway like things do with her game counterpart, she will engage in police brutality and not see an issue with it, but given that Arcane's Vi is way more well, nuanced, than her game counterpart I don't think it will go on for long). While we're on the topic of Vi, according to her prison records, she had a notorious reputation while doing time to the point that I find it funny Silco didn't put 2-and-2 together that the girl with short pink hair beating the shit out of and attempting to murder all of his goons that went to Stillwater was possibly the same girl that wiped the floor with those same goons the night Vander died.

Potential Antivillains of Season 2:

These are characters that I predict will become antivillains at some point during season 2 based off of where their season 1 arc left and clues from season 2 teasers and clips. This is not me saying for sure this will happen, only a prediction. But if it does come true, I will gladly collect $5 per accurate plot point.

Viktor

Two words: glorious evolution.

We all love Viktor. We all love good-guy Viktor, and we will also more than likely love not-so-good-guy Viktor due to how complex that arc will be. If it will go anything like his game-lore (which I suspect it will) his noble intentions will never leave him, just simply evolve to include some less-than-heroic actions and justifications. He still wants to improve the undercity, and well, humanity overall, with hextech, motivated by the injustices he's been put through his own life and his illness, but he will go about it in some very unorthodox ways, and his arc in Arcane is about him confronting if he wants to "evolve" his morality for the sake of his ultimate goal, which is progress. Viktor would definitely agree with the sentiment expressed by Gloria Steinem (character depiction, not a real quote) in Mrs. America - "Revolutions are messy, people get left behind."

Caitlyn

I'm pretty sure she actually will become apart of the antivillain roster in season 2, but noting is for certain. Caitlyn is perhaps the saddest version of this there is, because we see where she starts out. She doesn't want to be like everyone else in her circle, she tries to break free and be better. She wants to do good by both Piltover and Zaun. She has hope, gentleness, and doesn't place herself above even those who occupy the lowest levels of Zaun. She puts herself, her status, and her life on the line to discover the truth, and comes out her time with Vi steadfast in wanting to help heal Zaun. She can be a little naive and ignorant, but she never does so with malicious or ill intent. She is the kindest person in Arcane.

But, given that her mother was killed in a terrorist attack set off by the new Head Zaunite in Charge, things will change. As we see, Caitlyn becomes a sheriff on the Enforcer squad, and now her goal is no longer to sow peace between Zaun and Piltover, it's to avenge her mother by assassinating Jinx. Of course, this will be due in part that Caitlyn thinks snuffing Jinx out will solve the problem, which will be ironic and hypocritical because she told Ekko that getting revenge on Silco won't solve anything in Zaun, but now that she's in the same predicament, the tables have turned and now diplomacy is off the table. She still has that hero-complex, as she lives by the lessons of Sheriff Grayson, but now it's with a twist. The idealistic Caitlyn who believed in giving peace a chance through reform is gone, and she now believes that there's little to no cost too great for her to achieve this, even if that (possibly - again season 2 hasn't come out yet, so we shall see) means hurting innocent Zaunites. And what's scary is that Caitlyn has the intelligence, dedication, talent, and efficiency to pull it off. Truthfully, I believe we won't just be getting Sheriff Caitlyn in season 2, but also Dictator Caitlyn.

[cripplecharacters]

Media Representation and Writing Characters with Facial Differences

[Large Text: Media Representation and Writing Characters with Facial Differences]

A writing (?) guide (?) consisting of an explanation of what facial differences are, some basics about the community of people with facial differences, a terminology guide that is extremely subjective, a very long explanation of the real-life effects of misrepresentation of facial differences, a subjective guide on why most tropes surrounding facial differences are awful and unoriginal, and the part that people actually want to see (I hope at least) AKA "types of characters I do actually want to see". As always, this post is meant for people who have no experience with the subject, and not in any way an attempt to tell writers with facial differences on what to do in their own writing.

What Does "Facial Difference" Mean?

[Large Text: What Does "Facial Difference" Mean?]

"Facial Difference" (FD for short) is an umbrella term for any kind of scar, mark, or condition that makes your face visibly different. This encompasses anything from not having parts of the face or having less of them (e.g. anophthalmia, anotia, hemifacial microsomia), having "more" to the face (e.g. tumors, neurofibromatosis), conditions affecting how the face moves (e.g. facial paralysis, ptosis, cranial nerve diseases), ocular differences (e.g. hypertelorism, nystagmus, strabismus), conditions affecting the colors of the face (e.g. rosacea, vitiligo, pigmentation conditions in general), a "look" that signals a specific disability (e.g. Down Syndrome) and approximately a million more things - scars, burn marks, craniofacial conditions, ichthyosis, cancers, and a lot more.

Despite popular opinion (popular ignorance would be more accurate because no one knows about it in the first place but opinion sounds better-) people with Facial Differences have both a movement (Face Equality) and a specific word for the oppression we experience (Disfiguremisia). There is even the Face Equality Week that happens every year in May! This is a real thing that has been happening, and we are generally going unnoticed, even in the "representation matters" circles, the body positivity movement, disability spaces, and so on. There is an alliance of organizations dedicated to this called Face Equality International, who can help you learn about the real-world community and movement! They even have sections specifically about media representation, which is foreshadowing for how important this topic is to the community and for how long the "explaining the issues of representation" part of this post is.

And of course, if you have a facial difference/disfigurement, you can do whatever the hell you want when writing! Call your characters how you call yourself, subvert the tropes you want. I don't want to preach to people who already know all of this firsthand. This post is meant to explain some things to people who don't have experience with having FD.

Terminology

[Large Text: Terminology]

There is a lot of words to describe people with FD. Some of them are alright, most of them are awful.

Please keep in mind that all of these terms (maybe except for the... last one...) are used by real life people. This isn't me saying "you can't say that about yourself" (more power to you!) but rather to educate able-bodied people that some words they refer to use with aren't as neutral as they think (at least not to everyone).

"[person] with a facial difference" - generally the most polite and widely accepted way to refer to us. That's what is generally used in the Face Equality movement, sometimes alongside the next term which is...

"[person] who has a disfigurement" - an alright term that is sometimes used interchangeably with the one above. However, most things that involves the term "disfigurement" to me sound kinda medicalized and/or like lawyer speech. It's not offensive, but just generally used in more official ways etc. Has the potential to make you sound like a medical report or a legislature sometimes. lol.

"A disfigured [person]" - starting to steer into the "uhh" territory. Describing a whole person as disfigured is, to me, just plain weird. I get that some communities push for the identity first language, but this just isn't it most of the time. Could be way worse, could be slightly better.

"[person] who has a deformity" - "deformity" is such a negatively charged word that I don't understand how people (without FD) still use it thinking it's neutral. This sounds awkwardly medicalized in a "case study from the 80s" way which is definitely not a good thing.

"A deformed [person]" - pretty much the jackpot of bad terminology, the term deformed, the calling of an entire person by it, it has everything I hate about writers describing people like me. The only one that I think is even more awful is...

"Horribly/gnarly/nasty/monstrous deformity/scar/[name of the specific condition]" - again, I'm impressed by what some people think is neutral wording. If you're searching a thesaurus for synonyms of "scary" to describe your character, I think it's time to just stop writing them. This is about using ableist terminology, sure, but I just can't imagine that someone calling their character that actually will represent FD well. It shows the negative bias and attitude of the writer.

However, there is also one pretty awesome and simple way to describe them!

Say what they have specifically. Really. Assuming you know what condition your character has (which... you should) it should be very easy. "She has Treacher-Collins Syndrome." "Xyr forehead has a port wine stain on it." "They can't fully open one of their eyes." It's clear and lets your readers know what you mean. You don't always have to throw around euphemisms to describe someone not having a nose.

Tropes and Current State of Representation

[Large Text: Tropes and Current State of Representation]

If you have read basically any of my previous posts about FD then you probably know what I'm about to say in this section. Still worth a read though? I hope. Warning that this is long, but you probably expected that already.

One thing I will note at the start is that I'm aware that a lot of writers were already turned off from this post just because of the terminology section. I know that artists love describing people like me as ugly deformed monsters! It's literally a tale as old as antiquity, and that's how overdone and stale it is. Visibly disabled = ugly. I get it, I heard it a thousand times before, I hear it majority of the time someone is excited to tell me about how horrible and gross their OC's scar is. But now some guy (me) from that group is telling you to like, maybe stop calling your disgustingly deformed character that!

I want to make it very clear that FD representation in media is not treated like a real thing that's worth anyone's time, even by the most "representation is so important!" writers. I guess it's too inconvenient to unpack the amount of baggage and uncomfortable implications this would cause. It's too good of a device in writing; everyone knows that if a guy with a scar shows up that it means he's evil, the easiest way to make a villain visually interesting is to make them a burn survivor, and if you need a tragic backstory for a serial killer just give them a congenital disability that caused literally everyone in the world to treat them horribly, so of course they started killing people. It's such a good moral signifier that literally every book and tale has done - pretty is good, ugly is bad. Dichotomy is so helpful. What is less helpful in the real world is that what is considered "ugly" is generally very tightly bound to what visibly disabled people look like. Ugly Laws weren't just like, coincidentally including disabled people and disability activists aren't still forced to speak out against being put in those "Ugliest People" lists by accident. This is all to say that facial differences are considered to be "ugly" completely uncontested, and you probably have this bias too, as the vast majority of people do. The whole "the character is ugly, then they become evil, if they're evil, they become ugly"... you need to be conscious to not do that. Don't make them evil if they're visibly disabled because it will always end up being the same old trope, no matter how many weird excuses and in-universe explanations you give. I want to put it in people's heads that you are writing about a community of people who are technically visible in real life, but have no large voices that the general public would listen to when it comes to how we are seen. The general public relies on media to tell them that.

Putting people with FD in your books or your art seems to suddenly be intimidating for a lot of artists when they realize that not only is facial difference a real thing, but people who have it can see what you write or draw (and your other readers will take some things out of what you write, subconsciously). When an author is faced with the fact that maybe they are doing harm with their writing, they either: suddenly don't want to do that anymore at all, or say: "I don't care! I'm going to be very innovative and make my very evil OC be deformed!" which is kinda funny to me that people actually seem to think it's edgy and cool to repeat the most tired Hollywood tropes but that's the best we can get I guess lol...

The attitudes that people have around the topic of facial difference and the whole "media impacts reality" are very interesting to me in general. On one hand, when I tell someone that I was bullied or ostracized because of my disabilities, no one is ever surprised. On the other hand, everyone is for some reason uncomfortable when I say that this doesn't just... appear out of thin air. People are taught from childhood that facial differences and the people who have them are scary, untrustworthy, or literal monsters. Media is a major factor in that. Like, looking back at it, it makes sense that my parents told me not to stare at other kids because they would get scared. After all, I looked like a kindergarten version of the bad guy from some kid's book. Other kids were able-bodied and looked like the good guy, I was visibly disabled and looked like the bad guy. That's the lesson kids get from media on how people with visible disabilities are: evil, scary, not to be interacted with. So they avoided me because of that while I had adults telling me to not even look in their direction. Dichotomy is so helpful, right?

And this doesn't magically stop at children. When I post a self-portrait or a selfie, I usually deal with multiple grown people comparing me to sometimes an animal, usually a specific character from a movie, sometimes even making my face into a meme right away. But if people don't generally see people with facial differences on the daily, then how are there so many specific reactions and so many similar problems that we go through? If it's so rare, then how are people so quick to tell me the character I remind them the most of- Yeah, media. It's always media. It's almost funny how everything circles back to one thing.

I want you, the author, to understand the impact of misrepresentation of facial difference. If you feel uncomfortable because you have done these tropes before, good! That's a sign of growth. If you want to help instead of harm, you need to get over your (subconscious) biases for a minute and think about how a person with the same condition as your character would feel like reading about them. Maybe you are even currently realizing that that one OC with scars is just five harmful tropes glued together. Maybe you are going to reblog this and tell me in the tags that somehow your character decided to be like that, as if they have free will instead of being written by a biased human being. Or, as I said earlier, a lot of people will be annoyed by this post and keep doing their thing. Which is like... whatever, I guess ?? There are a dozen huge movies and TV shows every year that do this. It's so basic and normalized that whatever reach this post will have will change very little. I have been signaled "we don't care what you think about how we portray people like you" my entire life, I'm frankly more surprised when people do actually claim to care. You can, practically speaking, do whatever because the FD community is fully ignored by uh, everyone, and even if I'm disappointed or annoyed I'm just one man and I know (from experience) that most people won't have my back on this topic. It's too ingrained in our culture at this point to challenge it, I suppose. I mean, there have been multiple media campaigns telling writers to treat us as people, and they had practically zero impact on the writing community. But even with my absurdly pessimistic view on this subject, I still decided to write all this. Sure, there are no signs of the industry changing and the writing community doesn't seem to care much, but I still naively hope that maybe the right person will read this and at some point in the future I will be watching or reading about a character that looks like me and actually have a good time, and even more naively that maybe people will gain some amount of awareness of the damage that has been and still is happening to people with FD through media, so that the next time they see that the villain has facial scars for no reason they will think "damn, this sucks" the same way I do. And very, very naively, I hope that people who read this will start seeing us as people. Not villains, not plot devices, not monsters.

Sad part over(?), now the fun(?) part. AKA the tropes! Yay.

"Dramatic Reveal of The Deformity".

Use of the word "deformity" very much on purpose here. This is arguably the most common trope when it comes to FD, and it's always awful. At the very best it links FD with trauma and talks in a Very Sad Voice about how having a FD is the worst thing imaginable, I guess (think a "X did this to me... now I'm Deformed For Life..." type of scene) and at worst it does the classic revealing that the main villain actually was a burn survivor under his mask, because of course he was. In media, people with FD are evil. If they're not, then it's because someone very evil did it to them (the most evil thing of all - causing someone to have a facial difference. the horror!). It can't be a thing unrelated to someone's morality, there's gotta be evil somewhere around it. There is literally nothing good about this trope. Showing FD as something to hide? Check. Dramatizing FD? Check. Placing the way someone's face looks as the worst thing possible? Check. General treating FD as some kind of circus attraction to stare at with your mouth open? Check!

"Wearing a Mask*."

I made a whole post about this one actually, that's how much it annoys me. Putting your character with FD in a mask is so overdone, lazy, and boring I'm not even offended as much as I thought I would. It's like... really? Again? For the millionth time, the character with FD is forced to hide their disability? Is the author scared..? What is the point of giving your character a visible difference if all you're doing is hiding it? And yes, I know that your character chose to do that for reasons that you as a writer somehow can't control. It's always so strange how it's the character that's in control and the writer is in the passenger seat when it comes to annoying tropes.

Found yourself already waist-deep into this trope? Take a look at this post I made.

*"mask" here refers to anything that covers the character's facial difference (e.g. eye covering, surgical mask, whatever. It's about hiding it and not a technical definition of "what is a mask").

"Good Guy has the Tiniest Scar You Can Imagine, but Don't Worry! The Villain is Deformed As Hell."

A genre on its own. In the rare instance that a positive character has a facial difference, they have a curiously limited choice - you can have:

the thinnest, definitely-very-realistic straight line going through the eye (the eye is always either perfectly okay or milky for reasons the author couldn't tell you),

the same exact line but going horizontally across the nose,

and if you're feeling spicy you can put it around the mouth,

regardless of location, just make sure it doesn't look like an actual scar (certainly not a keloid or hypertrophic one) and is instead a straight line done with a red or white crayon. Interestingly, villains have unlocked more options which stem from scars, craniofacial conditions, burn marks, cleft lips, ptosis, colobomas, anisocoria, tumors, facial paralysis, to pretty much everything that's not infantilized, like Down Syndrome. These are always either realistic or extremely bloody. I sound like a broken record by now, but no, your morality has nothing to do with your physical appearance and being evil doesn't make a visible disability get more visible. Shocker. And don't get me started on...

"The Villain turned Evil Because They Have Scars."

Ah, how nice. Disabled people are evil because they're disabled, truly a timeless classic for able-bodied writers whose worst fear in life is being disabled. In case that needs to be said, having a facial difference doesn't turn you evil, doesn't make you become a serial killer, doesn't make you violent, doesn't turn you into an assassin with a tragic backstory seeking revenge for ruining their life. If anything, having a FD makes it more likely for other people to be violent towards you. Speaking from experience.

"The Villain Just Has Scars."

An impressive attempt at cutting out the middleman of "clumsily and definitely not ableist-icly explaining why getting a scar made them evil" and not even bothering with a tragic backstory or anything. They are evil, so of course they have a facial difference. What were you thinking?

"Facial Difference is a Plot Point."

As anyone who's read like A Book will tell you, the only way to get a facial difference is to be in a very dramatic fight or an extremely tragic accident who will become a plot point and thus the facial difference is now Heavily Emotionally Charged and a symbol of The Event/The Tragedy. If you look at media, congenital FD isn't a thing, illness-related FD doesn't exist and boring domestic accident or a fall causing FD has never been seen. It has to be dramatic and tragic or else there's no point in them having it. A true "why are they [minority]" moment, if you will.

"Character gets a FD but then Gets Magically Cured Because They're Good."

Truly one of the tropes that make me want to rip my hair out. Curing your character with FD sucks just as much as curing a disabled or neurodivergent character. Who is this even for? That's not how real life works. This is some actual Bible shit, that's how old this trope is. The only thing you're doing here is making people think that those who do have FD just aren't "good enough". Every time I see it, I wonder what the author would think of the congenital disorder I have. According to this kind of in-universe rules, was I born evil and just never got good? or ??

"Character with FD has Self-Esteem Issues and Hates Their Face."

I admittedly mocked all the previous tropes because they're absurd, ridiculous, offensive, boring, all of the above, and have zero basis in reality. This one however... ouch, right in my own tragic backstory. This is unfortunately a very real experience that a lot of people with FD go through. I even have a hunch there wouldn't be as many if the general public didn't think of us as monsters, but I digress. Yes, a lot of us have or had self-esteem problems, and a lot of us wished that we wouldn't have to go through all the BS we were put through because of it. Thankfully for you, you don't have to write about it! Seriously. You don't need to. As one million people have said before me, "maybe don't write about things you haven't experienced" and I agree here. I have yet to see an able-bodied author get anything about this right. Instead of the deeply personal, complex experience that involves both you, everything around you and the very perception of what others think of you that this is, somehow writers keep giving the tired "character crying and sobbing because they're "ugly" now", because the author thinks we're ugly. Or maybe they're sad because all the other characters with facial differences are evil, and they didn't have the time to prepare their evil monologue for when they inevitably become evil in the sequel? Who knows.

"The Author Doesn't Know."

I'm not sure if a trope can be the lack of something like this, but the author not knowing what their character actually has going on medically is common to a ridiculous extent - this applies to all kinds of disabled characters as well. You don't need to name-drop the Latin term for whatever your character has, but you need know what it is behind the scenes. You need to know the symptoms. You need to know the onset and the treatment or lack of it. Please do your medical research.

Things I Want to See More of in Characters with Facial Differences

[Large Text: Things I Want to See More of in Characters with Facial Differences]

The thing you might have noticed is that I want Facial Differences and People with Facial Differences to be presented as normal. Not killers, not SCP anomaly whatever, not monsters. I'm aware that the term is tired, but I absolutely want Facial Differences normalized as much as possible.

I want to see more characters with facial differences...

who have friends that don't bully or make fun of them because of their appearance.

who have support from their family.

who know other people with facial differences - even if they're just background characters, or mentioned in passing. Marginalized people tend to gravitate towards each other, people with FD aren't an exception to this.

who are queer.

who aren't only skinny white cis dudes in general.

who are disabled in other ways! A lot of us are Blind, Deaf, both, unable to speak, intellectually disabled, having issues with mobility, and a million other comorbidities.

who are fantastical in some way - preferably not the "secretly a monster" way. But a mermaid with CdLS or an elf with neurofibromatosis? That's cool as hell.

who are allowed to be cute or fashionable.

who have jobs that aren't "stereotypical bad evil guy jobs". Give me a retail worker with a cleft lip or a chef with Down Syndrome!

who are reoccurring characters that just happen to have a FD.

who are those stock/generic characters that aren't typically associated with FD. Hero's mom has septicemia scars? Cool! The popular cheerleader at school has alopecia? Awesome! The bartender of the place the heroes secretly meet up at has Möbius Syndrome? Goes hard! The kid that the MC used to hang out with before they moved somewhere else has Crouzon Syndrome? Great!

who have their FD be visible.

who aren't ashamed of their FD.

who are feeling very neutral about their face.

who are proud of how they look.

who got their FD in a very boring way or were just born with it (and maybe make up very silly, obviously not real ways of how it happened when annoying people ask them. Think "oh, I was fighting a shark").

who have facial differences other than small scars.

who's angst is fully unrelated to their FD. I love me an angsty teen character! Even more if they are angsty about their crush, or basically anything that's not their disability.

who have a significant other who doesn't do the whole "I love you despite your looks" thing. It just kinda sucks. Sorry. I would hate if someone said this to me.

who are children and aren't implied to be "cursed" or "demonic".

in genres that aren't just horror or thriller. RomCom or slice of life, anyone?

who aren't evil.

I want to see stories with multiple characters with facial differences. I have nerve damage and facial asymmetry, and I am friends or mutuals with people with Williams Syndrome, Bell's palsy, Down Syndrome, neurofibromatosis, facial atrophy, ptosis... and a lot of other things. Your character would have (or, would probably want) some connection to their community. We aren't rare!

And, I want stories with the whole spectrum of facial differences shown. Of course you can't represent the whole spectrum, but you can still aim for at least a few. Don't give every single character with FD the same scar-through-eye + eyepatch combo. It's not unrealistic to have a range in your writing. Here is a list of facial differences you might want to check out for inspiration. Don't be scared to give them something rare - no matter how uncommon, people still have it. My specific condition is allegedly extremely rare - I still want representation!

Closing Remarks

[Large Text: Closing Remarks]

Facial difference and the media is a topic that plagued me for the past almost two decades and won't stop ever, I think. It's a very unique relationship of a group of people who just aren't allowed to get into the industry and an industry that clearly hates them, loves to use their image, and defines how people see them all at once. There's this almost overrepresentation that is consistently awful and damaging to an absurd degree. Most people know more villains with FD than actual people. Certainly doesn't feel great to be one of the aforementioned actual peoples. But I hope that this will change - the negative portrayals that are plaguing the FD community will slowly fade out and a newer wave of portrayals will come in, hopefully this time realizing that we are real people and care about us a bit more.

The thing with facial difference is that it's pretty much impossible to make a specific guide of what it's like and what to do in context of writing because it's an incredible vast category that includes conditions that are very different from each other. That's why this post was more focused on "why you should care in the first place" (sorry for the clickbait) rather than being a straightforward guide that would still be very lacking even if 20 different people were collaborating on it. I really, really encourage everyone who got through this rather long post to do their research on what they plan to write about, be conscious of their own biases, don't pull inspiration from movies because they're all hellholes full of tropes and just sit down for a minute, think of the real-world people with facial differences, and read what we have to say. I know that drawing a guy with a line across his eye is more fun than realizing you're low-key scared of or uncomfortable around the real-world equivalent, but sometimes you have to get over yourself and try to be a better person. Caring about the people you write about is, dare I say, essential. That will certainly make your writing of us better :-) (smiley face with a nose)

If you have any specific questions, feel free to send an ask

Mod Sasza

[dyketennant]

the scene of stede meeting ed for the first time when ed's lingering over him on a flaming ship as stede bleeds out? the intimacy of the bathtub conversation in episode 6 blending both sincerity/vulnerability and humor, with the super interesting use of the mirror shots throughout? whoever got a vision from god to have the entire stabbing as gay sex scene? ed rowing away, clearly feeling a messy storm of emotions, while "perfect day" by lou reed plays in the background? taking the "women pretending to be men on pirate ships" trope and subverting it to give us a really solid nonbinary character? "not all beards are actual beards, if you get my drift" and the double meaning of it? critical examinations of hypermasculinity and queerness while also giving a show that is both genuinely funny and emotionally charged, leaving you on the edge of your seat with every episode?

like, when i say i could write an essay about this show, i mean i literally wrote an essay about this show already, and the budget cuts, behind-the-scenes zionism, fumbling of story pacing due to less episodes, and subsequent cancellation of season two is my actual villain origin story. and it feels like it's every queer show this keeps happening to.

got actual chills last night thinking about how season one of our flag means death was legitimately super fucking good and now i need to tear david zaslav apart limb-by-limb

[anghraine]

It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.

It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:

[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.” “I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.” “Mr Collins appears very fortunate in his choice of a wife.” “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."

So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).

Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.

He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)

Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.

Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.

Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."

Elizabeth: "Right? And, let me add-"

(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)

[astro-rainbow777]

🌙 ✨Cancer Through The Houses✨🐚

🌀Preface: Cancer rules over the mother archetype, it is important to note that genders are excluded here. The word mother will be used interchangeably throughout this text, but this just means someone who stepped into their feminine energy in your life, or how you display mother like qualities. The mother pertains to anything that requires a soft, nurturing, emotional, protective and instinctive approach. A man can have these as well, but gender is not important here.

☆

🌝 Cancer in the First House ~ Soft and moon like features, this can show skin sensitivities. This native cannot hide their feelings even if they try, they may be prone to passive aggression. They are know to have a round moon like face, or a crescent shaped face, man of the moon qualities with a prominent chin & bone structure. Whatever moon sign the native has & what house it’s in will show more about the native’s physical features. They enjoy their creature comforts and the maternal figure plays a significant importance in their lives. Family is super important to them, probably raised siblings, cousins or parents to a degree, from a younger age. Resting sad face. Very sweet and kind, people. Strangers often feel comforted by them easily because of their softness and empathetic demeanor.

🤱Cancer in the Second House ~ When Cancer falls into the house of values, money, and possessions, in can indicate a person who values their family and close loved ones deeply. They may spend a lot of money of home goods, property, things for their loved ones. Having a stable home life can be very important for them, as well as having all their creature comforts met. If this person doesn’t get their basic needs met, it can lead them to be very moody and unpredictable in terms of emotional reactions. An important maternal figure could have shown their love by good food, material possessions, gifts, shopping, etc. This is a very good mothering placement, as it’s very grounded, practical and realistic in matters of the heart.

🍪 Cancer in the Third House ~ Shy, soft and gentle speakers, they aren’t too concerned with other people’s business and prefer to keep to themselves. Here the house of communication prefers to stay more in its shell. Their emotions may cloud their thoughts from time to time, but this does make a very colorful communicator. They can be very kind, sweet and sensitive once you get to know them, however, they have a tendency towards defensive communication. They don’t say anymore than needs to be said because of this, to them “no” is a complete sentence. They are very private individuals, and prefer intimate close bonds. They may act as a mother to their siblings and cousins- or perhaps they are the mom friend. These are deeply sentimental and nostalgic individuals, and think a lot about their childhood.

🏡 Cancer in the Fourth House ~ Very sensitive and family oriented individuals. These natives have a deep desire to be apart of a family, raise children and be somewhat of an influence to the younger generations. Emotions are important to them and they are very protective over people that they love. This is a very primal response for them, think of a mother duck attacking anyone that even goes near their babies. They will whoop somebodies a** if they mess with their loved ones. They do not play about family and to them blood is everything. They operate off of pure emotional reaction and instincts. They will enjoy spending time at home to recharge their emotions and don’t get emotionally drained easily because they don’t mask how they are feeling. When they need to flow, they flow.

🛋 Cancer in the Fifth House ~ Known for their cozy and emotional disposition, when Cancer falls in the house of hobbies, fun, and children it can make for a family oriented personality. The native probably spends their spare time with their loved ones, In the comfort of their own home, with children, cooking or connecting to their childhood. They may have a very gentle and soft way of expressing themselves, and can be highly introverted. If the native does have kids, their will be a huge focus on parenthood, spending time with their kids, and will participate in a lot of activities that are nurturing to their spirit. This is the stay at home over going out type. Their idea of fun consists of hanging out with their closest friends in familiar, safe locations. They may enjoy creating emotional art or listening to music that makes you FEEL.

🛀 Cancer in the Sixth House ~ The sixth house rules over health, routines and service; that being said Cancer can bring a lot of sensitivities to this area of the natives lives. They can be very protective over their daily routines and habits. This is usually due to the fact that they make take care of someone in their family or have food sensitivities or their own health issues. They can work on the night shift or just start their day later than most. Coworkers can be like family to them, it's possible they work from home as well. They could do jobs home Healthcare, IT jobs or work with their family.

🫂 Cancer in the Seventh House ~ When Cancer falls over the seventh house of close relationships, business partners & contracts, this can manifest as being really close to your family or being attracted to sensitive, nurturing personalities. They look for a home in their spouse and they could be close to their maternal figure. They could be attract introverts and prefer intimate bonds over superficial connections. They could go into business with family members, take on the family business or work from home. They pick up on their partners feelings intuitively and may engage in passive aggressive behavior when there is conflict in their personal relationships. These guys definitely have a rough exterior, but don't let them fool you, they are extremely sentimental at heart.

🌑 Cancer in Eighth House ~ This house rules over all things taboo, mysterious, and sometimes scary. That being said, this cusp can have some serious family trauma. These natives are known to come off spontaneous and free, but don't let them fool you, they have a lot they are protecting. The maternal figure can play a huge role in this natives psychology and may have easy access to a lot of the family secrets. Their could be alienated from their family. Their child hood was intense, their could have been s*xual ab*se, witch craft and cults in the family. They can feel vengeful towards their family. It's hard for them to find security in the world, may move a lot and find it difficult to feel at home no matter where they go.

🦀 Cancer in Ninth House ~ When Cancer falls over the cusp of the ninth house, the house of philosophy, higher learning and travel, the native could have developed their beliefs from their family. It's possible these natives don't know their family or are adopted. Perhaps one or both parents live overseas or are always traveling for work. They could move out of the country or have family orgins in a place different from where they were born. Their family could be religious, teachers or free spirited. Perhaps the native frequently travels with their family and enjoys broadening their horizon. May not be the traveling type, or enjoys homey, safety stays and might not go out of their comfort zone to explore a new destination.

👨‍👩‍👧‍👦 Cancer in the Tenth House ~ This is the work from home/stay at home parent type. When Cancer falls over the tenth house of career and reputation, these individuals are known for their sensitivity and inner circle. They could spend a good amount of time at home, post on social media about their family and children or just look at family as a highest form of success. It's possible that the paternal figure is absent and the maternal figure takes over. Perhaps the father figure is very sweet, supportive and kind- but this is rare. This cusp is known for being in touch with their feelings and could work in fields that allow them to care and intuivley pick up on people's needs.

🧿 Cancer in Eleventh House ~ These natives are huge humanitarian and may even identify with the phrase global citizen. They could be find family in their communities, and be very protective over their social causes and political beliefs. They are likely the black sheep of their family or maybe their family inspired their passion for humanity. Their is likely a cause that they fight for, this could be related to domestic violence, child abuse or foster care- to name a few. The native can rebuild a family, may rebel against familial norms or just strive to better their themselves for their family. This is likely to be the most unique and innovative one in the their family unit. They could live in area that allows them to be close to their community and friends; they could have a unique living situation or live with a lot of people.

🛌 Cancer in the Twelfth House ~ This native may be hidden to a lot of their family members true motives, they can be blind to their own emotions or be very sensitive towards their families needs. Their home is likely an escape for them, having decor that is highly artist or reminds them of a dream land. The native may have dreams of their family members, have a psychic like awareness of their family's emotions and personal issues. Family life can be confusing for them, the mother figure can be a hidden enemy, or they can have a lot of hidden enemies in the family. May also have a tendency to self sacrifice for their family or maternal figure.

☆ I just want to make a quick note here that wherever Cancer is at in your chart can rule over where you are the most sentimental, sensitive and caring. This is the area of life you nature, hold space for and can get emotional about. This may also be an area of life where you are protective and secretive over. So- if I don't properly interpret your house, and that's common because astrology is so vast, there are so many different ways to interpret things, maybe you can find something I can't! Let me know in the comments anything you find. Thanks you guys!

I really appreciate you for giving my work your time and attention. I hope you and enjoyed ♡

As always I love hearing your feedback and knowing what resonates and what doesn't resonate. At the end of the day, my goal is to become the best Astrologer I can be! As much as I love to share and teach you, the best teachers know how to be students.

Can you guess my Cancer House placement?

I'm a Cancer Stellium btw!

Thanks again,

Kya ♡