#but like I need to share this backstory somehow.. | Explore Tumblr posts and blogs

saetoru · 1 year ago

Text

✩ ‧₊˚ ✩ i’m afraid that’s just the way the world works (but i think that it could work for you and me)

synopsis. suguru stumbles across two girls that need a home. somehow, one step at a time, you both find yourselves navigating parenthood

word count. 5.4k (sigh...this was supposed to be a drabble)

contents. not canon compliant at all—there are still curses, but it's literally an au where everything turns out happy LMAO, teacher! suguru, husband! suguru, fem! reader, reader is referred to as "wife" and "mommy," hints at child neglect/abuse (nanako and mimiko's backstory), yuji, nobara and megumi are the ones that save nanako and mimiko—the timeline is inaccurate bc the twins are still kids when megumi and co. are teens, single dad! satoru who raised megs and tsumiki (tsumiki is ALIVE and NOT CURSED) <3, it's just fluff tbh, it's overall healing and happy i promise

notes. yeah i am telling u i literally shoved every fix-it fic idea for jjk into one fic okay and u will all nod along and agree with it. this was supposed to be a drabble but i literally just could not shut up so now its a fic

“there are these two girls,” suguru says quietly at dinner one night, pulling you from the comfortable silence. you look up as you swallow, eyeing him as you nod carefully—nothing is ever a normal conversation when your husband is a jujutsu teacher. nothing is ever a normal conversation when you’re capable of jujutsu in general, you’ve learned that well by now.

“okay…” you say slowly, “and are they your students?”

they must be new, if they are. you know all of suguru’s students; you know them well enough to pick birthday presents and bring what they each like from the bakery. you don’t think you know of these two—they must be new.

“no,” he breathes, “no, they’re too young for that. maybe someday,” he adds hopefully.

“maybe someday,” you agree thoughtfully.

suguru loves teaching. it’s not something he ever saw himself doing—but life is dark at one point, a constant cloud looming over his head as it screams it’s over! your youth is over.

sometimes it hits him all at once—no one was there to protect suguru’s youth, no one was there for satoru’s or nanami’s, and certainly not haibara’s. no one was there to make sure they could be kids, that the sun could still shine and chase the clouds away.

so suguru becomes a teacher. he’s fond of the kids—and they like him too. geto sensei, they call, geto sensei, look! and then he pauses in the hall, holds back an amused chuckle before turning to face an overly enthusiastic yuji and nobara. megumi is not far behind, that disgruntled look on his face as always, but if you look closely, his eyes are soft and laced with something close to fondness.

geto sensei is a favorite—much more of a favorite than gojo sensei is, to satoru’s utter dismay. you can’t help but watch proudly sometimes, can’t help but watch how much suguru has grown as he interacts with those kids, how much he’s allowed himself to grow, how much he’s let himself try to chase the sun instead of letting the clouds convince him the light no longer exists.

“they’re five,” suguru continues, poking the soba in front of him as he doesn’t meet your gaze. “the kids found them on a mission. in a cage.”

you know what that means instantly. you look at suguru, watching as his eyes stare numbly at the food in front of him—sometimes, you worry that suguru will once more fall victim to those bone-chilling thoughts he shares with you one night. sometimes you worry he’ll slip and fall once more and you won’t notice this time, won’t reach your fingers and grasp him at the last second.

but he blinks, looks up and meets your eyes this time, stares into them and searches them for what he needs. he finds it, you think, because there’s light returning to them once more.

maybe it’s hope, maybe it’s acceptance. maybe it’s neither, and he’s just happy to have you to come back to when the world gets too burdensome. you’re not sure, but you do know you’ll always be there, right where he needs you.

“what happened to them?” you ask gently, “was it their parents?”

“no,” he shakes his head, “the villagers. their parents are dead.”

it’s not new—you’ve seen it before too. children tend to notice their techniques at this age. it’s not new to hear about children with no family history of sorcerers being labeled as some type of other in the family, in the community, or in the village.

suguru is lucky in that way—his mother and father see him as something special, something worth celebrating, something greater than they could ever hope to be. you meet them once every year, just for a few days. they love you, greeting you with kind smiles and warm hugs, pulling you inside as they get dinner ready. you visit his old room and smile as you rake your fingers over the figures on his desk and the cd’s he used to collect. his mother keeps his room in perfect condition, even after all these years.

you remind him to call more. sometimes, he tries—just for you, he tries. it’s hard for him, you realize. sometimes suguru is guilty; sometimes, he’s haunted by what he almost did but thankfully didn’t. it’s hard to face his parents ever since, even if they’re blissfully unaware. it’s easier to love them from afar, he thinks. but you insist he calls more, so he does. sometimes hearing his mother’s voice is what he needs, even if he doesn’t like to admit it.

“so…what’ll happen to them?” you ask quietly.

“they’re at the school for tonight,” he mumbles, “there’s enough bedrooms, anyway. but…”

but they can’t stay there forever, is what he wants to say, you know that. staying at jujutsu high is hardly enough for children so young. they need a proper home, a proper family. you can’t help but stare down at your own bowl of soba. it’s hard to watch children suffer like this. it’s especially hard on suguru—he chose to teach to help those kids, to be there. somethings, however, cannot be fixed by simply being there.

“and then what will happen after?”

“they need a home,” he says quietly, “and…listen, i know we never really…we’ve never discussed something like this. but…maybe for a while, just until something better is decided, we could…”

you know what he’s trying to say before he can even say it—you and suguru have never discussed children. you don’t think you ever really want to, and you’re fairly certain he feels the same. it’s hard to lose haibara when you’re just a young kid, hard to live with the fact that someone so young and hopeful about the world is here one second and then gone the next. you see nanami sometimes—he’s kind to you, greets you politely, and asks how you are. but nothing about him has ever been the same since that day.

will your children meet the same fate? will you have them one second and lose them the next? will you patiently wait for them to come to visit the next chance they get from school, only to get a phone call no parent deserves to hear? they’re common in the jujutsu world. it’s a risk every parent has to take. some are selfish—rightfully so. some don’t care to let their children master their techniques, arguing it’s better to have a child that’s incapable and alive than gifted and dead. what if your children end up like nanami? the one who manages to live but can never accept the fact, not when someone else is dead. how will you be a pillar of strength? how can you tell them it’s okay to live as long as it’s not them who’s dead? how can you help them grieve when you are always grieving yourself?

you don’t think you ever want children, and you think you’re right in your assumption that suguru agrees.

but those girls need a home, and you know the look on suguru’s face means options are limited—scarily so. you look at him for a while, look at him and see the way he’s got his heart set on these two girls—suguru has lost more than you ever could, and if this is something he thinks he should do, you think it might be worth a chance.

“bring them for dinner tomorrow,” you say finally, bringing soba to your lips, “i’d like to meet them.”

it’s not a straight answer, but it’s a start. suguru nods, smiling gently at you before he continues with his own dinner. it’s silent after that, but it’s not uncomfortable. he still steals your last bite of soba at the end, and you still roll your eyes and let him. you wash the dishes together after that, argue over whose turn it is to rinse and whose turn it is to dry—it’s routine, and you’re grateful you have something to look forward to in this cruel world, something you can count on regularly.

—————

hasaba nanako and hasaba mimiko.

those are their names. megumi says so when he first brings them to suguru. nanako is blonde, a bit bolder than mimiko, who’s brunette. nanako is older by five minutes, and she likes to remind everyone when she can. mimiko holds nanako’s hand when she’s nervous, and nanako squeezes tightly with a smile. they’re a mellow pair, despite it all. a little distrusting and a little nervous when too many people are in a room at once.

they take a liking to suguru, however. satoru is a bit too loud and boisterous for them, but suguru is kind and soft and gives them gentle head pats when they cooperate and answer his questions. on the way home, he asks them if they’d like something from the bakery.

it leaves them a bit quiet, right until he looks over his shoulder with a raised eyebrow as he awaits their answer.

“we’ve never been to one,” nanako answers quietly, the first to speak between the two, as always.

“is that so?” suguru asks gently. they nod, still holding hands.

children of five summers, and they have never picked out a cake for even a birthday—he wonders why that is. they shouldn't have shown signs of having cursed techniques so young, there should be no reason to mistreat them so early on—the conclusion he comes to makes him even unhappier. parents should never have children if they aren’t willing to love them, he thinks bitterly.

“it’s alright,” mimiko says finally, “we don’t need—”

“come on then,” suguru grabs nanako’s free hand, gently pulling them both along the busy streets of tokyo, “my wife’s favorite bakery is around the corner. we’ve tried everything they have by now, so you’ll have to tell us what’s your favorite, yeah?”

it’s nanako who answers again first, nodding slowly before she smiles hopefully. “okay,” she murmurs.

from the corner of his eyes, suguru notices mimiko gently pull her hand from her sister’s, quickly taking a few steps as she walks across in front of him before promptly finding herself on his other side. her hand reaches for his—it’s slow, a bit unsure, so he grabs it delicately, giving a small squeeze as he grins down at her.

“wait until you try the strawberry cake,” he hums, “that’s my favorite.”

—————

suguru comes home with two small girls on either side of him and more bags than you can count from the bakery just five minutes from your apartment. you blink before rushing over and taking a few bags from his hands.

“did you just buy one of everything or something?” you ask incredulously, staring at all the boxes of goods within the bags.

he grins that closed-eye smile of his, crinkles forming in the corners as he says, “well, of course,” like it’s the most normal thing ever to buy one of every item in a large bakery in the heart of tokyo. “the girls have never been to a bakery before so i thought we could let them try everything and rank them.”

you look down at the girls, who stare at you nervously as they cling to each other. instantly, as soon as you meet their eyes, you can’t help but drop down to your knees to meet their level as you smile softly.

“why hello there,” you murmur, ruffling each head gently. they like that—suguru texted you that earlier, that they seem to brighten considerably when he offers them a gentle pat on the head in affection. “what are your names?”

“i’m nanako,” the blonde one answers instantly—suguru is equal parts shocked and equal parts pleased by her new air of confidence. he wonders if she’d be a bright and energetic child right about now, if the world hadn’t crushed her under and forced her to live meekly. “and i’m older by five minutes.”

“hello nanako, the eldest by five minutes,” you answer seriously, nodding as though it’s a crucial fact to her identity, “it’s a pleasure to meet you. and what about you?”

the brunette clutches her sister’s hand a little tighter—but nanako seems to have deemed you as safe. anyone geto sensei (as the other kids seem to call him) trusts is someone they don’t have to be on guard around. she nudges mimiko gently, encouraging her to tell you her name.

“i’m mimiko,” she says quietly. she seems to be holding a small, pink stuffed toy. it’s seen better days, you think, but a nice wash and a few stitches to the top of its head should have it looking quite a lot better.

“and hello to you too, mimiko,” you smile, “are you younger by five minutes, then?”

she giggles a little at that before nodding, “i am,” she assures, “but i’m smarter.”

“are not!” nanako says instantly, gasping. you and suguru share a look, amused and fond and relieved all at once.

“what a lovely toy,” you murmur, tracing the eyes with your finger. she droops a little at that—like being reminded of its condition is something that breaks her spirit.

“it’s ripped,” she mumbles, “it wasn’t before.”

“i can fix it,” you offer, “suguru is always ripping his uniforms, but lucky for him, his sweet little wife here is a fixer-upper.”

“really?” she brightens. you nod, chuckling as you ruffle her hair, doing the same to nanako, too, when she eyes you hopefully from the side.

“that sounds great,” suguru interrupts, “but i believe i have cakes that need to be tried and mouths that are not trying.”

you rise, rolling your eyes and standing next to him, and his hand gently grabs yours. thank you, he squeezes. always, you squeeze back.

“well, come on, girls,” you usher. mimiko grabs your free hand, and suguru grabs nanako’s—you all make your way to the dinner table. it feels oddly natural, you think. “we have desserts to try. the chocolate one will definitely be your favorite, i can feel it.”

“it’ll be strawberry,” suguru says confidently.

you meet his gaze, grinning at him as he stares at you hopelessly in love. it’s always been enough, you and suguru—it’s always been more than enough with just the two of you. so enough, that you never wanted more. but this is nice too, you think. this is something you could get used to, even if it breaks the routine you’ve learned to love just a bit.

—————

nanako and mimiko stay at your house that night, and somehow, that turns into a week. sometimes, suguru takes them with him to school, just to handle a few things that are still to be taken care of regarding their case. you find you miss three instead of one while you’re home alone for the day.

they return cheery each time, bags of deserts in hand and a newfound glow in their eyes. mimiko’s toy is much cleaner now, and the small rips have been carefully sewn shut by you from the first night they spend. she clutches it everywhere she goes, hugs it in her sleep too. it’s hopelessly endearing.

nanako takes a liking to suguru’s phone—he’s a bit too giving with her, you think. she’s managed to figure out his passcode rather quickly, and he lets her get away with it, watching her small fingers work the buttons of whatever game she's downloaded with a gentle look of affection over his features.

on the days that suguru goes to school alone, the girls are left in your care for the day—you don’t usually have someone to keep you company while you’re at home. you’ve quit being a sorcerer long ago, deciding that it’s not worth the constant back-and-forth tug of war with life and death.

perhaps it's selfish—people are dying every day, and you sit and let it happen, but you can’t help it. it’s too much, sometimes. suguru has always supported it, though, has always murmured that you’re doing the right thing and that sorcerers deserve quiet, peaceful lives, too, if they wish. so you do just that, stay home and learn a new dish or two through the day, watch a few shitty sitcoms on the television, leave and do some grocery shopping for the week, and return home to your quiet little apartment (as quiet as an apartment can get in tokyo, that is) and wait for your husband to come home.

suguru comes home by seven pm every day and gives you a soft kiss on your forehead as he says, hello, wife, to which you giggle and murmur, hi there, husband. you have dinner after that and share details about your days with each other. yuji and nobara are arguing again, suguru will tell you sometimes, i think nobara will cave and talk first this time, though. i brought fresh strawberries from the season’s harvest, you murmur behind a glass of water to your lips, got them just for you, sugu.

it’s been a routine like that ever since your marriage. you marry suguru quietly when you barely turn twenty, just a room full of the few people you dare let yourself love and the two of you as you sign the papers and share a kiss. there’s an extravagant meal waiting for you after, though, courtesy of gojo satoru, a man with more money than he could hope to use on himself. satoru is happy that day—happier than you’ve ever seen him in a long, long while. he takes his bandages off, sits and watches everything, and takes it all in even if it’ll bite him back in the ass later with a long, pounding migraine.

today, however, is a saturday—school is out, and anyone who doesn’t have a mission is free to have the day to themselves. suguru hasn’t taken a large mission in ages, years, even. he accepts small ones here and there, and if it really calls for it, he joins a tough one with his students—but it’s for their sake more than anything. but the big ones are too much for him to handle regularly anymore. the higher-ups aren’t happy—special-grade sorcerers are hard to come by, and it’s unfair that the lower-grade ones are busting their necks out there more than he is. but suguru deserves a semblance of control over his well-being, and with satoru on his side, there isn’t much of anything the higher-ups can really do.

he sits on the couch, scrolling through his phone as you click the remote, finding something to watch.

“you know, we should really talk about this,” suguru mumbles from the side. it’s early, still. barely eight am, and the girls are still sleeping. they’ll be up soon—and with that, will be gone any moment for you and suguru to share a private moment.

they didn’t warn you about that part of kids—you knew it was a busy job, watching over them, but you figured leaving them to play for a bit would grant you some peace. you and suguru quickly learn that children, no matter how well-behaved and disciplined, always need a watchful eye on them.

“talk about what?” you yawn, “it’s too early for you to speak in codes.”

“the girls,” he says, unimpressed. oh. right.

“what about them?” you say, dancing around the edge of the real issue. he sees right through you—you know he will. still, you’re petulant enough to try and dodge the topic anyway.

“it’s been a week,” he says seriously, “those kids think this is their new home. it’s cruel to make them think that any longer if we don’t…”

keep them. let them stay. let them become a part of this home and, by extension, this family that has always just been you and suguru. raise them. take them in. take responsibility over them. love them.

can you love? like that, at least? are you meant to be a mother? you’re too selfish, you think—you couldn’t even stay fighting curses for long, too weak to care about those who need you, and too focused on needing yourself. can you handle two children? if you do this, you can’t do anything else but do it right—it’s what they deserve. but you don’t know if you can give them what they deserve.

but there aren’t many better options either, you remind yourself.

suguru seems to know what you’re thinking because he murmurs, “i think it’s easier to raise children than be a sorcerer,” he says quietly.

you raise an eyebrow skeptically. “you can walk away from being a sorcerer, suguru. being a parent is for life.”

“being a parent means you get to love,” he reasons, “unconditionally. without regrets. without a contract, you know? loving a sorcerer is just betting how long someone has left to live, at the end of the day.”

“how morbid of you,” you snort.

“they’re good kids,” he says quietly, “great, even.”

“they’re lovely,” you agree. and then, quieter this time, “i…i would miss them. more than i care to admit.”

“me too,” he nods.

your head falls to his chest, and he presses a kiss to your head, wrapping his arms around you. suguru has always loved you—when the world was not worth loving, and the people were not worth saving, suguru had loved you. he still does. and the way you love him is enough to make all of those things change. the world has a little more hope, and the people are a little less ugly when you’re there to prove not everything is bad. that even where the bad exists, the good can follow. as long as he has you, suguru is complete—but he thinks more is not always so bad.

“suguru?” you ask gently. he hums, rubbing a thumb over your knuckles as he squeezes your hand, “we won’t force them,” you say firmly, “to do anything. they should exist as themselves if they want to. cursed techniques or not.”

he smiles. you don’t see it, and you don’t have to. you know it’s that deep, eye-crinkling smile that’s heartfelt and real.

“no, we won’t force them,” he agrees, “they’re perfect as is.”

—————

the girls are given the option to each get the two spare rooms you and suguru have in your apartment. that leaves ultimately no guest room, but you think they deserve to have their own space and be their own people after everything. but, as you and he had expected, they choose to share a room and stay together.

you’ll never forget the looks on their faces when they realize they’re staying here permanently, the look of pure excitement and the slightest hints of shock—you never realized how fulfilling it could be to make two children smile like that.

“we can’t paint the walls,” you hum, “we don’t own this place. but we can still decorate,” you offer.

they don’t seem all that disappointed about not being able to paint their walls—instead, they’re too excited about their beds, giggling as they jump on the mattress. suguru wants to tell them that jumping on mattresses is bad for the springs, but you stop him—they deserve to be kids for a bit. after that, you’ll teach them. but for now, they deserve to just be kids.

“can we get lights?” nanako asks—now that you and suguru are guardians to two children (parents seems…a bit too overwhelming to use right now), spontaneous dates don’t happen one on one anymore. evidently, it’s hard to find babysitters on the spot, and leaving them home alone is not an option, so you decide to simply bring them along on your weekly sunday afternoon cafe visit. nanako takes a liking to the lights on the walls, and mimiko eats three slices of cake.

you can’t wait to bring them next week, too.

“you sure can,” suguru hums, chuckling.

“and a mirror?”

“of course,” you nod, “you’ll certainly need one to make sure the beauty sleep works.”

nanako giggles, flopping onto the bed, and mimiko sits not long after, still hugging that toy to her chest as she looks around the room in wonder. they’ve been sleeping in it for over a week now, but now that they can officially call it their own, they seem to be much more attached.

“i want pink sheets,” nanako hums.

“i want blue,” mimiko mumbles, looking at you shyly.

“well,” suguru murmurs so that only you can hear, “maybe we can get them two beds. smaller one—they’ll fit on either side.”

“and what do we do with this one, then?” you raise a brow.

“we…sell it?”

“suguru, are you trying to drain every last bit of our savings?”

“we have plenty,” he chuckles, “we don’t ever do anything.”

that much is true—you and suguru hardly leave tokyo let alone japan, and though you let yourselves splurge on nice things, there isn’t much to spend on between two people. but the last few days have really put into perspective how…expensive raising children can be. clothing and school supplies (they’ll attend a normal school) and room decor and snacks, and anything else children require to be children is quite denting to bank accounts.

but you and suguru can’t say you mind—and if nanako and mimiko want pink and blue sheets, well…you think you can make that happen.

“i think we’re spoiling them,” you mumble, “should we be doing that?”

he wraps an arm around you and pulls you against his chest as his nose presses to the top of your head when he kisses it. he’s warm, just like he always is—maybe warmer now, in fact.

“nah,” he grins, “i think we’re doing great.”

—————

the girls take their time to warm up to satoru, but when they finally do, he seems to be a favorite. satoru is very proud of this fact—he’s not a lot of children’s favorite…well, maybe yuji’s perhaps, but you don’t think yuji has a single bone in his body that could really dislike anyone. or rank them, to be quite honest—you don’t think he prefers satoru or suguru over the other.

“oh, kids,” satoru calls, stepping into your apartment and letting himself in. you and suguru are in the middle of making dinner, looking back in shock from the kitchen as satoru waves enthusiastically at you both.

“satoru, how did you even get in?” you ask, raising an eyebrow. he grins, practically giggling as he points to your husband.

“suguru gave me a key.”

“what?” suguru sputters, “no, i didn’t!”

“you let me borrow them,” satoru concedes—that’s still not even anywhere near the truth.

“i left them at your place and kindly asked you to bring them to me at work the next day,” suguru corrects, crossing his arms and looking thoroughly unimpressed.

“yes, and i did what you should have done a long time ago and made myself a copy,” satoru huffs, “i’m the best friend! i deserve a key—”

“gojo sensei!” the girls call.

as most kids do, they pick up what they hear around them. everyone seems to refer to satoru and suguru as gojo sensei and geto sensei. they’re not students, but nanako and mimiko both pick up on the habit too—and it’s helplessly adorable, you can’t deny.

sometimes, you want to correct them, but they seem excited to see satoru, so you let the moment pass.

“there they are!” satoru beams, taking his blindfold off and crouching down to meet them in the eye—nanako and mimiko seem to find satoru infinitely more approachable when his eyes are out and easy to look into. you can’t imagine why—he looks like a creep. “i brought dessert! because what’s life without something sweet, right? are these two feeding you girls the sugar you need to grow into tall, healthy young women?”

“this is why you should never be allowed near children,” you say flatly.

satoru looks at you with a pointed look, “i practically raised megumi and tsumiki, y’know. saving young siblings and giving them a nice home life is old news, i already did that. be more original, please.”

what a jackass—you scowl at him, throwing the wooden spoon in your hand at his head and watching as it doesn’t even touch him and falls to the floor. curse his infinity.

“okay, now,” suguru chuckles, “i don’t want to spend the evening looking after four children instead of two—”

“geto sensei! thanks for having us over for dinner,” yuji interrupts, stepping through the door that satoru took such great care not to close, “fushiguro was a bit of a hassle to convince, though.”

suguru throws a sharp glare at satoru as soon as three of their students step into your home—you’re going to have to forget the dinner you’re making and order takeout, you think. satoru will pay.

“this is why you didn’t get a key,” suguru hisses, “because then you act like you own the place.”

“i wanted a family gathering,” satoru gasps, “tsumiki is coming too! wait for her.”

despite the way suguru grabs satoru’s hair—and satoru, for some reason, turns off his infinity and lets him—you notice the corners of your husband’s mouth twitching into a gentle smile, and you know he’s thinking the same thing as you. family—nanako and mimiko are here, and so are yuji, and nobara, and megumi, and satoru (the biggest headache), and soon, tsumiki too.

family—yes, this is family, you think.

—————

“daddy, i’m hungry,” mimiko tugs on suguru’s sleeve.

“i know, pumpkin, just give me a second and—”

“daddy, look! i beat the high score on my game and—”

“daddy is looking, sweetie, just give me one minute, nanako, yeah? daddy will look and—”

“wow,” satoru chuckles, grinning amused, “you’re really worn thin.”

“satoru,” suguru grumbles, “if you’re not going to help, then please leave.”

nanako and mimiko are seven now. in two years, their personalities have really blossomed—something which you and suguru are very grateful for. the world should not crush children so young that they don’t get to be the children they are meant to be. you and suguru take great care to make sure they know they can be kids.

and they are—they whine about bedtime and pick at their vegetables and point at everything in the store and plead for something new. they’re children—your children, and you can’t help but love them unconditionally so.

“well, welcome to fatherhood,” suguru snaps, trying his best to make lunch and entertain the two girls waiting for his attention.

suguru is a good father—a gentle one, in fact. he comes home every day from work and grins, asking in that smooth voice of his, where are my ladies? and just like that, you and your two girls meet him with excited grins. you peck his lips before he crouches down and pulls two small bodies against his chest, letting their tiny arms wrap around his neck as he hoists them up.

it’s a perfect little routine, one you cherish greatly. but the girls are getting older, and soon, they’ll be too heavy to carry like this. it makes you a little sad to think about—but if there’s one thing you’ve learned, breaking routine isn’t always so bad. soon there will be a new one, and when you outgrow that, another new one, and so on.

what won’t ever change is the way you love suguru, and he loves you, and you both love your daughters, and they love you both too.

“daddy,” nanako calls, “where’s mommy?”

“at the store, nanako,” he says patiently, sighing. this is the fifth time she’s asked.

“when will she be back?”

“soon, nanako,” he smiles assuringly, “at least, i hope so,” he adds quietly, under his breath.

satoru hears, though—and he cackles, heinously loud, too, as he watches the scene unfold in amusement. but satoru is suguru’s best friend, and yours too. and the girls love him. he’s family—and so are their students.

it’s nice, suguru thinks, it’s nice to have something worth smiling for.

“i’m home!” you call, “is satoru here? because the door was unlocked—”

“mommy!” the girls call, cutting you off with the pitter-patter of small, excited little feet hitting the ground and greeting you.

“why hello,” you gasp excitedly, laughing as they tackle you in a hug.

you and suguru share a smile as he looks back—family, it’s what you’ve both built here. it’s slow at first, and sometimes it wasn’t easy. at one point, it was just the two of you, just you and suguru, and that was okay. you didn’t think you would ever be capable of letting it be more—but it’s nice when it grows, you think. maybe one day, you can dare to hope to grow it some more.

the scene were they got 2 beds—that was me and my sister when we first moved into our weeeee lil apartment back when i was in middle school !! we were bummed bc we couldn't paint the walls but our parents let us have 2 beds so we could pick our sheets !! it was a fond memory LOL but now i DO have a room where i painted the color except i HATE the color now bc i was still in middle school when we moved into our house and got to pick colors and middle school me and adult me are soooo different so now i have a teal bedroom that haunts me

#teepods.writings #fics.#geto x reader #geto x you #geto fluff #jjk x reader #jjk x you #jjk fluff #geto suguru x reader #geto suguru x you #geto suguru fluff #jujutsu kaisen x reader #jujutsu kaisen fluff #jujutsu kaisen x you

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guiltyasdave · 8 months ago

Text

sun is going down

chapter 1 • series masterlist

pairing: Joel Miller x f!reader

summary: An injured Joel and Ellie stumble into your home in the middle of the night. Against your better judgement, you decide to help them.

word count: ~2.2k

tags/warnings: post outbreak, slow burn, found family, age gap (sorry not sorry), able-bodied reader, angst, reader has a sad sad backstory and ptsd, hurt/comfort, fluff, eventual smut, vague description of an injury, blood, guns, i think that’s it?

a/n: i’m ridiculously nervous about sharing this story, it has been on my mind for over a year and i’ve been too intimidated to start working on it for the longest time. i really hope that someone likes it haha

follow @guiltyasdavenotifs for fic updates and find my full masterlist here :)

dividers as always by the lovely @saradika-graphics 🤍

The alarm goes off in the middle of the night. You shoot up, your body on high alert, your heart beating rapidly, before your mind is even fully awake.

Probably just a false one, you try telling yourself as you make your way to the office. You’ve never had a false alarm, but– one can hope, right?

The place is plunged into darkness, no windows for any moonlight to seep through. You turn on the camera feed, squinting at the grainy screen. There’s movement in the living room, two people, from what you can make out. Not infected, judging from the way they’re moving, but one of them seems to be injured. Please don’t be raiders. There isn’t much to loot in the house, but the anxiety is already settling in your chest, threatening to crawl up your throat.

You turn on the sound and a panicked girl’s voice rings through the room as if you were standing right next to her.

“Fuck, Joel, wake up. Joel, please–”

It’s eerily similar to words that you’ve said once, the memory still fresh, even now. You wonder if your voice was as thick with tears then as that girl’s is right now.

Not again. Not in this house, not while you’re watching, unable to do anything. Not again.

You still hear it, the echo in your mind clear as ever. Keep them safe. Promise me. The promise you failed to keep.

Unblinking, you stare at the screen, your mind running a mile a minute. This could be a trap. They could have been watching, could have somehow figured you out. Or, the tiny voice in the back of your head insists, or they really need help.

The girl is pleading for the man to hold on, to not fall asleep. The desperation in her tone is tearing at you, urging you into action. Fuck it, you have to do something.

You grab your gun from the wall and slowly make your way up the stairs, ignoring the anxious trembling in your hands. Maybe this is how you die.

Leaning your back against the wall, you take a deep breath, a fruitless attempt to calm yourself, and switch on the lamp outside. You can’t hear them anymore, but knowing that the living room is now bathed in light, you’re certain that they’re on high alert now. Shit shit shit. You steel yourself, undo the complicated lock and push the heavy door open.

Please don’t let it be a trap.

They’re both staring at you, a young girl standing in front of a man, lying on the ground, taking panting breaths. She’s pointing a gun straight at you, as if she’s trying to shield his larger body with hers. The weapon looks much too big in her hands.

The memory of a similar image tugs at the back of your mind, but you shove it away. Stay in the present, stay right here.

You clear your throat, raising your hands slightly. You don’t remember the last time you spoke to another living person. Your voice cracks.

“I– I don’t mean you any harm. I live here, I saw you on– on the cameras.”

The girl furrows her brow, her eyes flitting across the room.

“They’re hidden, you won’t– Listen, I just want to help, I promise.”

The sound of your voice wavers, almost unfamiliar to your own ears. The girl lowers her gun a fraction, but the distrust is written all over her face. You can’t blame her. You clear your throat again, willing your hands to stop shaking.

“Your dad, is he– has he been bitten?” Please say no, please say no, please say no.

She shakes her head quickly. An expression that you can’t place flies over her features. Thank god.

“He’s not my– no. He got– he got stabbed.”

You can tell that she tries to sound strong, brave, but you recognize the panic in her eyes. You see it often enough when you look into the mirror.

You take another steadying breath. You can do this.

“Okay. I can help with that, if– if you want. I have medicine, bandages…”

Hope flashes over her face, mixed with the obvious conflict of not trusting you.

“You can come downstairs, it’s safer there. I– I should turn the lights back off.”

You’re painfully aware of how bright the house must shine through the darkness, from how far away it’s probably visible right now. Your nerves are fluttering anxiously.

“I don’t mean to hurt you, I swear. Just– let me help you.”

She swallows, hard, and fixes you with a stare.

“It’s just you down there?”

You nod in silent confirmation, not trusting your voice on this. It’s the first time you’ve ever had to admit it to anyone but yourself.

The girl sighs, her head turning between you and the man behind her a few times, surely seeking guidance from him, but his eyes are halfway shut, his lips trembling. Your gaze falls on the dark red stain on his shirt.

Don’t look, don’t think- Just focus on this, right now, right here.

You tell her your name, promise again that it’s safe. Finally, she nods timidly.

“Okay.”

“Okay.” You nod back at her, give her a small smile that she doesn’t return. “I’ll come closer now, we’ll carry him, alright?”

The girl looks at the man again. Her body tenses when you near them, but together you manage to get him back on his feet and half walk, half carry him. You push the door open wider and heave him down the stairs.

In the back of your mind, you take note of the sound of multiple feet walking down the steps, and how long it’s been since… No. Stay in the present.

You prop him up on the couch, where the girl keeps hovering by his side while you rush up again to close and lock the door and turn off the lights. Next, you throw open the bathroom cabinet, gathering all the material that you might need.

You return and crouch down beside him, lying your things out on the table, and take a closer look, your fingers halting over him. He’s watching you through lidded eyes, a sheen of sweat on his pale face.

“What’s his name?” you ask, looking up at the girl.

“Joel,” she answers reluctantly. “I’m Ellie.”

“Hi, Ellie.” You hope your smile looks sincere, not betraying how nervous you are right now. How shaky the sight of his blood-soaked shirt makes you feel.

“Okay, Joel?” you address him directly. He only manages a tired hum in return. “I’m gonna clean this and try stitching you up. It’s gonna hurt, I have painkillers, if you–”

But he shakes his head, humming again.

“Alright,” you sigh, and get to work.

You explain what you’re doing with every step, to calm both their and your own nerves. You know how to do this, you’ve trained for this. The wound doesn’t look too deep and you pray that there’s no organ damage involved, because you don’t have the means to treat that properly, but it doesn’t look like it. There seems to be an infection spreading though, so you gather some antibiotics as well, hoping that they’ll still work the way they’re supposed to. Joel inhales sharply a few times, but seems to be out of it for most of the time, which you’re grateful for.

“How did this happen?” you ask, looking up at Ellie who’s still standing beside you, watching intently over what you’re doing.

“Raiders,” she mutters. “It was a broken baseball bat, I think.”

“Jesus,” you sigh. You wonder how they got out, your thoughts circling back to the gun in her hands, and you suppress a shudder. “Are you injured too?” you ask, deciding not to press her about the attack.

“No,” comes her quiet answer. You don’t catch the way she averts her eyes.

“Alright,” mumble eventually and straighten up. You’ve cleaned and bandaged the wound to the best of your ability and now you just have to hope that it will be enough.

“Do you want something to eat?” you ask the girl, who has taken to sit beside the couch on the ground, now that you’ve moved away from it. Her face lights up at the question and she nods eagerly.

You get two bowls of the soup that you’ve had for dinner for the both of you and she has already had a few spoonfuls before she eyes you warily.

“It’s not poisoned or something, is it?”

You huff a laugh and keep eating yours, holding her gaze with raised eyebrows. “Does it look like it?”

“Um, no…” she trails off, swallowing another spoonful and sighing at the taste. You wonder how long it’s been since they ate something. “You could have poisoned only mine though.”

“Well I didn’t,” you grin. It feels foreign, talking to another person, another child, but a warmth is slowly spreading through you that has nothing to do with the soup.

She wakes Joel and gets him to swallow a little soup as well as some water before he collapses back on the couch, his eyes closed and his breath evening out.

“Why do you… have all this?” she asks eventually, setting her bowl down on the table and looking around the room, the wood-covered walls and the multiple doors.

“My dad built it,” you reply, forcing your voice to stay neutral. “B–before.”

She hums in acknowledgement, her eyes still full of wonder.

“You’re welcome to stay,” you hear yourself say, “until he gets better, I mean.”

You don’t know if you’re being reckless, if this will be the thing that finally gets you killed, but it seems too elaborate to be a trap. And maybe, just maybe you like the idea of not being alone down here, even just for a short while, a little too much. She thanks you, her expression just as weary as you feel.

You offer that she can wash up if she wants, use the shower, that you could give her some clothes of yours. You’re still not sure if you’re doing the right thing, or if you’re just being incredibly stupid, but the sight of her worn down shirt and the way her hair is matted down with dirt makes your heart swell with the wish to care for her.

Her eyes flicker nervously between Joel and the bathroom door a few times, but eventually she agrees. While the shower runs, you settle down on the armchair across from the couch, sinking into the cushions, your knees pulled up to your chin, your eyes resting on the sleeping man. He’s huge, taking up the whole length of it, his feet dangling over the armrest, overwhelming even in his unconscious state.

You really hope that they’re good people. He could overpower you easily, there’s no doubt of that. You might not be a terrible fighter, but you don’t think that you’d be a match for him.

Your gaze lingers on his face, the strong shape of his nose, the pout of his lower lip, his brow furrowed even in his sleep. His fingers are twitching, one wrist adorned with a broken watch.

Ellie exits the bathroom again, clad in your old clothes, her damp hair dripping into the neckline of the t-shirt, like a younger version of you. It makes your heart ache.

Now that the adrenaline is rushing from your body, you realize how weird all this really is. You haven’t spoken to anybody in years and now there’s two people here, in your space. Maybe you’ve finally lost it for good.

You show her to the biggest of the four bedrooms, the only one that no one has ever slept in. It’s easier, opening this door, than the two other ones that you keep shut. You debate moving Joel from the couch to the bed, Ellie mumbling about his back, but ultimately you decide against it.

“Okay,” you hesitate, leaning against the doorframe. “I’m in the room right next to you, if you need anything… Just– please don’t murder me in my sleep, okay?”

She mirrors your wry smile. “I won’t if you won’t.”

You nod and leave the room, praying that you’re making the right call here. You’re doing something good, right? And no one would plan an ambush like this. Would they?

You heave a sigh and retreat to your own bedroom, your gun clutched tightly in your grasp. You doubt that it would save you, not against that man who’s currently softly snoring on your couch. Still, it makes you feel a little better. You turn the lock on your door too, just in case.

When you sink back under the covers, eyes still wide open and staring into the darkness, a small smile creeps onto your lips despite your worries.

It’s not the way it was, it will never be that way again. But not being the only soul down here fills you with the ghost of a warmth that you had thought you’d never feel again.

thank you for reading 🤍 if you liked this, please consider reblogging, leaving a comment or sending an ask, it truly makes my day every single time!

#janas fics #fic: safe and sound #joel miller #ellie williams #the last of us #the last of us fanfiction #joel miller fanfiction #joel miller fic #joel miller x reader #joel miller x you #joel miller x f!reader #joel miller x female reader #pedro pascal #pedro pascal fandom #pedro pascal fanfiction #pedrostories

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halcyone-of-the-sea · 1 year ago

Note

Hiya!! I’m obsessed with your writing. You’re my favorite writer on here, I dream of your stories!

Would it be possible to request (either with Ghost or Price, I love them both equally) something like they were young love but he breaks up with reader cos he wants to keep her safe and thinks he knows what’s best for her. Then during a mission gone wrong, they need a safe house but somehow the enemy found out all the locations of their approved safe houses. He remembered her place is close by and tries his luck. Maybe she gets mad at him for making decisions for her or maybe he learns about her difficult past that happened without with. But with a happy ending? ☺️

Only if this inspires you! Thank you again for sharing your beautiful writings!

If You Bite My Hand Again

PAIRING: Simon 'Ghost' Riley x F!Reader

SYNOPSIS: How dare he show his face to you after all of these years. How dare you still find it in yourself to love him.

WORDCOUNT: 6.6k

WARNINGS: Heavy angst, abandonment, arguments, mentions of death, blood, insinuations of torture & mental illness troubles, Simon's comic backstory, hurt/comfort, sort of suggestive?, anxiety attack, somewhat happy ending, etc.

A/N: This was really fun to write, lol, enjoy Anon!

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

You never should have met him. In fact, it seemed like the universe had been adamant to make you not run into each other on that chilly October morning almost…well…it has to be more than thirteen years ago, now. So long.

As you head to your kitchen and glance at the clock, the hands point to a perfect three-fifteen—an hour of pitch-blackness and whispering winds that dash past the musty glass of the windows. The thump of your footsteps blocks out the heaving sigh that falls from your mouth; rubbing at your eyes like a cat as great bags sag from tired flesh.

The dreams weren’t uncommon.

Simon still reigned supreme in the conjuring of them, ingrained into the sinews and pulled thin by a hand constantly working them—knitting a sweater of memories addled with age. Moth-eaten.

As you snap on the light of your tiny and run-down kitchen, the bulb fizzing and the dishwasher still emitting that squeal as it always does, you think about him before grabbing a glass. Water hits and fills the thing up as your eyes blankly stare, fatigued but yet never more awake.

The tremors in your hands persist.

You never should have met him.

—

Your feet take you to Primary, laces a mess atop your little shoes caked in mud and grass—you’d chased after a butterfly through the front yards, getting caught in your neighbor's bushes and having to slip your way out before she could rampage outside with her broom.

It was no surprise that your face was lit with a bright smile, eyes shining like fire that your teachers had given you a special name for—“Ember.”

The very thing that could start a blaze over and over again as long as it still was alight.

Laughing and peeing out leaves from your hair; flattening out your uniform, you stride with pride ingrained into your body. Well, you did before you heard the soft sniffling coming from down the alley.

Halting, your ears perk at the sounds, smile freezing as you blink quickly. Looking to your left, you lock onto the hunched figure of a boy.

Perhaps only a year or two older than you, you stare in curiosity as he consciously paws at his cheeks, walking out of the alley in broken and odd strides. His uniform is ruffled, wrinkled, but not in the way yours was.

He must have fallen and hurt himself, you reason with a child-like frown pulling on your lips. Blinking at his blond hair, you get a glimpse of red-rimmed brown eyes.

The boy halts, looking at you widely, fear and pain emanating from his expression. You’re the first to speak, brightness still in your eyes but a deep innocence that comes with youth. All you saw was a boy your age in pain—that was strange to you. You knew what getting hurt was like; you fell and scraped your knees often, or hit your elbows on corners. Sometimes you would cry from that…did the same happen to this boy?

“You’re crying, aren’t you?” Brown-Eyes stares, hurriedly pushing at his face to wipe tears but only succeeds in making his face red from the material of his uniform. “Did you fall down? I do that pretty often—it’s okay, my Mum says you’ll be better after a hug and a kiss!”

You smile and stand straighter.

“I,” the boy begins, sniffling. “I didn’t fall. I’m not clumsy.”

You tilt your head, confused. “Well…then why are you crying?”

“That’s none of your business!” He snaps, brows pulled in as he comes forward on the sidewalk. Your face twists as you huff in annoyance.

“My Mum says to treat everyone nicely. That wasn’t very nice.”

“I don’t bloody care, do I,” you’re sent a scathing glance as he passes. “I didn’t ask for you to speak to me. Leave me alone.”

Naturally, you follow after, cheeks gaining heat.

“You’re being mean! Apologize!”

“Would you run off already?!” The boy shouts, and perhaps something fires in that small brain of yours—a thought and a semblance of self-realization at the shame that emits from his tone. A tight squeeze of vocal cords.

He was ashamed. Ashamed you’d caught him. Seen him.

Your feet slow back to a stop, watching him hurriedly continue on and hearing the quiet gasps of breath. After a moment, you grit your teeth and run the distance; seizing him around the middle in a hug of stubby fingers and tightly closed eyes.

The boy startles, body hardening and a cry escaping his lungs. “Get off of me!” He shouts, hands snapping down to yours and digging under your hold.

“No!” You call, stubbornly. “My Mum says that hugs make everything better—”

“Stop talking about your Mum!” The boy stomps his foot to the ground, chubby cheeks turning crimson as he tilts his head back to look at you, tears still dripping off his chin.

A stiff silence falls but like a green branch on a tree, Brown-Eyes’ form twitchingly loosens, his prying hands softening as you hold tight—digging your nose into his spine. He minutely flinches, but you only hug him more.

You’re both late to the building, and your teachers are going to give you scoldings. But right now, on a chilled October morning, you hug this strange, crying boy and blink your fiery eyes up at him.

After he relaxes fully and the sniffling stops, you let go and smile brightly again, looking up into his open expression of innocent confusion. Whatever had happened, he must have fallen pretty hard, you thought, pulling out another leaf from your hair. You giggle and hand it over as a gift.

The boy hesitantly picks it up and looks at it before turning back to you.

“Call me Ember.”

A pause. A hesitation. But your eyes shimmer and he relents with the memory of the hug in the front of his mind. Such a strange encounter.

He speaks, looking away from you with flushed cheeks, muttering out as his tear streaks dry.

“...Simon.”

You walk together the rest of the way.

The reality was, if you had gotten caught by your neighbor, had snatched that butterfly—had even stayed in those bushes for three more seconds, you would have missed him. And if Simon hadn’t run out of his home crying, he never would have locked onto the burning reality that was with you.

—

You put the glass to your chapped lips and take a long sip, throat bobbing as you take down the liquid with tears burning your eyes. Blinking rapidly, you swipe at the water at the sides of your mouth and shake your head, sighing.

“Why can’t you leave me alone?” Your voice bounces off the walls, peeling paint and moving the dust stuck atop the fridge. “Damnit, Simon.”

Today was worse than the others—everything building and stacking like some castle of misery and pain; windows too narrow to let in any light and your form stuck in shadows longer than an endless rope. There were just so many things that suffocated you now.

And in the endless nights, the brain desperately looks for comfort.

You hate that it only comes from the memories of him.

“I have to go to work tomorrow.” Your subconscious reminds you as you blankly stare out the window above the sink, seeing the streetlights and the cone of warm light—it flickers every so often, a blinking taking place like the eye of a large, brutish, wolf.

Work, then the grocery store, then back home to eat a tasteless dinner and fall back to sleep. An empty house with empty walls and empty memories.

Your hands put the glass in the sink, coming back up to rub and dig into your eyes until the itch behind your flesh stops. A thump of a low pulse is felt in the thin skin, orbs of your optics moving before you pinch into the bridge of your nose and drop them with a slap of a hand to the counter. A harsh breath exits your mouth, but it’s quickly strangled away into a sound of ragged shock.

Outside, under the light, the silhouette of a man leans heavily on the pole, feet shaking under him and face pressed into the shadows as his shoulders heave. You stare, wide-eyed, as your heart jumps to a rapid pace.

“What the fuck?” Your mouth utters, watching the man push off the light and stagger with a heavy limp and a jerking body of immense stature. Whoever this guy was, he was out of his mind—and coming right for your front door. You startle to go and secure it, feet slapping the ground and face twisted.

“What the fuck?!” Gasping, you re-check your locks and frantically look for something else—the stool where you place your keys meets your eyes. You grab it and place it as a barrier to the handle, tilting it on two legs and blinking quickly as whatever sleep-sheen that had been in your gaze leaves in one swoop of adrenaline.

Grunting wafts in from under the door, haggard inhales and a sudden slam of a body hitting the door. You stifle a scream and back up quick steps, slapping your hands to your mouth.

Sure, you might live in a shitty neighborhood, but no one had ever tried to just straight-up break in high or drunk off something. Your mind slashes to the knives in the kitchen drawer as the wall shakes again—something sliding down to the ground and a grunted whine.

Just before you run off, you hear it. An utterance; a disruption of airwaves. A whisper, a plea. Your brain ceases to function with one foot back the way you came, hand on the frame with the knuckles tight.

In one instance it all comes to a screeching halt.

“Ember…”

Who called you that anymore? The rare instance where you’d meet your classmates in the world they would mutter it; also be asked a few questions before they went on with their lives. You pause in your panic, slowly gazing back at the barrier and the stool like you’d just discovered you’re under the sights of a sniper.

There’s a sliver of something that inserts itself into your brain. Fear or hope, you can’t tell. But that can’t be right.

He left.

“Ember!” You flinch, the deep Manchester accent grating your heart into shreds. No. “It’s me!” He says, followed by a horribly gritty cough.

There’s a weak thump against the door, mumbled curses, and growls as if a wild animal mimicking human speech. You almost wished for that, considering you now knew the exact person behind the door down to his atoms. The brown of his eyes and the way his cheeks looked as they were stained with tears.

His laugh. Simon’s voice. Everything.

Simon.

You’re rushing to rip the stool away with a clatter and a jerk as it hits the far wall, undoing the locks with shaking hands as you grasp the handle and wrench it sideways.

His form slams to your feet with a loud grunt as the door hits the wall.

“Fuckin’ hell! Mind your bloody—!” Whatever he said was lost to you as you stare at the bloodied form of the man you had thought you’d seen the last of. Tactical gear, terrifying skull mask, black on black with weapons galore. But that voice told you all you needed to know.

Simon Riley is alive and very much breathing.

The same boy you still loved.

The same boy who’d broken your heart.

—

After October the years with Simon seemed to strengthen. You always walked together in the mornings—or, at least, you always waited for him. The dawn of your friendship strengthened and hardened to an unbreakable amount of mid-day rays; vast and sunny.

When he was sixteen he asked you to be his girlfriend, hand in his pockets and ache on his chin as he grunted out broken sentences. Stuttering and awkward. You’d smiled with your bright eyes and giggled before kissing his cheek—feeling his sigh and him melting into you with a grin of his own, unable to meet your eyes for a moment.

Later, when he said he’d wanted to leave his apprenticeship at the grocery’s butcher shop and join the Special Air Service, you’d been along for the ride—anything to get him away from his father and brother. You knew what was going on, even if he was still so hesitant to allow you any glimpse of his home life.

When he’d shy away at the Halloween decorations of skeletons as if the skull would jump off the page and tense at loud cheering, you knew. You did what you could, but there was only so much for you to suggest or say without him shutting down.

When you’d offered your flat as a safe space after graduation, desperate to help your Lover, he’d stared and blinked in shock; tilting his head at you before smiling softly and taking you into a hug. Wherever he went, he knew he’d always have a place by your side.

So, throughout his leaves of absence from the military, he’d come home to you—bruised and tired, but still the same Simon you fell in love with. You’d cook for him, tease at his shaved hair as he gave you those puppy-dog eyes, and talked him through your classes at University.

You would fall asleep on his chest, feeling the hard strength he was gaining and the way he held you tighter than he ever had; conscious of himself but not wanting to part with you.

The love the both of you had was akin to a blaze of fire, and you often found Simon simply staring into your eyes in times like those—watching silently and rubbing his thumb along your spine until your face burned.

He was always so gentle despite everything; you loved his perseverance, his drive to be good despite nearly every factor telling him he couldn’t be. Slowly but surely, he was forging his own life.

In 2003 he managed to take a break from the military to get his family straightened out. His brother, Tommy, went to rehab—Simon stayed with his mother and a year later he kicked his father to the curb and out of his and his family's life entirely. Finally free.

You managed to meet his lovely mum, still so bright, and even interacted with Tommy once he got out; went to the younger brother’s wedding in ‘06 and met Beth, his wife. When you saw Simon’s mother and the way she carried herself, you knew where your Love got his pride from. The two were so alike it was a sight to see.

While it may not have been conventional by any standard, Simon proposed to you in the back garden of Tommy’s cheap wedding venue. Alone, so as not to cause a scene. Willow trees and a small stream of water. Fireflies. The words ring in your soul with every waking moment, and they will stay there until it all goes silent with the grip of death.

He didn’t want to use his mum’s ring—the one that holds so many bad memories for both parties. He’d used the gold from it though. Went to a man who bled him dry for money to have it re-cast.

It was simple. A small, glinting, ruby pressed in the middle.

“It was always goin’ to be you, Ember, yeah?” he’d muttered in his deeper voice, formal attire holding you both tight. “So…don’t make me beg too much, Sweetheart. You know the old lady’ll kill me if I get stains on my suit.”

“Beg?” You responded, tears in your eyes but such a wide grin on your lips. The stars above you twinkle like the pupils of your eyes—the same burn still trapped. “Oh, Simon, come on, now.” He connects his forehead to yours, hand still in the middle of you and presenting the accumulation of all of his love. The other wraps your waist.

He was shaking slightly.

“I would never make you beg for my love, Brown-Eyes.”

You both share a breathless chuckle and lock lips, smiling like fools as he sighs into you.

In a happy world, that would have been the beginning of a perfect life. A happy house. A happy wedding. Happy deaths.

But something went wrong on one of his deployments.

Missing for months, he came back…wrong. With a fiery temper and sharp snapping words—wounds on the outside as well as inside. His eyes were feral, like a dog held back by a broken chain carting around its feet.

Simon never spoke about it—the missing days. The weeks. The months.

You broke yourself over it, trying to help but not knowing what would make it better. Some days there were flickers of soft expressions, but it was as if he were dragging himself up from a pool so deep it was bottomless to show them to you. Simon rarely smiled. He rarely sent an affectionate glance.

He didn’t let you touch him.

And then he called the entire engagement off with a letter on your counter only holding four words.

‘Don’t look for me.’

And then Simon’s mum, Tommy, Beth, and his nephew had all died. Been killed. And you were just supposed to move on? Live with that? There were times when you had breakdowns so bad you couldn't leave the house for days—the house that Simon and you had bought together.

All of those years.

All those vows and shared nights.

And he disappeared on you.

—

You have him sitting on the couch, watching silently from the chair across the room as he finishes wrapping his leg with the bandages from the first-aid kit you’d provided.

More like chucked at his gut.

No one had said a word, and the air was as tense as a noose—choking any oxygen that traveled into your throat. Simon was getting blood all over your flat cushions, the crimson saturating the fabric as you sit rail-rod straight, hand clenched on your thighs.

Simon’s avoiding your eyes.

“Take off the mask,” you hiss, pupils slits. If he wasn’t going to address it, then you were. Simon freezes, not breathing as his hands fall stationary around the bandages.

“I’ll be fine in a while—”

“Take off your fucking mask, Simon.” You can’t help the way you snap, face burning with shame and hate. How dare he show up now, after all of these years of mourning him and the relationship you’d built as kids. Simon wasn’t just your boyfriend—your fiancé—he was your best friend.

And all he’d done was left you a four-fucking-letter note before leaving you behind.

The geared man sighs silently, and you see his shoulders sag. His grip travels up as he straightens his spine in a fluid motion, pain medication working through him in waves of numbness.

His brown eyes bore through you as if he were a ghost. Under the fabric, his mouth thins. “Ma’am.”

Even his voice is older. More dead. How could this be your Simon?

Your heart bruises your ribcage as he grasps the top of his skeletal mask, gloved fingers peeling back the sown layers until you get the full image of a man more damaged than before. You have to stop yourself from sobbing right then and there; your throat going dry.

So many scars. Milky white and spread vastly—they weren’t pretty. Up his cheeks, down his brow line; even at the corner of his mouth and seeping down his neck. A crooked nose with damaged cartilage. Strangling a gasp, it comes out as a great expelling of horror, eyes going wide with shock.

You hate how you want to rush to him, take his face in your hands, and try to brush them away as if marks on paper. But you don’t make any such movements beyond a hunch of your shoulders.

“Not pretty, eh? Guess I should’ve warned you.” Simon rubs at his forehead, blond locks, hanging around his temple, and the black of face-paint stuck in his sockets. “Didn’t mean to fuckin’ drop in like this, Ember. Bloody bastard thing for me to do.”

You flinch at the name, looking away as you’d been peeling back his skin with your eyes. “What are you doing here, Simon?” Anyone with a brain could hear the cracking hardness in your words. Face blank.

He studies your features, taking in the changes and the bleakness of your expression. Brows furrow slightly before they go back to a state of nothingness. Simon glances around the room, finding the condition of things concerning but doesn’t show it.

“Nothin’ you need to worry about comin’ back to you, Sweetheart. Just work.”

“It is when the bastard who abandoned me shows up years later, bloody on my doorstep. Stop acting so self-righteous,” you growl, snapping, “I should toss your arse outside and let them have you. And don’t fucking call me that.”

Silence descends, and your words echo. It’s like now that he was here everything hurt ten times more than when he wasn’t.

“I never wanted us to end up like we did—”

“Bullshit!” You’re on your feet and stalking to him, pointing with your finger as he hurriedly stands up as well and looks down in shock as you press your digit into his bulky vest. “You shut your mouth, Simon Riley, and you let me explain something to you.”

He keeps silent, mouth parted and scars shifting around his stubble. His hands slightly held out at his sides and hovering over your hips—not touching you but there just in case. Simon’s brown ords are carefully widened at your tight exclamation. The sound of his clearing throat enters the living room before you speak again.

“I waited for you, hoped and prayed that you would show me at least a,” your throat bunches, but you push through. “A modicum of respect and show your stubborn self up at my door with apology flowers and a guilty smile on your lips. You know who took care of your family's burial plots, you fucking piece of shit,” his eyes flinch closed a bit, turning his head down as his breath hitches. “Me! You fucking disappeared!”

You know you shouldn’t be yelling, shouldn’t be pounding on his chest with a fist as if he was a door and you the knocker, but, dammit, it’s been years and he just shows up? Like this? Ten times the size he was—scarred and torn to shreds; laced with muscles and an expression of vacancy. Simon holds to your words, hanging off of them with a down-ward turned chin and eyes that lock with yours through pale lashes.

“Maybe I-I did, o…or pushed some things that I shouldn’t have,” you hold back your tears, but your voice still wavers, tapering off like a line without a hook, “but I didn’t deserve that, Simon.” The first traitorous sob breaks through. “I didn’t deserve that.”

His eyes shatter into a myriad of kaleidoscope bits and pieces, brows flicking from one point on your face to another in quick slashes of guilt. But he still doesn’t touch you. Not until you tell him it’s what you want.

Simon opens his mouth but closes it just as quickly, unable to find any words that would even matter. You let your tears slip down your cheeks, dribbling off your chin. The man’s chest hurts, pulse thumping to mirror yours.

“I waited for you and you broke me,” you whisper, mouth twisting with odium towards the man under your fist. “I wanted a life with you, Simon, no matter the trials.”

“I didn’t mean to…” The man trails off, clenching his jaw. You scoff, backing up a step and pressing your palms into your eyes.

“But you did.”

“I had to keep you safe, Ember.” Simon’s fingers twitch outward, eyes frantically moving around as you sniffle and shakily walk away to the kitchen. He follows, desperately on your heels as your spine bows forward with resounding cries of anguish. “I...I wasn’t right in the head, I need you to understand I didn’t want this! I never wanted to fucking hurt you!”

Your hand connects with the junk drawer, tearing it open and digging a hand inside as he pleads with you to listen.

“If I didn’t leave I was worried I’d do something—!”

“Then you should have trusted me!” Your hands rip out the ring held on a small leather strap. The ruby glints where it always sits, held in tarnished gold. You chuck it at his chest and suck down breaths so you don’t pass out. “I would have listened! Gotten you help! We don’t abandon the ones we love, Simon! Not us!”

Simon catches the object by slapping a hand to his chest, pinky finger latching through the leather cord before he jerks his limb back up. When he looks at the ring, he goes utterly still, gazing back up at you slowly.

“We were supposed to be different,” you sob, trapping it behind your hands. He’s shaking, brows tight and lines along his face as he brings a free hand to run through his locks, gripping the strands for a moment and pulling. “Simon,” you say again, and he looks back at you with glossy eyes. “We were supposed to be better.”

“What did I do to you to deserve that,” he stares, his jaw is loose and he can’t stop clenching and unclenching it. You can see his heart working through his breast. Bloodied. Beaten by fists and slashed with knives. “What did I do to you?”

“Nothing,” he gasps, taking a step forward. “Fuck, Ember, you didn’t bloody do anything to me besides love me.”

You sputter out, “Then why did you leave me here alone?” Your knees buckle and he darts forward, catching you under the arms as you wail out, shoving on his waist, “You never should have come back. Never should have come back.”

He lets you push him off; lets you back up to the counter as Simon tilts his head higher to stave off the tears in the sides of his eyes. He’d known coming here was a bad idea, for lack of a better word, but after the Op went bad and all of his safe houses were compromised, he didn’t have a choice. It wasn’t to say he didn’t regret his actions in the past with you, or that he didn’t punish himself for them, yet at the time it was the only thing he could do to give him the sense that you would be better without him. Safe.

After everything that had happened, he wasn’t in the right state of mind anymore. You deserved so much better. But hearing all of this…

Christ, could he have been wrong? Everything blurred; hurt. Hearing your sobs was like a knife to his heart every time, digging and cutting with serrated edges at the veins and pumping muscle, carving away flesh to shed the pounding redness to light. You held that heart in your hand and in his he held the ring—the ring he’d given to you as a promise of love and honor.

A pact of loyalty.

Simon doesn’t even realize he’s crying until the blurring edges of his vision make itself known. His eyes bore harshly, prodding into you as he makes known what he’s been broken since he first locked gazes with you again. The man’s voice shakes, accent deep and tight.

He asks the first thing that comes to his head.

“What happened to your eyes?”

“What?” You ask, incredulously, brows furrowed as your hand digs into the counter to keep you upright. Simon stares deeper, the sides of his eyelids wrinkling with a not-so-hidden sheen of great concern. Unbearable pain.

“What happened to your bloody eyes?” Where had the spark gone? That flare that grew and spread like fire that was the entire purpose behind your name. An unconquerable ache for life.

You only watch him with a parted mouth and tear-stained lashes, sniffling. Simon tries again, taking a step forward on unsteady feet.

“Please, Sweetheart, d…don’t, don’t…” He can’t finish, the leather cord intertwined into his fingers as he comes closer. “Don’t tell me I took it away. Not my Ember. Not my Girl’s fire.”

Your eyes are so overflowed you can’t even see him as he hovers over you, fingers coming up to brush your cheeks as his mouth is open in hard pants of breath. “No, no, no. Fuckin’ bastard, not me. Not over me, please.” It’s like Simon’s not even talking to you but rather himself.

He mutters in fast sentences, eyes panicked. “You were supposed to be better off—‘posed to move on. Why didn’t you? Why didn’t you find someone else?”

“You’re an idiot, Simon. An idiot,” you sag into his neck, nose digging into his pulse as he quivers, legs having to reset themselves. His heat melts into you as your body gives out with a final sob, “It was always going to be you.”

His arms snap around you like a vise, dragging you into him as he breaks and stifles his whimper on your scalp, breathing right by your ear; gasping for breath.

“M’sorry,” he mutters, so silent below his sniveling stutters, “M’so sorry, Sweetheart. This is all my fucking fault.”

You shake into his chest, face nuzzling and desperate to smell his scent again—tired from all the yelling and fighting. It was still late, you still needed to go to work tomorrow…but Simon.

Oh, Simon. How could he be so…him?

Your sobs are quieter than his, tiny cries that make the man’s arms tighten around you every time. Hands coming up, you can’t stop the way you want to hold him; how you wish to keep him close to you and push him away all at once. How dare he?

How dare he still make you love him after all he’d put you through?

Simon sags to the floor with you in his hold, head bowed and trying to gasp down his vulnerability as tears stain your shoulder. It’s as if the realization that he’d made a mistake had broken him back down to when he was young, past hatred of messing up infesting his brain like maggots. A fear of it, even.

The man presses quick, panicked kisses to your neck as his breath hitches every other second, rocking you back and forth.

“Didn’t mean to do it,” Simon utters. “Didn’t mean for it to hurt you—”

He breaks off and you realize that despite the years Simon’s mind was still very much fragile when it came to home life. You blink and take a deep breath, unable to get out of his unrelenting grip.

Your hand travels up to find the back of his head, spreading through his hair and massaging his flesh. When things got bad you used to do this with him. Give the man something to focus on so he could pass through his hysteria quicker.

Simon’s ribcage bangs against yours, nearly hyperventilating with how he’s trying to hide his small grunts and whines.

“Simon,” you clear your throat, trying to calm yourself down as seriousness sets in your tone. “Simon, breathe.”

Your ears twitch, noticing him listen to you as he takes down a long gasp of air and breathes out in puffs on your neck—hot and humid.

“Ember…”

“Shh,” interrupting, you shush him in tiny whispers, still rubbing at his head. “Brown-Eyes, just sit here, okay?” You feel a jerky nod, his fingers squeezing your flesh off and on as he mimics your own lung pattern.

It’s a few minutes before he goes completely still again, and you feel the burn of shame from his face in your clutch. The relationship was strained—or whatever you could call this—but you never wanted to see him in pain. Never.

You knew he was better when he sighs deeply, completely going limp in your arms; great weight leaning into you as you lean back to the cabinets to help with the pure might of his physique. With a slow hand, you un-velcro his vest and his gear, letting it hit the floor with dull thumps and clatters.

He doesn’t protest, doesn’t move to help or hinder. You would give anything to know what he was thinking.

“M’sorry,” Simon whispers and you respond accordingly, softly.

“You’ve already said that, Love.” He grunts, taking in a long, deep breath.

“Need you t’know it.”

“...I do.”

“Okay.” You close your eyes and stave off your anger at everything happening right now. While it would feel better to yell at him until dawn, what would that even achieve? Everything had needed to be said, had been. And you’d never felt lighter than at this moment.

You knock your head against him, the both of you panting for breath and hands vibrating with leaving adrenaline. Sweaty and twitchy.

“You never should have done that, Simon.” Whispering, you sigh. “I needed you. I needed you here. With me.” He stays still, but you feel his lips press deeper into your pulse. You’re practically in his lap, back to the woodgrain.

In a moment of weakness, or pure longing, you pull his head back and situate your hands at his cheeks, looking over his scars and his broken skin as he lets you move him how you wish. His half-lidded, red, eyes stare—grip around you not letting up.

Simon doesn’t speak as, unprompted, you kiss the shattered bridge of his nose; you only feel the fluttering of his lashes as they tickle your cheeks.

“I was scared of myself.” He mutters. “After they died…” His family. “I didn’t want to put you in danger, Ember. Not you.”

“We would have figured it out, Simon. You know that, deep down, you do.” Brown eyes find yours as you tilt his head.

“You sure?” He asks, desperate for an answer even though he doesn’t know himself.

Thumbs run up and down his stubble. Your face creases, “...I don’t know. But we could have tried.”

Simon’s eyes close tightly, and his face tilts to press his lips to your palm, quivering breath exhaled with the strength of an open balloon. Your ring was still stuck in his digging grip, and it was never going to leave for the rest of the night.

“Yeah,” he whispers, gravely voice lax.

Studying him now, in this light, knowing he was so afraid of what he might do if he got into an episode, you were stabbed with agony in your heart. To be that afraid of yourself to that magnitude was nearly unimaginable to you.

Nearly.

“What now?” You ask lowly, the last remnants of tears drying as Simon opens his eyes slowly, looking back at you.

“Don’t know.” He admits. “I have to leave.”

“I have work tomorrow,” you relate. Your teeth find your lip, biting it.

A small awkward chokehold captures the both of you. The reality was that both of you were akin to strangers again—such was the curse of lost years and trials you’d faced along the way.

Brown-Eyes and Ember were dead, yet you still called their names like phantoms of sleek black fabric and chained recollections of a boy with red cheeks and a girl with muddy shoes. The walks to school were there, the dates, and the late nights spent in good company. Touches to skin and open-mouthed kisses. Fireflies that whizzed and the glinting of gold as wind ran through the willows.

Dark corruption stained the faint idea of happiness; of a good world. This was not reality. It was some joke of an existence.

If life were fair, Simon Riley would have never grown up in that house—his father wouldn’t have latched onto his brother and done dark deeds to wrap the little brown-eyed boy in red tissue paper and barbed wire. A present and sheen of mild sociopathy; separation of any pain or torment. A fighting boy. A boy born with blood on his hands and stuck behind his eyes every time he swung a fist.

It was a curse to love him. And it was a curse that burned your soul with his very name.

“Are you going to go?” You ask, eyes blank but yearning for what little comfort you can grab. It had been so long. Simon blinks, his head still in your hands; body not moving.

He knows he should. He isn’t sure if there’s anything left for him here or not.

Simon connects his head to yours and you still. “Do you want me to?”

“Do you love me?” You blurt, blinking at him and confused. Simon’s lips part. “Or if you walk out that door do I plan on never seeing you again?”

You're about to open your mouth and continue before his own slots perfectly against it.

You gasp lightly, taken aback but in no way opposed. He still felt exactly the same, flesh still tasting metallic and tinged with violence down to his DNA; raised with survival instincts as his greatest ally. Until you.

With you survival became secondary.

Your hands go to card through his hair, latching and lightly pulling as Simon’s body shivers; growling against your lips in a dance of heated flesh and damp cheeks. Hearts hammer with the restraint of years.

“I would never make you beg for my love,” he murmurs between lapsing passes of his mouth, open kisses and dark glances. “Tell me where you want me to be.”

You whimper against him and he goes back in, pressing the base of your skull to the cabinet as hands grip and slide, kneading your skin.

“Tell me,” Simon whispers. Pleads through grunts. “Ember, tell me.”

“Here,” you admit brokenly, pulling him closer to you as you’re lifted and placed on the countertop. “I need you here, Simon. I need you with me.”

Fingers capture your chin, keeping your head angled up as your eyes beg. Lips bush with every word, gazes wild as if two leopards locking jaws over a kill.

“Fight to get me back.” Brown sparks with purpose, a small puff of air hitting your mouth as eyes darken over. In this moment, you do not know if you’re dying or living. “Make it right.”

“Affirmative.” Simon moves his head back, taking your ring and looping the cord around his neck, he keeps it there as you watch, breathless. Your face creases with question. The man’s lips flicker when he sees this, coming back and grasping your hips as you instinctually latch to his waist.

“I’ll give it back when I’ve earned the right for you to be called mine again. Seems I have work to do, Sweetheart.” He kisses you once more, firm and true. “First, I’ll ‘ave to figure out if my Girl can get her spark back, yeah? I’ve proper gone and fucked it up.”

That night you lay in the heap of limbs and sheets that couple the both of you together. In the morning the questions would start, and Simon knew you’d take nothing short of the truth.

And he’d give you it. All of it.

Because Simon Riley knows well enough that you don’t go and bite the hand that feeds twice. Certainly not when it was you. Certainly not when it offers a love he would never hope to find again, in this life or the next.

So you keep the other close and sag into a deep slumber, not to wake for a long, long time.

And you’d both never slept better

TAGS:

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sorcave · 1 month ago

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After spending some time thinking about Peter Pettigrew, I’ve realized there’s a huge disconnect between how he’s portrayed in canon and how the fandom—especially within Marauders fanon—handles him. Let me preface this by saying, I get it. The Marauders era is filled with beloved, tragic characters like Sirius, Remus, and James, who are all charismatic in their own ways. It’s easy to frame Peter as the villain, the weak link in the group, because, well, he is the one who betrays them. But I can’t help feeling like fanon’s interpretation of him has become deeply flawed and even unfair in its simplification of his character.

Peter Pettigrew, as written in the books, is actually a much more complex figure than the rat-betrayer caricature that fanon often makes him out to be. He’s not some mustache-twirling villain, nor is he just a pathetic hanger-on who was lucky to be in the Marauders’ circle. If you really pay attention to the way his character is written, he’s someone who’s constantly underestimated by the people around him, including the very friends he ends up betraying. He’s not powerful in the traditional sense, but his cunning is what allows him to survive the chaos of two wizarding wars. He’s not a mastermind, sure, but he’s resourceful in a way that deserves more recognition than he gets. Canonically, it’s clear that he isn’t just bumbling around until he stumbles into Voldemort’s arms—he’s making calculated choices, and we need to give those choices the weight they deserve.

This brings me to why I think fanon’s insistence on reducing Peter to a one-dimensional villain is so misguided. There's this huge trend in Marauders fandom where Peter is either villainized beyond recognition or, worse, completely written out of the story. He’s often replaced in fanon with a random “better” Marauder, or he’s ignored entirely, as if his betrayal somehow disqualifies him from being part of the story. And here’s the thing: canon compliance isn’t a crime! In fact, canon gives us a far more interesting story. The tragedy of Peter’s betrayal is that he was their friend—he shared their dorm, their secrets, and their history. His actions were not driven by some inherent evil but by fear, survival instincts, and yes, cowardice. It’s a much richer narrative than reducing him to a monster.

In the fandom, there’s often this hyperfocus on moral purity when it comes to the Marauders, especially when it comes to ships and rewriting dynamics. Peter, however, disrupts that neat narrative, so fanon tries to erase him to preserve the integrity of the fan-created relationships. But that oversimplifies everything. Why should we villainize people for sticking to canon when canon is, arguably, what makes the Marauders’ story so compelling in the first place? The fall of the Marauders—this group of young, talented, promising boys—hinges on Peter’s betrayal. You can't just ignore that without losing a fundamental piece of what makes their story so tragic. He’s not a random character you can swap out. He’s the pivot point.

Peter’s character also raises some interesting discussions about how we view heroism and villainy in fandom spaces. For instance, we’re often quick to forgive other characters—Sirius, for all his bravado, is reckless and cruel to people like Snape, but we don’t hold it against him in the same way. We empathize with his trauma, his tragic backstory. So why is it that Peter, who is also a product of his circumstances, is written off? He wasn’t born evil; he was shaped by the same war that shaped all of them, but his path led him to make different choices. There’s something so fascinating about exploring how someone who was once a friend could betray everything. It’s a conversation about human flaws, not just villainy.

And yes, in a world full of Marauders fan content, it’s fine to like your AUs or write your fix-its. But let’s not pretend that sticking to canon, and appreciating Peter for the complex character he is, is somehow less valid. The fandom would benefit from looking at Peter as more than just “the betrayer” and instead as someone who, like everyone else in the story, is a deeply flawed person whose mistakes have devastating consequences. That makes the story richer, more painful, and ultimately, more meaningful.

forgive me for the ramble but Im going insane with my term paper and my thesis, unfortunately I've been diving too deep into the marauders again

#marauders #peter pettigrew #marauders era #sirius black #james potter #remus lupin #harry potter

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villainsandvictimsalliance · 6 months ago

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Time to be delulu yet completely serious on my bnha 423 opinions.

Good points: The resolution between AFO and Yoichi was satisfactory, love as a reason for evil and evil deeds, the rooftop trio having one final moment full of emotion, the moment of Kurogiri thinking about Tomura and the LOV, Deku having a quirk of his own born out of determination and hard work, Deku as the protagonist of bnha in general, Tomura's last actions and words.

Bad points: Rushed arc conclusions, moments that felt kinda repetitive or lacked the punch given that we've seen/lived them before, not the best compositions we've seen from Horikoshi on the panels, Tomura's arc being rushed to a martyr ending— for impact???? ( or it ending on another cliffhanger that is gonna turn to be different from what we expected ).

I'll go in depth, so please check under the cut.

GOOD POINTS:

Yoichi and AFO:

The last conversation among these brothers was everything I was expecting. The love was there and it transformed them. It made AFO a monster and Yoichi a ghost.

For me, this time the AFO ending needed to be quick because we've already said goodbye to him too many times. This was supposed to be about AFO's refusal to give up on his brother and the unresolved relationship of those two.

I really liked how Yoichi reminded AFO that he needs to face the consequences of his actions and that he's love won't be able to save them.

Villain love:

Love as a reason for pain and destruction is perhaps one of my favorite tropes. So many stories approach love as this purely morally good feeling, when in the end it is just like any other feeling, you know?

People go to war for love all the time. They kill for love. Die for love. Do unforgivable things for love. Human existence is sooooo complex, why would love be the exception?

Horikoshi has been REALLY careful with the AFO backstory and his motivations. He didn't want an antagonist that felt empty. He made AFO human without redeeming him, okay? Because our ability to sympathize with some of AFO's traits doesn't make him less evil. To put it simply, it means that evil things are also human at heart.

Even those acts that you can't forgive or forget are motivated by something.

Kurogiri and the rooftop trio:

We knew from the beginning they were not the main characters of this manga.

We've gotten their story through glimpses and moments. Their time together had always been somehow rushed. Too many things to say, not enough time and they are on opposite sides of the war after all.

We knew that Kurogiri would go back because we knew he would protect Tomura during the final fight. We knew that he'd help the heroes defeat AFO. We knew he'd have to make his choice and say his goodbyes to his old friends.

Kurogiri, Tomura and the LOV

"He's friends are waiting" along with the image of Spinner asking Kurogiri to bring Tomura back to them was the highlight of this chapter for me. (You all expected it, right?)

Something about the way it reads like a father who wants his son to live because he is being waited for. He has friends who love him and would do anything to protect him, see him safe and sound. Something about the symbolism of Spinner putting Father (aka Kotaro's hand) on Kurogiri's face as he asked for it.

This chapter acknowledged that Kurogiri and Shirakumo share the same character core. They are always the protectors, the ones who would sacrifice themselves to see their charge survive. Similar to how Mic was waiting for Shouta so Shirakumo made sure that Shouta would survive, Kurogiri wants to do the same for Spinner and Tomura.

This alone would require an entire post to elaborate.

Deku's quirk:

The debate between endgame quirkless Deku or endgame OFA user Deku is settle.

I really liked that Deku got a quirk on his own that was born out of his own determination to be a hero. It's a nice representation of all he is as a character and what he stands for. Similarly, I enjoyed a lot the fact that it was short-lived. I'm the type who likes it better when things require a sacrifice or when miracles have their own conditions.

Deku doesn't feel overpowered to me. You get that sense that he really deserves everything he has and that it hasn't been a nonsense gift from the narrative. There's also the human condition, the limitations that keep him grounded.

Bnha and Deku:

Deku defeating AFO 'cause villains and heroes help him, his friends being there for him and being there to cheer for him as he fights, his sensei being there despite the fact that Aizawa at first thought Deku wouldn't make it— all the details that make bnha what it is.

They were good.

The UA kids really keep the story consistent when it is about them. They don't give up on anyone, they fight for each other, they stay to witness things for themselves. I love them <3

Tomura's last actions and words:

Careful here. Listen to what I'm saying.

If the narrative had pointed out to this ending, this would have been a good way to execute it.

Tomura coming back along with the vestiges to pack one final punch to defeat AFO— I know many fans that would be moved to tears and would be super excited to see it. Tomura was on point in this chapter, dialoguing with Deku without the hatred in his heart, his face being clearer and almost tender.

He felt defeated, like he had accepted his death already. There's also the connection to Kurogiri and Nana (who defended him) and his words to Spinner, that are meant as a general message to depict how much Tomura values the LOV.

Even the fact that AFO kept him around 'cause a part of him loved / cared about Tomura feels fitting, but I'm not sure if I correctly read the leaks in that part...

Anyway, we got the old trope of the antagonist who used his last moments to help defeat the real villain. It serves as his redemption and the expectation is for the public to feel sorry bad for him.

BAD POINTS

Rushed conclusions:

In my opinion, this chapter was too fast paced and therefore was not as emotional as it should have been.

It doesn't give the feeling that it's fast because the battle is intense. It gives the feeling of too much information packed on one chapter, so nothing really shines on its own. It's way too informative, not enough action narration.

Like I said before, the fatal mistake of a story is to be boring. Art has to provoke you, it has to engage with you, question you, awake things in you. This chapter tho, many things happened at the same time and it grew a bit murky.

Repetitive moments

Again, personal opinion here.

I think certain bnha movies were a mistake. Not because they were bad or boring or whatever, but because Horikoshi wrote parts of bnha real ending into them to the point you'd say "we've already seen that" while reading bnha 423.

Deku and Bakugo teaming up to defeat AFO was so expected. Not as in "the narrative is making sense", but as in "we saw it on heroes rising".

I feel the same with the students all appearing to help Deku fight AFO. That's a typical shonen structure where the friends making space for the protagonist to reach the main villain. It was already happening, so why bring AFO back?? I think the story is over-explaining here, making everything way too obvious. We could have had AFO's resolution with Yoichi before and the students moment after. In truth, it feels like Horikoshi closed some character arcs before he should and left plot holes without explanation, so he needed to reopen to accommodate.

Panel composition:

I admire Horikoshi when it comes to panel composition. He has some amazing panels that make the story really flow, but bnha 423 isn't there.

There are too many elements clustered and empty spaces that don't feel with purpose (in manga, even the blanks must have a purpose). This chapter should have been at least two, so you wouldn't have to rush Bakugo appearing, Yoichi and AFO resolution, Kurogiri saying his goodbye to the rooftop trio and facing AFO for Tomura's sake, Deku remembering where he started and where he is, Tomura last words and the Tomura and Deku resolution...

Those are too many important plot points to illustrate in a hurry.

Also?? The panel of Tomura and Deku punching AFO is so unserious. Totally wrong place to be funny sjbdjdnd why does it even feel like the vestiges are punching air???

" Tomura's ending " :

I'm not the first to say it feels anticlimactic and as if it isn't the ending at all.

The major problem is that through the manga, Horikoshi has focused a lot on Tomura as a character, carefully developing him, giving him tropes that are often reserved for the hero or the main character, making sure we empathize with him, we understand him, hyping up Deku's journey to rescue him.

We got an entire arc from the LOV perspective. This is not the type of one sentence ending you give to an antagonist you spent so much ink and sweat on. The nonchalant way of Tomura accepting his death? The little reaction from Deku? What was the purpose of the manga building up the LOV friendship to the moment where Kurogiri told AFO that Tomura's friends were waiting for him, if you'd make him just disappear on thin air?

This reads absolutely like a bunny within a hat.

That's being optimistic.

If we want to be cynical, maybe this is all there is. I don't find it readable to end the story with Tomura dying. All that effort to save him and it ends in "oh well, he decayed along with AFO"?!

If you think about it, Toga status is unknown because we don't even know where she went or if she's still alive, Touya status is also unknown although we know he wanted to live and that the ice prevented him from further damage, we haven't seen Spinner, we don't know if Kurogiri vanished with that last attack on AFO and now we saw Tomura decaying into the wind.

Yo kill half the surviving LOV would be a bold move that wouldn't follow the narrative. The reward for the hero students should be being able to save their counterpart, so the world can regard them as the greatest heroes 'cause they save the unsalable and blah blah blah.

There's also the fact Tomura hasn't been saved yet. Tenko? Nana and Deku saved him from Kotaro. The crying kid? Saved from AFO by Deku and the vestiges and the others. Tomura? Nop, he's dying/dead. The one person Spinner really wanted to save was Tomura. He didn't know about the crying kid or Tenko. He wanted to save his friend, the "irredeemable" villain, the young man he played videogames with and fought alongside and vowed to follow.

If this is the end, it's incomplete.

So we might hope it is not the end.

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tragedybunny · 1 year ago

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hehehe~ perhaps a cute fic with reader and Astarion and he talks about all the parties he used to go to before he was turned- and he dances with you 😳

Anon - So this took on a life of it's own, it reminded me of some of my Tav's backstory, so I worked in some elements of it. I hope it's still good. 🥺

Rhythm Like a Heartbeat - Astarion x F!Reader

Astarion and Reader share a dance that reveals more than they planned.

Wyll was teaching Karlach to dance, of all things you'd seen on this journey, this was somehow amongst the most surprising. The Blade and the "Devil" he should've slayed, moving together along with the melody from an enchanted music box someone had picked up along the way. The two of them seemed to be growing closer, and you couldn't be happier for them. You took a long drink from a pilfered wine bottle while you watched, you were all blowing off a little steam, which was well needed. Digging around for Kethric's weakness was a daunting task and the clock inside of all of you was still ticking. "Not rethinking your choices I hope."

You'd been so lost in thought you hadn't heard Astarion come up behind you. Or he'd intentionally snuck up on you. When he wanted to go unheard or unseen, you usually didn't have a chance of not getting ambushed. Mostly he seemed to enjoy the little jump you made when surprised. Tonight you didn't disappoint, exuding a high-pitched noise along with jumping. "Astarion," you scold, "honestly! And no, of course not, just impressed by Wyll's form."

"Really," he scoffed, not hiding his jealous streak very well at all, "he looks like a gangly teenage boy at his first gala. Clearly, you haven't had much experience in the ballroom." Part of you wanted to laugh a little, the insult was obviously ridiculous, but you knew his jealousy came from fear that he barely held on to you and could still lose you. Maybe sometime you should use the tadpole to show him just how impossible that would be. If only the thought of it didn’t fill you with revulsion.

“I didn’t know you were such an expert, love,” you know he feels comfortable with the playful banter, and you hope it pulls him away from that place of insecurity.

A sharp laugh answers you, “I’ll have you know I had plenty of experience, both in life and unlife.” You shoot him a look, he rarely speaks of life before Cazador, you’re not even sure how much he remembers of it. “What? I had an important job, I knew important people. Or are you just trying to get me to teach you?” An outstretched arm beckons you to join him. For a second you freeze, knowing you’re risking exposing everything you’ve held back. But hells, if you say no, he’ll take it the wrong way entirely. “Don’t worry, I’m sure you’ll be a quick study.”

Taking his arm, you let him lead you a distance from the tent, glad Wyll and Karlach are still the center of attention, and gracefully dip your knee as he bows. Gently, one hand takes yours, the other held properly tucked behind his back. The rhythm is an easy one, but you let him take the lead. Soft steps, elaborate turns around one another, your eyes locked with his. Gods, his eyes are breathtaking when he’s looking at you, when his guard is down, soft and shining with light. Tonight, they seem full of mirth, but you’ve seen them overflowing with his sorrow and tears as well. They’ve distracted you and you forget, he’s supposed to be teaching you, your form is too good.

Step away, one spin, back to back, face each other, palms touching. Skin like ice presses against yours, heating up with the exertion and the emotions humming through your every nerve. One night he asked if it bothered you, lying next to the chill of the grave. You only hugged him tighter and told him not to be ridiculous because you couldn’t find the right words at the time to explain that it was part of who he was and you loved all of him, even the pieces that might not seem loveable. Thinking of it that way now though, you should tell him.

Another turn, facing away from one another again, a chance to catch your breath. It’s madness how he still affects you, even after you’d confessed to one another, you’re still swooning nervously. He’s right when he calls you “silly girl” teasingly. The finale, one more elaborate twirl, you’re no longer even thinking of the dance, muscle memory taking over. His hand catches yours and you step close to him, closer than the propriety of a noble’s dance floor would’ve ever allowed. Cheekily, he leans forward, stealing a quick kiss. “It would seem you have more talents than you’ve let on.”

“I…”, you really don’t want to lie to him. The silence stretches far too long. “It would seem so.”

“Hmm,” you feel him studying you, and you realize his eyes are guarded again, his posture rigid. “So tell me one thing,” you nod, terrified you’re about to shatter that fragile bond you’ve built. Lies by omission are still lies. “Which noble house are you a runaway from?” His voice is cold and hard, the Astarion you met on the beach that fateful day. How fast he can change wounds you, just like that, he’s ready to be done with you. But it’s your fault, you know how years of horror have left him with walls he’s too quick to bring up. “Or do you want to keep lying to me?”

You shake your head. “I wish I could say.”

“And here I thought we really had something, but clearly,” he gestures wildly, unable to contain his rising temper.

Stinging tears begin to prick your eyes. “No, no, I wish I could say,” you emphasize, praying he’ll understand.

Suddenly, he stills, hand coming to your cheek, eyes wide. “Is this a warlock thing?” A thumb brushes away the tear that escaped and you hear agonized regret in his voice. “Oh darling, I’m sorry, don’t cry.” Arms pull you into his chest. “Please, I didn’t realize, it’s fine.”

“I wanted to tell you,” you sniffle into his shirt.

“Hush love, you can tell me what you’re able to, when you’re ready. Although I must insist you consider us even for any prior deception of mine. Even ones you haven’t realized yet.” He laughs that awkward, nervous laugh that happens when he’s upset, but he’s trying so you let yourself giggle a bit. “There’s my girl. Now how about we dance again and no holding back? I need to know if I can actually keep up with you.”

The music box is still playing but you’re no longer aware of anyone else in the camp. There’s only the two of you, softly and slowly moving together. Gone are the thoughts of the elaborate courtly show, you move by instinct, bodies responding to one another as you press close together. Then you still, let yourself be wrapped in his arms, your lips brushing the hollow of his throat. “I can at least tell you that you’re the best dance partner I’ve ever had.”

“Never doubted it my sweet,” you feel him kiss the crown of your head before resting his cheek against it.

#astarion #astarion x reader #astarion x f!reader #astarion x tav #baldurs gate 3 #bg3 #baldurs gate 3 fanfiction #my fanfic

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ballerinarina · 3 months ago

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𐙚Okay, brellies, theory time!

I decided to rewatch TUA S1 and I noticed a detail that chilled me, and that somehow I missed the four times before.

In EP2, when Five gets lost, his first instinct is to call VIKTOR and BEN. Their NAMES.

Which means at this time the kids already had been named! I always thought Five was called Five because they were named after he went missing!!

That rented a triplex in my head and I could only think: So he has a name too? What is his name? Why doesn't he use his name?

And then I tried to search about it, because I was sure I was the only person that never noticed that, and you guys can't imagine my surprise when I discovered ANOTHER detail I missed.

MAX'S DELICATESSEN

MAX!

No way! I mean, it's a Five's cafe, created by five where all the Fives visit! Who else would be Max? Only him!

But that doesn't answer my questions:

Why doesn't he use his name? And why did he use it this time to name the cafe?

I really need answers, theories, opinions, anything, guys.

[EDIT] UPDATES:

The dear @bookbutterfly1999 showed me two old articles about it, one where Gerard Way talks and another with Aidan's interpretation about the matter! (Tysm!)

According to WAY Five not being numbered is integral to his character development. [...] “Maybe they [Luther and Diego] will learn the numbers don’t matter, as Five did, which is why I feel he embraced his number as a name instead of a rank, and rejected an actual name (which I hope we see one day!).”

GALLAGHER: “In Season 1, they referenced each other by name there, and Five was in that, but he’s never gotten a name. I suppose Grace was choosing names for the children, and there may have been one for Five, but it’s my understanding that he rejected it. That’s how I think about his relation to a name. A number always superseded him. It was almost a resentful, spiteful action, in the face of Hargreeves. I don’t really think he cares about such things as a number. Five has always been this brilliant, very cunning, and weird little mind, so a number suited him, in a way, and he grew accustomed to it. [...] He probably rejected the name because he thought it was petty, or something like that. [...]”

It's just so interesting to have the answer to why he rejected his name! Five is such a complex character.

Since Gerard insinuated that we could may see his given name someday, I think that the theory that it's Max is still super valid!

Which makes the question remain: what guided him to give this name to the delicassen? I would love to have this answer someday! Theories?

[LINKS TO THE ARTICLES]

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piratecaptainscaptainpirates · 5 months ago

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A little while ago, I saw a take about why season 2 of OFMD was "bad" that I just haven't been able to stop thinking about, because it hinged entirely around hating the ending because "they killed off the only well-developed character."

This has haunted me, because I have been completely unable to understand how you can watch the show and come away with that criticism. I've talked before about how everything about Izzy reads more coherently when you understand that he's just really not an important character in the grand scheme of things (he's important to Ed's overall story, but in terms of the narrative itself he's not a major player). He's there to be a voice for toxic masculinity, pull Ed back into this lifestyle that's killing him, and then start getting better as proof that Stede's way of doing masculinity is best. And because he is the very definition of a side character, I struggle to think how you even get the idea that he's somehow better developed than our leads or even other side characters, because even Lucius has more of a backstory than Izzy does and once Izzy ceases to become that mouthpiece for toxic masculinity, his personality kinda becomes just bland, swear-y abrasiveness (which is honestly fine, I think, he doesn't really need to be more than that because he is, again, relatively unimportant).

Izzy is played with conviction and depth. This is because Con O'Neill is a good actor who presumably puts a lot of thought into his performance - this is true for most actors on the show. Very talented bunch. But while Izzy is interesting, he's often interesting in terms of what he can tell us about mostly Ed but other characters as well (the crew save him as proof that Stede has influenced them and then help him mostly as a team-bonding exercise, for example). And Izzy has very few traits that aren't shared by other characters. Pete had a very similar arc about unlearning toxic masculinity in s1. All we know about Izzy is that he's a good swordsman, he's honestly a very shit sailor, he was power-hungry but then chilled out a bit, and he likes to say "fuck" and "twat" a lot. He fulfills his narrative purpose but I'm not sure I would call him a very well-developed character, much less the only well-developed character in the entire show.

I have tried so hard to give this interpretation the benefit of the doubt, but I genuinely think the only way you could think this is if your sole exposure to the show is through the way we know a not-insignificant portion of canyon folks watched it, which is through fan compilations of only the scenes with Izzy in them.

And I'm not really sure where that leaves us. There's a small but not insignificant portion of this fandom who engage with the show purely through the lens of one side character - and not even just a side character, but one who very frequently and unsubtly gets the events that actually happen very wrong to suit himself, especially where Ed is concerned. And now we have a situation where "gentlebeardies" (read: fans of the show as written) will sometimes be unable to talk about the actual text of the show because there's an insistence that this be treated as a valid interpretation and not just a reading-against-the-text exercise, and I'm not sure where that leaves us.

#ofmd #our flag means death #fandom discourse #i'm feeling frustrated about this today! if you couldn't tell!

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eyecan02 · 2 months ago

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What I Feel Should Be Included in BJ3

1.) We need to go back to the original film's roots. The first BJ film was practically a "bottle" film where the film mostly took place inside the Deetz home. I feel the story needs to come full circle by having the story mainly within that house again.

2.) The model town also has to make a return. The last time the model was mentioned, Lydia wanted to chop it up and burn it, but seeing as we never see the board onscreen again, I think it's safe to assume Lydia just simply boarded up the the attic door once more.

3.) The return of Juno or introduce a Juno-like character. I know the original Juno actress passed on, but one option could be to recast and greatly alter the appearance like what they did with Charles but a lot less mangled. Some backstory on her and BJ's dynamic/specifics on his curse could be interesting.

4.) They need to make it harder this time to banish Beetlejuice. They need to even the playing field, and throw in a curve ball for Lydia where she can't just simply say his name 3 times to send him away. Maybe Beetlejuice can somehow find an object that causes confusion/makes you forget like the Rememberball (sp?) from Harry Potter.

5.) I know Keaton was against a lot of BJ screen time, but since this is the final installment, I think if they evenly spread out a couple minutes of him here and there, it won't ruin the "magic". Random example but Chris Hemsworth only had like 30 min of screen time in the first Avengers film, but it definitely feels like he's onscreen more. Not saying there should be an hour worth of Beetlejuice screen time but maybe 30-35 of screen time spread out could work.

6.) If Lydia is going to willingly marry BJ this time then the two of them need to TALK more in part 3. This time around they can talk about how BJ fell for her, what he likes about her, about Lydia's anxieties, her being at a crossroads with her show being over, making Astrid a priority, BJ cheering her up, making her laugh, BJ also sharing personal stuff and scaring off Astrid's bullies.

7.) Exploring BJ and Lydia's psychic connection. This time she can project herself to him if she needs to, and he's able to temporarily share his powers with her. Maybe a scene of Lydia possessing BJ to dance as payback, but it ends up leading to a playful and energetic dance number where they both end up having fun together.

8.) Delores and BJ somehow switch places where she gets his curse where if you say her name 3 times she gets summoned/banished and gets locked up in BJs old grave. Beetlejuice is now the new "soul sucker" who turns to Rory and says, "I'm taking back every last shred of Lydia you took from her." and proceeds to suck out his soul, burp and says he tastes like shit. Beetlejuice raises his hand and pressed it against Lydia's, essentially returning the stolen "energy" her toxic ex bf took from her.

9.) The wedding actually happens this time at the Deetz home because third times the charm, and because BJ losing a third time is boring and predictable. BUT there's a curveball: Beetlejuice can't leave the house until he can find someone to pass his "soul sucking" powers to (since it would be dangerous for a mortal to be walking around freely with that kind of ability).

BJ is irritated by the turn of events, but says he finally got his bride and promises someday he'll take Lydia to Hawaii for their honeymoon but in the mean time they can get plenty of practice for their honeymoon in their home. XD He then gives Astrid some money to "scram" and go to the movies to give them some privacy and to "come back after the cigarettes part". Then proceeds to carry Lydia up the stairs bridal style.

What do you guys think of my ideas? What kind of stuff do you think is essential for a BJ3 film?

#beetlebabes #beetlejuice x lydia #beetlelyds #beetlejuice and lydia

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bokettochild · 4 months ago

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Sorry this is like 600 words instead of 500, but this is one of my favorite interpretations of Twilight's backstory ever, and I would love to hear more (given I've understood the prompt right, which I hope that I have). This is from Rope Burns. “I grew up on a military base,” Twilight snorts, “trust me, soldiers are as dumb as rocks.”

And well, Legend having a family isn’t that crazy in comparison to that.

Warriors starts, staring at the rancher, blinking slowly as though still trying to process the words of the other. “I’m sorry- you what?”

“I thought you grew up in Ordon?” Wild questions, turning to his mentor, confusion on clear display.

Yeah, Wind has a feeling that Wild’s story is well and truly over now, but he supposes it’s worth it. Learning something about their rancher is, he supposes, better than hearing the rest of the story the cook had already spoiled the ending too, especially as the limit of their knowledge about the rancher at this point is that he’s from Ordon, used to work as a ranch hand, and is descended from Time and Malon somehow. The fact that he’s a hero goes without saying, but the ranch hand nearly never shares anything about himself, even though he seems to love talking about his hometown and all the people in it, to the point where some of them feel they know the village and its residents already, despite still not having been there yet.

Yet, the rancher is grinning as he leans back, the sprig of hylian rice between his teeth bouncing some as he flashes a wolfish grin at them. “Well, yeah, sort of.”

“Sort of?” Time nudges his pup, looking thoroughly unimpressed. Their leader isn’t keen on them being cryptic with him, even though he frequently does so himself. The hypocrite. “Explain.”

The rancher chuckles, a nervous little thing, but obediently pulls himself up, resting his weight over his knees as he looks around the fire at all of them, eyes glinting slightly. “Well, y’see, I a’tually grew up in a citadel on the edge of Hyrule.”

Warriors jaw drops so fast. “Holy Hylia you’re a military brat.”

He can’t help it; he bursts into laughter. Yes, objectively, it’s funny to see Warriors so shocked, but from an outsider's perspective it is so, so much funnier because he’s met Warriors parents and sisters, and he’s seen for himself the proof that the captain is anything but the sissy city boy Twilight likes to accuse him of being. No, the captain was born in Hebra, so far out from cities that he thought Kakariko was huge. Meanwhile, it turns out their “country boy” actually grew up in a military base? Not the country? It turns out Twilight is the military brat and Warriors was the hill-billy? How the turn tables have turned!

The rest of the heroes stare at him, confused, but the captain just rolls blue eyes, pinching the tip of his ear to make him shut up. “Ignore him.”

Twilight’s dark gaze flicks between them, but apparently, he determines to listen to the captain for once. “Right, so, my dad was a’tually a knight from some family o’ knights or summat, an’ my mom comes from desert folk, so I grew up on the border studyin’ with other knights’ kids to take on our fathers’ duties ’n protect Hyrule one day.”

The stares are very, very evident by now, although Legend’s in particular is strangely intense, studying the other with his mouth half open like he’s got a question about the rancher’s words.

Broad shoulders shrug, a bit awkward as the rancher grins at them. “My friends growin’ up were dumber’n rocks, an’ every knight I’ve met since is the same, so yeah. Knights ‘re stupid.”

Ooh, this one will be fun!

So, I actually was taught, coming into the LU fandom, that Twilight was basically raised in Ordon, with some people saying he came as a small child, mayb Rusl found him as a baby, all aloe and needing care, or maybe he was brought there by the hero's shade when he was still small, but nearly every source I looked to in the fandom said Twilight was young when he, the only Hylian in the village, cae to Ordon.

But then I read the Twilight Princess Manga! Chapter 6 of the manga, aptly titled "Link's Past" shows us him as a young boy, about nine or ten, living, as Twi says in your selection, in a citadel on the hylian border. Twilight's explanation (telling his story to Rusl) in manga goes thus:

"As it bordered the desert, my old home town was responsible for frontier security. It was ruled by the Rufflio, a family of noble ancestry. Upon becoming adults, we were to protect the frontiers of Hyrule. The young boys, holding onto the pride of that duty, spent their days training in the ways of the sword." (Twilight Princess, Volume One, Chapter 6, by Akira Himekawa)

In the past, I've never had an opportunity to address that. if you follow my works, then you know I draw heavily on the manga in regards to Legend's history and past, but I write Twilight much less than legend (understatement of the year). That said, their manga's definitely give me a better take on their characters, whereas Four Swords and Minish Cap were more fun than informative, and Ocarina of Time just made me think Time was a pain in the ass and a freaking weird kid (I have not finished the manga yet for that reason, despite owning it).

I wasn't really planning on talking about Twilight's past here at all, but it sort of sprung upon me in an inspired fit and I decided, what the heck? Why not!

The references to his mother being of the "desert folk" is in reference to how some people like to headcannon that twilight is part Gerudo, which I thoroughly enjoy and support! So, for fun, his mom is Gerudo.

His dad though? Well, you see, that comes up in the manga too! Not his dad specifically, but actually, Ashei's! The TP manga actually has Ashei tell Twilight that she is one of the last descendants of the Knights of Hylia (also known as the Knights of Hyrule, depending on the translation/game version), and that Snowpeak fortress is actually their ancestral home!

Now, you may be saying "Ketto, I've heard of the Knights of Hylia before, or at least, I think I have?" and if you've been around my blog/fics enough, you sure as sugar have! the Knights of Hylia are, famously, the group of knights who worked beside the sages mentioned in A Link to the Past to seal Ganon away! More importantly though, they're the descendants and carriers of the legacy of the Hero of Time!

So, if Twilight is cannonically Time's descendant, that would mean that one of his parents was likely from the families that made of the Knights of Hylia! Mystery solved!

Additionally, this would make him and Ashei very distant cousins. And for extra kicks, since Legend is also, famously, descended from the same line of knights (albeit in another timeline) he would also be their cousin! I've been tempted to address that for forever, especially with the Snowpeak detail, because honestly, I get a kind of Kaer Morhen vibe from it and SO want to play with that, but I digress!

Twilight's ancestry is part Gerudo, for fun, and descended from Time, which is fun I don't have to create because it's cannon! He grew up on the edges of Hyrule for the most part, and when he talks aout being picked on by the other kids in this fic, it's because they are sort of aggressie to him in the flashbacks he has in the manga. Granted they're a bunch of boys aged 10-13, so they're all a bit aggressive to each other, but I imagine, being probably the only part Gerudo among them, he did get picked on at least a bit, hence the premise of this fic :)

Bonus! Legend's staring is, in fact, because he really, really, really wants to ask twilight which Knight Family he hails from. He is making a connection and he's not sure what to think about it LOL

Warriors on the other hand, who I fervently headcanon as Celtic, is, like Wind, realizing that a reverse-uno has been played here. He, a peasant from the far north and abject poverty, is traveling with the descendant of a famed family of well respected knights who was likely living in a major trading town (thus likely rather well off) and yet somehow, he's the one who get's labeled the stuck up city kid, and Twilight is believed to be the home grown honest backwoods farmer fella. I actually posted a few things about that while writing this thing, and I may or may not visit that idea more fully in a fic one day, but yeah, that's what's going on for our vet and captain right here.

Thanks for choosing this one! I actually had a lot I wanted to share about it and hadn't been able to before! And the fact that this is a recent one I can actually remember working on definitely helps LOL

#ketto's commentary #asks and answers #linked universe #linkeduniverse #asks game #lu twilight #lu warriors #lu legend

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just-queue · 3 months ago

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Listen, I really hate the writers of tua for forcing a freshly legal Aidan to have a romance subplot with Ritu, his coworker who’s older than him and has known him since he was a minor. That feels so icky and gross.

I also believe that Five and Lila’s characters fully acted IN character given their situation.

Lila and Five have similar-enough backstory trauma of family issues, being trained assassins/spies, working with the company, etc. When you’re trapped with someone for literal YEARS, just the two of you, with an increasing sense of dread and despair and hopelessness, you’re going to connect with them in a deep way. And their shared traumas would help them understand each other even more. Another point is they both are comfortable with the whole “mentally I’m this age physically I’m this age” thing after working on a company that really fucks around with time stuff for years.

As for Five initially hiding information from Lila (which was very messed up) about how to get back, we must remember that Five is morally gray and fucking TIRED. TIRED. Like remember at the end of s3 when he didn’t want to “rally the troops” again cause they kept making it worse, he just wanted to get shit faced and wait for the end?

Yes he spent 40+ years in the apocalypse alone, became an assassin to get home to his family, spent a month straight trying to stop said apocalypse, then spent years realizing he’s forever fucked up because of his drastic body/mental age difference (do you really think mentally old man Five would date/relate with kids his physical age? That’s lonely as hell), only to find himself trapped AGAIN at the end of the world? He somehow found a way to scrape out some semblance of a happy life for himself, no wonder he wouldn’t instinctively want to go back.

I think if we had those 4 extra episodes, many aspects of s4 would be better, including the fivexlila subplot. We’d get a better understanding of their despair and hopelessness that led to their romance. I also think all romance should have gone away between Five x Lila when they got back. Like agree it was a thing out of convenience/situation and needs to stay in that subway. Outside of that, focus on saving the world should be number one priority.

But even with all of that, I still don’t like it cause in reality, having the actors do those scenes is so icky and uncomfortable. That didn’t need to be a plot point, five could have been trapped with someone else or added a third or SOMETHING. No one asked for it.

I don’t dislike the characters choices, I hate the WRITERS choices.

quick edit after re-watching: I also think Lila was in character during the subway time. Like she probably did feel seen and understood by Five, she is also known for running away from big feelings/problems, so when she had no clue they could get home, I could see her falling into the happy life. Plus the shit that bothered Lila the most at home was SUBURBAN life. Not necessarily mellow life. Plus Five and Lila were still surviving which is much more “adventurous” than organizing a child’s birthday party at an arcade.

#the unbrella academy #umbrella acedmy #season 4 #tua s4 spoilers #tua s4 #tua #tua spoilers #five hargreeves #five x lila #lila pitts #aidan gallagher #ritu arya #umbrella academy season 4 #the umbrella academy s4 #the umbrella academy spoilers

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diana-bluewolf · 4 months ago

Note

I made a silly thing, hope you had a good restful time off and sorry to interrupt Chris and Ominis’s catching up time

- T

Isn’t it too hot in here? I blame global warming.

Me: Boys, care to behave?

Ominis: Hiss-sss-shhhsh-ssssssah!

Me: Jeez! Alright, I got it, no need to insult me!

It has been in my inbox since the day I returned from my little Tumblr break. After having a good laugh, I wanted to reply with a short, funny backstory. But something went wrong, and it somehow evolved into a oneshot that is neither short nor funny now and has a potentially triggering tag 🤣

After all, I'm not including that fanfic here because it got too off-topic, and I almost didn't write about your Fifth Year anything beyond what you have drawn to avoid OOC (basically, he appears in a cameo).

So I'm leaving this post as a joking one and will share the fanfic at the same time but separately without indicating that one of the characters is your MC in case you don't like it or don't want to read it (I don't want you to feel obligated to read it because, in the end, I wrote it for myself).

#sorry it took me so long to reply #i got too carried away #I guess I just reeeeeeeeally wanted to write something like this about my boys for a long time #and your comic became an excuse and inspiration to do it #tysm for that #oh and the Fifth Year is a Slytherin in the fanfic like in your after-crucio comic #just for the plot’s sake #hogwarts legacy #the-new-fifth-year #chris mongrel #ominis gaunt #hogwarts legacy mc #not my art #my art

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redwinterroses · 3 months ago

Text

(part one)

Oakville was, according to Tango, not the closest sign of civilization—which was fantastic, because by Jimmy’s reckoning it would have taken them weeks to cover what the train had in a few hours. Such was the wonder of modern technology.

“We’re only a few hours—maybe five? Maybe five hours out from Eureka.” Tango said, pulling a compass out of his pocket and checking their heading. “Not much of a place, but they’ve got a communicator station and horses. And whiskey.” He sighed. “What I wouldn’t give for a drink right now.”

A drink. Jimmy was suddenly aware of the cottony dryness of his mouth—and they’d barely been walking an hour. The sun was down, the night air was cool, but he was already thirsty.

“We, ah—” he half-tripped over a rock. “It’s really dark. Are we going to stop for the night?”

Tango waggled the compass at him, the silver rim catching the starlight. “Moonrise in less than an hour, it’ll be plenty light.” He slipped the compass back into his vest pocket and shrugged. “Anyway, it won’t stop the Greysides boys. They’ll bring lanterns though, we’ll see ‘em coming.”

Somehow, that wasn’t comforting. In the distance, a wolf howled, and Jimmy shivered.

“Normally,” he said, trying to shape his voice in a conversational tone. “Normally, this would be the point where I’d build a dirt hut and wait out the night.”

Tango flashed him a grin that Jimmy could hardly see. “What, you afraid of a little mob action?”

“Considering I’m being tracked, can’t risk my gun, and don’t have so much as an iron sword?” Jimmy grimaced, thinking wistfully of the two shulkers of gear in his carpetbag. Abandoned on the traincar, loot for pillagers. “Yeah, I’d say I’m not exactly looking forward to running into anything.”

Tango gave a little chuff of a laugh, and there was a rustling sound as he dug into the side pocket of his satchel. Because of course he had his satchel.

“There ya go, greenhorn,” he said, and held out a faintly-glowing diamond sword, hilt-first for Jimmy to take.

“What?” Reflexively, Jimmy reached for the weapon, his fingers closing around the hilt before he could consider it. Tango let go of the blade and shrugged, slinging his satchel back to rest on his hip.

“Can’t have my traveling buddy unarmed,” he said. “Bad look, for an experienced trail boss like myself.”

There was something in the way he said “experienced,” some note of sarcastic self-mockery, that Jimmy did not care for.

“When you say experienced,” he said, holding the gifted sword low to the ground and letting the gleam of enchantment dimly light his way. “Exactly how many—”

“Hey, will you look at that?” Tango interrupted him. He pointed into the distance, and Jimmy squinted.

“Lights?” he ventured, though if that was torchlight it looked almost indistinguishable from yellow-tinted stars.

“That’ll be Eureka,” Tango said. “We’ll get there well before dawn, if we don’t run into too much trouble on the way.”

Jimmy opened his mouth to go back to the question about Tango’s trail experience, but stopped himself. No reason to push for the fellow’s backstory—it wasn’t as if he was eager to share his own.

“Right,” he said. “Right, then. What trouble is out here? Creepers? Zombies?”

“Not too many undead,” Tango said. He rested his hand on the hilt of his own sword as they walked. “Husks, mainly, with this heat, unless you go underground, which I don’t advise. But yeah—creepers are a big nuisance in these parts. Them and the endermen—frontier mob griefing is the worst. I keep tellin’ folks we need to lobby to get an anti-griefing patch out here, but—” he shrugged. “You know how frontier people are. Obsessed with keeping things vanilla. You want luxury mods, go back to spawn.”

Jimmy made a noncommittal sound.

“I’m not talkin’ like, full-on spawn blacklists or anything,” Tango continued, tromping along. “People want that, they can do things the hard way. I’m just sayin’—”

“Look out!” Jimmy saw the creeper just before it rose up out of the scrub, its eyes flashing a warning.

Tango swore and leaped nearly a block in the air, dodging away from the creature.

It settled back, glaring at them balefully from its nest of brush and grass, and Jimmy eyed it with wary caution.

“It’s smaller than the ones back home,” he said doubtfully.

“Ehhh—” Tango’s voice was tight with concern, and Jimmy looked away from the creeper to find the man staring over his shoulder. “That’s… that’s cuz that one’s a baby.”

Jimmy froze.

“The… there’s a big one behind me, isn’t there.” He swallowed, and a hint of burning gunpowder drifted past his nose.

Tango nodded.

Something hissed lowly behind him. A warning—the only one he was likely to get.

He bolted. Behind him, he heard Tango’s startled yelp, and then following feet.

“Is it chasing us?” Jimmy shouted.

“Keep running!”

Jimmy chanced a look over his shoulder.

It was a bull creeper—easily twice as big as the feral creatures he was used to back spawnward, its pelt dun-colored and mottled with green to camouflage it in the scrubby grasses. It charged after them, its eyes flickering with anger, hissing as it ran.

“Holy—” Jimmy tripped, caught himself, and kept running, eyes back on the ground in front of him.

“Get to that rock pillar!”

In front of them, one of the strange, spiky landforms jutted up out of the dark landscape. They were at the base of it in a moment, ducking around the back, momentarily out of the creeper’s line of sight.

“Climb!” Tango ordered.

Scrabbling up the steep side of the rock, they managed to drag themselves onto the top just as the creeper reached the base. It hissed furiously, but they were out of its reach—and blast radius—and it could do nothing but pace below them, its stubby legs not made for climbing. Thank void.

Jimmy flopped on his back on the narrow ledge, feeling his gun digging into his hip and not caring enough to move. His chest heaved as he panted for air, and cold sweat trickled down his ribs.

He closed his eyes against the stars, hating everything in that moment. Hating the stupid night sky, hating the ridiculously huge creeper below—seriously, since when did they get that big?—and most of all: hating that once again he’d managed to pull someone else into his mess.

“Alright,” he managed, swallowing hard. “Alright—look. You gotta get out of here.”

Tango, crouched on the edge of the rock, making faces at the creeper as he caught his breath, waved a dismissive hand. “It’ll lose interest and wander off eventually,” he said.

Jimmy pushed himself up with one arm. “No, seriously,” he said. “I mean it. I’ll keep its attention—you sneak off the back and head for Eureka. I’ll be fine.”

“I’m not leaving you on a rock in the middle of the wasteland, pal,” Tango said, with a baffled laugh. “Like—I mean, no offense. But you’re greener than beans, and I’m at least half the reason you’re not on a train right now anyway.”

The creeper was snuffling around the base of the tower, and Jimmy had the sudden horrible notion that it might figure out how to climb. Or Tango would fall off the edge. Or Jimmy would trip and knock him right into the creeper’s paws.

He glanced down at the sword. “Sharpness?” he asked, squinting at the runes carved into the blade.

“Obviously.” Tango turned away from the creeper and gave him an evaluating look that was far too sharp for Jimmy’s liking. “It’s just a creeper, James, it’s not like it’s gonna—” his foot slipped on a pebble and he flailed his arms for balance.

In an instant, Jimmy shot forward and snatched at Tango’s arm, yanking him down toward the middle of the stone platform. Tango fell to one knee, yelping in surprise and pain.

“Hey!” he exclaimed, yanking his arm out of Jimmy’s grasp. “What was that—”

Before Jimmy could second-guess himself, or even stop for half a heartbeat to consider why he actually cared—why he still cared, after all this time—he rolled off the rock toward the creeper.

He landed with a thud on its sloping back, and the thing gave a startled HISS that buzzed in his bones, the smell of sulfur flooding the air. With a shout, Jimmy gripped the sword in both hands and drove the blade into the back of the creeper’s head, exactly where the spine met the skull. The point of the sword—enchanted as it was—met little resistance, driving straight into the creature’s brain.

The hiss turned to a crackling gurgle, and the monster went limp underneath him.

Jimmy staggered away, catching himself against the base of the stone pillar, letting the sword fall to the ground with a flat clang.

He heard scrabbling above him, and looked up to see Tango half-climbing, half-falling down the cliff.

“What kind of damn heroics are you trying to pull?” the other man demanded, his derby knocked askew and a look of baffled fury on his face. “That thing would have detonated in your face! You’re lucky you—”

“Not lucky,” Jimmy cut him off, exhausted.

“—didn’t hit… what?”

The adrenaline jitter in Jimmy’s arms—what, the third rush of the night? I’m going to sleep for a week—felt like it was going to shake his skin right off his bones.

“Not lucky,” he repeated, spitting out the word.

He stared past Tango at the dead creeper. Already, it was starting to curl in on itself, desiccating in the wasteland heat. By tomorrow night, it would be nothing but a pile of super-flammable ash.

Tango paused. “Not… not lucky?” He tilted back his derby and peered down at Jimmy's face, rant kicked off its rails. “What’s that supposed to mean?��

Jimmy cursed every unlucky star he’d been born under, and double that for Sausage. For a long moment, he considered not answering. Nothing, nevermind, he could say. Let's just get to town.

In for a penny...

“I can’t die,” he said, meeting Tango’s eye. “And I don’t expect you to believe that, but the fact is: people around me die. Constantly. Never me, though.”

A bitter laugh crept out of his throat. “If I hadn’t got that creeper…” He shook his head. “I dunno. It would have got you somehow. Or you’d have fallen and broken your neck. Or the pillagers would have appeared before we got down. Any number of things. You’re not safe until you’re away from me.”

Tango took this in. Jimmy could see him weighing the words—and probably dismissing them—but all he said was:

“Why?”

With a shrug, Jimmy pushed himself up, and retrieved the sword from the dirt. He wiped the point on a knob of scrub brush. “You saved my bacon on that train, I think,” he said. “That’s enough to tie us.”

He held out the sword to Tango. “Look—you go ahead. I’ll just… I dunno. Camp here for the night, I guess. You get far enough away, for long enough, the curse seems to… disengage. You’ll be fine.”

Tango didn’t take the sword. He looked at it, then looked at Jimmy.

“You know I don’t believe a word of this, right?” he said.

Jimmy’s heart sank, but he wasn’t surprised. “Yeah,” he said. “I figured.”

“Great.” Tango glanced over his shoulder toward where the lights of Eureka flickered in the distance. “Let’s… let’s just get you to town,” he said. “Get some water in you.”

Get a horse, Jimmy added internally. Hit the road. Put a thousand blocks between me and here.

“Right,” was all he said aloud. “Water.”

Tango kicked the creeper’s shriveling carcass and started toward Eureka, and Jimmy followed behind, still holding the enchanted sword.

I should have just chanced the train.

#redwinterwrites #team rancher #this is currently saved with the title Western Thing #super great title i'm so good at doing those #also for the record this will not be shipfic it's 100% platonic ranchers #i'm actually really strongly considering bringing in Mrs T because honestly can you imagine her like. running a saloon in the old west?#she's perfect. but yeah no ranchers ship here #i'll prolly put this on ao3 eventually but this feels like lower stakes lol #ranchers western au #headin' west au

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makeste · 1 year ago

Text

BnHA Chapter 407: Wait Why Are You Running Away

Previously on BnHA: Kacchan figured out how to control his quirk upgrade and was totally chill and normal about it. Definitely not terrifying at all. He actually spent the entire chapter smiling and laughing like the wholesome little boy he is. I don’t know why Kid For One is so freaked out about it. He even politely introduced himself using his childhood nickname. Clearly he just wants to be friends with you, KFO!

Today on BnHA: Horikoshi is all “sorry to keep you waiting, here’s the AFO and Yoichi flashback you ordered at long last” and proceeds to serve a nightmarish stew of HUMAN MISERY and RATS and STABBING and CARNAGE and SO MUCH MURDER and THE SINGLE MOST FUCKED-UP CASE OF CODEPENDENCY ANYONE HAS EVER WRITTEN. I was not even remotely prepared for any of this, and if anyone else claims that they were, I will call you a liar to your face. If this chapter had a mouth it would scream. Or just sob, ceaselessly and uncontrollably. I’m really glad Horikoshi is on break next week because that man needs to take a fucking nap. My god.

okay WOW

anyone else read the first two words and just immediately say to themselves, “oh okay, so it’s gonna be one of those chapters”? I mean, I guess we were due for a darker chapter after last week’s Kacchan Comedy Tour. but idk, I just wasn’t expecting “homeless sick prostitute with a drinking problem” levels of dark

AND SHE’S PREGNANT?!

what exactly is this manga rated again? doesn’t this backstory seem just a little bit raw for the impressionable kiddos??

has anyone actually checked in on Horikoshi recently? you know, just to make sure he is okay??

what a fun and wholesome manga this is

the lil baby arm covered in blood with the AFO hole on the palm. lying next to the dead mom hand. what an image to sear into our minds. I guess it’s been a while since he killed any dogs. gotta keep us on our toes somehow

also wasn’t expecting AFO and Yoichi to be twins! that puts an interesting spin on their relationship, because it’s usually a closer bond than even regular siblings. especially with all of that delightful shared trauma from a young age!!

yes, exactly

ohhhh this chapter is gonna hurt me, isn’t it. okay. ooooooookay. let’s do this

OH I’M SORRY, THERE’S MORE?!

Horikoshi my dude. you do realize that their mom dying in childbirth and the two of them just barely surviving and growing up as street orphans would have already been MORE than tragic enough, backstory-wise. you did not have to turn this into a freaking horror show with RATS TRYING TO EAT THEIR NEWBORN SELVES jesus christ

and THAT’S where you chose to put a one year timeskip?!

what the fuck am I reading here, you guys. no please tell me, I am actually desperate to understand

so the narrator is saying that some of the quirks manifested later in life, in “pubescent and pre-pubescent stages”, which is interesting because it’s the first time I can recall hearing about someone actually manifesting a quirk that late. maybe Deku’s old OFA cover story was more plausible than I realized

anyway so eventually it occurred to everyone that they should maybe freaking study this shit, idk. and eventually the researchers concluded that the superpowers came from a new gene that apparently isn’t human. and upon hearing that, society apparently lost its freaking mind. which is fascinating to me because it implies that the turning point wasn’t actually the superpowers themselves, but the realization of what it meant

like, so they were apparently fine with it when they thought it was a “mysterious disease”, but somehow it hit different when they learned it wasn’t actually a sickness at all, but instead the Next Step in Evolution. and it became an “us vs them” thing, as opposed to a “we have to cure these poor people” thing. damn

anyway so now Japan is a dystopia and we’re cutting to a big crowd of merc-looking dudes who are getting ready to attack some “meta freaks”, how lovely

but who is this figure in the shadows

I ask politely, as if it wasn’t already beyond obvious that this is AFO about to wreck some people’s shit

ohhhhh my god lmao

hopefully Katsuki and Deku can take the present day AFO out before he winds up looking like this. because this little fella is clearly demonic and idk if anyone can stop him

you all don’t understand. you need to run the fuck away right now

oh shit it’s already too late for them

it’s too late for any of us. it’s over. it’s all fucking over

((((；゜Д゜)))

AFO I am putting the manga down. I am backing away slowly with my hands in the air. I mean you no harm. please for the love of god have mercy

holy

“you see, we told you he wasn’t human” okay Scientific Research Group, you know what?? you win this round I guess

“HE WAS LITERALLY EVIL FROM BIRTH” HORIKOSHI SERIOUSLY ARE YOU OKAY??

HE WAS BORN AN ARROGANT BABY is literally the most terrifying sentence I have ever read

what the entire fuck

it’s a gorgeous sunny mid-November afternoon outside my window. but no matter how hard it tries, the light cannot reach this place

what kind of moron would throw a can of soda at him. officially the stupidest person we have ever seen in this manga

OH MY GOD OF COURSE IT’S HIM LMAO

(ETA: how come baby Yoichi has clothes that fit him perfectly but baby AFO is just stomping around wearing a tablecloth.)

BABY YOICHI. OH MY GOD. HOW THE HELL DID YOU GROW UP TO BE SANE AND KIND AND GOOD. THAT’S MY QUESTION THAT I NEED ANSWERED RIGHT NOW. YOU ARE LITERALLY A MIRACLE. YOU ARE AN IMPOSSIBILITY, DO YOU KNOW THAT

small and weak, but also so, so cute. all of the cuteness genes went straight to him. no wonder AFO was jealous

(ETA: just want to press pause for a second to speculate about what type of twins AFO and Yoichi are, since it has some relevance to the story, and especially to the OFA/AFO quirk lore. so! at first glance the two of them would appear to be fraternal twins, just based on the fact that they have very different appearances, and also the fact that Yoichi doesn’t have the AFO quirk – no holes in his hands, etc. identical twins are born from the same fertilized egg, so in theory they would both have the same sequence of DNA, which means Yoichi would have had the same quirk as AFO. but that doesn’t appear to be the case. so all of that points to them being fraternal, not identical.

on the other hand, there is one piece of evidence in this chapter that does support them being identical twins, and that’s the fact that per the narration, AFO absorbed most of the nutrients from their mother. a few minutes of google fu informed me that this condition is relatively rare, and only happens in cases where two twins share a placenta, which typically is only the case for identical twins. HOWEVER, for what it’s worth, there have also been rare instances where two fraternal twin placentas fuse together and become a single placenta. AND this apparently also increases the chances of one of the twins gaining more of the nutrients and causing the other twin to have a lower birth weight.

so based on the evidence here, my conclusion is that the two of them are most likely fraternal twins with a case of placental fusion. besides, you can’t tell me that stealing his baby brother’s placenta while the two of them are literally still in the womb doesn’t sound like exactly the type of BS that fetus!AFO would pull, lol.)

HEY!?!

okay?!?!?! well to be fair he did throw that soda at him

oh my god this is so fucked up. in like the best and worst way possible

I genuinely couldn’t ask for a better AFO backstory. it’s so incredibly twisted, and you actually do feel sorry for him. or at least I do. but it’s also beyond clear that this kid was FUCKED UP BEYOND ALL REASON right from the get go. zero goodness in him. literally doesn’t see other people as people. sees them as possessions only. things to rule over. not other thinking, feeling human beings. and that includes his own little brother

but. even if it’s not actually what I would call love, there’s still... attachment, there. it’s the closest he can get to actually caring about someone. guh. just, somehow they have both managed to humanize him, and at the same time made him less human than ever. this manga, man. this fucking manga, though

lmao and here we go. Captain Hero

you know, all those times that I made fun of AFO for not knowing how to read, I never suspected that the twist in his backstory would be that he LITERALLY DIDN’T KNOW HOW TO READ dfksjdlfkjslkdf

but seriously though. because Yoichi appears to be self-taught, and I can’t see AFO having the patience for that, and CLEARLY no one else was around to teach him, sooooo...

oh my goodness it’s actually getting wholesome up in here

what a good fucking boy. poor AFO. fuck me, I can’t help it. it’s not your fault you’re the world’s greatest monster you poor bastard

now we’re cutting to THREE YEARS LATER. okay

is he going to declare war on the glowing baby

typical teenager concerned about nothing but likes and view counts. AFO you would be so much happier if you stopped worrying about all of that and just focused on your own growth

oh, lol. well that was quick

(ETA: r.i.p. Damien.)

“this guy had more instagram followers than me. so I killed him” honey. sweetie pie. you need therapy

omfg

all this time I was wondering who AFO’s middle school lit teacher was who had failed so spectacularly at teaching him reading comprehension. and it was YOICHI ALL ALONG. omg

“and, presumably, that’s how it always was and always will be.” dude. can you imagine listening to AFO’s oral book report on A Tale of Two Cities. “ahem. it was the Best of Times. the end” buddy noooooooo

it was at that moment when Yoichi knew, etc. etc.

oh my GOD I scrolled down to the next panel right after this one and I just IMMEDIATELY DIED LAUGHING

“WAS IT SOMETHING I SAID” ffffffffffffffff I fucking can’t omfg

NOW THIS HUSSY IS STEALING HIS BROTHER AWAY FROM HIM NOOOOOOO

HE’S HIS!!! WHAT ARE YOU DOING!!! THAT’S NOT ALLOWED!!!

oh my god the hands. so wait, is this just the standard symbolic BnHA handholding, or are there More Levels To This. when exactly did Yoichi pass OFA on to Kudou. like is that why the sudden close-up and all that? omg

WHAT!!!!

OH THAT’S THE END, HUH? THAT’S THE END RIGHT THERE, AND THAT’S JUST HOW IT IS. I SEE. OKAY THEN. EXCUSE ME WHILE I PUT MY LAPTOP DOWN AND GO INTO THE NEXT ROOM AND SCREAM INTO A PILLOW

oh my god. and break next week too. this is what you guys have been dealing with this entire time huh. I understand your feelings now. godfuckingdammit lmao

#bnha 407 #all for one #shigaraki yoichi #ofa the first #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

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