#rooftop squad

[tatarouu]

I will never get over this picture thats shown at the end credits of mha season 4

I adore them very much

[noobtothecrook]

[spinji]

You know what scene I still think about a lot? The conversation with Garaki and Mic.

Well, it's less of a conversation and more Garaki infodumping to cause as much emotional damage as possible before he gets his ass thrown in jail.

Still, all of the information we ever get surrounding nomu and Kurogiri specifically is so chilling. And if you've read the School Days arc in Vigilantes it's WORSE.

In Vigilantes, Oboro's death is framed by the narrative as an accident, a tragedy that comes as a result of educators and the government being too eager to throw prospective hero students into the world and out of their depth (wow I wonder where I've heard that scenario before). Shirakumo and Aizawa are in a fight they are not equipped to handle, and Shirakumo pays the price by protecting others over himself. He didn't do anything "wrong" for this to happen, but it happened anyway because the world doesn't care if you were in the right or not when it snuffs you out.

This isn't just a tragic backstory for Kurogiri, it frames Aizawa's entire mindset as he grows into an adult. His beliefs and unorthodox teaching methods come as a result of what he took away from thet tragedy. He emphasizes the unfairness of the world on the first day of class. He refuses to coddle his students. He's against the first years taking work studies. He fully intends to expel students who will not take this training or their own well being seriously because if he lets them stay, they're the next Shirakumo.

And then there's Garaki, all too happy to bring up Oboro to Mic as he's dragging his fat ass out of the lab. Because, you know, fun fact, that attack wasn't a coincidence at all. No bad luck, no wrong place wrong time, because that little work study team was All For One's target. He wanted a new quirk in his repertoire. It's just a shame that they got the wrong one. That erasure quirk would've been so useful. But, you gotta work with what life gives you, right?

Not only did that attack fundamentally change Aizawa as a person, but it was meant to kill him in Oboro's stead. And now Mic knows this. He knows that his best friend died in a deliberate attack to kill his other best friend. And with Midnight biting it not long after this, Mic has lost the last person chillingly aware of what happened to Shirakumo. The last person he would ever be able to tell outside of Aizawa himself. Mic has to sit there and mourn his coworker in Aizawa's hospital room, fully aware that Aizawa saw the lifeless body if their best friend because the intentional, avoidable attack killed the wrong person.

There's no way that Mic isn't aware of how Aizawa's behavior changed between becoming a student and becoming a teacher. He knows him too intimately to not see the difference, the callousness that grew from such a brutal life lesson, the hope that died in his eyes when faced with reality. But he can't say a word, not to him. He can't tell Aizawa that Oboro's death and Kurogiri's creation only came about because the target was on Aizawa's head. But he's forced to know that, carrying that forbidden knowledge to his grave in the hope Shouta never finds out.

[mha-quotes-and-such]

Hizashi: Im nervous about my date with Aizawa. Like what should I say? What if he regrets going out with me? Nemuri: It'll be fine! Just act mature Hizashi: Act mature, I can do that Oboro: But not too mature, you dont want to seem boring. Spice it up a bit! [Later] Aizawa: So, what do you like to do for fun? Hizashi, in a serious voice: Tax evasion

[itsgojolickinggood]

Rooftop squad yall

[javeskit]

[waterdropsfall]

Stumbled upon smth and i had to make this

Og under cut

[villainsandvictimsalliance]

Time to be delulu yet completely serious on my bnha 423 opinions.

Good points: The resolution between AFO and Yoichi was satisfactory, love as a reason for evil and evil deeds, the rooftop trio having one final moment full of emotion, the moment of Kurogiri thinking about Tomura and the LOV, Deku having a quirk of his own born out of determination and hard work, Deku as the protagonist of bnha in general, Tomura's last actions and words.

Bad points: Rushed arc conclusions, moments that felt kinda repetitive or lacked the punch given that we've seen/lived them before, not the best compositions we've seen from Horikoshi on the panels, Tomura's arc being rushed to a martyr ending— for impact???? ( or it ending on another cliffhanger that is gonna turn to be different from what we expected ).

I'll go in depth, so please check under the cut.

GOOD POINTS:

Yoichi and AFO:

The last conversation among these brothers was everything I was expecting. The love was there and it transformed them. It made AFO a monster and Yoichi a ghost.

For me, this time the AFO ending needed to be quick because we've already said goodbye to him too many times. This was supposed to be about AFO's refusal to give up on his brother and the unresolved relationship of those two.

I really liked how Yoichi reminded AFO that he needs to face the consequences of his actions and that he's love won't be able to save them.

Villain love:

Love as a reason for pain and destruction is perhaps one of my favorite tropes. So many stories approach love as this purely morally good feeling, when in the end it is just like any other feeling, you know?

People go to war for love all the time. They kill for love. Die for love. Do unforgivable things for love. Human existence is sooooo complex, why would love be the exception?

Horikoshi has been REALLY careful with the AFO backstory and his motivations. He didn't want an antagonist that felt empty. He made AFO human without redeeming him, okay? Because our ability to sympathize with some of AFO's traits doesn't make him less evil. To put it simply, it means that evil things are also human at heart.

Even those acts that you can't forgive or forget are motivated by something.

Kurogiri and the rooftop trio:

We knew from the beginning they were not the main characters of this manga.

We've gotten their story through glimpses and moments. Their time together had always been somehow rushed. Too many things to say, not enough time and they are on opposite sides of the war after all.

We knew that Kurogiri would go back because we knew he would protect Tomura during the final fight. We knew that he'd help the heroes defeat AFO. We knew he'd have to make his choice and say his goodbyes to his old friends.

Kurogiri, Tomura and the LOV

"He's friends are waiting" along with the image of Spinner asking Kurogiri to bring Tomura back to them was the highlight of this chapter for me. (You all expected it, right?)

Something about the way it reads like a father who wants his son to live because he is being waited for. He has friends who love him and would do anything to protect him, see him safe and sound. Something about the symbolism of Spinner putting Father (aka Kotaro's hand) on Kurogiri's face as he asked for it.

This chapter acknowledged that Kurogiri and Shirakumo share the same character core. They are always the protectors, the ones who would sacrifice themselves to see their charge survive. Similar to how Mic was waiting for Shouta so Shirakumo made sure that Shouta would survive, Kurogiri wants to do the same for Spinner and Tomura.

This alone would require an entire post to elaborate.

Deku's quirk:

The debate between endgame quirkless Deku or endgame OFA user Deku is settle.

I really liked that Deku got a quirk on his own that was born out of his own determination to be a hero. It's a nice representation of all he is as a character and what he stands for. Similarly, I enjoyed a lot the fact that it was short-lived. I'm the type who likes it better when things require a sacrifice or when miracles have their own conditions.

Deku doesn't feel overpowered to me. You get that sense that he really deserves everything he has and that it hasn't been a nonsense gift from the narrative. There's also the human condition, the limitations that keep him grounded.

Bnha and Deku:

Deku defeating AFO 'cause villains and heroes help him, his friends being there for him and being there to cheer for him as he fights, his sensei being there despite the fact that Aizawa at first thought Deku wouldn't make it— all the details that make bnha what it is.

They were good.

The UA kids really keep the story consistent when it is about them. They don't give up on anyone, they fight for each other, they stay to witness things for themselves. I love them <3

Tomura's last actions and words:

Careful here. Listen to what I'm saying.

If the narrative had pointed out to this ending, this would have been a good way to execute it.

Tomura coming back along with the vestiges to pack one final punch to defeat AFO— I know many fans that would be moved to tears and would be super excited to see it. Tomura was on point in this chapter, dialoguing with Deku without the hatred in his heart, his face being clearer and almost tender.

He felt defeated, like he had accepted his death already. There's also the connection to Kurogiri and Nana (who defended him) and his words to Spinner, that are meant as a general message to depict how much Tomura values the LOV.

Even the fact that AFO kept him around 'cause a part of him loved / cared about Tomura feels fitting, but I'm not sure if I correctly read the leaks in that part...

Anyway, we got the old trope of the antagonist who used his last moments to help defeat the real villain. It serves as his redemption and the expectation is for the public to feel sorry bad for him.

BAD POINTS

Rushed conclusions:

In my opinion, this chapter was too fast paced and therefore was not as emotional as it should have been.

It doesn't give the feeling that it's fast because the battle is intense. It gives the feeling of too much information packed on one chapter, so nothing really shines on its own. It's way too informative, not enough action narration.

Like I said before, the fatal mistake of a story is to be boring. Art has to provoke you, it has to engage with you, question you, awake things in you. This chapter tho, many things happened at the same time and it grew a bit murky.

Repetitive moments

Again, personal opinion here.

I think certain bnha movies were a mistake. Not because they were bad or boring or whatever, but because Horikoshi wrote parts of bnha real ending into them to the point you'd say "we've already seen that" while reading bnha 423.

Deku and Bakugo teaming up to defeat AFO was so expected. Not as in "the narrative is making sense", but as in "we saw it on heroes rising".

I feel the same with the students all appearing to help Deku fight AFO. That's a typical shonen structure where the friends making space for the protagonist to reach the main villain. It was already happening, so why bring AFO back?? I think the story is over-explaining here, making everything way too obvious. We could have had AFO's resolution with Yoichi before and the students moment after. In truth, it feels like Horikoshi closed some character arcs before he should and left plot holes without explanation, so he needed to reopen to accommodate.

Panel composition:

I admire Horikoshi when it comes to panel composition. He has some amazing panels that make the story really flow, but bnha 423 isn't there.

There are too many elements clustered and empty spaces that don't feel with purpose (in manga, even the blanks must have a purpose). This chapter should have been at least two, so you wouldn't have to rush Bakugo appearing, Yoichi and AFO resolution, Kurogiri saying his goodbye to the rooftop trio and facing AFO for Tomura's sake, Deku remembering where he started and where he is, Tomura last words and the Tomura and Deku resolution...

Those are too many important plot points to illustrate in a hurry.

Also?? The panel of Tomura and Deku punching AFO is so unserious. Totally wrong place to be funny sjbdjdnd why does it even feel like the vestiges are punching air???

" Tomura's ending " :

I'm not the first to say it feels anticlimactic and as if it isn't the ending at all.

The major problem is that through the manga, Horikoshi has focused a lot on Tomura as a character, carefully developing him, giving him tropes that are often reserved for the hero or the main character, making sure we empathize with him, we understand him, hyping up Deku's journey to rescue him.

We got an entire arc from the LOV perspective. This is not the type of one sentence ending you give to an antagonist you spent so much ink and sweat on. The nonchalant way of Tomura accepting his death? The little reaction from Deku? What was the purpose of the manga building up the LOV friendship to the moment where Kurogiri told AFO that Tomura's friends were waiting for him, if you'd make him just disappear on thin air?

This reads absolutely like a bunny within a hat.

That's being optimistic.

If we want to be cynical, maybe this is all there is. I don't find it readable to end the story with Tomura dying. All that effort to save him and it ends in "oh well, he decayed along with AFO"?!

If you think about it, Toga status is unknown because we don't even know where she went or if she's still alive, Touya status is also unknown although we know he wanted to live and that the ice prevented him from further damage, we haven't seen Spinner, we don't know if Kurogiri vanished with that last attack on AFO and now we saw Tomura decaying into the wind.

Yo kill half the surviving LOV would be a bold move that wouldn't follow the narrative. The reward for the hero students should be being able to save their counterpart, so the world can regard them as the greatest heroes 'cause they save the unsalable and blah blah blah.

There's also the fact Tomura hasn't been saved yet. Tenko? Nana and Deku saved him from Kotaro. The crying kid? Saved from AFO by Deku and the vestiges and the others. Tomura? Nop, he's dying/dead. The one person Spinner really wanted to save was Tomura. He didn't know about the crying kid or Tenko. He wanted to save his friend, the "irredeemable" villain, the young man he played videogames with and fought alongside and vowed to follow.

If this is the end, it's incomplete.

So we might hope it is not the end.

[yurimic]

i like to think that, back in UA, hizashi liked to talk into those audio recording things as though he were making a podcast or something. he had shouta, oboro, and nemuri talk into it, too.

it was mostly just commentary on anything interesting that was going on, or just rambling about nothing for hours.

oboro was probably the one who told hizashi that he’d be great as a sports commentator or radio host.

after oboro’s death, hizashi would listen to those old recordings whenever he wanted to hear his voice. when shouta isolated himself and nemuri was busy, hizashi listened to them so he wouldn’t have to be alone with his thoughts.

[sassypantsjaxon]

Crying because Shinsou reminds both Aizawa and Mic of each other as well as Oboro

[xh-agi]

I’m so glad nothing bad ever happened to them. [ < Part 1 ]

[black-and-yellow]

Spring and a Storm

[mimez-meme]

Can’t decide if hizashi is bi or gay but yk, I’m settling for gay rn.😇

(Erasermic dating obviously)

[oborofollower7]

RIP the rooftop squad. Y'all were goated. Wasted potential.

[mha-quotes-and-such]

[Rooftop Squad is out late]

Aizawa: I guess you guys could come stay at my place if you want- Nemuri: We’d LOVE to! Oboro: Hizashi: Nemuri: Oh come on, don’t tell me neither of you wonder how this guy lives

[butthead7]

so are you normal or do you imagine yourself as part of rooftop trio/ rooftop squad. Like. Shouta, Hizashi, Oboro, and Nemuri shenanigans are what get me through the day and have been for 2 years.