#but it's pretty clear that some of them

[sissytobitch10seconds]

Seeing people talk about Wednesday and how she doesn’t like touch when they clearly don’t know what it’s like to be touch-starved or touch-averse is kind of rough and makes me think that I’ve had enough internet for the day (at 11AM).

[otaku553]

Remember when I said I was cooking a Really self indulgent au?

Here it is! In which Ace picks up a different shipwrecked masked aspiring adventure-novelist on Sixis :)

Spade Pirates’ First Mate Sabo AU

Except Sabo and Ace both don’t realize it’s each other because Sabo still has amnesia and Ace can’t recognize Sabo after 7 years because of the mask

This came from the writing prompt someone gave me of Sabo and Deuce interaction and once I got thinking about them I was like. There’s too many parallels. And couldn’t stop thinking about it

In this AU Sabo doesn’t get saved by Dragon, washes up onshore on Goa before he dies, and survives to set sail again a week or so later, but still has amnesia. Realizing that sailing alone as a ten year old is pretty unfeasible though, he stops sailing after the first few islands and lives as a feral forest child on his own for the next seven years until he feels ready and strong enough to try again.

He chooses his own name, Tage (pronounced taj), based on the assumption that Sabo is his last name and his belongings are too ruined to read his given name :) credit to whery for the name pun idea it’s absolutely genius

I might do some short comics for this if I ever get around to it but for now it’s just a loose collection of ideas!

[chattematsu]

[4.0 archon quest spoilers]

[mipexch]

comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all (alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)

[lynxgriffin]

Eldritchrune - Meeting Noelle

Story Setup Eldritchrune Masterpost

Susie and Noelle first meet when the whole party enters the Queen's domain! Susie comes to the rescue...even if Kris was the one that orchestrated it, ultimately!

(Just a small reminder that I draw these Eldritchrune comics out of chronological order, so be sure to check the masterpost for more!)

[puppyeared]

you are umasou

[sysig]

Recently had a silly Handplates dream where Papyrus was trying to snoop around Gaster and Alphys’ lab, but didn’t know who Alphys was and so was trying to pass it off as his own lab lol (Patreon)

[nandermoenthusiast]

i gotta say i love the good ole switcharoo they managed to pull with these characters, where guillermo now has that much power over nandor that he can fire him. they really managed to take these two and get them on equal ground, even elevate guillermo in this case. now they just need to bring it all home and have them realise they both have been pining for each other for literal YEARS

[ganondoodle]

(zelda comic rough draft)

im still unable to draw anything ... except for really slowly getting the chapter 2 rough draft further for some reason, another screenshot from page 59

[rookflower]

i will say im a windclan moor >>> windclan prairie truther in my heart but i also think looking at "warrior cats is set in the new forest/england/the uk" and going "no it's not. it's actually set wherever i live" is awesome so whatever. whatever you think is right and whatever i think is right. 10 billion creative and inspired by personal experience warrior cats settings forever

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[6-epigraphs]

Have we ever seen this old man being affectionate with drivers or other juniors? Or just Yuki? I don't even think I've seen him this close to Max and Seb (off the podium at least)

Brother.

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[existentiol]

something that pisses me off in RA is that Flanagan will occasionally hype up Pauline as this super important and prominent figure in Will’s life, even treat her as a proxy for the mother he never knew, and yet will just refuse to show it beyond the like. two or three (personal) conversations that they have in canon. I get that he was attempting to make her an important person in Will’s life but why not do that by actually making her an important person in Will’s life

[a-stitch-in-time-and-space]

me: it'd be great if new-trek wasn't constantly so referential to classic trek, let it develop on its own without always being about legacy charac-

lwd: deep space nine?

me: OH THANK GOODNESS THANK YOU FOR GIVING ME LIFE IS THAT ROM IS THAT LEETA IS THAT THE SPACE STATION IS THAT KIRA WITH BUTCH HAIRCUT IS THAT THE PYLONS IS THAT SISKOS IS THA-

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.