#but it's an interesting subject to think about

[barnacles34]

Professional Hazard (And Blue Tongues)

Karina x Male Reader

9k words

18+ smut

'I expected you to have...'

'Grey hair? Glasses thick as tank armor?' You lean back. 'Let me guess—ancient and decrepit?'

'Something like that.' She toys with her iced americano, ice cubes clinking.

'Get that more than you'd think.'

'Can't imagine why.'

'Sure you can't.'

She straightens in her chair. 'Well? Are you going to ask your questions or what?'

'Did you have something specific in mind?'

'I thought you'd at least come prepared.' The sharp edge in her voice softens, adapting. 'After that email you sent.'

'I am prepared.'

'Do you know who I am?'

'I know you're Karina. I know you agreed to fund my little Italian vacation.' You keep your voice flat, unimpressed.

She laughs, short and sharp. 'They really sent someone who knows nothing.'

'Biographers aren't exactly growing on trees these days. Most of them are busy dying off.' [1]

'That's comforting.'

'About as comforting as your enthusiastic response to my email.'

'Ah.' She smirks. 'My monument to hubris?'

'Your words, not mine.'

'Christ, you're not exactly sunshine and roses, are you?'

'If only you knew.'

'Oh, I think I do.' She leans forward. 'People like me—we're your bread and butter. Desperate enough to take the abuse just to get that book written.'

'Quick study.'

'Experience, darling.' She draws out the last word like stretched taffy.

'If immortality's what you're after, we're off to a rocky start.'

'Not even grateful for the Italian holiday?'

You meet her eyes. 'Bribery's nothing new. Don't expect it to polish your image.'

'Tough nut to crack, aren't you?'

'I have what I need.'

'Meaning?'

'Let me put this delicately: my last subject bought me a year at New York's finest.' [2]

'Fantastic.' She rattles her ice cubes harder.

'You know what I think?' She sets down her drink with deliberate care.

'Enlighten me.'

'I think you enjoy this. The whole "unimpressed biographer" act.'

You pull out your notebook, unhurried. 'That'd make a great chapter one. "Local girl psychoanalyzes writer, lives to regret it."'

'There it is again.' Her smile doesn't reach her eyes. 'Tell me, do your subjects usually last long enough for chapter two?'

'The interesting ones do.'

'And the boring ones?'

You flip open to a blank page. 'They get a lovely rejection letter.'

'Which I didn't.'

'Yet.'

She leans back, studying you. The late afternoon sun catches the edge of her glass, throwing prismatic shapes across the table. 'You really don't care that I could walk away right now.'

'The door's right there.' You click your pen. 'But we both know you won't.'

'Because?'

'Because you didn't spend three months negotiating with my publisher just to storm off over hurt feelings.'

'Maybe I just like wasting time.'

'Maybe.' You meet her gaze. 'But people who like wasting time don't usually have a dozen designer brand sponsorships.'

Something shifts in her expression—surprise, maybe, or respect. 'So you did do your homework.'

'I always do.' You position your pen over the blank page. 'Now, shall we begin with the real questions?'

'Shoot.' She shifts in her chair, the late afternoon sun warming the cafe corner we've claimed.

'Tell me about your sister.'

Her eyebrows lift slightly. 'Not starting with the obvious questions?'

'Would you prefer those?'

'No.' She smiles, genuine this time. 'She's a nurse. Like our mom.'

'Close?'

'Very. She's the only person who still calls me Jimin.' She stirs her americano. 'Probably the only person who can get away with it, too.'

'Why's that?'

'Because she knew me when I was just the quiet kid who'd rather read in corners than talk to anyone. Before all of...' She waves her hand vaguely. 'This.'

'Still prefer corners?'

'Sometimes.' She considers the question. 'There's this tiny bookstore in Seongnam. When I go home, I still visit. They have this perfect spot by the window.'

'What do you read?'

'Whatever catches my eye. Last week it was about sharks.'

You raise an eyebrow. 'Sharks?'

'Don't look so surprised.' She laughs. 'They're fascinating. Everyone thinks they know them, but they don't, not really.'

'Speaking from experience?'

She takes a long sip of her drink instead of answering.

'You don't have to do that, you know.' You set your pen down.

'Do what?'

'Deflect. Turn everything into a metaphor.'

She meets your eyes for a long moment. 'Force of habit.'

'Bad one.'

'Says the person who's been matching my deflections word for word.' A half-smile plays at her lips. 'We're quite the pair, aren't we?'

'Difference is, I'm paid to be difficult.'

'And I was raised to be.' The words slip out before she can catch them. Her fingers tighten around her glass.

You wait.

'You're good at this,' she says quietly.

'At what?'

'Making silence comfortable.' She looks out the window. 'Most people try to fill it.'

'Most people aren't trying to understand.'

She turns back to you, something shifting in her expression. 'Is that what you're trying to do? Understand?'

'Would that be so terrible?'

'No,' she says.

'Progress.' You pick up your pen again. 'Though I've just realized something deeply troubling.'

'What's that?'

'Your americano's been empty for ten minutes, and you're still pretending to drink it.'

She glances at her glass, caught. 'Method acting.'

'Ah yes, the classic "I'm too invested in this conversation to pause for a refill" performance.' You wave to catch the barista's eye. 'Oscar-worthy.'

'Says the person who hasn't touched their...' She leans forward to peek at your cup. 'What even is that?'

'Green tea.'

'Pretentious.'

'Says the person who ordered an iced americano in winter.'

'It's barely spring.'

'Case in point.'

The barista arrives with fresh drinks. Karina raises an eyebrow at your cup. 'Still green tea?'

'I'm consistent.'

'Boring.'

'Strategic.' You take a deliberate sip. 'Can't blame caffeine jitters for whatever honesty slips out.'

'Sneaky.'

'Professional.'

'Same thing.' She stirs her new drink, ice cubes clinking. 'So what's next in your strategic interrogation?'

'Thought we agreed to drop the deflection thing.'

'Old habits. Ten seconds at a time.'

'That's oddly specific.'

'It's how I learned to swim.' At your questioning look, she continues, 'Ten seconds of courage. Then you can panic all you want.'

'Does that work?'

'Got me here, didn't it?' She gestures between you two. 'Letting a stranger with a notebook and suspiciously consistent beverage choices pick apart my life.'

'You could always run.'

'To where? Croatia?' She laughs at your surprised expression. 'What? I have dreams.'

'Of Croatia specifically?'

'Of anywhere that doesn't know my name.'

'That's rather poetic for someone who just called me pretentious.'

'I contain multitudes.' She mock-bows in her seat.

'Walt Whitman now?'

'See? You're not the only one who can be insufferably well-read.'

You make a show of writing something down. 

You flip to a fresh page. 'Tell me about Croatia.'

'Nothing to tell. Just a place.'

'There are plenty of places that don't know your name. Why that one?'

She traces the rim of her glass again, a habit you've started to recognize as her thinking gesture. 'Have you ever seen those old coastal towns? The ones with narrow streets and buildings that look like they're having conversations with each other?'

'Been to a few.'

'I want to get lost in one.' She looks up. 'Properly lost. No GPS, no itinerary. Just... walking until my feet decide to stop.'

'Most people want to be found.'

'Most people haven't spent years being findable.' The sharpness in her voice surprises both of you. She softens it with a smile. 'Sorry. That sounded more dramatic than intended.'

'Don't apologize. It's the first time you've stopped performing since we sat down.'

'I haven't been—' She stops. Laughs. 'Okay. Point taken.'

'Progress. Again.'

'You're keeping score?'

'Always.' You tap your notebook. 'It's kind of the whole point.'

'And how am I doing?'

'In being honest or deflecting?'

'Both.'

'You're averaging about fifty-fifty.'

'Generous scoring.'

'Strategic encouragement.'

'You're good at that.' She stretches slightly. 'Making people think they're in control of the conversation.'

'Are you not?'

'Please. We both know you've been steering this ship since you sat down.' She pauses. 'Though I will say, you're the first interviewer who hasn't asked about my routine yet.'

'Your routine?'

'You know. "What time do you wake up? What's your skincare regimen? How many hours do you practice?" That whole song and dance.'

'Would you like me to ask?'

'God no.' She grins. 'But I'm curious why you haven't.'

'Because routines are what people do. I'm more interested in who they are.'

'And who am I?'

'Still figuring that out. But I know you crack your knuckles when you're nervous.'

She stops mid-crack, caught. 'Observant.'

'Professional hazard.' You lean forward. 'Tell me something real. Not about routines or schedules or practices.'

'Like what?'

'Like what you think about at three AM when you can't sleep.'

She's quiet for a long moment. 'Sometimes I forget what my natural speaking voice sounds like.'

'What do you mean?'

'You spend so many years modulating everything—your voice, your laugh, your reactions—until one day...' She shrugs. 'One day you catch yourself using your "public" voice to order coffee at 3 AM in an empty convenience store, and you realize you can't remember what you used to sound like.'

'And that bothers you.'

'Wouldn't it bother you? Losing something that fundamental without even noticing it was gone?'

'Is that why we're here? Trying to find it again?'

'Maybe.' She smiles, but it's different now. Unpolished. 'Or maybe I'm just tired of having "public" and "private" versions of everything.'

'Including your voice.'

'Including my entire existence.'

'Right.' You snap your notebook shut. 'We're getting gelato.'

—

[1] The suspicious rate at which biographers are "dying off" has become something of an industry joke. Three prominent biographers mysteriously retired after attempting to write about a certain K-pop company's CEO. Totally not suspicious.

[2] The Plaza Hotel, to be specific. Said subject was a tech billionaire whose autobiography mysteriously never made it to print. The hotel suite, however, maintains legendary status among New York's housekeeping staff for its impressive collection of empty green tea bottles and rejection letters.

—

She blinks. 'What?'

'We're walking.' You stand, gathering your things. 'Unless you have somewhere to be?'

'Are you actually asking, or is this another strategic move?'

'Both. Neither. Whatever. Does it matter if there's gelato involved?'

A genuine laugh escapes her. 'Fair point.'

The early evening air hits your faces as you step outside. She pulls on a cap—more habit than disguise.

'Left or right?' you ask.

'You're the one who lives here.'

'Technically, I've been here three days.'

'And you already know where to get gelato?'

'First thing I do in any city. Professional secret.'

'Ah yes, the biographer's handbook. Chapter One: locate ice cream immediately.'

'Chapter Two: never reveal your sources.' You turn left. 'Unless they're wearing a questionably large cap and hiding from their own voice.'

'Low blow.' But she's grinning. 'Also, my cap is perfectly sized.'

'For what? Smuggling library books?'

'That's... oddly specific.'

'Says the person who just quoted Walt Whitman in a cafe.'

You find the gelato place tucked between a bookstore and a vintage shop. The owner, an elderly Italian woman, lights up at your approach.

'Due?' she asks.

'Sì,' you reply, then turn to Karina. 'What's your poison?'

She studies the flavors intently. 'What's the most unusual one?'

'Professional or personal answer?'

'There's a difference?'

'Professional would be something elegant. Personal...' You point to a vivid blue flavor. 'That one tastes like your childhood imaginary friend made a pact with a Smurf.'

She doesn't hesitate. 'Two scoops of that, please.'

'Really?'

'What?' She raises an eyebrow. 'Scared of a little blue tongue?'

'More scared of what my editor will say when the interview notes are stained cerulean.'

Ten minutes later, you're both leaning against a stone wall, gelato dripping in the warm evening air. Her tongue is, indeed, impressively blue.

'Yah! Why are you taking a picture?”

'Your tongue. I need photographic evidence for my editor.'

She complains, ‘self-respecting people would’ve walked a long time ago.’

‘And let me guess-’

‘Correct. Take a picture if you want.’

'Pulitzer worthy.' You take another bite of your considerably more dignified pistachio. 'So tell me about the sharks.'

'You're still on that?'

'You brought up marine biology in a cafe and then mysteriously changed the subject. I'm invested now.'

'There's nothing mysterious about it.' She licks a drop of blue from her knuckle. 'I just think they're neat.'

'That's the worst deflection yet.'

'Fine.' She pushes off the wall, starting to walk. 'When I was younger, I used to think they were lonely.'

You fall into step beside her. 'Sharks?'

'Mm. Always swimming, never stopping. Everyone afraid of them.' She shrugs. 'Stupid kid logic.'

'And now?'

'Now I think they're just... misunderstood.' She grins. 'That was terrible, wasn't it? Like a bad movie line.'

'Terrible. But honest.'

'You and your honesty fetish.'

'Says the person who just admitted to emotionally relating to sharks.'

She snorts, nearly dropping her cone. 'When you put it that way—'

'Oh, I'm definitely putting it that way. It's going in the book.'

'Absolutely not.'

'Chapter title: "The Shark Whisperer”. I can see it already'

She tries to hip-check you, but you dodge, protecting your gelato. 'I'm revoking your creative license.'

'Too late. The mental image of baby Jimin crying over shark documentaries is seared into my brain.'

'I did not cry over—' She stops. 'Okay, maybe once. But it was a very sad documentary.' [1]

The sun is setting now, painting the cobblestones gold. You pass a street musician playing something soft and acoustic.

'Your sister know about the sharks?'

'Of course. She bought me the books.' Her smile turns fond. 'Still does, actually. Sends them to me randomly.'

'Recent ones?'

'Last week.' She finishes her cone. 'She has... interesting timing.'

'Interesting timing?'

'Mm.' She wipes her hands on a napkin. 'Right after I told her about the interview. She sent me one about great whites. Said something about facing fears.'

'Subtle.'

'About as subtle as your interview techniques.' She eyes your notebook, still tucked away. 'Not writing anymore?'

'Memory's better when I'm walking.' You tap your temple. 'Also, harder to write about blue tongues while walking.'

'Still blue?'

'Devastatingly so.'

She sticks her tongue out at a passing window, checking her reflection. 'Oh god, it's worse than I thought.'

'Crisis?'

'Please. I once had to perform with my hair half-green because of a dye mishap. This?' She gestures to her mouth. 'This is nothing.'

'Half-green?'

'Not going in the book.'

'Already mentally drafting the chapter.'

She groans. 'I'm starting to regret this whole walking thing.'

'Because of the blackmail material or the exercise?'

'Both. Neither.' She pauses by a small fountain. 'It's just... nice.'

'Nice?'

'Yeah.' She sits on the fountain's edge. 'No schedule. No plan. Just... walking and talking and eating questionably colored gelato with a stranger who probably thinks I'm having a quarter-life crisis.'

'Are you?'

'Having a crisis or eating gelato?'

'Now who's deflecting?' 

And she pauses again, caught.

She dips her fingers in the fountain water, watching the ripples. 'Maybe I just wanted one normal evening. One conversation that wasn't prepackaged and pre-approved.'

'Mission accomplished, I'd say. Your tongue is literally blue.'

That startles a laugh out of her. 'You're never letting that go, are you?'

'It's going to be a running metaphor throughout the book. Deep, meaningful parallels between blue gelato and the human condition.'

'You're terrible at your job.'

'I'm excellent at my job. I got you to walk around Rome with blue teeth.'

'Is that the measure of success?'

'For this chapter? Absolutely.'

The street lamps are starting to flicker on, and the air has that peculiar Roman evening warmth that begs for a drink.

'Know any good bars?' she asks, as if reading your mind.

'Thought you'd never ask[2]. Fair warning though—my Italian's terrible.'

'Better or worse than your interview skills?'

'Much worse. But I can order Aperol Spritz in seventeen different ways.'

'Useful life skill.'

'More useful than relating to sharks.'

She shoves your shoulder lightly. 'One more shark joke and I'm leaving.'

'No, you're not.'

'No, I'm not.' She grins. 'Lead the way, worst Italian speaker.'

You find a tiny place tucked away from the main streets. The kind tourists don't know about, with mismatched chairs and a bartender who looks old enough to have served Caesar himself.

'Due aperol spritz, per favore.' You ask.

The bartender raises an eyebrow. 'Americano? Il tuo italiano è buono!' (your Italian was… apparently… good.)

'Peggio,' you say. 'Giornalista' 

(‘Worse. Journalist.’)

He laughs, already reaching for glasses. Karina slides onto a barstool, looking around with genuine curiosity.

‘He seems pretty impressed by your Italian.’

‘Oh trust me—he wasn’t. He just wanted to be nice. That’s all. The inflections are quite easy to catch.’

‘Alright, whatever you say. Giornalista—.'

You grin at her cute prod.

'How'd you find this place?' She asks; needless to say, she likes it here.

'Got lost my first night here––five years ago. It was either come in or keep pretending I knew where my hotel was.'

'And?'

'Woke up knowing exactly where my hotel was. And how to say "I'm sorry" in Italian.'

She laughs. 'That bad?'

'Let's just say there's a reason I stick to green tea now.'

The drinks arrive, vivid orange against the dark wood of the bar.

'To blue tongues,' you raise your glass.

'And bad Italian,' she clinks hers against it.

—

[1] The documentary in question was "Blue Planet II." Her sister still has the receipt for three boxes of tissues and a plush shark from the aquarium gift shop. The plush shark now sits in her studio, wearing a tiny version of her debut outfit. Her company has tried to mass-produce it twice. She's vetoed it both times.

[2] You were never this humble about your Italian until you talked to an Italian nonna. "Qui giace la dignità di un giornalista" (Here lies a journalist's dignity).

—

'Speaking of bad decisions—'

'We weren't.'

'We are now. Tell me about the green hair incident.'

'Absolutely not.' She takes another sip of her spritz. 'Some secrets I'm taking to my grave.'

'Come on. Half-green hair? There's got to be a story there.'

'There is. A great one. You're still not hearing it.'

'I'll trade you.'

'Oh?' She turns on her stool to face you fully. 'What could you possibly have that's worth my green hair story?'

'Remember when I said I learned to say sorry in Italian?'

'The plot thickens.'

'Let's just say it involved a fountain, three angry nuns, and a very patient carabinieri.'

She nearly chokes on her drink. 'You're making that up.'

'Want to bet your green hair story on it?'

'You know what?' She signals the bartender for another round. 'Fine. But if you're lying, you're buying drinks for the rest of the night.'

'Deal.'

'And no taking notes.'

'Now that's just cruel.'

'Professional hazard,' she mimics your earlier tone, then grins. 'Okay, storyteller. Dazzle me.'

The bartender sets down fresh drinks, and you lean in conspiratorially. 'So picture this: my first night in Rome, about five years ago...'

'Wait.' She holds up a hand. 'We need to establish stakes. If this story doesn't involve all three elements—fountain, nuns, and police—you're not only buying drinks, you're telling me where you actually learned to say sorry in Italian.'

'Counter-offer. If my story checks out, I get the green hair story plus whatever happened at that music show in Busan.'

Her eyes narrow. 'What music show in Busan?'

'The one you just reacted to.'

'That's... that's actually impressive.'

'Five years of professional nosiness at work. Deal?'

She clinks her glass against yours. 'Deal. Now stop stalling.'

'Right. So. Five years ago. I'd just finished an interview with this ancient countess at the bar. I mean, it’s the bar. Who else gets to interview a countess at a bar? That’s like crazy Bourdain-level shit right there.’

She nods along. 'Of course you did.'

'Anyway, she invited me to this wine cellar...'

'Oh no.'

'Oh yes. And mind you, I was already quite drunk. And she was very, very insistent about hospitality...'

Twenty minutes and much laughter later, you finish: '...and that's why you should never trust Google Translate to help you apologize to Italian law enforcement.'

She's wiping tears from her eyes. 'The part with the cat—'

'Hand to god. Still have the scars.'

'Okay.' She catches her breath. 'Okay, you win. That was worth it.'

'Time to pay up. Green hair. Spill.'

'Can I have one more drink first?'

'For courage?'

'So I can blame it on the drink.' She waves at the bartender. 'I still can't believe you showed those nuns your interview notes to prove you weren't a street performer.'

'Desperate times.'

'Speaking of desperate...' She takes a fortifying sip of her fresh spritz. 'Ever tried to fix green hair with grape juice?'

'No.'

'Don't.'

'There has to be more to this story than grape juice.'

'Oh, there's so much more.' She settles into her seat. 'Picture this: it's two hours before a live broadcast. I'm sitting in the makeup chair, feeling pretty good about life. You know, like that particular moment where your face just… shines. Then my stylist walks in, takes one look at my hair, and just... screams.'

'Screams?'

'Full horror movie scream. Turns out the hair dye we used was... let's say "not exactly approved by management."'

'Let me guess. DIY job?'

'Worse. My sister's friend's cousin who "totally went to beauty school."'

'Oh no.' You snort, taking a hefty drink of the remaining spritz.

'Oh yes. So there I am, one side of my head this bizarre shade of swamp-thing green, and everyone's running around like it's the end of the world.'

'Which is when someone suggested grape juice?'

'Actually, that was my idea.' She grimaces. 'I'd read somewhere that grape juice could neutralize green tones. What they failed to mention was that this works for swimming pools, not hair.' [1]

'So what happened?'

'Picture a very expensive wig, three cans of dry shampoo, and me trying to explain to the camera director why I couldn't turn my head to the left.'

'Did it work?'

'Define "work."' She takes another sip. 'If by "work" you mean "did I make it through the broadcast without anyone seeing the grape-juice-tinged disaster," then yes. If by "work" you mean "did I maintain any dignity," then absolutely not.'

'The fans never found out?'

'Oh, they did. Someone leaked a backstage photo three months later.' She grins. 'By then I'd managed to fix it. Mostly.'

'Mostly?'

'My sister still has a strand of green hair she saved. Threatens to post it whenever I don't answer her calls.'

'Effective.'

'Terrifying.' She raises her glass. 'Your turn again. What's the worst interview you've ever done?'

'Besides this one?'

She kicks your chair. 'I'm delightful and you know it.'

'You're something, all right.'

Three drinks in, and the bar's emptied enough that her laugh echoes a little too loudly. She covers her mouth, but it's too late – the old bartender shoots them an amused look.

'Sorry,' she stage-whispers.

'For what? The laugh or the fact that it just shattered three ancient Roman wine glasses?'

'Shut up.' She kicks your chair again. 'I don't always laugh like that.'

'Let me guess – there's a public laugh and a private laugh?'

'There's a whole taxonomy.' She sits up straighter, counting on her fingers. 'Interview laugh, variety show laugh, fan meeting laugh, oh-that's-not-actually-funny-but-you're-my-sunbae laugh—'

'Please tell me you're joking.'

'I wish.' She slumps forward, head on her arms. 'I once had to attend a laughing seminar.'

'A what now?'

'A laughing seminar. Professional instruction on the art of the public giggle.' Her voice is muffled against her sleeve. 'There was a PowerPoint and everything.'

'You're making this up.'

She lifts her head. 'I spent three hours learning about laugh-adjacent breathing techniques while a woman named Mrs. Kim hit a triangle every time someone laughed "inappropriately."'

You stare at her. She stares back.

'That's the most horrifying thing I've ever heard,' you say finally.

'I know.' She dissolves into another too-loud laugh, this one definitely not seminar-approved. 'God, I can still hear that triangle.'

'Is that why you're here?'

'Getting drunk with a biographer in Rome? No, that's just poor life choices.'

'Speaking honest truths to a stranger?'

'Oh.' She straightens up, but there's still something loose in her smile. 'Maybe. Or maybe I just really needed to tell someone about Mrs. Kim and her triangle of terror.'

'Triangle of terror.' You shake your head. 'That's going in the book.'

'Along with the blue tongue and green hair? You're really painting a picture here.'

'It's called character development.'

'It's called character assassination.' She signals for water. 'What else are you putting in there?'

'Wouldn't you like to know.'

'Actually, yes. That's literally why I'm asking.'

'Fine.' You pretend to flip through your mental notes. 'Chapter One: Sharks and Empathy—'

'Oh my god.'

'Chapter Two: The Grape Juice Incident—'

'I'm starting to regret everything.'

'Chapter Three: Laugh Taxonomies by Aespa’s Karina—'

'I hate you.'

'Chapter Four: Why Romans Don't Trust Her With Fountains Anymore—'

'That was you! That was literally your story!'

'Was it? Everything's getting a bit fuzzy.' You tap your temple. 'Must be all that professional memory I was bragging about earlier.'

She throws an olive at you. The bartender clears his throat.

'Sorry,' you both say in unison, then look at each other and start laughing again.

'You know what's really funny?' she says, once you've both contained yourselves.

'Mrs. Kim's triangle?'

'Besides that.' She accepts the water from the bartender. 'This is probably the worst interview you've ever done.'

'Oh, definitely.'

'And yet...'

'And yet?'

'It's the most honest one I've given.' She pauses. 'God, that sounded way less cheesy in my head. Must be the spritz talking.'

'Blame it on the altitude.'

'We're at sea level.'

'Blame it on the sea level.'

'You're ridiculous.' She's grinning though. 'Is this how all your interviews go?'

'Usually there's less gelato. More gravitas.'

'Gravitas is overrated.'

'Says the woman who attended a laughing seminar.'

'Hey, I'll have you know my triangle-approved giggle is very dignified.'

'Prove it.'

She sits up straighter, arranges her features into something serene, and lets out the most artificial laugh you've ever heard. It's so pristine it's almost disturbing.

'That was horrifying.'

'That was three hours of professional training.'

'I'm concerned about your profession.'

'Join the club.' She relaxes back into her natural posture. 'We have meetings every Tuesday. Bring your own triangle.'

The bartender slides over the check with a knowing look. Last call came and went without either of you noticing.

'Well,' you say, reaching for your wallet. 'I suppose this is—'

'Wait.' She puts her hand on your arm. 'I have a confession.'

'Another one? The green hair wasn't enough?'

'I read your book.'

'Which one?'

'The one about the ballet dancer who quit to become a motorcycle mechanic.'

'Ah.' You sit back. 'And?'

'And I maybe, possibly, completely changed my mind about this whole interview when I read it.'

'Because?'

'Because...' She fidgets with her empty glass. 'You made her sound so... human.'

'As opposed to?'

'A story. A headline.' She traces a pattern on the bar top. 'Most people would've written about the scandal, the career she "threw away." But you wrote about how she names each motorcycle she fixes. How she still dances in her garage at midnight.'

'Ah. That.'

'That.' She looks up. 'Is that why you haven't asked me about any of it?'

'Any of what?'

'Don't play dumb. The headlines. The speculation. The—'

'The triangle-approved responses you've probably rehearsed?'

She laughs, caught. 'Something like that.'

'Here's the thing about headlines.' You start gathering your things. 'They're usually more interesting than the truth.'

'And what's the truth?'

'That sometimes people just want to eat blue gelato and tell embarrassing stories in a bar and talk a biographer’s ears off.'

She kicks your chair again, barely noticeable. 'Even if those stories end up in a book?'

'Especially then.' You stand, offering her jacket. 'Though I might need you to sign a waiver about the grape juice incident.'

'I knew it! You are using it!'

'Chapter title: "The Perils of Amateur Chemistry: A Cautionary Tale."'

She shrugs on her jacket, shaking her head. 'You're impossible. That AI flair was so intentional'

'Says the woman who legitimately attended a laughing seminar.'

'I'm never living that down, am I?'

'Not as long as I have a functioning memory and a publishing contract.'

The Roman night is warm as you both step out of the bar. She stumbles slightly on the cobblestones.

You offer a hand which she quickly grabs.

'Don't you dare put that in the book,' she warns.

'Put what? The graceful interpretation of contemporary dance you just performed?'

'These streets are rigged.' She steadies herself. 'Also, your hotel's this way.'

'How do you know where my hotel is?' You’re not exactly one to remember locations, probably the reason you were able to gain such a repository of ridiculous stories.

'Because it's my hotel.' She grins at your expression. 'What? You think you're the only one who does research?'

'I'm concerned about your stalking tendencies.'

'Says the person who somehow knew about the Busan incident.'

'Professional hazard.'

'You really need new catchphrases.'

The walk is quiet, comfortable. Rome at night feels like a different city—all golden lights and shadow play. A cat watches you pass from its perch on a window sill.

'Don't even think about it,' she says.

'About what?'

'Making some poetic comparison between me and that cat.'

'Please. I'm a much better writer than that.'

'Sure you are, shark whisperer.'

You reach the hotel entrance. She pauses.

'Well,' she says. 'This has been...'

'Professionally catastrophic?'

'I was going to say enlightening.'

'That too.'

The hotel lobby is all marble and soft lighting. Your footsteps echo slightly.

'I have a balcony,' she says suddenly. 'And a really pretentious coffee machine I can't figure out.'

'Is this a cry for help with appliances?' 

'This is...' She fidgets with her room key. 'This is me not wanting the interview to end yet.'

'The interview ended somewhere between blue gelato and the triangle story.'

'Then what's this?'

‘Believe or not, some people just like having fun on their Italian vacation.’

‘Haha. Very funny.’

'This is...' You pretend to consider. 'Two people who might be friends if one of them wasn't writing a book about the other.'

'Complicated.'

'Professional hazard.'

'There's that phrase again.' She presses the elevator button. 'Come on. I'll teach you how to laugh properly.'

'With or without the triangle?'

She steps into the elevator. 'Depends on how good you are at making coffee.'

'Now who's the impossible one?'

The doors start to close. She holds them.

'Coming?'

You join her in the elevator. 'For the record, I'm excellent at coffee.'

'For the record,' she mimics your tone, 'that's going in the book.'

Her room is on the top floor, with a view that makes you understand why people write poetry about Rome.

'So,' she says, fighting with the coffee machine. 'This button makes it angry, and this one makes it hiss.'

'Move over, amateur.' You reach around her to press a combination of buttons. The machine purrs to life.

'Show off.' But she's smiling as she heads for the balcony. 'Bring your coffee wizardry out here when it's ready.'

The balcony is small, just enough room for two chairs and all of Rome spread out below. She's curled up in one chair, shoes off, looking more real than she has all day.

'Your professional opinion,' she says as you hand her a cup. 'Is this going to be a good book?'

'Depends.'

'On?'

'On whether you let me keep the shark metaphors.'

She laughs into her coffee. 'You're never letting that go.'

'Never.' You take the other chair. 'Though I might be willing to negotiate.'

'Terms?'

'Tell me something nobody knows. Something that won't make the book.'

She's quiet for a moment, looking out at the city lights. 'I sing in the shower.'

'Everybody knows that.'

'No, I mean...' She turns to face you. 'I sing the old songs. The ones I used to practice when I was just some kid in Bundang with a dream too big for my voice.'

'And?'

'And sometimes I still feel like her. That kid. Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Wow.' You let out a low whistle. 'That was incredibly profound.'

She groans, covering her face. 'I know. I'm sorry. That was straight out of a drama script.'

'I was thinking more indie movie. You know, the kind where people have deep conversations on balconies in Rome at—' you check your watch, '—one in the morning.'

'Oh god, we're living a cliché.'

'Complete with coffee and two chairs overlooking Rome.'

'Quick,' she straightens up, 'say something unprofound. Save us from ourselves.'

'My tongue is still kind of blue.'

She peeks at you over her coffee cup. 'Mine too.'

'Better?'

'Much better.' She slouches back in her chair. 'Though now I'm thinking about how this would look in your book. "Two idiots with blue tongues have existential crisis on expensive balcony."'

'Don't forget the part where one of them somehow charmed a coffee machine.'

'And the other one used to sing in her shower.'

'Still,' you correct. 'Present tense.'

'Still,' she admits. 'But if you put that in your book, I'll have to tell everyone about your fountain incident.'

'Mutually assured destruction. I like it.'

She yawns, then looks embarrassed. 'Sorry. It's not the company, it's—'

'The five Aperol Spritzes?'

'That. And the emotional toll of remembering Mrs. Kim's triangle.'

'Tragic backstory,' you nod solemnly. 'Very character-building.'

'Speaking of character-building...' She sets down her empty cup, turns to face you fully. 'This is usually the part in your books where something significant happens.'

'Is it?'

'Mm. Chapter twelve. Always a turning point.'

'You really did read my books.'

'I told you that already.' She's closer now, somehow. 'What I didn't mention was that I figured out your pattern.'

'My pattern?'

'The way you write moments like this.' Her voice is soft. 'When everything gets quiet, and the city's just background noise, and someone's about to do something...'

'Inadvisable?'

'I was going to say brave.'

'Brave is just inadvisable with better PR.'

She laughs, barely a whisper. 'You're deflecting again.'

'Professional—'

'If you say "hazard" right now,' she cuts in, 'I'm going to throw you off this balcony.'

'That would be...'

'Inadvisable?'

'I was going to say "terrible for my book sales."'

She's definitely closer now. 'Your book sales are about to be the least of your problems.'

'Because you're going to kiss me or throw me off the balcony?'

'I haven't decided yet.'

'Well,' you murmur, 'for what it's worth, one of those options would make a much better chapter twelve.'

She closes the distance between you, smiling against your lips. 'Professional hazard.'

You and Karina shared an instant spark that neither of you had experienced. Ever. The moment that first tease left your mouth, it was over.

—

[1] The sentiment of grape juice being able to eliminate green tones turned out to be completely unfounded. Despite this, wine sommeliers around the world have complained about Koreans with their distinct accent asking about grape juice’s ability to change colors.

—

The kiss tastes like coffee and Aperol and something sweet—probably the remnants of that ridiculous blue gelato. It's soft and quiet and perfect, the kind of moment that would sound made up in a book.

She pulls back slightly. 'Your editor's going to hate this.'

'Definitely.' You tuck a strand of hair behind her ear. 'Completely unprofessional.'

'Thoroughly inadvisable.'

'Absolutely perfect for chapter twelve.'

She kisses you again, and Rome keeps existing below, indifferent to your small moment of magic. Somewhere in the distance, a church bell chimes twice.

'You know,' she whispers, 'this is usually where you'd write something profound about the city of love.'

'That's Paris.'

'Now who's deflecting?'

'Still you. But I'm starting not to mind.'

She laughs, soft and real—definitely not triangle-approved—and rests her forehead against yours, your breaths intermixing, plenty of intimate eye contact. 'Is this going in the book?'

'What do you think?'

'I think...' Her fingers find yours. 'I think some stories we get to keep for ourselves.'

'I think some stories we get to keep for ourselves.'

'Even after I charmed your coffee machine? That's cold.'

She makes a face. 'You're really bringing up coffee machine prowess right after—'

'Right after you thoroughly compromised my journalistic integrity? Yes.'

'Your journalistic integrity was compromised the moment you let me eat blue gelato.'

'My journalistic integrity was compromised the moment I saw you.' You run your thumb across her knuckles.

Her eye contact wavers and her voice falters, ‘Gosh, you’re such a player.’

‘Flirting has never come so easily before.’ You whisper against her mouth.

'Oh really?'

'Obviously.'

'Which was?'

'Stare at that blue tongue some more.’'

She shoves you lightly. 'You're terrible.'

'And yet.'

'And yet.' She settles on your lap, the forehead to forehead more natural now. 'So what happens now?'

'Well, traditionally, this is where I'd write something about dawn breaking over the eternal city—'

'Please don't.'

'—with golden light catching on ancient stones—'

'I'm begging you to stop.'

'—as two souls find each other under the Roman sky—'

She claps a hand over your mouth. 'I will literally pay you to not finish that sentence.'

You kiss her palm before she pulls it away. 'Isn't that technically bribery?'

'Add it to the list. Right after "compromised journalistic integrity" and "suspicious coffee machine expertise."'

'Speaking of compromising situations...' You glance at your watch. 'It's almost three AM.'

'Worried about your reputation?'

'Worried about your triangle-approved schedule.'

'Bold of you to assume I ever sleep.' She stands, stretching. 'Want to order terrible room service and you can tell me about all the other journalists you've scandalized?'

'That's a very short list. Very enticing regardless.’ 

'Good.' She holds out her hand.

The night air has turned cooler, carrying the faint scent of jasmine from somewhere below. Her fingers trace the collar of your shirt, hesitant but deliberate.

'What happened to room service?' you murmur.

'It can wait.' Her eyes meet yours, playful but wanting. 'I'm conducting my own interview first.'

This kiss is different from the first. Slower, more certain. The city hums below, a distant lullaby of late-night cars and echoing footsteps. When she sighs into the kiss, it's the softest sound you've ever heard. When she falters against your forceful touches, it’s the softest you’ve ever felt a woman.

She pulls back just enough to breathe, her forehead resting against yours. Her heartbeat is quick under your palm.

'Better than chapter twelve?' she whispers.

You catch her lips again in answer, feeling her smile. The wind stirs her hair, sending strands brushing against your cheek. Everything smells like jasmine and coffee and her perfume—something subtle and expensive that you'll probably spend the rest of your life over-romanticizing.

Because that’s what Karina deserves.

Rome stretches out endless and ancient around you, but all you can focus on is how perfectly she fits against you, how real she feels away from cameras and crowds.

Your lips find hers in the dark, soft and certain now. Her fingers trail up your neck, threading through your hair, pulling you closer. There's an art to the way she kisses—deliberate yet desperate, like she's trying to memorize the moment. Your hands settle at her waist, and she makes a small sound that you know you'll remember forever.

Her lips part against yours, deepening the kiss until you're both breathless. The balcony railing presses into your back—when did that happen?—and her body is warm against yours, fitting perfectly in all the spaces between.

Her teeth graze your bottom lip, teasing. You respond by trailing kisses along her jaw, feeling her pulse jump under your lips. When you find that sensitive spot just below her ear, her sharp intake of breath makes you smile against her skin.

She pulls back just enough to meet your eyes. Her lips are slightly swollen, her careful composure beautifully undone––hair spread everywhere, but just so that she looks ethereal rather than messy. You brush your thumb across her lower lip, and she catches it with her teeth, playful even now.

‘Still planning to put this in chapter twelve?’ she whispers, breathless.

Your answer gets lost somewhere between her lips and… her lips.

Her laugh vibrates against your lips when you finally break apart. ‘We should probably—’

‘Go inside?’ Your lips find the curve of her neck again.

‘I was going to say breathe.’ But her head tilts back, giving you better access. Her pulse flutters under your kiss like a trapped bird. ‘Though inside works too.’

You pull back just enough to look at her. Hair mussed, eyes bright, that perfect composure completely undone. She's never looked more beautiful than she does right now, with the city lights catching in her eyes and her professional smile nowhere to be found.

‘What?’ she asks, suddenly self-conscious.

‘Just thinking.’

‘About?’

‘How this definitely isn't going in the book.’

Her smile turns mischievous. ‘No?’ Her fingers trace patterns on your chest. ‘Not even a little mention of how you completely forgot about journalistic integrity the moment I—’

‘Then chapter 12 would entirely consist of me betraying my profession in order to catch your lips with my teeth.’

‘Wow. You’re bad. Like, real bad.’

‘You have no idea.’

You cut her off with another kiss, swallowing her laugh. Her hands slide up your chest, around your neck, pulling you impossibly closer. The world narrows to just this: her lips on yours, her body pressed against you, the soft sounds she makes when you run your fingers down her spine.

‘Inside,’ she murmurs against your mouth. ‘Before we really give Rome something to talk about.’

You let her lead you through the balcony doors, both of you stumbling slightly, unwilling to break contact. She tastes like promises now, like stories yet to be written. Her hands are everywhere—your hair, your chest, your face – like she's trying to read you by touch alone.

‘Wait,’ you manage, as her lips find that spot below your ear that makes thinking difficult. ‘What about—’

‘If you mention room service right now,’ she warns, ‘I'm going back to my original plan of throwing you off the balcony.’

‘I was going to say 'what about your triangle-approved image?'’

She pulls back, eyes dancing. ‘Oh, that?’ Her lips brush yours, teasing. ‘I think we thoroughly compromised that at the first meeting.’

"Professional hazard?"

"Shut up," she whispers, and kisses you again.

She sighs into your mouth, a soft, vulnerable sound that makes your heart stutter.

Her fingers tangle in your hair, nails scraping lightly against your scalp, sending shivers down your spine. You walk her backward until she's pressed against the wall, her body arching into yours.

You trail kisses down her neck, learning her— the spot beneath her jaw that makes her gasp, the curve where neck meets shoulder that makes her fingers tighten in your hair. Her pulse races under your lips, a rapid drumbeat that matches your own. When you find a particularly sensitive spot, her sharp intake of breath is the sweetest sound you've ever heard.

She tugs you back up to her mouth, kissing you like she's trying to tell you something words can't capture. Her lips are soft but insistent, moving against yours with a rhythm that makes you dizzy. One of her legs hooks around yours, pulling you even closer, and you groan into her mouth.

Her hands frame your face now, thumbs stroking your cheeks as she kisses you deeper, slower, like she's trying to memorize every second. You respond in kind, pouring everything you can't say into the kiss—how beautiful she is like this, how real, how perfectly she fits against you.

When you finally break apart, you're both breathing hard. Her lips are swollen. You rest your forehead against hers, sharing the same air, neither of you willing to move away.

"Still thinking about the book?" she murmurs, voice husky.

You answer by catching her lower lip between your teeth, gentle but playful, and feel her smile against your mouth.

Her smile against your mouth turns into a soft laugh. "I'll take that as a no."

‘Take it as whatever you want.’ Your lips find her temple, her cheek, the corner of her mouth. ‘I stopped thinking about the book long ago.’

She hums contentedly, her fingers tracing patterns on the nape of your neck. ‘Good.’ Her other hand is still tangled in your shirt, keeping you close. ‘Because I have a confession.’

‘Another one?’

Instead of answering, she kisses you again, slow and deep. Her tongue traces your lower lip, and you respond by pressing her further into the wall, swallowing the small sound she makes. One of her legs is still hooked around yours, and when she shifts slightly, the new angle makes you both gasp.

‘That wasn't a confession,’ you murmur against her lips.

‘No?’ Her teeth graze your earlobe. ‘I thought I was being pretty clear.’

Your hands slide to her waist, steadying her. She's intoxicating like this, all careful control abandoned, her public persona nowhere to be found.

‘Jimin,’ you breathe, and feel her shiver at the sound of her real name.

Her response is to pull you closer, kissing you like she's trying to say everything without words. Her lips are soft but certain against yours, and you lose yourself in the feeling—the warmth of her body, the subtle scent of her perfume.

The city continues its nighttime symphony outside, but in here, the only sound is your shared breathing and the soft, desperate noises she makes when you find that sensitive spot on her neck again.

She pulls back slightly, just enough to meet your eyes. In the dim light, her gaze is soft, unguarded. Her thumb traces your lower lip.

‘What?’ you ask, voice rough.

‘I'm trying to decide something.’

"Whether to throw me off the balcony? Because I thought we moved past—"

She cuts you off with another kiss. Her hands cup your face, holding you there as she explores your mouth with a thoroughness that makes you dizzy. You respond by feeling her firm and perky ass.

‘No—,’ she moans when you break apart for air. ‘I'm trying to decide if this is real.’

Instead of answering, you trail kisses down her neck, feeling her pulse jump under your lips. Her head falls back against the wall, giving you better access. When you reach her collarbone, she makes a sound that's half-sigh, half-moan.

‘Feels real enough,’ you murmur against her skin.

Her laugh is breathy, unsteady. ‘I meant—’ She gasps as you find a particularly sensitive spot. ‘I meant this. Us. This whole night.’

You lift your head to look at her. Her lips are swollen from kissing, her carefully styled hair a mess from your fingers. She's never looked more beautiful.

‘If you think I did all of this for the fun of it, you’re clearly missing something.’

‘A gear in the head?’

‘Definitely—’

‘Gosh, how do I allow this sort of petulance?’

‘Because it’s me.’

‘You’re a player.’

‘Only for you.’ You catch her lips, even more wanting—and she forfeits it all. 

You pick her up, mussing up her perfect outfit, mussing up her perfect lips. And you finally throw her against the bed.

‘You’re really roughing up Prada’s global ambassador.’

‘And ambassador to a dozen other brands worth billions—couldn’t care less.’’ 

She smirks, and her arms open, waiting, pliant, obedient.

You rip off your buttoned shirt, tear off your pants; now, there’s truly no way of going back.

‘Wow. That scar is a lot larger than I imagined.’ She’s referring back to the scar that you received during that drunk haze of a night.

‘It was dark. Might’ve even been a lion.’ 

‘Mm. Heroic. Come here.’

Now, who could ever resist that?

You rip off her clothes, each layer even more decadent than the other. And then, she was there. bra barely containing her breasts, and a layer of dampness along her sexy panties.

‘That was expensive, by the way.’

‘I’ve got a payment plan on course.’

‘Mm. Enlighten me.’

You pull her panties to the side.

She’s dripping wet, nectar spooling right on her pink core. A glorious sheen that makes you stare far longer than you should’ve. She’s red-faced at this point, and her forearms cover most of her sight, and yet, she doesn’t move, doesn’t retreat. 

The first lick you place, just a brush against her engorged clit, crumbles every self-regulated triangle-approved behavior she has. Two pants turn fifty, one lick crumbles everything. Her hips coax you in ways gymnasts can’t even replicate, and of course, you oblige.

Soft licks, teases around her outer lips, swollen from all the anticipation and arousal; tonguing at her inner lips, just at the crux of her clit, gets her screaming in ways her deep voice would never register; and above all, she’s orgasming, squirting, losing every pretense in favor of her built up lust. 

‘Oh~fuck—’

Her fingers find purchase in your hair, and she softly pulls you in—rides your face like it was all that she ever desired: her eternal wish.

‘Ohmygod! Imcumming!’ Her voice turns mousy, and her pupils go back in pure pleasure, coupled with hip movements thought impossible: this was the greatest pleasure of her life.

You grab her chin, squeeze softly, her cheeks molding to your grasp, and you press a soft kiss right on her kiss-bruised lips. You let her taste herself on your tongue.

‘Good. Right?’

And she nods. A complete personality switch from the playfulness she displayed earlier. Delicate.

Her hands land on your boxers as she melted into your kiss. Once you felt her palm your cock, you groaned right in her ear. She starts softly, stroking. But her strokes grow more all-encompassing as you press harder into the kiss.

‘Fuck. You’re so good for me.’

She mewls back, on the gradient slide of unadulterated pleasure.

Softly, you release your shaft from the boxer. And you press your cock right on her core. Feeling the wet heat, the sticky nectar that pooled to a mindbreaking degree. 

‘It goes without saying.’

‘That I’m head over heels for you?’

You grin, ‘Well, that too, but you’re hopeless.’

‘Maybe if we weren’t so compatible.’

You grab a breast, palming it, ‘Well that, that too, goes without saying.’

She smiles, so warmly, every trace of everything else melted off her face––the sort of smile you’d never forget, and the sort of smile you’d want to wake up to… forever.

Finally, you press into her, and her wet heat envelops you, enough to make you groan, enough to make her moan like there’s no greater pleasure––because really, there’s nothing else.

Her pussy clings onto you, a wet suction that is immeasurably soft and yet, a vacuum-seal-like tightness that gets you groaning after every thrust.

Her arms cling to you, and her eyebrows knit, her small face full of emotion—all of it processing how good you fuck her.

‘Oh god. Would it be bad that I want you to declare to the world that you own me?”

‘Chapter 12—’

She cuts you off, ‘Something along the lines of: “Chapter 12: Karina is my fuckslut”’ 

‘I don’t tolerate Karina disrespect.’ You say, truthfully.

‘Even if it’s by myself?’

‘Especially for that case, sweetheart.’

‘Oh… you’re too good.’

‘You’re blind.’

Most popular idol in the world, and… she’s hopelessly down bad for you.

‘If I’m blind. Then you don’t have eyes—complete darkness.’

‘We’re two of the same.’

‘I’m your biggest fan.’

‘We’re two of the same.’

‘I love you.’

‘You have a way with words, Karina.’ You reply, pressing soft kisses along her jaw, whispering sweet nothings into her ear, thrusting into her harder, sharing breaths.

‘You’ve inspired me.’

And you lock lips with her, the thrusts were becoming a blur, and her moans music to your ears—it was all just… heaven.

There was no technique. Nothing too purposeful. It was all just pure affection, pure love guiding all your actions. And the fact that she’s cumming again was no coincidence.

‘Oh. My. Fucking. God!’ Her head goes back deep into the pillow and you follow suit. Pressing soft kisses that covered every square centimeter of her beauty, kisses that made her giggle even in her most orgasmic moment of her life. 

‘If I knew anything that felt like this… I’d be doing it constantly.’

‘Well—’

‘That’s right,’ Karina gives a soft peck, ‘I have you now.’ 

You could feel her heartbeat, her skin precipitate, and her cunt pulse—it’s just heaven at this point. 

‘Are you trying to convince me to follow you?’

‘2 years, finest in New York.’

‘Deal. Though you overbid a little.’

‘Meaning?’

‘Means anything you want, dear.’

The soft slick of her cunt made it nearly frictionless, just pure pleasure for both parties. Her hips gave way every time, an identity of its own, retreating when you thrust too hard, giving in when softer.’

‘Is this like a sugar mommy situation?’

‘Two words I never expected you to say.’ You both share a laugh.

‘I mean that’s what it is right?’

‘A power imbalance? Please. I can get you to buy a New York penthouse for me at this point.’

‘Well. You’re right. But—’

You bring your cock to the hilt inside of her, whilst stealing her lips for a deep kiss. She moans and mewls and gasps—music to your ears. You change positions. You bring her legs to your shoulders, and you begin kissing along her ankle while thrusting inside of her.

This time, you can see the full view. How her breasts bounce against the thrusts, how her slick has completely covered your entire length at this point, and how beautifully her face is framed between it all. 

Her mouth’s agape, moaning, giggling intermittently with the jokes shared through eye contact. You bite softly at her ankle then down her legs, to her calves, then releasing her legs altogether to kiss her again.

She fits perfectly against you, small and delicate but the perfect puzzle piece under you. She’s absorbent, aware of your needs, placing soft kisses along the ridges of your eyebrows, rubbing away the day’s fatigue along your jaw and temple. 

‘I love you.’

‘I love you too.’

‘I didn’t hear.’

You press against her, feeling her breasts spool against your chest, bring your thrust to the hilt, the wetness of her loins pressed against yours, all of them vividly apparent. ‘I love your beauty. I love your humor. I love how clever you are. I love how authentic you are. And I could continue on and on but I’m about to cum.’

Karina sniffled, ‘God, I was about to cry and then you say that.’ She softly smacks your shoulder, ‘just cum inside me and let’s cuddle.’

You oblige, the thrusts turn into a haze of pure pleasure, a desperate moment chasing the local maxima, and finally, you burst inside of her. Cum spooled, all inside her, and she moans so gracefully, staring at you with all the affection in the world.

‘We can worry about this tomorrow.’ She palmed your jaw.

‘Of course.’ You fall onto her, cuddling her.

Both of you are a mess, gross, bodily fluids spread everywhere, and yet, the both of you fell into a deep slumber.

A/N: I'd like to apologize for switching up styles so much (But if you enjoyed this dialogue-heavy work, then lmk!)

[chappydev]

I don't really think they're like, as useful as people say, but there are genuine usecases I feel -- just not for the massive, public facing, plagiarism machine garbage fire ones. I don't work in enterprise, I work in game dev, so this goes off of what I have been told, but -- take a company like Oracle, for instance. Massive databases, massive codebases. People I know who work there have told me that their internally trained LLM is really good at parsing plain language questions about, say, where a function is, where a bit oif data is, etc., and outputing a legible answer. Yes, search machines can do this too, but if you've worked on massive datasets -- well, conventional search methods tend to perform rather poorly.

From people I know at Microsoft, there's an internal-use version of co-pilot weighted to favor internal MS answers that still will hallucinate, but it is also really good at explaining and parsing out code that has even the slightest of documentation, and can be good at reimplementing functions, or knowing where to call them, etc. I don't necessarily think this use of LLMs is great, but it *allegedly* works and I'm inclined to trust programmers on this subject (who are largely AI critical, at least wrt chatGPT and Midjourney etc), over "tech bros" who haven't programmed in years and are just execs.

I will say one thing that is consistent, and that I have actually witnessed myself; most working on enterprise code seem to indicate that LLMs are really good at writing boilerplate code (which isn't hard per se, bu t extremely tedious), and also really good at writing SQL queries. Which, that last one is fair. No one wants to write SQL queries.

To be clear, this isn't a defense of the "genAI" fad by any means. chatGPT is unreliable at best, and straight up making shit up at worst. Midjourney is stealing art and producing nonsense. Voice labs are undermining the rights of voice actors. But, as a programmer at least, I find the idea of how LLMs work to be quite interesting. They really are very advanced versions of old text parsers like you'd see in old games like ZORK, but instead of being tied to a prewritten lexicon, they can actually "understand" concepts.

I use "understand" in heavy quotes, but rather than being hardcoded to relate words to commands, they can connect input written in plain english (or other languages, but I'm sure it might struggle with some sufficiently different from english given that CompSci, even tech produced out of the west, is very english-centric) to concepts within a dataset and then tell you about the concepts it found in a way that's easy to parse and understand. The reason LLMs got hijacked by like, chatbots and such, is because the answers are so human-readable that, if you squint and turn your head, it almost looks like a human is talking to you.

I think that is conceptually rather interesting tech! Ofc, non LLM Machine Learning algos are also super useful and interesting - which is why I fight back against the use of the term AI. genAI is a little bit more accurate, but I like calling things what they are. AI is such an umbrella that includes things like machine learning algos that have existed for decades, and while I don't think MOST people are against those, I see people who see like, a machine learning tool from before the LLM craze (or someone using a different machine learning tool) and getting pushback as if they are doing genAI. To be clear, thats the fault of the marketing around LLMs and the tech bros pushing them, not the general public -- they were poorly educated, but on purpose by said PR lies.

Now, LLMs I think are way more limited in scope than tech CEOs want you to believe. They aren't the future of public internet searches (just look at google), or art creation, or serious research by any means. But, they're pretty good at searching large datasets (as long as there's no contradictory info), writing boilerplate functions, and SQL queries.

Honestly, if all they did was SQL queries, that'd be enough for me to be interested fuck that shit. (a little hyperbolic/sarcastic on that last part to be clear).

ur future nurse is using chapgpt to glide thru school u better take care of urself

[jeanmoreautemple]

With The Golden Raven’s release date being Kevin’s birthday, it’s pretty much established that Kevin is gonna be a central character.

Do you think Nora is not gonna retcon this piece of the EC:

So far they haven’t talked and from Jean’s POV it seems very likely:

They are going to have the shared interview and Jean’s rumors are 100% gonna be brought up. I wonder if Kevin is gonna want to discuss the topic with Jean in private before, maybe to organize what Kevin has to answer, or afterwards. But last time a raven, Thea, brought up the subject in a very raven-y insensitive way, Jean had a panic attack and sent them away:

But does this mean they won’t properly talk until book 3? It would actually be pretty interesting to only have solo time with Kevin from Jeremy’s POV. It would also make Jeremy’s role as the bridge between them extremely relevant during the interview. And Neil! It seems Jean is gonna become closer and closer to Neil and Jeremy, both very important to Kevin, but distance himself from Kevin.

Much to think about.

[ishparpuaqib]

I feel like most people casually acquainted with prehistoric archaeology (and certainly all archaeology undergrads) ask themselves the following at least once—are Venuses real? like, does the typological category known as "Venus figurines" actually tell us anything meaningful about prehistoric art?

I believe the most honest answer is that it depends on the author. archaeology has a lot of vocabulary, but almost none of it is systematised, so there's a lot of diversity to how every term gets used in the literature. if "Venus" is taken to mean "any depiction of a human female made before the Neolithic", then no, obviously the term is meaningless—a category that includes That One Upper Palaeolithic limestone figurine of a pregnant woman from Willendorf, this ivory figurine of a prepubescent girl discovered in Laugerie-Basse (the first prehistoric figurine to be called a "Venus"), and this Early Mesolithic jet pendant from Monruz... is not a very useful one

but! if you, as I do, restrict the label "Venus" to—

figurines (i.e. excluding bas-reliefs and similar) that

are about the size of (or slightly larger than) an adult human palm (3,3"/8,4cm), and

show no signs of perforations that would suggest they could've been worn as pendants or jewellery (implying they had to be held or perhaps stuck into the ground when not stored away), that

depict pregnant or corpulent women, always with exaggerated breasts and hips and often with a defined vulva, but

no defined facial features, and seldom a head more defined than a stump (if the head is present/preserved at all)

you get a typological category that is both geographically and temporally compact: basically all known examples of prehistoric figurines that fit the above description come from continental Europe (cf. the central and eastern parts of it), and are dated to the Gravettian period of the European Upper Palaeolithic (c. 31,000 – 20,000 BCE). this is the place and time that produced both the Venus of Willendorf and the Venus of Dolní Věstonice, the two best-known and most analysed Venus figurines. the latter is interesting because Dolní Věstonice is also the site where this carved ivory head of a woman was found (speculated to represent a portrait of a woman buried near the site, a facial reconstruction of whom is available here), suggesting the lack of facial characteristics on the (contemporaneous) Venus figurine is quite deliberate

so like. What Does It All Mean? idk! I'm not convinced the Venuses represent prehistoric portraits—if they were supposed to act as portraits, why would their authors choose to leave out their subjects' faces? even if they were self-portraits, the widespread availability of natural reflective surfaces like water makes the lack of mirrors a non-issue (I'm regurgitating Michael Bisson's criticism of McDermott & LeRoy (1996) here). the size of the figurines makes me think they were used sparingly—a satisfying, if not very interesting possibility is that they were intended to serve as protective amulets during childbirth. I'm not necessarily opposed to the idea they're meant to represent deities of childbirth or fertility or what-have-you, though I'm against any further speculation on the character of these conjectural deities as a matter of principle

[stingingcake]

It's actually a really interesting part of history as it takes place right as the Vikings were sort of dying out as a way of life. It's one of the main themes of the first part, and it's not portrayed like a sad thing. They had more land and were Christianizing so the culture was changing.

At the start of the series, Thorfinn (the MC) winds up stuck with a viking mercenary band and it doesn't shy away from the bad things they do. He's just a kid stuck on revenge against the mercenary's band leader who killed his father. Thorfinn is pretty disgusted by it all because he was born in Iceland away from most of the violence (his family specifically went there to avoid violence). Iceland actually never really had any "Vikings", its mostly norse farmers, and Greenland was the same way. Like, nobody lived in Greenland or Iceland before the norse settled there, and the people who lived there went there specifically to avoid others either for opportunities in farming or to avoid issues with the law or others.

Later on in the series, Vahalla, is quite literally depicted as hell. The series doesn't show every atrocity, though it has some pretty gruesome violence. The Viking characters are all portrayed as pretty evil (with exception to Thorfinn's father who had a major change of heart and tried to find a way to atone).

So this scene is Gudrid, the daughter of people in Greenland, being shown the world by Lief Erikson, who wasn't a viking raider, but a Greenland trader (Or missionary if certain sources are to be believed).

I fell out of love with this series after a poorly timed time skip that caused all of the momentum to be lost, but the first two arcs are a powerful story about where revenge leads you and how to find redemption after doing terrible things. I think part of the reason you don't have as many people complaining about it like goblin slayer is for the same reason you don't have people complaining about Berserk, despite it's dark subject matter it tells a compelling story. It's not perfect, but idk. I imagine you would like the character of Askelad if only because he's my second favorite character and no spoilers, but there's a twist with him that deals with what you're talking about.

Source: Vinland Saga ヴィンランド･サガ

by Makoto Yukimura

[mariacallous]

“If it should be, and he came to London, with his teeming millions. … There may be a solemn duty; and if it come we must not shrink from it.”—Bram Stoker, Dracula

A vampire must avoid direct sunlight to avoid crumbling into ash, yet few folk horrors have been subject to more scrutiny than the transformative bloodsuckers who dominate the night. A new and absolutely terrific cinematic take on the myth, Robert Eggers’ Nosferatu, has hit theaters, and its most notable element, in addition to outstanding performances, dialogue, and production design, is that this new version really amps up the lusty goth quotient. (So much hallucinatory writhing and moaning!) However, its release so close to the inauguration of a U.S. president who has stoked fears of immigrants draws out xenophobic elements inherent to the text, and an inner tension with its own reactionary origin is part of the genius of this new film.

If you aren’t a subscriber to Fangoria magazine, you may not know the Nosferatu backstory. The first version, released in 1922, is a landmark of German filmmaking that plundered intellectual property as if it were the grave of a Victorian noblewoman buried with her jewels—a fate some of the characters in Dracula think has befallen poor Lucy Westenra, before it is revealed she is actually an accursed undead demon!

Unlike his most famous literary creation, though, Irish-born writer Bram Stoker does not walk the earth a century after his death. As such, the theater manager who wrote books on the side would likely be surprised at the strength of his legacy. Dracula, published in 1897, was only a modest success at the time. It was not even the first book about vampires published in English; how it became the wellspring for vampire iconography—to the point that is used to sell breakfast cereal—is perhaps due to vivid, dueling film interpretations.

In 1921, a German film producer with an interest in the occult created a new studio (Prana) with an eye toward making supernatural-themed films, and kicked things off with an adaptation of Dracula. He hired Henrik Galeen, who co-wrote the outstanding expressionist The Golem: How He Came Into the World, to write the screenplay, and F. W. Murnau—who would later make Sunrise: A Song of Two Humans, one of the undisputed masterpieces of silent cinema—to direct. But he did not pay for the rights to Bram Stoker’s book. Instead, Galeen changed the names of the characters (Count Dracula to Count Orlok) and the location (London to Wisborg, a fictional German city), and made some additional tweaks to the narrative. The title, Nosferatu, is a word used in Dracula to categorize vampires, meaning undead. (The etymology of this word remains debated, but it may have its roots in the Greek nosophoros, meaning “disease-bearing.”)

Nosferatu: A Symphony of Horror was released to significant acclaim, but one person who wasn’t happily chomping on popcorn was Florence Balcombe, Bram Stoker’s widow. An anonymous informant sent her a handbill from the movie’s lavish premiere at the Marble Hall of the Berlin Zoological Gardens. The promotional material boasted that the film was “freely adapted” from Dracula. Balcombe took this to court, won her case, and bankrupted Prana, which was ordered to destroy every copy of Nosferatu. Clearly, this did not happen, as you can still watch the movie today—and, despite the iffy ethical origins, you should; it’s terrific.

But what Balcombe did next was key. Springboarding off the increased interest in the story (and to guarantee proper payment on copyrighted material), she greenlit a stage production. The show ended up being a hit in London in 1927, then moved to New York later the same year. That version starred Bela Lugosi. Four years later, Lugosi reprised the role for Tod Browning’s film version for Universal Pictures, the first talkie in the Universal Monsters series. It was a sensation, and Lugosi’s sharp-toothed Transylvanian is now an early screen icon on par with Chaplin’s Little Tramp.

Other Dracula movies were soon in the works—a Spanish-language version was actually shot concurrently with Browning’s, using the same sets—and have never stopped. Hammer Studios in Britain made several classics starring Christopher Lee; there’s the Andy Warhol-presented Blood for Dracula; the disco era’s comedy Love at First Bite; Francis Ford Coppola’s stylistic version from the 1990s; and then there’s Adam Sandler’s Hotel Transylvania cartoons. Moreover, Lugosi knew a good gig when he saw it. The actor reprised his role for comedy (Abbott and Costello Meet Frankenstein—and also the Count!) and special appearances (a gig on Fred Allen’s top rated Texaco Star Theater radio show is just one example), and also starred in several Dracula-esque horror titles like The Devil Bat. While Lugosi’s lines from Dracula were instantly quotable (“I never drink … wine” is certainly my favorite), behind it all was the less hokey, dreamlike silent film version of Nosferatu, sprung from illicit origins and filled with striking sinister imagery.

Shadow of the Vampire, released in 2000, imagines that the original production was cursed because actor Max Schreck, who played Count Orlok, was truly a vampire. (Willem Dafoe was nominated for an Oscar for his performance of Schreck in this behind-the-scenes comedy, which is especially amusing because he plays the part of Prof. von Frantz, a spin on Stoker’s Dr. Van Helsing, in the new film.) Shadow of the Vampire’s premise—the cover up of an unsettling (fictional) aspect of the original Nosferatu—works because, while the intentions of Murnau and company are hard to know, it is easy to see how German audiences of the 1920s could read Nosferatu as antisemitic.

The film and its source material read like a laundry list of antisemitic tropes: The Count comes from “the East,” a backwards, superstitious land. (Transylvania, while certainly a real place, means “beyond the woods.”) He has somehow amassed a fortune despite living apart from the villagers who fear and despise him. He is a non-metaphorical bloodsucker. When he gets to civilization, he immediately starts preying on women. In most versions of the story, the first woman he assaults turns into a vampire herself, then starts draining the blood of babies and children, recalling the many examples of supposed blood libel used to excuse antisemitic violence throughout the previous centuries. When the character of Mina Harker (called Ellen Hutter in Nosferatu) is finally penetrated by the count, she declares that her blood is “unclean.” The Count’s curse demands that he sleep each night in the earth of his origin, but he comes up with a sneaky loophole by packing several coffins filled with Transylvanian dirt. One way to interpret the Count’s actions is metaphorical: The immigrants are unwilling to assimilate and they taint our family lines and drag their traditions along with them from the old country. But on a much more literal level, it is quite bluntly blut und bloden, blood and soil, a Nazi rallying cry since the 1920s that, unfortunately, persists to this day.

While these symbolic plot elements exist in the 1897 novel, it was the 1922 German film that dialed them up, adding some undeniable antisemitic visual tropes. Count Orlok, compared to the Spirit Halloween-ready Count Dracula, has a hooked nose and rodent-like clutching hands, an exaggerated reinterpretation of the Count’s features compared to how they are described in Stoker’s book. (Lugosi’s Dracula from 1931 eases up on the visual stereotypes considerably, but he does wear a six-pointed star the first time we see him.)

Murnau also added a plague element to Nosferatu’s storyline. When the Count’s ship comes to Wisborg, it arrives with rats and a rapidly spreading sickness. This “verminization” goes hand-in-hand with the notion of the “dirty Jew.” It is believed that Julius Streicher, editor-in-chief of the Nazi mouthpiece Der Stürmer, was a fan of the film, and Hitler himself, in Mein Kampf, compared Jews to vampires.

So hold on a second, you are telling me that a major motion picture studio has released a work of antisemitic propaganda, and it’s in theaters right now? Do I need to send an angry letter? No, not at all. Please do not cancel Robert Eggers, one of the more brilliant directors on the scene today, whose take on Nosferatu tamps down the antisemitism. (This is his fourth film, following The Witch, The Lighthouse, and The Northman, all very sharp plays on genre storytelling, and all worth watching.). Now, Count Orlok just has a weird and striking nose, not a hook nose. He is also less of a schemer. He is compelled to come to Wisborg, as if it is part of his burdensome curse. If one were to ask, “Why make this movie again?” I’d say that, apart from the exemplary sets and performances and cinematography, Eggers emboldens the supernatural, psychosexual connection between the Count and Ellen. Yes, the town leaders of Wisborg—ostensibly the heroes—remain understandably xenophobic. But Eggers adds a top layer of tragedy, by making the subtext text: The Count and Ellen should be able to get their telepathic freak on, but the social codes of the 1830s are so stifling that even the Prince of Darkness can’t fight them. This creates a tension to the story (and its anti-immigration strain) that feels entirely new.

Considering that hardly anyone watching the new Nosferatu will be unfamiliar with vampire tropes, Eggers is well within his rights to essentially copy-paste elements from the more problematic version and build on it. The added shading, leaving the audience wondering if maybe the Count isn’t such a villain, is enough nuance to keep this from feeling like a definitive political statement. After all, the first thing you’ll likely talk about after seeing it is Ellen’s (Lily-Rose Depp) several moments of bed-ridden, prurient murmuring “he’s coming!” from a dream-like haze. For a director who has made three sharp movies dealing with the supernatural or fantastic, this story is in Eggers’ blood.

10 Vampire Streaming Recommendations

Nosferatu: A Symphony of Horror (1922), dir. F.W. Murnau: The original nightmare.

Dracula (1931), dir. Tod Browning: The birth of a franchise. Warning: Though there are many classic moments, much of this movie is dull.

Dracula Has Risen from the Grave (1968), dir. Freddie Francis: The third Christopher Lee Dracula picture, and one that likely influenced the new one—as it was, for its time, a bit on the randy side.

Blacula (1972), dir. William Crain: An 18th century African prince is transformed into a vampire by Count Dracula himself, and ends up in 1970s Los Angeles. Released during the first wave of blaxploitation films, this was the first one to get supernatural.

Love at First Bite (1979), dir. Stan Dragoti: The Count comes to groovy New York and is faced with nonstop schtick. Richard Benjamin plays the famed vampire hunter Van Helsing’s grandson, a neurotic shrink named Dr. Jeffrey Rosenberg.

Nosferatu the Vampyre (1979), dir. Werner Herzog: Before Eggers, there was this German-language take focusing on Count Orlok. A slow-paced film that goes heavy on the plague storyline, featuring a substantial number of rats.

Bram Stoker’s Dracula (1992), dir. Francis Ford Coppola: Gen X Dracula, with Winona Ryder, Gary Oldman, and Keanu Reeves.

Thirst (2009), dir. Park Chan-wook: Not a Dracula film, but an unpredictable spin on the vampire myth from one of South Korea’s great filmmakers.

Only Lovers Left Alive (2013), dir. Jim Jarmusch: Cinema’s king of deadpan cool presents artists and rock musicians as vampires eternally on the fringes of society. (A documentary?)

El Conde (2023), dir. Pablo Larraín: Perhaps of particular interest to Foreign Policy readers, this Spanish-language picture, available on Netflix, suggests that Augusto Pinochet was actually a vampire, and takes it from there.

[tojisth3rdwife]

JJK men as content creators

Toji: very unserious fitness vlogger/foodie

Toji was no stranger to exploitation for financial gain. Nor did he have any shame over it. The idea to start making content stemmed from people approaching him in the gym for advice after seeing his impressive physique.

He wasn't much of a talker, although his dry sense of humor became his trademark along with his abs, so the majority of Toji’s content consisted of workout and nutrition advice. None of it he recommended anyone do since he wasn't a professional, stating that if it didn't work for you, don't go blaming him for it. One of his most popular segments was when he went to different restaurants in the area for food reviews on his cheat days. When owners noticed how a position review from him brought in a lot of business, they stopped charging him meals if he ever returned. And we all know how much Toji loved that.

"Alright, listen up. You want results? It’s not about fancy machines or trendy diets. It’s about putting in the work and pushing your limits. No shortcuts. Just grit and grind. Today, we’re hitting those weights hard and showing those excuses the door. Let’s get it."

Nanami : cooking/ASMR

Upon first impressions, one would think Kento wasn't the type of person who uses social media. He had Facebook like most millennials and has an Instagram but barely uses it. He wasn't the type to share his life with the world in that way and found the concept too invasive and troublesome for him to be bothered with. “What the point of telling strangers what I'm doing? I have no interest in what anyone else does.” he’d say.

But one day after allowing one of the teachers at Jujutsu High to try one of his homemade baked creations, it was suggested that he had his cooking show. Noting that he has the wholesome ‘husband/boyfriend’ aesthetic going for him, as well as a voice that sounded like a hug from behind after a long day at work. Kento started his channel slowly walking viewers through his favorite recipes , as well as some new ones he’d been meaning to try, while speaking gently into a highly sensitive mic that added an ASMR element to every video.

He doesn't show his face, feeling the anonymity made him most comfortable to be himself, but the way his audience swooned over the fixed view of him in his button-up and apron with the sleeves rolled up his veiny forearms, or his deft hands/fingers as he used a knife or kneaded dough.

Kento earned himself a whopping 400k subscribers in less than a year.

"Welcome back, everyone. Today, we're going to create something simple yet satisfying. Just listen to the gentle sound of the flour as it sifts through my fingers... The perfect blend of precision and comfort. Let’s start our journey into baking together, one soft whisper at a time."

Geto - podcast bro , the toxic kind

We all know with the global pandemic came the need for creative streams of income. Especially via social media. With somewhat of a platform of his own, being a cult leader and all, Suguru was approached by his daughters with the idea to reach more people by starting a podcast. Skeptical at first, Geto wasn't very enthusiastic about the idea of getting in front of a camera just to talk for an hour.

But with his dashing good looks, easygoing personality, and controversial views, it was no surprise that he amassed such a fanbase overnight. His show consisted of him tackling hard subjects, discussing world news, and hot topics, reading fan mail, and offering his candor, as well as having the occasional guest that may or may not know what they got themselves into.

"Welcome back to the show, everyone. Today, we’re diving deep into the topics no one wants to touch..the uncomfortable truths and the gray areas that challenge our perceptions. Let’s be real: society loves to paint everything in black and white, but the reality is far more complex. So, buckle up as we unpack some hard-hitting ideas that might just make you rethink everything. And remember, if you can’t handle the heat, youre probably a monkey."

Gojo- vlogger, travel, fashion, aesthetic, hauls.

Being someone who comes from money, old money at that, Satoru has access to more cash than he knows what to do with. So it's no surprise that outside of work( and sometimes for work), he spends his days traveling and shopping.

Vlogging came easily for him since he enjoyed talking about himself so much anyway, and with an audience so invested in his daily life, Satoru recorded everything. Him waking up. His skin/hair routine. What he ate in a day. Going on missions. Comedic skits with some of the first years who would participate. Travel vlogs and clothing hauls. There was a little bit of something for everyone on his page.

“Whats good my faves, its ya boy Satoru..back at again with another clothing haul. Im fresh off the plane from when I was Paris for fashion week, link to that vlog in the top right hand corner, and man am I jet lagged. But I wanted to show you all what I brought back while I have the time..”

Megumi- gamer/streamer on twitch.

After a talk with Gojo about him needing to find things to do outside of trying to advance as a sorcerer, Megumi picked up video games as a hobby. He was gifted a gaming PC and a PS5 by his mentor and began playing to blow off some steam after training. When he was injured after a mission, Megumi had not much else to do. Yuji was the one who suggested he stream on Twitch after watching him beat an entire game that took most people days in one night, praising him on his skills and suggesting letting others watch him play too.

After a while, his obsessive need to be good at everything he tries turned into him becoming one of the top-watched gamers. His dry personality and snide comments made for entertaining dialogue during game play and he often would give his critique on the game once he’d beaten them. He’d even get chances to be a beta player for unreleased game demos.

“The graphics were ok. Combat mode is a little glitchy but overall it’s a decent game. If this is just the demo, I’m interested in what they’ll do for the full game release. Otherwise I gave it a 7 out of 10.”

Sukuna- reactions

This started as a joke when his nephew wanted him to react to some viral trend and while the king of curses was rarely impressed, his archaic way of expressing himself was what made people most interested in his opinions.

Sukuna began a series of reactions where he sat upon his throne, gazing at the camera with all four eyes blazing with contempt and boredom as he watched viewer recommendations. Those ‘try not to laugh’ challenges were his most viewed.

If something managed to make him smirk or even chuckle, he gave it 4 thumbs up and would congratulate the OP for their talents in entertainment. Majority of his audience was comprised of women between the ages of 25 and 40. He acts like he has no clue why.

"This is, without a doubt, the most extravagant display of foolishness I've ever witnessed in my life. Yet, I recognize that many humans find cats charming and entertaining, so I suppose this video could be seen that way. Regardless, it's utterly pathetic. On to the next video..."

[soft-beams]

Hellooooooooo

Ok first off I LOVE YOUR WORK THERE SO GOOD AND SO WELL WRITTEN THAT I WANNA EAT THEM TO GAIN POWER

Second I wanna submit a request if that’s ok

An x reader with Vi where the reader is touch repulsed but at the same time touch staved?? How would Vi react to that and how would they as a couple get through it and make reader comfortable with being touched in an affectionate way ?

I have no clue if this makes sense

This is me self reflecting and it shows I’m sorry

If you don’t want to write it I completely get it you don’t have to if you don’t want too.

Thank you

aah thank you so much, lovely!! YOU'RE TOO KIND!!! and this was such an interesting prompt to get, thank you for sending it!! hope you enjoy!

vi notices that you don't like being touched.

she sees how you shy away from her hands, how you can only last in a hug for a second before you need to escape.

it confuses vi in the beginning, makes her wonder if it's her fault somehow. maybe she's too rough, too heavy-handed. maybe you can only tolerate her from a distance; only allowing her to get close for a moment before it's too much.

it hurts; it fucking does.

and it leads to an argument that has both of you screaming at the top of your lungs. she's furious and confused, and you're furious and crying. it doesn’t end until you're storming out of your shared home, disappearing for hours.

you don't come home until it's midnight, and by that point, vi's called everyone that she knows if they've seen you. she's about to go out herself when the front door suddenly opens, revealing a puffy-eyed and sniffling you. you stare at each other for a moment before vi's reaching for you, her own expression crumpling with the weight of her tears.

you allow her to draw you in, only this time you don't pull away. this time, you withstand it until vi's had her fill. until vi's sure that you're alright and safe and home.

one am finds you both on the couch, facing each other as you fidget with your hands. vi watches you carefully, sees how you struggle to form words before you sigh.

"it isn't you," you begin. "it's never been you. it's just something i've struggled with since i was young." you stay quiet for a second. "being touched freaks me out. i don't like being held for too long because it feels like i can't escape. makes me feel vulnerable..." you close your eyes. "that happened once and i just don't want it to happen again."

vi's heart shatters in her chest, millions of pieces raining down on the pit of her stomach. she feels sick; she feels like she wants to throw up. she wants to punch something, scream, hunt down the very bastard who dared laid their hands on you in such a way.

you who is the sweetest, kindest person she's ever known. subjected to be trapped against your will.

vi swallows, feeling tears well up behind her eyes.

"i'm so sorry," she murmurs softly, and you aim a weak smile her way. "i didn't think that—"

you shake your head. "you couldn't have known," you say. "the sad thing is that i love it when you touch me. when you hold my hand or curl your arm around my waist. when you pull me in for a hug...i love all of it." you then pull in a shaky breath. "but my body can't seem to recognise your touch as safe, and it hurt so much because i want to—" your voice chokes up around a sob and vi's flying across the couch, sitting close to comfort but not close enough to startle.

"hey," she soothes. "i love you so much, y'know that? and love goes beyond touching. it's about how we feel towards each other, and that goes above anything else." she takes a gentle hold of your finger, ensuring you can let go if you wish to. "do i love touching you? yes. but do i love you? more than fucking anything. so don't worry about this, okay? whatever you want to do, we'll do it and go at your pace."

at this point, you're freely sobbing now, tears rolling down your cheeks as you take in shuddering breaths. you use your free hand to wipe at your tears, giving a wobbly smile as you say, "how did i get so lucky with you?"

vi huffs a laugh, eyes soft as she squeezes your finger.

"i ask myself that question about you every single day."

[portablecity]

where i grew up, the hangout spot was the mall, and it was bleak, folks! but it was more accessible than the playgrounds and parks (not allowed to be in them if little kids were in them; also not allowed to be in them after sunset) and it asked less from you than a coffee shop or fast food restaurant (seating time limit, minimum purchases) and it was more protected than the various parking lots outside takeout spots and coffee shops where teens would park their cars and just loiter. Despite the many signs with instructions not to loiter.

The thing about the mall, though, is that while you could walk around indoors with your friends the whole time it was open and never buy anything, and you could sit in the food court, or on benches throughout the mall, until the mall cops chased you out of that one corner into the next farther along, the problem with it really was that it was a fucking mall. I know we live in an absolutely advertising saturated age now, so it might be hard to sort of separate this out, but it's actually not a positive experience to do all of your socializing and relaxing in a space that is constantly selling you things.

one of the problems of being constantly sold to is that it can be difficult not to talk about the subjects that are being put in front of you, even if you have no risk of actually spending money on them. So in the mall we would find ourselves talking constantly about clothes and makeup and shoes and magazines - yeah I'm old enough for magazines - and maybe, if the mall we were in had relevant stores, books or music or video games. But you couldn't watch a movie or play a video game together in the mall, and eventually the bookstore staff would come and chase you out if you all sat on the floor to read anything. and the only music you got to hear was piped in over loud speakers.

actually like think about that for a second, if you do all of your hanging out in the mall, the only music that you get to hear with your friends is the music that stores play at you to get you in the mood to buy their stuff. When people try and explain why we got so fucking sick of nickelback, I want you to imagine a world where that is the most interesting music the mall is willing to play for you, and they are going to play it on loop.

The other thing about hanging out in the mall, though this maybe changed by age and location, was it was likely that a bunch of you worked in the mall. So you already spent a fair amount of your time listening to mall music, quickly eating food court food, and dealing with other mall patrons, including your friends, for minimum wage. takes the shine off pretty quickly, I think.

When I first started working at the mall I was really curious about what the mall was like when it wasn't open, if there was sort of a secret second layer to the mall of back passages to garbage bins or bank deposit slots, if there was an interesting layer to its liminal space. unfortunately I think the answer in most cases is a firm no. malls exist to sell you things, and they are very much optimized to do that, and they don't tend to have interesting misused corners while in normal operation. dead malls are different.

so yeah hanging out in the mall, I can definitely see how with the few other options on the table the mall can look pretty good but More than a lot of places, a mall is designed to convince you the that you're the sort of person who wants to spend all of their money on the things at the mall has, and people have worked for decades and decades to optimize the architecture, the visual design, the sound design and everything else towards that goal. it turns your friendships and your social life into a thing that happens explicitly at the site of spending money, of consumption, etc. I don't think it's great.

and I do think a lot about how the internet these days is so riddled with ads and so intensely about consumption, shopping, products. I think we've really found ourselves in a place where all we have is the mall, just, the shittiest version of it.

I understand that we're all mourning the death of public third spaces and feeling nostalgic for how things were in the 80s or whatever, but in terms of lost treasures of the past, I feel like people are losing sight of the fact that the go-to hangout spot being a shopping center/"mall" was already a pretty bleak expression of how (especially US) culture revolved around capitalist consumerism? Even before they started to ban teenagers from existing there.

Idk whenever I see a nostalgic aesthetic post venerating the lost magic of a shopping multiplex I just imagine in 30 years time people going "these were the good times... What we lost" and then just posting a screenshot of the Amazon.com homepage, pffff

When we rebuild society I feel like we should try to make the social centerpieces/hangout spots like, parks, and entertainment/community/leisure centers, rather than money extraction complexes

[munsonsmixtapes]

hello! if you have the time could you please write soft Eddie guiding a shy reader when they make out for the first time?

There's a knock on Eddie's door and he hurries to answer it, hoping it's who he thinks it is. He isn't expecting anyone else, but it's not uncommon for people to show up looking to buy from him, but he really hopes it's you. He's been looking forward to tonight for over a week since you suggested it. He opens the door and there you are, beautiful as ever.

He steps aside and you plant a soft kiss on his cheek as you enter the trailer. You hold out a DVD and a few of Eddie's favorite snacks and he can't help but smile at how sweet you are. You've only been on a few dates and hopes he wouldn't scare you off if he proposed. Because if he's being honest, he can't see himself with anyone else.

No one he's dated has ever been so sweet to him. All they seemed to be interested in was using him for his body and rarely anything else. He wasn't really known as Eddie "the freak" Munson (well, maybe in other ways) anymore, but it still seemed like people didn't want anything else from him besides drugs or sex.

But you? All you seem to want from him is his company, genuinely interested in all of his fun facts that he has about random subjects and you even laugh at his jokes. And they aren't pity laughs either. You're a breath of fresh air and he hopes you'll stick around forever.

"You didn't have to do all this," he tells you with a smile as he takes the stuff from you. You're staring down at the floor and he can tell you're getting shy on him again. He doesn't mind, though. He thinks it's cute.

"Of course I did," you insist. "I wanted to treat you for once," you then smile and Eddie never gets tired of seeing it.

"Well I'm not going to say no to that," he responds then takes you by the hand, threading his fingers through yours. "Now c'mon."

You follow him over to the couch and the two of you sit together, but you make sure to leave a little space to be polite. You want to be cuddled up into his side, though. You want rest your head on his chest as his hand lazily runs up and down your back.

A lot of the people you've out with all seemed to be after one thing so it warms your heart that Eddie is willing to go at your pace. He always waits for you to initiate things like hugs or kisses and waits until you pull away, never asking for more. He's nothing but a gentleman and you really like spending time with him.

Eddie spreads out all of the movies you brought, his eyebrows quirking at the variety. You seem to have an eclectic taste and he admires that. He plucks the horror movie from the selection and heads over to the VCR. As soon as his back is turned, you begin to panic. You had only brought the movie to give you excuse to get close to him because of the scary scenes, but now you're beginning to regret your decision.

Eddie turns back to you and you try to hide your fear, debating on telling him that you'd rather watch something else, but you can't yourself to form the words. So you just sit in silence as Eddie moves back over to the couch, sitting even closer to you now and your fear takes over as you throw yourself into his arms.

Eddie lets out a laugh at your eagerness but he wraps his arms around you anyway, pulling you even closer to him as he turns his head towards the screen. You instantly feel better knowing that he'll keep you safe but can't help but think about what Steve told you when he rented the movie out to you.

He told you that it was the scariest movie he'd ever seen and that he couldn't sleep for days afterwards. And you rented it anyway even though he had suggested many more options that weren't nearly as scary and would still help you get into Eddie's arms despite how silly he thought the idea was.

The movie hasn't even started and you're already burying your head into his chest, gripping his shirt in your fists as tight as possible. His hand moves up to stroke the back of your head as he murmurs something to you that you can't quite hear.

"Hey, hey," he says as grabs hold of your face, forcing you to look him in the eye. His are nothing but soft as they look at you, his eyebrows knitting together in concern. "What's going on?"

"Nothing," you shake your head, suddenly feeling silly for how scared you just were. "It's nothing."

"We don't have to watch the movie," he tells you. "If you were scared, why didn't you say something?" It's a fair question, but you stay silent, not wanting to tell him the truth.

"I-" you start to say but cut yourself off, not wanting to admit the truth nor finding the right words to use.

"You what, honey?" He asks, his hands moving up and down your back exactly the way you wanted him to. Sometimes you're convinced he's a mind reader.

"I just wanted an excuse to cuddle you," you tell him, your voice so soft he almost didn't hear you. And at that, Eddie lets out a laugh before pulling you to his chest, giving you a tight squeeze. You have to remind yourself that he's not laughing at you, but because of you.

"You could have just cuddled me," he says as if it's the most obvious thing in the world and it is. Well, it should be, but you've always found it hard to voice what you want no matter how badly you want it.

"How about we call off the movie for now?" He asks and turns off the TV then pulls you closer to him, his hands still moving up and down your back. You look up at him as he licks his lips, now unable to think about anything but how inviting they look.

The two of you have kissed multiple times, but it's never gone any farther than little pecks here and there because you've been too afraid to do any more than that. But now you feel the need to go all the way, wondering what he tastes like, if his hair is as soft as it looks.

But you've never made out with anyone and that scares you. Even though you know for sure that Eddie would talk you through it, the whole thing still makes you feel nervous. But apparently not nervous to forget it completely because before you can stop yourself, you're looking up at Eddie, gulping before getting his attention.

"Eddie?" You ask and his head turns to you, those honey eyes boring into yours. You melt under his gaze but trying to muster up the confidence again.

"Hm?" He asks, that stupid smirk making its way upon his face, the same one that's always there when he looks at you.

"Can-" you cut yourself off for the second time tonight but Eddie just sits there, patient as ever as he waits for you to speak. He knows how hard it can get sometimes for you to speak your mind so he doesn't mind waiting for you to finish your thoughts. "Can I have a kiss?"

"Of course you can," he responds, taking your face in his hands and pecking your lips once, twice, three times before pulling away only for you to grumble in response.

"No," you shake your head. "I want a real kiss."

"Oh," he replies, wondering what made you decide on that, but wanting to oblige. He's willing to give you whatever you ask.

His hands move down to neck, his thumbs rubbing back and forth across your jaw as he leans in again, his lips slowly capturing yours as they move together slowly. He's nothing but gentle as he kisses you, showing you how it's done.

Your hands press against his chest and all you can think about how you can't believe you've gone so long without his lips attached to yours. They're nothing but soft and gentle and now you're sure that you can do this for hours.

Eddie breaks away before you're ready and you're breathing hard as you try to catch your breath. He stares down, a chuckle falling from his lips as he presses his forehead to yours.

"You're supposed breathe, baby," he tells you softly and you feel your cheeks heat.

"Can we try that again?" You ask as you pick up one of his curls, twirling it around your pointer finger, staring down at it as you speak again. "Do you think we could...make out? I promise to breathe this time."

"Oh, honey," he sighs before pressing a kiss to you lips. "I'd love to make out with you." Another and another until he's capturing your lips again, taking the lead again. You have no idea what you're doing but Eddie is being nothing but a sweetheart as he guides you through it.

He pulls away again and you whine this time at the absence of his lips, chasing him and getting in another quick kiss before you sit back, waiting for him.

"Do you want to sit in my lap?" He suggests. "I think that'll be more comfortable for you."

Eddie sits with his back against the couch and you do as he suggests and straddle his waist which feels foreign to you but he's right. It's much more comfortable. Your arms wrap around his neck as his rest on the small of your back, a good spot between your waist and upper back because this is just kissing and he doesn't want to give you the impression that he's going to go any farther.

"You kiss me now," he says and your heart races in your chest as you think about fucking it all up.

"Are you sure?" You ask, bringing your bottom lip between your teeth, nibbling on it as you contemplate.

"Positive," he nods. "You've got this. Do whatever you want, baby. This is all about you."

"Okay," you nod, leaning forward and slotting your lips just like he did, Eddie immediately responding to you but he's moving at your pace instead of leading like he previously had.

You remember to breath through your nose as your fingers thread into his hair on each side of his head. His hair is normally off limits because people get too rough with it, but with you, he doesn't care. In fact, he loves when you play with his hair, a little bit of love sprinkles into every touch of it.

"You're doing so good, honey," he murmurs against your lips. "Do you want to try sticking your tongue in my mouth?"

"Please," you whine with a yank of his hair and if you can feel his cock hardening underneath you, you don't say anything. And thank god for that.

"Do you want me to show you first?"

"Yes," you breath against his lips and he's getting even more hard, knowing that he's going to have to get himself off later because there's no way he's going to expect you to go all the way right now.

Eddie captures your lips again as his hands rest against your waist, landing on the strip of skin where your shirt has ridden up. His lips are moving against you to warm you up and then he gingerly flicks his tongue against your bottom lip.

"Open up," he commands against your lips and you do as he says, opening up for him as he slides his tongue into your mouth. He swirls his tongue around yours and you mimic his actions, tugging on his hair as a moan falls from your lips at the feeling of his tongue moving with yours.

Your eyes widen and you can't help but pull away as you suddenly feel embarrassed at the sound you've just made. Eddie, though? Eddie's convinced that's the hottest thing he's ever heard and he really wants you to make it again.

"You don't have to be embarrassed," he says quickly, trying his best to assure you. "It was really hot, actually."

"It was?"

"Definitely," he nods. "Would it help if you made me moan too?" All you can do is nod and before he can say anything else, your lips are on his, only a few seconds passing before your tongue is flicking against his bottom lip. He opens up immediately and you mimic what he just showed you, your tongue swirling around his as you pulling on his hair even harder, a loud moan falling from his lips.

You haven't thought about it until now since you were so caught up in his kisses, but you're soaking wet between your legs and if you had more confidence, you'd ask Eddie to take care of you, but you don't so you don't. You don't think you're ready for that right now anyway.

You try to focus on the taste of him to get your mind off of it. He tastes like cigarettes that you know he smoked before you came over and you don't know why but you can't get enough of it. It's intoxicating.

You stay like that for a while until your lips are kiss bitten and your legs are asleep from you straddling him for too long. You both decide to call it a night and Eddie walks you to your car like the gentleman he is, kissing you one more time before you drive away. He then goes back inside and heads to his room where he collapses onto his bed, deciding that he's probably (definitely) in love with you.

[heron-knight]

The Wolf at the Door

finally, the moment I assume you've all been waiting for because I know my audience.

Really, that night was supposed to be perfect. All the paperwork sorted, nothing else needing to be done-- you’d been planning it for a few days. Put it off until the moon was full because you’d had work to do every evening before. A lot, actually, now that you think about it. Over the last few months, there had been quite a noticeable increase in the number of people in town with badly injured pets. Never that bad, but enough to make you wonder if nearly half the dogs in a ten-mile radius had been getting into fights suddenly. You’d been suspecting that some animal had probably shown up in the forest. Something big, by the look of the injuries, but probably an obligate carnivore that wouldn’t waste any more energy than necessary fighting a dog. You may still have just been working as a veterinarian in a small town, but that ecology degree sure wasn’t going to waste. It didn’t really matter now, though, you could leave your work out of this. This was your night. Work finished, medications taken, and with no work tomorrow, it was time for a long evening in the woods. Just you, the forest, and the crisp, chill air of a clear night in late fall. Going over your inventory, it seemed like you were fully prepared-- enough layers to keep you warm until you really got moving, a light with plenty of battery that you planned to use as little as physically possible-- and with some deliberation, a small can of bear spray in case your theory of “obligate carnivore that wouldn’t waste energy on fighting a dog and by extension probably wouldn’t attack a human” wasn’t entirely correct. 

Stepping out onto the porch, one breath of the night air was enough to remind you of why you’d gotten interested in your field in the first place. That intoxicating mystery of the dark. What was in it? What was the source of the sound of crunching leaves behind you as you stroll through the moonlit forest? A feeling like another you’d had before, but a bit less personal. Why’d you have to be born a creature that can’t see it? Human night vision is vastly limited even with time to adjust.  You’d always taken every chance to stay out late, to spend long nights standing in a meadow clipping bands onto owls just to know the species composition of the symphony of nocturnal hunters that you’d spent evenings listening to ever since you had been old enough to stay awake that long. Those little discoveries, those moments in class and in your independent studies when you’d see all those points of data and it was almost like what you needed, almost like being able to raise an ear to the woods and have it speak to you in its language of adaptation and trophic webs-- those were almost as wonderful as your evening strolls, lungs filled with moonlight and heart pounding from sheer wonder as your pace quickened almost subconsciously into nearly a sprint, ignoring the trails and leaping over fallen trees, feeling like a part of this trophic pyramid, this hunt, even tinged with frustration at eyes that couldn’t see well enough to find prey in the dark and legs that wouldn’t be able to keep up with it anyway. When the sounds of the night fill your ears and adrenaline surges through your brain, there’s no more worrying. No more thinking about loans or applications or appointment scheduling or how much time they said visible results would take to show up. No more thinking about how best to bring up the subject of the name you had seen your contact saved under on your mother’s phone even though it hadn’t been yours for nearly four years now. A quick run through the night would always tear all your worries from your mind like teeth tearing into a fresh carcass. Besides, that night there had barely been anything to worry about. The weather was perfect, you knew on some level that she’d change it immediately if you asked, and the slight ache in your chest invited the sneaking suspicion that for once, the overall experience varying from person to person might work in your favor, and things might have been moving ahead of the projected schedule. This was going to be a good night. That is, until the next step sent you falling face-first onto the porch as your foot struck something soft but solid that seemed to-- recoil slightly as you tripped over it. 

In the dim light of the porch, you could just barely see the dark shape that had interrupted your planned excursion. Curled in front of your door, breathing heavily through sharp teeth as the small but certainly alarming pool of blood in which it sat slowly increased in size. Your mind raced through all your experience and training as you stood, limped over to where the… creature… lay, and assessed the situation. Okay, we’ve got a… wolf, I think. There are no wolves in this area, haven’t been for centuries. No, I can worry about that later. It’s… hurt. Definitely. Looks like a big laceration along its side, multiple? From antlers, maybe? Okay, don’t panic… you’re trained for this. Okay… you went through your checklist. Okay, veterinary OR… don’t have one in my house. Patient sedated… no, but it probably can’t move anyway. I’d better stay away from those teeth, though. “Screw it!” you said out loud, reaching down and, with not insignificant difficulty, lifting the animal and carrying it into your house. Damn, this thing is huge. Countless papers and dishes hit the floor as you swept everything off the kitchen counter, ignoring the fact that you had definitely heard something shatter as you placed it carefully on top, then rushed into the bathroom and returned with as many towels as you could carry. The next few minutes were frantic-- rushing around the house, turning on as many lights as possible as you grabbed your personal medkit, as well as a few other things. This was far from an ideal setup, but your confidence was undeniable. Veterinary medicine was how you paid the bills. Wildlife rehabilitation was your passion. Besides, the first wolf in the state in around 200 years would be way too interesting to let die. Once everything was assembled, the kitchen was lit, and you’d taken a second to center yourself, you wasted no time in getting to work. Shave the area around the injury, clean the wound, stitch, disinfect, bandage-- all that was practically instinctual. No time to stop and wonder why the wolf was here of all places. It took a while, a not-insignificant number of stitches, and nearly all the bandages you’d had, but after some time your visitor was patched up, moved to the largest dog crate you could find, (though it still barely fit,) and seemed to be asleep but more or less alive. The satisfaction of a job well done, however, quickly faded as a glance around the room revealed the whole first floor of the house to be a mess of bloodsoaked towels, medical supplies, and all the things you’d thrown aside while tearing the place apart looking for said supplies, not to mention the bloodstains all over the carpet, most prominent from the door to the counter but by no means limited to there. Oh, and then there was the hair. As it turned out, when you shave off a large amount of an animal’s hair to have better access to the wounds and prevent infection, that hair has to go somewhere-- which, in this case, was everywhere, including and especially your favorite coat, which you had forgotten to remove once your plans for a moonlit stroll were interrupted, and was now soaked almost entirely through with blood and seemed to be the source of the stains on the carpet from the kitchen to the bathroom and other parts of the house. Exhausted, irritated, and with the adrenaline having mostly worn off, all you could really manage in response to that whole situation was a long sigh. Cleaning up the house could wait. Who cared if the blood started soaking into the carpet? Besides, you really needed a shower then. 

It hadn’t really gotten into your hair at all, so washing off the blood didn’t take much of your attention. The main reason was that a bit of warm water was perfect for calming down and getting a bit more centered. As good a place as any to go over the facts.

There is a very large wolf in my house. I brought it into my house because… scientific interest. Okay, fine. I like wolves and wanted to help it. Sue me. It is in a crate that I really hope it is too tired to try and escape from, because there is no way it would hold.

There is a very large wolf in this state despite them being extinct in this part of the country for quite some time now, and I think if someone had managed to get them reintroduced to this area, I would have heard about it. Besides, that still wouldn’t explain why it’s so huge.

This very large wolf was injured, probably by a deer, and decided to, out of all the places it could have gone, lie down directly in front of my door. If this area actually did have a wolf population that survived the historical extermination attempts, then they would have to be very good at hiding from humans. This one seems to have actively sought human assistance. 

After thinking for a moment, another realization hit. The wolf has seemed… off, somehow. You’re pretty sure it had extra toes, but you’d have to check to make sure. What exactly was up with this thing? This huge, wounded animal that had shown up, completely alone, in front of your door and despite not having lost a ton of blood, had really been a surprisingly cooperative patient. Something was definitely strange, but you did not have the energy to deal with it then, a glance at your phone as you were drying off with one of the last clean towels in the house revealing it to be 12:27. Maybe you had spent just a bit longer than you had realized staring at it as it lay in the crate. The decision to handle that whole situation in the morning was made nearly instantly, congratulating yourself on your decision to handle everything that needed to be done that night before the walk as you pulled on a robe and staggered into your room, collapsing onto the bed and falling asleep much quicker than the average person with a wolf in their house would have. 

Waking up that morning was a slow process as usual, sped up only slightly by the need to go check on the wolf downstairs. Luckily, you still had some spare dog food left over from when you had taken care of the neighbors' dog a few months back, and besides, it probably wouldn’t be particularly feeling like eating in its current state. That gave you a few handy excuses to stay in bed just a bit longer-- that is, until only a few minutes after you went back to sleep, you were woken up by the sound of the coffee maker downstairs. Several possibilities ran through your head, none of them entirely plausible, but when you hear someone or something using one of your kitchen appliances while being the only thing in the house besides a large wounded animal, plausibility tends to be the last thing on your mind. Okay, possibility one: there is someone in my house. I think I would have remembered if somebody had been over while… all that was happening last night, so someone must have broken into my house in the middle of the night, stayed until the sun came up, and… started making coffee. That theory was quickly discarded, as it made even less sense somehow than theory #2. Possibility two: somehow, despite numerous injuries, the wolf that was last night unable to even react when I was putting enough stitches in it to make a scarf has somehow broken out of the crate (without waking me up), and is now wandering around my house and must have bumped into the coffee maker and turned it on by accident. How exactly a wolf, even one nearly four feet tall at the shoulder, could turn on an appliance on the kitchen counter by accident, was not exactly taken into consideration. Even if it had somehow gotten up onto the counter, it required quite a bit of force to press the buttons. Both theories, though unlikely, were better than no theory at all, so both were kept in mind as you rummaged around in the pile of yesterday’s clothes for that can of bear spray you’d been planning to take on the walk. Whether it was the wolf or an intruder, going downstairs unarmed didn’t seem like the best idea. 

The first thing you noticed upon glancing down the stairs was the hair. Yes, there had been quite a lot when you had gone to bed the previous night, but not this much. The kitchen wasn’t visible from the top of the stairs, but the coffee maker was still on. Where did all this hair come from? It practically coated the floor. At this point, you just had to see what was going on, descending the stairs as quietly as possible and pointing the bear spray in the direction of the noise, not sure what to expect… but whatever you might have been expecting, this wasn’t it. The can fell from your hand, landing with a thud on the carpet as she turned to face you. “Oh, hey… thanks.” she said as you stared, her voice sounding tired and weak. The person that stood in your kitchen, wrapped in one of your blankets and, judging from the lack of any footwear, probably nothing underneath it, reached a shaking hand out from under the blanket and picked up a mug of what… wasn’t exactly coffee, but was more just her attempt at it. For a moment, you caught a glimpse of the bandages wrapped around her midsection, seemingly applied quite expertly but tied at one end as if she’d… shrunk after they were applied, leaving them loose-fitting. The crate that you’d put the wolf into was unlatched, the door left open, and every inch of the cushions inside covered with a thick layer of shed fur. “Got any clothes?” your brain had simply ceased to function, all your concepts of causality and rational thought shattered due to the sheer lack of any possible explanation of how she’d ended up in your house… or where the wolf had gone. 

“Who… I mean… why-- how are you here?” was all you could manage as your mind began to short-circuit for a number of reasons.

“You brought me here.” she said, taking a sip of her not-exactly-coffee and immediately regretting it. “Well… not like-- “here” as in the area, but like, into your house. That’s what I was thanking you for. You didn’t like… summon me or anything." She held up the mug. “I… is it supposed to taste like that? I’ve never actually had any before and I think I made it wrong.” slowly, you started to descend the staircase, walking through the piles of shed fur past the empty crate and into the kitchen. “Um… yeah. I-- I think you forgot to put a filter in the machine. That’s why it’s… wait, but you… how did…” she stared at you for a second, waiting for me to figure it out, even through the clear tiredness on her face, it was obviously visible that she was somewhat disappointed you hadn’t already realized. “Wait!” you shouted, all the puzzle pieces snapping together, but without much conscious certainty due to just how outside the box it was. “You… you were the wolf?” she grinned slightly, a sort of “now you’ve got it” expression as she turned back to the coffee machine and tried to get it to work.

“...right. “Werewolf,” “Lycan”, if you want to get scientific.... Whatever you want to call it. Now, I repeat m’ previous question about the clothes. Kind of freezing my knot off--”

“Then why are you walking around right now?” she was completely caught off guard by the fact that out of all the questions you could have asked, that was the one you started with. The worldview-shattering revelations of the nature of biology itself could wait. Your work wasn’t done. She didn’t try to argue as you led her over to the couch, the conversation having paused completely until she was lying down and you had made completely sure that she understood that she wasn’t supposed to get up again, then rushed off momentarily to get what medical supplies you hadn’t used the previous night.

“You’re handling this information surprisingly well.” she mumbled in between sips of the coffee that you had made as you carefully moved aside the blanket, unwrapping the bandages and sighing with relief upon seeing that not only had that bit of movement not damaged the stitches, but also however her transformation worked, it had kept them in the correct places. The medkit was put back on the shelf, and the bandages were cut into a length that fit her current form better. “Most people freak out.”

“Well,” you said, bringing over a second blanket and placing it on top of her, “that’s a disheartening number of people’s reaction to me, so… I kind of get it.” 

“Oh! You’re also…”

“Huh? No, I’m trans. Didn’t know werewolves were real until a few minutes ago.” she chuckled softly for a moment.

“That was what I meant. So am I.” you both laughed for a minute, (her with some difficulty, but with enough volume to reassure you that her lungs weren’t damaged.) “But similarities aside, usually werewolves turning out to be real takes a bit longer than that to process.”

“You’re my patient.” you said firmly. “Top priority was making sure you didn’t get hurt. Second priority, which is what I can focus on now, is figuring out all the werewolf stuff.” she pondered this for a bit, then spoke.

“Okay… so, what’s your first question?”

“How did it happen?” 

“So, Lycanthropy isn’t exactly… well-known. Real lycanthropy, I mean. They don’t teach you about it in school, or anything. However… As it turns out, we’re pretty good for the ecosystem. We fill a niche that’s been empty for a while, keep the deer population under control… so if you know where to look, sometimes you can find an organization that can turn you. I mean, don’t get me wrong, it sucks. The process, I mean, not the lycanthropy. Ten layers of bureaucracy in between you and actually scheduling your appointment, the crazy long wait time once you’ve actually got it scheduled, all the forms of ID you need to bring in case something goes wrong and they need to identify who it was that just ran into the forest never to be seen again… the actual initial turning isn’t as bad as all the warnings they make you read make it look,” she lowered the blanket around her shoulders, revealing a sizable bite scar. “But it’s not exactly a walk in the park, pun intended. It’s definitely worth it though, if turning is what you needed.” she didn’t seem to notice that you had been silent for a while, lost in thought. “Anyway, I’ve been doing pretty well ever since. It feels amazing, going out on a hunt when the weather’s nice. Can’t exactly go into detail on how it feels without getting a little weird, but I think you’d get it.”

“I think I do.” you said, “but… you should probably rest for a bit. We can pick up on this conversation later.” she nodded and shifted her position slightly. “Hey! Don’t scratch that!” 

One implied threat involving a cone later, you made your way back up the stairs. Even if there were plenty of parallels, processing all that information did take some time. “There is a werewolf on my couch” was one thing, but there was something about that whole exchange that made your mind race and your heart pound. Some reason beyond the surprise, beyond the shock to what you had previously believed, beyond the whole excitement of the encounter, hell, beyond even the fact that even though you hadn’t been consciously paying attention at the moment, you were pretty sure that your legs had started shaking when she’d said the word knot, an aspect of the whole encounter expanded on by the fact that it seemed werewolves did not carry their clothes with them when shifted. No, it was more than just that. Some part of it, some sneaking suspicion that prowled in the back of your mind, clawing like an animal in a cage at the walls of your subconscious, a desire you’d had. One you’d abandoned long ago because you’d thought that life didn’t work like that. An offhand daydream that now filled your mind with one suspicion, one question, now to nobody but yourself-- is it really that easy? Does it really work that well? That question you hadn’t let yourself ask for so long, ignored every time because it hurt to think about when your answer had been no. but… maybe. For now, it stayed as it had been. A sneaking suspicion, but now stronger. Maybe your previous answer was wrong.

Your patient, for the most part, did quite well over the next few weeks-- stayed on the couch, had plenty of appetite, and only whined a little bit when you changed the bandages-- you’d even managed to find some spare clothes for her, though you had to search a bit for some shirts that wouldn’t get stretched. Either lycanthropy made HRT more effective, or she’d been on it for way longer than you had. Only real challenge was that she tended to get lonely. You tried to keep things professional at first, of course, talking to her in your “speaking-to-clients” voice, and offering to move her to the couch in your office for a little extra privacy, but with just how frequently she’d asked you to watch movies with her or wait to make a request until you were just about to leave the house, you’d quickly realized that being professional was not at all what she needed. Even though she knew that she was going to be stuck on the couch for a while, even though she was supposed to just be your patient, all she really wanted was to just be seen as a roommate. You could tell in the way she tried to make small talk whenever you walked past-- how excited she always got when you found something to talk about. Screw “keeping things professional.” She needs someone to talk to.

“Wait…” she said one day as you prepared to make a trip to the store. “Can you get me--” 

“You can just say that you want me to stay for a bit longer” the statement caught both of you off guard, a small comment half out of frustration and half out of hope that she’d take you up on the offer. The room was silent for a second.

“Please?” she asked. Slowly, you walked over to the couch, sitting down on one end of it as she moved her legs out of the way. “I… so, you’ve…” she stammered, moving slightly until she was up against the back of the couch and clutching her pillow. “I was wondering--” with a sigh, you removed your coat, tossing it onto the coffee table and interrupting her request by fulfilling it. She exclaimed softly as you flopped down onto the couch next to her. Gingerly, she moved one hand up, out from under the blanket and placed it in yours. You could feel yourself start to blush as the two of you laced your fingers together, her hand slightly colder than yours but warming up quickly. It was nice-- a sort of soft, quiet confirmation, slowly expanded as you wrapped your arms around each other and you were pulled into a tight embrace. 

“Yeah, it’s okay.” you murmured as she held you, starting to… tremble slightly as you moved your hand in slow, gentle circles along her back. She was surprisingly strong for someone so injured, holding on so tight that you were pretty sure you couldn’t leave if you’d tried. “You’re… really touch-starved, aren’t you.” she nodded. One thing was certain, she had definitely needed this. 

After a minute her hands started to wander, tracing along your arms to all over your upper body, an exploration driven by the desire to know you, to memorize your shape, your scent, your warmth. Just thinking about it, that way she explored, immersing herself in a thousand sensations-- mapping out every part of you with a full sensory profile-- just that feeling was on a completely different level from and of the other times you’d spent a quiet afternoon with someone in this way. That she could understand. It honestly left you envious. How could someone be able to know anything like this? To learn of it in every aspect, the full complexity of something all laid out before them, that near-omniscience that you had searched for in every ecology class, every late night spent listening to the sounds of the forest, every time you had sprinted through the woods on a moonlit evening-- to just breathe deeply and find the truth of it, the nature of it. Beyond your limited human senses, looking down from the top of the trophic pyramid freely. 

“...thanks.” she said, letting her hands rest gently on the sides of your face. “Can I… tell you something?” of course. Of course she could. “I’m just-- feeling really alone. I’m… the only one in the state. Had to drive really far to be turned, even. that’s-- that’s not how it’s supposed to be. We’re not solitary creatures.” 

“Lycans?”

“People.”  she curled forward slightly, pressing her forehead into your collarbone. “Lycans, yes, but also just people. Running through the forest, being able to taste the entirety of nature in a single breath-- it’s amazing, but I… I don’t want to have to do it alone, it’s--” slowly, she relaxed her grip, looking up to face you. “It’s still kind of scary, going into the forest at night. It’s huge, wonderful, delicious, but… the first step out the door is still hard to make. I get scared, out there in the woods. I get scared and then-- and then I can’t shift right and I get slowed down and I get hurt." In her voice, you could just barely hear that tiredness that had been there when she had first arrived at your house, the exhaustion of being afraid, permeating through every other aspect of the words-- the sadness, the hope, even the fear itself. She was silent for a second, then leaned in, her face inches, then centimeters from your shoulder until finally she was close enough that you could feel the movement of her lips as she spoke. “May I?” yes. Please. Do it. That feeling, that warmth as you felt that gentle pressure moving across the side of your neck was enough to make your face feel hot, gasping softly as the kiss traveled upwards towards your face, tight and precise as you first felt it on your collarbone but gradually relaxing until you could feel her tongue running along your throat. Could she feel with her lips how fast your heart was pounding? Could she taste it? There was no possible chance of keeping hold of conscious thought as the flood of sensation rushed through your brain, just the desire was left, just the need for this to keep going. No way to contain the sounds that escaped as she bit down gently on your ear. You didn’t need to contain them anyway. 

“Am I doing good?” she asked playfully before sliding a hand around to the back of your head, pulling you closer again and putting your lips to hers. You couldn’t respond, of course, even if anything but moans could come out of your mouth at this point, you couldn’t say anything as the kiss deepened until your saliva was dripping down the side of your face onto the couch. You got your answer across just fine with how much your legs shook, though-- how tightly you squeezed her shoulder as you felt her other hand brush against your thigh. 

Eventually she pulled back, a single tendril of saliva between your blushing faces. You let out a quiet whine. She had stopped just when things were about to speed up.

“We should… probably wait a bit.” she said. “Full disclosure, sometimes I transform accidentally if I get too excited, and… well, I don’t want to tear these clothes you let me borrow, and you said no shifting until I’m fully healed.” 

“Yeah…” you replied disappointedly, slowly starting to cool down slightly. “You’re right. Don’t want to mess up the bandages.” you were both silent for a minute. “But… just wondering… would you have to stop if that happened?” she leaned forward again.

“That’s entirely up to you.” she whispered into your ear. Gradually, you sat up, making sure to keep holding onto her hand as you moved until her head was resting on your lap. You could feel your heartbeat and hers slow down, no longer as frantic as they had just been, leaving only a gentle sort of warmth that you could feel spreading from your fingertips throughout your body as you began to pet her head. You had one question, one request, that you needed to make. You decided to wait until she was in a state to fulfill it to ask. 

You’d suspected that your guest-- no, your roommate, healed a bit faster than average from the fact that she had been able to walk around (probably shouldn’t have, though) immediately after waking up on the first morning, but this suspicion was quickly confirmed as one day while changing the bandages you had noticed that one of the wounds had closed completely. Maybe it was the lycanthropy, maybe the injuries were never as bad as you had thought they were, or maybe some combination of the two plus the fact that she had something to look forward to once she was completely healed. Whatever the reason, the stitches were out barely a month after you’d put them in and almost immediately afterwards, it had gone from her not being allowed to walk to you not being able to for half the day. You’d thought about it for quite some time, of course-- long before you’d even known that werewolves were real-- but fantasizing about it was simply not on the same level as actually feeling the muscles and bones inside the hand that was holding onto your shoulder twist and snap, nails growing into claws as she shifted halfway through, each sensation changing slightly-- hearing the hot breath against the back of your neck turn to canine panting, feeling as newly sprouted fur brushed back and forth against your skin with each movement-- and then that moment after as she changes back, looking at you expectantly with that expression on her face that could not possibly better convey the question of “did I do good?”, waiting eagerly for you to regain your senses enough to answer. Every moment was laced with that question, the one that had gnawed at the edges of your mind since the first morning-- that desire to keep up, to be on her level, that envy for lack of a better word. At the moment, you couldn’t help but feel somewhat like a chew toy at best, not that you particularly minded. Those weeks and eventually months after she had healed were by far some of the best in your life, understanding what she had meant as your long walks at night became better with company. It still felt like just a walk. She couldn’t exactly hunt that effectively with your human footsteps making so much noise, but she had said it was fine. It didn't feel fine, though, not for lack of the excursions’ quality, but because watching her run circles around you in the moonlight, ducking under low branches and weaving through the trees as if she was swimming through the forest reminded you of what you weren’t.

Or rather, what you weren’t yet. 

“Can I ask you for something?” you said one day as you returned from a morning walk. “It’s… I’m not entirely sure if you could, and I’m definitely not sure that it’s entirely legal, but…” She leapt onto the couch, landing in human form and looking at you, confused but intrigued. You took a deep breath, then asked, the question tearing through its cage into your conscious mind as the words formed on your tongue after too long spent waiting to be said. It felt good to finally say them. She smiled when she heard it, as if she had been waiting for you to ask-- hoping that you would finally request that she do this for you. Four words-- that’s all it was. Four words were all you needed. Described all you needed. Compressed that desire, that need to know the nature of the forest, to know her-- all into one question.

“Can you turn me?”

She grinned, standing and walking towards you before suddenly pulling you close and kissing you. Over the time you’d known her, you’d learned that kisses could say things-- so much potential for all sorts of emotions to be woven into the passion. You could read this one clearly in the warm, gentle sigh right before contact, the sense of relief felt in every moment of it, that slight hunger to it-- 

“Of course~” she said, her face still inches from yours. “I could do it tonight, if you want… I’ll need to prepare you a bit for it-- your room as well. It’s quite an… Involved process.” you nodded, almost frantically, your heart pounding in anticipation. “Good!” she reached up and patted you on the head. “Can’t wait.” She turned and walked up the stairs to your room, pulling the blankets from your bed and piling them in the corner. 

“You didn’t seem surprised when I asked.” you stated as you followed close behind, helping set up your room as she directed. 

“Oh, please.” she tossed the towels she had just retrieved onto the now-empty bed and slid over to you, placing a hand on your chin and staring directly into your eyes. That look on her face made you wonder if she was about to sink her teeth into you then and there. “In all that time I’ve been a werewolf-- hell, in all the time I’ve known they existed and probably even before then-- I have never seen anyone who needed this more than you. I could tell from the way you asked how I became like this.” your face had immediately turned bright red. At first, you had thought that part of the excitement of this relationship was in some part due to the novelty, but that notion was quickly disproven as the days turned to weeks and her ability to set your heart pounding with just a few words had not diminished at all. The two of you continued to prepare the room, removing any breakable objects from it as well as “anything you don’t want getting stained.” she wasn’t exactly specific, but while she said that your posters probably wouldn’t be at risk, it was probably best to take them down temporarily, as apparently you could never tell for sure what might be in the “splash zone.” an average person likely would have been somewhat put off by the vagueness or lack thereof of what exactly the experience would entail, but an average person probably wouldn’t have invited a werewolf into their house, and definitely wouldn’t have upgraded the nature of that invitation upon deeming said werewolf healed up enough to accept. The average person didn’t need this like you did, though. Like both of you did. They didn’t feel that frustration, stuck between barely seeing anything and seeing nothing beyond the range of some horrible light as the only means of experiencing the dark. They didn’t feel the need to breathe in the cold night air like you did, to tear into the nature of things, cracking open bones to drink the truth of the forest from inside. They did not care about the question of “what am I?” and even if they did, they did not come to the conclusion of “not this. No, I am more. Should be more. I’ve been working on it, but I’m not done yet.” 

You shivered slightly as you felt the cold air on your skin, your cheapest towels feeling itchy against your legs as you knelt in the center of the bed, arms by your sides. All you’d been able to do was wait once you’d finished setting up the room. You couldn’t focus on anything else with what you knew would happen in just a few hours, and once the sun had gone down you’d practically rushed through the final preparations-- open all the doors from the porch to your room, make sure you were only wearing clothes that you were okay with being shredded, which did not describe any clothes you owned. You regretted your decision to not find any sacrificial clothing  slightly, not expecting how chilly you would get, but apparently once it started, you’d be heating up really fast and would probably just be out of them pretty soon anyway. The room was dark, with the only light coming from the moon through the window. you stared at it absentmindedly.

“So… what are the towels for?” you asked as she paced around, performing a few final checks and making sure said towels covered the mattress completely. You had been so caught up in the excitement of anticipation that you hadn’t quite asked that much about what exactly the process would entail, not that anything anyone would have said could possibly have stopped you from wanting to do this. She reached over, gently lifting your arm and running a single finger from your shoulder down to your hand. 

“This process isn’t any more clean than it is painless.” she said, moving her hand back up and lightly squeezing different parts of your arm and shoulder, as if trying to find the softest part. “When I had it done, I ended up bleeding from my pores. All over. Bones might end up breaking the skin too, but it’ll heal in a few minutes, and next time you shift everything will know exactly where to go.” it felt nice, somehow-- hearing that last part.-- “next time you shift.” you weren’t just hearing her talk about it now. Now you were part of it-- this side, this aspect of the world. You hadn’t even noticed how separate you had felt from it before, how separate even from the concept of yourself you had been. This is who I am. It was almost strange to think about how meaningless to you the word “I” had been until now-- like snapping out of a daydream, only this was you reentering the present-- your sense of self coming back into focus with your consciousness-- for the first time. The air seemed much more crisp already as you leaned back and she began to gently probe your chest and stomach, one of which was already feeling slightly sore from your other journey towards gaining a body that is truly your own, (which you were quite proud of your recent progress in, though the clothes you’d just bought to compliment it were currently lying in the hallway) and the other because on her suggestion, you’d skipped dinner. “We’ll be finding ourselves some dinner out tonight.” she had said earlier. 

You sat up, returning to your kneeling position as she stepped back and leaned forward into a deep stretch before pulling off her shirt and tossing it into the hallway. “Ready?” you asked excitedly. She gave a short nod. Taking a deep breath, you closed your eyes, letting your arms rest limply at your sides again, relaxing every muscle as much as you could as she gently patted your head. 

“It’s going to hurt.” she said. “But also… so does everything else, really. No avoiding it if you want to live any real life. Believe me, it’s not easy to take the first step off the porch, and that gets more true the darker the forest is. Yeah, parts of it will suck. Parts of it will make you feel like you’re getting torn apart and that you can’t be sure of anything. Hell, parts of it might make you regret it for a second-- make you think that it wasn’t worth it.” she let out a brief sigh before continuing. “But just remember…” you felt her hand slide down from the top of your head to the side of your face and opened your eyes just a bit to see her staring intensely. “That you’re alive, and all that it entails. Things hurt. Things change. You lose people and you find others. Sometimes it's so dark that you wouldn’t be able to see anything without changing, and sometimes you might find one night that you’ve changed and now you can see the whole forest clearer than ever. It’s going to hurt, but… every second is going to feel amazing.” in the dim light, you could see that she was crying slightly. “That’s-- that’s what it is to be alive. That’s what it means to be you. To finally become yourself. The sheer exhilaration of change. It’s the best thing I’ve ever felt, and sometimes there’s been pain along the way, but don’t let anyone tell you it’s not worth it.” she took a deep breath before stepping back once more. “Alright, that’s enough hype. Let’s do this.” You could see a soft smile on her face before you closed your eyes again, focusing on your breathing as you heard the familiar sound of flesh and bones twisting and warping in front of the bed before that heavy thud as paws hit the ground. Then, from where she stood came a long howl. The sound of it carried that same excitement as you had felt on every long night, every moonlit walk, the same anticipation as you’d had that night, just about to leave the house right before the encounter that changed your perception of what you were allowed to be. 

Your heart almost skipped a beat as the large shape before you lept from the floor and landed heavily on the bed in front of you, nearly pitching you forward as her weight pressed into the mattress. You could feel each step she took towards you, one foot, then the other, then the other, then the other until finally you could feel the heat of her breath and the pressure of her front leg on your thigh, claws digging into your skin sightly as she leaned in close enough to taste you. The anticipation was far more excruciating. You flinched as you felt a cold, wet nose against your chest, stationary for a moment before beginning to travel, exploring every inch of you with each inhalation. You knew that she’d already decided on where to bite. Same place she’d had it, same place every voluntary lycan probably had it. Maybe she was just teasing a bit, knowing how it made you blush whenever she explored you like this-- how much it set your heart pounding just thinking about how close her teeth and tongue were to your skin. That, or maybe she was just taking in your pre-turning scent one last time as a sort of “before picture” so that she could see afterwards how much you’d evolved. Finally, you felt as she moved up, standing at her full height over you as you trembled with anticipation, adrenaline, and who knows what else, opening her mouth and running that huge tongue across your collarbone, saliva coating your shoulder and dripping down onto your legs. Focus on your breathing. There wasn’t anything else to do, really, as she leaned forward and gently but hungrily slid her jaws over your shoulder, making sure everything was lined up perfectly, shifting slightly to right between your shoulder and your neck. You could feel the slight pressure of each tooth against your skin, just light enough at first to let you know where they were, where they were going to pierce. She was large enough when shifted that the front teeth on her upper jaw were almost below your shoulder blade.

Slowly, the pressure increased, gradually enough to give you time to take a deep breath first, to grip the towels you sat on so tightly that your knuckles turned white as she began to bite down, feeling it start to hurt, barely noticeable at first but but increasing in intensity until you had to grit your teeth. The seconds seemed to last forever as you waited. 

It didn’t hurt as much as you’d expected as you felt each tooth sink into you, waves of pain shooting through your entire body as they pierced through skin and fat until they dug between the fibers of your muscles themselves. They punctured through soft and yielding flesh seemingly one by one, the longer ones first, sinking deeper into you with every other tooth that broke the skin until you felt molars scraping directly against your collarbone, threatening to snap it in two. It was only half a second of that intense pain until you felt it-- that other feeling, seeping into your shoulder gradually at first, almost indistinguishable from the warmth of the blood starting to ooze from around each still-embedded tooth. Not pain, not numbness-- clarity. You could feel the texture of her teeth through the pain, her saliva soaking into your bloodstream, even the wind on your skin you could feel more clearly than ever before. Another half second passed, then it accelerated, that feeling surging through you, setting every nerve on fire with the sheer amount of sensation that ran through them. It felt like you never felt anything before then, like all your senses had been dulled for your entire life up until that moment. Not the first time you’d felt something like this, but definitely the most intense. You threw back your head and let out a sound halfway between a moan and a scream, your brain filling with so much of this feeling that you could barely even think about the pain.

The feeling soon passed, not gone but settled, as if it had simply soaked into you. You could still feel it, but not as intensely as when it had flooded through you just a second earlier. Gently, she relaxed her hold on you, teeth sliding out of your flesh as blood began to flow from the wounds, running down your body in rivulets and onto the towels. She gingerly ran her tongue along the bite mark, licking off the blood as much as she could as she shifted slowly until it was the lips of her human form that you felt.

“You can open your eyes now.” she said. The moonlight seemed so bright even through your eyelids now, you’d almost forgotten they were closed. She smiled warmly at you, mouth still stained red. “You did really good. How did it feel?” you struggled for a second to remember how to speak.

“...amazing.” you stammered. You couldn’t even begin to describe it, that way your mind had filled with so much of your senses that your consciousness had barely been able to keep up. Your hands were shaking slightly as you reached up to wipe the blood from her face, almost recoiling when you felt how intensely you were now able to feel the warmth of her skin. She patted your head.

“I knew you’d enjoy it. Can you still feel it?” you nodded. “Is it starting to heat up yet?” as you concentrated, you could feel the warmth around the bite starting to intensify. It spread through your body more slowly than that feeling had, a simple increase in temperature as your body detected something that it didn’t want there. Each muscle seemed to tighten until you could barely move your shoulder and the knowledge that something was happening began to seep into the back of your mind. You nodded again, and she seemed almost surprised. “It’s starting already?” she said as she reached behind you and straightened the towels on the mattress. “Wow, okay… thought you’d have a bit more time to catch your breath, but… just lie back. The more hands-on part’s done. You can let your body take it from here.”

With her help you managed to lie down, the wounds on your back sticking uncomfortably to the towels as your shoulder started to feel painfully hot. She leaned over you and stared directly into your eyes before she spoke.

“The initial shift’s about to happen.” she whispered, squeezing your hand. “I can’t really say for certain what it’ll be like for you, but… I think you’re going to do great and it’s going to feel great. I’m here if you need me.” you looked up at her and smiled.

“I really wish I’d known you back when I was starting my transition.” you said. “Would have been a lot easier.”

Slowly, a dull ache began to permeate through you, starting in each joint and spreading quickly outward until every part of you felt sore and tender. You wanted to stretch, but somehow you already knew that it wouldn’t help. This part is just going to suck for a bit. The pain didn’t turn sharp immediately-- It didn’t instantly give way to the twisting and snapping you’d seen in each of her transformations-- it just got louder as you curled up as tightly as you could, trying to keep your focus on the sensation of her fingers gently pressing into your back, providing some small relief from the soreness. She knew what this felt like. The pain never seemed to reach your mind, though. It didn’t cloud your thoughts like you’d initially expected it to. When you’d first felt it creeping into your muscles, you’d thought that it would only be a few minutes before you were a quivering mess, unable to concentrate on anything but how much it hurt, but… you didn’t give it the satisfaction. Even as it started to get so bad that you began to toss and turn, whimpering almost involuntarily as your whole body felt like it was filled with needles, it never felt to you like anything more than an annoyance. Yeah, it hurt. Like no cramp or pulled muscle ever had before, but you didn’t care. You didn’t care because this wasn’t just pain. There was a reason for it, one that you agreed with so you didn’t care if there was a bit of soreness in the way. You sat up and hugged her tightly. So what if it hurts. You thought. It’s worth it, because even if I- WAIT, WHAT THE-- you fell backwards as you felt it, that sudden jolt that surged through you, muscles twitching as it hit. You heart was pounding, mind racing, entire body shaking as you felt things begin to move beneath you skin. The warmup was over. It was time for the main event.

As the sounds of the night began to come alive just outside the window, every part of you felt like it was folding in on itself and it felt wonderful, each breath sending a pulse of elation though you as your ribs started to warp. What had you expected? Did it even matter? No. no it did not, because nothing your before-self could have imagined could ever compare. Could not compare to the feeling of muscles severing and reattaching themselves, of the flesh of your fingers fusing together as dead skin fell from your fingertips, new cells coating them with a rough paw pad, of the structure of your jaw snapping under the sheer force of its own growth before being pulled back together as your teeth began to lengthen. Nothing could compare to just how alive it made you feel. Each second felt more right than the last, each bone setting itself into its new position feeling like it was always meant to go there, skin itching right up until the moment that fur began to sprout from it-- and something else. Something that you felt as strongly as any physical change, racing freely through both your body and mind as each second twisted them together until there was barely any distinction between the two. Something that you could hear even as your ears moved from their former positions to the top of your gradually elongating skull. Something you tried to put into words, but all that came out was a howl that expressed it better than any language ever could have.

It’s you. Finally, all of it-- all of yourself. It’s you. 

The moonlight tasted clearer on the tongue of what you were than the human you would have died as otherwise, each breath carrying a symphony of scents. The night itself seemed to be what drifted up from the open door downstairs, everything you’d stayed up late pondering now as tangible to you as the floor beneath your feet as you rose shakily from the bed, fur soaked with your own blood and tail wagging like it was the first time you’d ever actually been able to express happiness. She followed shortly after, leaping from the bed with two legs and landing with four, circling around you excitedly. You laid down for a second, letting her explore you as she’d done dozens of times before, licking the blood off half just to know what you tasted like now. 

You rose to your feet and together, descended the staircase and stepped out onto the porch. You’d never thought of the night as empty. Cold, yes-- painfully out of reach, but not empty. Content with the knowledge that it was alive, even if you couldn’t see it. You had thought you were content with it, at least. Feeling the night like this now, every sense telling you all the information that was now within reach, leaping from the porch and sprinting with her into the forest made you realize retroactively that just knowing what you were missing was not enough.The euphoria that came from that night, running through the dark in which you could now see, being a part of it, was as wonderful as the first time you’d worn clothes that made you realize the meaning of the word. Singing in long, single notes that could be heard for miles, no longer simply pondering the mysteries of the forest at night but being one of them. A sound in the symphony for all to hear. For others to ponder themselves and maybe, just maybe, to follow if they allowed themselves to open the door.

[maddy-k-reads-all-day]

Thinking about Wooly in When You Feel Bad

Okay so like... everyone noticed that Wooly was acting kind of funny in the "When You Feel Bad" Tape right? Here's some things I noticed... just note there is a LOT of detail put into this tape so I'm definitely not going to be able to notice and cover everything... I don't even think a post that long would fit in the tumblr text limit...

Anyway first thing I noticed is that right after he says, "How about an Adventure?" he looks directly at the camera. Everything about how he says this feels very scripted. But the interesting thing is... his face immediately changes to one of nervousness or unease as soon as his finishes this sentence and his eyes slowly turn in her direction, BEFORE Amanda even says anything. Almost like he knows that this is not what Amanda wants or needs right now, so it's gonna piss her off. However, it's probably what the SHOW needs, in order for the episode to continue.

Before I continue, I'd like to share a little theory. I think the narrator's story might actually be the correct scripted one the episode was meant to read. Hameln does enjoy subtle but slightly harmful messaging, and telling a friend a sad story to cheer them up might be one of them. I think Wooly was supposed to start the story and the narrator was supposed to continue it (with our help). Because otherwise, why would the narrator be there at all if Wooly was supposed to tell the story? If that's the case, why isn't our script-loving Wooly following the script?

I have two theories:

1. First off, if you answer "tragedy" or "sad" for your favorite type of story, Wooly glances at Amanda (who doesn't appear to be paying attention) and says "We don't like those kinds of stories AT ALL." But... this is lie. We know Amanda likes these stories. So that means... the one who really doesn't like them is Wooly. His reaction to horror also implies that he has some of the trademark Hameln trauma too, though he doesn't seem to show it as much as Amanda. It's kind of a weird reaction to have honestly... like, why would the mention of the word "horror" give you flashbacks of... whatever THAT was. I've had this theory for a while now that part of the reason Wooly tries to change the subject when Amanda talks about sad stuff might simply be because HE doesn't like talking/thinking about this kind of stuff. When we answer "horror" he says he wishes he hadn't asked. In comparison, whenever Amanda remembers something about her past, like when we first mentioned Sam, she seemed confused and maybe a little suspicious of us, but she never flat out has said she regrets remembering these memories, despite how unpleasant they can be. It's a weird contrast. Almost like Amanda wants to remember and Wooly wants to forget. And he really doesn't seem to like listening to the narrator's story when it's told. It's almost like he was trying to avoid it getting told at all. In this case, it was never about cheering Amanda up and Wooly was being rather selfish here. So in order to prevent the narrator's story from getting told, he tells his own.

Which could explain why it's so bland and uncreative, considering Amanda (even in this episode alone) is shown to be the creative type of the two. She's an artist. We've never seen Wooly try and be creative before, so maybe it's just not his thing?

Another interesting thing is, Amanda goes off script quite often and the show seems to bend to her will, but for Wooly it doesn't. (in both this tape and the second In Your Neighborhood tape). It's almost like Amanda seems to get rewarded for going off script (aka in getting what she wants) and Wooly gets punished for it. But it always works for which might be why Wooly is surprised when the same doesn't work for him. But he continues to try nonetheless, trying to get HIS story back on track.

He continues to tell the story wrong ON purpose. Probably hoping he can get the show to play along, the way it always does for Amanda. But it FAILS again. Wooly starts to get frustrated and eventually realizes we're the ones messing with his story. When he asks us to at least TRY and go along with his story, he sounds annoyed which we don't get often from Wooly. So anyway that's theory 1.

Theory 2 goes a bit deeper.

To preface this, I don't 100% believe in this theory I could be wrong but I just want to put the idea on the table. It started with this detail I noticed and found REALLY interesting.

When the narrator says "the knight slew the dragon, not knowing they were killing their true love" Wooly looks at his hands with this weird, wide-eyed expression, while Amanda says the knight is going to regret that.

I've always thought his reaction here was a little strange. Like it didn't make sense. But what if this line is implying something about Wooly? I do think that this story is a metaphor for something, but it isn't a word-for-word representation of what happened. It is simply a SAD STORY to cheer Amanda up. But bits and pieces of it may remind Amanda and Wooly both of events that happened in their life. Amanda might relate to being separated from someone she cares about and to being turned into a monster (in her case, the demon) without her consent. But Wooly might relate to other things. For this scene in particular maybe he hurt someone he really cared about in a way he couldn't take back and really regrets that? (like the knight killing their true love, killing someone is something that cannot be undone). Once again, I don't think it's supposed to be a one-to-one thing. This line could even be hinting at Amanda and Wooly's falling out. Amanda tells us in the final tape that Wooly did something to betray her trust. Wooly and Amanda used to be best friends. So maybe Wooly did something that really hurt Amanda, something that could not be taken back. Something that ultimately made him lose his best friend and he regrets that. In multiple scenes in this series, Wooly seems to look sad or guilty when Amanda shows anger towards him or says they aren't friends anymore. So it's very possible that this is the case. That said, another common theme with Wooly is that he doesn't seem to enjoy looking at or talking about subjects that make him uncomfortable. (When Amanda talks about death, he seems extremely uncomfortable, when they watch the cat eat the bird he says he feels like he's going to be sick and his constant changing the subject routine that happens throughout the series). So this story, that might in some way remind him of a mistake he made might be something he doesn't want to hear. He doesn't want to be reminded that he screwed up in a way he can't take back, he doesn't want to hear it.

Side note, when Wooly suggests that finishing the story might cheer her up, she doesn't object, she sits back down and looks at him (albeit still pretty upset) and waits for him to continue.

As the narrator's story continues Wooly starts to seem really angry about it. And then he starts getting really like emotionally bent out of shape. Then there's the whole, "There was a big battle, the brave knight prevailed and then-" and Wooly stops, once again having this weird look on his face. Like this got too personal.

Wooly goes on to talk about how the Knight saves the princess and they live happily ever after.

I think this could imply that at one point or another, Wooly had some sort of chance to do something to help Amanda or save her from her fate. A chance he didn't take. Maybe this didn't even happen while they were trapped, but beforehand and Amanda found out later and got reasonably upset. In any case, it does feel like Wooly may be projecting to an extent. Maybe even trying to subtly tell Amanda that he's sorry, and he doesn't like how their story went. Something that Amanda clearly didn't pick up on. This would be interesting since it's not the first time the game or it's characters have tried to tell us something subtly through a story. Amanda did it through the lonely kitten and the farm animals. I'm not 100% sure that's what is going on here, but I am acknowledging the possibility. Regardless of what Wooly was trying to do, the true ending to this is that he fails.

Going off that theory, something else that add to this is the annoyance Wooly expresses when Amanda dislikes his story. He knows this isn't the story she likes, but if he were trying to tell her something with it, it'd be pretty annoying if he felt like she was ignoring that message. As Amanda keeps criticizing Wooly's story, Wooly claims he's doing his best to cheer her up. Which is a lie. This whole "I'm going to tell my own story" is incredibly selfish and misguided on Wooly's part. Amanda clearly isn't getting the point or liking the story. Even if Wooly was trying to hide some apology in this story, it still doesn't make it okay for him to activitely ignore Amanda's feelings. Besides, even if he is trying to apologize, the apology itself probably comes off a bit mockingly? Like... "I wish our lives didn't completely suck, I wish I had done something about it when I had the chance. But I'll never actually say it to your face." Another thing- Wooly clearly seems to feel genuninely bad about whatever he did to Amanda- but he has never even TRIED to apologize to her!!!

Amanda asking "why doesn't the dragon just put her out of her misery?" I think this adds to my other theory that Amanda just wants to be out of here. She wants to bring an end to what feels like an endless nightmare.

Idk if this post makes ANY sense and like there are so many more details that I could uncover I just wanted to share these two little theories. I do actually really like the idea that Wooly might actually be trying to hint at an apology in changing the sad story to a happy one but I'm probably thinking too deeply about this. Anyway I just wanted to share my thoughts! Hope you enjoy!

Bonus:

But I thought Wooly says he doesn't like scary stuff? I mean it's just a dragon so it isn't really scary but this was kinda weird of him right?

Is this a spelling error or is it intentional and somehow important? Genuinely asking.

[warblogs17282]

'For Octavia, love is sort of mutually exclusive. She was Stolas' entire world for several years, than by the time Blitz arrived, she felt like he began to "steal" that spotlight. And Stolas, purposely leaving Octavia in the dark in a bid to protect her perceptions of a happy family, was ultimately doing more harm than good.' Definitely, I just want to take this opportunity to bring up a post I've made that touches that subject in more detail, because I find that aspect of the conflict really interesting

"I tried so many years to make it comfortable for us; to have this family, but it was never enough. The only reason I have endured your constant insults and cruelty was for that girl to have a normal life." - Stolas S2 E1

"Also, son, you are destined to sire a precautionary addition to the Goetia family." - Paimon S2 E1

Some of you all are completely misunderstanding the second half, I am not downplaying the love Stolas has for Octavia, I am not saying that at all, what I am saying, is that Octavia is 100% going to think she was a 'obligation' when she finds out she was born to be a 'precautionary addition to the Goetia family'.

[anontheghost]

Prayers for a Rushed Marriage

Well... guess who is done with her first fic of 2025? Me!

(Please click the image to be directed to be fic. If that doesn't work, then click here)

Some notes:

Sallie May and Millie's sisterly bond should have been explored more in the series proper. As of now, the only other interaction they had (apart from the five-minute short "Hell's Belles") was one of rivarly during the Harvest Moon festival episode. Back then, they didn't seem that close and if you really think about it, Millie doesn't really mention her sister after that episode.

In canon, Millie's family doesn't like Moxxie because he is not "strong and tuff" like the average wrathian male. Narratively, that was not really a good excuse and was probably written into the script to make the episode focus more on Moxxie, even though we are technically exploring Millie's hometown.

Leaving Moxxie and Millie's relationship so unexplored was what caused a great part of the confusion in Millie's reaction towards her unplanned pregnancy. If hers and Moxxies marriage is so strong and they trust each other completely, then why was she so adamant about hiding the pregnancy from him? Haven't they talked about if they wanted kids or not?

If you do the math, you can see that M&M marriage is not only very young, but their entire relationship is. I know that Helluva's timeline is very confusing, but if my calculations are correct, they have probably known each other for less than three years.

Shouldn't it have been really interesting to explore the problems that surge when two individuals rush into marriage because they are young, in-love and high in endorphins?

Extra: Between you and me, I have zero faith in how the Spindlehorse team and Vivzie would handle something as delicate as moving forward or dealing with an unplanned pregnancy. Considering their track record on handling other delicate subjects like abuse and S/A, my expectations are extremely low.

I am probably going to write a continuation on how I would continue this particular plotline. Should I do it?

Or maybe for another time?

[i-am-snowils-admiral]

So the dpxdc fandom has been trying to come up with more ways to get Danny into Gotham without relying on the old Bat-adoption trope (though it's a fun trope that I love), which typically either means aging him up or giving him a fake id and making him live alone in Gotham pretending to be aged up, but personally I think we can streamline the process a bit by borrowing liberally from Marsalias' fic Adoption (if you haven't read it, definitely do, it's a really good fic) and sticking Actual Master of Time Clockwork in Gotham as yet another weird rich cryptid.

For those who haven't read that fic, the basic premise is that Clockwork decides to adopt Danny completely legally through both ghost and human methods. He is required to establish a human persona for this, which I find hysterical. He and Danny end up living in an incredibly creepy manor that they both love. We can easily uproot that thing and plop it into Gotham. If we want to be particularly funny about it, we can sandwich Wayne Manor between Clockwork and the Drakes to make them all neighbors.

Now what you do from there is obviously subject to whatever story you're wanting to tell, but there's a couple fun things I want to suggest:

Clockwork doesn't try very hard on his human persona. He still dresses like a time god in a fantasy novel (I'm a little in love with 13thcat's designs so I like to imagine his human form looks a little like this). You have to live, what, 40-50 years in a city to be established? Sure. Why bother aging visibly in this time? That's not necessary! What does he do for work? Uhhhh he's a woodworker who makes clocks. That's why he has millions or even billions of dollars, obviously.

5-year-old Bruce Wayne is OBSESSED with Clockwork (aka Charles Worth). This is baby's first incredibly pure crush. This is your really cool kindergarten teacher that you remain a little in love with well into adulthood, except instead of being nice CW is just really weird and doesn't care about what 5-year-olds are able to discuss. Baby Bruce does that little kid "I'll marry you when I grow up" thing that everyone finds adorable but CW says "there are many timelines where you get married, though never to me. Some options are better than others, but I won't tell you about them" because what else would he say.

When Danny shows up in Gotham decades later as CW's adopted kid Bruce is zeroed in on all the gossip. His interest is based entirely on his childhood obsession though so he uses absolutely zero Batman skills to investigate the situation and therefore finds nothing weird about Danny's background. The batkids find this hilarious because there is Clearly something weird going on with that kid.

Clockwork could easily solve all of the Bats' problems and tell them the answers to all the investigations they're doing but why would he do that???? That's boring. He's vibing in his new house with his cool liminal son why would he be worried about *checks notes* the hundreds of people dying to rogue attacks nearby.

Despite never being genuinely helpful he DOES randomly drop in-universe lore that no one would've figured out otherwise. Usually he does this about six months after it would've been really nice to know.

He doesn't do this out of malice he just doesn't intervene in things normally and if he does, it's only by request. The Bats (besides Batman because he's still oblivious) are too worried about what he might ask for in exchange to make requests though they know he's powerful but they are totally wrong because he's just sitting there baking bread thinking "hm I wonder why Timothy never asked me to help him get Batman back from being lost in the time stream, I could've done that really easily without changing too much. Oh well, whatever makes him happy."

Danny also never makes requests but that's because CW went a bit too hard on teaching him messed up karmic lessons about interfering with time so Danny just assumes it's always a bad idea to ask.

[raven-at-the-writing-desk]

Somwthing i’d definitely argue with re: malleus and leona’s dream is malleus hating him. Malleus seems to be both irritated by and thrilled by the novelty of having someone around who is not only unafraid of him, he will outright display aggression/be blunt/be rude. Malleus is rarely challenged or forced to question his actions by anyone aside from lilia, so leona is a first. he’s fascinating (in a fae manner).

He doesn’t actually HATE leona, he’s entertained and challenged by him.

Him giving leona that book for his birthday and their surprisingly cordial conversation is proof.

[Referencing this post!]

I think the fandom commonly interprets the beef between Malleus and Leona as mutual (and it is in some cases), but the actual hatred fueling it is mostly coming from Leona. (I talk more extensively about the subject in this post, so please give it a read if you’re interested!!)

Malleus rarely instigates or displays an outright hatred for the lion; he’s typically reactionary and Leona’s the one poking and prodding him to try and get that reaction. If Leona doesn’t start shit and/or if they can find common grounds (like their shared interest in ancient texts), they can be cordial. Weirdly enough, their dynamic has led to both Silver and Lilia mistaking the two as friends.

I also discuss this in the post linked above, but Malleus appears to find situations in which people challenge him to be amusing and even a point to bond over. This occurs most prominently in Glorious Masquerade; Rollo poses a huge threat to all magic in Twisted Wonderland—and though Malleus expresses anger at being betrayed and at Rollo’s intent to harm mages, he still insists on having a ball, provides the gift of song to Noble Bell College, dances with his enemy, and insinuates that there will be a “next time”. During their climactic showdown, Malleus goes so far as to express interest that Rollo actually managed to succeed in making him, THE Malleus Draconia, experience fear. He’s amused by the sensation since it’s so rare for him to be put in peril. That’s a pretty chill reaction to some guy that hates your guts and vows to destroy you, Malleus 😭