#but it’s too niche so it’s just me hyperfixating on this now

[humanb34n]

I need content of my character so I’m making some

[thecryptidbard]

Back at it with another Ghosts tarot card—this one is Hetty as The High Priestess!

This card is so much about reconciling one’s inner and outer selves, and learning how to effectively express that internal world; one of the things that really fascinates me about Hetty is that she has such a carefully curated Public Persona (largely thanks to her era/class), but also has such a rich interior life with these withdrawn spells where she just stares out of windows contemplatively for hours at a time, which is what really made me see her as this card. I hope that we get to keep seeing her break down the boundaries between these different sides of herself going forward.

The original Pamela Colman Smith tarot card my design is based on can be seen here, and you can see the first Ghosts card I drew, Flower, here in my Ghosts Tarot tag.

[burger-goblin]

.

[ariaste]

If you could sit the vampire polycule/diabolicule down in a row on a sofa to watch one (1) movie with the intent of causing the maximum amount of psychic damage and/or drama, what movie would you pick for them? I'll go first: Moulin Rouge. Hear me out.

Louis is upset because he's a pretentious snob (affectionate) when it comes to Art and he's complaining that it's just a ripoff of the opera La Traviata. He's correct but he doesn't need to say it, he is allergic to camp and he's harshing everyone's vibes with his barely-under-his-breath scoffing.

Daniel is ruefully identifying way too heavily with Ewan McGregor's character. Daniel is sitting here with his mouth firmly shut like, "Nobody call me out for being exactly Like That when I was 20, nobody look at me, nobody read my mind, nobody make eye contact with me, god this is cringe. Look, he's even got the drug use going on." (This is show!canon that we're talking about so thankfully Daniel doesn't have to also cope with the "AND he's embarrassingly into a hot redheaded theater nerd, god just kill me now, nobody Perceive me please" vector of embarrassment). Daniel is also not having a good time with the creepy older men skeeving on this theater nerd sex worker once he thinks the words "Hm, Marius vibes"

Daniel and Louis also feeling kind of mutually overstimulated from how their heightened vampire super-senses are reacting to all of the Colors and Flashing Lights and Whippy Camera Movements etc. They have matching headaches and are feeling slightly nauseated.

Everyone is feeling some degree of slightly triggered, emotionally, about either Paris In General (Daniel), or Niche-Theater Life In Paris (Armand, Louis, Lestat). Big mixed feelings also about tuberculosis, a disease that makes people cough up blood.

Armand and Lestat are profoundly NOT allergic to camp, unlike some people on this wretched sofa. Armand and Lestat cannot be overstimulated by Colors/Flashing Lights/Whippy Camera Movements/etc, bc their vampire neurodivergence goes in the opposite direction. They have not blinked or moved in 90 minutes except to breathlessly clutch each other's hands. Lestat is muttering feverishly under his breath like "armand. armand. armand. is it maybe time for us to found another theater together, do you think???? armand??? what if we just. are you doing anything after this. how much cash do you have on hand right now." his ADHD hyperfixation on a new-old hobby is going BUCK WILD. He has to recreate this except EVEN MORE. Armand is watching Satine Suddenly Die At The End, just like how in all of his silly little plays someone also Suddenly Dies At The End, and he is deciding that this is maybe god's perfect movie. This is the greatest film either of them has ever seen. They think this is Cinema.

Armand and Lestat will have never agreed with each other for so many consecutive minutes as they will when the credits roll and Louis starts monologuing about how much it sucks to the point of VAST OFFENSE AND HURT FEELINGS on Armand and Lestat's part

the whole mess devolves into a screaming fight between the three of them while Daniel both refuses to referee and also won't stop making bitchy comments once he twigs to the fact that nobody else seems to have noticed that he was Going Through Some Cringe Nostalgia. The night is ruined, no one is happy, Louis takes Lestat floating the idea of founding a new theater with Armand since "you clearly don't understand art, LOUIS" as one of Lestat's top five greatest betrayals. Armand is not giving a straight answer about whether he is on board with the theater idea or not, which upsets everyone equally, unlike if he had said yes or no clearly and at least gotten one ally locked down. Louis appeals to Daniel to oppose the theater idea; Daniel does a bad job of doing so because he chronically believes that maybe having some hobbies will Make Armand Worse, which is a thing he's into sexually. Everyone goes to bed mad. The passive-aggression for the next week could be cut with a knife.

[stitchwraith-stingers]

autistic hazel headcanons because i lost my last post

spoke really late, around 5 years old, since then she hasnt stopped talking, god speed

i shouldnt have to say itsince its so obvious in the show but geology special interest..... i like to imagine she has various really niche hyperfixations (like her hat thing going on) one day she could just pop up next to you and go btw did u know that birds r crazy cool and then the next month shes talking about furneture

and to add to that, it all started when her family went onto some museum exibit and her brother was like ohh rocks r so strange and explained whatever he learned in the...... 8th grade i cant count about them and from that day on

no idea where to put this but she has had bad sleeping problems since forever . she lives off 2 hours of sleep baybe and they r heavenlyyyy... unrelated but the nightmare haver...

not really much sensory issues going on, but she perfers lights off in her room if shes able to

she doesnt like alot of different fabric textures, silk is a 100% no-go for her, she sticks with wool

doesnt like soft fruit (bananas, strawbarries, mangoes, blueberries) and doesnt like most nuts

would hide in the janitors closet when she has a meltdown / shutdown, everyone in the school just kinda accepts it now and always know shes there since where else could she be, she doesnt actually have those often she just had it 3 times and keeps using it as an excuse to talk to coswan

her main stim was rocking back and forth often, but the kids would point it out often and shes trying SO hard to not do it again so they wouldnt stare at her, body stims alot in general but probably doesnt notice it

often makes alottttt of hand gestures when talking and people would repeat those gestures to her

the short term memoryerrrrrr (crock to the future.....tbh same)

has a hard time distinguishing phrases (break a leg, i could eat a horse etc) but is fine with sarcasam

COLLECTOR OF FIDGETS!!!!!! had to sell most of them before leaving for dimmadelphia though :( her faves are tangles, popits are just easier to carry around

probably had a weighted plushie she had everywhere as a kid, i like to imagine it was an elephant

doesnt like strong smells WORST sensory nightmare for her, unfortunatly for her, onions are her fathers comfort food

doesnt like eyecontact, unfortunatly for her, her best friend likes intense eye contact

her family is full of undiagnosed neurodivergents (marcus/angela r autistic4adhd to me) so they probably connect the dots after guzman pulls them aside and goes weve been observing ur daughter and i think you might want to check this out

I CANT FIND THE FUCKING IMAGE NOO but hazel n marcus r basically that one image thats like "sorry mom im gonna be late i have to drop this pebble down a river to see how big the splash it" / "ok but tell me too how deep it is how loud i was etc"

[infiniteanalemma]

Nobility in Baldur's Gate

Edited to add: I never expected my silly, niche post to get as much attention as it has! I'm giving you all forehead smooches! 😚💋 I've gone through to clean up some things up as I've found new information. I also added a list of nobility that I've found in game and other sources to the end of the post. Thanks, y'all! I'm glad I'm not the only one to wonder about this stuff. Good stuff in the reblogs, too!

Baldur's Gate has dug itself deep in my brain, so I apologize to my poor mutuals who didn't follow me for BG3 content getting this onslaught of posts. Please bear with me until my hyperfixation wears off. 🙏

Now, I'll admit up front that I'm no expert in DnD lore*, so if I get things wrong, please feel free to correct me or just add in stuff I may have missed. I'm going off of what I've found in-game and my Google Fu skills.

That said, I do know enough about DnD to remember that Baldur's Gate nobility are called patriars, and that there are only a relative handful of actual patriar families. I was thinking about my "canon" Tav, Velassa, and her background in BG3. She's a modified OC that I plunked in-game during Early Access, so I made her a noble. It was just part of her existing character that I didn't think too deeply about. It was only after I starting playing that it occurred to me to wonder what exactly "a noble" is to a native Baldurian.

That got me digging a little more into the current state of the Baldurian nobility as of BG3. I don't know who--if anyone--needs or wants this, but I put this together for myself and decided to share it for anyone else who might be interested. I realize that this is probably pretty niche and it's rambly and long af, so I'll put it under a cut.

So, for starters, here's a list of all the patriar families, including "fallen" houses that are barely hanging on: Belt, Bormul, Caldwell, Dlusker, Durinbold, Eltan, Eomane, Exeltis, Gist, Guthmere, Hhune, Hlath, Hullhollyn, Irlentree, Jannath, Jhasso, Linnacker, Miyar, Nurthammas, Oathoon, Oberon, Portyr, Provoss, Ravenshade, Rillyn, Sashenstar, Shattershield, Silvershield, Tillerturn, Vammas, Vannath, Vanthampur, and Whitburn

From what I've gathered, Exeltis, Provoss and Ravenshade are all more-or-less destitute. Also, the Szarr family (Cazador's family) were patriars, but were believed to be entirely wiped out. No living descendants makes them a dead house, rather literally. 😏 (No, I'm not sorry.)

Now, we learn that Wyll's father is Ulder Ravengard, the Grand Duke. This brings us to the first point: There are four Dukes, known as the Council of Four, and the Grand Duke's job is to be the tie-breaker.

Traditionally, one of the Dukes is also the highest ranked officer of the Flaming Fist--that's Ravengard, who was a Fist promoted up through the ranks. Wyll tells us that his father was born lower class, and quite a few of the patriars seem to scorn him for that. The other Dukes are Belynne Stelmane, Dillard Portyr (more on him later) and Thalamra Vanthampur (more on her later, too). Of the four, two are patriars: Portyr and Vanthampur. We don't know much about Stelmane's past, except that she was a brilliant businesswoman, politician and--as we find out later--member of the Knights of the Shield. Apparently, you can't buy your way into the patriars, but maybe you can buy your way into being a Duke.

Skipping ahead a bit, when the player shows up to Gortash's coronation, there are a group of mostly patriars sitting in the boxes leading up to the front of the room. I'm listing them by seating arrangement, with box 1 and 2 being the left and right closest to Gortash, and 3 and 4 being farthest. (I don't know what, if anything, the seating arrangements imply. The second box has eight people, compared to four for all the rest.)

Lady Ailis Belt, Baron Callem Bormul, Lord Rugger Shattershield**, and Lady Alia Durinbold**

Lady Ruth Linnacker, Lord Sarken Eomane, Lady Freida Oberon, Lord Raylen Jannath, Lord Myer Ravenshade**, Lady Madeline Whitburn, Lady Beatrice Provoss, and Duke Dillard Portyr

Lady Winstra Hullhollyn, Admiral Peil Hullhollyn, Lord Randolph Vammas, and Lady Eshvelt Guthmere

Lord Milon Tillerturn, Lady Silifrey Sashenstar, Lord Petric Amber**, and Lady Haeril Birch**

Here's some pictures of the nobles sitting together. (Sorry for the terrible quality! I slapped it together for my own reference. 🙈)

The characters marked by ** aren't human, which is interesting because the information I found said all the patriar familes are human except the Shattershields. Myer Ravenshade is listed as human if you examine him, but he has a dwarf model. That might be a mistake, but I'm including him anyway. Alia Durinbold, from a presumably human patriar family, is a wood elf. Again, this could be a mistake, but unless Larian winds up changing it, it could mean that interracial marriages that once may have been looked down on are now becoming more acceptable. Petric Amber is also a wood elf, and Haeril Birch is a high elf.

Those last two are interesting because they are the only ones in the boxes who aren't patriars. If not for them, I'd have assumed the coronation was simply a demonstration for the patriars alone. Their inclusion means this is something else.

Digging around, my conclusion is that all the listed people are members of the Parliament of Peers--a 50 person advisory party to the Council of Four. However, what I found says that it's pretty rare for all 50 to attend meetings, and the usual group is between 20-30. There are exactly 20 named individuals listed, plus a group of unnamed "patriars" standing at the front.

Here they are, for what it's worth:

One thing I noticed here is that most of those listed here are Lord/Lady, but there are three other titles: Duke, Baron and Admiral. I've already talked about the Dukes. Looking into the patriars, the Hullhollyn family are notable for having a fleet of ships, so it makes sense that one of them would be an Admiral. That leaves the Baron.

I couldn't find anything about what it means to be a baron in Baldur's Gate. Going on real-world peerages, a baron/ess is generally the lowest "rank" of nobility. Basically, it's someone who was an official landowner (usually of an "important" bit of land) under the feudal system. Well and good, I suppose, but presumably all the Lords and Ladies of the patriars own land within the city. This particular Baron is also a patriar, but given that one doesn't need to be a patriar to become a Duke (normally a higher peer than a baron), that may not mean anything.

(Apparently, the term "Duke" was originally meant somewhat jokingly. That said, it still carries the weight of a title even if not the conventional one.) We don't see any other titles between Duke and Baron, so what does that mean?

This isn't canon, but my assumption is that it means the Baron owns important land outside of the city. This would make sense for Baron Bormul, given that the Bormul family apparently have investments in silver mines and vineyards. Assuming they own the mines/vineyards, that may make those lands "important" enough to the city for their owner to earn a title. Alternately, the Bormul family also has counterparts in Amn, so maybe baron is an Amnian title that got passed along. That's getting a bit far afield for me, though. 🤷‍♀️

Anyway, among the group at the coronation, pretty much everyone supports Gortash becoming Archduke, with the exception of Lady Sashenstar (an old woman who really isn't too impressed with this commoner) and Duke Portyr, who expresses some hesitation at the whole thing.

Duke Portyr is interesting here. Except for Ravengard (who is thralled and conducting the ceremony), Portyr is the only Duke present. Now, Stelmane is already dead, so that explains her absence. Vanthampur is also missing, which is interesting. Portyr first, though: he was Grand Duke before Ravengard. He's the one who re-instituted (Edited: and originally created!) the Parliament of Peers to make the day-to-day decisions of running the city, and ceded the title of Grand Duke to Ravengard. He's described as being conflict-averse, so it makes sense that he'd go along with Gortash's coronation, even though he's clearly unhappy about it. Also, the current leader of the Fists is also a Portyr, likely still Liara Portyr, the Duke's niece and Ravengard's second-in-command.

Thalamra Vanthampur is an interesting character, too. She's the head of the Vanthampur family, and part of the Descent into Avernus story. Apparently, she's the one who got Ravengard to go to Elturel before it sank to the Hells, intending to take his place as Grand Duke. From what I read, she also conspired with the Dead Three's cults to murder people in a bid to discredit the Flaming Fist. (The murdery bits were undoubtedly left to Bhaal's cult.) We never do find out anything about Thalamra Vanthampur in this game (I assume that's probably cut content). (Edited: She is mentioned in one of the in-game texts as having been killed, which was one of the possible outcomes of Descent into Avernus. Larian chose that as their canon, just like the fate of Elturel and Zariel.)

The only Vanthampur we do meet is Carnelia Vanthampur, who is in the Guildhall and describes herself as "a peer of the Parliament". She's willing to work with either the Guild or the Zhentarim. Nervously of course. Also interesting is that, on the Bloodstained Parchment hit list, is a Varri Vanthampur, whose gravestone you can find in Candulhallow's Tombstones shop, reading: "Varri Vanthampur. Unwanted in life, welcomed in death."

Interesting, hm?

Also on that hit list is Fridrik Hhune. The Hhunes apparently have links to the Knights of the Shield, from what I looked up--the same group the Emperor led with Stelmane. The only Hhunes we meet in-game are Blaise and Gheris Hhune, two of the werewolves in Cazador's ballroom who are brothers according to the dev notes. With them is another werewolf of a different patriar family, Duver Rillyn. This suggests Cazador has been going after members of patriar families, which sort of fits with what we know about his plans. We really don't find anything else out about them except that they consider Cazador to be their master and Astarion says they're new.

We also can talk to a Flaming Fist who mentions that Hurlbut Hhune is the father of Henrietta Hhune, who used to be secretly engaged to the Fist in question, only for her father to decide to arrange her to marry fellow patriar Derque Rillyn, who the Fist describes as "a major arsehole."

That conversation is interesting for a few reasons. For one, it tells you that arranged marriages within the patriar are a thing. Also, this Fist is a Manip (essentially a Sergeant) who can't ask the other Fists for help because "the Fists don't mess with wealthy patriars, they've got the Watch to back them up." That's aligned with what Devella can also tell you: "There are patriars on the murder target list. I'm oathbound to secure them first, so I'll be heading to the Upper City next." If you say that the Fist should protect everyone: "Not from around here, are you? We're in Baldur's Gate - this is just how things work."

This brings me back to my original issue: what is a Baldurian noble? The patriars are canonically nobles, of course, and they're undoubtedly seen as the "most important" of the nobility. From there, it's not much of a stretch to say that anyone who has earned the title of Duke is now a noble, even if they aren't patriars. I'd go so far as to say anyone on the Parliament of Peers (and their family by association) is a noble^, given that non-patriars Petric Amber and Haeril Birch are considered Lord and Lady. The information I found about that is that there are approximately twelve non-patriar members. If Amber and Birch are two of them, that leaves another unnamed 10.

^Edited: Looking at the dates, I realized that the Parliament of Peers is a very recent change to Baldurian governance. Duke Portyr originally created it after the three other Dukes on the Council of Four were assassinated. It was clearly meant as a temporary measure, but my guess is that the patriars liked having more official say. Not to mention the non-patriars who managed to get a seat. This has all happened within even the youngest of Tav/Urges' lifetimes.

Personally, I'd also assume that branch families of the patriars probably also count as nobility. By branch family, I mean those that marry out of the main line but whose ancestry stems from a patriar family. From what I've seen by naming conventions, Baldur's Gate seems to use patronmyic lineage--ancestry is generally passed to the sons, and wives take their husband's surname. So, if a daughter marries out of the family, she'd no longer be a part of her father's family lineage, but still would be considered nobility. These branch families likely still maintain powerful influence and connections from marrying into wealth, which would make them a good political/financial choice of marriage alliance, despite no longer having the main branch patriar family name. These families are also probably the ones most likely to find a place on the Parliament, too, but likely have to jockey for position if their "representative" dies (or otherwise leaves) and a new opening in the Parliament is created.

If you've read this far, as a treat you can have some crappy close-up portraits of the nobles at Gortash's coronation, grouped together in their respective boxes. 😚

* For what it's worth, I'd count myself as a casual DnD player. I have some knowledge of DnD--I've played BG1 and 2, Planescape: Torment, along with some general cultural osmosis. I've had friends who played the tabletop version, but for one reason or another, I've never played it myself.

[sundewhasaudhd]

Sometimes I have these moments of clarity where I’m like “Wow, I’m really projecting on c!Wilbur while writing this fic” or “Damn, this headcanon for c!Wilbur is just like me fr” Like I have fucking list: 1) The way I write c!MAD duo in my main AU. A bit context for this point. My main AU is just my first DSMP AU and it’s doesn’t have a main motif, and since it’s the main AU I write, I just really call it my main AU. And c!MAD duo is c!Wilbur and c!Dream. So onto the projection part. So Wilbur was alone in limbo for a fucking WHILE, and then Dream revived and interacted with him and was “friendly” with him, so he hyperfixated on him and developed a really unhealthy romantic attraction to him. And Dream sometimes uses that attraction to get him to be what he wants. And, yeah, Wilbur kind of knows that Dream’s a bad person, but kinda “justifies” it a little like “oh, maybe they deserved it”, or “maybe I just don’t have enough context”, or “maybe it’s not that serious, and that’s just their dynamic”. 2) How he responds to accidentally hurting and realizing he hurt people he cares about. He berates himself for ever doing something like that, and thinks he deserves to die or feel pain, leading into my next point,

3) The SH that follows after that. He hurt someone he cared about didn’t he? There were so many other things he could’ve done, but instead he hurt someone that didn’t deserve it. Regardless of whether it was an accident or not, that doesn’t really matter right now. So he makes himself hurt too. And he doesn’t really understand how unhealthy this is either.

4) Abandonment issues out the shitter. With the anxious attachment style. Now, 1-4 are all projection, but just more extreme. There rest are just up projections, with no added to it. 5) AuDHD. No further elaboration needed.

6) Being a gothic horror fan.

7) Being into the same niche ass musical I’m into.

And those are all the ways I project onto c!Wilbur. Thank you for coming to my Ted-Talk. *jazz hands 🙌*

[barb-l]

Isn't a writer question but was curious; How does wenclair different from other ships you've enjoyed?

Is it solely due to having been a lifelong Wednesday Addams fan, or is it specifically the Netflix's Addams world that you find intriguing?

I ask mainly because I recall you once saying that your wenclair comics--specifically the Next Gen Au I believe--are written and made with a lot of intention in regards to dialog and the discussions had between characters.

Is this due to a greater insight into the characters or simply a mark of growth in writing comprehension?

I like to think I put as much thought in all ships I've been hyperfixated on tbh. Wenclair isn't even the one I've been obsessed with the longest. So far it's actually Trimberly, for which and I was hyperfixated with for like 3 years.

But yeah ok I get ur point lol The intensity this time feels different, I suppose.

I think it's a mix of both being a long time Wednesday Addams fan and how cute of a ship Wenclair is both in concept and the canon execution of their dynamics.

As some of you are aware, I've been a fan of The Addams for a while now. All incarnations of them are great in their own way, but one of the many reasons why the animated 2019 movie is my favorite is because it didn't give Wednesday a bland ass male love interest. I don't think the B/W series did it(because Wed was like six in that) but the 90's movies, musical, and netflix series for some reason found it necessary to give Wednesday male love interests so painfully boring and i hate it. This isn't even about making Wednesday attracted to boys. I personally headcanon her bi, as the ol' stereotype that all grumpy/angsty female characters must be lesbian isn't my cup of tea, and also because I like to think all Addamses just don't give a shit about gender when it comes to romance. I woulda been fine with her getting a boyfriend so long as they're not boring af and goddddd canon incarnations still haven't delivered. Joel was sweet but he was too much of a wimp, not even Gomez is that pathetic. Lucas' thing with Wednesday was just portrayed in such an icky way in the musical that I couldn't finish watching by the time their sexually charged duet came on, and don't even get me started on the boys Netflix gave her. I expected better of Gough and Millar...(unless the blandness was on purpose like it was with Lana Lang--)

Anyways, because of all said canon love interests, I've been desperate for Wednesday to have a love interest that is both not painfully het or boring for once. Crossover shipping with Lydia Deetz from Beetlejuice the Musical was fun but was ultimately a very niche fandom. I could only draw and write for an audience of twenty or so people for so long. Parker from the animated movie would've been great, but the cop out with her mom dating Fester just made it too weird for me to be fully on board with the ship.

So when Enid Sinclair was introduced as a character I was absolutely ecstatic. On paper alone she already seemed great. She has a very distinct appearance (even if her "design" was inspired by Harlequin and it shows) that goes so well when she stands next to Wednesday, whether it's in the actual show, fan arts, or even in official merch. Her being Wednesday's complete opposite in so many ways makes her being paired with Wednesday so dang interesting too.

And I don't just mean aesthetic or personality wise. I'm talking about how one of Wednesday's struggle stems from having too much smothering love from her family as someone who gets overwhelmed too easily, and Enid's loneliness and insecurity coming from her own family's lack of love and attention where it matters most. Or how Wednesday's just girl who, deep inside worries about being an actual cruel monster like the very bigots she hates, while Enid is a supposed beast who resents herself for only being a scared little girl. Even the fact that Wednesday is an older sister to a soft-hearted younger brother while Enid is the youngest daughter to a bunch of rough-housing older brothers feels very on purpose.

Everything about Enid feels deliberate. Like she IS supposed to be paired with Wednesday, platonically or romantically. She's the best person to stand beside Wednesday as a character because they have enough differences and similarities to have interesting conflicts but also significant character growths sparked by each other. She's not bland or boring like the canon love interests because even without her attachment to Wednesday, Enid is still such a compelling character. The mere fact that she's as popular as she is despite an eight-episode series being her debut in a franchise that's been iconic to generations is already pretty amazing, and only a character as impressive deserves to smooch somebody as iconic as Wednesday Addams.

And their on screen chemistry is just *chef's kiss*

[cherealta]

I've gone back into an huge high school story hyperfix for No apparent reason for this past month and half so i decide to make a new tumblr! it's been a while since i've been in an fandom space so i decide to stick to an more niche(? i guess) fandom with not so many people still here as it's not as overwhelming for me.

these girls have been with me since 2013 and 2014 respectively with many many different changes! however their core characteristics have stayed the same.

(more info under the cut!)

i was planning on drawing them about a week ago buuut my drawing tablet has decided to die on me and my only drawings of them are from <2022. which isn't ideal. then i remembered a few days ago i can just create them on sims, so for the time being i'll use ts4 as a way to visualize them until i get a new tablet!

a little brief introduction to them -

vivienne is my high school story prime mc and she transfers over to berry high in her sophomore year. bc of this the timeline is a bit different to the canon one (especially since the choices games are canon to the original timeline) as in my tl hss prime takes course from her sophomore to senior year (there's NO way all the stuff that happens in hssp happens in one year!!! pixelberry u can not convince me otherwises!!!). side confession but despite hss/hwu being an defining part of me i've never touched choices... which means i've just never considered were those games would fit into my timeline. so i guess i'd consider my tl an au.

agnieszka or angel is my hollywood u mc who i miss dearly and i'll forever be torn up by the fact that hwu is unplayable now. she's vivienne half sister (vivi is a product of affair. there's A LOT of lore that i'll hopefully go into in later posts) and the two aren't aware of eachothers existence until around 2010. despite this angel loves the fact she has an younger sister, even in unconventional circumstances, and wishes to grow closer to her. vivienne is hesitant at first but by 2018ish they have a very good relationship!! sure it takes a while but the two had to overcome a lot when it comes to their family.

for the years vivienne starts berry high in 2013 and agnieszka starts hwu in 2014 (basically when the games came out). they don't start having an consistent relationship until about mid-to-late 2015.

also this is my first time doing character sheets that aren't heavily drawn so hopefully they aren't too hard to read/understand. this is all i'll say for now as i don't want this post to get too long! i'll drop more info abt them as this month goes by.

[jacquesthepigeon]

You know that tweet that that went 'do people actually LIKE ml or just the character designs' made me realize that most of the popular posts in ladybug right now are fancomics. With, very, very different characters than that to canon. And from what i remmember from ladybug yt? Just rage rage rage at mari, the protagonist. Twitter's too large for me to get an actual common opinion but with a Great chunk of them having been blocked or mocked by That Guy? You really gotta wonder Who Does Like Ladybug. It makes me intrigued about what's going to happen to it like 10 years down the line popular conscious wise considering they have owl house, ducktales, Kipo and Amphibia as contemparies, like im not gonna be the one saying that in the future ladybug's gonna be remmembered as this niche thing that was made in the great Cartoon Renaissance but i do just Wonder what will happen.

I live under the assumption that the people who enjoy ML the most genuinely don’t touch it’s internet fanbase at all. Like, they stream the show, have a laugh, never get emotionally invested, maybe buy a sticker book, but don’t ever try to deeply analyze it or interact with other fans. Cuz I don’t think anyone in the tags is having a good time about it 100%.

It’s hard to put into words but like. While I love getting brain worms for a series, I do tend to be more critical of it when I’m thinking about it nonstop and the hyperfixation becomes more about participating in analysis of the series than just going along for the ride, which is easier to enjoy.

So basically I think the people that enjoy the show the most are the ones invested enough to put on new eps when they come out but not enough to interact with fans.

[garrothromeave]

this is pretty niche but i’m sure most mcd fans will catch what i’m getting at, but to give a general understanding: i’ve been hyperfixated hardcore on sonic for a while now and there’s some neat things i’ve taken from trying to force mcd/sonic aus, lol.

in the game sonic and the black knight (my favorite game. no i don’t have a type/j), sonic goes on a quest to save the kingdom of camelot from the underworld, of which king arthur is trying to take over - but, in the end, it turns out that he’s just an illusion puppeted by the kingdom’s sorceress, merlina. merlina goes crazy, merging the underworld and the kingdom in order to make the kingdom live forever - because she’s saddened by death.

tl;dr sonic beats the shit out of the wizard merlia after she tried to take over the kingdom with immortality and then has this incredibly touching moment: “merlina… every world has its end. i know that’s kinda sad, but… that’s why we have to live life to the fullest. at least, that’s what i figure!”

and i can’t help but connect that to aphmau. to me, aphmau is PERFECT for sonic’s role - even if their personalities are very different, their core traits are still the same. make sure everyone gets to live life. to live freely, and to love!

another core feature about sonic, is that generally, he’s not meant to change. he changes the world around him. he, despite being the main character, isn’t the focus of the story - the people and the world surrounding him are! and i LOVE to imagine aphmau in that similar role, not necessarily changing herself, but everything else. motivating people to be their truest selves, liberating everyone for that chance of freedom, and giving second chances.

and honestly - she is this character. in season 1, aphmau stays primarily very much so the same. she’s the strong, fun, light-hearted one who never seems to take things too seriously (while still taking them as they are). that’s what’s so appealing about her! she’s driving the world to change! she’s making huge influences on the people around her! she’s the main character, the story-driver, the reason the world is going uphill.

and then by season 2, we lose that.

there’s nothing wrong with character development. obviously! it makes for characters to feel more real and 3-dimensional, and i’m not even saying that mcd’s format would have supported this type of character anyways, but truly… i think the concept still remains dear to me. aphmau is not meant to change; she’s meant to change the world around her. support everyone else into achieving what they’re meant to achieve. etc :(

kinda rushed art below but. consider. consider

[duchezss]

Once in four years mcsm hyperfixation is back baby, and on this most recent rewatch some interesting patterns popped up for me. Honestly this might not be a new conversation, but I had no idea the fandom was still so lively. I've loved this game since it first came out and I really love that so many people still talk about it. Anyways, disregarding S2 for a moment (my opp), I think it's so intriguing the way the writers set up S1 and the art of history repeating itself.

The Order of the Stone were (supposedly) the greatest group of heroes that every lived, but they started out as something so much simpler. They were just friends who wanted to go on adventures and maybe make a difference in the world. Of course their trajectory and outcomes were much different from the modern crew, but in many ways they're still similar. I'll get to the in a sec, but I wanna talk about the originals first.

The original Order kinda breaks my heart, because frankly I think their intentions were good, they just lost their way and got caught up in the glory, not the adventure. They all make it seem like they've known each other for a lifetime, so it's easy to assume that even if they hadn't seen each other in like a decade, they had still known one another for practically twenty years. Soren describes their first adventure like a shot in the dark, and how they were so young. So my guess is they met in their late teens/early twenties, the same age I assume the modern crew is when their story starts. Yes they're all bitter in the main story, but their history seeps into every interaction. Magnus called Ellegaard, Ellie, and it might feel malicious at first, but he still uses it after she dies, which leads me to believe it started out with affection. Then there's Soren and Ivor, who were constantly fighting and at each other's throat. This makes me feel like there might've been a point when they were the closest. Magnus and Ellegaard seem almost relieved to see Ivor, even after they know what he'd done. The command block had led them to great success, but it also ruined the one real thing they had, their friendship with each other. Honestly I think the most heartbreaking thing is they were so close to reuniting again, but Magnus or Ellegaard dies, and Gabriel doesn’t have his memory. Then when the dust finally settles, Soren is gone. Ugh just tragic friend group save me, they are the ones that made me realize how much I love the niche trope of a friend group "haunting the narrative". Their friendship and fallout is what causes the events of the entire story, and thus thrusts Jesse into action. If they had never been friends there would've been no Wither storm, their actions led the modern crew to where they are now. Anyway mini rant over my fault, but how does that effect the crew? Well honestly it felt like they were doomed to repeat the same mistakes.

There's Jesse, the fearless leader who always has the answers and a plan for that matter. Caring, direct, and motivated, she begins the story feeling like she is destined for more. She would do anything for her friends and she's a quick learner in a life she doesn't fully understand yet. Soren was likely the same, he was trying to herd three maniacs and a genius together, and something tells me the leader role wasn't his original goal. He thought the command block was helping, when he was really just fighting his friends battles for them. Soren's life became one of solitude and guilt, one I think Jesse was perhaps destined to as well. The courageous leader doomed to isolation and doubt, unable to comprehend the road that led to their downfall.

Petra's pessimistic and sarcastic nature defines her a first, but it's clear that she's so much more than meets the eye. She's determined, chivalrous, and sometimes (overly) reckless too. Above all she strives to be a protector, of people, of her friends, and of her ideals. That's what keeps her from laying down her sword even though she longs for a life without battle. History says Gabriel was the same protector, even if we truly know him to be different, but this isn't about reality right now. Regardless of this they were seen as the fighters, with the only enemy too strong to beat lying in their imagination. The brave warrior doomed to die and lose their self in battle, interpreting life as nothing more than a fight to be won or forever lost.

It's hard to say what else describes Axel but bluntness. He's an out of the box thinker who can perhaps be slow at times, but he makes up for it when it really counts. He holds his friends close, and views others in a hostile matter (for better or for worse), and at the end of the day his hard exterior is easy to see right through to those who matter. Magnus is spunky and edgy, and rolls his eyes at the mere mention of the others, yet like Axel, it's simple to see right through him. His love for the others is something he shields, and it's clear he does this by pretending his life is perfect the way it is. The maverick doomed to surround themselves with a false sense of community and leadership, forever unaware of all that lies out of their reach

Olivia is intelligent, innovative, and practical. She usually prefers a simple solution but that's not to say she can't also have fun. She's compassionate and curious, and enjoys going through hypotheticals just to be extra prepared (or simply for a easy pass time). She's amiable and while her skills aren't exactly adept, it's clear she has a desire to learn. Ellegaard is a similar, and although she's jaded and has far more of an attitude, it's not hard to believe she used to be similar in her youth. It's also very likely they would have the same coping methods, focusing on red stone is far easier than focusing on others. The brilliant engineer doomed to surround themselves with their machines and inventions, who instead distance themselves from any real connections.

And finally there's Lukas. Selfless, kind, and impeccably loyal, in some ways he's the glue that held them all together. His intense desire to meditate got them out of a few fights, even if his presence initially caused them. He's the resident worrier of the group, and his only goal is to make sure his friends are safe and sound. Glory and adventure are the furthest thing from his mind, they're just a welcome bonus. Ivor clearly cared very deeply for the group, because he was the most hurt by Soren's secret. Even after his anger at them, it's evident they were never far from his mind. He tried so much to get them to see reason, but it was all for nothing. The permanent outcast, doomed to try the best they can to save the group, but who will inevitably be the one to ruin them all.

Of course those fates didn't really fall on the old order, that was just what people expected of them. Soren understood very well what he did wrong, Gabriel lived on, Magnus or Ellegaard died, and Ivor didn't ruin them, he just exposed them (even if his wither storm did kill one of them, but that wasn't really the point). Yet what truly happens in history, versus what we've been told or come to expect are quite different. I just think it could've been interesting for the writers to play into this predetermined fate the group already had, perhaps they would accept it, or maybe they would run from it so fiercely that they end up right where they feared. Or maybe their friendship was enough, and they never got wrapped up in the greed or the glory. Obviously that's not where S2 went at all, but it's was just something interesting to think about.

[lmelodie]

So, I was going to post this tomorrow, but the delightful bout of first snow today changed my mind! Milf Jacquie MILF JACQUIE MILF JACQUIE!!! But with a different flavor!

The idea of First-Born-Jacqueline-Gets-The-Curse has been my latest niche hyperfixation. I had WAY too much fun with this design session so I'm gonna word vomit under the cut ALL ABOUT this new snow queen for the new age

Just some general designy things:

Sketches! Straight from the sketchbook! The criteria I was given was her vibe leaning more towards Frostmas Jacqueline with a hint of Snow Queen.

But I personally wanted to see how much of a snow theme I could manage and how often id be able to keep her puffy sleeves! I don't know why that's Jacqueline's signature feature in my head, but it's the identifier I stuck with.

And when Milf Jacquie was first appearing there was talk of an ice collar and my first thought was that it seemed too villain coded for her. But in THIS AU where she really is the villain it's very fitting! Tried incorporating that in some places

And now some REALLY rapid-fire points on ALL the designs:

1) I wanted to try something REALLY different with her sleeves as a play on her default medieval style sleeves. And I tried keeping a lot more of her usual aged up details in this one (puff sleeve details, tall boots, eta.)

2) Accidentally more Elsa leaning than intended but mostly paying off of her usual icicle bodice in a different format.

3/4) Both of these are leaning heavily into the general Snow and Snow Queen vibe. And that HUGE fur collar on this and some others isn't actually fur! I'd like to think it's like super soft puffy snow.

5) This one is playing it REAL safe in the Frostmas territory, kinda like some of the Fem!Jack versions, as those also helped with designing her.

6) NOW THIS is a leather body suit just as a wild card just because I liked it! The gloves are giving vibes of this first frostmas piece from AGES ago

7) Were still playing around with sleeves and now mesh! It's probably up there as one of my personal favorites

8) Is very classic as I had to get a bare bones "suit" in there, but then I thought, "What if thigh highs?" And they probably should've been all one color, but thigh highs are a definite YES

9) Another personal fave, I decided to take Milf Jacquie's skirt, caplet thing and run with that concept into tailcoats! Give her an ice collar and the puff sleeves and she's ready to razzle dazzle!

10) Kinda a more "feminine" play on a normal suit but keep the concept of open legs from the last one and use frost as the lace!

11) This one accidently ended up more 60's inspired than I thought? It's reading more casual house wear, but all the vibes are still very there! The thigh highs strike again >:)

12) And the very last one is a different play on the pantsuit thing, with more frost to cover the titties but with incorporated gloves! Those little shits go alllll the way up its one whole thing!

This was a whole thing in the making for a WHILE but i guess I've just been really focused on Ice Fashion lol. Call me a goddamn fantasy designer, if anyone in Crystal Springs needs one hit me up!

[zannolin]

fic author q&a

tagged by @beautyofsorrow <3

why do you write fanfic?

short answer, because i love it and it makes me happy. longer answer, still that. but it makes other people happy too, sometimes, and especially as i am often writing for nicher series/pairings/dynamics/etc, i love knowing that someday if anyone else likes this obscure silly thing, they can go looking for fic about it and mine will be there waiting for them. also i am immensely unhappy when i'm not writing. i don't think i could live without it. and writing fanfic is fulfilling to me in a way that original work often is not, largely because of the community aspect and the low pressure for it to be marketable or revised or support me as a person or an artist tbh.

which of your posted stories do you think of the most even though the story is "finished"?

mmm tough call. the fey au in the sense that it's the world and plot i am proudest of craft-wise. i worked really hard and i think you can see that it paid off. but other than that i think... i think it might have to be please don't hold me to it right now. because i did it just how i wanted. in a way it's like what my boys in bars series was trying to be but didn't quite reach on the friendship level i think.

if you could give yourself fic advice from when you first started writing fic, what would that advice be?

just let yourself write what you want, how you want. you can have flowery prose. you can be weird and vague and metaphorical. you can just write about friends, i promise. and stop looking at your fucking stats.

what's your relationship to fic stats?

well. i think above answers that one lol. i've blocked my ao3 stats. i cannot see hit or kudos or bookmark counts on ANY fics. + i've gotten much better about not expecting anything especially by writing highly niche stuff.

is there a pairing or scenario or friendship that you miss writing? if so, why? if not, why not?

ehhh. the shazamily, to an extent. the shazam fandom is lovely because so many of us are writing family/friendship centric works and that's if not the norm, at least MUCH more common than in other fandoms that i've been in, and i miss that because at heart, i'm a genficcer. i'm a friendshipper. i love platonic and ambiguous relationships so much. so i miss that, but for the most part, i'm actually okay with not writing anything i used to write. that's okay.

what motivates you to write?

i WILL lose my mind if i don't. i can't even elaborate past that like i'll just go bonkers.

why do you write for the fandom(s) you write for?

because i am sick and ill and dying from brainrot and nobody is writing the highly specific content that i crave in the way that i crave it. sometimes there's nothing for the fandom at all, and SOMEBODY's gotta be the change. mostly i'm just like hyperfixated and losing it.

if you're stuck writing a WIP, what do you do?

take a break. do other things like jigsaw puzzles and taking walks and reading books. listening to phoebe bridgers on my floor. the usual. it'll pass. the ideas will come when they're ready.

what do you wish people knew about comments?

a genuine comment is never a bother. NEVER. no author that i have ever met is going to be upset at you for commenting on a fic and saying hey i really loved this!!! or something like that. no matter how old that fic is. no matter if the author has moved on, or put it on anon, or hasn't written fanfiction in years. it is never, ever a bother. when i get a comment on a fic that i didn't JUST post, i rejoice. i lie on my floor and i think about how incredible it is that people are still finding, reading, and loving something that i wrote, no matter how bad i think it is now that i've grown into a different person. i have coasted for WEEKS on the fact that someone left me a comment saying i loved this and here's my favorite part. here's why. this made me cry. this made me smile. this reminded me of my best friend. this is how it feels, really, you got it. any of that. all of it. sometimes a fic is me going "is this crazy??" and a comment is someone saying "no, no, it's not, i see it". a comment that takes like two minutes to type can matter for two years just by being like, hey, this mattered to me. plus like 90% of my friendships online have been founded on the basis of commenting on fanfic so you know, rave reviews from me.

maybe there's a question you wish had been on here. what's that question (and answer)? -> is there a fic and/or author who is doing what you want to be doing with your own writing? who/what?

i can yap all day about inspirations but lately, i am haunted by love me on purpose by smoosnoom in terms of themes, emotions, and pure aching; @thcscus in sheer technicality and prose; the pacing, metaphor, and tone in there's daggers in men's smiles, @beautyofsorrow's sensory work in literally Every fic ever + her fic for the barbie zine none of you losers get to read yet; and @blusandbirds' ability to capture visceral emotion so damn vividly and succinctly.

tagging @blusandbirds @transjlawrence @lordgrimwing @pinkgrapefloyd!

[thebibutterflyao3]

Day 3 - Prompt: Smile @pandalilymicrofics

February Daily Series - 508 words

<<<Previous Part OR Start Here

Pandora whipped out her mobile to text Regulus that she was on her way, then switched to her last conversation with Sirius. He’d given her his number for Regulus-adjacent emergencies ages ago, but Pandora was too curious about him to leave it at that. Besides, he’d drunk texted her twice in the first month to inform her that she was a twat for keeping Reg in London.

🐼: Tell me about Lily.

🐾: How do you even know about her?

🐼: 3 guesses, the first 2 don’t count.

🐾: You stalked my Instagram again?

🐼: Obviously.

🐾: Apparently everyone does. 🙄

🐾: You’re really coming for winter hols?

🐼: I had enough big brother bonding for a lifetime in the first 3 days.

🐾: Can’t relate. I’m a wonderful big brother.

🐼: I’ll bet he’s sick of you.

🐾: Never!

Pandora’s smile widened. She liked Sirius, for the most part. He was clever, blunt, and completely random, just like her. It surprised her how much they had in common when she first met him, but it shouldn’t have. Regulus was a creature of habit, so it tracked that he would seek out someone like her.

Beyond those similarities, they were polar opposites. As a result, their arbitrary text conversations spiralled into heated debates over extremely niche topics, but she needed to keep this one on track.

🐼: Anywaffles, Lily? I need info.

🐾: Hold on, “anywaffles?”

🐼: You read that correctly. Well done.👍

🐾: Cunt

🐼: Prick

🐾: Great, now that greetings are out of the way, what do you want to know?

🐼: Queer?

🐾: Very

🐼: Single?

🐾: As of yesterday? Yes.

🐼: Anything else I should know?

🐾: Remus says she likes: Taylor Swift, French poetry, fat orange tabbies, and dancing.

🐼: Remus is your beau?

🐾: Don’t start.

🐼: What happened to “single until I die?”

🐾: He quoted Chandler, Pandora. I had no choice.

🐼: Fair.

When Pandora met Sirius for the first time in Heathrow Airport, he blurted, “You’re Phoebe Buffay!” before squeezing the stuffing out of her. Phoebe then became her hyperfixation for the next two weeks as she binge-watched every episode. Apparently, Friends was one of Sirius’s hyperfixations as a child.

She continued to quiz Sirius, and Remus by extension, about Lily. By the time Pandora’s train reached Cardiff, she’d learned that her full name was Lily Jane Evans, she was twenty-five, had a Botany degree, worked in a bookshop owned by Remus’s father, intended to move to London (which had to be a sign), and her favourite food was soup in any form. None of which explained why James specifically mentioned her when Regulus referred to a “group of girls.”

What am I missing? There has to be something else.

It had occurred to her that “Lily” was simply the first name to enter his mind, but she didn’t believe in coincidences. There had to be a reason that this woman was taking up a majority of her thoughts before they’d even met.

She was special, obviously, but why?

Next Part>>>

[plantsjustwannahavefun]

It's just occurred to me that I've never been in a dying fandom before while I was at the peak of hyperfixating on said fandom. And nothing has prepared me for that peculiar kind of grief it brings.

Because I still remember the height of OFMD two years ago. I remember all of the internet going crazy about it. There was a good 3-4 months when everyone who's even remotely chronically online in geek or queer spaces had heard of it. And the thing is, geek and queer spaces don't always intersect this much. Well they do to a degree, but I mean, I first heard about OFMD on Reddit. It's a lot more of a geek space than it is a queer one. The OFMD subreddit has a... pretty different vibe than OFMD fandom on Twitter or Tumblr or AO3. And yet, still, it seemed like for a few short, glorious months, OFMD has been The Thing on the internet, even on Reddit. Despite being so relatively tiny and niche and decidedly Not Mainstream™. I still remember that Comic Con with Con and Nathan in August 2022. I remember exactly where I was when I watched it. I'd blocked off time to watch it live. I'd actually bought a fucking ticket instead of just waiting for someone to upload it to YouTube, which is what I was used to doing with comic cons that featured David Tennant or some of my other favourite actors (well it did help that they let us by digital tickets for streamed panels this time, but still). I still remember how insanely excited I was, sitting down for that panel like it was this major Event. Like Eurovision or smth. And then several other comic cons. It was all so fresh. The fanbase was rabid (in the best way possible). And the cast was so in for it. The fan fiction had been flowing with abandon. The era of Hell or High Water. I'd never been part of an ongoing fic with such a massive readership, either. It was one of the cult fics in the fandom. The sheer excitement of getting a notification of a new chapter and making an event out of reading it, savoring it until the weekend, even. And then discussing it on Discord. That was what being part of a fandom was supposed to feel like.

And now it's dying. Slowly, but it is. It's never going to get a barrage of headlines again. It's never going to pull tens of thousands of Tumblr reblogs again. Sure, we're still getting bts (bless Samba Schute). There's still some engagement, more than most other fandoms would have retained by now, and that's incredible in its own right. But it's still a shadow of its former self. And it's never going to be the same again.

And it's fine. That's just how it is. Nothing lasts forever. People always move on, and it's not a bad thing. That's just life. I know I'm going to move on some day, too. Just not quite yet. I'm not ready yet. And it feels heartbreaking. Because the fandom's life was cut short. We should have had one more glorious cycle with S3. But we didn't. And that's the worst part. It wouldn't have been so hard to move on if we'd actually got closure. And now we never will. OFMD will never really have concluded, it will just slowly trickle out and fade away. A whimper, not a bang. And that's what's killing me.