#but it is still fairly direct+recent info
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Go for it, friend
I know for certain there are both trans and not-trans butches who have pulled masc4masc or just generally faggoty hookups on there, go forth and get laid
#As a note#this is based on friends and friends of friends talking about their weekends#I both am over here with the femmes and also have not done anything with grindr#but it is still fairly direct+recent info#(this may also vary by location#this from portland/boulder co/columbus oh usa grindr#shit may be different in different areas)
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Hello! There was original character who I drew a lot as a young child who was a cane user and also wore a leg brace (there was a character in a book I liked at the time who had a cane and I thought they were cool. No idea where the leg brace came from- I was seven). I recently found the sketches and wanted to develop him more as a character, since I still like his design and the small bit of story I managed to come up with as a 2nd grader. However, I feel that I should do some research into cane users and disabilities that can cause someone to use a cane. I’ve been attempting to do this, but I’m having trouble finding information on specific conditions that can cause the balance issues/muscular issues/etc that could cause cane use. Could you point me in the direction of somewhere to find this info, or some key terminology to research? Also, would it be offensive for me, as a non-physically disabled person (I am autistic), to have a physically disabled character and/or potentially use him in roleplay scenarios? If I ever used him in a roleplay capacity, I fully intend on doing thorough research first.
Thank you!
Hello!
Canes can help with a lot of different things such as chronic pain, instability/weakness in one or both legs, balance or coordination issues, and general mobility issues.
Braces can help by supporting the joints, preventing hyperextension of the joints, compressing the joints, and easing pain. They can also be worn temporarily or only during sports or other physical activity.
Some conditions that come to mind for the cane and brace use include:
Arthritis
Chronic Pain Syndrome
Ehlers-Danlos Syndrome (EDS)
Fibromyalgia
Hypermobility Spectrum Disorder (HSD)
Multiple Sclerosis (MS)
Muscular Dystrophy
A past injury, such as an injury to the area where the brace is.
As for roleplaying a disabled character, that's something that's a bit harder to answer. There are a lot of disabled people who find it offensive or insensitive while many others don't mind it.
Personally, I don't have a problem with it if the person is doing their research and portraying it accurately and fairly. I think it encourages people to do their research and learn more about disability. It's also a good way to get people thinking more about accessibility and certain barriers that able-bodied people may not encounter in their day-to-day lives.
Cheers,
~ Mod Icarus
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how hard(?) would you say it is to translate? Ive been kinda curious about that, like does anything get lost in translation/ just not make that much sense without knowing the og language? or anything like that? 🤔
Hm, maybe 7 or 8 on a scale of 10? Though it can easily go higher at times, haha. (Always when Sung Hyunjae is in a scene because his name is a misspelling and it pisses me off.* This is a joke. Only half, though.) Basic word-by-word dictionary lookup is simple, which is why machine translators can do it well enough. But then you have to string all of it together in a sentence where you:
figure out and find a way to convey any difference in connotation between this specific chosen word and other words that mean the same thing (think the connotations of "regal" VS "royal" in English), and
do the same as above, but on a sentence-wide level translating the nuance of a particular grammar/sentence structure (thousand and one sentence endings in Korean, I swear -_-), and
make sure distinct character voices are retained or translated from the original Korean (think Song Taewon's stiff formality VS Han Yoojin's more casual speech VS Sung Hyunjae's middle-aged rich guy-type speech), and
make sure this sentence flows with the overall paragraph/chapter.
All those priorities have to be juggled throughout the chapter and add up to make it a fairly hard task. It definitely gets easier with practice once you're more familiar with the language (especially the nuance/connotation stuff), though, and I did get lucky in that my native language shares some aspects with Korean so the grammar is easier to intuitively grasp. Of course, I'm still learning, so I do have times I need to call in more experienced speakers for help.
(I definitely wouldn't say I'm good with the language period. Recently I've tentatively picked up a new novel—people following my personal blog will know which one—and it turns out I'm familiar with the way Geunseo talks and familiar with the vocabulary typical to dungeon fantasy novels, but kind of. Majorly hopeless when it comes to other stuff. The phrasing is juuust off enough that I keep getting tripped up and taking thrice as long to understand what's being said.)
There's definitely stuff that wouldn't make sense in English—certain idioms, cultural stuff, and all that, but that's why I try to localize wherever possible and add footnotes with relevant info/links if not. And there is stuff that gets lost in translation—you can look at the chapter titles from 302–307 for an example of that, where the joke is much more immediately obvious in Korean but had to be translated differently as chapter title VS in-chapter text messages and lost the clear parallel. I also remember being grumpy back during the virtual reality dungeon arc because Yoohyun would use 네놈 (ne-nom but typically pronounced ni-nom, a derogatory way to say "you", LMAO) towards Sigma and there was no concise way to get that across in English except having him be aggressive and direct. Especially since he isn't the type to swear by word of god, so I couldn't have him addressing him with "asshole" or "jerk" to convey it.
TL;DR: Fairly hard to translate, but gets easier with time, and there is stuff that's lost or difficult to understand, but I do what I can to make it understandable in English!
--
* Sung Hyunjae uses "ae" at the end, but that implies it's 성현재, which is wrong—the correct spelling is 성현제, which should be "Sung Hyunje". (If you wanted to go the full Revised Romanization route, it'd be Seong Hyeonje, but I've weathered my share of name changes and that's a step too far even for me.) I've been meaning to make a poll about changing it like with the Lauchitas spelling, but I keep forgetting.
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Elsa's Writing Commissions
Hey, hi, hello! I'm Elsa and my usual freelancing contracts are (still) being flaky assholes, so I'm extending branches in other directions!
I’ve been informed that I’m a fairly good writer, and I’ve done writing commissions in the past, so I figure I may as well see if it helps! You can check my writeblr tag, my (very tiny) ghostwriting portfolio, or my AO3 account for examples of my writing.
PRICING:
$0.03 per word.
So, 500 words would be $15.
You give me a ballpark of the length you want. So, if you’re willing to spend between $20 and $25, the story will be between 666 and 833 words.
I’ll round down to the nearest $0.10. So if the finished product is 526 words, I’ll report it as being $15.70, rather than $15.78.
I take payments through Paypal or Venmo.
GUIDELINES:
500-word minimum
You don’t need to supply a full outline, but you do need to have some idea of what you want to happen in the story. The longer the story, the more detail I’ll need. If you just want, like, 500 words, then 'X and Y cuddling’ will suffice, but if you want 5,000 words, I’ll need more to go off of than that.
I will write about your OCs, as long as you can provide info on them.
I will write fanfic, as long as I know the source material well enough (list provided below).
I will write smut, just double-check any kinks you want first. (I won’t write any involving bodily fluids, poop, vore, or feet, sorry.)
If I’m super uncomfy with the subject matter, I’ll turn down the commission, if only because it would be a really badly written end product.
Sorry, but I won't write self-insert or reader-insert fic.
FANDOM LIST (below the cut):
Kingdom Hearts (not Back Cover or Union)
Final Fantasy VII (original Compilation or Remake)
Final Fantasy XV
Persona 5, vanilla or Royal
Persona 4, vanilla only
Dragon Age (games only)
Mass Effect
Hazbin Hotel
Helluva Boss
Avatar: The Last Airbender (original series only)
Good Omens (book or show)
Five Nights at Freddy’s (games only)
Who Killed Markiplier? and related series
The Legend of Zelda (OoT, MM, TP, SS, or BotW only)
Star Wars (movies only)
Power Rangers, Ninja Storm and Dino Thunder
Yuri! On Ice
Fullmetal Alchemist, original anime or Brotherhood
Black Butler, anime or manga
Transformers, cartoons, anime, and live action movies
Critical Role campaign 2
Subnautica
The Sandman (Netflix series only)
Sonic the Hedgehog (recent movies only)
Howl’s Moving Castle (Ghibli movie only)
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OC Bio: Urami Yamikiri
A character bio for my Jujutsu Kaisen OC, Urami! Spoilers for the story up to the Shibuya arc below!
GENERAL INFO:
Full Name: Urami Yamikiri(Family-name first: Yamikiri Urami) Gender: Female Universes: Jujutsu Kaisen Age: 27(at the time of the Shibuya Incident) Place of Birth: Kyoto, Japan Birthday: November 11, 1990 Star Sign: Scorpio Species/Race: Human Languages: Japanese Sexuality: Bisexual Occupation: Third-year instructor at Jujutsu High Faction: Jujutsu sorcerers Grade: Grade One sorcerer Status: Alive
APPEARANCE:
Faceclaim: n/a(none yet) Body Build: slim but athletic, with some visible muscle Height: 5'10"(178cm) Weight: 140lbs Skin Color: Pale(she GOTH) Hair Style: Ponytail is her signature style. As a high school student, she has straight fringe, and wears her hair in a high ponytail. As a teacher, her bangs are longer and more face-framing, and she wears her ponytail low. Hair Color: Black with red undertones Eye Color: Brown Prominent features: Permanently angry looking face, even when she's not angry Body Modifications: lots of ear piercings Personal Style: Gothic. as a student she is more traditional goth, wearing all black, with fishnets and combat boots. As an adult, outside of her school uniform, she has more of a whimsigoth style: still mostly black clothes and lots of fishnets and boots, but a lot more long flowing skirts, big cardigans, and generally more laid back in style.
FIGHTING ATTRIBUTES:
Combat Style: Good at all types(close, mid, ranged) Cursed Technique: Tarot card-based combat and manipulation Abilities/Skills: Can use her tarot cards imbued with cursed energy like throwing knives, as well as bring the cards to "life" and use weapons/abilities based on what cards she draws Field of expertise: Teaching. She's a capable fighter but better at drawing others' potential out of them. Strengths: fighting crowds, providing backup, leading the charge Weaknesses: her colleagues and students getting hurt Weapons: her body and her cards
PERSONALITY:
Traits: Calm, rational, strategic, agreeable, dependable Flaws: Extreme pride, stubborn, refuses to let go of grudges/the past
RELATIONSHIPS:
Family: Yamikiri Clan Friends/Allies: Jujutsu sorcerers, Jujutsu High students, Kento Nanami, Satoru Gojo(in the AU where she marries Kento), Shoko Ieiri, Suguru Geto(former), Love Interest/Crush: Satoru Gojo(engaged by the events of the Shibuya Incident)/Kento Nanami(AU, married by the events of the Shibuya Incident), Suguru Geto(former, fling in high school), Hiromi Higuruma(post-events of the manga) Enemies: Cursed spirits(especially Mahito), Suguru Geto(the events of JJK0), Kenjaku(The Shibuya Incident onwards), Sukuna Ryomen, Jujustu society's higher ups
OTHER INFORMATION:
School enrollment method: Family lineage Likes: Training, teaching, drinking, savory food, spending quality time with loved ones, fashion Dislikes: Satoru Gojo(when he's being annoying on purpose), her loved ones getting hurt, annoying people, curse users who aren't sorcerers, arriving late anywhere, overly sweet foods Hobbies: self-improvement, meditation, physical training, reading Goals: To make her students' time at school better than hers ever was Habits: Angry foot tapping, shuffling decks of cards into the faces of people that annoy her Fears: Losing her loved ones, her students getting hurt or killed Voiceclaim: none yet Playlist: none yet! Trivia: Her favorite food is spicy seafood ramen, and her least favorite foods are sweets. She has an alcohol tolerance just below Kento and Shoko's. She is currently the only sorcerer from her class still alive(with Kento and Yu Haibara being her direct classmates)
BACKGROUND:
Urami was born into the Yamikiri Clan, a clan of curse users that recently(within the last 200 years) defected to become sorcerers(with a rift; some of the clan broke off and still are just curse users), who are known for being able to use divination tools as weapons in their sorcery. They're a fairly powerful clan, although not nearly on the same level as the major three clans, or even other smaller clans like the Inumaki clan. Urami was born with the innate ability to draw out power from tarot cards, and although it is a powerful ability, is it not the clan's signature technique, going to a boy in her clan around her age. Because of this, Urami is constantly overlooked as a sorcerer in her family, and this instills a strong drive in her to improve her abilities from a young age. Out of spite alone, she becomes one of the stronger sorcerers in the clan before even attending her first year of school.
Urami is enrolled in her first year at Tokyo Jujutsu High along with Kento Nanami and Yu Haibara, both of who are intimidated by her at first because of her naturally intense facial expression and dark clothing and makeup. She is much stronger than both of the boys in her class, and through helping them train, she discovers her love for teaching others and her natural ability to help people reach their potential. She becomes very close to the two boys over the course of their time together.
At some point in her first few weeks, she meets the second year students, among them Satoru Gojo. She of course knows who he is; every sorcerer does, and she was often told growing up that she would likely be going to school with him, and that he was the strongest. She immediately challenges him to a fight, wanting to test her skills against his(she knows she likely will not win, but she wants to see where she stands against him regardless). He doesn't take her seriously at all, and instead chooses to flirt with her, asking her to agree to a date when(not if, when) she loses the fight. This enrages her and puts her off of being too friendly to Satoru, and in the fight she even manages to get a few hits off on him, which mildly impresses him. He still wins, and she's now more determined to defeat him specifically than anyone in her own clan, finally recognizing how small she was thinking about being the top of just her clan alone.
As the school year continues, she continues to grow closer to her schoolmates. She becomes noticeably softer in both demeanor and tone with Kento and Yu, and tends to be the middle ground between Yu's boundless optimism and Kento's intense pessimism. She even becomes friends with the upperclassmen, becoming very close to Shoko Ieiri and even developing a mostly friendly (one-sided)rivalry between herself and Satoru, although she still dislikes his abrasive personality and constant flirting.
She is not initially super close to Suguru Geto(not for any particular reason, they just don't interact much at first), but she does respect his calm demeanor, and they share a lot of similar worldviews on the places of sorcerers in society at large. After they go on a successful mission together, they connect more, and end up hooking up together unexpectedly. Urami however is not looking for a relationship in school, too focused on becoming a better sorcerer, and doesn't want people to find out, especially Satoru, who'd never let either of the two live it down. Suguru agrees to keep their night together a secret, and that's the only time it happens.
Urami is at school fighting the Fly Heads Toji Fushiguro unleashes during the assassination of the Star Plasma Vessel that Suguru and Satoru are charged with protecting. Urami vividly remembers this day as the end of her happy times at Jujutsu High, and the events that follow are what inspire her to become a teacher: she wants other students to have an easier time at school, and wants to help them to become strong enough to protect each other.
Over the next year following the assassination, she becomes despondent over the fact that Satoru now completely outclasses her, and it causes her to withdraw into only spending time with her own classmates for the most part. She is riddled with grief when she and Kento are unable to save Yu Haibara from the misgraded curse. Kento falls into a deep despair after, and Urami spends much of her time making sure he eats, sleeps, and takes care of himself. At one point, he snaps at her, asking how she can function after losing their classmate, and her facade of being put together crumbles, and she explains that she has to be strong for her remaining classmate. The two become even closer after that and refuse to run solo missions after that, becoming more reliant upon each other.
Because Urami is so busy with her own feelings, she doesn't notice Suguru's descent into madness, and is with Shoko when they find out he killed an entire village of normal people. Both of the girls confront him, and Urami stays after Shoko calls Gojo and leaves. Suguru notices Satoru approaching and decides to use that moment to bring up the night he and Urami had in front of him, as a manipulation tactic to fracture their friendship. Urami is upset at him doing so and runs away, crying. Satoru tries to ask her about it but she refuses to discuss it with him, and he finally stops flirting with her after that, realizing she truly isn't interested in him romantically.
When Urami and Kento graduate, and Kento decides to leave the world of jujutsu sorcery, Urami does not take it well, telling him she hates him and will never speak to him again. Even after his return, four years later, she refuses to speak to him, and actively tells people to not talk about him with her around.
Satoru and Urami both become instructors at the school around the same time, with Urami being put in charge of third-year students following Yaga's promotion to principal, and Satoru in charge of first-year students. Urami is annoyed at first(and remains annoyed at Gojo's less-than-stellar teaching methods), but she becomes much closer to him as a coworker than the two ever were as classmates. She finds she agrees with him about a lot of things, including the current power imbalances in the world of jujutsu sorcery(though she does not share his wish to kill all the higher-ups), and his desire for their students' happiness.
Around the time of the events of JJK0, Urami and Satoru start spending more time together between classes, even spending time at each others' homes. It's taken them both many years, but they're finally able to speak about things from the past, including the incident with Suguru trying to fracture their friendship. Satoru admits he was jealous of Suguru, and that he still finds her attractive, but he realized after that, that she really wasn't interested in him. Urami is sad from this revelation, but she doesn't fully understand why.
Even though Yuta Okkotsu isn't yet her student, she is very concerned for his wellbeing after his enrollment to Jujutsu High, and is extremely annoyed by Gojo throwing him to the wolves with no training almost immediately. She's also extremely concerned as Suguru Geto returns to cause trouble, knowing his strength quite well, and knowing he wouldn't be planning something he didn't think he could win.
On the evening of the Night Parade, she is in Shinjuku with Satoru, principal Yaga, and her students. When Satoru sends Toge Inumaki and Panda back to the school, Urami requests to be sent back with them, but Satoru asks her to trust him and send them alone, and she hesitates for a second before agreeing. She doesn't return to the school until Gojo does later, and witnesses Suguru Geto's death. She is overcome with grief for her old friend, and realizes she has to make things right with her old classmate, Kento Nanami. Satoru teleports her to Kyoto where Kento has been fighting the curses unleashed by Geto and his cult, and she reunites and apologizes to him. Kento is just happy his friend wants to speak to him again, and they make up fairly quickly, flying back to Tokyo together.
On the flight back home, Urami also realizes she's in love with Satoru, and has been for a while, but just didn't understand her feelings before. She makes a brief stop to pick up some sweets for him, and drops by unannounced to his home, which she never does. He's surprised but happy to see her, and while he's distracted by the sweets and his back is turned to her, she wraps her arms around his waist and confesses her feelings to him, getting self conscious at the last second and telling him she understands if he's moved on. He of course has not, and tells her so, and they begin a relationship.
Between that point and the start of the main story, Satoru proposes to Urami in secret. He wants to marry her, but not until he's able to keep the higher-ups from targeting her should they announce their engagement. She wears the ring he gets her on a necklace under her school uniform.
Much like with Yuta, Urami is very concerned for the wellbeing of Yuji Itadori after he becomes Sukuna's vessel and becomes enrolled at the school. She is very upset when he dies and overjoyed with his revival. She agrees to keep his revival a secret along with Shoko, Ijichi, and Nanami.
She is very concerned at the appearance of the special-grade curses, especially Mahito. Being close to Kento, he confides in her that he finds a young girl being held captive in the sewers by the patchwork curse(that girl being Chiyo Yoshida, another OC of mine!), but she refused to come with him, and they check the girl's house for evidence of how she ended up down there, and to check on her grandmother and cat as the girl requested before running away from Nanami. She takes the girl's cat, Momo, to take care of him, hoping they are able to rescue her and reunite her with her pet.
Urami is with Satoru when he reveals Yuji's still alive, and supervises along with the other school faculty for the Exchange Event. She's extremely distressed by the intervention of the cursed spirits and does her best to return to her students side. She begins doing tarot readings to see if she cant find some insight into what the curses are planning, but keeps drawing the Death and Tower cards.
In Shibuya during the Incident, Urami is on her own, a backup for Satoru Gojo, much like Mei Mei and Ui Ui. She finds out he's gotten sealed at the same time most people do, when she hears Yuji shouting it from the rooftops. She's able to fight through the transfigured humans to get to the lower levels of the terminal, but she runs into Mahito, and Chiyo Yoshida(my other OC), and fighting both of them on her own proves to be too much. She manages to escape with a smokescreen attack, and leaves to find backup, eventually running into second-year student Panda and her fellow teacher, Atsuya Kusakabe, as they're trying to find B5 to get to Gojo(or, more accurately, where Kusakabe is misleading Panda in order to avoid going to B5).
Before the group can decide on a course of action between fighting Mahito and making their way to Gojo, the remnants of Suguru Geto's former cult arrive to accost them, and then Jogo and Sukuna's battle interrupts both groups, and the ensuing fight buries her under the rubble of the city along with Kusakabe.
The group manages to reconvene and head to the final showdown with the man piloting Suguru Geto's corpse, with Urami and Kusakabe protecting Miwa Kasumi from the Uzumaki make of Mahito's absorbed cursed energy. Urami, like the others, is not able to counter Not-Geto, nor Uraume's ice powers, and is unable to prevent the duo from leaving.
In the aftermath of the Shibuya Incident, Urami becomes extremely disillusioned with the world of jujutsu sorcery, but continues to play the dutiful teacher role, though she finally understands her fiance Satoru's desire to kill the higher ups after their declarations of his and Yuji's execution. She is able to get Chiyo Yoshida enrolled as a student, the final student Yaga is able to enroll before his own execution sentence. She introduces the girl to the students still around and conscious post-Shibuya: Maki, Megumi, Yuta, and Inumaki, before continuing her duties as a teacher and a sorcerer. On the side, she speaks privately to Yuta about saving Yuji's life and stopping the upcoming Culling Game the sorcerer Kenjaku is planning. AND IM ANIME ONLY SO THATS ALL I GOT FOR NOW LMFAO
TROPES:
COMING SOON
RELATED TAGS:
COMING SOON
#jujutsu kaisen oc#jujutsu kaisen original character#jjk oc#jjk ocs#WOOOOOO ONE OF THE OC BIOS IS FINALLY LIVE!!!!!!!#OC: Urami Yamikiri
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X-Month: X-Men 97 Review (Comissioned by Emma Fici)
To me my x-men and welcome back to X-Month, my look at all things of X. And we're at the biggun today as i'm finally taking a look at something i've wanted to for months: yes my mutant obessed self is finally looking at x-men 97.
So for those of you like my good friend emma who sponsored this review who only have the broad strokes of what this is or have heard the buzz but simply haven't gotten to it: X-Men 97 is a recent cartoon from disney plus, the second from Marvel Studios after What If? and the first not tied to the MCU in any way.
Instead 97 is a direct followup to X-Men, aka X-Men the Animated Series a long running series that not only , along with Batman the Animated Series, helped show what animation could achive after years of censorship, telling more nuanced stories that appealed to all ages and is one of the major things that's defined the x-men in pop culture, the movies being the other.
It was also the first X-Men cartoon in a decade, following Wolverine and the X-Men, as marvel studios head Ike Pearlmutter put a ban on using the Fantastic Four or X-Men as they didn't own them, and tried to actively kill them in the comics. I kid... only the X-men were attempted murdered by a cloud of gas that killed them. The FF were simply disbanded. So naturally after a decade of my faviorite team not being able to show up, my reaction to a brand new cartoon starring them was a resounding...
While I watched the cartoon ocasionally as a kid, what really got me into the X-Men was a mix of the movies and x-men evolution. I didn't hate the cartoon, evne watched some in college but it just didn't grab me and as my attitude towards x-men went from something I really liked to
I just never got into it heavily when 97 was being rolled out. I would've preferred a fresh cartoon doing something with the decades of material since instead of what I felt was a nostalgia cashgrab for a show I had a petty grudge against for getting all this attention from marvel. It got articles, it's being added to D+ was a big deal and the icons for the x-men on D+ are based on the jim lee designs used in the show. I did try the show again and enjoyed what I saw, watching most of seasons 1 and 2 but simply never got what the hype was about. It didn't help that 97 was seemingly being buried by marvel: little info came out, the character designs looked fine but not all that impressive. It semeed like it'd be like the Animaniacs revival and ones like it: A fairly limp continuation that just sorta did the same stuff but with a modern production style.
So....
As the show got close earlier this year, I got excited: The trailer looked slick, using 3d models but with painted to fit the original's style, had gorgeous looking animation and had Wolveirne and Gambit doing a combo move which you lovely people dubbed Cut the Deck.
So shortly before the premire because I procastinate, I rewatched the original... and I thorughly enjoyed it. The show isn't perfect, having to make concesions for it's saturday morning time slot and with it's animation being rigid in people. Yet the talented cast and crew were able to distill the x-men down into what made them work, taking the bulk of Chris CLaremont's decade long run that defined it, a bit of what was going on at the time, and some of the stuff before and make a true masterpiece. It Streamlined decades of comics into a fun, frentic show that was a joy to watch. I watched Seasons 1 and 2 again then realizing time was running out watched what episodes I thought would be key to the show or just wanted to watch, as well as a few after. While there's still a handful I haven't finished, I can safely say the bulk of the show slaps and is worth your time.
This hyped me up even more.. and while I have more thoughts as to why, X-Men 97 is one of the best reboots i've seen: it continues the original story, but in a way that's both acccesible to new fans (both of x-men in general and of this continuity in paticular), and fresh, using the old astetics, but now targeting an older audience, can get away with a lot the original couldn't: blood and sex are heavily implied, and a decent chunk of characters die including one of our leads. IT's a show tha'ts mature in the way tha tshould be, using being adult animation to tell darker stories without loosing the fun and camp that makes superheroes great. In short it's the best of the four x-men cartoons. In long.. well join me under the cut for a deep dive into one of the best shows of the year.
Re-Buliding the Danger Room: X-Men 97 as mentioned is one of Marvel Studio's first cartoons and was what Disney wanted from the get go, clearly wanting to grab some of that nostlagia dollar they love so dearly. They eventually tapped Beau DeMayo who'd written for Moon Knight, along with the Witcher, been story editor for the Originals and written the witcher film Nightmare of the Wolf. DeMayo was fully qualified for the job and being a huge fan of the original lept to it with vigor, bringing in producers Julia and Eric Lewald and Larry Huston from the original.
DeMayo and his top notch crew made sure to honor the original and in casting tried to get back as many of the original cast as possible: Allison Sealy-Smith, Lenore Zahn, Cal Dodd, Cristopher Britton, George Bauza and Adrian Hough all retuned as Storm, Rogue, Wolverine, Mr Sinister , Beast and Nightcrawler, and while they weren't cast as their original parts as Jubilee, Gambit, Jean, Cable, Morph they still made sure there were roles for Allyson Court, Chris Potter, Cathryne Disher, Laurence Bayne and Ron Rubin, witht hem now playing Abyscissa, Jubilee's older alternate cocunterpart, Cable, Valirie Cooper, The X-Cutioner and Senator Kelly. Some were to match the characters: Court willingly stepped down in an awesome move so someone who was actually chinsese could play Jubilee, leading to Holly Chou's casting, while Morph, now fully seen as nonbinary, was given to NB actor J.P. Karlak. Cable as you can tell swapped to Chris Potter, Jean went to vetran voice actor and vetran jean grey from Wolverine and the X-Men Jennifer Hale, and Gambit to A.J. Locosto. Charles Xavier's former va Cedric Smith is replaced by invincible's Ross Maruqad and the late Norm Spencer and Dave Hemblen are replaced as Cyclops and Magneto by Ray Chase and Matthew Waterson. There are a LOT more swap outs as the series uses a more modern la based voiced cast for the most part, so i'm only sticking to these as X-Men in general has a lot of characters and 97 packs in as many as possible in big and small roles.
There isn't a ton of behind the scenes: I've got some bits and bobs from the various voice actors, some of which i'll sprinkle in later, and the crew, but marvel's documentary on the series primarily focused on the fact actors came back and the production of the original show. Yet they left out the part where Stan Lee was convinced by execs that a show about Xavier and Cyclops going around in a van solving mutant mysteries was the best route to go.
I don't have time to unpack that or the really intresting history behind the original show, but I highly recommend the art of book.
Anyways the main reason for this is one ya'll probably know but needs bringing up thanks to recent allegations: Beau DeMayo, the showrunner and while not the only creative force, i've been trying to retrain myself that a shows creator isn't the only one making this stuff and a lot of great writers and animators are just as responsible, he was still one of the major ones, writing all 10 episodes, showrunning things and clearly steering the direction the show went in. And.. he was fired one week before the show aired.
Disney Sucks Suprising No One
Disney, as usual was vauge about it, with DeMayo himself playing quiet. The most he spoke up was after episdoe 5 , Remember It, to provide some context as to why the episode played out the way it did and what the goal of the show was from his initial pitch, something i'll save for when we get there. Disney apparently didn't like this and stripped his credits for season 2, which he'd already written all of when he was fired. They also barred him from the Emmy's after Remember It was nominated.
Disney CLAIMS it was sexual harassment while DeMayo called bullshit, saying Disney made things hostile and wasn't happy he was a black gay man who wasn't demphasising his queerness, having an only fans and dressing as cyclops. They also apparently didn't like he wanted to adapt stories outright which I don't get but given marvel hasn't been doing that as often, makes sense.
Now as for which side I belviie.. it's Beau. And i'ts not because I like the show: Warren Ellis and Joss WHedon both wrote things I loved and I cut myself off from their work as soon as I learned who they really were this whole time. But Demayo... seems like he's simply outspokenly queer and horny as fuck, which as an adult man is his right. Disney has a history of soft homophobia, trying to quitely cancel the owl house, which backfired horribly, supporting anti gay legslation and generally not allowing protaganists in their shows to be openly gay. They've failed as all it's done is make the bulk of their leads bisexual, which is fantastic as we needed more bi rep anyway, but their history leans towards them being full of shit. Not only that as my good friend Marco pointed out when we talked about this.. Disney waited a LONNNNG time to make these allegations without any proof. So either they covered up sexual harassment to cover their own asses and only revealed it when they were being sued for being shitty, or they tried to remove a queer man's credits for not being their token black stamp of approval like they wanted (Demayo's words) or toning down his queerness and then having the "gall" to actually talk about a show he wrote in a way that didn't disparage the company or reveal why he was fired. Disney did all this because DeMayo talked about the show and had him sign a nda that apparently told him he coudln't that's HIGHLY illegal. Ther'es nothing about Disney's defense that isn't shady as fuck and filmsy as hell and I hope they get sued. The fact their legal team, probably the same one that advised this tactic, tried claming a man couldn't sue for wrongful death over his wife dying of allergies because he signed up for disney+ maybe a week or two before all this dosen't help.
So yeah tldr version: Beau Demayo was most likely wrongfully terminated and Disney once again is trying to screw over a queer creator. Fuck em. Now with that elephant shooed out of the room we can get to the actual series.
Kinetic Strut
While the show keeps the designs and astetic of the original to a point, 97 has style of it's own and i'ts pretty good. I was a bit antsy when I first saw the art style in stills and productoin deisgn, cg puppets instead of traditional animation. I'm not against 3d animation as it can be really gorgeous and sometimes fits better. Fellow reboot that slaps Fairly Odd Parents: A New Wish uses a style similar to the peanuts movie, cgi models but used to mimick stop motion and it rocks. But this style felt cheap.
As it turns out while budget was why they did this it was for good budget reasons: with not the biggest budget it was easier to do action in this style than try to do hand drawn again, while also still keeping the astetic consitant enough to feel like a sequel to the original.
And this pays off: There are moments here or there where the animation feels stiff during dialouge.. but there drops in the bucket of an expressive show and allow the show to just pile on the action set pieces. In the first ep alone we get cyclops using his powers as a parachute, storm turning a desert to glass and using it to shred sentinels into fine pieces, beast hyjacking a sentienel, and our final circut: Gambit charging wolverin'es claws, Logan then bouncing off Morph transfrormed into the blob lik ea trampoline to destroy master mold. And that's just episode 1.
The show delights in letting the mutants really flex, something budget and groundendess only let the films do once or twice, to show just what their capable of. Magneto lifts a giant chunk of the UN into the air to make a point, then tops himself later with a massive emp that's given the scope it deserves, Madline Pryor shows just how deadly her/jeans powers could be by filling Magneto with pieces of a stain glass window, Jean herself later getting to use a whole bowling alley as a weapon, Jubille's future self shows her colorful deadly pinwheels, Rogue gets to go sickhouse on the military using every move from marvel vs capcom she has and we see inside nightcrawlers teleport. It's not all but damn if the show dosen't make our heroes look good, every last one getting a showcase of just what they can do. Morph in paticular gets a fun new gimmick of changing into past characters: While I do wish we saw some of these characters, paticuarlly Magik, in the actual flesh it's a fun way to amp up his moveset and make fighting with him more than pretending to be a mook but suprise he wasn't.
97 has a kintetic strut, a term x-men writer grant morrison used to describe what they wanted for their book new x-men when pitching it. A sense of style that's gorgoeus to watch, fun to have and shows off the characters personalities. Even if not everyone gets a major plot this season, everyone gets to show off and it is glorious.
This applies to the writing too: the show leans into it's comic roots, and rather than try to downplay the goofiness, reminds us why we love it: the costumes are kept as they were (Though we may be getting the New X-Men costumes next season), Things are taken seriously, yet there's still plenty of character based humor, my faviorite being in the second episode, Mutant Liberation Begins when a very Pregnant Maddie/Jean says "it's coming", wolverine gets ready for an attack and then has to be told "The baby you idiot" while he has the most "oh fuck bub" expression on his face. There isn't a ton of humor and it's sparse in the second half as the stakes go all the way up, but it provides nice breaks from the dramatic soap opera that's going on.
So with the shows style out of the way, what's in it. Well before I can tell you that story, I have to cover the original a bit. I won't be recapping every single episode as not every episode is relevant to this show and it's , while a great show, not the one I came here to talk about. If there's intrest, and let me know in the comments, i'd be happy to another day. But for now i'ts just the easiest way to get some informatoin out that's important in 97 so I don't have to say "in the original series" every five sentences.
So...
Previously On X-Men: It's the early 90's and mankind is dealing with their next evolution: Mutants, people who usually at puberty gain super powers ranging from looking like a mole man to "being able to shut down all power on earth when they have a bad enough day". Naturally humanity is handeling this calm, rationally and of course, forming angry racist mobs of frothing bigots.
In this frought time enters the X-Men. They are:
Charles Xavier: Omega Level Telepath, meaning he has no upper limit. The founder of the team. Has less of an accidental god complex here, instead being a kind mentor who took in several mutants with nowhere to go. He can be stern and hard to move but is beloved by most of his students.
Cyclops: OPTIC BLAST! A stoic man raised by xavier to be his perfect soldier and to have a titanium rod jammed up his ass. A good tactician but hard to open up emotoinally. Said Jean a LOT
Jean Grey: Said jean. World class telepath and telkenetic.. in the revivial. In the original she was a decent telepath but mostly got knocked around a lot and got her name said a lot.
Wolverine: The best at what he does. Healing factor, adamantium skeleton given to him by a sketchy program of the canadian goverment, and a bad attitude. Wasn't aloud to drink, smoke or murder but still got the point across that he probably did those things off screen. Bad tempered, impulsive and ready to ride scott's ass at any moment. Metaphorically and literally as the sexual tension is palpable. Has a deep crush on Jean he never fully let go. Got a lot of screen time because
Rogue: A southren belle with the power to steal memory and powers from whoever she touches. Naturally this leaves her desperately wanting a cure or workaround, but spends the rest of her time as a sassy badass. She was once a supervillian, adopted by super terriorist Mystique after she traumatically sent her first kiss into a coma and was thrown out by her dad. Mystique.. wasn't much better, not helped by the fact her wife wasn't allowed to be in the show because lesbians, a ruthless monster in this continuity who gleefully used Rogue to steal the powers of superhero Ms Marvel (Carol Danvers), leaving Rogue stuck with the woman in her head. Charles did his best to partion carol off and try to help both women. She's fun loving, badass and the best.
Gambit: A cajun who can charge any object to blow up real good. A red eyed ladies man who constantly hits on Rogue who turns him down, but is clearly intrested because it was the 90s, though he has no trouble getting women. He has a shadowy past, having worked for a guild of theives and had to run out on his wedding, among other stuff we haven't gotten to, and is cagey about it but loyal to the dream and his new family. He may be snarky as hell and the second most likely to rebel behind logan but he will be there when you need him.
Storm: Has power over the weather and can do pretty much anything with it and knows it. Keeps her emotoins mostly in check as them going out of control could destroy everything around her, but is kind and empathtic. The series didn't do a ton with her apart from a few two parters, but she was memorable and unlike the comics hammy as hell. Allison Court could really belt it out and still can .
Beast: A blue beast man whose attempt to cure his mutation made him into the furry we all know and love. THe face of a hulking brute, the mind of a scholar, Beast has never met a quote he can't blurt out or a villian he can't face kick. He was intended to just be a one and done for season 1, an x-man to get captured and be the center of a trial subplot in season 1. Instead his peformace, general dmeanor and everything was so awesome he was kept on as a main character for the rest of the show.
Jubillee: A feisty teen with the power to make colorful explosions. She joins in the pilot for reasons we'll get to, and due to her birth parents being dead and her step parents being not all that great, she comes to see the x-men as her family. Tends ot get sidelined at times, and is the only one Wolverine really seems to like in the main cast.
Season 1 is seralized, something Fox put a stop to as episodes sometimes woudln't come back on time so the story got scrambled. The season largely deals with the Mutant Control Agency, a goverment subsided group of assholes that ask people to report mutants to them then send giant mutant hunting robots named sentinels to capture and imprison them. Their ran by Henry Peter Gyrinch, a bigoted asshole who was a bigoted pain in the Avengers side in the comics before graduating to running the anti-mutant project wideawake. So really 10/10 nailed it. He is the worst and works with bolivar trask, an inventor who created the sentinels.
The MCA picks up Jubilee because her stepfather dosen't know how to handle her powers and thought this was remotely okay. Her step mom at least is rightfully pissed. Jubes runs away, gets attacked by sentinels and later picked up with them and we get a great excahnge that sums up both series well
Jubille: What'd I eve rdo to you? Gyrinch: you were born.
It's the core of the x-men and why I tilted my head at so many chuds saying "X-MEN WOKE NOW". X-men always was, I won't spend forever debating the obvious, but it was. Last year I covered a storyline where the x-men fought a televangilist and his secret assasians who then tried to shoot them on live television. This isn't new. Not to this series, not to this franchise, fuck off good sir fuck off.
The X-Men meanwhile break into the MCA as they realize both how dangerous they are and how their using the records. This.. dosen't go well. While they do destroy the print records, Beast gets left behind while destroying the digtial ones, and the x-men are attacked by sentinels.. and forced to abandon another. See the pilot added one more member, Morph, a loveable jokester Wolverine was close with who could shapeshift.. and who seemingly died. They were left behind and Wolverine was left devistated. This was meant to mimic the death of thunderbird early in chirs claremonts run, changed to a white guy as executives rightfullyr ealized "maybe having the only native member of the team killed is.. fucking awful?". It was done for the same reason: to raise the stakes and give the illusion anyone on the tam could also go. morph ended up super well loved though and thus lived on. We'll get to that.
For now the X-Men save jubes and bust up the sentinels and the goverment pulls out.. but senator kelly, an anti mutant politican, plans to run for president. Later in the season Gambit, Jubilee and Storm go for a vacation in Genosha, a seemingly welcoming island to mutants.. that instead uses them for slave labors using power nullifying collars. These collars are a neat horrifying addition that are only found in x-men the animated series. Anyways, turns out Genosha also has sentinels, but thankfully our heroes are able to break out thanks to Cable, a freedom fighter from the future whose in the past for reasons that will never be explained as his backstory in the comics was finally flehsed out between seaosns so they just went with that. So he's from the future now.
Things come to the head when Mystique attempts to kill senator kelly. Thankfully our heroes are tipped off about it from Bishop, a man from a dystopian future ruled by the sentinels who took way too long to realize their the baddies and with help from Forge, a mutant who can make any invention he can think of, comes back to our time. Bishop would return a few times to help our heroes, almost causing an apocalypse till cable sets him right in the stellar "Time Fugitives" two parter, and going from an uneasy ally of the x-men to one of of their closest.
Sadly this dosen't stop Senator Kelly whose more radicalized than ever, and is easily recurited by Trask. Unforutnately for Kelly turns out the Sentinels evolved a mind of their own, with master mold realizing the obvious thing Trask and Gyrinch couldn't: Mutants.. are still human. Granted they decide to do this by conquering humanity by replacing their elected officals with robots
But the x-men save them and Kelly is an ally of there's for the rest of the series and the only one of his incarnations I can think of that really gets to reform and not die for it. Granted he'll make some huge mistkaes in 97 but for the rest of TAS he's a staunch ally of our heroes if only seen occasionally. His biggest role was exonerating beast.
During the season the x-men would also encounter a nother major player for this series and the next and my faviorite Mutant, Magneto, master of magnet. He tried to free beast during his incarceration but Beast refused wanting his day in court and soon fought the x-men. For the rest of the series he's more of a wild card: He will fight the x-men but usually for some good reason or what he thinks is a good reason. Magneto fights to secure a future for his people like the x-men do, but knows sometimes the peaceful route may not be the most paltable. That isn't to say he dosen't make mistakes ,he tries to hyjack a nuclear plant early on and has a habit of trusting the wrong people in some of his later ventures we'll get to, but he's for the most part a noble man.
The other major threat is Apocalypse, Mystiques boss in this incarnation and rather than a social darwanist, he's an immortal monster planning to conquer earth. He's hammy, terrifying and hard to put down adn it takes four seasons for our heroes to finally beat him, the x-men only surviving one encounter because Cable went back to save them. They finally seemingly beat him in the massive intended series finale beyond good and evil, only for him to use the body of greasy buttcrack pooflap fabian cortez to escape death. He'll.. be back but won't appear in the main story of this season.
So with season 2 our heroes get two more big bads to tussle with. The first is Mr Sinsiter, a creepy genetscit from the 18th centruy who hoped to help his wife life.. and she did.. but at a cost and at the cost of several mutants lives. Sinister went from a man who genuinely had good intentions if horrifying methods and was shuned by society as a charlatin, to a horrifying monster who wanted to perfect mutantkind no matter the cost. Our heroes fought him primarily in season 2, as he lured Xavier and Magneto away to the savage land, a patch of anartica that still has dinosaurs and also some mutants magneto made out of the natives there that still hasn't been properly explained. In the comics he just wanted more minons because prior to the 80's magneto was a pretty standard mustache twirling super villian and it was adapted here because
While Xavier and Magneto have a savage land vacation, Sinister sends a devistating weapon against our x-men: Morph. Brainwashed by sinister, Morphs resetmment over seemingly being left for dead and rescued by sinister is amplified and he nearly destroys the x-men. He also fake marries scott and jean. They get married for realizes a few season later. I assume it was a network thing who knows.
The x-men are able to stop him, and he runs away. They eventually are lured to the arctic by sinister at the end of the season and despite being stripped of their powers at first eventually win. MOrph however decides to stay away out of guilt. He eventually doe smostly recover with the help of dr moria mactaggert but after an encounter by a leftover master mold that isn't remotely explained in this series but 97 reveals trask and gyrinch built backups, realizes he's not ready and stays away again till the finale.
The other big bad for season 2 is Graydon Creed head of the friends of humanity, a group of bigots who in the comics lasted about a few years but here become a major thorn in the heroes side for a season. Our heroes CAN punch them but it dosen't quite solve the issue and Graydon is clever using fake mutant attacks, doctored footage and other creepily realistic tactics. Their eventually beaten down for now when it's revealed Graydon himself.. is the son of a mutant, Wolverine's arch enemy sabertooth, distablising the movement when he has a breakdown just seeing a hologram of the guy.
Season 3 is mostly taken up by two big five part serials adapting two of the x-men's biggest stories: The Phoenix Saga and the Dark Phoenix Saga
The Phoenix Saga has the x-men forced to hyjack a space craft to save it from Eric the Red, a mysterious alien meance who stalks the team. They save it.. but Jean's forced to nearly sacrifice herlsef to shield them from the cosmic rays on the way home. She gets contacted by Phoenix, in this continuity a powerful entity and guardian of reality itself and specifically the M'Kran Crystal, a powerful gem that can alter reality and that the emproror of the massive shiar empire D'Ken plans to use to become a god.
To stop him his sister Lilandra has been telepahticly dming xavier and he likes what he hears. She quickly gets kidnapped by the Juggernaut bitch and after dealing with him the x-men head into space and battle a legally distinct version of the legion of superheroes before defeating D'Ken. Along the way Scott meets his daddy guy: he'd assumed he was orphaned but instead his dad had been stranded in space, his mom had been killed and daddy instead became space pirate corsair. Whiel the two roughlyr econciled, it left Scott with a LOT of abandoment issues that will be important soon.
For the Dark Phoenix Saga phoenix did her job.. but won't leave jean, wanting to experince everything.. and leading her into the clutches of the hellfire club, called the inner circle here but since we're not having to get past fox censors hellfire club it is. They plan to add jean to their membership, but instead their member masterminds manipulations cause phoenix to go insane and take out an uninhabited, in this continuity, solar system. Lilandra comes to kill her before that happens again, the x-men end up fighting her in a trial by combat, and phoenix sacrifies herself for jean.
Season 4 is, thankfully mostly one offs but a few important events happen: The biggest involve our boy magneto: Magneto goes absolutely through it this season. He first decides
And creates a giant asteroid, asteroid m for everyone to live on inviting all mutants. The goverment is dicey about this while mutantkind is ready to pack up and get the fuck out of a world that hates and fears them. He goes the extra mile and frees Genosha something the x-men honestly should've worked on sooner. In the comics at least they simply didn't have the resources when they first found out and had a possible legal avenue to beat them theyw ere waiting on. Then when captured.. simply tore up the place because at that point why not. Here it smacks of the writers genuinely forgot it existed till this two parter.
Sadly the dream dies as one of his liteutants is greasy buttcrack pooflap fabian cortez, who betrays him and tries to conquer earth. This gets the asteroid shot down and the dream dies.
And because God somehow hadn't kicked Erik in the crotch enough what with surviving the holocaust, loosing his wife, loosing his utopia and mankinds general pettiness, he finds out his deceased wife fled because she was scared of him.. while pregannt with his two kids, The Scarlet Witch and Quicksilver. And neither want anything to do with him when they find out.
So while Magneto gets ready for depression, Bishop prevents a dystopian alternate timeline where xavier was killed with the help of wolverine and storm from an alternate timeline. There 50's trip leaves a sliver of nimrod, a powerful sentinel with a less than ideal name, which will again be important later.
The X-Men also make a lifelong friend this season: Nightcrawler. While on a ski vacation, Wolverine, Rogue, Gambit and Jubilee end up at a nearbye monistary after hearing reports of a monster, figuring there was a mutant in distress. It's there they meet one of my faviorite mutants Kurt Wagner, aka Nightcrawler, a former circus star who found home and peace in religion and is a kind, thoughtful man. Despite Wolverine's doubts and issues with religion, he quickly befriends kurt, helps defend him from a racist and in general the two hit it off.
He soon finds another connection in Rogue in his next and final apperance for this series: Bloodlines. It's there his tangly family tree from the comics is laid out: he's the son of mystique and a baron of some sort, though we can probably saftely say like the current comics it might actually be destiny and mystique herself, be gay do crimes incarnate and something we'll get to later this month. She is however bi and had Graydon with sabertooth so being a racist and in hot water with his hate group, Graydon tries to kill his whole family. Heartbreakingly kurt genuinely TRIES to reach Graydon but can't get past his hatred and bigotry and leaves him to his fate.. left on Sabertooth's porch. Somehow he survivies this. The upside though is Rogue gladly embraces her new stepbrother and vice versa something the show didn't have time or budget to do more with but 97 will.
Finally the x-men invade a goverment base because one of there x members girlfriend joined a goverment team of mutants, x-factor and instead of calling him or anything left making it look like the kidnapped her. The important part is that X-Factor is, as it was at the time in the ocmics, headed by Forge's present day counterpart who will be important in the next show.
Season 5, the final season, is thankfully short, only 13 episodes they weren't expecting, so there's only a few episodes I haven't touched on of importance. We find out captain america met wolverine once and has returned from the time vortex he was stuck in in spider-man the animated series.
More importantly, Magneto is depresed: The failure of his utopia, his kids not wanting to talk to him and presumibly the shame of having trusted apocalypse for more than one second have left him out of it. It's only when Beast comes for help with an alien invasion that already got the rest of the x-men and pietro that he agrees to help. And doing so nets him someKarma as while it sadly dosen't come up in 97, Pietro warmly acccepts his dad back.
The final episode, and thankful end of this recap, comes to us with Graduation Day: Xavier is doing a confrence for mutants when an off model Gyrinch shows up and shoots him with a weapon intended to kill mutants. It both outs charles to the world, only 5 years before he'd be outed as a mutant in the comics, and leaves him on deaths door. The X-Men try to contact the shiar but are having trouble with that. Morph returns to play charles to help but his possible death has lead tensions to boil over worldwide. In this chaos a bunch of mutants beg magneto to lead them and while with his past failures in mind he rejects them at first.. he can't turn his people away.
Eventually the x-men find a solution but it's going to be a hard sell: Magneto MIGHT be able to keep charles alive long enough but he has to abandon his army, his finally getting what he watns. And unsuprisingly for the love of his life.. he does. He leaves to save chaarles and the shiar are able to save him. Charles gives each x-man some tender parting words and departs with his space girlfriend to hopefully not die, his fate left ambigious.
So that's where we left off: Charles is in space and thought dead to the world, Magneto is in a less nefarious place but still himself and Morph has rejoind the team. So ... one year later... and a bunch more in real time...
New Episodes, New Era
We can finally talk about the plot of 97 which thankfully won't take as long before I can dive into the show proper.
97 begins one year after the finale and a few things ahve changed: Morph has switched from his old design, a generic white guy, to a new one, a pale mostly featureless face that debuted in age of apocalypse and was used for the longrunning alternate universe series exiles version of the character, who combined the two to create something awesome.
The bigger change is Jean is pregnant, with a lot of tension coming from Charles death and Cyclops riding everyone even harder than usual.
The series properly kicks off with the rescue of Roberto DeCosta, one of my faviorite mutants making his debut to this continuity, a spoiled rich kid who dosen't comprehend racists don't want his money and whose saved by the x-men. He's hiding his gift because he assumes his parents will reject him but ends up hanging around the mansion occasoinaly as he finds Jubilee super hot.
His captors are the friends of humanity who now have access to both the nullifer collars and power gloves based on sentinel tech, their so bad. Jean invades Gyrinch's mind to get info after he naturaly refuses to cooperate and gets both some haunting foresahdwoing for what's to come and a location for Trask. After a dope as hell fight, the x-men beat trask, solidfiying their partnership with UN Head and xavier ally we're just learning about now Valarie Cooper. In the comics val was a goverment liason, intitally working on project wideawake and with myistques team , who sold out to the goverment as freedom force. When that failed she became head of x-factor and is pretty neat all things considered.
Cyke and jean prepare to leave the x-men, to wolverine's disgust and jubilee's worry.. but this gets put on hold when the x-men get an univited guest: Magneto who got sent a copy of Charles last will and testemant:
"Everything he built now belongs to me"
Foxy Grandpa does do his best to take the role seriously: While he's still himself, battering some friends of humanity who captured the x-mens sewer pals the morlocks (they refused the x-mens offer to live at the insittute), but not killing a one, and being arrogant as hell just kinda.. assumign the x-men should accept him after fighting them once or twice, he does try, getting the morlocks sent to genosha which is close to getting recognized as a nation state again and is now ran by mutants. Cyclops is grumpy about both his dad seemingly not trusting him and this whole thing and refuses to leave right away.
This is good timing as the UN arrive to arrest magneto. He willingly complies and most of the x-men go to his trial. His trial.. then gets january 6thed.. not even subtly as they plan to kill the un court for even giving him a trial. Magneto was doing well mind as he pointed out he never acted in outright agression only in defense of his poeple. The x-men fight this but have to face the x-cutioner, a foh member who put on a costume and rants about how "MUTANTS COMPLAIN ALL THE TIME BUT YOU DON'T HERE ME WHINING. YOUR SO WHINY. SO WHAT IF WE TRIED TO KILL YOU STOP WHINING"
Thankfully morph shuts him up but Rogue and Cyclops have to leave as the doctor as jeans in labor and Rogue has to do it since the doctor is an idiot and won't treat her. While it's because of her powers... she could do a LOT more damage not sedated and in a lobby than she could do in an operating room you ass.
The baby, little Nathan Charles Summers, comes out just fine.. but the UN Meeting ends badly. Trying to protect him storm dives infront of X-Cutioners gun, a special one he made using the collars.. that removes her powers. This pisses off Magneto entirely and he lifts the un court and the asshole into the air, making a damn good speech
Bigot, ingrate, sycophant, worm. So small I could smite you with a step. (he holds his boot over the X-Cutioner's face) There was a time I would smite you all for what was done to Storm. (pulls his foot back) But today, I have saved you from your own, for an old friend has challenged me to remember this view of Earth. How vast it is versus how small we make it. Charles Xavier entrusted me with his dream, and it does not ask you to love or embrace my kind as your own, but merely to accept that this is a shared world with a common future, and that my kind, like yours, have the right to live in it. I am trying to be better. Please...do not make me let you down...
Sadly they will.. but for now he's exonerated and Cyclops plans to leave, live a normal life trusting the x-men to Magneto. Storm also decides to leave, leaving only a note for Jean. With no clear way to get her powers back and no idea who she is anymore, Ororo leaves. And her timing couldn't be worse as on the x-mens doorstep.. another jean arrives.
Turns out this is the REAL jean. The Jean we've been following is a clone, later called Madlyn Pryor who comics fans saw a coming as she got an action figure. The x-men.. are dicks about this all backing away and not getting that maybe Maddie didn't know she was a clone and Scott's refusal to help her just causes her to storm off. Beast finds out too late who made Maddie: Mr Sinister, who quickly hyjacks her and has her turn the place into a murder house, a nice workaround to adpating the inferno storyline. I"ll talk more about how this series adapted various stories in a bit. For now it's a smokescreen to take baby Nathan who Mr Sinister pumps full of a technoorganic virus to make him indestructable. They follow and have a fight with maddie that's cinematic as hell but goes poorly for them as unlike jean she isn't holding back. Jean however wakes up and visits her soul sister, who has all her memories, and convinces her to back down. They save nathan but sadly in saving him he's stuck with the virus killing him as Sinister leaves.
Thankfully Bishop's been here the whole time. I haven't mentioned it as they never reallye xplain why he's staraneded in the past, when he joined, or any of that and he dosen't really contribute to the plot outside this episode. HIs time jump can take the two of them.. but just them and only one way. Cyclops refuses not wanting ot turn out like his dad... but like his dad has no real say in it and Maddie says goodbye to her son as he flies into the future. She leaves to go find herself and the x-men are left pretty torn up.
So next episode, we'll get to this ones stinger in a moment, is a two in one, two 11 minute episodes, as Jubilee turns 18.. and is bummed by both all the change going on and Magneto refusing to let her celebrate. She gets sucked into a video game by Mojo, a grogesque blob of a man whose naturally a network executive who fought the x-men twice before and wants to make jubes a star. The episode is a fun breezy break between two pretty heavy episodes, and mostly serves to let Jubes realize she dosen't need to fear change after meeting her beta test version, absycca, voiced by he roriginal va. She and sunspot also kiss and likely do much much more.
So leaving the lovebirds alone, we go to a diffrent pair of them: at the end of the previous episode Forge found storm and offered to restore her powers, leading into Lifedeath, an adaptation of the same story from the comics. The two work on it with their efforts seemingly not working.. but the two get along quite well, horse riding and other stuff. We also get to know Forge better: he was an inventor, worked with the goverment, is chynene, and we even get to know his name. We also get his name later, Daniel Lone Eagle, which somehow is the first time he's had a non code name in the history of the character and is one Chris Claremont came up with but never used. Nice.
That goverment past bites him as he eventually reveals the truth to a horrified Storm: he created the neturalizer tech: he quit over it, not wanting to do more and sought her out. Naturally she's pissed the man she's slowly fell in love with lied to her and tries to flee.. but instead encounters a demon. Which is normal for the x-men in the comics but a complete 180 here. We'll get back to this.
So we've come to the gamechanger for the series: Remember It. Most of the episode plays out normally as Gambit Rogue and Mags head to genosha now a mutant paradise resembling krakoa from the comics: a council of familiar faces running it (Former enemies sebastian shaw and emma frost from the hellfire club and longtime allies Moria Mactagert, her boyfriend Banshee , Maddie and Nightcrawler), propserity and music all around. Rogue is enchanted while Gambit is mor esupscious of the hiked prices.
But bigger thigns errupt: a love triangle has grown between the three as Rogue used to date magneto and is tempted to go back to him while Gambit has been buthurt about their attractoin and apparently private time all season. This comes to a head as Magneto is offered a seat at the table by the council: he's a big deal, has made more peaceful strides lately, and all of mutantkind respects him. He agrees.. but wants Rogue to be his queen. an offer she's considering turning down based on how creepy it is, but he makes a solid offer not just to get in her pants but in wanting her in this role.
Gambit and Rogue have things out over it, and Rogue seemingly chooses erik. Their not the only ones having relationship drama as we see Cyclops have a psychic convo with Maddie... only for themt o make out and Jean to interrupt. Whoops. Yeah Jean is insecnsed Cyclops was making out with, and these are her exact words "My clone"
I mean she's not wrong to be hurt but she not only nearly made out with logan before this, having experinced HOW rich his feelings where when she woke up, but Scott points out he and Maddy did share a child and othe rexperinces. He could've.. not gotten implicitly back together with Jean but still. Point is everybody done fucked up.
So far so normal x drama.. until they have a gala. Rogue and Magneto have an erotic dance, Gambit perpares to leave and maddie goes outside to find Cable, screaming for her to run and being pulled back by time before he can do anything. She realizes he's nathan.
And then.. dies in a flash of bright light. The Sentinels have arrived, specifically a massive three headed tri sentinel spitting out more. Mutants die left and right as our x-men and those aroudn them try their damndest once they come to. IN a blink of an eye the world changes: Genosha is left destroyed, thousands die including named characters with Maddie, Sebastian Shaw and Banshee all biting it and Archangel and others left with an uncertain fate. It's a true nightmare , modeling itlsef afte rthe feelings Beau Demayo had after 9/11 and the pulse nightclub shootings. I'll dive into it more in a bit, but needless to say it's horrifying to watch, you canot turn away and this episode got an emmy for a reason.
In the melee, Magneto tries his best even whipping a sentinel with a bullet train, so badass but seemingly dies protecting the morlocks. With our heroes beaten and more to die Gambit gets kidnapped by one which jams some rebarr in him. With one final push of all he has left Gambit lights the thing up... and gives his last words, quitely, cooly and definatly
"The Names Gambit, Remember It"
The Sentinel explodes.. and Remy is left dead, Rogue devistated after realizing who she wanted all too late. The x-men have lost a member, mutantkind has lost a home and things will never be the same.
This was the intention: the first half is more buisness as usual but still updated and slick.. and the second... changes everything in a way there's no going back from, largely being one contiained story.
Before we tackle that though back to Storm, who we'll tackle first as Lifedeath Part 2 deals with her and another face who left the x-men. The Demon is the adversary. In the comic, he's an ancient evil trickster god. Here she's a less impressive but still terrifying and memorable demon who feeds on fear. She reveals part of why Storm's powers haven't kicked back in is fear: fear of being a mutant again, her secret hope of WANTING ot be normal. Storm must face these fears, going into a damp tunnel to save a poisoned forge facing advesary. Storm beats it as she would: by admitting to hserlf she did want to be human and escape, accepting her mutant side for what it is and that she can't repress it and frying the bitch, escaping, saving Forge and forgiving him, dawning her first and one of her most iconci outfits in the process.. and growing her hair back because she can do that now. She and forge plan to take a vacation still, since while Storm is an x-man... she could use the break with her new beau. It's then.. she gets news of Genosha.. and everything's shattered. her family needs her and Forge is right with her. This story was taking place right after Remember It For most of the time.
So winding back the b story for this episode follows Charles.. as he's abrubtly revealed to be alive in space. Now to me whose familiar with the comics, this is just tuesday. But to many a casual fan, including my friend Jess I watched this with, they were thrown off and understandably so. The series acts like charles is dead up to this point, that maybe the shiar stuff didn't work and never mentions the shiar. THere's no hint to this so it feels out of nowhere.
Thankfully the story itself is decent: Lilandra wants to make Charles her consort but even here he faces racisim and her jealous sister blackbird who wants the throne wants him to mindwipe himself of the x-men. He reluctantly agrees: he can't move the captial to eartha nd should try to think for himself, adding tension for us as we know hwo bad things have gone. Thankfully.. he can't do it which Deathbird figured adn tries to do a coup. But in an awesome moment Charles refuses: no more bloodshed. He gives an awesome lecture on colonalism, something the empires powered on and has a decent shot at reforming it.. but like Storm... life wont' let him have peace; he gets a psychic death call reciting one of my faviorite lines from the comics
So xaiver must leave the love of his life as his children.. need him.
And after all this we find out someone.. sinister is involved.
So onto our finale lead in bright eyes It's a week or two later: the us isn't helping refugees, tensions are high and the x-men visit genosha, with a spectre of war hanging above them. With Jubes encouragment Roberto realizes he could die easliy and comes out to his parents who accept him.. but want him to keep it hidden.
Meanwhile the x-men visit Genosha with Jean feeling guilt over maddie's death and the x-men only able to find emma. Any othe rsurvivors are gone. While this goes on the rest of the x-men have Gambit's heartbreaking funeral, with Nightcrawler naturally serving as preist and one notable absence: Rogue is missing. Rogue is on the warparth tearing apart the miltiary to find Gyrinch and tear apart those who took remy from hern. Captain America TRIES to get her to back down... but his whole "lets wiat and do it proper" bullshit gets his shield understandably thrown into the distance.
She finds Gyrnch and absorbs his memories, having gotten far less forgiving and far more vindcitive and understandably so. The X-Men find her after this and Kurt gets her to greive.
The x-men, minus jubes and berto, reunite, finding trask who reveals whose behind this: OZT, aka Operatoin Zero Tolerance, a secret anti goverment group ran by bastion, a creepily monotone man in pink who plans to out xaviers survival and almost space marriage to the world. And he has much more dastardly plans than shaving magneto while he sings one eyed one horned flying purple people eater: Rogue lets trask slip, horrifying her frineds.. but he gets up. Bastion has turned willing volunteers and unsuspecting civlians into omega sentineals, unstoppable killing machines with the x-men barely able to put down ONE before a group swarm them. Thankfully cable arrives and saves them and lets them know not only is bastion worse than they can imagnie but this gets so much worse.
So next episode Rogue is left in a coma after that right and Cable is rallying the x-men, woh are under fire for the xavier thing. So they split up: Cyclops, Jean and Cable have an awkard family reunion as they go to investigate Bastions mom, while Wolverine, Beast, Nightcrawler (now part of the team) and Morph stay behind. Jubes is with Roberto getting pissy with his mom.
It's reveald Val Cooper, who was at the massacre but wasnt' expecting what happened, is alive and Bastion explains his evil plan: he created the omegas using sinisters virus, Nathan being his payment. He's had help from various other figures outside the un specificaly Doctor Doom and Baron Zemo, both of whom aren't happy with the genocide. Bastin's non plussed as he has a plan.. and a plan to get rid of the x-men. he activates ALL the omegas.
This happens as our heroes get Bastion's backstory: a bit of nimrod goo got into his father in the 50s, and his mom raised him knowing he was diffrent. And having sentinel programming in his head the poor boy became the bastard we know.. and made his own mom a sentinel. They attack the x-men at all three palces they are: bastion's hometown, the mansion as trish tilby, a reporter into hank also turns out to be one, and at the mall... again. Jubes really needs to lay off malls and swears them off. Good for her.
Things don't go great. Cyclops and Jean are barely able to survive their army, the mansion is torched to ruins though Rogue is kept safe by the remaning x-men, and Jubes and Sunspot are handed off to an omega sentinel playing nice by Roberto's mother, shattering the poor guy.
Having enough Valarie freed magneot nd declaring something chilling
"Magneto was right"
He awakens.. and blacks out the world with a massive emp. While this saves the x-men and countless others it's also, as Logan correctly figured, a declaration of war. Just as Morph misses xavier, Charlie arrives.
Thankfully Charles Xavier also arrives.
The x-men all regroup with Storm and Forge rescuing Jubilee and Sunspot. While most are willing to at least tolerate charles Cyclops, while willing to put up with him, is pissed, wanting to know why he left magneto and somehow blaming charles leaving magneto for Magneto's emp.
Thankfully we don't have time for Scott's daddy issues, but we do have time for Charles' as Magneto approaches, rising asteroid m from the sea and making it clear that yes, war were declared. He TRIED it the nice way, genuinely gave it his all.. and humanity responded with a genocide they fetered over and ignored> he's done and invited any other x-men who are done to join him while he waits for his emp to kill everything: in 48 hours it's going end everything.
And shockingly .. two x-men do. Rogue goes with him, pissed at Remy's death and the goverment's half assed response not helping, and Sunspot, while not really an x-men yet, joins too, pissed his mom left him.
So the x-men regroup at muir island, their backup base at some point offscreen and put on some new/old costumes while getting ready for war, with the exception of Storm who was way ahead of them and Jubilee who switched to her 2010's outfit last episode: Cyclops and Jean put on their 70's costume, wolverine his 80's john byrne designed brown suit, morph some generic outfit, beast er.. same as he ever was, and Cable gets his late 90's outfit wether he wants the thing or not.
So with Magneto declaring war and Bastion still a threat to be dealt with the x-men split into blue and gold teams. Cyclops blue team of himself, charles, Wolverine, and Jubilee will go deal with Magneto and friends, while Storm's Gold Team of her, Jean, Morph, Beast, Forge and Cable to go to bastion island and stop him using a modified nulifier collar.
Both plans go south: While Gold team intially makes a splash and does well storm and forge are eventually shot down, and while Jean beats the shit out of sinister for both her and Maddie, he hyjacks Cable as Beast apparently didn't think "Maybe we take just a second to check the guy who was in sinisters grasp as a baby for gene traps", with the rest of the team held down in bastion's power.
On Asteroid M things go considerably better despite the smaller team. Charle's plan of "Let me talk to my boyfriend we'll sort it out".. fails as you know.. when has that EVER worked with him Chuck? Especially after a mass genocide. A fight breaks out and the x-men do manage to beat magneto... but jean lets out a psychic scream that alerts Cyclops who fucks up and stops wolverine and charles from winning. This allows magento to just plunk his helment on charles, since it now has the psychic blocking thing from the movies and works both ways and rips the metal out of wolverine's skeleton.
Part 3 begins and Charles has escaped the helmet and is now tearing Magneto's mind apart, having used him to restore power to earth. But unlike the comics not wanting his friend's mind to end up broken to pieces goes inside it while the rest of the x-men wait outside, having patched up things best they could.
Back on Bastion's Island, Jean reconnects with the phoenix somehow, and uses this handy deus ex machina to Collar bastion, restoring his army of prime sentinels that just woke up and what punched spider-man and a bunch of other cameos to comaland where they can hopefully be helped. She reduces sinister to a shrivled husk, removing all the mutant dna tha tkept him young. As Morph basks in that the x-men have other issues: The goverment was giving xavier time to resolve this.. but decide to be their dickish selves, with only Captain Ameirca and Black Panther wondering if this is a stupid idea. It was and the misles instead knock it's engines off.. and Bastion, being pissed and vengeful decides fuck it i'll just murder you all! So Cyclops, Jean, Storm , Morph and BEast head up to join them, Cable sticking around to keep an eye on things and on forge whose in no shape to go with them.
A fucking glorious final battle enseus as Bastion takes his final form, Rogue beats the shit out of him for Remy, and Roberto formally becomes sunspot and kicks the fuck out of him. The team eventually beats him and Scott, wanting to make up for how Bastion could've bene one of them as Xavier tried to reach out, tries to reach out a hand. Bastion laughs at this and dies and the x-men unite all their powers to try and stop the meteor from hitting earth. But while they do their best.. only one of them can do it, with Charles convincing magneto he can let go of his pain, his anger and hurt and do the right thing. So with a hearty MAGNETO LIVES, the x-men save the world.. and vanish.
6 months later and Forge is operating out of what's left of the mansion. Cable, Jubilee and Sunspot, who weren't on the meteor at the time , all scattered and Forge is trying to build a new x-men out of whose left avaliable. Before he can though, Bishop shows up. While Forge is suspcious as apparently he didn't read the x-mens files , Bishop knowing his real name helps calm him down.. as does some Info. The X-Men aren't dead. It's not where they are but when. They've somehow bene scattered in time by some third party and Forge might want to keep his board out as it might take a new x-men team to find them.
For now we find out where almost everyone ended up: Cyclops and Jean end up in the distant future where they find nathan, as he and bishop got seperated over time. Storm, Wolverine and Morph are MIA, likely in their own group we'll find out about next season. And the rest of the group end up in ancient egypt, saving a young mutant. En Sabur Nur... aka... APOCALYPSE.
And if that wasn't omnious enough in the remains of Genosha, the modern day Apocalypse has returned... remarking on so much pain his children.. so much.. death.. and as he says that.. he picks up a playing card.
And with that omnious teaser for next season, we can finally fully dig into this one.
Hated and Feared
X-Men as an allegory can be frought. It works most of the time as it's easier to get a book about mutants trying to survivie hate and fear than queer people and in modern day many a mutant is queer, going all the way back to Chris Claremont not so subtly making Mystique and Destiny wives and only not saying it outright because the EIC didn't want gay people refrenced. Chris Claremont used it brilliantly in god loves man kills by using Nightcrawler to perfectly speak against the bigoted revered stryker, with kitty pryde
Other times.. it's get tricky like the Legacy Virus, a transparent metaphor for AIDS that no actaul gay people were affected by, Kitty Pryde calling two seperate black people the N-Word to equate mutant racisim to real world racism and that time Wolfsbane was beaten to death for "Hiding" she was a mutant in a clear trans allegory. The mutant metaphor is lovely and can be used awesomely and Chris Claremont was right to expand it... but some writers don't know how the hell to be subtle.
Beau Demayo however tackles it well not hiding from it but treating it realistically: the bigotry isn't just howling assholes in the streets but often the passive bigotry seen all the time, the small steps that make life hard. The big rioting assholes in the street exist, guys like Bastion plotting genocide exist.. but so do people like the doctor Jean turned to to give birth only to refuse simply because "a mutant could hurt people", again not thinking of the lives that could be hurt or the life that could be lost if the delivery wasnt' done right. The kind who'd turn someone away. You have President Kelly who on paper is a friend to mutants.. but when push comes to shove will sacrifice them to save himself and in doing so nearly doom us all. And you have Trish Tilby, who keeps pressing Cyclops when he tries talking about nathan and when he reveals the whole weird story, then goes off on her when she talks about how muants are hard for "normal people" to relate to.. when Cyclops TRIED being normal and lost his son for it through no fault of his own, but because of a mad man who decided to kidnap his son.
And of course the center of this kind of racisim.. is the DeCostas. Roberto is panicked, afraid to reveal who he is or really trainup his powers, only doing so as a gift for Jubilee. And when he finally reveals it.. they seem accepting.. but then refused to have him come out publicly. IT's this casual bigory the kind that could see you cast out just for who you ar, that 97 captures so well.
The more overt stuff still hits well from Magneto's booming speech to the un, making a simple powerful statment in the middle of the speech "What must we do to be good enough? is this the high road's destination?" how poeple who geninely try to do good or help people or help their own get stomped on just for trying ot do it the way society wants them.
It also gets into the systems: Bastion gets a ways do to his powers.. but also do to the system. We see him off center two episodes before his introduction in one of forge's photos, OZT has heads of state and the head of the UN herself in it's pocket. While Humanity is trying to be more accepting at the start of 97 far too many are willing to turn their backs when it's no longer convient. Far too many were willing to give a mad man the keys to genocide then act shocked when he uses them.
When the Genoshian Genocide happens, it's not quick like the comics. It was done quick there to belay it's speed and horror.. in an instant millions die, and the x-men could do nothing, Cassandra Nova, who did it in the comics, having already pulled the trigger before Cyclops and Wolverine could break free.
Here it's still fast and painful.. but we see it from the ground. Gambit waking up dizzy to impromptu triage, several mutants dead or injured. It's not as fast or instant.. but that makes it worse. The X-Men are there.. but they can't do anything. One is captured and broken by the events while another dies stopping it. We feel how powerless our heroes are two of them some of the strongest the x-men has. Rogues next apperance has her easily tear through the military like butter.. which makes it all the more heartning knowing two episodes ago she couldn't stop this. She tried, Erik tried, Remy tried.. but none of them could stop this.
Yet people ina merica... brush it off, refusing refugees, Kelly acting like the x-men have to fix optics after the xavier reveal is more important. It's all too realistic. As Val Cooper notes in her speech humanity says "that's terrible" then moves on with their day. It's not happening here, it's not happening to "Us". Things like the isreal hamas war or the invasion of the ukraine are known to us and some try to rally to end the bloodshed.. but we also tune it out because it's too hard to take. Or worse just don't care. Around the same time these episodes aired, you eerily have senators declaring "there are no civlians" in Gaza, that a goverment is their people when that's never the case. This series calls out that kind of easy thought, that it's easy to other people and put your surivvial above theirs, yoru wants above theres and the series.. offers no easy answers. It champions for hope, for compasion, that it's better ot fight for a better tommorow than lash out.. but dosen't make that fight easier: Remy dies for it, Magneto and Rogue both turn away from it, and the x-men nearly die for it as a whole trying to save a humanity who was all too happy to sell them out.
It's a good message though.. that we don't have to be "fuck you got mine" or bigots... that it's worth fighting for a better tommorow even though it's hard and while a world of pure peace and tolerance is a dream.. it's a dream worth trying to make real. To get as close to it as we can. We may suck.. but we CAN be better. All the bigots in x-men show us at our worst, our pettist.. but the x-men are our better, fine people who fight hard to protect a world that hates and fears them that sold them out simply because letting innocent people die, is something they can't fathom. That the world isn't so broken they can't fix it in ways. That even when the dream seemingly dies with everything they find out.. they fight on. For tommorow.
From the Pages of Marvel Comics
One of 97's other great strengths is adaptation, and it's something i've been chomping to the bit to talk about. Like most superhero adaptations, 97 takes the best parts of the comics then streamlines it down. The Civil War adaptation for instance left out Iron Man's many, MANY war crimes and bits of petty dickery in favor of honoring the spirit of two heroes and close friends reaching an impass over an issue neither is entirely in the right over. Black Panther uses some of the broad strokes of killmongers arcs from his original debut and the Christphoer Preist run, but refashions him to ask serious questions about Wakanda's habit of isolationsim. It's fine with me to pick and choose what works best as some things are just harder to adapt. Even Invincible, a pretty close adaptation to the original, changes a lot to update the work to better fit the modern day rather than the early 2000's it started in, diversifying the cast, giving debbie, amber and eve more agency, all good stuff.
What I like about 97 though is it does this.. but still adapts the stories for more than parts, something that's rareer. The original usually used the parts approach, x-men continuity is both lovely and terrifyingly complicated and some things were added as they were just being brought up in the ocmics, but a few bigger stories like the Phoenix Saga, the Dark Phoenix Saga, the Proteus arc, or days of future past got a full adaptation.
So the crew of 97 ran with that: the bulk of the season is an adaptation. The season adapts Trial of Magneto, Lifedeath, Inferno, Endgame (X-Factor 65-68), The Crunch Conundrum (Wolverine 51-53), Fall of the Mutants, E is For Extinction, Operation Zero Tolerance, and Fatal Attractions. Some are used more for parts, but most of these stories get fully adapted in some way shape or form, simply streamlining it.
These are also the kinds of stories that take advantage of the fact 97.. already has a fully fleshed out universe to play with. As the long recap shows, they had a LOT of table setting already done in the original and thus could jump into stories that would take a movie or two to set up. It'd be hard to do a story about Jean Grey's clone when you don't know jean first or care about the fall of genosha without being invested in whose on the island. With 5 seasons to go off, 97 is pre loaded with most of the setup needed for these stories and thus can do them justice, while still streamlining them to fit in their limited runtime.
So i'm going to break down these adaptations best I can. I won't be doing so for Endgame as it really only adapts Scott sending his son into the future and I barley remember it and the Cosmic Crunch Condndrum as I haven't read that yet and would like to read the rest of hama's run leading up to it.
Trial of Magneto: This one is way better than the original. THe Original had a good concept, put magneto on trial, have the x-men deal with a false flag attack in the background. But it gets cluttered fast: Magneto has reformed but while they try to play the defense that, because he was literally reborn after he was regressed to an infant then aged up by a mutant he what made, he was a diffrent person and those exempt from all his crimes minus blowing up a russian submarine. Problem is comics mags.. has way more baggage as pre chris claremont and early into claremont's run he was a pretty standard villian, plotting, scheming and making his daughter dance for him because he didn't know it was his daughter which I wish I could forget about and now so will you. So they kinda have to use the insane defense they do and his speech, while well done, comes off slightly more hollow: he does want to change.. but it's not really a kangaroo court like in the show.
He also gets attacked by the Fernis Twins, incest nazi nepo babies, who use aformentioned false flag attack as a smokescreen so they can attack the hauge and get revenge on magneto for killing nazis. Chris Claremont is a great writer.. but the guy could easily get lost up his own ass in some issues and this was one.
So 97 streamlines it: the incest nazi nepo babies are replaced with the friends of humanity who already existed, and Magneto's defense of himself is way more self righeous as while he did try to cause a massive disaster in his first appreance most of his apperances are "just leave my people alone motherfuckers". And while the original had Magneto's backstory be some generic wartorn country, 97 makes it clear like the comics he's a holocaust survivor, so he knows what he's talking about and talks circles around the court,only lifting them into the air when the x-cutioner depowers Storm.
That segues into our next adpatation, done over several episodes, Lifedeath. This compresses a long subplot into a slightly shorter one, mostly using the titular issue. And honestly it's the closest of the adaptations here. The context is changed as in the comics Rogue was being hunted by the goverment for her criminal past and breaking into a shield hellicarrier when Carol breifly took over, both things that would make no sense in 97. So they had Storm jump in front of a diffrent reformed rogue. They also removed the fact Forge made the gun to defeat the diar wraths but otherwise his quitting over the tech, hiding it from storm initially and being the one to help her recover/romance her is all accurate. The cartoon improves on this by having Forge be the one to confess what he did, a small step but it makes their romance easier to swallow when he genuinely confesses to what he did. I'ts still.. not great but like the comics it's protrayed as not great to form a relationship with her whil ehiding this and their working thorugh it feels more earned as he didn't make a mutant depowering gun and expect the goverment not to use it, but made tech that was yanked out of his hands without thinking the implications.
This leads into another adaptation as the adversary from fall of the mutants shows up but as mentioned in the recap is a demon instead of a trickster god as the story's simply grafted onto lifedeath, with Storm forced to confront her demons and the demon in her ear. In the comics she was tricked into trying to kill forge, both were stratneded in a new world as adam and eve and she restarted her powers for the greater good. Again not claremon'ts best work but still far more meaningful and well done than the incest nazi nepo babies. Her regrowing her hair from her mohawk was also part of it
Before we move on, they also had storm in her mohwawk and , post leaving the x-men, punk outfit. IN the comics this is easily my faviorite storm storyline. early on she was regal and reserved, innocent as while she'd had a rough childhood in cairo, spent most of her teen years in africa being worshipped for her powers. But when Cyclops left the x-men, she was thrust into the leadership role and slowly had to deal with her dark side: getting into a knife fight to the death, having to make harsh decisions, and forming a gay as hell friendship with yuirko, wolverine's ex. Chris was not subtle and I respect that. So she took a punk look on to match who sh'ed become: still kind and gentle.. but far more pragmatic. Moral but realistic about the lines the x-men sometimes had to cross.
So scooting back before we finished storm's story we have Madelyn Prior. And strap in because this one.. it's a lot. So here Maddie's story is pretty easy to understand: Jean was swapped out with a clone at some point so Mr Sinister could have control over the summers grey baby. Maddy is for all intensive purposes also jean grey, but has the baggage of not being the "real" jean and having her friends be dicks and not consider her jean, though Gambit and Rogue at least got better about that. She and scott have an affair. it's simple. Scott's KINDA a dick for not supporting maddy and for not breaking up with jean to be with her, but a more resonable one as the shock of this clearly got to him and the later affair was because again, she is pretty much jean... and shares a child with him. Still fucked up but understandbale.
In the comics... oh me mow. The comics. This is going to be a complicated one. See in the comics.. Maddy was never intended to be Jean's clone. Chris Claremont created her , but her looking like jean was initially juts a concidence: She was an alaskan pilot with her own life, feisty, and blunt, and Scott liked that and the concidences matching her up with gene were either just that, or Mastermind, one of the x-men's foes, fucking with Scott's head to get his revenge on the x-men. He also broke up wolverine's wedding for similar reasons.
So when it was all cleared up Scott proposed. Now granted proposing after knowing someone a few months.. is not smart, but it seemingly worked out. They had a child and Claremont fully intended to have Scott retire.
The problems were two fold: the first was the writing itself: It felt like Scott ws more.. settling for a happy married life because the x-men no longer needed him and he no longer felt home there, and staying with Maddie out of responsiblity to her than out of true love.
The other was editorial.. did not want to keep Scott off the shelf, a common issue in comics as characters simply cannot stay retired. The only time this has happened is Jack Knight, the best starman and he only escaped this fate because his creator James Robinson made DC put it in writing. So wanting more x-books, editorial launched x-factor and brought back jean.
And this.. ended up making Scott look horrible as he got a call. And rather than explain it to maddie, tried to hide why he was fleeing from her, then ignored her ultimatium that if he left it was over. God dammit scott. Granted he did TRY to go back and fix things, but by then editorial had decided Maddie needed to get out of the way of Jean and Scott. Nathan vanished, his disappearnce being a major subplot in x-factor which thankfully got better, with Jean confronting everyone over hidding maddie from her and Scott feeling actual guilt.
Things got worse for Maddie, though thankfully Claremont also got her back and did his best with the orders given. He wasn't happy about it, but had Maddie process her trauma: she suddenly had her identity erased from all databases, her child stolen and the marauders, assholes for hire who would end up being revealed to be hired by a debuting mr sinister. Maddie grappled with her husband's abandonment, finding out about jean, her sense of personhood and eventually a relatoinship with Scott's brother Havok, everyone's silver medal.
Eventually though she had to be written out for some rason, so inferno happened. And Inferno.. is fucking nuts. So a demon takes na intrest in maddie, makes a deal for her childs soul and turns all of new york into hell. She becomes the Goblyn queen and then tries to kill her kid for reasons. Louise Simonson who wrote x-factor and wrote that part is also a great writer, but did not write maddy well.
So yeah the show just.. made the demons telepathic and like more recent comics, got the hint that maybe maddie wasn't some super bitch because she got abandoned and manipulated. Her posisble ressurection was a major subplot of the excellent hellions series, and it lead into her return for the okayish Dark Web event that ended wit her, now queen of limbo, having a hell embassy in new york. She's living her best life.
So the show is an improvment, as it knew it was going to have maddie be jean and thous could plan instea dof trying to constantly salvage demands to kill a character the creator clearly liked, then various writers who hadn't read anything but the end of this long story arc pissing on Maddie's grave.
New X-Men is one of my faviorite x-men comics, one I intended to cover in full and may try to again someday. It's one of the most recent things 97 takes from the comics and Remember it Adapting both the genoshan genocide and the psychic affair was a refeshing sign the series wouldn't just be adapting storylines from the 80s and 90s. The series is even, thanks to widespread reports about season 2 footage from comic con, using the iconic costumes from this era, using the leather astetic from the movies, but making them still pop with big yellow x's. I want one of those jackets, so, fucking, bad. I'd even take a dark phoenix version as while I hate dark phoenix they dapted them well.
The series only takes a few pieces from this legendary series, but their vital ones. The Genoshan Genocide is the big one, an event that changed the x-men and was New X-Men writer Grant Morrisons big statment that the realtive stasis the x-men were trapped in was broken. It severs the same purpose here: the happy nostlagic trip back that started the series with some trauma, if still excellently is gone, and the x-men now live in a new world. They adapt it almost as is: the tri sentinel resembles the wid sentinel used and while i wish they'd used the wild sentinels in full, monsterous sentinels that absorb things from the environment, it's still a massive disaster the us dosen't care about hwere emma frost mutates further getting a diamond form, millions are dead and Magneot is seemingly killed. The basics were all it needed
The mastermind is changed to fit into another adaptation we'll get to in a moment, but it works better for the story told than Xavier's sister he strangled in the womb but survived as a psychic parasite. I just.. love getting to type crazy shit like that and I love even more than unlike the nazi nepo babies or abandoned clone wives, this bit.. was written entirely coherently and meant to be as bonkers as it is.
Nova could show up as Wolverine and Deadpool has came and went, it just didn't fit for this version of the story. Bastion worked better for the metaphor they were going for and was easier to set up in the context of the original series.
So then we have the psychic affair. So in the comics Cyclops was emotoinally repressed even more than usual at the star tof new x-men, having been possed by apocalypse and come back from the dead, pulling away from jean. New teammate emma Frost offered him therapy.. then used her position as her therapist to sleep with him. Then jean caught them and no one ever really adressed the fact that scott was manipulated into it at a vunerable time in his life and it's treated like a normal relatoinship aftewords. Which can work but I feel like no one ever wants to bring this up. And I say that up as an emma fan what the shit. No one ever brings up the relationship started in a pretty fucked up place except Joss Whedon and even he only factors in the fact they started dating for real after jean died. I didn't even fully scan how fucked up this was for years. Good lord.
So instead Scott still cheats on jean in his mind palace, but with.. jean. Maddy is basically her with a few extra experinces, so while Scott is more at fault here, Maddy din't push him into anythign. I still say scott fucked up in new x-men with how he treated his wife, he's not BLAMELESS, but the bulk of the affair was him being agressivly persued by someone who framed their affair as therapy. Here it's an affair but with someone scott never techniclaly broke up with and him avoiding the issue is the problem.
So back to Bastion. Bastion was introduced during the Onslaught saga, a whole mess I don't want to get into. Short versoin, Charles tore magneto's mind apart, and was SUPPOSED to simply have his darkest impulses released but instead they merged with magnetos because executives didn't want this to be all xaviers fault and back then treated Magneto as satan for some reason.
So as a result the goverment got charles, and the avengers and fantastic four were presumed dead but put into a pocket dimension for an ill advised attempt at a reboot of the avengers and fantastic four. So everyone blamed mutants for their "deaths", and thus Bastion was clear to start operation zero tolerance. Bastion was nimrod, a sentinel from the future that got merged with a modern sentinel that hyjacked him then sent through the seige perilous, a magic portal created by merlins daughter that can basically reset a person. No memories, new life. So he became bastion, and due to his sentinel programming set up ozt. There was also some good build up as sine he was using graydon creed as a puppet he killed a reporter.. and it was one of J Jonah Jamesons guys. So JJJ became a major recurring character, refusing bribes of tasty info on the x-men to chase him down.
Sadly the payoff.. was a mess, spread across most titles at the time. Half the x-men were in space, long story, the other half got captured and were shunted to wolverine adn the main story focused on a returning iceman. The plot for the main books was decent, bobby forming a team out of desperation out of marrow, former enemy with bone powers and Cecila Reyes, a surgeon who didn't want to be a superhero but got thrust into the life, as they fought the omega sentinels.
Then the ending was just... the goverment calls it off thanks to senator kelly, bastion fucks off and outside of the mansion getting scrubbed of all it's tech and a few new members this just kinda.. happened to the x-men. As the recap showed this verison dosen't do that. It beefs up bastion's backstory, makes the omegas a huge threat, and has all the x-men involved. It's a massive improvment over the original and only keeps the bare bones premise while grafting on the genoshan genocide shockingly well.
It also grafts it onto another storyline for the finale, Fatal Attractions. There's no boiled bunnies and I have no idea why it was called this. Fatal Attactions like Operation Zero Tolerance, has a goo dpremise: Magneto returns and does an emp on the earth while giving his new followers the acolytes sanctuary. The actual story... blows. Magneto is treated like a cardboard cutout of a villian instead of the complicated figure claremont made him into, only punishing a foe for killing hospisce patients with disablities because he didn't allow it. It... it really shoudn't be that hard to knwo Magneto wouldn't tolerate ethnic cleansaings of mutatns who had down syndrome. As such the whole things muddled, not very fun to read and really only notable for it's climax: Magneto tears out wolverine's adamantium, revealing his skeleton to be boneeeeeeee while Charles relatilates by mind blasting mags into a coma.
Like OZT 97 takes what was a very good premise and uses it well: both versions of FA have an x-men defect but while Colossus defection is clumsy, his sister died but it still feels horribly out of character, Rogue's was set up through the whole season, with bright eyes showing just how bad a place she was in. Sunspots is a bit flimsier, but still fits well enough. It dosen't waste the idea of magneto coming to the various mutants to recurit, something the comics at the time did with no one but pitor accepting.
It also has mags pushed father and still kept in who he was: this is seen as a nightmarish action even for him.. but it's after humanity subsisded the genocide of his poeple and after he genuinely tried for better. So him going this far and doing what he doe sto logan fits, especially since here Logan tries stabbing him in the heart... which also feels more on brand and Logan never trusted the man unlike the comics.
THey do do a nice swerve though: While one would assume charles would leave Magneto a vegetable leading to onslaught next season, though I wouldn't mind a better version of that.. instead Charles only hyjacks magneot out of desperation then works to restore him. As a result instead of leaving his best friend a vegetable, he saves him form himself. A better ending to a better storyline.
The end of the season hints at one or two stories, Cyclops and Jean's adventures rasing nathan in the future and Gambit's stint as Apocalypse's horseman death, but for now it adapated a fine crop of stories well.
So with the overarching story, themes and connections to the comics out of the way, let's dive into the cast starting with my boy
Magneto Was Right
Magneto is my faviorite mutant. Said it before, will say it again into infinity. A complex tragic figure who can be a compelling villain and an anti hero tortured by what his long war of attrition with humanity has cost him. This series does both and does them well. David Hemblen is probably the best animated Magneto, and one of the best up there with MacKellen and Fasbender.
97 gets mags just right, having him be arrogant. He slides into the series not happy to be an x-man, only doing it as a favor to Charles essentailly and berating the x-men for not thinking to relocate the morlocks to genosha which... to be faiiiiirr.. is entirely on point. Yet it's clear he's done some shit. The series leans into the retcons from later in x-men the animated series, that cyclops and the original x-men fought him. He's never portrayed as nearly as bad as he was in the silver age, enslaving teenagers who ended up being his own kids, but it allows for the deadly threat magneto presents to be amped up. It's very clear he's holding back. He'll pummel the friends of humanity but he will not kill.
It allows the full Magnus: terrifying ot his enemies, but having nobility. While he treats it at times like a frustrating errand his best friend/probably boyfriend at some point, the sexual tension is palpable and remains a constant for x-men adaptations, he does geninely try. His speech to the un isn't just a veiled threat that "I WILL go back to hunting you assholes for sport" it's that he dosen't want to. He dosen't belivie in charles dream.. but WANTS to see it acomplished. He lost his best friend to his space girlfriend, and WANTS to try and acomplish what charles couldn't. Not to one up him.. but because it meant so much to charles. In the original cartoon he may of seen the x-men as fools at times.. but respected their idealism. Same with the comics: he may see them as lambs to the slaughter.. but respects that they will fight anyway. So he will join them, he will lead them and he tries.
Magneto... is not a good fit for leader of the x-men though. He can't put aside that arrogance. While Charles was demanding, XTAS dialed down his control freak nature. He dosen't demote jubilee to a junior squad or yell at cyclops for treating a group of adults like adults, and that's not even getting into his many horrible deeds later retconned in, he is commanding but will listen to his students and learn from them. He lets logan wander off or cyclops leave in a rage because while he'd prefer they stay he can't FORCE them to, as much as he's capable of the act. Magneto is more used to worshipful masses who hang on his word. The X-Men.. can manage themselves. It shows most glaringly when Jubilee has her birthday. Everyone else understands the need for a day off. But Magneto, who sees every action as a war and lost his childhood to auschwitz, can't fathom why Jubilee needs that break and denies it for her out of a combination of that and not being able to meet the x-men at their level. While Cyclops has that issue at the start, constantly being on guard, berating the x-men for relaxing and Gambit for not going on a mission he wasn't really NEEDED for in the first place, he realizes he was a tight ass trying to roleplay his dad and backs off. Magneto never gets the chance. Magnus is a good man.. but he has too much ego to ever see the x-men as more than his soliders instead of his teammates.
I do wish we'd gotten more of him as leader, the clachses inherent in that, and that motendo actually called him out as while Jubes wanting to ignore change isn't good, not letting her relax is still not great.
We do see just enough though: he is trying, does take this seriously and does want it to work. When rescuing the morlocks he's kind with Leech, their youngest, smiling at the boy and assuring him he'll be okay. He tries to assure scott less out of ego and more because he wants the man to get to livfe his own life. Despite his shortcomings he tries to lead as most of the team dosen't really want to and the most capable (Scott, Jean, Storm) are all going thorugh some stuff and not in the headspace till much later in the series.
Magneto tries to be better. He even finds a good compromise between dreams: Genosha. A place of peace for mutants that would be easier for humanity to adapt to some day if they so choose. Mutants have a homeland and saftey without bloodshed. It's not Magnus dominon or Charles full acceptance but it's nicely in the middle: Saftey, security, and peace. Just as Magneto dropped his dreams twice for Charles, Charles could not begrudge Erik taking a peaceful path to his own. As much as the UN has a hardline "hell no stance" to the idea, Magnus/Erik/Jimmy The Reach almost had his dream. A bunch of hardworking mutants forming the future of their kind.
And then... the dream ended. Bastion killed millions and leech, who was in genosha thanks to him died. Despite his power... Magneto could do nothing. He fought, he gnahsed.. and he only survivied because Bastion wanted him as a trophy. And in the aftermath he finds mankinds allies like val had a knife to their throat this wohle time, Bastion was merely the one to plunge the blade in.
And as Warned.. magneto lets them down, plunging earth into darkness and planning to let it die. He's lost the hope he had and i'ts replaced only with rage. The rage of a man whose parents were murdered, who saw his people lined up in camps, and who sees the same all too close to happening. And he has onlyone word for it.
ENOUGH
He takes Rogue, i'll get into that whole mess of a relationship and roberto and has.. no real plan. When you look at his other apperances in the OG.. he had genuine thought. Destroy a plant to make them pay, get away from humanity so they stop hounding us, end times war. They weren't always stable plans, but he had one. Here he just plans to wait until everything else dies and figure otu the logistics later. It feels like Magneto has no mission, that this isn't another grand strike against humanity, but a murder suicide: he's taking the planet with him content to rot on an asteroid with those few he can take with him.
It's why charles plan to talk to him.. dosen't work. Granted "Talk magneto down" has NEVER worked for him, but Magnus dosen't want to talk... he wants earth to die. While Charles microwaving his brain isn't plesant, it's the only way to get through to him. To remind him who he was: a kind empathetic german man who'd been thorugh so much.. and who isn't alone. As reluctantly as they were to accept him, the x-men welcomed him into the family and tried to let him in. He accepted them in turn. His kids, including Polaris. He's not alone and thus he backs away from the abyss with a rousing MAGNETO LIVES and saves the world. Granted like most of these stories it's not over, there's more ground to cover next time, and the comiccon footage apparently featured another trial. But at least a man who lashed out at the world constantly and angrily, and often justifably, has found peace. Will he be able to keep it? We'll see.
Rogue and Gambit: A Romantic Tragedy
So Rogue and Gambit are one of the premire love stories in x-men... two people with checkered pasts drawn to each other but who can't touch less Gambit die. Granted man a fan will tell you "worth it", but I get Rogue not wanting to murder him with her vagina. Understnadable. Thankfully they've found workarounds and after a decade or so apart married and despite various obstacles, have stayed that way up to the current run of uncanny x-men.
In the show.. we're still in that will they or won't they. XTAS danced at the edge a few times but while it was allowed to have continuity, they weren't allowed to pull the trigger on something that big. 97 decides rather than do that to add some good old fashioned xavier's brand suffering on top of their already hard lives.
The Gambit Rogue Magneto love triangle.. is bad. In the comics it wasn't great: Initially Rogue and Magneto was done and done quick: She was attracted to him during their savage land adventures, it's implied since she was depowered at the time they slept together, she turned on him when he slaughtered some people.
But then age of apocalypse happened, a reality where despite the age gap, they married, and canon tried to make it a thing, first with his amnesic clone joseph then in x-men legacy when it happneed but when the writers switched, Christos Gage wasnt' itnrested and slowly broke it off. And before that it was clearly more just physical.
So yeah.. it wasn't exactly the best idea to begin with. She's about as old as one of his children and writers coudln't quite make it work when tried. 97 couldn't either: In hindsight Magneto comes off more as the hunk you have a character in a romance series get with for a few episodes, the sexy bad boy to contrast the guy she ends up with. Other guy may also be a sexy bad boy, as is the case here, but he's the less destructive one. As Chandler's mom on friends put it "He's a complication you put in then kill off".
And look that idea.. kinda works for me: Rogue finds someone who an bypass her power and thus it puts her need for phsyical intamacy against her emotoinal connectin wtih remy. It's a good foundtation. The problem is Magneto ... does not make the best sexy bad boy romantic false lead. He's a foxy grandpa, we all know this and accept this. He's got abs for days. Magneto being sexy is not the problem. Magneto has been a sex machine since the 80s.
The problem is the age gap. Rogue is in her late 20's early 30's. Doing the math since the comics have him born in the late 20's, I went with 1928, and subtracting that from 1997, when the show takes place we get
Which is nice, but also means he's twice her age. The two's romantic past is teased at and then revealed later: Sometime in her 20's Rogue took her to magneto.. and there in lies an issue in itself as the timeline for Rogue in the OG is very vauge. She was 13 when she kissed her childhood sweetheart, comaed him, and was adopted by mystique. XTAS does use an adult model.. but more for budget reasons, making it very hard to know when this happened or when Magneto wooed rouge, making many think he was a pdeophile. He wasn't, the writers cleared it up she was 20.. but he still would've been 50 or 60 by that metric. It's still a bad look. I love Magneto but my god is it a horrible idea to have him boink a 20 year old who was also vunerable and hadnt had sex before. Saying he groomed her... isn't entirely inaccurate. She still got out and was older, but he's still old enough to be her grandpa. This was not thought through at all and instead of this possible rugged sexual romance it comes of as
I don't know how the hell they got this far with this storyline but ti's bad.
The actual Rogue and Gambit stuff works better. She wants to be touched and while she was willing to play along with gambit's flirtations, it's a genuinely hard choice between a romance where you can never touche the other person , and not just sexually, and one where you can have that.
Both Rogue and Gambit are trapped in this stupid love triagnle for four episodes, with Remember It paying it off... and while I hate what they did with magneto, the whole focusing on an overwrought romance storyline.. works. With how much it's firing up you dont' see the hammer coming till cable arrives and by then it's too late.
So we've come to Gambit's Death. And it .. is amazing. It was a shock, as I went into the episode blind and while my smug ass had predicted the genoshan genocide would happen this season, there were plenty of hints with the fact genosha existed at all, the sentinal spooky jean dream. But I give it to DeMayo: He had this twist planned, and hits you like a truck.
As for why Remy that's simple: it'd hurt. It'd hurt bad. He was the sarcastic playboy of the team, making bengets in his bitching crop top. As much danger as the x-men get into no one thinks they'd kill one of their biggest characters. And yet.. they did.
His death is perfectly done. Remy gets stabbed with rebar, and rather than go down easy.. he simply cooly delivers his one liner and lights up the whole damn snetinel, knowing it'll kill him and likely the only reaosn he hadn't tried this trick before. There's no way he could charge something up that big and be healthy enough.
Now again Remy could come back, but a sa ghouslish zombie it makes it more platable, a mockery of what Remy did.
So as the recap covers, Rogue handles things poorly, putting all her energy into getting revenge going on a sterling archer level rampage tearing apart the military , throwing Steve's shield into the distance and getting colder and angerier with each action. Instead of letting herself greive she's thrown herself into her rage, and while unlike many a senseless death she can in fact punch those responsible, it's not going to bring him back. She's forced to reckon with this after brain jacking gyrinch, who is summiarly murdered by bastion as a sloppy loose end
But it dosen't help.. but even her brother's support, getting her to greive.. dosen't fix the pain. So when Bolivar trask, who while coerced into it by Sinister and Bastion still has remy's blood and the blood of millions on his hands, reveals he dosen't have anything else.. she lets him drop. And when questonied on it by everyone else, is unapologetic.
It's here I have to give Lenore Zahn all the props. Out of the returning cast she gets the most to do this season, the most challening material and she nails it, nicely oscelating between pure grief and pure rage. The grief she sadly had help with: her niece died and she channeled that grief into Rogues, and it makes it all the more raw and painful. The rage.. is all her and well done. It makes Rogues eventual if brief Heel turn, and a mild one at that, all the more belivible. She hasn't had time to proces and unlike most whove lost someone actually CAN blame someone. It's a miracle Gyrinch made it out of their encounter alive and likely ONLY because the memories overwhelmed her.
So it's not a remote shock when one brief coma later... Rogue joins magneto. There's no romance left, thank god, just pure rage Erik gleefully accepts. She's willing to turn her back on all she's belivied in, a better world, the dream.. because the dream.. let her down. It killed remy, humanity has given barely a fuck after genosha, and humanity gladly funded their extinction. She's done. It's horrifying to see.. but every step we saw coming. The best and hardest part.. is that it's not because she was with the brotherhood once. They put her in her brotherhood uniform from the comics, her first uniform as an x-man there too.. but this is soley because of who she's been as an x-man: The love of her life who she realized too late she was ready for died fighting for the dream she truly belivied.... and all it did was wake her up.
She does fight her friends when they arrive, too blinded by grief and rage to see "wait are we the baddies" versus Roberto who is clearly regretting this decision. But it says something to who Rogue is.. that she turns back pretty quickly. Once Magneto's down she snaps back. You could say this is a bit convient.. but the x-men really don't have time to hash things out with her. She's family.. and not the kind who will lambast you for being part of the woke mob, I mean the kind that's built so heavily, that's such a part of you it's hard to let go. Neither side had trouble fighting, but when the world's at stake and she's had time to realize, Rogue snaps back to being a hero. Because heartbroken , pissed off at the world or a little of both.. that's who she is. There will no doubt be consequences to her actions and more recriminations later. Turning her back on her found family can't have gone down well.. but when they needed her she returned to the side of good and fought hard. Granted she also got to beat the shit out of bastion for killing Remy, so that helps, but it's still nice. And again like with Magneto and most of 97.. things aren't really wrapped up. They knew they had at least one more season. We can unpack those consequences next year in another large review that will drive me to the brink. For now it's a solid ending. So now for
The Summers Piror Howlett Knolastname Love Pentagle
Yes I'm covering 5 characters in one section as outside of morph, whose mostly wolverine's best buddy whose secretly in love with him this season or there for cool cameos, their story arcs for the seasons are entwined with this tornado of romantic drama. even Morphs one real personal moment gets thrown in. Scott apparently go one reality without falling ass backwards into a love triangle, diamond or in this case rhombus. Except that time he was in an open relationship. God I miss Krakoa. They never did fully adress if Wolverine and Cyclops boned. LIke even if it was a threeway they had to have made out once. I mean right? Right?
Anyways this big ole love rhombus comes from a set of complicated circumstances only something this gloriously comic booky could make work, something so soapy only the x-men can rock it. So we open the season with what we thought was Jean and Scott having a baby. This is actually Maddie and for the sake of clarity we'll be using the name. But as I brought up in the recap this maddie is really more a second jean grey: she has all of jean's memories, feelings, relationships, all of it, and had NO idea she was replacing her.
So the first two episodes are about Maddie wanting to try for a normal life and Scott being reluctant. And the reason is simple: He's never had one. His dad is a space pirate, he has two brothers he dosen't realize exist, and his mom was killed by an alien emperoror for refusing him. Being an x-man is his life: charles recruited him from the orphanage at 15. While he didn't have to murder a diamond man in this continuity who charles rescued him from, he still had a life of not being accepted as a mutant with his family presumed dead till his new dad showed up and gave him purpose: A shiny new team to lead that ended up helping him meet the love of his life, a noble goal.
The problem was while Xavier MEANT well, he also trained Scott as his most loyal soldier. He realized too late that he'd made Scott's life entirely about leading, being the x-men being the best because it was all he ever had. Scott was the son Charles never had ,as far as he knew legion could still pop up, and he treated him well.. but he also gave Scott the same singular drive to put the dream over everything else that destroyed most of Charles personal relationships and will again. Despite their own doubts.. the x-men WOULD have been fine without him. Storm has proven at this point she's a great leader, if she wouldn't I'm confident Rogue or Beast would've stepped up. (for the record, Morph dosen't want the role, Wolverine's too much of a loner to lead the team full time even if he has the potetial, Jubilee isn't ready and Gambit dosen't want the responsibility. But he's too busy trying to BE his dad to notice; to be charles: exacting, loyal to nothing except the dream.. but shutting everyone out. The first episode is all about how Scott's let the stick go further up his ass than usual, getting Mad Gambit skipped a mission.. .that they handled fine with just three x-men, one of which is easily their strongest. Logan lays into scott with a purely cutting line that despite Maddie trying to assure him he did fully mean
What Gyrich did was pretty horrible, but you wanna know the worst part about the professor being gone? YOU
Frankly.. he's right. Scott is trying so hard to be charles he can't be himself. We see him doing best as leader during "To me my x-men" when he's being himself: in the opening he's tactical as hell, but respects storm and bishop during the rescue. In the climax of the episode, he has the team work to their strengths and let sthem relax. Scott isn't a bad leader, but had to accept leading isn't barking orders but trusting your teammates while knowing them well enough to use their skills.
Speaking of skills let's talk about Scott's glow up in this series. Now Scott Summers still fucks up plenty perosnally. We've got way more to cover, you've seen the previous seconds, he's a fucking mess. But that's.. normal for the comics. Most of Scott's fuckups are taken from there: Scott emotoinally repressed himself to a painful degree and thus isn't good with relationship stuff. He can love, he and Jean and later maddie clearly love each other, but it's hard for him to open up and actually.. talk about his problems, so he buries them for the good of the mission till they explode and smack him in the face.
97 captures that well while ballancing it with his other sides; Scott can be funny on occasion, gettin ga few good quips, the best being when his son whose older than him complains abou this uniform "what'd you expect black leather" he can be quippy and have fun, while still having severe issues. It's never over the line that it's not scott, but it's enough to reveal the dork underneath the layers of trauma.
Previous adaptations have not been kind to scott. It's why Scott's known as the boring one for most casual x-fans. Even as a kid I thought that. It wasn't till reading Gilleon and Claremont's work I saw what scott could be. Many a writer in and out of comics focus on Scott the tight ass: XCU Scott , despite being played by the talented James Marsden, is a pretty dry guy whose entirely personality is "get your hands off of my woman mother fucccckeerrrrr" and then he dies. The second scott had potetial, but was reduced to Jean guy for Dark Phoenix, and his actor was one of many who had just given up by that point and I still dont' blame them. In the predecessor to this series, Scott isn't as bad but is still stuck to being the killjoy in a cast of more intresting characters, not helped by Jean being so much worse. And wolverine and the x-men makes him into a morose man with a Jean obessesion. YOu get the pattern now: outisde of evolution most cyclops are jean simps with little else to go on. XTAS is better, having episodes focusing on his orphan past and a neat solo episode or two. While he can be dry, the series did try to flesh him out and give him more than saying his girlfriends name a lot. He did say it a lot but he had ore. Evolution got him right before this as while him pining after jean is his main subplot he does get reuinted with his brother, have a close friendship with kurt, and show he IS A GOOD LEADER.
97 on the other hand shows all of scott. He can be funny, troubled.. or a total badass. 97 Relishes in letting the cast show off and Scott really gets to flex. In said first episode he takes out racist with a not joke, uses his powers to clear the field alternating between his optic blasts and good old martial arts for the colose quarters and cumilates it by , when lacking a parachute, USING HIS OPTIC BLASTS TO MAKE HIS WAY DOWN WHILE SCREAMING. This one episode does more to show how capable scott is than any previous adaptation and honestly does more with his powers than the comics often do.
So back to the summary and Scotty let's go, and plans to leave. Then his dad throws a well meaning but tone deaf curveball: he gives the school to magneto, meaning Scott refuses to leave because Magneto's in charge even though everyone's dealing okay and this isn't an evil plan. Maddi'es frustrated, but has bigger issues as during the assualt on the un she goes into labor. The labor goes fine once Rogue steps in and Scott's there for it, and gets a break. He gets to see his son born, Nathan Charles Summers and despite what happened with storm, is ready to move on. He can trust magneto.
Then of course, as usual for scott Life kicks him in the balls 37 times: Jean shows up at the door.
It's here we can talk about Jean and Maddie a bit more. Maddie wants to leave, but i'ts clear from Charles gifting the school to magnus the original wanted to too.
So after Jean arrives, Beast determines she's the original and Maddie isn't. And the X-Men. ... handle this poorly. I've talked about this a little but in one of the weakest parts of the season, they ALL turn their backs on her. They just kinda.. stand their gaping, not really willing to talk to her, and while she could be an imposter.. they don't know that. Someone could've faked it or "real" jean coul'dve been kidnapped years ago. They don't know enough to not say anything and it's weird. I feel Storm was shoed off so early, besides pacing, partly because with all the talk of her and jean as sisters, she'd actually defend maddie.
And Scott.. fucks up the worst. He says nothing WHEN directly asked. When Maddie needed him.. he froze. And this.. all goes as plan as Sinister was banking on the x-mens being immotinally tone deaf and confronts maddie, stealing Nathan and turning her into the Goblyn queen.
The back turning does work a bit though as it makes Maddie's rage, amped up by sinisters brainwashing similar to what he did to morph, entirely beliveable. Her family turned on her despite the fact that, as we find out.. she'ss also jean. She has all the memories, all the attachments everything. And her family turned on her for something she coudln't know. While her reasoning for working with sinister is brainwashing, I suspect he barely had to push to get her to fight her family.
And like Scott.. this series does jean better through both of herselves. Jean also gets the short end of the stick: Her XCU counterpart is pretty good up till last stand, ditto for her second version played by sophie turner for apocalypse and is one of the few bright spots of dark phoenix. But her others... not so much. The XTAS jean was often helpless, screamed a lot and got kidnapped.. not as much as you'd think but still more than someone of her power set should. Jean gets reduced to one of two things too often: a sexy lamp for scott to angst about, or PHOENIX.
97 has her realtionship with Scott AND her status as phoenix crop up, but it's not all of her. We see who jean is, kind, compasionate, well loved.. and badass. Maddie gets to show off first, her fight with the x-men in an old church being a through curbstomp and before that her mind grab of gyrinch. Her using stain glass to fill magneto with holes is the highlight.
It's ironically Jean that beats Maddie, but through said compassion. Jean is in a coma after escaping, or being let go to cause chaos, and only wakes up thanks to Logan. Logan had a not at all subtle crush on jean throughout all of XTAS. it was honestly deeply unhealthy and not really reciprocated. It was implied once she had feelings but that's about it, pretty much lke the comics before new x-men.
Yet now.. things change as what wakes her up is his deep feeling. Am I saying this message is healthy, that just pining after someone's wife and one day they'll notice you? Fuck no, I don't think they thought that through, but a later part shows thorugh all his moping about jean leaving, Logan loves HER, and wont' stop her happy. He could've said he didn't want her to go or done something.. but he didn't. Well Maddie to go but he thought i was jean and so did she
Logan.. is left ot the background in 97. He's not out of focus like Beast, Morph and Bishop, he gets this subplot with jean, plenty of great interactions with Kurt once he joins, and is often his usual surly voice of "just stab em already." he's also happy to celebrate Jubilee's birthday and I feel we were robbe of seeing logan play laser tag and arcade games. This isn't a bad thing as he still gets to snikkt, be put on merchandise (including an x-men 97 i'm wearing right now), and get stuff to do and while cal dod's voices is ntoicably lower it dosen't really hurt his performance any. We get all the wolverine we want.. but he also dosen't take up the oxygen.
Before jean can process that though she has to help her clone, heling Maddie realize she's a person too and has one thing jean dosen't: Nathan. Maddie snaps out of it, she was tricked, we were over this and after bidding nathan goodbye.. leaves. Jean does offer her to stay.. but she needs her own life. Her friends already made it clear they don't see her as jean with their inital reaction, and as far as she knows, Scott would choose "the real jean".
So a month or two passes offscreen
Maddie has moved on with her life: She's joined Genosha's quiet council which has people she knew as Jean but won't constnatly compare her. She's doing something good. She's also dooing scott.
Yeah I mentioned the affair earlier and like I said it's a bit better here: Scott isn't manipulated into it before setting into things and there's more shades of grey. While Scott SHOULD have broken up with Jean, we established from his freezing on maddie in the first place that Scott.. is bad at emotoinal stuff. It dosen't make it okay for either of them, it's clear he realized maddie was still a person and what they shared was still real.
Thing is while Jean's right to be mad at Scott for not just.. breaking up with her... we didn't really get into how much of an asshole jean comes off. Keep in mind sh'es being cheated on with her husband... yet moments before in episode.. she tries to kiss Logan. It's clear she also has feelings for someone else, tried to cheat, and only didn't because Logan knew it'd be wrong. Granted he also projected that her and scott's relationship is going great when it very much wasn't and it's also very weird he just kinda.. tunes Maddie's existance out. There's a second Jean out there and he just.. has no reaction. Guy either has major tunnel vision or really does think he's that unlovable that any jean would prefer scott. Probably both.
So while Jean is right to be angry.. the fact she nearly cheated and what she sasys about Maddie drains the sympathy out of me. She says "Run off to genosha with my clone". Again Maddie had NOTHING to do with what happened to her and was technically with Scott too. I'm once again not saying the cheating was okay, Scott should've broken things off with Jean but was too scared to. It still wouldn't of been great for Jean to be left at bad time in her life... but if Scott is intrested in someone else, let alone another Jean he should tell his wife and actually talk about it instead of waiting for it to blow up. He's honest about how unhappy they clearly are after everything when Jean fights with him.. but only AFTER he was caught. Neither Summers comes out of this looking good: Scott couldn't be fucking honest, and Jean is a hypcorite who unpersons her literal other self simply because it's now convient to do so.
But like most of the romantic drama in this series, genosha hits it like a brick and in a heartbreaking moment... Maddie is wiped out with her son failing to save her. And as we find out later, Nathan has tried this again and again despite knowing it's a fixed point in time. And while I feel weird about bringing up kamar tahj, as it's a wholly mcu thing, I'm fine with this mcu point being added here. The idea some things happen and can't be taken out without destroying time. Genosha is so foundational to this timeline now Cable can't save his mom. And yes we'll be throwing nathan in here too.
Maddie's death wakes Jean up and she feels genuinely terrible for how she thought of her, realizing they were sisters.. and now she's gone. Granted Maddie COULD pop back up, though I mostly feel that's possible since we never saw the body or the death onscren. We saw sebastian shaw and banshee get desntigrated. We saw Remy's corpse and even that's not going to stop him from coming back. I do get the reason for Maddie's death, the suddeness of all this potetial storyline and her whole life going away... but I do hope she comes back as she was a great addition.
Jean and Scott's crumbling relationship is tabled for the rest of the season, their sorta together, but simply don't have the time to talk about how damaged their relationship is. Instead Jean while getting some awesome fights, mostly takes a back seat for
THE SCOTT AND NATHAN SUMMERS DADDY ISSUES HOUR!!!!!!!
Cable is back for the end of days and cold to his dad for sending him into the future. Scott puts all the blame on himself, when he had no choice and Bishop and Nathan got seperated. Scott Summers worst enemy as always is Scott Summers, unable to forgive himself for something he coudln't stop or see like his own dad he didn't abandon him on purpose: Corsair thought Scott died, and Scott had to send nathan away or watch him die.
Thankfully he lightens up as he goes, with the blaack leather quip and all, realizing it's likely not all his fault. It woud've been nice if we had this revelation on screen but still. Scott still has daddy issues to spare though as his dad is back from space.. no not the pirate the psychic bald man.
Charles returns, more on that later, and while for most of the x-men it's a relief, Scott feels once again abandoned and pissed about Charles trying to give him a normal life. Which.. is fair. While a lot of it is Scott almost had one but turns out Sinister would never let that happen, Charles.. coudl've left the WHY he left it to magneto in the will, especially since you know Scott read that thing front to back ten times to try and figure out why Daddy seemingly didn't love him anymore. He also did so without Scott's consent. Granted blaming Charles for Magneto is a step too far as .. no Scotty, erik tried. It was genocide what drove him to try and destroy the planet.
So the couple seperate to go do what they need to do: Jean takes Nathan to go after Bastion, Scott goes into space. And Scotty leaves the season with one more fuckup, if once again one you can understand. When he hears Jean almost die, he stops the team from finishing magneto to give her more time... which results in logan trying to murder Magneto and Erik ripping out his metal. It's something that will likely fester, as it's hard to see Logan forgiving this entirely. Yet at the same time... Cyclops words to logan as he's fighting to repair himself.. make it clear he know who jean REALLY loves now... and it'd break her if he died. "SO live".
Scott in this series is engaging: He's a badass.. but also all too ready to fuck up.. but instead of being because "he's the leader maN" like the past it's because.. he's mortal. He's fallable. He fucks up but it's in ways you can understand from his guitl complex to his issues with charles. He's TRYING to do the right thing but his need to do so combats with the fact life is complicated and mutant life doubly so. He ends the season in a place of peace shockingly.. when thinking he'll die he has jean let him contact nathan, making peace with his son and himself. He dosen't and may get that chance to raise the boy he thought he never would, but I can't wait to see.
So onto Jean, who at the same time had an awesome fight with sinister, throwing a whole bowling alley at the motherfucker. Sinister activates his tramp mutant old man and Cable nearly kills her... but then we get a conviently timed deus ex machina. Now look.. Jean getting the power of the phoenix again.. dosen't make a ton of sense, comes out of nowhere, and is a pretty giant ass pull. That said... Jean collaring bastion and then stripping sinister of his dna leaving him a withered husk, after everything he'd done to the summers family. Cathartic as hell. Jean's story dosen't get a bow or anything, but this series does her well.
So that leaves us with two more to tackle. The first is Nathan whose not in hte love triangle for obvious reasoons but is the result of it. Cable is just kinda there to resent his dad, give us exposition and be a tease for next season. He's played well, fun to watch and that tearjerker with his parents hurts. But he's there. Look foward to seeing x-force next time. Not a super fan of the team but it might mean getting to see sam again.
So that leaves just one more: Morph. Morph mostly sticks to the background, his role early on being "Logan's best friend". But it's a fun role to see as with Nightcrawler not coming in till mid season, this Logan.. doosen't have many friends left. He's sorta friends with Storm, Gambit and Rogue but keeps all three at claws length, figths with scott constnatly, pines after jean and sees Charles as his dad but won't admit it despite being way older than him. Jubilee and Beast are the only ones on the team in the og he really seemed to like and actually admit it to himself. Hank, similar to nightcrawler in the comics and this series, breaks through and makes him laugh and Jubilee is like a daughter to him. Morph was his best friend, the series shows just how close there are and when Morph ran off, Logan ran after him till it was clear Morph didn't want to be found. When Morph returned to the team, Logan helped him face his fears.
So here we get to see them in their natural state... and Morph helps. He instantly sees Logan's pining moping about jean and mocks it, but in a way to get Logan out of it. When it seems like Jean's actually leaving, he offers him beer and when that dosen't work, turns into Sabertooth for a round of horseplay. You see how much care and trust is there.
Morph does get a LITTLE more to do. While their main role is using their upgraded powers to give us cameos for characters they coudln't squeeze into this season, but to tease them for presumibly future adventures in cases like Magik, their clearly rattled by sinister and gets the last laugh when the motherfucker is deaged. When Sinister has the nerve to ask for his old face... Morph gives the new one and clearly takes delight. Morph is great here and Karlak is an improvment over the original.
That said there is a tease for next season as it's revealed Morph isn't just friends with logan.. their in love with him, saying so while shifted as jean to get him to fight on. They likely knows Logan dosen't feel the same way, either because he's straight or simply dosen't feel that way if he isn't but wants him to get better and I hope next season they gets more to do.
Lifedeath: A Love Story
Storm is in a weird place in x-men 97: She's both the center of a major arc, one of the seasons best.. but as a result is gone for most of the season outside of said arc and takes a back seat in the finale, with things being so dire she never gets a chance to react to the maddie thing and being on defense during the raid on Bastion's Islan means she isn't really a factor in the final battle. While most of the team still concious get to kick bastions ass, I don't remember Storm getting ot do much .
That said it ends up working and was sadly necessary: The cast of X-Men 97 is MASSIVE with the main cast containing around 15 major characters, some of hwom are only main for a few episodes but still get focus like Cable or Forge. Even taking them and Roberto out and sticking them in recurring, that's still 13 x-men to juggle. The show does so decently: Nightcrawler dosen't show up till halfway through and joins the team in the wake of Remy's absence, they split the team in two for the big climax with two members having joined team wait to die slowly, they juggle decently with only Bishop feeling like a plot device.
So Storm gets plenty of presence in the first two episodes, takling with Jean and cementing their friendship. It was implied in the original series but 97 does a good job making it feel real in a short time. She calms down maddie (Who both parties think is jean at that point), and admits her own wants to be human once upon a time. It's a good idea to struggle with: that your proud of who you are, but can wonder if it would be easier if you weren't. I'm a proud bisexual, but preferring women and not dating a lot in general it'd be easy to hide that. I never HAD to tell my family.. I just wanted to. I wanted to be who I am. Not every queer person gets that option, and it's that pull of living saftely and being who you are.
And storm gets the option.. in the most horrifyign way possible. Taking the energy ray thing for magneto, she looses her power... and is devistated as anyone would be. For many mutatns their power is a curse: Rogue can't touch anyone, Scott can't look anyone directly in the eye without decapitating them, Beast accepts his but hates how he gets prejudged for what he is. There's even that mole guy from XTAS who gets beaten to death by a mob despite having no powers except looking like a mole.
For Storm it's a gift: not feeling the currents, the weather... it feels like one of her sense are gone. THUNDER, startles her because she can't sense it. It's a metaphor for someone loosing a sense in an accident, something that could make you you like your sense of hearing. I"m not sure I could take loosing mine and loosing music.
So Storm realizes she can't figure out who she is NOW and be an x-man and leaves and finds in a texas bar Forge. As I covered before Forge.. was barely a thing in XTAS. He was mission contorl for bishop, head of x-factor, who he left between series, and helped out during the phallanx covenant two parter.. but really never bonded with most of the x-men or did anything.
97 takes advantage of that to flesh him out: He has a small house with a big lab taking up the basement, left x-factor, has been in the goverment a long time and is clearly attracted to ororo. Their chemistry feels natural here, both strong capable people who are drawn to one another by their free spirits and reliance on their gifts. Forge is everything to him too. He also has lost something and had to get used to a replacement, something not usper called attnetion too but still present in his prosetic leg. Granted this being a superhero universe, his leg is a super leg he built himeslf, but it's still not the same.
As discussed.. he's also the one who in a way is responsible for Storm's predicament. He's able to counter the neutralizer tech.. because he built it. The scene where he reveals it is powerful, and again a massiv eimporvment over lifedeath, with Forge admitting it and his guilt and rightfully being called out for lying.
Unlike the comics though... Storm's forced to work through her issues with forge right away. She plans to run.. but then the adversary shows up, forcing her to fight her inner demons.
It's revealed that desire to be human.. is what's holding her back. It wasn't a thing of the past and the idea she can avoid the cycle of death and destruction that comes with being herself has held her back. The device worked.. but she can't stomach it. Storm has to confront this hidden part of her, something i'm sure a lot of ppeople deal with: a thought about yourself you can't stand because it's so vile.
It's only by facing this and her issues with forge, going to get Daniel a cure, that she can be free from her literal demon and metaphorical ones: while the adversary tries to taunt her.. she realizes she was scared, it was tempting.. but she can't fall to that idea, that dream. Being a mutant.. is who she is. She can hide it but she can't change it... and she dosen't want to hide it. A moment of weakness dosen't make you weak, it allows you to become stronger and Storm soars out gloriously in her 70's costume. Sadly she does try to take a break.. but as we discussed... there's no time for that. But her development allows her to be what she's always been: a pillar for her friends, while acknolwdging she dosen't have to be just that.
Forge is pretty great, taking what I always loved about the character and throwing out the creepy undertones and bits of accidental racisim. His cheyne heritage is present, but not overwrought, he feels genuinely guilty about lying, and in general is a better guy. He's also a setup for season 2 as loosing ororo he tries to carry on her dream... only to find he may be able to save her yet. Also his name is daniel Lone eagle which is neat.
Jubilee and Roberto: Out and Proud, Closeted and Afraid
So for 97 Jubilee got a plot i'm shocked never happened in XTAS: Jubilee got a boyfrined. Part of this might of been a fear of serilization by the editors: Beast's one romance arc, while powerful and painful, was a one off episode, Gambit and Rogue was will they or won't they, and I get the sense they didn't want Cyclops and Jean to stay married after the proposal that ended season 1. The closest Jubilee got was Longshot, and he was still a grown man with hollow bones like a bird and not really intrested in her as more than a friend. Thank god.
So 97 uses this gap to help bring in a new face, one who was totally on the table for the previous series but was never used for some werid reason: Sunspot aka Roberto DeCosta
So cards on the table: Roberto DeCosta is one of my faviorite mutants. Hearing he was not only getting adapted but to the main cast was my main reason for checking out the series before the trailer dropped. Berto has been adapted before, but in very small parts with New Mutants being the exception.. and new mutants is so eh he wasn't really given anything resembling a personality.
Roberto was around before Jubilee as part of the new mutants, Xavier's previous class I planned to cover this mutant month but then this review took several days to get done. The New Mutants were the next generation of mutants, various aged teens thrown together with the intention of guiding their gifts but since the x-men existed, not with the intent of them being the x-men like last time. This didn't protect them from danger but gave us some of mutantkinds best like Magik, Wolfsbane, and two of my other faviorites Cypher, a teen who can decypher any launguage and Warlock, a delightful alien from another planet whose dad is trying to kill him
Warlock can and does use english, and is a good selffriend.
Only Wolfsbane, Cannonball and Warlock showed up in XTAS, as a bulk of the new mutants were out of the picture in the comics at the time: Dani moonstar left, Karma was left in comic book limbo for a while, Magma was written off and Warlock was throught dead but came back during the 90's. Wolfsbane got a voiceless cameo but the other two did get full episodes, Cannoball a decentl set up but badly animated episode about a shady goverment agnecy trying to recruit sam, and Warlock the center of the phallanax covneant two parter.
Roberto was nowhere to be found and thus fair game and honestly a perfect fit: With age fluctuations, Roberto and Jubilee have never been around each other or the same age long enough to date, though now their both nebuously in their 20's maybe Gail Simone will make that happen. Do it gail. Do ittttttt.
97.. just drops him in at 17 or 18, same age Jubes is as by this point. You see why the two click: Roberto is also prideful, fashionable and a smooth talker with tons of sass. It's no suprise he's visting just one episode after this and their making out and implied to go further what's implied to only be weeks later.
Yet they also contast nicely: While Jubilee was uneasy with her powers, by this point she's a proud x-man, in decent control of them and trying to guide Roberto through those rough early stages. She had disaproving guardians when her power woke up but soon found a new family in the x-men.
Roberto... has his birth parents but is dead afraid they won't accept him, something even queer people with the most accepting parents (raises hand) have felt. MY moms reaction was pretty much "Okay good for you", and I was still terrified of telling her, never mind my dad whose argument against gay marriage was "I guess I can marry my cat now". He was also shockingly accepting and at worst told me to make sure I use protection... which feels mildly insulting but compared to the rejection I was expecting i'll take "well meaning homophobia".
Roberto hiding it from his parents isn't taken from the comics.. but tha'ts only because his x gene activated during a football match after a racist winged him. Not for being a mutant, but for being afro latino. And yeap this adaptation once again falls into the trap of not making Roberto dark skinned. It's annoying and there's no excuse for it. Admtiely his skin color DOES fluctuate, but I still wish writers and casting remmbered this.
Anyways, Roberto is terrfied so he avoids the subject, though he sees a cronneberg of his mother during the nightmare sequence in episode 1. Gambit also saw Magneto and Rogue reinacting the finale of society.
Roberto's parents are changed slightly from the comics. Their barely being around for their son is accurate: in the comics his dad was a succesful 80's buisness scumbag and his mom a rainforest advocate. Their marriage could be best described as "He tried to kill her once and failed because the new mutants were around then tried to brush it off to his son as a whoopsie". Here they don't seem to be trying to have each other killed at least, but still aren't around.
One thing that is accurate to the ocmics is tha tin the long run, only one is important. In the comics it was his 80s buisness scumbag dad who later joined the Hellfire Club. Here it's his 90's fundraising scumbag mom. She seemingly accepts him coming out, having figured it out as he set a boat or two on fire. Classic Roberto. She accepts it.. but wants him to stay closted for optics.
So before we get to Jubilee starring daggers at her so hard it's suprised Mrs Decosta dosen't bleed out already, let's talk about Jubes one episode, Motendo. Jubilee dosen't get a ton of devleopment, most of it being simply the transition between series and into adulthood. Thankfully Motendo does a lot in only 11 minutes to give her an arc.
So it's her birthday but Magneto dosen't want to celebrate because he dosen't understand childhoods. Understandable given everything, but as we discussed he's still a tad dickish for his main reason for not doing this: he'd look rediculous. Still bummed we didn't get magneto doing lazer tags
So Jubes throws a fit in her room, as she do, mad at this and all the changes: clones, magneto, morph's distractingly bald head. She wants to escape into nostalgia. It's a nice bit of commentary, especially from a show that exists because of nostalgia yet chooses not to bank soley on it.
So naturaly mojo gave her a video game console and she ends up reliving her past hits. She clearly wants to stay while Roberto is like "babe we're kinda in mortal danger" and only him nearly dying snaps her out of it. Thankfully Jubilee can rescue herself.. or rather Abscissa, a copy Mojo made to playtest the game who both shows Jubilee her full potetial of her powers, a setup for the finale, and shows her living in the past.. isn't great. The future is scary.. but it's also full of hope. So Jubilee leaves, looses her virinity and all is well
Then genosha and that attempt to come out happen and Jubes is back to being pissy, but this time entirely righeously as Mrs Decosta is throwiing a ball , is salty at the x-men for the xavier thing and generally a dick. So Jubilee decides to spend her not mother in laws cash. They get captured.. and instead of defending her son, Mrs Decosta bascially tells him to go with them and had the emp not happened, Roberto may not of lived much longer. It's a horrifying scene and one all too painfully real: sometimes.. a loved ones love is really that conditional.
So roberto dosen't have time to process his pain and anger when Magneto shows up. Roberto joining him does feel less earned than Rogue, as he was more "Scared to be a mutant".. but still makes sense. Roberto knew his mom was ashamed of his gift.. but didn'tk now how far she'd go and hasn't had time to process this before a big scary man shows up and says "let her die son". It's very clear from the confrontation on Asteroid m his mood is "WHAT THE FUCK DID I DO? OH GOD OH GOD" and seems mildly relived to both reconcile with Jubes and get out of that.
He does level up, if offscreen, training before the three part finale and taking on bastion, finally taking on his comics name. While Jubes is served well enough by the season, though I wish she had more outside her boyfriend, Roberto's arc feels mildly rushed. They can do more going forward with my boy, including a possible evolution into the strategic badass with a love for the mission impossible theme he is now in the comics, but Roberto's one of the characters who got whacked hardest by the writer having to cram all this story into 10 episodes, knowing they'd likely only get 30 max and only had 20 to start. Roberto isn't done dirty but he could do more and hopefully his and JUbes mia status leads to that next season. So speaking of doing more
And the Rest
We have three x-men left over, all great but all out of focus.
We'll start with the boy: I love beast, and this series dosen't write him bad, he still quotes stuff and is voiced perfectly and gets to hyjack robots twice... but it's also very obvious they didn't have much for Hank to do, and thus one of hte best x-men gets sidelined the most out of the cast. He gets a sorta romance with Trish Tilby which is nice, and frankly her turning into a robot and trying to strangle him is an upgrade from her comics self's excuse of "I don't want to be accused of bestiality because you look like aslan now". Still while Trish is left in a robot coma, and we can find out if she willingly consented to being a murder robot and is thus a racist poc or if it was just bastion spreading it around next season. But frankly i'ts just kinda there in a seaon that already has a romantic subplot for every damn x-man. I'm hoping season 2 gives hank an actual plot ,they really dropped they ball with him.
They never even picked it up with Bishop, whose there soley as a plot device. In previous apperances he was fleshe dout and had a goal. Here he's just waiting for Hank to fix his ride. We never find out WHY he's in the past, why he and cable got sperated, and why it took him as long as it did to come on back. I know season 2 will fill in a lot but while he gets a neat moment or two with his powers, Bishop feels like he's mostly there because fans wanted him to join, but the creators only had two episodes of material for him and couldn't write him out because he's needed to get rid of nathan and set up next season. Like Hank he deserves WAY better next season but given he'll likely be integral to rescuing the others, we have a better gaurantee than hank.
Next is one of my faviorite mutants, the man, the myth the fuzzy, it's nightcrawler. And Kurt fans.. we ate good here as while Kurt's only in half of the series not only does he finally join the team in this continuity, he finally picks up a sword. See XTAS focused more on Kurt's spirtual side, which has always been present.
XTAS choose to simply focus on that over kurt's other aspects: his fun loving nature, razor sharp wit, his love of old errol flynn movies, his love of swordplay and adventure born out of that love, dating his adopted sister for several years in universe.. okay maybe that last part can go die in the heart of the sun.
It wasn't a bad take on kurt: It still got his friendship with wolverine and kind empathetic nature in, with as we discussed him trying badly to save his racist brother when most would understand not trying to redeem the guy trying to kill you for what you are. The fact the religious angle was present at all was groundbrekaing for the time and something the Lewalds had to fight the network for.
So 97 keeps him as a preist and former monk, but also allows other aspects to play out: being on krakoa allows him to be more playful and being with the x-men allows him more opportunities to kick ass and triple wield swords using his tail. As a result 97 continues the good groundwork.. but getting Kurt out of the guest sport allows him to be a fuller kurt wagner. He dosen't get a romance subplot because bigger things are hapening and we already have 10 of those, but otherwise he gets to be both a man of faith who can scare dracula and a swashbuckling elf.
He also gets to be the heart of the x-men like in the comics: while Storm also filled that roll in the comics, Kurt was often the voice of peace and a bridge. When Colossus broke up with Kitty Pryde because he found someone who wasn't 13, thank god, Nightcrawler went with him when Wolverine took him into town for a drink to make sure no one got stabbed. Here he helps his sister best he can, helps logan and jubilee process their grief and is there for his friends. I can't wait to see how he meshes with the rest of the team as asid efrom rogue most of the group he's stranded iwth in ancient egypt are characters he hasn't got to interact with in this continuity. Also seeing him join the main credits... god that felt good.
Finally we have Charles. Charles is only around for a few episodes, and the show's handling of him is mixed. The characterization is spot on: he's kind, open and can't let his students go, wanting to relocate his girlfrien'ds bird colonlist empire to earth, something even she knows they'd never accept and gently turns down. Like scott he puts his duty over his life. He TRIES to reverse it, and get the brain wipe.. but he loves his kids too much. He's willing to try for a new life among the stars, but he won't give up his students. He will howeve rschool birds in colonlism, pointing out the empire just takes and homonginzes like any empire. He also stuffs an apple in his sister in laws mouth. Charles is great in his intro.
The issue is.. the first part of the series dosen't clarify if he's dead or not: Scott has his death certifcate, the world thinks he's dead, and Magneto acts like he's dead. They KNEW Charles was coming back, so while the world thinking he's dead is fine... there was no where they could hint at him being in space? It is a nice swerve he's alive.. but it's confusing as fuck for people who haven't watched the original. They explain he recovered but it's a bit much to go from Genosha to "Charles xavier in space with his bird wife". I was numb to it because i'm used to how weird as shit the x-men are. I Proudly reviewed the time they fought dracula and almost did again. But my good friend @jess-the-vampire was deeply confused and I can't blame her. The shows accesible for the most part if you know the broad strokes of x-men... but the shows and films after x-tas leave out the weirder shit so ther'es no aliens or demons. So introducing the shiar is a bit much to take. I"m not saying leave them out, I MISSED that weird shit, but maybe mention them offhand. It'd still be weird a sfuck but we'd be expecting them at some point. It spoils the suprise but when the suprise takes most of your audience to google to find out what th efuck is going on, it's not worth it.
It also takes some of the sting out knowing he was alive. That said him being alive wraps around well as it also means Charles..c an't just avoid his actions. Like Scott and Ororo, he throws away his chance at a happy life away from strife to go help the x-men. And Scott is there to yell at him for it. He meant well with the will.. but his refusal to explain just hurt his son and it's a rift that hasn't quite healed and will likely fester in season 2.
Charles is decent here though. Ross Marquand is good in the roll nad after years of seeing xavier at some of his worst in the krakoan age, it was very nice to see Xavier be a kind mentor and idealist again. No secret deaths or enslaved danger rooms. Just a man hwo can fuck up but means well. And is also very much in love with his best friend and arch enemy. And that's lovely.
Humanity would rather DIE than have kids like US!
So we've come to our final character section
Yeah this review.. has been a lot to put together. Bastion is our big bad for the season, but hides for most of it, only vaugely hinted at in Lifedeath Part 1 before his debut in Bright Eyes.
It works incredibly well though: We have no idea the goverments funding him or that the sentinel program is even THAT robust. We ssee Trask with a few leftovers, the hint someone's funding him, but that's it. It seemed more likely Sinister was the mastermind.
But that lack of info is what makes him terrifying: out of semeingly nowhere a man the x-men had never heard of creates an entire shadowy genocide operation. It has the same effect Cassandra Nova did in the comics, this new big bad coming in and having been there far longer than they could've prepared for. It's hard to pull off but x-men 97 does so with style.
What helps is that Bastion like the best x-villians is given layers. In the comics they tried this a little with his mother, but mostly defaulted to hateful racist man. Here he's still hateful racist man.. but the chilling kind who tries to make it sound resonable. A shouty demagog is angerous sure, at the time of this article one is running for president again. But someone who appeals to the "logic" in hatred, the petty fears of people without just screaming them is often more terrifying. Bastion is the project 2025 to the friends of humanity's january 6th: changing the system to destroy it for those he deems lesser.
Bastion has a smooth demanor, the perfect counterpoint to our heroes: he's cold, calculating and dosen't care who dies as long as among the bodies are mutantkind and the rest made into slaves. He makes big speeches about how right he is, smugly assured he'll win.
Yet behind all this.. is a pile of self loathing. Due to being flooded with nimrod, Bastion is essentially a mutant himself. He may not have an x gene far as we know, but he's technopathic, had bright red skin, and was ostracisted. He's not much diffrent from our heroes.. yet his mother refusing charles help meant Bastion never realized mutants weren't that diffrent and let himself become a monster, become what the sentinel programming wanted: the perfect weapon. Like many a far right extremist, bastion becomes what he is because he's lashing out and found an echo chamber telling him he's right. IN this case it was robot programs in his brain but still.
Bastion is not forgivable. Scott tries to get him to join the x-men.. but this feels unwiedly. Well meant, but given all he'd done, no way in fuck that should happen. But I get the point: To try and save the villian rather than let them die. Bastion committed genocide.
Yet he's pitiable.. his last words are "Humanity would rather die than have kids like us!"... the truth laid bear.. he did this not because deep down he thought humanity was superior, he tried to hyjack them, or the sentinels were.. but because he hated what he wasand coudlnt' stand people who were happy with who they were. He couldn't stand being a mutant.
Odds and ends
A few last things before we go. Chris Britton's sinister is great nad terifying. Good stuff. He steps right back into it easily.
I loved all the various marvel cameos. From Spidey, both in and out of costume, to iron man, to cap it was nice to see all corners of the marvel universe. I especailly loved getting a zemo cameo.
I do wish we'd gotten an actual pperance of magik as somehow between the og and now, she's both now a teen and has been kidnapped by demons and all that. Probably setup for next sesaon.
Cap's a bit of a dick here. While yes in the 80's and 90's, cap would abide the goverment more, this dosen't feel like a thing he'd hold back on. He DID quit over trying to exert more contorl, he'd work that red tape.
Conclusion:
X-Men 97 is excellent, both in i'ts own right and as a love letter to the x-men. Well scripted, animated and acted, it's the best of the four x-men animated shows and possibly the best adaptation of the work. This is a true masterpice and while it took me nearly a week of work on an doff to get this done, it was well worth it
Next Time: Kurt Wagner finds out he has too mommies as we look at x-men blue origins
#x-men 97#x-men#wolverine#cyclops#jean grey#storm#magneto#bastion#rogue#gambit#forge#comics#animation
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Alright, breaking out of my procrastination bubble to finally do:
Alya MTS!
As per usual, the four categories:
1. General Info
2. Personality
3. Key Relationships
4. Character Growth
1. General Info
I kinda feel like I should preface this with a massive “hear me out”, because her character goes in a VERY different direction from most Alyas.
Not only does she only become Marinette’s best friend at the end of season 2 (as both characters have a lot they need to do first), but “Alya the fangirl” isn’t really a part of her MTS character. She still runs a blog, but it probably won’t be titled “The Ladyblog” (which is sad, because that name is ICONIC), because she focuses on the two heroes pretty equally, and doesn’t want to seem “unprofessional”.
Basically, we took the “Alya is sometimes presented as the practical voice of reason character” and “Alya initially wants to find Ladybug’s identity”, along with the MTS LB and CN getting into some mishaps early in their career, and made her much more skeptical and critical of the heroes. She doesn’t think the safety of the city should be placed in the hands of two strange teenagers (she especially doesn’t trust Chat Noir, since his power is pretty dangerous and he’s pretty reckless with it at first) and wants to find out all of their secrets. Is she in the right? Not completely, but she isn’t 100% wrong to have criticisms of the heroes either.
She fills a pretty interesting role in the earlier portion of the show, where she is technically an (initial) antagonist to the heroes, but isn’t a bad person (in fact, she’s fairly altruistic), as a contrast to Chloe (Marinette’s initial civilian antagonist) and Felix (Adrien’s initial civilian antagonist) who are more morally grey/not concerned with doing “the right thing”.
This is also a bit more of a minor note, but while Alya’s family still moved to France from Martinique, they did so much earlier than they did in the original, (likely when Alya was around ten), so she has lived in France for a few years now.
2. Personality
As I mentioned, this iteration of Alya is a bit more grounded, and tries to be logical and mature. She cares a lot about morality, ethics, and safety, with helping people being her top priority. Her fixation on the truth extends to this, as she believes that knowledge is the only way people can take care of themselves. She’s still very passionate, but tries to direct her energy into trying to be a “legitimate journalist” and often forgets to just let herself be a kid.
Her viewpoints do lack a bit of nuance at first, as she doesn’t realize how important secrets can be, and can get a bit too caught up in her own judgments (in hindsight, MTS Marinette is a lot more understanding than her canon counterpart due to her new backstory, while MTS Alya is kind of the reverse). It’s worth noting that a lot of Alya’s more intense traits are amplified by her fear. Having your city bombarded with demon butterfly possessed supervillains with your only source of protection being mysterious animal-themed teenagers with overwhelming power isn’t very good for your mental health.
Because of these fixations, she often struggles with the more “normal teenager stuff” like friendships and romance. Her blunt nature also makes it difficult to socialize, but her earnest, loyal, honest, and slightly awkward demeanor make her quite endearing once you get to know her (this might not be completely essential to one’s understanding of her character, but MTS Alya does fall somewhere on the autistic spectrum).
3. Key Relationships
Marinette: These two have occasionally crossed paths in their more recent years (Nora would frequently take Alya with her to the same gym Kim and Marinette go to together), but never really noticed each other until now. Alya mostly sees Marinette as the kind but nervous girl who sits next to her, and is especially worried about her safety after Alya realizes that her “new best friend” Lila is bad news. Marinette is still pretty nervous about Alya finding out she’s Ladybug (although she’s stopped trying to find out the heroes’ identities at this point). After the two (unknowingly on Alya’s part) take down Lila and stop her villainy, the two become proper friends. Marinette helps Alya get more accustomed to the more casual aspects of being a teenager, and Alya helps Marinette begin to recover from her friendship issues. They help each other let their guard a bit more, despite both being such high strung individuals.
Nino: Unlike the original show, Alya and Nino never have a romantic relationship (no hate on DJ-WiFi, the MTS iterations of their characters just aren’t compatible romantically; believe me, we tried!) but do form a strong bond nonetheless. They do get to a rocky start (as Nino mistakens Rena Rouge for Volpina and tries to take her down as Carapace), but after better understanding each other, they team up and build a friendship. Nino makes Alya realize that she doesn’t have to be responsible for everything 24/7, while Alya shows him the importance of putting more effort into things (besides his brother and heroing). Their differing personalities balance each other really well, and while they aren’t hero partners (Nino’s a lone turtle), they work really well as a team.
Chloe: They start off with a small rivalry (which I alluded to in my Chloe post), but quickly form a common enemy. That, alongside Chloe’s arc about caring for others as an actual hero, and Alya’s arc about being more patient with others, and they have a lot to offer each other. For these reasons (and then being the only two heroes with public identities), they are a superhero duo much like Ladybug and Chat Noir. Though Alya gradually accepts Chloe’s dramatics, she doesn’t tolerate her slacking off or making things about herself during an active threat to the city (has the energy of “she’ll fix herself if she knows what’s good for her”). That being said, she does come to enjoy Chloe’s peppy nature and (surprising) ability to be supportive. (However, Chloe’s attempts to get Alya to take “spa days” with her and “treat herself” are met with a mixed reception!)
Lila: Fox versus Fox, Lila and Alya are full-on archenemies. It starts out with Alya simply getting slightly off-putting vibes from Lila, but when she discovers she’s Volpina (after managing to obtain her miraculous that got lost in a fight), she does everything in her power to get her exposed. Likewise, Lila is doing everything she can to get her miraculous back and ruin Alya’s life while she’s at it. Lila coming off as a sweet girl with a lot of friends while Alya’s initial hostility to the heroes and accidentally jarring personality do stack the odds in Lila’s favor, often leading to severe consequences, but Alya is eventually able to team up with the other heroes to take her down. Though Lila is taken into custody, she manages to escape with a dangerous vendetta against Alya…
Other key relationships include her family (particularly Nora and her mom), the heroes (duh), and Zoe.
4. Character Growth
Her main arc is pretty apparent by now. She generally needs to learn to not jump to extreme conclusions when she doesn’t have all the information, as well as be more accepting that people have their reasons for not sharing everything. The two main sequences that help her learn this are her Alakumatization and the Lila/Volpina experience.
Alya gets akumatized when an akuma she captured (attempting to study it to find more about the source of the problem) escapes and corrupts her. She also tries to end the akumatization when Hawk Moth orders her to potentially endanger civilians, but his control over the miraculous (and her) are too strong. After being deakumatized, Alya is a bit more careful in her investigations, and a lot more willing to hear the heroes out (while Alya doesn’t remember being an akuma, just the knowledge that she was corrupted, and the video footage of her as a villain is enough to rattle her).
When dealing with Lila, Alya tries to take the direct approach, both in trying to publically confront Lila for her crimes and by telling the city that she’s the hero Rena Rouge. This inevitably backfires when Lila manages to use her manipulation to avoid being found out and getting Alya in trouble instead. Lila also teams up with Hawk Moth to target Alya’s family, even managing to get Alya akumatized into Vixen Vermillion at her lowest point. She does overcome this, and becomes a lot more tactical with her knowledge in the future. (Alya’s development into tolerating secrets is completed when she finds out that Nino is Carapace, but keeps his secret). She’ll also rename her blog to “The Miracle Blog” after forming a proper respect and camaraderie for the other Miraculous heroes, and shifts from trying to expose or criticize Ladybug and Chat Noir to simply posting any relevant information needed to keep the public safe (which she was doing in the first place but now it’s more of a focus).
Alya also gets the smaller character progression of relaxing a little more, both because she feels safer with her fellow heroes and due to her new friendships helping her appreciate the smaller things in life.
Conclusion:
And that’s a wrap! I know that she might seem a bit odd for an Alya, and her slightly more difficult tendencies may make it seem like we don’t like her very much, but not only was the shift away from her original character intentional (we realize how different we made her), it was not meant to salt on her in any way. On the contrary, we wanted to give her more of a story as her own character, not basing her entire life to revolve around someone else (heck, sometimes she feels like the deuteragonist to Ladybug and Chat Noir’s co-protagonist statuses!). This is particularly what I mean when I said that us rebooting the characters often drastically changed up their original personalities and roles (like many reboots do). Not to hate on what they were, but to tell a different story.
After this I’ll probably explain the new Tikki and Plagg personalities, roles, and development. Then maybe explain the MTS Love Square after that. Thanks for staying patient everyone!
(One more thing: I’m also releasing Alya’s akuma design shortly after this post, so if you enjoy seeing character designs, I’d recommend checking it out!)
#miraculous ladybug#miraculous reboot#miraculous: the series#miraculous rewrite#alya cesaire#ml rewrite#ml analysis#She is so so important and cool you guys#trust 🦊#rena rouge
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I didn't really know where else to turn to, so I thought I'd come here? I hope that's okay! I'm a questioning endo sys. I know very little about the community but I'm fairly certain I have headmates. I don't know what's going on with me, where they came from, or how to handle myself now. I was hoping for some input and advice. I'll try to list my experiences as concisely as possible! Thank you so much
I created some ocs recently. The more time I wrote, drew, and thought about them, the more they started to develop minds of their own. Sometimes I can feel their presence, but not all the time. It's like they come and go. I can't tell if they're far away in the back of my head or if they like, phase in and out of reality??? I don't really know how to put it. I do still have headmates, though, as far as I can tell. Even if it isn't 100% of the time
Sometimes, they communicate a little bit with me, completely without my input. They communicate with ideas that I can intuitively understand, rather than clear cut words. Also, I've always remained in full control of my body. We don't switch. I can't tell if I'm in the early stages of developing thoughtforms, or if I unintentionally soulbonded. Or a secret third thing. I'm autistic and I already dissociate, so we have the potential to be multigenic?
But yeah I have absolutely no idea what's going on with me or where my headmates even came from, really. Sorry if this isn't your area of expertise either. It would be great to have an answer, but even if you could just give me some advice, or point me in the right direction on what to research, or something like that, I'd be so grateful.
Hello! Sorry for the delay in getting to your ask. It does indeed sound like you're plural, and that you may be a soulbonder. (Their coming and going sounds like something we've heard soulbonded headmates do in other systems.) We can't say for sure though, since we're not you or a part of your system.
We have some soulbonding and tulpamancy/thoughtform resources if you'd like to look deeper into it:
Fictive Kin- Resource on soulbonding and fictionkin
Soulbonding Info- carrd on soulbonding
Tulpa.io- Resource on tulpamancy and plurality
Tulpa.info- Information on tulpamancy (may be a bit dated)
Kinhost: Multiplicity: The Missing Manual- A resource on how to get along with headmates (useful for all systems really)
Hopefully this helps! Again, sorry for the long wait!
#endogenichaven#plurality#actuallyendogenic#endogenic#endogenic systems#asks#positivelyplural#endogenic system#plural community#tulpamancy#thoughtform
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Hii! Numbers 40, 46 and 3 (fave era of motley crue) from the music ask thing 🫶🏻
hehehe thank you for asking
40. The best album title
has to be Legends from Beyond the Galactic Terrovortex, on specificity alone. at least from the top of my head. i love me a good silly evocative title.
46. The most unknown band/ artist you know
god. difficult question. i can cheat and answer french bands so that they'll be a magnitude more obscure to everyone else i guess.
uhhhh Banane Métalik is a good one, I feel like I keep bringing up their Murder Party song in all these ask games though. Les Rats is an older punk band that is def not my generation so I don't know, they used to be more popular but not very? I think. Camion Bip Bip seems to be a pretty recent one I discovered a couple days ago and it's fuuuun I love the instrumentals
Of all the local band @robinsnest2111 talks abt I've listened to Crystal Steel and it's p good, they're still fairly obscure I think (rooting for them from afar tho)
I'm not much in the local scene so far. I know a bit about a few bands and artists, but not much, and idk if I'd want to put that info out there lmao
3. The best ‘era’ of Mötley Crüe
sue me but i like Shout At The Devil. is it perfect? no. but the bangers on it are BANGERS of the highest order. (can be said for any crue album tbh but i like the vibe satd has. angry music my beloved.) and the OUTFITS they had, lord above. incredible artistic direction if i'd dare call it that.
i realized it said best not favorite. uh. i'm not qualified to judge that. dr feelgood probably, objectively.
tyyyyy <33
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okay i've used the word homophobia to talk about a specifically bisexual character too many times recently, so let's talk about potential manifestations of specific *biphobia* in asgard.
please note that i have done no extra research on this (yet?), i'm just extrapolating from what i know about historical ergi stigma (and what i've already extrapolated from not very detailed info on that!), so this is firmly historically *inspired* fantasy territory.
i'm going to leave aside the matter of gender-conforming stone top msm for the moment, because while they are a group who Exist, they're pretty distinctly queer by modern western standards and straight by asgardian standards, which is kind of messy and not the central point here. (also, top/bottom/vers is not a question applicable to all possible sex acts, so the exact requirements of your stone top no-homo-ing are unclear; and the question of identity based in action vs identity based in desire is also possibly complicated, imo a lot more complicated than people tend to give it credit for... it's just super messy okay.)
instead, as the closest equivalent to "bisexual men", let us consider men who a) are definitely queer by asgardian standards (feminine and/or interacting with men as a vers or bottom) and b) are interacting romantically/sexually with women.
a number of possibilities for an asgardian opinion on them:
1: modern-style bi erasure. pffft, this relationship is clearly fake. a queer man could never be a REAL partner to a woman, so either she's covering for him out of pity or he's fooled her.
on one hand, i feel like this is slightly less likely than in the modern day, because it does seem to centre attraction as definitive of queerness, and hence the idea that you can only engage with one gender. on the other hand, the idea that queer and straight men are deeply, fundamentally different with no overlap is very affirming to straight men. so perhaps this could still be one manifestation.
1b. bi erasure specifically through inadequacy. it's not that we don't think queer men WANT women, it's just that they'll never be good enough for them. maybe he's got her fooled for now, but she'll realise soon enough.
these two options mostly invite ridicule, but could escalate into violence towards either partner to try and "prove" what a "real man" is.
2. a sense of threat / unfairness. women are only meant to like masculine men, but this feminine man DOES have a female partner. how? why is this feminine man reaping the rewards of masculinity?
2a. in which the fem man is a usurper and a sinister, dishonourable threat who is stealing/corrupting the woman. the woman is assumed to be victim but probably also victim-blamed, like an antieffeminate spin on the "woman hate nice guys" trope.
2b. in which we do Gender Arithmetic and decide that a fem man could only possibly be partnered with a masc woman. now the woman is the sinister usurper of masc/male power, and the man is the weak/foolish traitor allowing it. in theory, this relationship would be comedic, but actual examples of it would be extremely threatening.
this also raises the most interesting possibility to me - an attitude parallel to modern mononormativity, but instead of claiming that you can only truly be attracted to one gender, it claims that you can only truly play one gendered sexual role. a queer man must ALWAYS be a fem sub bottom, whether his partner is a man or a woman - so a man being queer proves a male partner of his straight, but makes a female partner appear queer too. which from a modern perspective is pretty wild!
anyway. these two options frame the relationship as a more direct threat, and as such, are more likely to result in violence (or to result in it sooner, or worse.) this is especially true if both partners are being interpreted as queer here.
lacking any historical info as pointers, i feel like all of these options are fairly plausible. and all, independently, pretty fucked up.
i'm not sure how to wrap up this post, but in general, when considering ergi stigma, i think it's important to account for the fact that (perceived) gender expression is central, not attraction, so being in an m/f relationship is not necessarily going to do much to protect you. which is also true of modern real-world biphobia to an extent - people can and frequently do experience biphobia in m/f relationships, and i'd be willing to bet there's at least one modern real-world example of every single specific attitude i described here, even if they're not all common. but the irrelevance of relationship status does bear repeating, especially when the central definition of ergi is often euphemised as "passive homosexual". like, yes, but no. it's not just about that act. it's about the gendered implications of that act, which, once acquired, can set you apart forever.
#space viking tag#meta#s: myth + history#(tangentially)#th: worldbuilding#(bc i am just making shit up now)#th: ergi#th: gender + sexuality#ch: loki#(not directly. but he is the fem bi man who prompted these thoughts)
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I’m finding myself feeling incapable of mastering skills, what I do never feels good enough because I’m constantly looking at other people who are more successful at certain things than me, often times younger too. Not just with art but storytelling, my job, all of my hobbies, I have nothing I feel is at a professional level. Like with my job I have no idea how to learn all the info I need to know, I know I just started fairly recently and coworkers who have been there for years still constantly ask the supervisor for help, but I can’t help feeling useless when I hear one bring up something we can offer that I had no clue about. And my phone issue gets in the way so bad, I wish I could just make a phone call without needing anxiety medication and a lot of prep for it.
I also feel like I’m not THAT smart, I’m pretty surface level smart and I remember a lot of hyperfixations but I can’t remember shit outside of hyperfixations half the time. I’m maybe below average at solving puzzles and a fast enough typist to be fast but not enough to be considered good enough for a job that needs fast typing. I might pick up on things in shows and movies but usually not as fast or as much as other people might. I understand computers enough to follow directions but not enough to solve bigger issues.
Just
Blah
Sorry I’m really depressed right now because I can’t really draw anything without my art programs set up properly.
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Chapter 6: The Decay of Our Lives (#9)
With my socializing done for the day—or week—I resume my file cabinet quest. At least it’s not too drafty in here, even if the silence has a weird pressure to it.
“And maybe the next time I talk to someone, I won’t accidentally bring this stuff up.”
Not that the young master shouldn’t be able to see me in here, anyway. But they've given us some leeway when it comes to the non-murder stuff. If they don’t think it’s a threat to them, then they won’t bother interrupting.
As to whether I can outsmart them with info they don’t mind me taking...
We’ll just have to see.
“All right. Where was I?”
I keep jumping around avoiding people, but I should probably go ahead and check Kaichi’s before I start on the third drawer.
Then I’ll have to figure out how to strongarm my way into the last one. I’m sure I could do it with help. But should I really be talking to anyone about this if I don’t have to?
“I’ll worry about that when I get to it.”
So. Kaichi.
I pluck up his folder without further ado, take a deep breath, and open it up. Some normal, basic stuff—his recent grades are all over the place, but I don’t know how you could fairly compensate for his condition in a lot of subjects.
“Speaking of...”
Not much in the way of actual hospital documents here, but I’m sure those would be some legal nightmare to get. Still a few articles, interviews, doctor’s notes for class—enough to verify he wasn’t somehow faking that.
Past that are academic journal articles with his name in the credits in some place or other. The studies are all so specialized I can barely decipher anything from the jargon, but I get some kind of gist. Nuclear medicine stuff.
I aimlessly flip through pages, but that’s about all there is here. A few footnotes on his dad, but nothing that makes me think he’d put his son in a killing game. I silently slide the folder back into place.
So, pretty much what I expected to find. All right. Moving along...
I shut the drawer a little more forcefully than intended and wince. A glance at the door tells me Monochap hasn’t come running over, at least. After opening the next drawer more carefully, I slip its first file out and just hold it for a second.
“Kazusuke...”
If I keep hesitating at every dead person, I won’t make it far here.
It’s just disorienting. How long it feels like since I’ve seen him alive. If I based my estimates on that, we may as well have been locked up here for a year.
Will we be here for a year? If we don’t jump at any more motives...
“WHO is making a RUCKUS in here?!”
I jump at that instead, chucking Kazusuke’s file back into the drawer and slamming it shut. Which I guess would not endear me to someone who didn’t like me making noise.
“You’re making about as much of a ruckus as I am.”
Ichiriki ducks his head inside without leaving the hallway.
“Well maybe I wouldn’t HAVE to if YOU would let me CONCENTRATE!”
“Concentrate on what? More murals?”
“NOT the best surfaces up here.”
“As a matter of FACT, I was trying to find a way OUT of here!”
“From the fifth floor?”
“YES!!”
“.........”
“For your INFORMATION, there’s nothing left above us but the ROOF. So if we WANT to break through without anything COLLAPSING on us, this is EXACTLY the floor to be on.”
Well, that kind of makes sense.
“Wouldn’t you have better luck at the stairwell? Surely it’s designed to go to the roof.”
“Shows what YOU know! UGH!”
“Not an awful lot when it comes to you, that’s for sure.”
“I’m done making noise if you want to get back to work now.”
“OH? Just trying to SCARE me off now? RIDICULOUS!”
“That you are. Do you want to find a way out of here, or keep complaining?”
“Maybe I wouldn’t HAVE to keep complaining if YOU people would just—UGH!”
He finally storms off in a flurry of artistic rage.
“.........”
A few seconds later, he storms past again, this time in the direction that actually has rooms we can access.
“........”
I’ll just get back to my thing.
I slide the drawer open and dig Kazusuke’s file out from where it fell to the bottom. Maybe I’m a little distracted browsing it, but I’m not noticing anything of interest. Races, biodiesel. A few notes on his parents, who are in fact serving a great deal of time for drug dealing.
“.....”
Guess the chemistry affinity came from somewhere.
At any rate, nothing suspicious for our situation. I replace the file, actually hanging it on the runners properly this time, and...
“Wait...”
My fingers hover over the next tab.
“ ‘Kiiko’...?”
Who on earth is Kiiko?
I snap up the folder like it’ll vanish if I'm too slow. It doesn’t, but it doesn’t feel too hefty, either.
“Did someone already empty it?”
Maybe while I was distracted yesterday, Tsunyasha—But no, I had a completely different drawer open then. She couldn’t have. In which case...
“Or I can actually open the folder instead of just assuming it’s empty.”
I do that. And while there aren’t, in fact, a lot of papers, there are some.
“Right. Okay.”
Still doesn’t mean nothing was taken out, but... Anyway.
“Kiiko Senade, Super High School Level... Kuroko?”
The term sounds familiar, but I can’t quite place it. There are some articles about a kabuki troupe in here, but none of them actually mention our mysterious student. Some photos of the actors, but no one I recognize.
Is Kiiko even someone in our class? Someone who was supposed to be here?
“But the building only has sixteen dorms.”
If it’s not one of us, then someone would have had to replace them outright for this little misadventure.
“...”
I’m getting ahead of myself. It’s probably just someone who uses a different name. Which, considering the file tabs I’ve seen so far, would pretty much be down to Tamiko or Tsunyasha, unless bento arrangers use stage names these days. And I don’t have any real doubts about Tamiko or Yuki’s talents.
“Oh—or Mary Jane.”
Could that be an alias?
Not like it doesn’t have a meaning of its own, if you wanted to pick something based on... what? Weed jokes?
“Am I really considering Mary Jane for our criminal mastermind?”
We’ll see how plausible that sounds after I’ve actually looked at all of the files. For now, I'll note it mentally and keep going. Next is...
“Kokoro...”
I take the file out and open up to the demographics page, but half of my brain is busy seeing her body in the art room all over again and the other half is still buzzing about Kiiko. Nothing right in front of me is registering.
“Maybe it’s about time to break for lunch...”
Can’t say I’m hungry, but I guess it’s getting a little late... Might as well see what I can manage.
I carefully replace Kokoro’s file, lock up, and head out.
[BACK] [NEXT]
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unless i have really confused myself doing some internet research - and if i have please do let me know! - the lice thing isn’t a biden-era change. the only news coverage i could find were very similar articles from the past week or so from some local fox affiliate & yahoo (and the yahoo post was cited to nexstar, which… has some kind of complicated business relationship with fox affiliates it’s too close to my bedtime to figure out), both of which linked to the cdc’s current page on lice info, which is dated to feb of this year. this struck me as weird (the lack of coverage, the presentation of “news” in august that happened in february) so i used the dated search function on google to search for info from before 2020 and found this page:
which contains a document with lice guidelines saying kids don’t have to be sent home early with lice that is marked as being last updated in 2015:
i got curious about whether i could find a moment from before this represented the guidelines. searching before 2010 didn’t bring up any cdc pages in the first could results, but did give me a cdc pdf about lice and summer camp that contained what used to be their lice-related homepage. courtesy of the wayback machine, here’s what the CDC was saying about kids at school with lice as of june 6, 2008:
in other words: don’t send a kid home, they can stay at school, get treated that night, and go back to school the next day without worrying if they still have nits. the policy being presented as “new,” but actually in place all the way back in 2008. link to the captured page so you know i am not fabricating screenshots:
i don’t really have a stake in the question of what the ideal lice protocol is (and many schools clearly choose to be more conservative either out of caution or because they don’t want parents yelling at them), but i decided to make this post because this is a not uncommon form of misinformation in the attention economy (not accusing anyone in this reblog chain of untoward motives, we all know no one on tumblr is getting paid): presenting as new something that is not new at all but that will most likely contradict readers’ assumptions about what the current status quo actually is, because it’s a topic most people have never thought much about. i certainly could not have told you what the cdc’s lice recommendations were an hour ago, and probably would have guessed it involved sending kids home, since that’s what i associate with lice. but schools set their own lice policies, and the cdc has been saying it’s fine for kids with lice to stay at school for at least sixteen years. anyone is free to feel however they feel about that, but it is factually unrelated to the decisionmaking at biden’s cdc - which you are also free to feel how you feel about, this is not a cdc defense post, this is a post identifying an example of a kind of clickbait misinformation it’s very easy to be taken in by. i am not invested in the lice issue; i am invested in the fact that your attention and emotions are precious and it sucks when people (again, not on tumblr, on websites hungry for ad money) exploit those things by lying to you. if nothing else, i want everyone’s outrage to be pointed in the right direction.
i looked but couldn’t find any info at all about cdc updates re: watery diarrhea and every cdc page i got by searching was a (fairly recently timestamped) page saying the cdc says kids with diarrhea should not be in school. if anyone wants to point me to where they’ve heard otherwise i’m happy to take a look.
CDC voice: "I know I said we'd do something about covid if it got very high again, but we have real tough jobs to do, like removing the recommendations that children with head lice or watery diarrhea be sent home to prevent further spread of their illness."
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So some recent new info for SMTV: Vengeance came out along with me seeing a kind of dumb take has lead to wanting to talk about my thoughts on SMT V and my thoughts on Vengeance before release.
SMT V
Gameplay is good. It's the same old SMT stuff with a couple of changes. Magatushi skills are a cool new addition, if centralized due to the immense strength of Omigatiki: Critical. The massive nerf to Charge/Concentrate is pretty annoying, making them kind of useless since they only boost damage by 80%...when attacking twice would deal 100% more damage. And the nerfs to buff/debuff skills in both MP cost increased AND being temporary was too much in my opinion. You were often forced to add another layer of buffs to prevent them from expiring...which would cause a boss (read: Demi-Fiend) to use Dekaja/Dekunda, making it mute anyway.
My real compliant is that the difficulty in the game was pretty low for a mainline SMT game, especially with bosses using Magatushi skills telegraphing a certain attack...which makes it easy to use an item to block/reflect the attack which ends their turn. This rhythm makes it very easy to beat bosses. Hell, a selling point to the Shiva boss fight was that it was actually fairly challenging with the selling point of the Demi-fiend DLC being the final fight's brutality.
Exploration was pretty good too. Lots of space to manuever around demons so you could explore, relics to pick up for money, Mi-mans scattered around to encourage exploration. Even some side quests which were alright.
Visually the game's great. It's something you have to see to know but everything is rendered nicely, the models are all well made, the game's art direction is good if a bit samey due to the post-apocolaypse setting and the attacks are stunning. Same with the sound direction, especially Shiva and Demi-Fiend's boss themes.
The story...is probably the weakest part. It's not bad- Dazai is a reall interesting take on a Law-aligned character, the Chaos route is perhaps at it's most unique, Amanozaku was really cute and funny and seeing Lucifer's true form was absolutely worth it. It's just...Yuzuru and Tao are EXTREMELY underexplored and thus their motivations just aren't given for the most part, Bethal's inner conflict was just pulled at the last minute, Abdiel required you to know her myth to her understand her actions.
And...the true ending's requirements (of helping various demons) go completely against the true ending's details (creating a world without demons). Especially with Miyazu and Khoutsu, who you help then completely fuck over along with Amanozaku.
With SMT V, I really like the gameplay and visuals. But when I think about it, I can't help but also think of Pokemon Scarlet and Violet. How that game's visuals were shot with it's release schedule and it ended up looking worse than SMT V...but also how a Pokemon game, a game based on child-like power fantasy, is able to have more fleshed out characters and a more compelling story than an SMT game, a series based on engaging the player with questions of philosophy.
I bring this up because of Vengeance.
SMT V: Vengeance
I think that balancing the level scaling is a good way of showing that you are addressing the complaints people had.
I also think that the Combo Skills added in could give incentive to play with themed teams and I love the look of the demons too. And things like a new difficulty and an increased level cap makes it even more replayable.
However...I dunno about the new story. A new story doesn't necessarily make it better since the original's flaws are still there. And unless time has been taken to smooth out the story- it'll just have recurring issues as well. I don't feel the new story is better or worse- I just hope they gave the writers what they needed this time to make sure it works.
I feel far more skeptical about the new 'unique' skills. I remember the Traits being added to Persona 5, an already very easy game, and they...basically lowered the difficulty even further by adding benefits without drawbacks to a game that already gave the player so much. This was fine then, since Persona wasn't built in a way that needed crushing difficulty. Thematically, tonally and visually- Persona 5 and Royal were suited for easier gameplay.
SMT...isn't. It needs that crushing difficulty to fit with the series' atmosphere, tone and themes. All these elements synergizing together is what makes SMT so special. Hell, it's these same features synergizing that makes Pokemon so special too. Making a Pokemon game too hard to the point of basically forcing the player to use a certain party goes against the whole point of Pokemon. And likewise-making the game so easy that there's no pressure goes against the point of SMT. And giving the player more options without ACCOUNTING for those options will lower the difficulty.
As for Demon Haunts- I don't know if I like them. The whole point of demons is that they're fairly amoral creatures who don't really care about you or their care is fleeting and capricious. It's why you can basically shove them into a blender and make a new, stronger demon with no guilt- the demons' don't really have a bond with you so you can sacrifice them for more power. And you HAVE to do this because a demon that starts at a higher level will almost always be stronger than a demon that leveled up to the point with better stats, better moves and more opportunities. So trying to let the player bond with the demons that they are encouraged to dispose of when the time is right seems counterintuitive. Especially with the true ending to the original game, where you basically DITCH these creatures for humans you've known for far less time.
All in all- I am excited to see what changes have been made. But I'm also concerned that this could be SMT starting to lose its distinct identity. My hope is for a more solid story and more challenging boss fights.
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hey, I just watched a video which got me thinking.. do people i.e makers of cql ask ggdd for their consent to release any bts videos in 2022? recently the new wuji recording bts was released, I wonder if ggdd were asked beforehand?
I don't think that's how those BTS clips work, for a variety of reasons.
It's highly unlikely that GG and DD had any involvement with or directly authorized the release of most of the BTS clips we see. I talked more about it in this post, but here are some of the basic points:
BTS footage was filmed as part of the production process for the drama by camera operator(s) working for the production company as part of the film crew.
Performers would likely have had to agree to being filmed for BTS as a term of their contract, and blanket consent for their use by the production company (and at the company's sole discretion) would likely have been included in those terms.
While some BTS were officially released during Untamed promo, the subsequent releases are unofficial and have been disavowed by the production company.
The footage was sold a couple years after filming. The production company claimed not to have been involved in that sale.
The unofficial releases have been handled by the fansites who bought the footage, and it's unlikely that they would have a contract of any kind with GGDD.
Even if the production company was involved in the unofficial releases (and they claim not to be), that doesn't mean GG and DD have any say/involvement in the releases. The production company, as the rights holder, would have complete discretion over how that material would be used.
If the production company isn't directly involved in the release of these unofficial clips (likely the case), then the fansites, as those who now own or at least have copies of the footage, would have complete discretion over what they release.
In the past I've seen BXG theorizing that the BTS releases are evidence of GGDD's ongoing consent to, support for and/or engagement with The Untamed, with shipping, etc. I think it would be a stretch to interpret it that way. At best, the fact that they haven't sued the sites that have been releasing the clips could be taken as their 'tolerance' of it. But we can't really know for sure how they feel about these clips, and like I said, I doubt they've had any direct say in their ongoing release.
I've also seen solos claiming all sorts of negative things about the BTS. That GG and DD hate the footage, that they are embarrassed by it and that it harms them. We don't know that any more than we know that they're supportive of it. We simply don't know how they feel about it.
I think that their feelings about the BTS are probably similar to my own in a lot of ways: mixed. I think that's a healthy perspective to have. It's highly likely they enjoy some of the clips as much as we do. They likely enjoy re-experiencing, laughing at or simply remembering parts of that special summer.
There are also probably clips that are a bit embarrassing, or that they wish people hadn't seen. It would be self-serving and unrealistic for us to assume GG and DD are perfectly happy with all of it.
But it has been 4 years since filming. The more time passes, the less potentially 'risky' any of the clips are for GG and DD. And fansites are still being fairly protective of GG and DD, censoring things and likely holding some things back for their privacy/protection.
As for the Wuji recording BTS, it's hard to say whether they were involved. GG and DD don't own the rights to the music, and we don't know the circumstances of the recording - if that fell under their contract with the production company or if it was privately owned/controlled by Lin Hai. We just don't know, so we don't have enough info to draw any real conclusions.
Hope this answers some of your questions, Anon.
Edit: Here's a related post What was it like when the BTS were being released? Are the BTS scripted fan service?
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♡ 𝘐 𝘸𝘢𝘴 𝘨𝘰𝘰𝘥 𝘢𝘵 𝘧𝘦𝘦𝘭𝘪𝘯𝘨 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘱𝘵. 𝘪𝘪 ♡ {𝘸𝘢𝘯𝘥𝘢𝘯𝘢𝘵}
pt. i || pt. iii
a/n: ahaha remember when I said all would be fixed in this part? Turns out I lied. Part 2 was getting way too long and I didn't want this to feel rushed so part 3 will be the final part, but fret not, I'm finalizing part 3 as we speak because I didn't want to leave y'all at another painful cliffhanger. That'll be up right after this one before I go to bed tonight
warnings: angst, another semi-argument, Wanda reading Natasha's thoughts, a gallon of hurt feelings, panic attacks (Wanda)
summary: Natasha can't give Wanda space anymore after an Incident. aka the Secret Softy finally realizes she misses the Small Sunshine
words: 3.1k
masterlist. || navi. || request info/rules. :open
𝘮𝘰𝘺𝘢 𝘴𝘭𝘢����𝘬𝘢𝘺𝘢 𝘥𝘦𝘵𝘬𝘢 = 𝘮𝘺 𝘴𝘸𝘦𝘦𝘵 𝘨𝘪𝘳𝘭
𝘥𝘦𝘵𝘬𝘢 = 𝘣𝘢𝘣𝘺
𝘥𝘰𝘳𝘰𝘨𝘰𝘺 = 𝘥𝘦𝘢𝘳𝘦𝘴𝘵
✣ ✣ ✣
It’d been three weeks. Three weeks since she’d seen Wanda, eaten any meals with her, watched her dark hair fall gently over her shoulders as she laughed, or felt her soft hands brush against her fingers for reassurance or in a silent request to be held. Safe to say, Natasha missed Wanda terribly. Even more so, the guilt from how deeply she’d hurt the person she cared about was eating her alive. She saw Wanda’s wounded face almost as frequently as she blinked and she longed to reach out and hug her until it was all better.
She had made attempts. The night of her blow up, Natasha knocked on Wanda’s door for a good five minutes. It was obvious she was in there, sitcom laughter emanating from her television. After a while it was clear she wasn’t ready to talk and Natasha understood; she wouldn’t want to talk to her either. She resigned herself to seeing Wanda at breakfast the next morning, hoping maybe a friendly smile from across the room would let the girl know she wasn’t mad at her. But Wanda was nowhere to be found. Two days of missed meals later and having tripped over a dirty sandwich plate in front of Wanda’s room and Natasha realized she was purposely avoiding even the possibility of having to sit next to the redhead when she ate. Again, Natasha couldn’t blame her.
Now three weeks in, Natasha settled on just walking in. Wanda rarely kept her door locked when she was inside, she and Natasha were the only ones with permanent rooms on the female residence side and there was never an issue with Nat coming in unannounced- until now of course. An hour’s worth of hyping herself up behind her, she took the ten steps next door to where she’d hopefully be able to fix her awful mess. Still she hovered outside, hand outstretched, hovering as she took one last deep breath.
Her hand never reached the doorknob.
Before Natasha could make contact with the metal, a hot spark of red zapped her hand and she jumped back to avoid further attack. “Wa-”
“Don’t even think about it, Natasha Romanoff.” The first time she heard that voice again, she didn’t expect it to sound so dangerous. Natasha expected anger, but she didn’t know Wanda could sound so threatening.
She’d be a fool to try the knob again, it’d only upset her further. Nevertheless, it was important she at least got part of her message out. “I know you’re upset, Wanda. I’m upset with myself too. I was wrong, so wrong. I never should have hurt you like I did, I should have just talked to you. That’s on me. I want to prove to you I’m sorry, maybe even earn your trust back eventually? Whenever you’re ready.” Natasha sighed, twisting her still tingling hand in the other. “I miss you, but I ruined us. Not you. I’m sorry, Wanda.”
Unbeknownst to Natasha, Wanda had wandered closer to the door as soon as she noticed the other pacing outside of her doorway. She wasn’t ready to talk to her; she couldn’t find a way to face her yet without fear of looking like she was coming crawling back without having heard an apology, but before she could think too hard on it, Natasha was speaking. Her heart grew heavy with the weight of Natasha’s words. She wasn’t one for feelings or true emotions and although fairly clumsily uttered, Wanda knew sincerity when she heard it. Swayed as her heart was to run into the arms of the woman she missed for the past week, her brain instantly reminded her of other words.
You still want her after she told you how clingy you are? She’s right. You are pathetic.
The ache was back, stinging just as sharp as the day she’d first heard. She couldn’t yet.
Wanda’s back hit the wall, sinking to the floor with her knees huddled close to her chest. She knew Natasha had just been angry when she lashed out, that she wouldn’t typically be so public with her outbursts, much less direct them towards her, but there were some true feelings within those poison laced words and Wanda didn’t want to have that conversation yet.
“Well.. you know where to find me.” Wanda hated how sad Natasha sounded; she must’ve been tearing herself apart. She despised not being able to fix things. Soft footsteps told Wanda she was fully alone again and although that should have let her relax, she groaned with how empty she felt once more.
✣ ✣ ✣
Another week went by with no exchanged words and Natasha was beginning to give up hope. She’d ruined everything between them seemingly irreparably; asking any of her teammates yielded a non-committal response, none of them were spending tons of time with her either. She’d given up on knocking, having only met silence or words of warning. All she could do was wait.
For Wanda’s part, she felt like she was going to burst. Her skin felt like it was on fire, nervous energy sparking right under the surface. She’d closed herself off to everyone, opening herself up to Natasha was a mistake, it must have been. Her last words to her had been apologetic and kind, but the hurtful ones still lingered and she felt stuck. It was tearing her apart. Even more so, today’s training left her disoriented- earthquake simulation. As the fake ground shook under her and buildings fell, Wanda was spiraled back to childhood and more recently, Sokovia, and although she played it off as nothing with others, as soon as she was back in the safety of her room she fell apart.
Before she would seek out Natasha, whisper her worries against her skin from under the safety of a warm blanket. She couldn’t do that now, couldn’t ask such a thing from Natasha after what she said and after near radio silence for a month. Wanda huddled in her own bed, tired eyes staring longingly at the wall separating her and Natasha’s room. The person she wanted -needed- was so close, but so far. “You’re fine. You’ve dealt with this alone before.”
✣ ✣ ✣
Natasha couldn’t sleep. Not for lack of exhaustion; she’d been training longer these days in hopes of catching more glimpses of Wanda, just to make sure she looked okay. It was working and thankfully from what she could see, Wanda was alright. The past few days were different though; she looked more tired, dragging along more and more, and now today she’d survived the earthquake simulator. To anyone else, Wanda looked like her normal self, quiet and to herself, but Natasha saw the girl’s hands shake, watched her stance go slack in a way she’d warned Wanda against many times. Afterwards, Wanda was off to her usual seclusion before Natasha could reach her from across the room so she settled for giving Bruce a stern talking to instead. He should’ve known better than to shove Wanda in that simulation, especially by herself.
She left a properly admonished Bruce, heading in the direction of Wanda’s room. Arguments be damned, she wouldn’t let Wanda explode alone, even if she hated her for intruding after. If her repeated self-reassurance weren’t enough to convince her by the time she reached her destination, the moans and whines from within set her mind. Natasha hovered again, weighing the consequences, but Wanda let out such a sob that she couldn’t ignore. “Wanda? Can I come in please?” Her hand landed safely on the door, an improvement from last time.
“It’s just me, I wanted to check on you after training.” No response, but no rejection either. She turned the knob, grateful Wanda seemed to have forgotten to lock the door. Whether it was a mistake or a silent hope for Natasha’s intervention, she didn’t know, but she would use the opportunity. She could barely find Wanda in the dark room, but her eyes settled on the small form in the middle of her large bed and Natasha was by her side in an instant.
“Wanda? Sweetheart, hey, it’s me. What’s wrong?” Her eyes were unfocused, pupils blown wide with fear. Natasha longed to scoop her up, but she couldn’t startle her; she didn’t even know if she’d want her there once she realized who she was. Still, it hurt so deeply to have let her get this bad; she could’ve helped if Wanda trusted her enough to reach out. Natasha waited for what felt like hours until Wanda noticed her, crouching by a bed was rough on her tired knees, but she’d stay like that forever if need be. When Wanda finally made eye contact, she only stared at the redhead, as if figuring out whether the woman in front of her was real or not. She took a daring step, holding her hand out to Wanda, keeping it in her eyeline as long as she could until her palm reached her head. Her thumb moved, ever so softly, over her scalp as a test. Anything she could do to soothe her. “I’m here, Wands.”
If Natasha weren’t so strong, Wanda would’ve knocked her over. She’d thrown her full weight onto her in an instant, clinging to Natasha for dear life while her lower half still hung from the bed. There were so many things tearing at her, so much emotion she needed to unload, but she was too overwhelmed. Natasha had come to her. Had ignored their month of silence and hurt feelings to try to aid her and it left her stunned. “Tash- Natasha.. I-I’m so sorry..”
“Ah, no none of that,” Natasha stood with a grunt, taking Wanda with her to set them both on the bed. She navigated her way to the top of the bed in the dark, only stopping when her back hit the headboard, letting Wanda hold onto her, “This is my fault, I’m sorry. I should have been here for you.”
Wanda shook her head slowly, burying herself as far into the crook of her neck as deep as she could. “No. I should’ve been able to handle training today. You were right, I can’t do anything myself. I’m weak and pathetic and..” Sobs took over any chance of coherent words, shaking against the warm body she’d missed so much. Part of her screamed to move away, to suck up her tears and prove to Natasha she was just fine on her own. But she couldn’t pretend. She was fine on her own, she could handle it, but she needed the comfort of someone she trusted too. Someone she could relay her thoughts too instead of bottling them all inside until they got the best of her.
Before she knew it, Natasha felt tears rolling down her cheeks as well. She hated crying, couldn’t stand being so outwardly vulnerable with someone else, but if Wanda could be with her then she owed her the same trust. Toned arms pulled the small woman trembling against her closer, pressing frantic kisses to the crown of her head, anything to show her apologies. “You’re not weak for your emotions, detka. It’s one of the strongest things you could do to allow yourself to open yourself up and trust me.. I should have given you that same trust and been honest from the start.” Natasha cradled Wanda’s head to her chest, rocking her as sweetly as she could. She knew she was holding her a fraction too tight, but she couldn’t help it. Reassuring fingers brushed through long brunette hair, keeping her as close as possible.
“Can you forgive me?” The muffled voice from below temporarily shook Natasha from her waterfall of revelations and she remembered why they were in this situation.
“Moya sladkaya detka, you were forgiven weeks ago. You were trying to help me and yes, we need to talk about how I deal with the aftermath of long missions because I do sometimes need time to myself, but nothing, nothing you did warranted how I hurt you.” Wanda froze and for a moment Natasha was scared she would pull away, but she nodded slowly. “Can you forgive me?”
That was a loaded question. Wanda fought to clear her thoughts, organize them in any way that could possibly make sense. She wanted so badly to simply accept and stay in Natasha’s arms. It wasn’t that she thought Natasha was lying to her; she truly believed she was sorry for what she did, but that didn’t mean those words didn’t still swirl through her head everyday since she’d first uttered them. It was hard to think so close to her. Wanda pried herself away from Natasha, not missing the way Natasha kept hold on her hips as if letting go meant she’d lose her forever. “I want to forgive you, Natasha.”
It hurt, but it was fair. She didn’t expect an easy apology and didn't deserve one either. “There’s a but coming, right?” Wanda couldn’t meet her eyes; she only avoided eye contact when she had more to say and was biding her time. “You don’t have to forgive me, Wanda. I’m willing to do whatever you need to make you feel safe again, no matter how long it takes.” And she meant it. Natasha would put in the work for Wanda, she was more than worth it.
She knew what she needed. It was the only way she could think of easing her mind. Still, Wanda promised she wouldn’t do it again unless she had to, but… she had to. “I need to feel you.” A hesitant ring-clad hand reached out, tapping Natasha’s temple to finish the thought she couldn’t speak. “Nothing traumatic, nothing too deeply buried.. hopefully, at least.” Rarely was it hard for Wanda to search out thoughts in someone about a particular person who crossed their mind regularly. She hoped it was more than wishful thinking that Natasha had her in her thoughts with some frequency. “Please, Tash… I need to know you feel more for me than just ‘clingy, weak puppy.’”
Natasha opened her mouth to retort, to try to take her harsh words back, but she knew it wouldn’t help. The thought of Wanda searching through her mind again scared her still. Last time left her shaken for weeks, months, after what she’d dug up, but back then Wanda was looking to hurt her and damn, she was great at it. She had to trust she wouldn’t do that now. Trust was so hard. A promise was a promise, though. Natasha took Wanda’s free hand in both of hers, a lifeline to hold while she gave herself to the woman she cared so much for. “Okay.. be gentle?”
Wanda let out a chuckle; Natasha’s sensitive side was so very cute. “I would never be anything but, dorogoy.” Natasha nodded, swallowing her fears with reassurance. Wanda was only ever kind to her, too much at times; Steve and Sam never missed an opportunity to poke fun at Natasha when in the early days Wanda was practically exploding with nerves around the redhead. Eventually they figured out it was less that Wanda thought Natasha was going to beat the pulp out of her and more that she wished the older woman would crush her with her thighs- but the two men waited for Natasha to figure that one out on her own.
“Go ahead, Wands. Just be quick about it, alright? I don’t want to spill all my secrets right now.” Wanda agreed with a quiet hum, shaking her head and straightening her spine before moving her fingers alongside Natasha’s head. It reminded her of the first time they’d officially met; a bittersweet memory of how stunning she felt her then enemy was, but bringing her trauma to the surface before those steadfast blue eyes caught sight of her. Now though, Wanda was careful. Only going deep enough to look at Natasha’s memories and thoughts about her. How surprised she was that Wanda was as powerful as she was. Her instant and ongoing distrust of her when she and her brother came to aid the Avengers in Sokovia. Natasha’s annoyance at her stolen red jacket, with an added and apparently shocking sense of possessiveness brought on by seeing her in her clothing. Interesting. Wanda would note that little fact for the future.
Red ringed eyes shone in the darkness, both locked onto Natasha’s and staring far past her. She wanted to be open and honest, that was the whole point. Consequently Wanda let Natasha see what she was seeing and with every twinge of irritation her past self felt towards Wanda and her initial attempts to gain trust with her new team, specifically with herself, her current self cringed at her behavior. But slowly things shifted. Resentment shifted to reluctant endearment, then care and protection and finally into where she longed for Wanda’s calming presence when she was stressed or wanted a confidant. The weight of vulnerability felt like being flayed alive and despite the hand Natasha held using one finger to stroke reassuringly at her palm, she squirmed as they approached that night Natasha came home a month ago.
“You’re fighting me.” The brunette’s eyebrows furrowed, pushing harder at the memory Natasha was keeping away from her. “Stop it.”
Red curls shook as Natasha hung her head; she didn’t want to live through it again. Every night it haunted her. She should’ve just talked to her, given her credit for being one of the most understanding people she’s ever met, having her see it again would just push Wanda further away- “I can still hear your thoughts, Natasha.” Her racing concerns rang loud in Wanda’s own brain, blocking out any hope of unlocking that dreaded outburst until she could get her to calm down. “Trust me, please. You have to let me in.” True, Wanda could forcibly rip the memory from her with ease. It would take such little effort, but she wouldn’t- couldn’t. She needed Natasha to let her see, allow herself to be this forthcoming with Wanda. That would speak louder than anything.
It took everything in Natasha to take her next breath, “Okay, do it.” Wanda breathed a sigh of relief, Natasha’s agreement giving her hope of progress. She slipped her hand from Natasha’s warm grasp, ignoring the small sad noise she was sure Natasha didn’t want to talk about. Instead her hand went to the back of Natasha’s head and brought it forward to rest on her shoulder, her nose promptly burying itself in the crook of Wanda’s neck. Her gentle floral scent settled Natasha’s worries; it’d been too long since she was allowed so close. “I trust you.”
#wandanat#scarletwidow#wanda maximoff x natasha romanoff#wandanat fic#wandanat angst#wanda maximoff#natasha romanoff#marvel fic#my writing#angst
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