#but it is a really interesting contrast imo

[ardenrosegarden]

Heracles not being able to touch his wife and children after killing them and having his father bury them in his place versus Theseus being instructed to hold his dying son and bury him himself. Lots to think about.

[juaneloriginal]

This is the story of a woman named Mariella

TW: BLOOD AND MISSING ARMS

aaaand a couple doodls

ignorance is bliss

@blackkatdraws

[arosnowflake]

The problem with BOTW is that it's obnoxiously popular in the LOZ fandom to the detriment of other games but also unfortunately it's genuinely really really fun to write fanfic for.

[mihotose]

its interesting, love live is constantly trying to subvert itself. in school idol project honoka wants to save otonokizaka in part because her mother also went there; its family tradition and she wants yukiho to go too. sunshine of course subverts μ's story by near following the same path and yet aqours *fail* to save uranohoshi due to their circumstances. nijigasaki subverts this formula by not needing to save their school thats modern school and not in any danger at all. superstar subverts the formula really oddly imo, with yuigaoka having just *opened* and yet for some reason is also having money problems that might lead to its closure again (idk). i would think that with a newly opened school superstar would go for something brand new: there is no tradition to look back to, liella must forge their own path starting completely from nothing. but instead yuigaoka does actually have a history from before it was yuigaoka, so. now hasunosora has an Abundance of history. its heavily based upon tradition, and the idea of preservation for the future, passing down songs and outfits and making sure the thread from their senpai remains intact for their future kouhai, and consequently the school's emphasis upon tradition leads to clashes with modernity

[yourstormthlaylirahh]

.

[bombusbombus]

Ok normally I have a personal rule against posting about comics until I'm done with them. But can I just say that reading Chris Claremont's characterisation of Magneto with current events in Israel & Palestine being what they are is absolutely bonkers.

[aletheialed]

@ my tgaa mutuals, what do you all think would drive barok van zieks to villainy. like what would break his moral code and sense of justice. what would he be willing to break it for. asking for a friend

[theriverbeyond]

it is soooooo interesting to compare the way the Fifth and Sixth engage with the necrocav dynamic because like, on first look (and especially compared to Everyone Else) they both seen so devoid of Issues and Problems and Violence. Contrast them with, like, the Third and Eighth houses, which are two of the most explicitly exploitative but also (IMO) the most honest necrocav relationships in the entire series -- they're (literally) exploitative, (literally) consumptive, (literally) violent, built on unquestioning devotion that demands blood. Pal and Cam and Abigail and Magnus seem almost idyllic in comparison, and YET!! their relationships are no less shaped by the Empire's cult of violent and required devotion, they are just less honest about it.

Like, the micro-level dynamic between Abigail and Magnus is as sweet and simple as they come, but there's no extricating their intimate relationship from the setting of violence in which that relationship is trapped in i.e. the cavalier as meat, the cavalier as a battery and the human body as something to be consumed and exploited.

And both Houses KNOW their relationships are built on violence. Both the Fifth (and Palamedes) seem visibly uncomfortable with the power dynamic inherent to the necrocav existance! Abigail and Magnus address this by attempting to perceive their dynamic as a marriage first and necrocav second, but their rejection of the necrocav framework is almost wholly aesthetic. They exist within and directly benefit from the bloody gears of the Empire without complaint, and even Abigail's critiques of the God/Empire seem to be purely academic in nature, more curious intrigue than any kind of genuine dissatisfaction with the status quo. And Magnus is by his own admission not a duelist nor any kind of fighter, but as a cavalier he takes up the sword, follows Abigail to Canaan House, and they both die together in the laboratory.

Compare this to the Sixth house, where instead of rejecting the paradigm at all Pal and Cam seem to have taken the stance of "through the power of love we can make necrocav healthy, actually", but again this is dishonest -- no amount of romanticization of necrocav consumption allows their relationship to actually BE non-exploitative, and the lie of equality haunts them to its natural end point i.e. their ultimate surrender to the Lyctoral process via their mutual death in flame.

And their relationship is especially interesting because of how Cam has thrown herself into the position of "cavalier" with complete abandon, leaving Pal unwilling to truly extricate himself from the role he has been assigned despite his clear discomfort with that level of devotion. See: "I can't bear this, I'm eating your life", "I never had rights to [your soul]" -- but, you know, he didn't HAVE to become the Master Warden, he didn't HAVE to accept Cam's devotion, he didn't HAVE to choose her as his cavalier. He chose to bear this, and he chooses to accept her ceding rights to her soul. I mean he does explode himself to prevent her from throwing herself on a spike to force his ascension but like, that didn't really stick, did it? Pal wants to escape the societal hierarchy he was born into, Cam says "no", and he accepts that answer, again and again and again.

"There was no alternative" / "We had the choice to stop"

[randomness-is-my-order]

another thing that always struck me about jiang cheng and wei wuxian’s relationship is how little jc actually seems to understand wwx and where he was coming from and this is not just an empathy problem (though that is entirely present, too) but also the lack of effort to truly open up to wei wuxian’s pov and seek it from the source himself.

this is possibly the randomest example i can give but during their chat in the burial mounds, jc comments on the situation with the food and whether crops would even grow in the burial mounds and whether people could even live there and it’s just...even if he’s not sure about wwx spending months in the burial mounds, he KNOWS wwx lived in the streets in his early childhood and nothing gives people the mentality of “survival before all else” than that but jc had either never bothered to learn about wwx’s past before he came to lotus pier in all the years he’d known him or he did know and never bothered to contexualise things so he didn’t have to wonder whether a comfortable lifestyle was truly a valid concern for wwx. here’s the passage if anyone wants to read the exact phrasing:

Jiang Cheng was incredulous. “You’re planting things on a mountain made of corpses? Will anything that grows even be edible?” “Trust me. Anything is edible when you’re hungry enough.” “Do you really plan on settling here for the long-term?” Jiang Cheng asked. “Can people even live in a hellish place like this?” “I lived here for three months before,” Wei Wuxian stated.

now, ik jc’s headspace at the time was focussed on detracting wwx’s resolve to live in the burial mounds but my point is moreso that jc actually did not comprehend who wwx was as a person in the books, ever. he literally never came close. and this isn’t even about the missing information like the golden core transplant or the true circumstances of wwx’s three months disappearance. it’s jiang cheng thinking wwx always wanted to show off, linking his actions to a hero complex, thinking wwx was needlessly arrogant, not understanding why wwx would stick his neck out for the wens. it’s the way jiang cheng rarely, if ever, gave wei wuxian any grace in his reading of his actions–always looking at wei wuxian through a lens that was inherently unfavourable and thereby, never allowed him to truly view wwx for who he is.

in contrast, wei wuxian always understood jiang cheng in a way i don’t think jc knew he did. the way he knew where jc’s cutting words originated from, the way he could read jc’s insecurities, the way he could empathise with his grief and anger, even after everything went to absolute hell between the two. i’m not claiming wei wuxian understood jiang cheng like no other or had some uniquely profound insight into his mindset but there is enough content in the books that makes it clear that wei wuxian saw jiang cheng for the person that he was and gave him more grace (than he deserved, imo) and that this understanding was not at all present in jiang cheng’s perspective of wei wuxian.

which brings me to another observation: jiang cheng may or may not have loved wei wuxian but he sure as hell never respected him. because when you respect someone (and i’d argue there is no real love without respect), you try to get to know the person, try to see their side of things, try to assemble your opinion of them after informing yourself about their life. jiang cheng, for me, never exhibited the interest to go even slightly out of his way and gain a better understanding of wwx. wei wuxian wasn’t someone he wanted to spend that kind of time on – be it because jc had internalised the social hierarchy separating them, had never liked wwx for being better than him in various fields or because he was simply not the kind of person who would be emotionally even a little generous in his relationships. it doesn’t matter.

the point for me is that this give-and-take was never balanced. it was always wei wuxian over-extending his internal resources while jc never realised or refused to. some say their relationship only became worse/toxic after the wen remnants were rescued but the seeds were there since their childhoods. their circumstances exacerbated the issue tenfold, yes, most definitely, but that issue was always present and would blow up their relationship sooner or later, as long as jiang cheng didn’t have substantial growth. jiang cheng continuing to live was worth the sacrifice for wei wuxian (be it from a source of affection, obligation, duty, anything) but staying by wei wuxian’s side after the shift to burial mounds was not worth the trouble for jiang cheng. and yes their personalities have alot to do with their individual decisions in these pressing matters but i’m sure that were it jiang yanli who had taken wei wuxian’s spot, jiang cheng’s actions would be far different but do the switch with jiang cheng, and wei wuxian would still make the same choice. because jiang cheng’s relationship with wei wuxian was undeniably unbalanced to begin with. he never did consider wwx his equal and so, never tried to put in the same effort that wwx did. it’s as simple as that.

[candy-heart-brew]

I've seen some fans theorize that the lyrics to "Bug-a-Bye and Goodnight" tie into Frank's developing relationship with Eddie, potentially foreshadowing a grisly end for a favorite mailman. The lyrics are incredibly emotional and poor Frank sounds like he's fighting back tears during this entire record, making it feel like there's something more going on under the surface. While it's entirely possible that this is meant to foreshadow Frank and Eddie eventually being separated, I think the song's symbolism could be pointing to a different direction...

I touched a bit on this in a different post but to summarize: the attitude that Frank displays during "Bug-a-Bye and Goodnight" is completely at odds to his reaction to Eddie at the party. During BaBaG he's sad but resigned to fate, he knows that hibernation is inevitable but takes a bit of comfort in the knowledge that it's only temporary and that his loneliness will only last through winter. So, he does his best to power through, keep his personal feelings out of it, and assure his little friends that he'll be alright.

By contrast, his reaction to Eddie's behavior at the party is one of panic and confusion. He doesn't understand what's happening to Eddie or why he's suddenly gone unresponsive, he just knows that he isn't acting like himself at all and he can't accept that. He refuses to leave Eddie alone even after being ignored, continuing to push until he gets a response, at which point he immediately realizes something is wrong and tries to push further, only stopping when Eddie leaves. At this point in the story they don't appear to be especially close but Frank's terrified reaction speaks volumes about his true feelings for Eddie. And if this is how he reacts to him being quieter than usual, I can't imagine that he'd be much calmer or more composed in the event of losing Eddie altogether. IMO, he's far more likely to get angry and demand answers rather than wax poetic. So while "Bug-a-Bye and Goodnight" could potentially foreshadow Eddie's fate, Frank's subdued reaction makes me question that interpretation. I do think there's a deeper meaning to BaBaG, that Frank is singing about something other than bugs, just not Eddie. But then who? Well, as we found out in this last update, bugs are not the only creatures in the neighborhood that hibernate...

Think about it for a moment- Julie is going to be gone for months, leaving Frank all alone without his best friend. Who's going to invite him to games now? Who's going to listen to him about his interests and laugh at his jokes? Who's going to bake gelatin monstrosities with him? Julie is practically his other half so to lose her for months on end must be very difficult for him! He knows that she can't help it and he doesn't blame her but that hardly makes it any easier. All he can really do now is just push that sadness down, wish her goodnight, and wait for her to return.

Under this interpretation, certain lyrics in BaBaG take on a different meaning to me. Lines like "I know it's for the best, I can't keep you," or "I'll be the first to tell you, you just can't stay," could imply an oncoming rift between the two of them. The recent updates have implied that Frank and Julie were written to be a couple and were perceived as such in-universe. We don't yet know how the two of them felt about that but we do know that they were very close to the point of doing basically everything together! But now Frank is falling in love with someone else, someone who may very well come to eclipse Julie in terms of importance to him. No matter how much he loves her, no matter how much they might want to stay together, there are some things you just can't fight and this play-relationship they have can't last forever...

But that's just my interpretation!

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[anoant-haikyuu-dump]

The hyperfixation demons are screeching at me to write a comprehensive list of all the reasons I like Fukutora, so today I present to you "Ant ignores their responsibilites and spends several paragraphs explaining why Fukutora is peak despite them having roughly 10 seconds of shared screen time"

1. Contrasting Personalities In general their personalities fit together really well— Fukunaga barely speaks while Tora exclusively shouts at max volume and can't stfu to save his life, Tora's overly-intense and takes everything way too seriously while Fukunaga's cracking jokes in the middle of important games, they're even literal opposites on the court as the two wing spikers. Their differences compliment each other perfectly and because of that I think they'd grow a lot being together, Fukunaga would learn to open up and Tora would mellow out. Another good contrast is how Tora's all about looking cool and standing out while Fukunaga tends to blend into the background, which leads into my next point...

2. MY ROMAN EMPIRE (aka chapter 309) I know it's only two pages out of a 33 chapter match but i dont care, this scene makes me feral. I read the manga after watching Dumpster Battle, so imagine my suprise when my two favorite losers had a moment THAT GOT CUT FROM THE FUCJIGN MOVIE (I'm still salty, it should've been a full season).

Anyways these pages rooted their way into my brain because they show that even though Fukunaga goes unnoticed by most people (both in-universe and by readers) Tora realizes how great he is, and not only respects his play style but views him as a rival on the same level as himself. One thing I appreciate about Tora is that despite him being the stereotypical "strong manly athlete" type he doesn't think his methods are the best or only way of doing things; Fukunaga scoring points without "big fanfare" is just as cool as the shit he and Tanaka pull off. The phrasing "that I hafta surpass" could even imply that Tora sees Fukunaga as more than an equal, as someone who's ahead of him since he doesn't need to be flashy or loud to do amazing stuff.

Look at his smile on page two, bro's just excited to have someone who motivates him to keep pushing himself. And as we've learned from Kagehina: what's gayer than a rivalry?? All in all I think it's sweet that Tora notcies his efforts and admires him when few others do. Side Note, I've seen a translation of these that call them "Nekoma's Wings" and I think that's a sick nickname.

3. Bi Tora and Internalized Homophobia I love a good internalized homophobia arc, and characters like Tora that center so much around girls and manliness are some of the most fun to explore them with imo. You could say he's one of the least likely characters in hq to be queer since he's THE woman-lover next to Tanaka and Noya (and Yachi) but that's what makes it interesting—his gay awakening would hit like a tsunami and send him into life-ruining bi panic for months, especially since he's already such a mess when it comes to romance. He gives me the vibes of someone who has no problem with other people being gay but struggles when it comes to himself since it clashes with his conception of what it means to "be a man" or whatever. My point is he'd have the most intense no homo phase to grace this earth and I think that's both super funny and compelling for his character.

Also as a bi person myself it's kind of frustrating how bisexuality is treated online sometimes. It's annoying when a person's queerness is negated the moment they show attraction for the opposite gender, so headcanoning a character like Tora as a bi while still being openly into women makes me happy.

4. The Stage Play They're so silly in the stageplay. Why is he dragging him around by the feet? Why are they screaming at Kenma? Why is he constantly bopping him on the head in the background? WHY IS HE SERVING FACE IN THE PROMO PICTURES? So silly.

(Ignore how blurry these are lol) 5. Ant's Little Sister Bias This is a me thing, I like ships where one party has an annoying little sister who bothers them, sue me. Its cute. Akane and Fukunaga could have the most adorable friendship if you believe.

6. They Match Each Others Energy My first post about them was me rambling about this so just read that, TDLR they're both energetic menaces who match each other's freak.

7. Kenma's Forced Third-Wheel Purgatory Putting Kenma in a situation where Kuroo's graduated and his closest remaining friends are dating and constantly forcing him to third-wheel is just about the evilest thing you could do to the guy. He may be one of my favorites but this is well-deserved punishment for his crimes.

8. Baffled x Baffling Another ship dynamic I like a lot is when one person is unabashedly weird and the other thinks they're a total freak... but likes them anyways. They don't know why they like them. They can't explain it to anyone. Whenever the person does more weird shit they're like "why tf do I like you." But even so they're whipped as hell. Anyways Tora barely understands a single thing Fukunaga does and I think that makes for a funny crush to have.

9. Fukunaga's "Current Concern" Don't have much to add here, it's just proof to me that they hang out idc. Like why are you concerned about what he wants?? Kinda gay dude. Big fan of Fukunaga whispering to him and Tora answering at full volume so other people hear a one-sided conversation.

10. These Fics Before I knew this ship was even a thing I stumbled on these fics while browsing the Fukunaga tag, that's what got the gears turning:

• My favorite one, third-year shenanigans • Peak, need to be signed in tho • College AU • This one is mostly gen Fukunaga but the few moments they have are perfect (also really fun Nekoma interactions overall)

11. Other Miscellaneous Thoughts • Both of them being public figures/lowkey famous in timeskip is cute, like imagine them being each others' biggest fan before they make it big.

• Chef x guy who eats a lot is peak fiction. In this case they both eat a lot. Their grocery bill is a horror story.

• I know it's because characters are usually grouped by year and Kenma ditches them to sit with Kuroo but they're always together in the stands, pretty gay if you ask me

• I hc Fukunaga as genderfluid so Tora still gets his chance to be a wife guy. Him and Tanaka ranting to each other while Kiyoko and Fukunaga drink tea in peaceful silence.

• I think Fukunaga's the type to enjoy people watching and Tora's always doing something dumb. Observing him like a little bug under a microscope

• They're both so silly looking, cartoony ahh designs. I just think they'd make a funny couple visually, they're so square and stick to me if that makes any sense lmaoo

If you got through this whole post you're a real one, thanks for reading to my brain dump. I think about them every day and need more people to understand the vision

[rassicas]

Do you have a favorite fan-made Inkling/Octoling hairstyle?

eh, there's a lot of cool ones ive seen but that isnt something i keep track of. when it comes to splatoon oc stuff i p much just keep up with my friends and a select few people. more on brand would be to share some styles from official concept art that i like. for octolings i think these two are really cool, especially the one on the left. the way the upper and underside of the tentacles contrast is very cool

for inklings the one on the left im biased because i used that as inspo for my sona's style. the one on the right i like how its cut into. there's a lot of other concepts im drawn to less so for the shape of the hair itself but for showing interesting colorations and things like. grilling and frying the hair.

related to this, my splatoon OC design take is that its better to not break the 6 tentacle (4 for octolings) guideline. im a firm believer that limitations breed creativity, there is so much that can be done by cutting into tentacles and i think people dont utilize that fact enough. just look at the concept art for inspiration. if you want more strands u can cut into the tentacle vertically, or u can even give them hair extensions. i think you can also stretch the definition of what counts as a tentacle. (however there is some concept art that seemingly breaks this rule. most of it looks really old, and it gets more often broken in octoling designs rather than inklings... a lot of those guideline breaking designs dont look as good imo)

oh yeah, here's where you can see a collection of inkling and octoling hairstyles from the artbooks, for your reference!

[windwenn]

I finally updated my helen design yippee🎉🎉 i put my notes and ramblings under the cut

(I've been waiting for ages to be able to talk about my distortion designs and the distortion in general so sorry if this gets a bit long.)

The distortion really interests me because of all the fears with prominent avatars, helen and michael appear to be (imo) the most inhuman, being reduced to mostly abstract concept but also somewhat devoid of free will, much like an animal. So when i draw them i try to emulate animal characteristics - the yellow eyes match the door but are also similar to cats or owls for instance (The kubrick stare i tend to give them does the same thing lol). The way the distortion feeds itself reminds me of a venus flytrap or a pitcher plant and i associate it very closely with naturalistic elements because of this, because of the fact that technically the distortion as a fear is thousands if not millions of years old, and because i like the contrast of something urban like a door surrounded by wildlife. Its curious and tempting and it doesnt make sense, which reflects the nature of the distortion itself. In the same way i like to give them facial features typically considered enticing or friendly - round faces, resting smiles, dimples, smaller eyebrows etc, but i always try to place them in the uncanny valley by extending the smile slightly too far and keeping the eyes wide open.

I liked this hairstyle for helen in particular because it feels almost like a halo and i like the comparison of certain fear avatars to deities. In general i draw helen happier than michael because she always seemed to revel in her nature (once she got past the initial feelings) more than michael did, but thats just a vibes thing.

[yamujiburo]

POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

[annabelle--cane]

I think I might shelve my "coffee and alcohol as contrasting motifs" idea for a bit, at least until the season ends. imo there is something there, but not as much as there really should be for me to get behind it as a thesis, I need to re-do my notes from the start and figure out what I'm actually looking at. I committed the cardinal sin of analysis: deciding on a conclusion that felt supportable and then retroactively trying to make the evidence fit.

for the time being, I think it's better to look at coffee and alcohol as different expressions of the same motif, they're both socially acceptable chemically addictive mood altering substances. we've seen most of our cast engage with them in some way (I think lena has only had a thermos of tea mentioned, no coffee or alcohol, which, interesting, but it's still caffeinated), but sam is the only one we've seen consume them to any kind of excess. in magp 06 he has four coffees over the course of his shift and in magp 13 he comes into work noticeably tipsy after his "dinner" date, and both of these events are connected with celia, and, by extension, his investigations. two of his attempts at leaving the investigations alone involve him refusing offers of coffee (magp 09, magp 21), and in magp 09 when he immediately decides to go back on that decision he goes to find alice in the pub and drinks the pint teddy left.

also of note is that while alice dislikes it when sam overindulges, she does go out for drinks with him on a few occasions and consistently offers him coffee. also also of note is that while she specifically cautions sam against drinking too much caffeine at once, she herself seems to make and drink it fairly constantly, and one of her first lines in the whole show is to say that her body only runs on "spite and coffee." I think this maps on to her approach to sam's investigations into the OIAR and the magnus institute fairly well: she gets him the job that lures him in but doesn't want him to fall any deeper, all while pointedly ignoring how entrenched in it she's been this whole time.