#or hell even bbc merlin

[yourstormthlaylirahh]

.

[msue0027]

In bbc merlin you hear all the time about the Old Religion - which implies existence of the New Religion. Only recently i worked out what it's ought to be.

It's Christianity.

[persepaien]

Hello would you like a whole lot of Katie McGrath for the price of less Katie McGrath? Of course. But let me sell it to you anyway:

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[sexy-sapphic-sorcerer]

MERLIN HAS JUST BEEN REMOVED FROM STAN

what the fuck. I subscribed to stan almost entirely for Merlin. literally what do I do now. I fucking hate streaming services

[kateis-cakeis]

Thinking about the structure of the Old Religion.

From what we know there's the Nine which refers to the High Priestesses of the Triple Goddess - powerful sorcerers who obtained immortality (unless killed by some form of magic), and performed important rituals of the Old Religion.

It is unknown if there was a High Priest equivalent, but Gaius in S1Ep13 does tell Merlin that "the High Priests have the power to mirror life and death". This suggests that perhaps there were High Priests of the Triple Goddess, and that they also had a Nine.

There's the Bendrui, women who failed to become part of the Nine. Just like those who eventually became High Priestesses of the Triple Goddess, they were chosen at birth for the priesthood - taken from their families and raised as initiates of the Old Religion. Despite their failure, Bendrui are practiced in potent magic, and appear to have above average gifts.

There's the Bloodguard, warrior priests who swore to protect the High Priestesses. They, like the High Priestesses, were the only people to ever set eyes upon the staff carved from the Rowan tree that grows at the very heart of the Isle of the Blessed.

It could be suggested that like the Bendrui, the Bloodguard could have been failed High Priests, but there is no evidence (other than the existence of the Bendrui, and the mention of High Priests) to truly suggest this.

It is also unknown if the Bloodguard served the Triple Goddess. It is possible that the priests served various different gods of the Old Religion, but due to their relation to the Nine specifically, it is likely these warrior priests served the Triple Goddess.

There's the Catha, which contains priests. (Alator is referred to being "of the Catha, warrior and priest", he also says "I'm a Catha priest").

It is unknown if they served the Triple Goddess, or a different god of the Old Religion (and we know they are priests of the Old Religion because Morgana says, "He's a Catha...priest of the Old Religion.").

They have their own language, however, suggesting that they are a unique culture, and perhaps even an ethnic group. (This is further supported by Alator saying Catha are trained from birth to master all physical pain, it is also said that they guard their ancient knowledge - which leans towards them being a people rather than just initiates of the Old Religion)

There's the Disir, the highest court of the Old Religion, made up of three women chosen at birth to be trained as seers and soothsayers. They are the mouthpiece of the Triple Goddess, and interpret her word. As Gaius says, "When they sat in judgement, their word was final". They pass on the runemark, which is both judgement and fate - it contains a person's guilt, as well as the path the gods have chosen for them.

There's the Druids, a peaceful people who worship the Old Religion and often possess magic. It's a part of their beliefs to help people in need of care, and therefore, those who weren't born a Druid can find a home amongst them (Morgana is one such example).

Moreover, the Druids look for children with the gift of telepathy to serve as apprentices (perhaps to keep them safe? perhaps to encourage their magic in childhood?). The Druids also have a tattoo of a triskelion somewhere on their body, perhaps as a part of a ritual (to indicate someone has become a Druid?).

While the Druids have an intimate knowledge of prophecy and destiny, especially regarding Emrys and the Once and Future King, they do not appear to be priests or priestesses in any form. Just like the Catha, they have their own language (called the Druid tongue and Druidic Runes by Gaius), therefore, it is possible that they too are a unique culture and/or an ethnic group.

There's the Isle of the Blessed, a sacred location of the Old Religion, said to be the centre of it, and the focus of its power - it is also where the power of the ancients can still be felt after the Great Purge. Artifacts such as the Rowan staff, the Cup of Life, and the Horn of Cathbhadh were kept there under the care of the High Priestesses. Furthermore, Morgana's healing bracelet was forged on Isle - suggesting that its power allowed for the creation of powerful artifacts (this is further supported by the Rowan staff which was carved from the tree that grows there).

In a deleted scene for S4Ep1, Morgause says when she was first brought to the Isle, the hallways were teeming with women - High Priestesses. Although it is said often within the fandom, canon never establishes if the initiates were trained on the Isle. This deleted scene, however, heavily suggests it.

There's the Caerlanrigh, a sacred spring within the Grove of Brineved. There, the Disir reside within a cave, where the spring feeds into an ancient pool - in which the Disir divine from. The old ways are at their strongest there, and it's at the very centre of their powers (whether Gaius meant the old ways or the Disir here is unclear).

There's the Cauldron of Arianrhod, a sacred site of the Old Religion. The lake contains the power of the White Goddess, who can be summoned to heal those affected by the Teine Diaga ritual. However, if such a person is tricked into entering the cauldron, their soul would be lost forever.

There's the Crystal Cave, said to be the birthplace of magic. It is filled to the brim with scrying crystals that show the past, present, and future. Taliesin used the cave as the source of his prophecies for the kings of old. And as much as the crystals can be controlled, they can force visions upon powerful sorcerers too.

The cave can also hold spirits within it, seen with both Balinor and Taliesin.

While this may have been the case for Merlin alone, the cave can restore a person's magic.

There are celebrations important to the Old Religion too, such as:

Samhain, a time of year where the people feel closest to the spirits of their ancestors, in which they celebrate their passing.

During Samhain it was traditional for the High Priestesses to gather on the Isle of the Blessed and perform a blood sacrifice to release the Dorocha. This was done on the stroke of midnight, when the veil between the worlds is at its thinnest.

Since the Dorocha do not roam free in the world throughout the series, it is suggested that a second blood sacrifice was done by the High Priestesses - perhaps before the night was through - to close the veil once more.

In Camelot, a feast is held as part of the celebrations. (This suggests that while the Old Religion and its practices were abandoned during and after the Purge, the heart of the religion and its holidays were never replaced).

Beltane, a time of year where the High Priestesses would gather at the Great Stones of Nemeton and summon the spirits of their ancestors with the Horn of Cathbhadh. It opens the door to the Spirit World and allows the person who blew the horn to see and speak with their ancestor of choice.

In Camelot a feast is held as part of the celebrations (which much like Samhain seems indicate that the Old Religion has been around for so long that it cannot be removed from society entirely - that the people clung onto some traditions, including the royal family).

There's the Gods of the Old Religion, the Triple Goddess, the White Goddess, and Nemaine. It could be implied that the White Goddess, and the Earth Mother Nemaine are part of the Triple Goddess, but it is just as likely for them to be separate gods.

If so, the Triple Goddess is heavily associated with the Nine, destiny and fate, and the immortality of certain sorcerers. Perhaps she is also associated with the balance of the world, due to the power over life and death being tied to the High Priestesses and supposed High Priests.

The White Goddess, however, appears to be associated with one's soul and healing. It was only her power that could heal and retain Gwen's soul after Teine Diaga ritual.

The Earth Mother Nemaine is related to Gean Canach, as it is said her tears forged the creature. The book Gaius reads from has more information, and from what can be deciphered, it says that Nemaine first wept at the slaughter of war, resulting in the Gean Canach crawling out of the Earth's belly (there is more written on the page, but it is impossible to tell what it says). This suggests that Nemaine lives within the Earth's core, and that she is indeed associated with nature and living beings as her name implies.

Furthermore, since she wept at the slaughter of war, she is perhaps the god of life itself, but not of the entire cycle. And due to the Gean Canach's abilities, to devour and drain a sorcerer of their magic, it is likely that this war's slaughter was brought about by magic.

It is possible that The Earth Mother Nemaine could be related to the Pool of Nemhain. Despite having different spellings in the show (the subtitles), they have extremely similar pronunciations (even if it is a bit different). Perhaps they are unrelated, but if they are one and the same, it could be suggested that the Earth Mother is connected to death as well as life, due to the pool being the last of the Five Gateways to the Spirit World. (This contradicts what is analysed in the above paragraph, but this post is meant to speculate multiple possibilities.)

Honourable mentions:

It could be suggested that the Quest Ritual was once part of the Old Religion. It includes the heir to the throne of Camelot transcending their body in order to receive a vision of a quest. This quest is meant to prove their worth to the people, and their worthiness of the throne. The heir prepares themself by cleansing their body and dressing in white robes. They spend an entire night kneeling on the floor, barefoot, with their eyes closed.

Due to how Arthur reacts in the morning when Uther pulls him out of it, and how sacred the entire process appears to be, it is as if the heir is actually gifted with a vision of a quest. This is supported by his reaction, as he looks dazed when relays what he has seen. Therefore, it seems as if the ritual includes some form of magic due to the preparation, and if so, then it's likely it was a practice of the Old Religion (specifically for the heirs of Camelot? Due to Camelot's association with the very heart of magic?)

It has been around for hundreds of years, so it is not outside the realm of possibility that the Quest Ritual is so old that the general consensus has forgotten its ties to the Old Religion, or much like Samhain and Beltane, it is perhaps so baked into society that it couldn't be abandoned.

--

In S1Ep13, Merlin says that the "Old Religion died out centuries ago". Even in Series 1 this is far from true, but later seasons make this remark seem entirely ignorant. If anything, this sentiment comes from a post-Purge society, where the structures of the Old Religion no longer exist. Perhaps it is even propaganda that Uther pushed forward as people became more fearful over the years, turning away from the old ways despite once practicing such beliefs (and for the people of Camelot, still practicing some of those beliefs).

It is possible this was a retcon but if so then it's directly retconned in S1Ep13 when it's revealed that Nimueh is a High Priestess.

Anyhow, in response to Merlin's ignorance, Kilgharrah says, "The Old Religion is the magic of the Earth itself. It is the essence which binds all things together. It will last long beyond the time of men".

This shows that the Old Religion doesn't just refer to the religion and the gods, but rather it is the very magic that makes up the fabric of the world, and as Balinor says in S2Ep13 it's either a part of you or it isn't. This suggests that it is indeed not just a religion, but the very world, the Earth, magic.

He also goes on to say that Merlin must "find those who still serve it", which shows that Uther very much didn't succeed in eradicating the structure of the Old Religion entirely, at least at that point in the show. And perhaps that anyone could serve it, even after the very structure collapsed.

All this is to say that the Old Religion is extremely pagan. The structure itself is vague perhaps because Old Religion is personal, it is vague. The differences between the High Priestesses, the Catha, and the Druids make this clear. Following the Old Religion's beliefs, traditions, and holidays is personal and spiritual because it varies, because there is no wrong way. Because there are no set rules or a real structure at all. The High Priestesses had power, yes, but this seems to come directly from the Triple Goddess herself, rather than a societal standing.

Nimueh was at court, and she was Uther's friend, but she was also very quickly thrown from the court after Ygraine died. And yes, the High Priestesses went to war with the Ancient Kings, but that appears to be a difference in factions, rather than let's say the Christian church and its power over the centuries.

Therefore, I propose that the Old Religion as a religion was loose in its structure, that it never died out like Merlin said (which does seem to be a post-Purge sentiment), but instead simply changed and evolved, and continued to exist even after the Purge, with its holidays in Camelot, and with the Druids and their practices/beliefs.

-----

Overall, the information we have on the structure of the Old Religion is vague and patchy. This was perhaps intentional so the writers could work around existing canon to introduce new concepts without being constricted by their past worldbuilding. But that's getting into the Intentional Fallacy, so I'll leave that there.

It appears that the High Priestesses had the most power in society, due to their past wars with the Ancient Kings, and their sheer power and knowledge. Not to mention their artifacts and control over creatures like the Fomorroh.

But there are different beliefs and structures to the Old Religion, like with the Catha and the Druids, suggesting that there are multiple ways to worship and follow the Old Religion.

The many sacred sites show that there are different powers and sources to the Old Religion that have different purposes. Like how the path to the Cauldron of Arianrhod was lined with banners for pilgrims, not to necessarily summon the White Goddess, but to visit the site. Or how the Isle of the Blessed is a powerful religious site, while the Crystal Cave is a fairly legendary and unknown place that few ever get to see.

In conclusion, the Old Religion is vast and has many facets to it. There is some structure, but it doesn't seem entirely necessary in order to follow the Old Religion. And in reality, it is inherent to the Earth, it is magic itself.

[thebookishwallflower]

oh hurt/comfort people have problems

honey, my current predominant fandom is merlin

it’s just one big hurt/comfort stew, and someone overdosed on the angst spices

[d-one-in-the-dirty-trench-coat]

Do I need to watch BBC Merlin all over again? No

Will someone stop me if I do? Hell no and if they do they'll regret it

[a-chilleus]

i just finished the merlin blank verse fic. it's 40 chapters. oh my god. i'm gonna post the last couple of chapters a couple of days apart i think to give my two readers time to read them instead of all at once and also so i can make sure i've proofread them but oh my godddd this thing's done what the hell

it's 36k words jesus fuck

[excaliburinthelakeonpage394]

I'd like to remind everyone of that episode where Merlin just dumps Arthur's armour behind a chest... like...the WHOLE suit. Just shoves it behind a chest...

...I like to think Arthur finds it one day, or finds his sword shoved under his bed covers, or all his moth-eaten shirts are tucked behind the wardrobe... and Arthur just... never mentions it. I like to think he just keeps a mental log of Merlin's hiding places and whenever he can't find something, he starts looking under and behind things...

Wait a damn minute Merlin is an actual nightmare of a servant. Imagine you're the Prince and all of a sudden and only two seconds after surviving an assassination attempt you're stuck with this scrawny, clumsy fucking dude with a really shifty air about him who spends literal days in the tavern with zero notice, steals your food, tried to spy on a guest, doesn't let you hunt, can never fucking be found when you need him even though he is the literal manservant to the prince, which you would think should be a priority but apparently he has better things to do, and is always talking like he's the only thing standing between you and certain death???? Then he gives you attitude? Literally I would throw things at him too. Arthur is misunderstood he's actually being too nice

[laughing-drawing-aces]

i was just thinking about the sins of the father and god merlin’s input at the end of the show can be debated to hell and back. and also everyone talks about the scene where arthur tells merlin that magic is evil but i just kind of got to thinking just how this episode shows how much merlin is able to just hurt arthur in ways arthur doesn’t even know. we talk a lot about arthur hurting merlin in ways he doesn’t know which this ep handles at the end but this also shows how much merlin can HEAVILY hurt arthur. merlin witnesses such a deep moment between arthur and his mother. and it’s not just that he saw this it’s also that the two bonded over one of their parents being gone in this episode. it strengths them and makes them come to terms with one another and is one of the most vulnerable talks they have (at least up in that season). merlin literally heard and sees arthur tell his mother that he was the reason she died. arthur’s first words to ygraine were “i’m sorry” like merlin heavily sees what this does to arthur. merlin takes that connection and says she’s lying. you can debate about it all day if morgause actually summoned ygraine or not but the truth is what ygraine said!!! merlin willingly took this moment and memory away from arthur about his mother. it’s just actually so fascinating and also sooo crushing.

[thenightshadowqueen]

Divorces and Teddy Bears—Watchthrough Thoughts

I’m not sure if anyone likes reading these, but I do, and I figure I can’t be the only one, so here we go. (Plus, they’re fun to make.)

The little card and “beginning-middle-end” editing is amazing

The presents in the title card being addressed to “Peter Steven”, “Priscilla”, and “Johnny and Janae”??????? They know their fanbase; I died

I love this stage

Also captions!!!

I love Luke being so confused at the beginning and just going “Oh!” when he gets it

“I was dressed as a sheep” ah, taking lessons from Sam, are we?

AJ’s sassy walk!!!!!!!

Okay I love Mrs. Claus holy shit

“Leave the keys in the sled, yes. So I can start the engine of the sled.” I love it when Sam points out logic flaws without even breaking character (although I also love it when he breaks character too)

Poor Snowdrop, being assigned as the child of divorce and forced into the middle

Also Luke’s hair???? He looks amazing

The camera quality is great as well

“We feed directly on your emotions. Breakfast, lunch, and dinner.” Luke????

Congrats to Luke for finally getting his diagnosis!

Also Luke directing the audience to cheer for him and then to stop is amazing (reminds me a bit of that clip of him getting the room to be quiet in that recent Genre game)

Tom changing the scene just to crouch behind the chair… This caught me so off guard (in the best way possible)

I know someone already said this but Little Krampus has huge Scottish Robin vibes

Also I’ve said it before and I’ll say it again: how the FUCK does Tom move like that?

Tom stroking at a strand of Luke’s hair like that is so weird and I’m here for it; Tom’s character choices are always top-notch

I think “sassy women who fly to warm places to cheat on their husbands with men called Javier” is my favourite niche sub-genre of AJ character (insert that thing about nickels and things happening twice) (shoutout to Tracy) (also I know that Tracy didn’t canonically sleep with Javier but like… she totally did, right?) (or with a different Javier) (there are always plenty of Javiers available in the SFTHverse) (and she has been fucking everyone (direct quote from her))

I love it when AJ fucks up some tiny, barely-significant thing and Sam just CANNOT let it go and it becomes an actual plot point

AJ’s passport photo poses are gorgeous

“The most wanted terrorist in the North Pole” Jesus Christ Sam

Also tangent but can I just say that AJ wearing friendship bracelets is everything (and am I right in saying that I think those were the ones made by fans? Or am I misremembering? Because if they are that is so fucking sweet)

Now I really want to learn more about the Great Battle

Sassy Tom!!!! I love sassy Tom

The Sam and Luke elves remind me of the Oompa Loompas from West End Big Boys

I love Luke’s determination to climb on Sam and Sam’s determination to prevent it

“~Rudolph motherfucker~” have I mentioned that I love AJ?

Audience to the rescue!

“Initiating micro-space” AJ???

Javier having basically all of his buttons undone… Xavier flashbacks, anyone? (Also, Tom having basically all of his buttons undone… he definitely remembers the latest DnD livestream)

“I was expecting a sexy lady with a big beard” hell yeah, bearded women!

“Is [having your shirt unbuttoned] the local custom?” “No, only when we are awaiting a lover. Which, again, you are not; you are two children.” I love that Tom has to remind Sam to not unbutton his shirt because… it’s Sam

“My manservant was surprised” one, of course Javier had a manservant, and two, they need to stop making me think of BBC Merlin because it kills me every single fucking time

Luke just casually telling this random man that he’s 2000 years old… god, they really do never leave the North Pole, do they?

“Tell me a little less” I love Tom

“I’m definitely the receiver in the relationship” TOM (but also good for Javier)

AJ oh my fucking god

“That’s how it works up there” god I love Sam’s very specific “suspension of disbelief” voice

“That looks like a plot point that’s almost been abandoned” Tom is amazing

Oh, Luke, you’ve just set yourself up for another Pocket scenario

“I just wanted the pussy” Tom

“You know it’s casual” does she? Because she’s moving halfway around the world for him

“Wow, that sounds very transactional to me” I mean… yeah. Yeah, it does

“Hey, let’s not blame someone with a disorder, shall we?” I love Sam holy shit

Tom singing!!!!!!!!!!!! He sounds so creepy??????? He’s doing an amazing job

“~I just realised there’s no cable on this mic at all~” Tom has been freed!

Oh my god I love seeing Tom so happy

Tom’s villains are always amazing for a lot of reasons but especially his physicality???

Tom is having so much fun

AJ’s expression when Tom puts their faces close together is amazing; it’s like, “I have no idea what the fuck you’re doing but I’m going with it”

“Poor little teddy bear Christmas man.” I love Tom trying to bring back the title (“I have so many names and that is not one of them”)

LUKE!!!! (his Little Krampus movements are amazing)

Also Snowdrop :(

AJ just staring blankly into the camera is so fucking creepy

Luke good fucking god

Thought we were going to get a kiss for a second there…

Sam singing!!!!

I love the audience singalongs!

AJ singing!!!!

Holy shit I love this play

Merry Christmas to everyone who celebrates!

[oswinsdolma]

the bbc merlin writers actually went so hard when they decided "actually no, magic isn't some grotesque perversion of the natural order, it is nature itself" because like. it would have been so easy to write merlin's internal conflict as one between the inherent evil of magic and the good of humanity, to put arthur in the right for his persecution and to turn merlin into some kind of doomed hero within himself, but no. because in the end, magic had very little to do with anything, it was just something that was there. morgana didn't turn evil because she was magic, she did because she was scared and angry and manipulated. merlin doesn't wait for arthur because of the promise of a golden age, at least not really; he does it because he loves arthur and wants him back. in the disiir episode, if it had only ever been about restoring magic to camelot, merlin should have sacrificed arthur in a heartbeat for the promise of magic's legalisation. hell, even mordred didn't kill arthur because of his views on magic, he did so because arthur took away the person he loved. like yeah it's a fantasy show and magic is a massive part of that world, but in the end it was a story about people, and all the hopes and dreams within it are deeply and tragically human, and that's what makes it a good story, what keeps us going apeshit over it even ten years after it ended. in a way, there are two shows in the same way there are two merlins: one about magic, "emrys" and the other about friendship, and like merlin, the audience has to choose which one we should care about most. and every time, we make the same choice as he did: we, however foolishly, choose humanity. we sob at the tragic trajectory and scream as we see destiny gathering traction, but isn't that the point of tragedy?? if we followed logic over emotion, tragedy would never take place, but equally, if we followed logic over emotion, the idea of tragedy itself would become lost to obselescebce. the whole point of the show is to tell us that "no, we can't define things as one or the other, because anything with meaning exists as something more complex, because to give something meaning is to perceive it with a human gaze". magic may be a force of nature, but good and evil are ideas perpetuated by our innate, incurable humanity, and it is here we have a choice. we can't choose our destinies but we can choose from which direction to embrace it, and that's a surprisingly radical, beautiful thing.

[alexvacice]

This but also Merlin giving up his personhood for Arthur. In the first seasons he's a happy, strong-willed loud mouth kid who has to hide his magic because of the law and who reluctantly helps Arthur because he keeps getting put in situations where he has to save his ass. But over the course of the show there's a gradual shift in his character, where he hides his magic only because he doesn't want to inconvenience Arthur, where he helps him because Kilgarrah and Gaius keep telling him it's his destiny. Gaius especially tells him more so that his destiny is to protect Arthur period. Not to protect Arthur to bring about a new age of Camelot. And the conversations in Diamond of the day pt. 2 solidify the subtext into text, where Merlin says he was born to serve Arthur and in his magic confession says that he uses magic only for him. And Arthur is the only reason Merlin lives that long. It's one hell of a devotion. He becomes a prop to the prophecy, instead of being his own person.

(Really makes me wish more people would explore this part of Merlin's character, it gets so overlooked by the fandom because we all just love the banter)

this is why their dynamic is so fucking ridiculous okay. because in ancient greece goddamn plato was writing about how humans were split apart by the gods and left wandering the earth without their perfect other half. that humans cannot be complete without that half. and then in merlin in TWO THOUSAND AND EIGHT the writers decided having arthur be merlin’s destiny wasn’t enough. they needed to be each other’s half too. like are you okay. are you guys okay. and when arthur dies, right, merlin is left alive longer than any other person in history has been without his perfect half. his soulmate. and he’s an old man when the series finishes. a lonely old man. and it’s like bronte said. like heathcliff said. do not leave me in this abyss. that’s what merlin meant when he yelled at the dragon, “i can’t lose him! he’s my friend!” he meant— this is my destiny, my other half, he makes me whole. and merlin was unable to move on from something like that. its a concept shakespeare explored, a concept all artists aspire for. a concept that shapes the romantic genre as we know it. how can you realise all that and still think merlin & arthur were just friends.

[many-gay-magpies]

hello dead boy detectives fandom and bbc merlin fandom. i know there is a decent overlap between the two out there because i am either followed by or have followed several blogs myself that post about both merlin and dead boy detectives, so hopefully this finds its target audience. anyway a little while ago i became obsessed with the idea of merlin and kashi being besties, so i started writing a thing, and i don’t know if or WHEN i’ll finish the thing but i don’t want it to stay hidden until then so i am posting the incomplete and very unpolished version to tumblr. and who knows maybe if people like it that will give me the motivation to rewatch some merlin and actually finish it

anyways without further ado. here’s 1000 words of merlin engaging in (fairly mild) shenanigans in port townsend

—

There was a cat sitting on a rock.

Port Townsend had quite a lot of cats, Merlin had discovered. There had been at least one in sight at all times since he’d arrived in the small coastal town. This cat was regarding him with an expression that might have been called scrutinizing, had it been made by any face other than a cat’s. That is to say, it looked rather like cats typically do, which is scrutinizing as it is.

“Hello,” said Merlin, just to be polite. He had a bit of time before Kashi’s host—Angie, he’d said her name was—came to the surface, after all, and he was in the mood for a spot of conversation.

“Oh, great, it’s another o’ you English twats,” said the cat. “The hell are you doin’ here?”

“I’m visiting an old friend,” said Merlin. “We meet for tea every so often, to catch up. This’ll be my first time seeing his new place. I won’t be staying long.”

The cat settled further onto the rock, folding all four of its legs underneath its body. Its tail flicked lightly before curling around its haunches.

“Good,” it said. “Hopefully you won’t cause as much trouble as those two dead little shits from a couple months back. Brits, I tell ya—ain’t good for nothin’. The Cat King’s still hung up on the stuffy little asshole.”

Merlin hummed. “Huh. I don’t think I’ve met a king of cats before. What’s he like?” He’d met a number of kings in his times, including, quite recently, the King of Dreams—but that number had never included a king of Cats.

“None o’ your fuckin’ business,” said the cat. “Hold on—who are you, anyway? You don’t smell human, and you’re not dead.”

“I’m Merlin,” said Merlin. He thought it sticking his hand out for a shake, then thought better of it. “Pleased to meet you.”

The cat snorted. “What, like the wizard?”

“Warlock, actually,” said Merlin. “But yes.”

The cat opened its mouth to speak again, but was interrupted by a whispered voice floating up from the shore.

Arthur’s voice.

“Merlin,” he called, his voice sounding exactly as it always had when Merlin did something far too stupid and risky for a servant, and he had to hide his worry under blankets of annoyance. “Merlin, are you there?”

“Fuckin’ Christ, again?” The cat grumbled. “There wadn’t even no storm last night!”

Merlin cleared his throat, shaking loose the small lump that had grown there at the sound. Kashi had warned him about Angie’s hunting techniques, so he’d known what to expect, but it was still something of a shock to hear in person.

“I think that’s my ride,” Merlin said. He turned to the cat and gave a little wave. “I’ll be off, then. Thanks for chatting with me!”

“Wha—hey!!” The cat exclaimed as Merlin turned and headed for the cliff. “No—Oi, stop that! Don’t—oh, brother…”

Merlin leaned over the stone barrier to peer down into the water, where a large light was pulsing visibly just below the surface. As he watched, his phone began to ring in his jeans pocket. He was still watching when he brought it up to his ear to answer.

“Hello, my friend!” Crackled Kashi’s enthusiastic voice from the end of the line.

Merlin squinted against the rays of sunlight lancing off the water.

“Is that you down there, Kashi?”

“Yes, it is me. And this is Angie! Say, hello, Angie!”

A loud, almost thunderous roar shook the sound, sending waves clawing at the sandy shore below.

“Hi, Angie,” Merlin shouted down to the creature. Then he waved. He doubted she could see him, but it didn’t hurt to be polite.

To Kashi, he asked, “How should I get in? Should I teleport?”

“Best not,” said Kashi. “Your style of teleportation might upset her stomach. Just jump down! She will catch you. Being swallowed is not the most pleasant feeling, but I’ve asked her not to chew on you.”

“Yeah, I’ve been swallowed before,” said Merlin, thinking back to a very particular instance with a giant snake in the Andes mountains. That was the time he discovered he could bounce back from being fully digested—although digging himself out of a pellet of giant snake dung after his body reformed inside it had not been fun.

“Are you there, Merlin?”

Merlin shuddered and shook his head to clear it of the discomfiting deja vu. “Yeah—yep. I’ll be right down. I just jump in?”

“Exactly, yes,” said Kashi. “It is not a far drop, so you should be fine.”

“Right,” said Merlin. “Well, see you in a minute, then.”

“Looking forward to it!”

Merlin hung up and deftly tucked the phone back into his pocket. Then, he climbed up onto the stone wall, and—after ensuring there was no one around to be traumatized by what it would seem like he was doing—performed an exquisite swan dive into the water.

Being swallowed was about as pleasant a feeling as Merlin remembered it being. That is to say, he felt rather how he imagined toothpaste being squeezed out of the tube might feel, had it possessed any of the five senses or been in any way alive. This time, though, he did not have to endure the process of being digested—which had taken nearly a month, given that Merlin’s first time being swallowed had been by a gigantic snake—and was instead spat out onto the floor of a large, warmly-lit cavern, drenched to the bone and coated in fish mucus.

A step up from being digested by a snake, all things considered.

“Eugh,” said Merlin.

It was then, of course, that Kashi appeared, stooping down and offering Merlin a hand to pull himself up with. Merlin took it and thanked him.

“Welcome in, welcome in!” Kashi said, grinning widely. “Sorry about the mess. I tried to clean up a bit before you came, but things got thrown around in the journey to the surface. Speaking of—“ he raised a finger, and the ground beneath Merlin’s feet—which was disturbingly hard and dry for being the stomach of a fish—began to shake. “—she seems to be going back to the bottom now. Come, sit, so you don’t lose your feet!”

“Nice place you’ve got,” Merlin said, allowing Kashi to lead him across the quaking floor to a small table near the back. “Definitely the best-furnished stomach I’ve ever been in.”

“Yes, it’s very nice,” Kashi agreed.

[merlincersei]

Merlin BBC UK TV Show - Opinion Piece Part 23 - Who Is Arthur Really Talking About In This Scene?

Time and again when I revisit this particular scene between Arthur and Merlin (referenced below) I can't help but notice how much "Merthur" has been implicitly queer coded in this show.

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The scene I am talking about is in the Season 2 Episode 4 titled "Lancelot and Guinevere" .

This episode can be summarized as follows:

Gwen is mistaken for Morgana and is kidnapped by Hengist. Uther refuses to pay the ransom or send a rescue party to save a servant. Arthur defies his father and sets out with Merlin to rescue Gwen. ______________________________________________________________

After Arthur and Merlin escape from the Wilddeoren, they have the following scene:

While the casual viewer will look at this scene and state it is Arthur confessing his love for Gwen, however LISTEN CAREFULLY TO WHAT THEME PLAYS FROM 0:55 SECONDS ONWARDS IN THE BACKGROUND OF THIS SCENE.

The theme it plays is Merlin's Arrival to Camelot:

Now ask youself why would the show put in "Merlin's Arrival to Camelot" theme in the background of a scene where Arthur is confessing his love for Gwen?

Especially when Arthur and Gwen already have a theme song called Gwen & Arthur Romance Suite.

Shockingly, the Gwen & Arthur Romance Suite is actually played in the background of a scene between Gwen and Lancelot when they kiss for the first time and Gwen states " As long as I live, my feelings for you will never fade."

Refer scene at 1:22 in the clip below:

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Going back to the scene between Merlin and Arthur, dont you think Arthur's description of Gwen can also be used for Merlin.

[EXT. FOREST, STREAM – DAY] [Arthur and Merlin wash off the Gaia berries by a stream.]

ARTHUR Gaia berries worked. Huh.

MERLIN You didn't know if they worked?

ARTHUR Not for sure.

MERLIN Now you tell me?! Oh! Oh, what's that Wildren eating? It's all right. It's just Merlin. You trying to get us both killed?

ARTHUR I'm sorry. I shouldn't've risked your life like that.

MERLIN Well, they do say love makes you do strange things.

ARTHUR What are you talking about?

MERLIN Why can't you just admit your feelings for Gwen?

[Arthur scoffs.]

MERLIN It's so obvious. A blind man could see it. Is it really that hard to admit you like her? Just say it. (MERLIN THEME STARTS TO PLAY)

ARTHUR I can't! How can I admit that I think about her all the time. Or that...I care about her more than anyone. How can I admit that...I don't know what I'll do if any harm comes to her?

(DID ARTHUR NOT RISK HIS OWN LIFE FOR MERLIN IN SEASON 1 EPISODE 4 THE POISONED CHALICE.

DID ARTHUR NOT FOLLOW MERLIN TO EALDOR IN SEASON 1 EPISODE 10 THE MOMENT OF TRUTH FOR A MERE SERVANT)

MERLIN Why can't you?

ARTHUR Because nothing can ever happen between us! (HOW TRUE! BBC SIMPLY WOULD NOT HAVE ALLOWED MERTHUR TO HAPPEN!) To admit my feelings knowing that...hurts too much.

MERLIN Who's to say nothing can happen?

ARTHUR My father won't let me rescue a servant. Do you honestly believe he'd let me marry one?

(IN SEASON 1 EPISODE 4 THE POISONED CHALICE. UTHER FORBADE ARTHUR TO RESCUE MERLIN AND EVEN HAD HIM IMPRISONED WHEN HE BROUGHT BACK THE CURE FOR MERLIN)

MERLIN You want to marry Gwen?

ARTHUR No! No...I...I don't know...It's all talk, and that's all it can ever be.

MERLIN When you're King, you can change that.

ARTHUR I can't expect Guinevere to wait for me.

MERLIN If she feels as you do, she'll wait for you.

(IN THE END OF THE SERIES, IT IS MERLIN WHO HAS BEEN WAITING FOR ARTHUR FOR THOUSANDS OF YEARS!!)

ARTHUR We don't even know if she's still alive.

MERLIN No, she is. We will find her.

ARTHUR Come on. We've got a long trek ahead. Oh, and Merlin...if you dare tell anyone about this, I promise I will make your life a living hell.

MERLIN You mean, more than you already do?

ARTHUR Yeah.

MERLIN We could talk about your feelings while you walk.

ARTHUR Shut up, Merlin.

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I also managed to get a snapshot of a commentary Bradley James and Colin Morgan did for this particular episode and it is available on the DVD. Bradley's commentary is indeed very telling.

I REST MY CASE !!!