#but it can also stand alone

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[basalting]

after jasons death bruce "accidentally" slips harvey a crowbar while hes in arkham and kisses his cheek and says, voice soft and colder than ice, "make him hurt for me honey"

it takes 6 guards to sedate and drag two face off the joker the next time two face sees him and for the rest of their lives as soon as harvey sees the joker he goes after him like a rabid dog.

[morganbritton132]

Someone asks Eddie what the worst thing about Steve is and you’d think that he’d say Steve’s love for Wham! or his sports metaphors but no. No, the worst thing about Steve is his love for Corroded Coffin. Specifically this one power ballad they have that Steve says describes the love him and Eddie have for each other. It is the only Corroded Coffin song he likes. It is also the only song Eddie didn’t write. Jeff wrote it.

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[my-name-is-apollo]

One of the best parts of rereading the Homeric hymn to Apollo is that I get to read these moments again:

"But Leto alone stays by the side of Zeus who delights in thunder...and the Father gives him nectar in a golden cup welcoming his dear son, while the other gods make him sit down there, and queenly Leto rejoices because she bare a mighty son and an archer."

– Homeric hymn to Delian Apollo (trans. Evelyn-White)

"And they, even gold-tressed Leto and wise Zeus, rejoice in their great hearts as they watch their dear son playing among the undying gods."

– Homeric hymn to Pythian Apollo (trans. Evelyn-White)

It seems so domestic and mundane. Zeus has plenty of moments where he dotes on his children, but it's really rare to see him do that alongside his lover. He is relishing these moments with Leto, who stands beside him. This is more of a family moment than just a father - son moment.

[ghostlyarchaeologist]

A collection of Eliot's 'Dammit, _______'s over the years!

Honourable mention:

[poetrysmackdown]

what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?

Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:

“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”

Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.

That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.

Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,

“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”

In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,

“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”

I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.

I'll always have more to say but I'm cutting myself off here! Thanks for the ask

[ukulele-hero]

this was the funniest sequence of events hands down

🌈🤔🤷‍♀️???

[turtleblogatlast]

imo Leo has every right to be prideful about his appearance because if I had red stripes over my eyes, I’d make my face a personality trait too

[clairedaring]

MY STAND-IN (2024) | 1.03

[averlym]

"now, doesn't that look nice?" [insp]

[spork-supremacy]

like imagine Cole and Jay just having a casual conversation at some point right before the upcoming day of the departed (after crystalised) and they're just randomly thinking about death.

"Isn't it kinda weird that some of us have died so many times."

"You've all died once, you just don't remember."

"What about you?"

"I haven't. Guess the universe has never gotten around to me. "

"Heh, maybe it has something really special planned for you."

No, it just won't let me die. Believe me I've tried.

(also this specific thing is playing over the scene)

[chirpsythismorning]

[zealouswitchwerewolf]

Necromancer!Damian Au except it's just Damian chucking dead animals at the pit to see what happens (what happens is Damian gets an army of undead loyal animals that will bite anything and everything except Damian and are fiercely protective to the point where no one can seem to get within a 5 feet radius of him. Talia is torn. On the one side it means her baby is safe and can't be reached by Ra's or anyone with ill will towards him, on the other, she also can't reach him. Funnily enough, Damian's army is getting more and more extravagant cause he realized anything dead he throws at the pit comes back so he started with pets and is now chucking random bones at it).

It's all fun and games until Damian finds Tim, a kid a bit older than him traveling with his parents in an archeological expedition who happens to be carrying the huge bones of an undiscovered animal and is on his way to deliver them to the museum. It doesn't take much for Damian to convince Tim to come with him and throw them at the pit, see what happens. It's a 30 feet long dinosaur. It's big and scary and takes chunks of everything and everyone that gets within 10 meters of him, except Damian and Tim. Naturally, Damian tries to convert it into vegetarianism. Funnily enough, whenever he feels like he's making progress a league traitor is somehow found too close to the dinosaur and it's back to the start for them.

[mintharan]

one thing i love so so much about wyll is that he's an atheist, not in the sense that he doesn't believe in them, they are materially real in the DnD setting, but that he doesn't think they're worthy of worship "the only thing the gods have ever given me is a cold shoulder" it's so evocative, so poignant, it says so much about him as a character. and really, to me, encapsulates the essence of his character: there is no divine intervention, there are no miracles, there are only people, and for them he's willing to sacrifice more than any god ever would

[dayurno]

hiii dayurno could you tell me more about raven!jeremy? it's such a new idea sounds very interesting!!!

hiii of course! buckle up. long story and also a collab with ao3 kevjean :3

well first of all let me say that in this au jeremy is not part of the perfect court or in fact even close to it at all. he’s a sub striker with a high jersey number who did not see much playtime during his career as a raven and was on the lower end of the raven spectrum skill-wise. this is important to tell you because the fic doesn’t start with jeremy in the ravens, it starts with him dealing with the aftermath of the nest getting dissolved and losing every bit of his hopes and dreams after sacrificing everything in his life to make it in eau—it starts with kevin salvaging the last dregs of jeremy’s college career by recruiting him for the foxes for his last year, even though jeremy, as an ex raven, hates him (and jean) for what they’ve done both to riko and to their team

ok good. so set the scene. jeremy is miserable. the ravens already didn’t like kevin and jean to begin with, isolated as they were from the perfect court. now jeremy lost not only his team but the lifestyle surrounding it, the ideology of the ravens, his partner, and his career prospects. he doesn’t have the eau raven title anymore and he can’t use it to get himself in the line of sight of most pro team recruiters. he gave up a family (that didn’t love him much, but still) and a trustfund for this. kevin day leaves the nest, jean moreau follows soon after, and their king kills himself. Do you understand how much jeremy hates them? kevin and jean were perfect court, were untouchable, didn’t even know or care to learn his name as a sub striker with not much under his belt—and then they left and destroyed everything jeremy had worked so hard for without even thinking about him. without remembering him at all, in fact.

he hates them!!!!!!!! desperately. With a passion. getting recruited for the foxes and by kevin day on top of it all is humiliating, but it’s the last chance he has. jeremy arrives in palmetto an angry hateful mess made ten times worse by kevin’s constant criticism of him, unaccustomed with normal life and without a partner for the first time in four years. he’s volatile and destructive and he has nothing to live for. exy is the only thing he wants and it doesn’t want him back. :) kevin steps in and takes jeremy’s game from him much like he did with neil, both out of desperation because the foxes are a mess now with the addition of their freshmen, and because, while jeremy isn’t really anything to write home about in terms of skill, he’s far more ambitious and disciplined than the average fox. jeremy hates kevin but can’t afford to reject his help. thus begins the most convoluted raven partnership to ever exist

jeremy hates kevin and has a non-negligible wish to harm him whichever way he can, but he’s also a raven that escaped the nest all on his own. he latches onto kevin immediately, the two of them becoming partners in the raven sense of the world while clashing Often and Intensely with each other both on and off court. their relationship gets more and more volatile the more jeremy goes out of his way to get under kevin’s skin, resentful and so angry at what the perfect court’s done to him, while kevin sinks his feet in and pushes jeremy way past his limits in his training. basically they are a match made in hell :) lots of hatefucking and jealousy and violence and the one murder attempt ensue as the foxes try to navigate this destructive, hopeless version of jeremy that wants to die and take down as much as he can in the process, up to and including kevin day. they’re together every second of the day and jeremy hates him for everything kevin took from the ravens, but he also depends on kevin’s training and presence to feel like a person again. it’s a really big mess basically that is eventually made worse (and better) by kevin and jeremy starting to sleep together to get the adrenaline out raven-style. and that’s all without jean coming along, which he will eventually

[muninnhuginn]

Thinking about "your weakness is how you always want to be the hero" and how the series returns to this at the end

Li Lianhua hated how he acted as Li Xiangyi and spent years trying to distance himself from it, but ultimately he still fell back into the similar patterns, for all his added experience

His main priority was always to "do the right thing" regardless of how that would impact on those around him. And it *did* impact those around him. From Qiao Wanmian and Shan Gudao as Li Xiangyi to Fang Duobing and Di Feisheng as Li Lianhua

Giving the Styx flower to the emperor so he could use it as leverage to guarantee Fang Duobing and his family's safety. Using the last of his power to save Yun Biqiu. Constantly putting others above himself whilst actively refusing to recognise that his self-sacrificial nature would hurt those he cared about most

And sure, he thinks he's going to die anyway. They're going to be hurt regardless and he can't do anything about that. His odds are low of the Styx flower even working. But ultimately, he refuses to even consider trying. Li Xiangyi has been dead a long time and Li Lianhua is just there to tide things over. What value is the life of a ghost

To the end, he lives and dies a hero. To the end, he refuses to live for himself.