#but instead its being a ninja

[dumbfandomdoodles]

It's A Lie to Say that I Learnt First as a Necessity

[writinganon1]

@cokoweee

Ya’ll ever have a dream so lifelike it feels aggressively real until one thing goes a little too wrong and then you start to realize that maybe you’re in a dream but it’s also too real to convince yourself it’s not real that you can’t wake yourself up? 

TW: panic attack, I say gun, uhhh blood ig? Bishop says a kinda weird thing but that's just him bein him

can I say blood? last time I did it marked me as mature...

-

Her heart thumped against her chest, lactic acid building in her legs as she ran. She tapped furiously at her phone, fingers slipping over the screen as she tried to deploy Sheldon. 

Donnie says “no no no” chimed a pixilated picture of Othello, his finger waving back and forth. 

“What the-” She slammed against a wall, her shoulder crunching against the brick. 

His stupid programming on the poor thing to keep Sheldon at his house. Maybe she could override it? 

No, not enough time. She was just going to have to run and hope for the best. 

Her shoulder screamed in protest as she climbed the ladder in the alley. Scrambling over the side of the building to catch her breath, she tapped at the screen again. 

There had to be something she could do to foil his programming. She wiped at her nose, the cold still not quite gone even after days of bed rest. Bullets flew over the edge of the building, seemingly locking on to her body heat. Throwing herself at the ledge at the last second to force the bullets to crash into the wall she coughed violently, phlegm coating her throat.

Stupid sickness. 

Stupid Othello leaving her with the stupid rabbit farmer.

She pushed herself off the ground, arms struggling under the weight of herself. It was as if every muscle in her body was on fire, each fiber screaming at her to stop. She gulped raising her head over the ledge. Agent Bishop was standing on the adjacent rooftop, his face curled into a sneer, eyes unblinking despite the sun in his eyes. 

He waved at her, fingers waggling in the air as he pulled a small gun from his pocket. Aiming it directly at her chest he grinned, his eyes flickering with something distinctly unhuman. 

She stumbled backward, her feet skidding over the concrete as he seemed to lock onto her. Loose rock dug into her knees as she clambered over the rooftop. 

Away.

All she needed to do was get away. 

She placed a hand over her stomach, feeling the raised bump of the scar, as she moved.

This was…

This was wrong? 

It didn’t happen this way. 

No. She didn’t need to get away, she needed to get out. 

The bullet ripped into her skin, tearing away at muscle, and shattering the bone in her rib.

She screamed, blood pouring from the gaping hole in her chest, as Bishop moved closer. He walked to her side, footsteps clanking against the concrete. 

Clawing at the ground she dragged her body along the roof, rocks digging under her nails. Bishop laughed, his foot trampling her hand, digging it into the ground. She gasped, breathing shallowly as she fought to get loose. 

He grabbed her hair, wrapping it between his fingers and tightening his grip as he pulled her from the floor. 

“Oh, this is wonderful.” He smiled, voice dripping with venom. “Such a pretty little thing I caught this evening. I’ve been dying to chat with you.” He pulled her hair up, forcing her to rise. “I wonder if she’ll do any tricks?” 

She spat in his face, her ears filled with an all-consuming ringing. 

Away. 

She needed to get away. 

It didn’t matter how. She needed to get away. 

He said something else, flaunting some sort of mechanism he had hidden in his shirt. She tried to focus on his words, but her breathing was too shallow, her limbs too shaky, the ringing too loud for her to hear a word. 

She clamped a hand over her chest, a sorry attempt to staunch the flow of blood from the gaping hole in her body. Cursing softly she watched as the red seeped into a slithering pink fleshy mass. 

She stifled a scream as the pink turned an orange maroon, her own blood fueling some sort of monster. 

“Shhhhhhh.” Bishop whispered against her ear, “It’ll be done soon. Just one quick slash and you’ll be out of my hair for good.” 

The mass jumped forward, faster than she could comprehend, her body spasming in pain as she scrambled back.

Was this the Krang she’d heard so much about after she’d left the jail? Weren’t they supposed to be mindless or something? 

It lunged forward again, tentacles lashing toward her face. Bishop shook her in front of him, like a toy for a dog. 

“Kendra?”  

She screamed as he tightened his grip on her, shaking her around like a bag of flour. The world around her turned hazy, her vision blurring in and out. 

She wasn’t going to go out without a fight. 

Throwing her head back she jammed her skull into his chin, breaking the grip he had on her hair. 

She clawed at the ground, a strange silky feeling coating her fingers. Pushing away the softness of what was sure to be Krang, she kicked at the mass as it wiggled unnaturally. 

“KENDRA!” A familiar voice shouted at her, a gentle three-fingered nubby touch against her arm. 

Her eyes flew open, arms flailing to the sides to swat at what was left of the Krang matter, as hands held her back. She gasped, her chest heaving as a sinking feeling hit her gut. Dread splashed over her head like a wave, drowning her, leaving nothing but fear.

Eyes widening she looked next to her for Tello, horrified as darkness encroached on her vision, leaving her staring through a pin hole. Nausea rolled through her stomach as she gasped for air, her chest shuddering to keep up with her breathing. 

It hurt. It hurt so bad. 

“Hey, hey, hey.” He whispered, hand placed against her back. “It’s ok you’re home. You’re with me.” 

She jerked backward. He was loud. So so loud. Even with the ringing in her ears, he was too loud. 

Breaths were punched from her lungs faster than she could finish taking them in. Tears streamed down her face as her eyes blew wide. Her chest tightened, lungs twisting as she shook. 

She’s dying. She has to be dying. There’s no other explanation. 

Dead in her room from a nightmare-induced heart attack,  

Her eyes flickered back and forth over the room, not focusing on anything, just wildly scanning for danger she knew wasn’t there. Willing her arm to move, she let out a chocked warble. 

The room seemed to melt around her. Things blurred together, a fuzzy abstract painting of almost-real-life. Sweat beaded on her forehead as she tightened her muscles. 

Her whole body shook as she tried to take steadying breaths. 

“Did you know softshell turtles only have half a plastron?” 

She was in the middle of dying. 

She most definitely did not need turtle facts right now. 

“Technically a full one, but it’s covered by skin, rendering it effectively useless for plastron purposes.” He shrugs. “Same deal as the shell.” 

She looked at him, confusion breaking through the panic. 

“Makes us really flexible though. Wanna see?” 

He got off the bed, walked to the middle of the room, and bent backward. He smiled upside down at her from the floor and smoothly brought himself back up. 

“Pretty neat huh?” He waggled his eyebrows. “Bet no other turtle you meet could do that.” 

Amusement rippled through her as she watched him demonstrate his stretches and various yoga poses.

“I’ve never met another turtle like you.” She breathed, some of the panic melting away. 

“Precisely! No one can do it like me!” He said, pointing his finger at her triumphantly before his face softened. “ We starting to feel a bit better?” 

She brought her thumb and pointer finger close together. A little 

He nodded. “Am I good to come back up or do you need some space?” 

She patted the bed next to her, inviting him closer. She waited until he was seated comfortably before slumping against his shoulder, exhausted. 

He shifted slightly, reaching for his phone with one hand, the other wrapped around her. He let them sit for a moment, reminding her to breathe every few seconds before Sheldon zipped into the room. 

He whispered something to Othello before zooming out of the room. She watched passively as it happened, her body still not quite connected to her soul. 

Sheldon returned moments later, a bag of ice, a bottle of water, a cookie, and tub of lavender lotion in his little propeller arms. 

Othello took them from him, patted his head, and shooed him away. Taking one of the ice cubes he flattened out her hand and placed it in her palm. 

She jerked slightly at the sensation of cold in her hand, surprised when he placed another in her palm. 

“Focus on the melting.” He said, voice low and gentle. 

The ice filled the lines of her hand and dripped over the sides and down her arm. She shivered as the water pooled in her hand. Othello grabbed the cookie from the pile he had created and broke off half to give to her. 

“Thanks?”

He watched her carefully. “What does it taste like?” 

“A cookie?” She said through a mouthful, her hands still full of TV static. 

“I need details.” He pressed. 

She paused, taking a moment to consider the flavors in her mouth. “Vanilla, chocolate chips.” She took another bite. “ Like I left it in the oven a minute or two too long and overcooked them just slightly.” 

She’d have to make another batch, this time keeping an eye on the time. 

He pressed an uncapped water bottle into her hand. “Drink.” 

She pressed the bottle to her lips, feeling the way the cold blossomed against her skin as she held it there. Quietly observing the way she could feel it go down her throat and into her stomach. 

“Are we feeling more alive?” 

She nodded, running her hand along her thigh to feel the fabric of her pajama pants as she pressed her head against his side. 

“Good.” He murmured, sleep creeping into his voice. “You had a panic attack I’m pretty sure.” 

“...Sorry it was for something stupid.” 

“I get worked up over stupid stuff too.” He mumbled, eyes half closed. 

“Your stuff isn’t stupid.” She countered. 

“Then neither is yours.” 

She stopped, lifting her head to look up at him.

He grabbed her hand, flexing the fingers for her. “You feel ok?” 

“I don’t know.” She answered honestly. 

He nodded and guided her to a lying position. “Tell me five of your favorite things.” 

She paused, looking around the room. “Hmmmmm. You.” 

“Thank you.” 

“Mhm. Uhhh, lavender. The color purple. Satin jackets. Baking. Messing around in the lab. Oh, I guess that’s more than five.” 

He tapped her shoulders rhythmically, “You can keep going if you need to.” 

She took in a deep breath. “I think I’m ok now.” 

“Positive?” 

Nodding she pulled the blankets over herself. What she really needed was rest. She was so exhausted from the whole ordeal that the idea of doing anything else felt impossible. 

He got off the bed again, searching beneath the bedframe for something before he pulled a large purple blanket from under the bed. She blinked in surprise as he placed it over her, a weight holding her down to the bed. 

“I should’ve mentioned it was weighted.” 

She pulled her hand out to give a quick thumbs up as he climbed back into bed. She shifted to hold out her arm for a hug. He smiled and pulled her close, wrapping his arm around her waist. 

“You smell like you’ve been using my soap.” She grumbled against his plastron. 

He shrugged. “ I like the way you smell.” 

Rolling her eyes she tugged the blanket higher over her shoulders smiling as soft chirping filled the room, the sound he always made right as he fell asleep. 

“Good night Tello.” She whispered.

His plastron vibrated as he churred back, gently running circles through her hair. 

She was home. And she was safe.

~

squad don't write stuff at four AM I'm pretty sure this only makes sense to me at this point. Anyway I was listening to my pretty princess playlist while writing this 💁‍♀️

the reason why this was written is in the tags btw

[paradimeart]

prowl has 0 idea what goes on in protoform development these days

(V.S. = vector sigma)

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[im-bored-so-i-draw]

since rebel is released in cookierun kingdom so i downloaded it

I have been informed that I'm lucky in these pulls

Anyways heres my team rn and how i think they would interact (since i play this game just now)

I see wildberry and basque as the one keeping them in check. Basque is a bit more loose though.

Rebel and chilli pepper would kind of befriend each other? Like thieving partners??

Oyster tried to keep them in check too but it was too chaotic for her..

Also i slip a few bits of my oc-- which is just a Genshinified version of my beloved artist.

[bambiraptorx]

theorizing that part of the reason for draxum's fighting style so often involving using vines to attack is that it's meant to keep people away from him in a fight, because the horns on his helmet are a something of a massive liability if someone ever got close enough to grab them

[clockworkrobotic]

I cant get any tattoos or piercings for a bit bc waiting for surgery so instead I've spent £100 on kitchenware. This is how I am

[naturenaruto]

just saw (yet) another post (fanart) about kushina abusing obito.....like why do people seem to think the child abuse in naruto is so funny....why is it played for laughs......why is it such a joke.........why do ppl act like this makes kushina and tsunade and sakura badass...........they are abusive....????

[ricelacethrust]

they should invent a crying that doesnt FRUIT NINJA COMBO SLICE MY FUCKING NOSE

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

[poorwhayfairingstranger]

I think you need to remember that this is kind of a soft reboot. All of the other characters can be pulled back at any moment, but they probably won't be.

This is essentially supposed to be the start of a brand new series. That isn't so brand new. Do we even know a 100% that the ninjago that we saw in the merge is our ninjago and our ninjas from the previous seasons.

I mean, the movie took place in a completely different universe than the series. For all we know, there could be others, and this is one of them. The writers have pulled that kind of Nonsense off before. I don't have any Faith They won't do it again.

“Where’s Cole and Jay?” “Where’s Wu?” “Where’s Pixal?” Where’s literally everyone else. Where is the entirety of Ninjago. Where are all of their enemies.

Where’s Harumi? Is she off making another gang? What about Skylor and the other Elemental Masters?  Where’s Dareth? Don’t tell me Dareth isn’t trying to continue on the Ninja’s legacy out there. The Upply and Vania? Are they out there doing good, hoping the Ninja will come back? Vinny? Is he good?

What about Garmadon? Or Misako? Lou? Ed and Edna? Ray and Maya? Cyrus Borg? Where are they. Are they not worried about their kids.

What about Clouse? He was sent to the Underworld, he’s possibly with a Skulkin army! And Vex? Vex is there too! He’s roaming freely across the lands! Pythor is still around, probably getting beaten with brooms from old ladies. Aspheera probably broke out of prison the literal day of the Merge, so god knows where she is now.

Were they all just…laying low for a year? Not causing problems? I realize the new Merged land is huge but surely they aren’t just chilling peacefully in a cottage somewhere, right? Like, compared to these guys, Imperium is such a non-problem that I kinda want them to come back just to watch Beatrix get so outrageously offended that shes barely worth the effort while the Ninja kill the Overlord for the 8th time. I think it should be utilized more often that the Ninja aren’t stepping onto Imperium’s turf, Imperium is stepping onto the Ninja’s turf, and they’ll find this out the hard way. By the never ending SEA of allies and villains that keep popping up out of the woodwork

[brucewaynehater101]

Hear me out for something. So we agree that Tim definitely took a bunch of Ras ninjas when he blew up the place right? And they're *super* loyal to him and also very, very competent.

What if when Tim brings Bruce back from the Time Stream, once Bruce is healed up, he insists on taking over WE from Tim. Not because Tim is bad at it, but because he doesn't want to sit around doing nothing while he physically heals and isn't allowed to be Batman.

So Tim decides to use the money he made to revive Drake Industries. He'll need a bunch of very loyal workers who know how math works to fill out upper management to make sure there isn't any corruption and wouldn't you know it. He has a couple hundred of exactly what he needs stolen from ras who are getting antsy about not having anything to do.

It only takes a year, maybe two at the most, for Drake Industries to raise to rivaling Wayne Enterprises and Lex Corp like it used to before Tim's parents died. There are rumors though, that it's impossible to rise beyond a certain point in the company as all those positions are filled already and if a new one opens, it's given to someone that no one has ever heard of before (more defectors from Ras). All the people on the board are weirdly young (is that Olympic Gold Winner Cissie King Jones???) And one of them just had a big scandal go public about being Lex Luthor's illegitimate son that he kicked out for being gay?? This is not at all what happened with Kon, and Lex has been trying to calm the rumor mill around it but the gossip collums have taken this and ran with it.

You would think that with a board of directors so young and a company so new that's so big, corporate espionage on them would be *easy* but that's to the fact that every single member of upper management would die for Tim, none of it happens. His company is massive and air tight. People who try to bribe his workers into selling secrets often end up in strange accidents. After all, you can take the person out of the Ninja Death Cult, but you can't take the Ninja Death Cult out of the person.

Yes! There is a series not quite like this, but dear to me. "Where Bats and Birds Roost" by Mouse_in_this_house has BAMF Tim Drake with ex-LoA agent spy network that he hides via the Neon Knights initiative.

However, I love that your AU had Tim make it from the corpse of his parents' company. Instead of using Bruce's resources, Tim used the ones that only belong to him. I also like his rehabilitation plans for all the defectors and their loyalty to him because of it.

Tim should go around snatching up people from his enemies because he has better benefits, way less chance of the job killing its employees, and charisma. Maybe Bruce gets a little annoyed cause WE employees also prefer to work at Drake Industries (probably not, but it would be funny).

Also, YJ working for DI? Brilliant ^^

This type of chaos and the BAMF Tim are spices I need more of. Let Tim use his whacky ability to befriend his enemies for his benefit!

[kindaasrikal]

I need people to remember that Nya was also in love with Jay since day 1, its just that it wasn’t her biggest priority seeing as she was going through a whole thing called insecurities and finding who she is outside of her brother and outside of her parents and outside of her village and outside of Jay.

Nya loves Jay the same amount, she has loved Jay just as long as Jay had, but her love for Jay wasn’t something she was willing to pursue when absolutely everyone would dumb her down to just that. The same way everyone was already dumbing her down to Kai’s sister the second they all met, and the same way they were already dumbing her down to just the love interest between Jay and Cole even after finding her identity and place as Samurai X. Imagine how much it hit her when Samurai X, and image she crafted so carefully with so much love and attention and pride, was suddenly belittled and mocked because apparently he was actually a she.

And you can’t forget the fact that she was suddenly forced to grapple with another new identity as the water ninja, and then had to deal with all the hate and mockery and belittling everyone was doing as she wasn’t just the water ninja, but the girl ninja. Its not easy to hear the comments people from a whole city make of you because of your gender. Even people from your own gender, and it must’ve been even worse because no one else understood, they knew it was a problem but they still believed her reactions were too over the top. The stress of all of that and then also having someone she loved but wasn’t ready to love with try force another path onto her was bound to stress her out.

Jay wasn’t necessarily an ass during that season, from what i can remember. He was a whole mess yeah, his insecurities making him take actions he wouldn’t have before and try forcing his wants and desires onto someone else who wasn’t ready for it. But he grew and learnt and stopped all that as the season progressed. He had to understand that the people around him won’t just leave or downgrade him, and that he must ease his own anxiety and understand that whatever happens will happen for the good of them all. That doesn’t change the fact that his actions in the beginning was a shi show though, so no wonder Nya pushed him away during that time. Reminder that you can still be angry and annoyed at someone you love, especially when they deserve it.

Not to mention she has never been all that vocal with her affection. Not like Jay. You know she cares and loves you simply through the way she trusts people but shes also been a lot more locked up over her emotions, and thats okay. Because Jay knows (haha, knew.) that Nya loves him just as much because if she didn’t she would very obviously state that. She may not be vocal over her emotions or her love for someone, but she is over her opinions. She won’t just let someone use her or mess with her because she feels bad or that she has too.

Right now, for Nya and Jay’s character, I’d rather focus on the identity crisis that JAY is going through now instead of Nya, and of how NYA is the one chasing and wanting to bring Jay into her life despite him not wanting (not being ready?) to do so. I’d rather focus on her development as a character and now as a teacher. And how Nya is going to change and grow like how Jay changed and grew in Skybound for her. Honestly I would love a lot more focus of developing Nya’s character as an adult who is horrible at being vulnerable and how she will grow, with the whole ‘Nya and Jay!’ Thing just a tad bit more in the background and used as more of a kick up for it. And for us to watch what may happen to Jay as he changes in a new environment with new memories and experiences.

For once, i want to watch them grow separately rather than watch them grow for each other. I know Nya can do that, but it’s only with Jay having lost his memories that he’s now capable of doing that for himself and only himself.

Sorry this was huge throw up of a rant so honestly just believe that this is five random points shoved into one post and rambled in a horrible way

Edit: reminder that Nya didn’t just disregard her feelings for Jay just so she wouldn’t be placed as simply his girlfriend, but also because she had many other worries. Completing missions and making sure everyone lived, being the biggest brain and planner in the team for ages, as well understanding her self outside of her town that she lived in for ages. Kai was able to fond himself easily amongst the other ninja, but Nya didn’t have that. So obviously she, as a 13-16 year old young teenage girl, would rather focus on finding new hobbies and having new experiences than pursuing a love life she wouldn’t even be confident in pursuing in. Jay and Nya are not each other only priority or worry, their love for each other is important to them and who they are, but isn’t the most defining factor or shouldn’t be the most focused.

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[tossawary]

Have you ever thought about who would be the funniest or most compelling naruto characters for either Shen Yuan or Shang Qinghua to transmigrate into?

Ha ha ha, no, that's never crossed my mind until now. Shen Yuan and Shang Qinghua are most interesting to me because of their specific relationships to "Proud Immortal Demon Way" and its characters, but transferring their story-bending abilities as transmigrators to something else...

Being flippant about it, I guess I could say that Shen Yuan's most notable skill is his "reverse harem creation" ability, seducing the people around him by being nice to them and happy & chill about life. So, any character for whom a harem is particularly funny. It would be funny to put him in Naruto, because Naruto is also not too shabby at building a harem and Shen Yuan is also a rather unambitious person who would probably hate being the protagonist. It would be funny if Shen Yuan could make Sasuke obsessed with HIM instead.

Generally, however, it's always fun to put Shen Yuan into scum villain roles. He'd probably make a good Orochimaru. It would be very funny if he accidentally seduced Kabuto or someone like that.

Airplane Bro in the "Naruto" universe is funny to think about because he's no longer the author and maybe he didn't even LIKE "Naruto" all that much. Maybe he never even finished it. He was using the one manga volume of "Naruto" that he owned as the coaster for his noodle bowl just before he transmigrated. He's SO bitter about it. He wrote a 20 million word story and didn't even get to transmigrate THERE???

Airplane Bro's main skills involve paperwork, being a traitor, and seducing cold-faced henchmen, so... I don't know. He should be someone relatively plain and it should be really funny to have a terrifying villain head over heels in love with him, and I cannot name a set of characters off the top of my head. When I try to think of "Naruto" characters who don't make facial expressions, I keep getting stuck on Itachi, and I have no idea who would be the funniest character to have accidentally earned Itachi's loyalty by being nice to him over the course of his childhood. I guess I'd say to pick an Akatsuki member and invent some random nobody ninja so Airplane Bro can be their new pathetic sidekick.

Rule of thumb for SVSSS fic ideas for me is "Is it funny?" Or "Does it break my heart?" but mostly "Is it funny?" Preferably in the way that breaks a genre trope.