#but in the cannibalism way

[fuzybby]

Gortash is so dreamy I want to eat his eyeballs

[vebokki]

wait! i get it, you're a luo binghe super fan huh

[meltedmush]

....would octobing make takoyaki off himself 🥺

I’m actually not entirely sure about this!

It’d probably be OOC of him to make takoyaki of himself since I don’t think Octobing would want to disrespect shizun in any way.

But at the same time I wouldn’t be surprised if he did, and then actively fed it to SQQ. 😭😭

Once shizun finds out and reprimands Octobing, he’d definitely stop.

[killjoy-toast]

As the #1 one Mary Poppins truther, I legally had no other choice

[elizabeth-mitchells]

RIP Laura Lee, you would've loved that there were twelve disciples yellowjackets eating the body of Christ Jackie

[bunnieswithknives]

Obsessed with his brain

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[sunofpandora]

OFFICIAL AVATAR 3 ANNOUNCEMENTS

This just in guys, last night on D23, avatar 3 has an official title “fire and ash”

We are so back guys 🤭💙🩵

[t3acupz]

[oneofthosenightbees]

Meal Talk 🥩

[charlietheepicwriter7]

@anotheroceanid

Between Calypso’s island and his home, on a rocky shole surrounded by mile-high waves under a black sky, Odysseus became a monster. And like all monsters, he eventually watched all his loved ones die without him. 

At first, he didn’t notice. In his relief to be home and his joy to get to know his wife and son again, Odysseus didn’t realize how strong he was until he reached out to hold his wife’s hand and accidentally snapped her wrist. After that, he couldn’t stop noticing how different he was. Everything felt fragile, like spun glass under his fingertips. His form flickered like the wind, one moment strong and steady with the face of a man, the next moment shadowed and looming and clawed and every inch reeking of danger. He could see farther than his son, hear further, and one day Odysseus looked Telemachus in his face and realized they could be mistaken as equals rather than father and son. 

His family grew old while Odysseus stayed the same.

Well, not the same. Odysseus changed in far more horrifying ways. 

Eventually, his family died. First came Penelope, weak and frail and beautiful as always, passing away gently in her sleep, in his arms. Then his Telemachus, decades later in a sickness that swept across the island. Then his son’s son, then that son’s daughter, and her son, and on and on until his last descendant drowned in a flood that buried the whole island for a day. 

When he finally left Ithaca, the first time he’d left since he came home, the world had changed. And Poseidon’s children were everywhere.

Every single one of his son’s children were dead. Yet Poseidon just… kept popping out more and more bastards, like there wasn’t a target on each and every one of their backs. So Odysseus became the arrow.

Odysseus usually avoided eating demigods. There had been one son of Ares on Ithica who harassed his great granddaughter that Odysseus dealt with, but for the most part, he kept his human morals. But he always made an exception for the children of Poseidon.

They weren’t his favorite demigods to eat, by far–too fishy, and Ocean demigod meat always had a weird texture, like eel but tougher. But the joy Odysseus got from Poseidon’s screams of agony, screams Odysseus could hear every time one died, screams Odysseus could hear from anywhere on the globe, gave greater satisfaction than pleasure ever could. 

Many demigods had been sent to kill him. At first it was only Poseidon’s children, seeking him out in revenge for their lost siblings; a noble cause, so Odysseus killed them quickly and properly buried them with payment in their mouths. Then it became quests, demigods sent for the “glory” of killing the Monstrous King of Ithaca. Those, Odysseus killed slowly, ripping out their stomachs with siren’s talons and leaving them to die in pools of their own blood. He didn’t even spare his old friend’s children, nor his relatives. 

Then, the Prophecy. 

Odysseus had lost track of time since the reveal of the Great Prophecy. At first, he’d kept busy by killing Poseidon’s children still; a few had survived the second moral world war and were already older than 16, so Odysseus could hunt them to his heart’s content. But as the well of available revenge dried up, so too did the demigods chasing after him become… younger. Children baby-faced and desperate to survive Odysseus in battle and Odysseus… he couldn’t kill them. Not children, so small and shaking and unable to hold their knife correctly as a child barely old enough to fight stared up at him with watery gray eyes. 

Men, he could kill. Women, he could kill. But children?

Not again. Please don’t make him do it again.

So he disappeared. It wasn’t the first time he’d lay low out of the Gods’ gaze, so Odysseus let the decades wash over him until, finally, he heard rumors of Poseidon making landfall in New York. 

He’d known his old foe would slip up eventually; it wasn’t in Poseidon’s nature to keep himself from ruining young women’s lives. 

Slipping through the streets and alleys of modern New York, it took Odysseus weeks to catch the faintest trace of Poseidon’s scent. Demigods had a weak scent as long as they relied on their parents. It was meant to protect them. But the Kronide’s children always had strong scents, even as babes. 

Odysseus couldn’t figure out how old Poseidon’s newest bastard was, but no matter how young they were, the child was strong. He could smell it in the back of his throat. 

Triangulating the scent, Odysseus approached the rundown apartment building and scowled. Gone were the days where a lover of Poseidon was draped in fineries and set up in a golden palace. He took a moment to pity the poor mortal woman. She had to suffer the indignity of having that thing as a lover, without any of the perks her predecessors enjoyed; not only that, but soon she’d have to confront the reality of being a parent that has outlived their child. Odysseus pitied her, truly. 

He didn’t want to do it. But he would. It would be better for the babe if it never grew up into a pawn of its father, and better for the mother that she wouldn’t need to die at the hands of a less considerate monster. 

The sky rumbled overhead as the first fat drops of rain fell on his head. He looked up. Natural occurrence or divine attention? Either way, few gods would interfere with his task, if they noticed at all.

The lock crumbled under his grip and Odysseus crept into the building like a thief. Each floor stunk with humanity, of beer and tobacco and sweat, but the salt of the sea grew stronger with each floor until he finally found himself at a corner studio apartment a few floors off the ground.

This lock, he picked with ease. The sanctity of the home did not protect them as he snuck inside. The apartment was shockingly full, stuffed with oversized furniture that cluttered the already cramped apartment. A thin pathway carved between the back of one of three sofas and the wall led Odysseus to the back of the apartment. A bed had been pushed against the apartment’s sole window–lightning flashed outside–and against that bed, a crib. 

He inspected the mother first. Young. Not as young as he and Penelope had been when they met, but younger than Telemachus had been when he returned home. She was thin too, lean but the baby fat still clung to her face. Poor girl. 

Poor, poor girl. 

His attention turned to the Sea Spawn. It wasn’t big, smaller than Telemachus when he left for Troy, and his scent was just a wispy hint of ocean. If he hadn’t been following Poseidon’s scent, he would have had no idea this child was more than mortal. 

Odysseus loomed over the crib, studying the creature inside. With siren’s talons, he traced the pudgy babyfat of its cheeks. It huffed softly, struggling against the tight hold of its swaddle in their sleep, and Odysseus unconsciously smoothed out the wrinkle on their forehead with the soft flat of his finger. 

They did not look very much like Poseidon. Maybe with their skin color, but little else. Though perhaps Odysseus wasn’t the best judge; he’d sworn on his life that Telemachus looked just like his Penelope, but she’d claimed their son to be his copy in every way. Odysseus didn’t see it then, and didn’t see his enemy now in this babe’s face. 

Odysseus stood over the crib, his massive frame casting a shadow over the small, sleeping form. His claws hovered mere inches from the baby’s chest, but his hand trembled. This was Poseidon’s child. He could smell it clear as day, better than any other monster before him. Odysseus was practically made to murder Poseidon’s children, his very being honed to track them down and kill them, so why was he hesitating–? 

Lightning flashed, the light reflecting off shiny words on the crib’s backboard. Painted above the baby’s head in streaky gold paint was the name Penelope.

His breath hitched. He blinked, his monstrous form stilling as though time itself had paused. Reaching out a hand, he touched his wife’s name. “Penelope?” he whispered, his voice barely audible, rough from disuse. He said it again, this time louder, as though speaking the name would summon a ghost from his past. “Penelope.”

The child stirred in sleep, her tiny face scrunching as if disturbed by the sound.

He could barely think over the ocean of blood rushing in his ears. Poseidon’s child was named after his wife. Had he…? Was this a deliberate offense or mockery? Had Poseidon named the child after her to taunt him, to twist the knife of his losses deeper? Or… his crimson gaze turned to the mother. Was this her doing?

Did she think naming her child after his wife would stay his hand?

Worse of all, was it working? 

Odysseus knelt, his monstrous form folding into itself, making him seem smaller, almost human. He stared at the child who bore his wife’s name, his mind warring with itself. The rage that had sustained him for decades demanded he finish the task. But… Penelope. 

[fraternum-momentum]

llllll,,,,,,,,lllllllll,,,,lllaios,,,,,,,,,,,,,,,,,,,,,,,

[anendtopursuit]

thinking abt the contrast between jimmy's violence and swansea mercy-killing daisuke.

everything jimmy does feels gratuitous. for the smallest example, he escalates curly's (seemingly calmly stated) bad news into hostility and accusations - and it only gets more severe when we start seeing things from his perspective. it's all laid out right there in front of us, whether we like it or not; we watch him, help him, carve into curly's leg and feed it to him, and dehumanise anya, and shoot swansea point-blank. even when he's forcing medicine down curly's throat and the game mercifully fades to black, we still aren't spared the sound of him gagging and sobbing and choking on it - and every time curly is on screen, he's an unavoidable, stark reminder of jimmy's violence. it's everywhere you turn.

swansea putting daisuke out of his misery is, in comparison, heartwrenchingly tactful. he tells him to close his eyes (something that curly can't do, doesn't have the choice to do anymore - even as the credits roll he's still left staring helplessly, no fade to black), and as he does so, the camera pans and retreats until his entire head is obscured. not only do we not see the impact, but we don't hear it either, since the audio cuts out. for the actual moment of daisuke's death, we as the audience don't actually see any of the blood and gore of it all, just the sombre lead-up - and it's only when we switch back to jimmy's perspective that we see it. and it's only through jimmy's hallucinations(?) and actions through the rest of the game that we keep seeing it.

[possamble]

What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.

“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.

“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated. 

“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.

Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with. 

“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.

In light of all this, why wouldn't you choose to live as deliciously as possible?”

[fiasvsesvit]

[sunn-mechanic]

[ID in alt]

Don't worry ^_^