#but if you only create for validation you might burn out!

[solargeist]

i think saying "if you like but don't reblog i'm blocking you" is a bit extreme, bc at the end of the day thats still someone that liked your art. also, whats the time limit? sometimes i "like" things to queue later, since reblogging/tagging on mobile can be annoying

[thecosmicangel]

It’s the law of ASSUMPTION not the law of believing it, so no you don’t necessarily have to believe it for it to true. And you are not new to manifesting you have been doing it your whole life.

Really think about it, why would we need to work hard or be deserving of something to have it? If that where the case then “bad people” wouldn’t have the money or lifestyle that they have. Do you think that if we had to be deserving of things, good people would suffer? Did they deserve the bad things to happen?Since we been born we have been programmed with limiting viewpoint and beliefs saying things like

“Good things take time”

“You have to work hard to earn it”

You have to deserve it

If it’s meant to be it will be

It will happen in divine timing

You have to be completely healed to have it

You have to be vibrating at a high frequency

You have to be positive all the time

You have to be patient, everything happens for a reason

Or you have to be logical , be realistic

And so much more. This is why you can make up your own rules because everyone else is, everyone decided what they choose to believe / assume to be true for them and based on that they experience their reality.

Just because we are born and exist is enough proof and validation for why we deserve to have what we want. We have those desires and dreams for a reason. We were created to experience all of our desires. Do you really think we were born to work a horrible or boring job everyday for the rest of our lives? Do you think you were born to suffer ? Do you think you were just born to desire stuff but not get them? No we were born to experience being god in our own way, by creating our own realities. Creating our own heaven in earth.

Stop limiting yourself by thinking you have to wait,or that you have to earn it. God doesn’t wait , so why would we have to wait? If we were meant to wait we wouldn’t have a burning desire for what we want, that in itself is proof that the desire is waiting on you to accept it and make it yours!!! The bad/ unwanted circumstance we create didn’t have to wait so why does the good or our desires have to wait? I’ll show you how it’s irrelevant to wait , say you want a certain shirt, jeans or whatever that you know is available at a store, well you know you have everything you need to buy it so you will order it or go to the store and buy it because you want it, you are not waiting around to see if the shirt wants you or if some other power wants you to have it, you simply decide you are buying it because you want it. I mean unless you want to procrastinate and overthink if you really want it or not then yeah it might take you sometime to decide on buying the shirt, but it’s all the same thing. Nothing is harder or easier to manifest everything is neutral and only based on your assumptions if it’s hard or easy.

Everything starts of with an idea or thought. Think about all the inventions in the world, someone had that idea and made it happen. Even science is based on ideas/ observations, they start of with a hypothesis.

Your desires are manifesting you, they are calling on you or else you wouldn’t want them ( the desire is calling you, not you calling it, so pick up the phone and answer the call) your desires are here and available for you the second you become aware of them it’s just waiting on you to take it & accept it. Trust that they can happen instantly too, make an assumption/rule on how long it takes for you to manifest things. Create your own rules and what it takes to manifest without doubting it. Do you just want to affirm or assume once and that’s all? Because really that is all you need to do and not contradict it and it will manifest.

If you want to see how it works try it out with something you know you can manifest, for example when I would doubt my power I would set up little test for me, “I would say today I want to see a purple Lamborghini” not even 5 minutes later I would see a purple Lamborghini. Another day I would say I want to see “xyz” I would be as descriptive as I wanted and then I would see it later on that day. This just helped me understand and see proof of how my mind works and how easy it is to manifest. So if you’re having trouble understanding the law try this little experiment out for yourself. The same way I could manifest seeing the things I wanted for my experiment is the same way I could manifest everything else, now the thing is to not contradict myself and stick to one story and it will inevitably be.

-xoxo, the cosmic angel ⭐️🪽

[personastrologyhub]

The MOON in your Moon persona chart🤍

| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |

The Moon in your Moon persona chart holds deep significance, far beyond simple emotion. It unveils how you instinctively respond to the world, process emotions, and deal with inner pain. This chart reveals how your psyche copes with the dark undercurrents of pain, longing, and emotional survival. It’s here, in this lunar domain, that we encounter the wounded child, the neglected soul, the disowned feelings—those parts of ourselves we rarely acknowledge, yet which speak to us through dreams, intuition, and visceral reactions.

•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°••°•

Aries Moon (Moon PC):

You may have an emotional intensity that burns fast and hard, often feeling misunderstood. While it might seem that you're constantly angry, it’s often a result of deep frustration that emotions are difficult to control. In this placement, you experience emotional volatility, feeling easily provoked but just as quick to calm down once you’ve expressed yourself. However, you tend to mask your vulnerability, often presenting strength to hide your insecurities.

Hidden Insight: You may find that physical activity, competition, or pushing boundaries helps you process emotions more effectively than contemplation. Work-out in the Gym, Martial Arts. Boxing

Aries Moon in this chart suggests that embracing your vulnerability—allowing yourself to feel weak, to cry without needing to act—can be your true initiation into emotional maturity. You learn, through the fire of life, that emotions are not enemies to conquer but allies to integrate.

•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Taurus Moon (Moon PC):

There is a strong sense of calm, but you often prioritize others' needs above your own. You hold onto emotions and may have difficulty letting go of emotional wounds. This Moon gives you a desire for stability, but sometimes this can translate into stubbornness in dealing with change or emotional upheaval. You may suppress emotions to maintain external harmony.

Hidden Insight: Self-care rituals and connecting with nature deeply recharge you. Emotional security for you means creating a physically comfortable environment that supports emotional well-being. Learning to release emotional attachments to people, objects, or memories opens you to the true nourishment of the soul, which comes not from external sources, but from your own inner stillness.

•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Gemini Moon (Moon PC):

Your emotional needs are linked to intellectual stimulation and communication. You may overthink feelings, which can lead to anxiety or scattered emotions. You have a knack for talking your way through pain, but sometimes you doubt whether you’re truly being heard. You may feel emotionally restless, struggling with inconsistency in your feelings.

Gemini’s shadow in this chart lies in the tendency to escape emotions through distractions. Healing comes when you allow yourself to dwell in the uncomfortable stillness, when you give voice not just to your thoughts, but to your silences

Hidden Insight: Journaling or speaking your emotions aloud can offer relief. Learning to balance rational thought with emotional experience is key to your emotional health.

Cancer Moon (Moon PC):

Cancer as your Moon persona chart ruler brings forth the archetype of the wounded nurturer. You are the healer who longs to give but feels depleted because your own emotional needs often remain unmet. There is a sense of sacrifice, a belief that to nurture others is the only way to receive love. Yet beneath this giving nature lies a pool of unacknowledged grief.

Hidden Insight: True emotional healing for Cancer Moon comes when you turn that nurturing energy inward. In this chart, it asks for you to mother yourself, to hold space for your own pain, rather than seeking validation through caring for others. Only then can you find the deep emotional security you crave.

This Moon creates a strong link to family or home, and unresolved family dynamics could profoundly impact your emotional state.

Hidden Insight: Establishing clear emotional boundaries can prevent you from becoming overwhelmed by the emotional needs of others. You also find solace in connecting with your ancestry or roots.

•| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••| ⊱✿⊰ |••|

let me know if you would like more on this topic

[babsharrison]

Safe Haven - John Wick

(Chapter three)

Pairing | John Wick x Original Fem! Character

Summary | In search of a breath in his tumultuous life, John Wick finds himself in a charming bookstore where he meets a sweet and welcoming woman. As they grow closer, John questions whether she can love him despite the dark secrets he carries. While battling the shadows of his past, he must protect the love that is blossoming and discover if hope and redemption are truly possible.

Word Count | 2.6k

A/N | New chapter! My day was so boring today, but listening to music brought me so much inspiration!! I really recommend it!

(Previous chapter!)

The lobby of the Continental Hotel was shrouded in na elegance that only the most dangerous appreciated. The golden lights reflected on the marble floors, creating na atmosphere of luxury and power. Every assassin, mercenary, or bounty hunter passing through was a reminder that this was no ordinary place. It was a refuge, but also na arena where everything could change with a single glance.

John Wick crossed the lobby with determined steps, his black suit immaculate, but his gaze hardened. He was no stranger to this routine, but Winston’s summons felt like a warning that something more serious was about to happen.

When he reached the reception, Charon, as always, was there—impassive and professional. “Winston is expecting you, Mr. Wick,” he informed without hesitation.

John simply nodded, heading straight for the elevator. The path to Winston’s office was familiar, but something in the air felt heavier, as if a storm was approaching.

Upon entering the office, Winston was already there, pouring two glasses of whiskey. He smiled faintly, a gesture that didn’t completely hide the seriousness in his eyes.

“John,” he greeted, handing him one of the glasses. “Sit down.”

John took the glass but remained standing. He knew Winston wouldn’t have called him here without a valid reason.

Winston sighed, swirling the whiskey in his glass for a moment before speaking. “Have you heard of Marco Vitale?”

John remained impassive, but the mention of the name sparked a flicker of recognition. “I’ve heard of him,” he replied in a firm voice. “Why?”

“Vitale lost someone very close a few days ago. And you were responsible.” Winston set the glass down on the table, his eyes fixed on John. “The man you killed at the nightclub was more than na associate. He was practically family to him.”

John raised na eyebrow, the whiskey glass unmoving in his hand. “He’ll have to get in line,” he responded indifferently, taking a sip from his glass.

Winston, his expression unchanged, was unsurprised. “John, Marco is not a man who forgives easily. He has resources, influence, and a burning desire for revenge.”

“Everyone does,” John responded with a disconcerting calm.

Winston’s seriousness remained. He had known John long enough to understand that the man before him wasn’t easily intimidated, but Vitale’s threat wasn’t something that could be ignored. “I understand you’re tired of this cycle, John, but you need to realize that Marco won’t stop. He won’t be deterred by rules or fear. He wants revenge, and you are the target.”

John looked at Winston, his eyes cold and calculating. “I’ve been through this before. And I’m still here.”

Winston leaned slightly in his leather chair, crossing his fingers in front of him. “And how many more times do you want to go through it?”

John didn’t respond immediately. Instead, he looked out the window, watching the city lights flicker in the distance. It was as if the world out there was just a distraction, and he was destined to walk this path of blood and violence. Nothing seemed to matter as much as before.

After a brief silence, he turned to Winston. “If he comes after me, I’ll handle it.”

Winston nodded slowly, a mix of resignation and respect. “I know you will. But just remember, John, revenge isn’t the only thing that drives people. Be careful of what you might lose without even realizing it.”

John let out a short sigh, knowing that even though Winston was trying to warn him, he still faced everything with the same cold determination. The Continental offered refuge, but John knew that, in the end, he would have to face his own demons—once again.

“Thanks for the warning, Winston,” John said with a nod before turning to leave.

Winston watched him go, a hint of regret in his eyes. He knew John Wick wasn’t na ordinary man, but he also knew that even a legend had its limits. And maybe, this time, he was closer than ever to reaching them.

︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿

Weeks passed, and the rainy weather became a constant in the city, wrapping Mia’s bookstore in a cozy and comforting shelter. Raindrops trickled down the large windows, while the soft sound of water hitting the sidewalk blended with the whisper of pages being turned. Customer traffic began to grow, and many came not just to buy books, but to lose themselves in the unique atmosphere Mia had cultivated—a space where every corner told a story.

On gray days, Mia noticed that John had become a frequent visitor. He would usually arrive with a soaked coat, always seeming a little tired, but his presence brought a new dynamic to the bookstore. Mia watched as he settled on one of the sofas, immersed in a book, his expression softening as the words transported him away from his reality.

On one of those gray days, while carefully arranging the shelves, Mia decided it was time to establish a new ritual. With a determined smile, she prepared a special blend of coffee—a mix with notes of chocolate and caramel, perfect for warming the body and soul on such a cold day. The aroma of fresh coffee filled the air, enveloping the bookstore in a comforting warmth.

When the bell above the door announced John’s arrival, Mia glanced at the special blend she had prepared, waiting for just the right moment. He entered, shaking off the raindrops clinging to his coat, and his usual tired expression softened in the bookstore’s warm light. The shelves, full of colorful books, created a safe refuge, and the golden lighting gave the room a magical touch.

Mia smiled to herself, picked up the cup of coffee she had set aside for him, and approached. With light steps, she handed it to the man who now seemed to be a part of that peaceful routine. “Something special to warm the day,” she said, breaking the silence without being intrusive.

Hesitant, he looked at the cup, a mix of surprise and discomfort spreading over him as he recognized the gesture of kindness. It was something so different from his reality, a simple offer that seemed loaded with meaning. Before he could formulate a response, Mia quietly stepped away, allowing him to ponder.

Meanwhile, Tom, Mia’s coworker, had been watching the scene from afar. He noticed the repeated gesture and decided to approach her. “Hey, are you making coffee for that guy again?” he asked, a playful grin on his lips. “Are you flirting with him or just trying to win his heart with caffeine?”

Mia turned to Tom, instantly blushing. “No, of course not! It’s just a welcoming gesture,” she replied, trying to hide her embarrassment. The idea that John might interpret this differently made her uneasy. “I just… want to brighten his day.”

Tom raised an eyebrow, amused. “Just that? Uh-huh. And what if he thinks you’re interested?” He chuckled, clearly finding the situation hilarious. “You know, he might be taken!”

Mia’s face flushed even more at the thought. “You think? What if he is? I just wanted to do something kind... now you’ve made me nervous,” she said, biting her lower lip. “I hope he doesn’t think I’m doing this for another reason.”

“Hey, relax! A coffee isn’t a declaration of love. But, hey, it’s nice to see you care like that. Who knows, he might appreciate it more than you think?” Tom winked before returning to his tasks.

︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿

In the days that followed, Mia’s gesture became almost a silent habit. Whenever the rain started to fall, she prepared a cup of coffee and discreetly left it by John’s side. He would notice the coffee, hesitate briefly, but never touch it, as if simply receiving it was enough.

One particularly quiet morning, the rain was pounding hard against the windows, filling the air with a constant and soothing sound. Mia was enjoying the rare silence of the empty bookstore, slowly and thoughtfully arranging the shelves, lost in the peace of the moment.

The doorbell softly chimed, breaking the bookstore’s silence, and John walked in. His black suit was slightly damp, with small raindrops dripping from the collar. He ran his hand through his hair, ruffling it slightly to shake off the excess water. As he stepped into the warm, welcoming space, his posture—usually rigid and alert—softened a little. His eyes scanned the room until they found Mia, who gave him a barely noticeable, welcoming smile, as if he had become na expected presence in that place.

He settled on one of the sofas, his gaze immediately turning to the book he had brought. Without disturbing the silence, Mia decided it was time to continue her ritual.

After preparing the coffee, Mia placed the cup next to John, watching him discreetly as he read. He noticed the gesture and hesitated for a moment, but before he could refuse, he slightly inclined his head toward her, as if silently thanking her. His expression changed when he finally took a sip, and a faint smile appeared as he noted the flavor.

Seeing the silent interaction between them, Mia couldn’t help but smile. The bookstore’s quietness enveloped them, and they were alone in that space, creating a deeper connection. The aroma of coffee filled the air, and she felt content to provide him with a small comfort.

After that moment, Mia, feeling the intensity of that connection, decided to step back a little. She returned to organizing the shelves behind the counter but couldn’t stop herself from casting furtive glances at John, who seemed completely absorbed in his book, the coffee cup resting beside him. The tranquility of the bookstore enveloped them both, but his presence made her heart race, sparking na anticipation and curiosity about what was going through his mind.

When the silence was abruptly interrupted by the ringing of John's phone, he stepped away slightly to answer the call. Mia, still organizing books, heard the murmur of the conversation but couldn't make out the words. The tension in the air was palpable, and she wondered if something important was happening.

As soon as the call ended, John stood up, walking with firm steps towards the counter where Mia was. His gaze, fixed on her, carried a weight that made her heart race. It was only then that Mia noticed the beauty of the man—his dark, smooth hair fell softly over his forehead, framing his angular, strong face. The fresh haircut accentuated his features, highlighting the sharp line of his jaw and the contours of his cheekbones. His eyes, deep and intense, seemed to hold a secret story, while an expression of seriousness and determination dominated his face, as if he was pondering something significant. Watching him had become a habit for her, and now, curiosity wrapped around her intensely, making her wonder what he was about to say.

With a hesitant motion, John reached into his pocket. Mia held her breath, intrigued. He pulled out a good amount of money, the bills crumpled and somewhat worn. His intention was clear: he wanted to pay for the coffee.

“I can’t accept this,” Mia said quickly, extending her hand in a gesture of refusal. The last thing she wanted was for him to feel the need to repay her.

He remained silent for a moment, his intense eyes locked on hers. “I insist,” he replied, his voice low and firm. The directness with which he spoke made it clear that this wasn’t up for discussion.

Mia felt the urgency in his voice, but she was determined not to let gratitude become an obligation. “Really, it’s not necessary. I enjoy doing this.”

John hesitated, his intense expression softening slightly. He seemed to weigh his words carefully, his deep eyes focused on her. After a moment of reflection, he paused, and Mia realized how the air around them seemed heavy with expectation. With a serious look, he finally said, almost in a whisper, “John... my name is John Wick.”

The revelation was unexpected, and Mia couldn’t help but let out a soft giggle, which lit up her face. Her smile, a mixture of surprise and delight, made her eyes sparkle. “Mine is Mia Fletcher,” she responded, her voice soft but filled with sincerity. The warmth in Mia’s cheeks betrayed the shyness of the moment, as if the simple act of sharing their names was a bridge between worlds that had once seemed distant.

Mia extended her hand, the gesture hesitant but hopeful, as if she was offering not just a greeting, but an invitation to something more. The slight tremble in her fingers betrayed her anticipation. John watched her for a moment, his eyes searching hers, gauging the authenticity in her gesture. Then, slowly, he reached for her hand, his grip firm yet gentle, creating a tangible connection between the two.

As their hands met, the space around them seemed to shrink, the noise of the bookstore and the sound of rain outside fading into the background. The intensity of their exchanged glances made them both acutely aware that, despite the bustling world outside, that moment was theirs alone.

John remained silent for a moment, absorbing the depth of the connection just formed. His eyes met hers, and for an instant, the world around them seemed to disappear. But, like the sunlight hiding behind clouds, the intensity of the moment also faded.

With a slight nod, he stepped back, slowly retreating toward the door. The expression on his face was a mix of gratitude and the usual seriousness that followed him. Without words, John turned and began heading outside. The soft chime of the doorbell broke the gentle silence that enveloped them, but Mia, still immersed in the newfound discovery, didn’t notice.

As he walked out, Mia’s mind raced, reflecting on the revelation of his name and the connection she felt with him. With a smile on her lips and the memory of his touch still vivid, she allowed herself to drift into her thoughts, almost floating in the bookstore’s atmosphere.

What Mia didn’t notice, as her gaze wandered to the rain-fogged windows, was that John, in a quiet gesture, had left a generous amount of money on the counter before leaving. The crumpled bills rested there, like a whisper of gratitude lost in the air.

Mia finally snapped out of her daydreams, blinking slowly as she reconnected with the reality around her. The bookstore, now wrapped in an almost supernatural calm, seemed to resonate with the memories of that morning. She could still feel John’s presence lingering in the air, as though his silent, imposing energy had seeped into the shelves of old books.

Without him there, though, the place felt a bit emptier, and her heart tightened slightly with the unexpected absence. Curious, she looked toward the door, perhaps hoping he would return—or that it had all been a fleeting illusion. But as she lowered her gaze to the counter, her eyes landed on something that made her pause. There, among the books and the space he used to occupy, rested a small pile of bills.

Surprised, Mia laughed in disbelief, shaking her head softly. “He really did that...” she murmured to herself. The idea of John leaving payment for the coffee, even without her there to see it, was as unexpected as it was curious. “How did he do that?”

Next chapter!

[ben-talks-art]

Oppressed turned oppressors

I really like the concept of showcasing the ramifications of oppression or injustice by creating characters who are so enraged with the system and feel such a desire for vindication that they end up being consumed by their emotions and becoming the thing they hate.

They adopt this mentality of "The world turned its back on me, so I'll turn my back on the world" or "it's up to me to fix the world" or "I'm justified in my actions because I suffered."

It's a cool way of showing how villains can be more complex and more human than the usual bad guy of the week that just wants to take over the world.

You're basically looking at a Frankenstein monster, something created by the poor decisions of idiots with power who used it wrongly, and how now they became a problem you can no longer run away from.

And that's the thing, it's meant to be a Frankenstein monster, it's meant to be ugly, it's meant to be a representation of how acts of oppression can bring out the worst in people (so maybe stop oppressing??).

Magneto messing with the Earth's polarity and killing millions around the world, Jet trying to drown a whole village with innocents, Megatron trying to kill his own former friends, Silco using drugs to enslave and control his own people, Dabi burning people just to make his dad mad, Killmonger wanting to kill innocents using the technology of Wakanda, and so on.

They each took "the ends justify the means" to the extreme and saw themselves as the heroes in their story instead of realizing they were just continuing the cycle by unconsciously trying to replace one oppressor for another.

This usually leads to great tragic narratives about the never-ending cycle of hate and makes you think how easy it is for one to stray from the path.

The one thing I don't like about these characters, though, is how sometimes they might be a little too good at making people buy what they're selling.

I often see people who watch these characters and go, "You know... Maybe they have a point 🤔, maybe they're right, maybe they're not so bad, " and so on.

Like... No, the point is that they don't have a point.

They have valid reasons to be angry, but they don't have valid reasons to hurt innocents. There is no such thing as a valid reason to hurt innocents, that's why oppression shouldn't exist.

The moment we reach the point where we say "maybe it's okay for them to kill or hurt innocent people," it's the moment we need to start rethinking some things. 😑

These characters are not actually trying to help make things better, all they want is to vent out their personal frustration and use their pain to justify their actions and sense of entitlement over how things should be.

They're great characters, but they're terrible people.

I think the need to defend these characters comes from how the media sometimes makes people that fight oppression the villains, when instead it should be the people who use their fight against oppression to justify their atrocious actions who should be the villain, and teach that even when you think you have a valid reason to be bad, still doesn't change the fact that evil actions are evil actions.

This is what makes the people that do fight oppression without resorting to terrible actions even more admirable.

True strength isn't trampling over others to get what you want because you believe your pain entitles you to it.

True strength is not allowing your worst version of yourself to become the only version of yourself that exists, even when the world tries so hard to turn you into that version.

Oppression wants to be spread, it wants to live rent-free in people's heads, it wants to convince you it's a necessary evil, it wants to turn regular people into other oppressors, and to beat it, you need to reject it.

Not by becoming your oppressors but by becoming what they failed to be, someone better.

[stranger-opinions]

maybe it's not a writers-block; maybe you just need a break

creativity is a muscle, right?

you need to exercise it to keep it in good shape, to have it ready when you need it and don't we all love those hyperfocused sprints of writing where the words just spill out of our fingertips...

but muscles get sore when you overuse them, will strain when you force them past their limits, they need nourishment to stay healthy and in shape

fandom today has a competitive atmosphere. many wouldn't admit that; it's supposed to be fun after all. just vibing with our mutuals, playing with the blorbos having a fun time online to scratch a few itches.

but the truth is that it can become a lot of pressure rather fast.

putting out several k of (edited) writing a month, setting up painstakingly formatted posts with the right tags and a fun header we spent hours on to look effortlessly cool and eye-catching just to hit post and then feel... nervous. excited too, sure...

but damn, when will the next chapter be finished? or the next one shot? will there be enough time to put a few blubs in between so that the few people who actually seem to care won't forget about us and move on?

writing for writing's sake is a nice notion. the myth of the self-sustaining artist who needs nothing more than a passion and their tools of choice.

but shit isn't just created out of nothing.

what has that all to do with the title of this post do you ask?

very few people can just keep going and going making art like that without needing any breaks and a good portion of those people very likely have very different conditions than most of us have with full-time jobs, families, school and so on.

For many of us writing is a main outlet, an important hobby and a safe space but that still doesn't change that it is a creative hobby, an outlet that demands energy: emotional, mental and physical (typing for hours is hard work if you want to believe it or not) and that sometimes makes it impossible to accept that we just need a fucking break.

"writers-block", in my own experience, is my brain telling me that something is off and that it's on strike until I fucking fix that.

and sometimes it's just that I need a break.

that I need to recharge my creative batteries, take in things that inspire me, that make me happy and get me excited without having to make anything myself. to just be. take some walks amongst trees, watch a new series, read a new book, go into a deep dive of some random topic on wikipedia until I don't know where the fuck I started from.

sometimes I just need to log out, cut the overstimulation of a never ending dashboard, turn off what everybody else on tumblr is doing, how much everbody is putting out, get away from my frustration about "my flopped fic" or the latest fandom drama and reconnect with the real reason I am doing this.

the love for stories and the source material.

for some people those breaks can be as short as two days, for other is might be weeks or months and that is not only okay but totally normal.

sometimes you might realize that the reason you are not writing is that you actually don't want to. sometimes you just want to daydream without the extra work sometimes you're just not in a writing mood and it's not much deeper than that.

that doesn't have to mean you're done with your blorbos. it just means that there are more valid and fun ways to play with them.

don't worry, the fandom will still be there when you decide to pick up the keyboard again. maybe with less people, maybe with many different people but you will always find someone who cares. those who have moved on to different things not come back wouldn't likely have stayed if you had powered through.

fandom shouldn't be a you're in or you're out thing but a place you come to when you want to.

contentification of fandom has had a lot of negative effects on the way we create and so many people fade from their hobby because they simply burn themselves out to a point where it leaves a scar.

so. find something that makes you happy that does not require you to invest too much creational energy. rest those muscles as long as it takes.

nothing you can get on tumblr or ao3 is worth the sore brain, the frustration with yourself and the stress you add onto your mental health ontop of everything else in your life.

recharge, reevaluate, reconnect

have fun

[pikahlua]

Fourteen Days of MHA: Day 1

Home

WARNING: Fullmetal Alchemist Brotherhood spoilers (seasons 1 and 2)

You: Huh!?!?!?!?

Oh yeah, it's time for a little mini-meta.

Okay, well, we're not going to get into the ENDING yet, but there's actually a lot going on in MHA that looks eerily familiar if you're an FMA fan. MHA itself is in many ways a referential work, and I don't think all of these parallels are coincidences (though surely some are).

Let's talk about the symbolism of the home.

My Hero Academia has three major examples of "home" that it highlights as symbols: those of the villains Tomura Shigaraki, Himiko Toga, and Touya Todoroki. The villains view their homes as symbols of oppression and pain. We know the home is seen as the image of all that oppression based on how various characters treat the houses themselves.

When Touya returned home after his miraculous survival, he found the home hadn't changed as a result of his death. The "scene" there always looks the same.

And when Endeavor tries to atone, Endeavor acknowledges that the "house" he raised his children in is full of bad memories to the extent that he decides to build his family a new home where they can live without him.

Touya's opportunity to demonstrate his feelings about his home arises with Himiko Toga. She returns to her abandoned childhood home out of curiosity and finds it full of hatred and derision, symbolizing her experiences there.

Touya does her a "kindness" by destroying the house.

Then he reveals that doing so, to him, is a way to get back at Endeavor--at the man who created Touya's own broken childhood home.

This scene in particular evokes the famous imagery of Fullmetal Alchemist Brotherhood of the Elric Brothers burning down their own childhood home.

The act of destroying their own home is so important to them that Edward chooses to commemorate the date by engraving it inside his pocketwatch, "Don't Forget 3.Oct.11." To the brothers, this act is a symbol of their resolve--of their chosen path to atone for their sins and restore their bodies. There can be no going back home if there is no home to return to.

In other words, the purposeful destruction of one's home represents a threshold, a point of no return. By destroying their homes, the villains of MHA demonstrate their conviction for the paths they've chosen.

The problem is, there's another reason one might destroy their own home.

To run away. To hide. To forget.

Why does Himiko call Touya's act of destruction a kindness, even if Touya denies it? Because he has destroyed the largest reminder of the pain of her childhood.

The League of Villains seek to destroy the world because they were rejected by the world and wish to reject it back. Those homes were the world to them at one point, when they were children. To them, the world is just an extension of the suffering they experienced.

Tomura wants to destroy the world to justify his existence as a destroyer, but in reality he doesn't want to face the fact that he killed his family by accident.

The tragedy of his childhood was so traumatic he repressed the memory and only found his concrete motivation to destroy the world once he remembered his past in Deika City. As soon as he remembers that house, he wishes to destroy it again. It's already been destroyed, but the memory of it continues to hurt him long after. By destroying the world, maybe he can forget it again. Maybe the pain will make sense and he won't have to think about it anymore. Maybe he'll stop being a crying child deep down.

The villains seek to destroy their own origins, which is by nature a self-destructive cause. Paradoxically, they will end up destroyed in the end no matter if they succeed or fail in their goals. Either the world will be destroyed and they along with it, or they will die trying.

To save Tenko's heart, Izuku has to bring that memory of the house to the surface. He has to recontextualize it to validate Tenko as he is.

And the recontexualization is All For One.

By contextualizing Tenko's life as a product of All For One's machinations, it gives Tomura a new reason to destroy that memory and that house: to destroy All For One.

And with that comes a new justification for Tomura's existence.

The destruction of All For One.

[anincompletelist]

hello hello! :D

thank you to @faketrex and @kiwiana-writes and @firenati0n for the tags, friends! if you come across this post, please feel free to take an open tag and share your own as well! x

we're nearing the end of the year and while stats aren't really my thing, I do enjoy taking a trip down memory lane to see what all I've shared this year. (though I'm only including some of my personal highlights, because I am not @kiwiana-writes and I do not have the patience to list them all PROPS TO YOU MY FRIEND IT WAS TIME FOR SOME REREADS)

I'm going to try to keep this relatively short, but I did just want to underline how grateful I am to have a space to share all of this. life continues to throw curveballs my way, especially the last couple of years, and these characters have offered me comfort and stability during a time when everything else feels out of my control. most of the time I open a doc with a general idea and end up with something I had no idea I needed to get out, and getting to know myself a little better in the process.

to anyone who has gone with me on this particular journey, be it for one fic or all 57 from this year, I hope some part of it has created joy, purged some angst, validated grief, sparked realization, or healed something within you too, the way that it has for me.

I'm not sure how long I'll need to be in this space, but for now, it continues to serve an ever-changing but always enlightening purpose.

so, I hope everyone who is celebrating is having a lovely holiday, and I'll see you all in the new year -- wherever it takes us!

anincompletelist / sarah x

--

there were pages turned with the bridges burned (everything you lose is a step you take) [94k]

The entire world has it on video. Alex stumbling forward, straight into Henry’s shoulder, knocking him back into the table and then crumbling to the ground, the cake falling on top of them. Everyone thinks Alex was drunk, or that he hates him, or that he’s immature or unfit for his title, but none of it’s the truth. Everyone’s acting like it’s the end of the world regardless. And maybe, for Alex, it kind of is. [Or, the way things might have played out if Alex had been diagnosed with type one diabetes after the royal wedding.]

+

treading water in the deep, just waiting for the tides to meet [8k]

Alex can’t remember his first words. He can’t recall the melody to the lullaby his parents often sang at his bedside to get him to sleep, nor the name of his sister’s imaginary friend that they had tea parties with on the floor of her bedroom. But he knows they existed. That it all happened and that each of those little, seemingly insignificant moments had built him up and formed him into the person he is today, even if he can’t recall every one of them perfectly. But he can remember, as clear as if it’d been only moments ago, the day that he found out what the red band around his wrist meant, imprinted underneath his skin with a small gap right over his pulsepoint, waiting for the day the ends would meet. 

+

cover me up and know you're enough to use me for good [6k]

Alex decides on forever with Henry, no matter what that looks like for them--the good, the bad, and everything in between.

+

you've got two hands to take all you can (but don't take too long) [8k]

Philip’s life isn’t his own. Not really. He controls what he’s allowed; even if he’s the one that pays the price for it.

+

Something Borrowed, Something Blue [116k]

When June gets engaged, Alex, her brother, and Henry, her best friend, are asked to be the official Guys Of Honor. There’s a month to plan the whole thing, which would be near impossible anyway, only made worse by the fact that being around each other the last several years has only ever led to petty fights and useless competition. Unfortunately, as the two most important men in her life - aside from her fiancé - they don’t really have much of a choice. Alex has a lot of feelings about this. As it turns out, Henry does too.

+

hate to be lame (but I might love you) [45k]

Newly out as bi, Alex decides the best way to commemorate the occasion is to sleep with the most well-endowed guy on campus. Henry thinks he might be insane, and isn't quite sure what that says about him for being the one to catch feelings when this whole thing was just supposed to be practice in the first place. It all works out. Eventually.

+

l'ecchappatoire [22k]

Henry fixes anomalies in other people's timelines. It's quite predictable and impersonal work for the most part. (Save for when it seems intent on unraveling his own, of course.)

+

playing to win (you're in my head again) [37k]

Other than Nora, there’s Pez, the one that’d wrangled them all together in the first place and continues to plan their token themed brunches & bar crawls each week; Eliana, or Eli for short, ridiculously talented creative with a heart of gold underneath the leather jacket and the nose ring; and Mateo, their resident bro, all around hype-man and Alex’s fellow bisexual. And that’s pretty much the group. Except for Henry, of course. But Alex tries not to think about him if he can help it. Or, Henry and Alex are practically perfect for each other. Once they get past the years long animosity and hate-pining, of course.

ain't got a problem with provocative (I wanna be close to you) [22k]

Alex has somehow made it into the most elite sex club on this side of the city, and so far he’s gawked at one (1) naked man—a downright gorgeous man, in his defense—from a distance and gone non-verbal and introspective on a couch by himself. Truly riveting stuff.

+

I want you to have me like I've never been had (you get all my wild parts) [37k]

Henry's always struggled to get past the inevitable road bump of his classification when it comes to finding a partner. In an ideal world, that sort of thing wouldn't matter. He'd be able to walk into a bar and find someone to take home, wouldn't have to bother with anything aside from just good, casual sex between two people—status aside. He's not really expecting to find that sort of thing at all, but he's certainly not expecting Alex Claremont-Diaz to be the one that makes all of his wildest dreams come true.

+

tired of writing in pencil (I'm inking you in) [34k]

Against everyone's better judgement, tattoo artist Alex takes up a babysitting job on the side after he forms a connection with the kid over their shared love of art. It doesn't hurt that his dad's kind of hot, too. He gets more than he signed up for the longer he spends with them, and figures out that maybe the key to happiness isn't what he thought it was — maybe growing up means being a little childish after all.

+

livin' in the violet sounds [12k]

Wanting Alex’s blood is nothing new. Wanting Alex as a whole is nothing new. But Henry knows that it’s a dead end—one that will most likely lead to his own demise if he allows himself to drift too far into his orbit. No matter how attracted Henry is to him, how much he’s imagined the sweetness of his blood on his tongue, how much he’s envisioned the contrast of Alex’s skin against his bedsheets, it doesn’t change the facts. It doesn’t change who they are. Henry, born into a role he never asked for, and Alex, born into a bloodline bred to exterminate him.

+

(amazon) history, huh? [1k]

henry's amazon history over the course of a year (plus a little more).

+

ties that bind [4k]

Alexander runs a tight ship, but Henry has long since learned that everyone has their weak spots. Above all else, Alexander cares. Henry’s learned this, observing from a distance. He worries when one of his crew members falls ill with cabin fever or a seemingly rare bout of sea sickness, when they dock to prepare for a restock of supplies in a risky area, when they draw up the sails as storm clouds roll in over head. Henry thinks he likely made a good choice ending up here in his escape plan. And then he gets caught.

+

Don't Move [55k]

A year after Arthur Fox goes missing on an annual winter getaway at the family lodge, all six of the others revisit the place where it happened to reconnect and - hopefully - to find closure. It may not be as black and white as they'd hoped. [Or, an Until Dawn AU.]

+

it's so hard to get to heaven with my head in my hands [6k]

His mother would have a fit if she could see him now, taking comfort he isn’t owed from men he shouldn’t want it from. But Henry wipes his tears with the back of his hand and Alex begins singing the dulcet tune of a Spanish lullaby and George feels, perhaps for the first time in his life, like he belongs.

+

the way to a man's heart (is through his symbiote) [10k]

Henry’s stopped catastrophizing about it or trying to logic his way around it. He might have more feelings about it when it actually happens, but Henry likes knowing that Alex has an extra layer of support and unconditional love anytime he needs it. That if for some reason Henry ever couldn’t be there, Venom would. He also sort of likes the fact that his boyfriend’s extraterrestrial symbiote-bond thinks he’s hot. It’s not the weirdest thing that could have happened. Maybe.

+

kinktober 2024 [16 works, completed]

all the fics posted throughout kinktober during 2024.

+

let's talk about sex! [9 works, ongoing]

fics that feature conversations about kink and intimacy.

+

mary & George [2 works, ongoing]

firstprince, george, and all of the hurt/comfort.

[kutputli]

It's been two days since I finished watching Interview with the Vampire, and the show has been consuming all my brain space. I didn't have the energy to live blog each episode of season 2, but I want to get my reactions down, before I go in search of reading other people's. This will be a haphazard collection of thoughts, so I think what I will do is start talking character by character and see if that helps me organise things any.

Louis

This one is the beating heart of the show, and I don't see how it would have worked if they had not made him a Black man. Everything stems from what he learned during his life of how to survive and thrive and yet remain kind and compassionate, and watching him be fragile and loving and grieving is soul stirring. Perhaps other people might still have found the show engaging with the role played by a white character (given fandom's embrace of the slave owning pirates in Our Flag Means Death, I am sure a slave owning Louis would not have been an insurmountable problem).

But this story belongs to the Black Louis, and to what Jacob Anderson made of him. Just impeccable acting choices, all down the line. I am mesmerised by him.

Praise for the character aside, he is the moral heart of the show. (I know there is a case to be made for Claudia, but I will get to her after this.) I don't actually much enjoy villains presented as anti-heroes, and Louis engenders so much empathy in a show filled with rather awful people.

Of course, he loves Claudia. And I do see him putting her first to the best of his ability. Claudia may be entitled to her resentment, but that doesn't make it rational fact. Louis encouraging her to leave the first time, knowing that Lestat would follow him if he left, that's a valid choice. And then choosing not to burn Lestat... I am reminded of how few victims of domestic abuse actually murder their abusers. The main desire is always to get away. I don't condemn Louis for choosing to not kill his lover.

Claudia had no roots laid down in New Orleans, but Louis did, and he gave all of that up to support her really rather nonsensical search for mystical vampires who were not as awful as Lestat. He helped her join the coven even if he could see it was a cult. And when she introduced him to Madeline, he listened to her. He turned her for Claudia. I don't ever see a moment where he stopped actively caring for her and doing the labour to prove it. I took the line about her being a burden as fully just transparent bait for Armand.

And when Lestat shows up at the trial, its Claudia that Louis is focussed on. He Always. Puts. Her. First.

The way that Louis finds his way into a relationship with Armand is so heartbreakingly soft. We never see them in their intimate moments as dom and sub, but I get the sense that he would be a tender lover -what he wants is to be respected, to have control.

And then we come to the post-trial choices.

I can somewhat buy him sparing Armand's life during his vengeance murder spree, because it wasn't just that Armand said he had saved him during the trial - if you remember, Armand was only encouraging him to leave Paris. Louis was the one who asked. But also, Armand was the one who let him out of the coffin. He did save Louis, and Louis would have tasted the blood of the person who saved him and known it was him.

I think maybe Louis was able to get over Armand facilitating Claudia's murder, because he saw him as a victim paralysed in the same way that he himself had been. Louis knows about having to keep his head down and be complicit with an oppressive system, and I think he offered the benefit of the doubt to Armand because of that. Perhaps also - Louis forgave Claudia for attempting to murder Lestat because he could see her desparation and why she needed to do it. Maybe Louis created a story for himself where Armand was similarly trapped. I don't know. To me, his choice of staying with Armand is the one I am the most questioning of.

(All of this is presupposing that what we saw was what actually happened. There are indications that there is yet another layer to the trial that we don't know about, and because Louis wasn't there as primary witness for the end, maybe some new facts will emerge to make Armand either more sympathetic, or more manipulative.)

Louis's relationship with Daniel is endearing and charming and all things adorable. I hope they whatsapp each other often and have some uncomplicated relaxing stress-relieving sex.

As for Louis and Lestat... see, I was ok with what I saw on the screen. I saw an abuse survivor leave his second marriage the instant he found out he had been lied to, and I saw him visit the parent of his child for closure. Taking on the burden of Claudia's death is nonsense, of course, but it was believeable nonsense. In that I accept that Louis, after having learned that Lestat did lift a finger to partially save his life, spilled out from all his generosity and love, what he thought might help the wretched ex he saw eating on rats and playing on a plank.

But what I am not ok with, what repulses me to the core, is the apparent conviction of the show producers that Louis and Lestat are destined to return to each other, as the great love of each other's lives. It is true that some domestic abuse survivors never manage to completely free themselves from their abuser, and some spouses continue to stay with the abuser of their child (Alice Munro, looking at you). But that storyline is a horror story. Nothing in the framing of the show indicates that horror. And I do not wish for a season 3 that walks down that road.

[pkmnirlevents]

An invaluable thing to learn when running a roleplay blog on Tumblr is to understand what type of blog you want to run and what you want to do when there aren't interactions. There's this misunderstanding in communities like this that you always subsist entirely off interactions from other bloggers. While there's nothing wrong with seeking out interactions, there will inevitably be times where interactions are harder to come by. Focusing solely on getting interactions regardless of the type, this obsessive focus on attention in any form, is the easiest way to burn out.

There have been some rumors going around that asks are getting capped at a lower number. People are understandably concerned that their blogs are going to go radio silent, and many struggle to gain traction in the first place. There's been more posts circulating saying things like "reblog if you want an ask from me!" or "reblog this and reply to three people in the notes!" and while these can be helpful they still can only do so much if you are feeling burnt out or discouraged.

So if you find yourself dissatisfied with your experience, ask yourself a few questions. Are you still having fun writing this character even if you are not getting attention? Are you more focused on numbers than on enjoying writing/creating? If you feel like the only thing on your mind is getting people's attention and you aren't having fun, a break might help to relieve some of these anxieties. There's no harm in logging off for a little while, though I know it can be hard to hear. It's important you take time for yourself and not rely solely on the validation of others.

Now when it comes to a progressive mindset when writing and gaining traction the questions are a bit different. What would your character post about when people aren't necessarily watching? How would your character describe themself to a stranger? What are some aspects of your character that you want people to pay attention to? To some extent you must promote what you are doing for people to be interested. When you reblog posts to find blogs to interact with, give in the notes a short description of your character and what they do.

For example, when I created my first blog and was reblogging posts asking for interactions I added in the tags, IC of course, "I'm a sneasel researcher working to reintroduce the Hisuian variant to the wild!" It's brief and it gives people a little bit to go off of when scrolling through a massive list of blogs that all reblogged that post. More structured roleplay communities have dossiers with basic information about their characters to help people get an idea of what to talk about. Generally, the more easily obtained information people have, the easier time they have formulating messages to you. Remember that your pinned post is going to be the number one thing people read when clicking onto your blog. Put information there that will help you find the sorts of people you want interacting with you.

And don't forget reblog karma! Sending interactions with your name attached can help you spark further conversation!

[ratmanzhq]

I just found your steam siblings Au and I am in love with it ! Please forgive me for the many questions I have…

1. Would they sometimes use their other element unintentionally? For example, when Kai gets mad (if Jay flirts with his sister) the water pipes break

2. In Season 4 during the tournament of elements, would Chen only require one of the twins to steal both elements ?

I can imagine that the Ninja would try to keep that a secret but Skylor would figure it out while copying Kai‘s powers

3. Will the twins one day be able to use both powers at the same time ?

4. Season 5, will Nya create this big wave like she did in the final episode of that season or will Kai save everyone (or perhaps they do it together) ?

5.When Kai loses his fire, will that also lead to him losing his and Nyas water power ? And how will that arc with Aspheera affect them both

6. Will Kai be afraid of the ocean until he becomes one with the sea ? It feels like a better conclusion of his story with his fear of the sea ? Imagine he was always afraid of it because it has always called for him. He didn’t know what he was hearing or feeling but it scared him, until he under his destiny 👀 ( Am I thinking to mich about it ?!)

If you have read through them all, thanks for that ! I love your art and the au is great. Have a nice day ✌️

Oh man oh man oh man

I'm late, buuut

I like the idea, but in the show, they have to concentrate on using their powers and don't really have accidents like that(not that I remember). But in this AU, it would be funny as hell. Like neither can cook because the water evaporites, pans too hot and burn everything and so on. Only after they master their elements can they cook.

Maybe? That or he has like half of each power and needs both of them to have full fire and water, yknow. Chen would go mad scientist on them.

Well, they would be OP if they had both powers, so maybe not. The drama and steaks would be lowered, but in certain settings, they might. Or they only can use both powers at the same time together?

That whole plot in the season would be sooo different. But I like the idea they do it together as a ☆*Family Bonging*☆ moment.

Depending on if they both have the power or they have one power that zip zap between them like tennis. But I feel like they both have the powers, they can't just use it? So Nay would have fire when Aspirah takes Kais fire and the switch their roles (Kai is water ninja/Nya is fire ninja).

I loooove the idea Kai fears the ocean and then becomes the ocean. Like, it validates his fear?? Kinda?? He loses everything when he's the ocean, even if he did it to protect his Family. But he also accepts his destiny and isn't afraid of the ocean anymore? The drama. The angst. Love it. But hearing the ocean his whole life. Now that's an idea. Like fire powers are from Spijitsu mater Uno and water is from the big ass snake. And maybe that affects them! Fire and water in them in constant conflict Ugh. Love it

Thanx my fellow rat for the qustion

[anonzentimes]

Hi!!

What is your opinion on servant/despair nagito?

AUGH! hello autism activating anon thank you from your ask!

Servant I think honestly is pretty well written and doesn't erase any of Nagito's character which I really love. Also he's in like the most bdsm outfit??? ever??? HUH?? it's kind of hilarious tbh.

Mostly, I really enjoy that as a Despair Nagito's beliefs aren't just erased. He's willing to do even more for hope than before, becoming despair himself, whereas before he seemed to have a limit he wouldn't cross. Which is honestly saying something since he thinks murder can be valid in the name of hope beforehand anyways.

I also like the funny detail that he's a servant with a chain on his neck at all times, but no one is really pulling the strings? Like, he's a "servant," to the warriors of hope but truly he has control over the situation. He chooses to stay there, if he truly desired to he could have left. His chain is there, he has the appearance of a servant, but no one is tugging on it, he's the one truly in control. Hopefully that makes sense lmao!!

I also thought that him seeing Komaru being a normal girl and knowing Makoto had hidden hope as a talent thinking she might have hope as well is pretty well written! It definitely makes sense why he'd think that.

Also, as weird as it is I actually really like how he looks as servant. The artwork for his sprites and the fanart I've seen is really awesome honestly!!

I used to think that he was just in Ultra Despair Girls for fan service, which probably a bit, but I do actually really enjoy how they use his role as a contributing antagonist properly. It's mostly expanding upon the idea of him as a Despair that we see in Chapter 0 of Danganronpa 2 with his love and hate obsession with Junko. He wants to be more involved than ever before and has no limit for how far he'll go, he actively will create the despair needed himself for hope to thrive. And that's so cool!!! It's basically pulling him and his beliefs their utmost extreme to explain how someone like him could become a despair, and the best part is that it makes sense! You can understand it given his character. He hates despair, so the only way he'd ever be okay with becoming despair is if it was in the name of hope, and that's exactly what they do!

I also think it's SO funny that out of all of the despairs, he's the most harmless out of them. Like, Sonia burned her own country to the GROUND, Teruteru ate his OWN MOTHER, but Nagito? He was just a servant to some weird terrorist kids, and ultimately was the main contributing factor to hope winning in the end. He brought Komaru so there could be a fair fight with Hope and Despair after all!

I think Mocaca's character after Ultra Despair Girls was kind of treated badly lmao, like, I feel like there was a lot of missed potential but they just threw her to the side because they never planned to do anything with her. However the Idea Nagito's ramblings just made her sick of the world is HILARIOUS though. Kind of Ironic that he saved her in hopes to be a successor to Junko for more hope to win in the end when his contributions led her to becoming nothing.

Also pretty Ironic that he KNEW what Izuru was going to do, and he wanted to see Junko again. But he never did, he died before he got to see what him as a Despair wanted to see. By his own hands nonetheless!!

Nagito as a Despair is really fucking weird with his outfit and all, but I actually really do love him. I really love the outfit, the approach they take to the only way he could become a despair with his beliefs, and his role in the story.

The brainwashing plot is a little clumsy, but I do enjoy that the way they treat brainwashing in the Danganronpa franchise is that the despair video manipulates your emotions. It doesn't overwrite anything, it just adds a desire to cause despair or excuses causing despair more. I think it's a little more realistic than just a whole bunch of teenagers being talked into becoming terrorists anyway.

servant you are iconic mwa <3

[inkois]

Hopes and Thoughts on Akito5 after the absolute bombshell that was Mizuki5

Hello peeps! I am back from the dead(ty college), but here are my hopes + thoughts on things that Akito's fifth focus event(UTSU P COMMISSION HOLY SHIT NO WAY IM SO HYPE AKITO FR HAS NO BAD COMMISSIONS) will address. Judging by the name of the event and the card image, I think we might get another emotional damage bombshell after Mizuki5.

Anyways, here what I hope for Akito5 to address about his character, and always,

!SPOILERS FOR PREVIOUS VBS AND OTHER AKITO EVENTS UNDER THE CUT!

Okay, so everyone here good with spoilers I shall be giving you?

I think there's a fifty-fifty shot of it being a cute, happy event, or another emotional damage to the max. On paper, the plotlines I want to see fulfilled could be done through a cute filler event, but if you really think about Akito's character and his sole reason for living/singing being tied to a single goal and that goal now being gone, it could get angsty quick. It also doesn't help that Akito's previous events had darker plot lines, as well as song lyrics.

one

The biggest thing I hope they address about Akito's character is his future goals and where he will go now that he has surpassed RAD WEEKEND. His to goal surpass RAD WEEKEND is an integral part of his character. This goal is the sole reason he hasn't burnt out and remained directionless, like after Singing for a Summer Festival. It was reason why he continued to stay and sing on Vivid Street, despite the humiliation he faced in Find a Way Out. What happens to you when a goal that's so intertwined with your personality gets completed? I imagine that feeling would be incredibly strange. On one hand, the nebulous goal that he had set for himself got completed. On the other, his sole reason for continuing to live is gone. I would like to see where Akito will go now that he no longer has any goal in mind. How will he find a new direction? Will he branch out to try new things now that he has the time to focus on not surpassing RAD WEEKEND? Will he open up to his teammates further, as he will no longer have a reason to stay stoic and so focused on his goals? To add more to this, healing from something like getting all your satisfaction from a single goal is difficult and takes a long time, but I want to watch him learn to find joy in living life. I also wouldn't mind if Akito's growth takes a longer time and overlaps with other events that he's featured in.

two

Second, I want the event to address Akito's poor sense of self esteem. At the moment, his sense of self esteem seems to come from outside sources, such as whether or not he performed well or how well he was able to support his teammates. I want to see him grow from wanting external sources of validation to learning and accepting internal sources of validation, and acknowledging how hard he worked to get to his current point. Again this process takes time, but I would love to see the groundwork of this growth being laid out for his character in this event.

third

The third thing I hope they address about Akito's character is him learning how to enjoy the process of growing as a musician. The groundwork for this was laid out in both Find a Way Out and Burn My Soul. At the end of Find a Way Out, Akito has a moment, just a single moment where he feels the joy of being able to recognize his improvement. Of course, immediately after he has that moment, he shuts his feelings of success down, telling himself that he will only deserve to feel successful if he manages to surpass RAD WEEKEND. Later on, in Burn My Soul, with his one-on-one training with KEN, Akito is encouraged to find those feelings of frustration, joy, anger, fear, shame, everything he felt in his journey as a musician in order to create a performance that can be felt by audience. When Akito finally figured out how to allow himself to feel things, he became a far better musician. I really want to see how much further Akito can go if he just lets himself enjoy singing with the squad and not worrying about being perfect and being at 100% all of the time. Also cuz my son deserves to feel good about things and not be goal oriented and focused all of the time(shhh im not projecting, you are).

four

This one is a little bit of a long shot for it to be completed in a single focus event, but I would like to see Akito learning to open up even further to others that aren't in his immediate group. For a long time, Akito has only been able to rely on himself, as despite Ena caring deeply about him, she hasn't been in a good place emotionally to support him(holy fucking shit guys its not solely ena's or akito's fault that their relationships dysfunctional you try supporting someone when your mental health is in the drain). He's also seen to be emotionally distant from his parents; rarely speaking with his father or mother. At this time, Akito is the closest to his partner, Touya, as well as his team, but even then, he doesn't tell his closest friends everything, probably due to the trauma of being humiliated in Find a Way Out. Akito is so used to people around him being hostile towards him that he automatically reacts to it with the customer service persona or with more hostility. I hope that in this event, he will able to learn to trust his team more and learn to let go of some of that gruffness that allowed him to survive in Vivid Street's harsh environment.

five

I hope Akito gets to scream in his comm. Fumiya Imai has a crazy vocal fry and I hope he gets to use it in the Utsu P commission. send tweet. Anyway, jokes aside I'm incredibly hype for an Utsu P commission and I cannot wait to see how it turns out!

TLDR; In Akito5, I want to see Akito find a purpose that doesn't revolve around surpassing RAD WEEKEND, learning to let himself be satisfied with his skill while still wanting to grow, letting himself open up to people who aren't just Touya and his team, and a banger commission song(which is kinda guaranteed cuz its an Utsu P commission).

What hopes do you guys have for Akito5? Lemme know in the comments and reblog :D!

[piviani]

what enhypen members needs to work on

to become the best version of themselves

( disclaimer: please do remember to take my readings with a grain of salt. i am in no way a professional tarot reader and all of this are alleged and is for entertainment purposes only. )

yang jungwon

ten of swords

somehow swords always shows up to him. what he really needs to work on is his are emotions and his charasteristic where he has no confidence at all. low self esteem. he tends to burden himself with responsibilities alot. so it would be better if he starts on working on himself not for the sake of others but for his own sake alone.

he may have the mentality to always feel or need to catch others for their own problems? i dont wanna cause issues, but whenever i do a reading on jungwon he always feels burned out, exhausted, and sad. it seems like he wants to crave validation from people. someone who could feel what he feels. he doesnt show his emotions alot. so it would be a really great start to befriend with a non-toxic circle and a non toxic environment that understands why hes like he is and why its hard with opening up.

lee heeseung

king of pentacles in reverse

oh what he needs to work on are his characteristics of being overly workaholic and stubborn at times. he may be too quick on his shoes especially if it involves his work without even roughly thinking about the consequences he might face and things he might lose along the way. as long as theres a starter lane he can run over its already enough for him. theres times he might leave things as it is if it doesn’t benefit him anymore.

heeseung has the tendencies to lose touch with the reality too, he might be overly intune with the idealism world he creates. sometimes losing touch with the reality has its side effects. (nothing bad about dreaming, he just might be into it that he might start to abandon it will actually need consistent hardwork) so he should work on these things to improve his life and become the best version of himself.

park jongseong

wheel of fortune - queen of pentacles

i was wondering what the wheel of fortune meant cause this doesnt seem like something that could be worked on. its one of the major symbolic cards. probably the only thing i could consider as slightly negative is where it will always have ups and downs. its a wheel after all—and in every transition, a big change occurs. so anyway, i pulled for confirmation and queen of pentacles came out. well—with the former card, it might be true in a sense that fate are always there for him. however we should take queen of pentacles into an account. he may take responsibilities for his loved ones too much so he should tone it down. things dont always look good just because it is for the external. best believe as unfortunate it sounds being a giver always causes troubles too. may tend to neglect himself while taking focus on the others thinking it could help him. so he should work on this :) hes too nurturing it backfires him.

sim jaeyun

two of wands

2 of wands, for jake to become the best version of himself—he should learn to focus on his personal goals. tha card shows a man standing holding an earth (or basically his world) with his right hand and a wand in his left, and with my own interpretation, it’s saying him that jake should learn to focus more on what’s infront of him than just standing. its the actions that matters. you cant be standing for so long or you could be left behind. he should learn not to settle for less with this. he may always be indecisive too—whether he should just stand and stay, or move forward by wanting more. he may be a thinker more than a taker. or like idealistic more than realistic. though there’s the passion, drive don’t do everything. he needs his own resolve so he could become the best version of himself.

park sunghoon

queen of wands

another wands, though queen of wands may mostly have an uplifting and positive meaning, this could also mean that sunghoon may have tendencies to be too self centered because of his confidence with his individuality. may be too independent as well. he should learn how to rely on others too as too much independence can cause you to isolate with others making it hard to open up his scars and wounds. he may be the type to be closed off yet helps with people with their own certain circumstances with his drive and force? just really not with himself which causes this destruction. so its really adviced for him to be communicative. (ive noticed most enha are not really great with communication and would rather keep it all by themselves, including sunghoon himself) like though they might everything’s alright already it might not be? sunghoon needs to stay still and allow others to walk through his inner. its not bad to be dependent sometimes.

kim sunoo

the tower in reverse

tower in reverse.. it seems like sunoo doesn’t face his personal problems because he believes walking through it causes more trouble than running away. so he turns his back instead. sunoo’s always scared to change that it becomes a toxic repetitive cycle. this seems like it will not change any time soon either. he will try and try to resist any transitions until it exhausts him. he may have low self esteem which causes this. sunoo doesn’t really see a light behind the darkness? neither would like to change this cycle. he would rather keep running instead of facing it. change are inevitable, sunoo should learn how to take this into an account and accept the undeniable transformations that needs to be taken for the future as this is a major part when growing up. (as much as i wouldve loved to deep dive more and pull a card but i dont think im allowed further. such heavy energy, this is all i can do.)

nishimura riki

the hanged man in reverse

the hanged man usually symbolizes detachment, discontentment and impulsiveness. these are what riki should take into an account for him to become the best version of himself. he seems to be the type to make his impulsiveness a mechanism to direct the fact that he always feels low, like just so he could feel thrill. he’s young so there seems to be days where impulsiveness takes over. im seeing impatience in his part as well. a bit naive. originally in the upright—we can see the man hanging there by his own free will, but this is in reversed—so im seeing some certain circumstances where he just let people control him rather than fighting for what he feels symbolizes him more. or hes standing in standards that doesn’t align with his will. this could also be the problem. he should learn how to let his thinking be aligned with his will. impulsiveness are not always the answer. he shouldnt retrain himself just because others said so. he needs how to form his own freedom of speech lol.

[tokiro07]

Undead Unluck ch.206 thoughts

[Mazel Tov]

(Contents: Character analysis - Feng/Soul/Language)

And with that, the Medaka Box shiritori arc is concluded, and man what an arc it was! I think it's a bit unfortunate it had to come after the Golden Week break, that kind of took the steam out of this finale a little bit for me, but damn it was still so good!

Might just be recency bias, but I think this might be one of my overall favorite arcs. It facilitated two different major character arcs (Nico and Feng), gave Ichico some much-needed characterization, showed just how much personality the current antagonists can have, had easily my favorite concept for a fight so far, and elaborated on the power system in a very fun and interesting way. This finale was especially fitting because it managed to touch on all of those concepts, like it was reviewing everything that happened up to now

Starting with Feng, seeing him continue to play the lone-wolf card only to rescind it and actually thank Nico for helping him is just so satisfying, as it illustrates the major change in Feng's character that we've been hoping for all along. By offering his strength in return for the new heights he was able to bring that strength to, Feng directly acknowledges that he wouldn't have been able to reach that level alone, at least not so quickly, and suggests that he's finally begun to learn what Fuuko was trying to teach him about fighting for the sake of others. He hasn't necessarily internalized that lesson yet, but this was an absolutely necessary step on the way to completing that particular character arc

Of course, Feng is still Feng; when he notices a twinge of doubt and weakness in Language, he derides her "what kind of buffoon would think of anything other than victory during mortal combat?" Of course, there's tons of valid answers to that question, but I think the important thing here is that this line suggests that Feng's overall focus, self-improvement and victory, remains unchanged, and that's okay. Feng wants to be strong and defeat others, that's what makes him happy, and he's not wrong for it. What was wrong was his approach, which made it seem like his goal was wrong. Now that he's on a better path, his goals no longer seem like a justification for cruel behavior, just lofty aspirations

This line also harkens back to a major theme of this arc: imagination. The ability to visualize the outcome you want is vital to creating it. This principle was applied very literally in the shiritori battle, where one's imagination was necessary to conjure viable attacks or defenses, so when Language had the thought "this can beat me," that was as good as confirming that she had already lost. I think this is also why "living" conjurations would damage the user upon their destruction; while a wall or a meteor would still be constructed from the user's soul, those things can't be "hurt," but a dragon or a yokai or a god can. They are alive, and being killed is much easier to empathize with than something being broken. You can imagine what it feels like to be cut or burned, so since it's a part of you, the destruction of that piece of your soul is inherently shared with you. Basically, if Language had been able to think something to the effect of "I can still save this," she might have been capable of turning things around, but instead she admitted defeat before she'd even realized it

Speaking of, the look on Soul's face as Language apologized for losing was so utterly human. We've seen UMA have feelings before, but Soul was heartbroken there. His eyes widened by surprise, fear and sadness as she called out his name, how they narrowed with resignation and acceptance upon hearing her admit defeat...it was like seeing Fuuko watch her friends die fighting Sun

The Master Rules have died before, and presuming they win, they'll come back for sure, but that doesn't mean it has to be easy on them emotionally. It's hard to say how the Master Rules feel about each other as a whole, but Soul was definitely affected by Beast's death just as much as he is here by Language's. Whatever they think of him, I think it's very clear that they're Soul's friends and family, and I'm very interested to see how Language's death spurs him into action next

On the subject of the Master Rules dying, I've seen some criticism of Language's core just being her head popping off of her body, but it's not really that different conceptually from Ichico's soul being her head, is it? They both even have the hair tentacles. I think this is meant to further convey just how close to human the Master Rules are, something I imagine is going to be expanded much further upon in the near future, so I'm not going to go much further into it now aside from the surface level symbolism

Language does clearly have a much more nuanced level of sentimentality than most any previous UMA, though. We've seen Burn express his desire to meet God, Clothes jumping through hoops to justify helping Fuuko to himself, and Spring actively wanting to be accepted by humans, but Language had a personal, vested interest in one person. Language viewed Nico as her rival, and used that rivalry to propel herself to greater heights (another way this arc ties into Feng's themes, by the way), but she also loved him. She wasn't waiting for billions of years just to get revenge, she was waiting for someone who could make her feel fulfilled. If she just wanted revenge, she would be cursing him as she died this time around, but instead she sends him off with congratulations and well-wishes. She died with a smile on her face and told Nico to have a happy marriage; how can that possibly be taken as anything other than an act of humanity?

I can only hope that we see that level of humanity from the other Master Rules, but fingers crossed it won't be for a little while. After this arc, I could sure use a breather chapter or six!

Until next time, let's enjoy life!

[lipstickchainsaw]

villainizing ask game: Ripley Hurst

This one is evil.

Do we have her stick with Mia and Carson, and grow up to join the family business? Would she? Ironically, I think they've raised her well enough that she would balk at the very idea, even if things didn't go as off the rails for that plan as they did in Claw.

But maybe only if. Ripley has just had an absurdly traumatic couple of days. She's first felt true hate and anger for Natalie, after having been ripped away from her family without anyone explaining anything to her, and things will not have gotten better in the hands of the police, let alone whatever Davie has planned, and while she clearly felt incredibly uncomfortable with those feelings, they were still there, and those feelings do call for a resolution.

I could see her going Valentina's route a little, but where Valentina wants to hurt Addi specifically, I don't think Ripley's going to be interested in such directed revenge. I think her anger and hate and pain and fear would express itself more indiscriminate, just wanting the whole fucking thing to stop, so she stops being pulled this way and that without anyone ever fucking talking to her. In this, I unfortunately think Mia and Carson would fully validate those feelings, and that would be a way for her to be brought into the fold.

If she goes with Natalie, she's stuck in perpetual resentment. She will not come to accept Natalie, regardless of how things unfold, and she will want Mia back. If Mia's still in the game, they'll be looking for each other and find one another, which is less interesting, but if Mia's out of the game, I can see Ripley start to idolise her legacy, wanting to be close to the mom that was cruelly ripped away from her, against everybody else's wishes.

This doesn't make her a villain, I don't think, but what might bring her close would be the fact that the dynamic between Ripley and Natalie would turn the Teale home even more toxic, would create an even more stifling environment for Sterling. In this scenario, Ripley's hatred of Natalie would win out against her desire to be a good big sister to Sterling, and he would wither away even further.

Combine that with the way the release of Ben's documentary would isolate her, and you end up with her trying to follow in Mia's footsteps, but without being as meticulous as Mia was. As a result, Ripley would burn out more quickly, and leave a lot of hurt people in her wake.

And then the worst case scenario is one where Davie gets his hands on her, and does encourage her to express that anger and hatred in a more directed way; against Natalie, and he might still be able to get the daughter he wanted Gio to become