#but if you guys aren't like me!!

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[kermdoeswriting]

Bruce Wayne's a Foster Parent. Also he avoids death a lot so a dead person can usually tell if a humans meant to have died but didn't.

------------------------------------------------------------------------------

"Bruce you know I wouldn't ask this of you if I didn't have to but-"

Bruce just sighed from his side of the phone, pinching the bridge of his nose.

Nobody ever really expects to get a phone call nearing 3 am but exceptions had to be made when you were a legal foster parent and also a part-time secret super hero. If it wasn't one thing calling for him it was the other.

On the other side of the phone, Bruce heard the caseworker, Roni, chuckle.

"It's just for 3 nights and half of the day after, but I need you to be prepared for something before I can pass them off to you."

Bruce sat upright now on his bed, attentively listening to her words. Usually the kids didn't really come with any pre-warnings from the Caseworker themselves, letting anything about each Foster kid be said inside of their personal files that got sent along with them.

But when she gave out this information it was usually important. The last time Bruce had gotten a warning like this it was for Jason which was ages ago it feels at this point.

"What is it?"

"The kids are-" Her voice trailed off, like as if she was still searching for the right words to say. "They've been through what I can honestly only describe as the equivalent to a meta-kid trafficking lab"

Bruce shifted as he heard the driving continue on the other side of the phone.

"They're very guarded because of what they went through and they might display.. unusual behavior. More unusual then a meta-kids behavior after such a situation would be, but don't let it fool you! The kids are really sweet beyond being afraid."

Bruce frowns at the descriptions before replying to her, mentally trying to prepare himself for the idea of these kids and what they might have went through.

"I'll make a note of it then. Thank you, Roni"

"No, thank you, Bruce. I really appreciate this last minute placement. We'll be by really soon"

He was left with a click as he removed himself off his bed and threw the covers to the side of him. Alfred would want to know that they would have 2 new guests in the manor, at the very least to greet them and have rooms prepared even if they didn't need to have them prepared further then what they already were.

It was less then 5 minutes later that Bruce found himself, with Alfred, greeting the temporary fosters at the front door. Roni looked tiredly at them as she pushed the kids front and center.

Bruce could relate heavily.

"Hello Danny, Ellie. It's nice to meet you both, I'm Bruce Wayne."

Danny just stared at the mans outstretched hand for a second before he turned to look up at him, a pinched look on his face. Ellie matched his expression, although being a bit more subtle about it as she looked over Bruce as a whole.

Eerily, Bruce felt like his very soul was being judge the longer the kids stared at him. He also felt a sense of familiarity with these two kids the longer this continued.

They seemed detached rather than afraid like their caseworker had explained earlier, more so viewing the world as if they were outside of it rather then in it in any way.

Danny was quick to glare at him after another moment, "You're a fruit-loop, aren't you?"

Ellie broke from her own scanning almost immediately when she heard Danny's comment, cackling beside him before shoving him off with her arm. The action made Bruce smile as he took his arm back and placed it by his side.

Alfred also looked amused between the pair of siblings before turning attention to the task at hand again. Bruce just smiled at his pseudo-fathers usual fondness over children, knowing he was being reminded of his own grandchildren.

"This is Alfred. He's going to be the one to show you over to your rooms for the next few nights." Alfred greeted the kids in the same polite way he usually greeted all guests before he leaned down and extended his hands towards their belongings. He didn't grab their belongings just remained leaning over them before questioning the kids if they would like help to take their stuff to their rooms.

Bruce only really saw it faintly and if it were any other moment he might have ignored it as a sleepless hallucination, but for some reason he noticed the change immediately. The twins eyes go from a darker blue to a flashing bright green.

As if alarmed by the sudden movement towards their belongings.

Danny was quick to catch his own staring as well, eyes flashing back to blue for only a second before reverting back to green. Almost as if to give off some kind of warning.

Ellie noticed his staring immediately and shoved Danny again, this time more forceful for his attention before turning to whisper something to him when she had him back.

Bruce felt his skin crawl before turning away to face their caseworker, not really understanding anything they were saying beyond hearing a few words and feeling their eyes look between each other and his back.

Death Touched was an especially new description, and one that stuck in his head the second he heard it.

Bruce waited until the kids were guided away by Alfred before talking to their caseworker officially and waking her up from her half delirious tired drop-off.

"Hey Roni? Is there any chance we can extend the Fenton kids stay?"

There was something going on here with these kids and he was going to get to the bottom of it. One way or another.

[canisalbus]

They need a bigger bathtub.

[teaboot]

do u think physical build is an important part of being security? im 5'5 and think i look very timid, but ive seen some entry level security job listings around me that ive been interested in.

I've only been private security for around five years, so I'm still relatively green compared to my colleagues, but I personally am about 5'3" and I've been doing great!

And again, I'm not incredibly experienced, but if I were to make a hire, I'd be prioritizing a number of things before considering height.

Physically you need to be capable of doing your duties without pain- so if you have chronic pain, foot patrol may not be your bag, but CCTV monitoring might work. If you can't drive, being a site manager may not work, but working door duty somewhere local might be.

Physical presence- in regards to 'looking timid'- is something that you can work on if you want to, but sometimes an unassuming appearance is your advantage.

A "problem demographic" (using HEAVY quotations there) for a lot of places like malls and downtown areas is adult women with trauma, addiction, and mental health issues- they're seen by a lot of clients as "crazy ladies" and treated less like people by the general public, and a good number have very good reason not to trust men ESPECIALLY in uniform, but are more often than not perfectly easy to get along with if you're polite, respectful, and don't come off as a threat or authority figure. Being able to offer menstrual products and having resources around the area you can recommend is good, too.

And if I HAVE to move people out from behind buildings and such, saying "fuck off asshole" like folks imagine is NOT as effective as "Hey, sorry, this area is restricted, but here are some other places that might be okay- I need to do another check in about an hour, so heads up, and the church up the street is doing hot chocolate right now".

Really, if you want to do well in security- at least basic work- I'd say you want to focus on the following:

Wear your uniform and keep it tidy

Show up prepared and on time

Be able to approach strangers and talk to them

Keep a positive, non-agressive attitude, and be willing to give people the benefit of the doubt

Learn deescalation techniques to diffuse conflict

Have a strong handle on your personal emotions and opinions

Kerp calm and rational in an emergency

Learn basic first aid and get certified if you can, it's not technically necessary but I've used that more than I'd like to admit

Keep a strong moral compass

Really, I'd say it boils down to keeping to your sense of ethics, showing up on time, and knowing how to follow orders with nuanced interpretation.

Beyond that, you're golden

[alltimefail]

HEY UM ARE YOU KIDDING ME MR. REVRI??

(Bonus pic just for the sillies below the cut)

He's precious, just a silly guy. Relatable though because I also look at chicken sandwiches with sincere awe and adoration

[a-most-beloved-fool]

aos is fascinating to me just because of how stupidly self-destructive aos kirk can be. that man is a ticking time bomb at all hours of the day. aos spock, bless him, is, um. not much better. two little lemmings leaping over one another to be the one risking their life this week, and leaving poor mccoy with an eternal tension-headache from trying to keep those two idiots from bleeding out.

[christakisbang]

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[mellohiizz]

mel mellohiizz............ can i beg for uu!parrot and uu!clownpierce art

i love the parallels between them, it's so fun to think about

[ro-bee]

I'm sorry tumblr I don't have anything exiting to post here... I'm hyperfixating on goat's narinder ...

He's not even real and he's just my favorite *broken heart emoji*

Anyway thanks to my oomf Bunny to give me brainworms about them !!

More stuff below, description references (tw for scars, many scars...) and some suggestive stuff because I'm so insane about him

Brief description of him: he's the opposite of our beloved black cat so he's really friendly, kind and gentle. Me and Bunny are really abusing the "dogs are so weird, even if you hurt them they still love you" line... Wolf nari and goat's relationship is really complicated, that's all I'll say for now

Reference of the boy (with nari, and yes we're still rocking that toh reference pose) :

Ok so, if you saw my other references you might have noticed that wolf nari has something in common with my goat, it was Bunny's idea and I just went crazy about it so:

My goat's execution was absolutely gut wrenching (haha), something really traumatic that scarred them mentally; after coming back to life all they wanted was revenge for everything they've been through and for everything they've lost, they're not gonna stop at the 4 bishops they want all gods gone.

So, when it's time to meet again with wolf nari, goat is not gonna surrender and when they win and defeats the last living God they can finally free all their rage and do what was done to them to someone else, killing the last god, they went a little out of control... It didn't felt good like killing the others.

Smh toxic yaoi

Aaanyway

The suggestive stuff:

Good for them! Good for them!!

[tendermiasma]

Anonymous asked: hello, do you only do gay couples? as a woman, don't want protagonist for women as well?

As a woman, I'm drawing exactly what I want to draw which is the real representation that matters :)

[iwasbored777]

Y'all ever think about how in the first two movies Robotnik made fun of Tom and Maddie for risking their lives for Sonic, and in the third movie Robotnik ended up sacrificing himself to save Stone? He finally understood why Tom and Maddie were so protective of Sonic, he finally understood what love is.

[brodyfoxxsmassivetits]

matt and his girlfriend

sketch lol!!^

Did not MEAN to dodole them but I blinked a the beast took me over so yea whatever go free my mattuardo.. started thinking about them again

+unrelated old thing of preppy duin n emo matt cause...well I just wouldn't have any other reason to post them any other time

semi sorta ish suggestiv doodle underr cut

nothing explicit

[sergle]

my breast reduction scars have become such a neutral part of my tits, to the point that I entered a state of mind where I forgot that they are not naturally occurring markings

[rev-velvet]

I find it extremely funny that Craig and Octavio are running a booth together at Grand Fest. Like you KNOW Octavio was probably like "Look your granddaughters and my grandchildren former soldiers are all here to have a good time. So truce." And then they get to old man gossiping and then maybe some reminiscing about before the war and their past friendship and words left unsaid and and and

[danadiadea]

I'd be a worse teacher then Snape even without having to teach and protect a kid who looks exactly like my abuser in the place I was abused at with people who ignored it as colleagues, with no pedagogical education or expirence, zero support systems and no constructive feedback. just saying.

like he started teaching a mortally dangerous subject and became a full ass Head of House in direct charge of about 50 teenagers at 21, and then his closest person died in a month?? I'd kill either myself or someone else, no discussion.