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[fanterfane]

Dullahan Diplomacy! (Palmtop)

After having her head cut off and stolen by a headless woman, Palmtop knew she was in trouble. For one, she should be dead, she had no body. But for some reason, the magic of the monster kept her alive and breathing. In fact, she felt completely fine, as if her body were still below her but in a pocket dimension or something. If anything, the most discomfort was from how the dullahan who'd stolen her crown was playing with her. The light squeezing of powerful thighs on the sides of her head were discomfortingly pleasant, despite making her fear that she was about to get a watermelon treatment... Thankfully though, it seems like the headless woman had other plans for the bodyless head. Palmtop was gonna be the new powerful top for a powerful body... Whether she wanted to or not, the power that came from being plopped on top of that body instantly corrupted her. She couldn't tell if she was acting normally or not, but she didn't care anymore... She was powerful now, and nothing was gonna stand in her way... This is one of the finished versions a YCH auction I did earlier this year! I had a lot of fun working on it! I view it kind of as a spiritual successor to dullahan dilemma. I've always been fascinated by the concept of head swapping and head stealing and symbiosis so, this exemplifies those ideas for me! I hope you all enjoy it, and look forward to the second one being posted next week :3

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[tkwrites]

Can I Come See You? - Quinn Hughes x OFC

gif from gabelandeskog

Title: Can I Come See You?

Author: Tory / @tkwrites 

Relationship: Pre-established: Quinn Hughes x Sarah Roberts

Summary: After a rough game, Quinn seeks out comfort from Sarah. 

Warnings: some suggestive themes, swearing, other than that, it’s 98% fluff.

Word count: 4,600

Comments: I know I’ve been teasing the family reunion snapshot for a while now, but with all the heavy emotions September brings, I just haven’t been able to finish it. When this ask came in, I started writing right away, wanting some comfort myself. I’ve loved revisiting the beginning of Quinn & Sarah’s relationship while writing this Snapshot. 

Thank you, thank you, and thank you gain for your support and love! I have found such a lovely community here, and I’m so thankful. Even in this radio silence while I’ve been slogging through my grief, everyone has been so kind and supportive.  

If you enjoyed this Snapshot, please consider commenting, reblogging, or sending in an ask about it. I love seeing what you think of Quinn & Sarah’s latest adventures.

Anonymous asked: Quinn gives cuddler energy 1000000% After a game, especially when they played bad and lost/gave up a lead. Immediately wanting Sarah cuddles to make him feel better. Do you think he ever went to hers after a game, giving Eunice a heart attack in the early days. Or did they mostly hang at his?

Can I come see you? 

A Quinn & Sarah Snapshot

If it wasn’t a Friday night, he wouldn’t have even asked. But it was, and he knew Sarah didn’t have to be up early the next day. And they’d lost. Epically. 

Midway through the third, they’d given up a three goal lead. On a power play no less. He’d, thankfully, only been on the ice for one. He didn’t know what he’d do if he’d given up more than one short handed goal in a two-minute span.

There was another game the next day, the third in four days, and he knew he really should go home and go to sleep. But Toch had canceled practice the next morning, and he was upset and feeling restless and just wanted to see her. 

It had been a long time since he’d felt this longing to be with someone and actually had someone he could go to. He called his parents, but there was still a gap there, telling him something was still missing. He wanted a more physical kind of comfort.

It was a miserable night, and Quinn thought seeing Sarah might make him feel a little better. He’d never asked her something like this. Hoping she wouldn’t mind, he fired off a text.

Sarah was in her room after the game – after an awful game – when Quinn texted. 

Can I come see you? 

Her heart leapt into her throat.

Quinn had never sent a text like this before, and she wasn't totally sure what it meant.  

He wouldn't come here to initiate comfort sex, right? That would be crazy. Her roommates were home. 

Maybe he just wanted…she had no idea what he wanted, but he'd respected every boundary she'd thrown at him so far, so she responded. Sure. Let me know when you’re here, and I’ll come let you in. 

Though they hadn’t slept together yet, she was thinking about it a lot, and they'd made out. She'd even let him take off her bra a few days before. Just thinking about that night — the reverent way he'd touched her, like she was a priceless piece of art, and the croaked, pleasured noise he’d groaned into her neck when their dry humping culminated in him coming in his pants — still made her thoughts buzz.

He asked for her address. 

She’d forgotten he’d never been to her apartment before. Not inside, at least. He’d dropped her off several times, but it was always at the end of a date, and at least one of her roommates was usually home, so it’s not like she would invite him up. Also, it seemed silly to go from his lovely penthouse to inviting him up to her little apartment. If they were going to do anything, it wouldn’t be here. 

My roommates are home, just so you know, she sent, not wanting to set unrealistic expectations. 

He reacted with a thumbs up. 

Normally, she would warn them she was having someone over, but telling Eunice Quinn was coming over would only give her more time to wind herself up. So Sarah stayed in her room until he texted that he was downstairs and slipped by her roommates without giving an explanation. 

When she opened the large glass door to her building, he was standing off to the side, hands shoved in his pockets and his head hanging forward, as if it were just a little too heavy to hold up. 

“Hey,” she said quietly, not wanting to startle him.

He still jumped a little, but when he met her eyes, he smiled — genuinely — as if he was just glad to see her. 

Her heart fluttered.

“Come on in.” Taking his hand, she pulled him into the elevator, which was, thankfully, still on the ground floor. They only went up five levels before she got off and led him down the hall, and scanned through door 538. 

Her roommates were on the couch watching an episode of Friends. 

They looked over, and one of them yelped before slapping her hand over her mouth. She continued to make muffled noise, her wide eyes darting between Quinn and Sarah. 

“This is Quinn,” Sarah introduced, though it felt perfunctory. They both knew who he was. “And this is Eunice,” she said, gesturing to her, “she’s a big fan and a little bit excitable.” 

Quinn recognized her. She was the one who screamed when he’d knocked on the glass at Sarah’s first game. Her brown hair, which was more frizz than curl, was pushed back with a headband. She was still wearing a jersey – Petey’s, thankfully – from watching the game. 

“And this is Jane.” 

She was tall and willowy, with pale eyes and a thick, dark blonde braid. 

“It’s nice to meet you,” Jane said, standing up and offering her hand to shake.

Quinn grasped it, managing to pull a smile onto one half of his mouth. 

Eunice stood and followed suit, though he got the distinct impression that were they anywhere else with anyone else, she would be asking for a hug. “I can’t believe you’re in our house right now.” Her voice actually squeaked when she said it. 

“It’s nice to meet you,” he said, not quite managing to pull full sincerity into his voice. Though he did feel it, he was too tired and too miserable to mask the disappointment. 

Eunice finally seemed to get over the shock of Quinn Hughes being in her living room. Leaning her butt on the armrest of the couch, she said, “tough break tonight.”

“Yeah,” he sighed. 

“Here, we can go in my room.” 

When Sarah’s hand slipped into his, his heart did an embarrassing little flutter. Hoping it didn’t show on his face, he followed her down the hall. 

He'd forgotten what it was like to move into a blank slate of an apartment. All the places he'd rented since moving to Vancouver were furnished, including curated, so-neutral-it-wasn’t-interesting artwork. Sarah’s apartment looked like a home - framed photos and unique paintings on the walls. 

Her room was simple. There was a full bed tucked under the window that overlooked the street and a desk. There wasn’t room for much else. A quark board above her desk was filled with photos of who he assumed was her family. Half a dozen babies with her same bright blue eyes or chocolate colored hair. He noticed the warm up puck he'd given her sitting on her desk, bracing the pages of a textbook open to an anatomical drawing of a seahorse. 

She sat on the bed. It was either the bed or her office chair, and they couldn't both fit on the chair.  

“What's up?” she asked after a minute or so of him looking around her room, his hands in his pockets. He was in his suit, a rain jacket over it against the wet, misty night, and had a knit hat pulled over his hair.

His eyes snapped to her. Something about seeing her in leggings and a loose t shirt, sitting on her blue and green patchwork quilt, made him ache. Longing bloomed in him to see her this comfortable somewhere where they could be together. Not together like this; together permanently. The thought stuck in his mind. Had he ever felt that way about someone before?

“I just wanted to see you,” he admitted, shoulders dropping.

“Oh.” The sincerity in his voice took her by surprise. The fact that he wanted to see her on a hard night sent a giddy, effervescent shiver through her. 

She patted the mattress, and relieved, he sunk down next to her. 

Sarah pulled his rain jacket off, throwing it over her office chair before asking, “this too?” as her fingers tucked under the collar of his suit coat. 

Usually, he would have shrugged it off as soon as he'd pulled away from the arena, but he'd been driving in the general direction of Yaletown, breathlessly waiting for Sarah’s reply.  

Nodding, he pushed his shoulders back so she could pull it off. 

She folded it much more deliberately than he usually did, matching the shoulders and making sure the arms were flat before draping it over his jacket. 

“You okay?” she asked, her hand traveling up and down his back. 

Her gentle touch and the sound of her voice sent a pang of relief through him. 

Experiencing Sarah sharing her emotions with him so openly somehow made it easier to reciprocate and trust she wasn't going to dismiss his or throw them back in his face later. 

He shook his head.

“Do you want to talk about it?”

“I don't even want to think about it,” he said, leaning forward and raking his fingers into his hair.

Not quite sure what he meant, her hand paused on it’s journey smoothing over the soft material of his dress shirt. 

“Can we…” he glanced over at her. In the light from her desk lamp, his eyes were the color of cognac. “Can we lay down?”

Her lips pursed. It wasn’t that they hadn’t cuddled before. They had, but she still wasn’t exactly sure what it was that he wanted. 

“I just want to hold you,” he finally admitted. The vulnerability of saying it out loud knotted his stomach.

Her heart did a giddy little dance in her chest, and she barely held herself back from asking, really?  

“Sure,” she said instead, although it still came out a little breathy. “You've gotta take off your shoes, though.” 

As he toed off the sneakers, she scooted back, so she was laying nearest the window. 

He lay next to her. They stayed that way, side by side for a minute before Sarah asked, “how do you...?”

Extending his arm, he patted his side, inviting her to snuggle into him. She accepted readily, pressing her body to his. Really, he wanted her to hold him, but he felt a little too vulnerable to ask for that. 

A deep sigh let go as her hand rested on his chest. It had taken more than six months for him to feel this comfortable with June, for him to even think about asking her for comfort.  It was amazing to him that things with Sarah were so much easier. 

“What do you need?” she asked, tracing one of his buttons. 

Emotion threatened to choke his reply. Taking a moment to swallow it down, he tried to remember the last time someone had asked him that not related to improving his on-ice performance. Nothing immediately came to mind.

“Can you just talk?”

“About what?”

“Anything. Tell me about your roommates.”

“Well, Jane is a pediatric nurse. She works in the BC Children’s ER.” 

He let out a low whistle. 

“Yeah. It’s a rough gig sometimes, but she really loves it. She's actually headed to work in a few hours.”

He glanced at his watch, “at midnight?” 

“She works a lot of graveyards. 3 to 3 or midnight to noon. She coaches a youth lacrosse league on the weekends.”

“Really?” He felt Sarah nod. “My mom played lacrosse. She put all of us in it, too.” 

“Did you like it?” 

He shrugged, “I like hockey better.”

“Good thing you stuck with it, then.”

A breath of a laugh escaped through his nose.

“And Eunice is studying biomedical engineering. She’s on track to get her PhD.”

“Really?”

“Why are you so surprised?”

“I don't know,” he shrugged. “She just seems so…I mean, excitable like you said.”

“Oh, she's just dedicated to everything she does. She has a 4.0. I think it'd actually be higher if the scale didn't stop there. She does everything like that, you know? Doesn’t matter if it’s school or being a fan. She’s always 110% in. I don’t think she knows how to do anything halfway.” 

He hmm’d.

Falling into a companionable silence, Quinn sighed. He’d been looking for this his kind of comfort with another person his entire life. The first time he’d really felt it was on their first date, and it was a revelation. Each time it happened since then, it became a little less awkward. They might well be on their way to sharing the kind of quiet moments he used to see his parents have. Sitting together on the couch reading, or folding laundry together, or watching TV, just happy to be with each other. The idea of it made his chest feel buoyant enough to float away.

“How did you meet them?” 

“Eunice was advertising for someone new to move in on the school housing board. Their old roommate, Jenny, was getting married. So, I met them and saw the place, and it just worked out.” 

“Just like that?” 

“I guess?”

“I’ve never done that before.”

“What?” 

“Interviewed to be a roommate. I’ve always lived with teammates.”

“Not all of us have a built-in best friend squad.”

He snorted, and Sarah smiled. 

They eased into another quiet moment, and Quinn felt his eyelids grow heavy.

“Do you need anything?” she asked. 

“Hmm?” 

“Like, do you need anything to eat?” 

“I ate at the arena,” he said, “but I wouldn't mind something to drink.” 

As she pushed herself up and he resisted the urge to pull her back down. “What do you want? I have water, cranberry juice, or Ginger ale. I have some rum if you need something stronger, or I could make you some tea.” 

“I can't have caffeine this late. It’ll fuck up my sleep schedule.” Truth be told, it was probably already fucked just by him being here, but he didn’t want to inflict any more damage. 

She smiled, “I have peppermint, or a caffeine free maple that's really tasty as a latte.” 

“That sounds nice.”

“Okay. Do you want milk or almond milk?” 

“Almond, please.” 

“You got it.” As she crawled over him to get to the edge of the bed, she leaned down to press a gentle kiss to his lips. 

His mouth was still buzzing when she left the room. 

Eunice came into the kitchen as Sarah was filling the kettle. “What are you doing?” she whispered as if Quinn might hear them from down the hall. 

“Making tea,” Sarah said in her normal tone. 

She could tell Eunice wanted to start interrogating her and pointedly looked the other way. She’d be happy to talk, but not while he was still here. Getting Eunice started on a conversation like that required a certain amount of commitment, and Sarah wasn’t willing to rehash the night until it was over.

She stayed in the kitchen, watching Sarah start the kettle on the stove and pour milk into the frother. 

“I can bring this to you when it’s done.” 

“You’re sure?” 

“Yeah. Go be with Quinn. He looked like he needed some time with you. I’ll be in in a few.” 

“Okay.” 

As she walked back down the hall, she heard Eunice mutter something about getting Quinn to play better tomorrow.

Sarah winced, wondering if he was ever allowed to be human before being an athlete. 

Quinn looked up from his phone when Sarah came back in the room empty-handed. “No tea?” he asked, hoping his tone came off teasing. It was surprising to him she could start something and not finish it. 

Leaving the door cracked open, she got back on the bed and crawled over him, “Eunice offered to bring it in. It takes our stove ages to boil water.” 

He pulled her into him as soon as she got to his other side. As she bounced against him, she giggled, and it dissipated some of the angsty weight he’d been carrying around since the game ended. 

She snuggled up to him again, working her left arm under his back. He arched until her hand brushed his ribs.

“That’s okay?” he asked, settling back down. 

“Yeah.”

Though half of it was tied up, he threaded his fingers into the hair at the nape of her neck, then ran them through the soft strands. She made a contented little noise, so he did it again, just glad to be touching her. 

“Thank you for this,” he said, voice quiet. 

“For what?” 

“For letting me come over. For,” he moved so he could wrap his arm around her, squeezing her a little bit closer. 

“Hey, if cuddling makes you feel better, I’m always down,” she said, nuzzling her cheek into his shoulder. This kind of casual affection was what she missed most every time she broke up with all of her exes. Not to mention, she got so little physical touch being away from her family.

He chuckled, and it ended in a sigh. 

His free hand found hers, and he slotted their fingers together. 

“I really like you, Sarah.” 

“I really like you, too, Quinn,” she said, tipping her head back so she could see his face. From this angle, his nose was more pronounced. She had to resist the urge to pull her hand from his so she could run her finger down the ridge of it to feel the prominent bump. 

Sensing her stare, he turned his head, bringing their lips dangerously close. It only took a bit of stretching on Sarah’s part to bring them together. 

When he felt Sarah strain toward him again, he rolled onto his side to shorten the distance between them. Her hand stayed on his chest, and their kisses remained sweet, though the adjusted position allowed for a little more tongue, which he wasn’t mad about.

This was much softer than anything they'd done so far. It was nice to know they could just be here: not rushing to get undressed or into something more intense and physical. 

She loved this kind of lazy, slow kissing, but found it didn’t usually come until much later in a relationship, after all the first physical stuff was out of the way. To be kissing - making out without really making out - like this before they’d even had sex felt like a gift. Feeling his fingers run into her hair, bringing her face just that little bit closer to his Sarah sighed.

The way her chin moved in and out as they kissed, matching the rhythm of her tongue brushing his, lulled his body into a state of deeper relaxation than he’d felt all evening.

Pulling away just enough, she whispered, “you’re a really good kisser.” 

A zing of pleasure shivered through his brain and all the way down Quinn's spine.

 “Thanks,” he breathed, easing back to see her face. 

He gazed into her eyes for a few moments longer, trying to calm his thoughts. Once he was over the initial daze her compliment brought on, he realized he should probably say something else. Instead of blurting out the, I like being good for you, that popped into his mind, he said, “you make it easy to be.”

When she shyly thanked him as her cheeks pinked, he felt like he'd swallowed the sun. 

Unable to resist anymore, Sarah reached up to trace her finger down the bridge of his nose. “How did you break it?” 

“The first time, Jack punched me in the face in an intense game of mini sticks.”

“Mini sticks?”

“It’s like…” How did he explain this to someone who’d never played? “It’s like indoor, carpet hockey. You use these little plastic sticks and a ball, usually. We used to play in the basement. My mom talks about how we played so hard, we would shake the whole house.”

“That’s some serious competition if you’re getting your nose broken.” 

A breath of a laugh huffed out of him. “I deserved it. I was goading him on pretty bad, and he didn’t really know his own strength. I can still see the horror on his face when the blood started pouring.” 

She resumed stroking, her touch feather light and gentle, “how many times have you broken it?” 

“Three.” Quinn never thought he’d like someone touching him like this, but with Sarah, he found it comforting instead of irritating. It was like she just wanted to know every part of him. “The other two were pucks to the face.”

She winced. “That sounds painful. Those pucks are way heavier than I thought.” 

“It’s not fun,” he said. “Thankfully, the adrenaline is still pumping, so it doesn’t really hurt until after the game is over.” 

“You kept playing with a broken nose?” 

Nodding, he laughed, “they strap on a full face shield, and send you back out there.” 

An incredulous, protective look took over her face that Quinn instantly loved. 

“Don’t worry. They do concussion testing and reset it if it needs it before.” 

“That’s just…really?” 

He nodded.

“I keep seeing all these memes about how tough hockey players are, and I always thought they were kind of exaggerated.” 

“It’s a tough sport,” he said. “My goal is always to be swift enough on my feet to not get involved with the harsh stuff, but sometimes a puck just redirects, and bam, your nose is broken again.” 

The kettle whistled. 

As if by an unspoken rule, they pulled back from each other. Sarah’s hand dropped back to his chest. 

A minute later, Eunice gently hipped open Sarah's door, carrying a tray with two steaming mugs and the whole milk frothing machine. “I figured it would be easier for you to froth in here,” she said, setting the tray down on Sarah's desk. 

As she backed out of the room, she widened her eyes and quirked her brows a few times, giving Sarah a look that plainly said, you have a cute, famous boy in your bed, and we're going to discuss everything as soon as he’s gone. 

“Thanks, Eunice,” Sarah said through a tight smile, hoping Quinn hadn’t seen. 

“Sure thing,” she said before softly clicking the door shut.

“I don’t think I’ve ever had a tea latte,” Quinn said as he rolled onto his back so Sarah could crawl over him again. The urge to pull her on top of him by her hips was so strong that he had to curl his fingers into the quilt. 

“Really?” she asked, plugging the frother into the outlet by her nightstand. 

He shrugged. 

The machine whirred to life.

“It’s good. I like it at night. The warm milk kind of puts me to sleep.” 

When it was done, she divided the creamy concoction into the two mugs and brought one to Quinn. 

“This is okay?” he asked, gesturing to the bed. 

“Yeah.” There wasn’t anywhere else they could go. If he spilled tea on her sheets, she’d just have him help her change them. 

Sarah sat opposite him, knees bent, her bare feet between his socked ones. 

Their eyes met over their mugs, and Quinn smiled. “This is really good, thank you,” he said, gently tapping her leg with his toe. 

“You’re welcome. I’m glad you came over.” 

“Are you still up for the game tomorrow?” 

“Yeah,” she said. “I’m planning on it.”

“And you’ll stay so I can take you home?”

She nodded. “Are you flying out again after that?”

He sighed, “yeah. On Sunday. We fly out to Dallas, play them on Monday, and then go to Colorado to play on Wednesday, and then I’ll be home for a week on Thursday afternoon.”

“I’m glad it’s not too long this time.”

“Me too.” A yawn split his face. He apologized, holding a fist over his mouth.

Shaking her head, Sarah said, “you’ve had a long day.”

“Yeah,” he agreed, downing the rest of the tea. “I should probably get home and get to sleep.”

While he pulled on his sneakers, Sarah set her latte aside and slipped on some sandals. 

Rain was pounding against the glass fronted lobby when they got downstairs. Looking down at herself, Sarah said, “I’d walk you to your car, but I’m not really dressed for it.”

Half of his mouth lifted in an indulgent smile, “that’s okay.” Gathering her against him, he breathed in the smokey smell of her perfume to fortify himself for the dash into the rain and the drive home. “Thank you again.”

Her hands slid under his suit coat, pulling him more tightly against her, “you’re welcome. I’ll see you tomorrow,” she said, pulling back to look into his face. 

“Tomorrow,” he agreed, leaning down to kiss her. They were in public, so he knew he shouldn’t linger, but he did anyway, savoring her mouth as the last thing he’d taste that night. 

“Let me know when you get home, yeah?” she asked when they parted. 

He nodded, and she watched him jog away before heading back upstairs. 

Eunice was waiting in the entryway for her and immediately grabbed her hand. “Tell us everything,” she said, excitedly pulling Sarah down the hall to the bathroom where Jane was re-braiding her hair for work. 

Before she sat in the hallway outside the bathroom, Sarah got her unfinished tea. As she sipped, she explained how he ended up there. 

Both women awed when she recounted Quinn telling her he just wanted to hold her. Eunice broke in when Sarah got to the part about making tea.

“Jane, it was so cute. I walked by, and they’re cuddling. Then, when I came back, they were kissing. Like that soft movie kind of kissing - it looked so dreamy. Then when I walked by again –” 

“Why were you walking by so much?” Sarah demanded. 

Eunice didn't even blush, “I had to get my blanket.”

“And it took you two trips to do it?” 

“I forgot what I was getting the first time and had to come back to the living room to remember.” 

“Right,” Sarah deadpanned. 

“Anyway,” she said in an over-exaggerated tone, “when I walked by again, she was petting his nose.”

“Oh my god,” Sarah exclaimed, “I am never bringing him over here again. He’s going to think you’re some kind of psychopathic stocker for walking by all the time.”

“Oh, he had no idea I was even there,” Eunice said. “He was way too busy longingly gazing at you, Ms. Roberts. I don’t think he would have even noticed me if I was stomping down the hall like a t-rex.”

“He was pretty enraptured,” Jane said. 

“You too?” 

“I had to go to the bathroom. Mine was legitimate.”

“Oh my fucking hell,” Sarah moaned. 

“Why were you touching his nose?” 

“I asked him how he broke it.” Sarah smiled at the floor. “And I like his nose.”

Eunice snorted, “of course you do.” 

Cutting off Sarah’s incredulous look, Jane asked, “what was the best part?”

All of it, she wanted to say. The fact that he came over at all. That he just wanted to cuddle, the kissing… 

“He was really sweet. I told him he was a good kisser and he just looked into my eyes for a while before he goes, ‘you make it easy to be.’” 

“Oh my gosh,” Jane gushed, “really? That is such a good answer.”

“Will you just fuck him already?” 

Sarah let out a surprised cough, and Eunice continued, “I think he’s proven he’s not just in it for the sex.”

“I think I knew that from the start.”

“So why are you waiting so long to jump him?” 

“Eunice,” Jane admonished, “Sarah can take however long she likes to take that step.”

“Yeah, yeah,” Eunice said dismissively, flapping her hands, “I just want to know what he’s like in bed.”

“Oh my god,” Sarah said, dropping her head into her hands. “I am never discussing my sex life with you.”

“Yes you will.” 

“No. I won't.” 

“You will,” Eunice said with a quirk of her brows. “You've told us everything else so far. I don't think you'll be able to resist.”

“You’re unhinged, you know that?” 

“That’s why you love me.”

Laughing, Sarah had to admit she was right.  

Want more Quinn & Sarah? Check out the Snapshots Masterlist

To read all my fics, check out the Fanfiction Masterlist

[gazkamurocho]

Top 80s Goromi compilation in high resolution is up on my Patreon now 🙏

[nyancrimew]

Sorry, it was unfair of me to send that to you without proper context since you might not be aware of these issues. Irredeemable media refers to any thing with a creator or content  that is harmful and/or bigoted. Of course every piece of media has problems, but irredeemable media is when those problems cannot be ignored and are an indicator of someone's beliefs. 

For example, Harry Potter is irredeemable media because every one knows that JK Rowling is a transphobe, but some other piece of media like Twilight would not be considered irredeemable because even though Stephanie Meyer has done some bad things, they are not as widely talked about, so someone who posts about Twilight on here isn't completely likely to be a bigot, but a Harry Potter blogger would. Also, I know the "to be cringe is to be free" people like your blog, but a lot of the time, what is considered cringey on here is actually based on what is irredeemable. No progressive person or reputable blogger genuinely makes fun of My Little Pony fans any more, however plenty make fun of Hazbin Hotel fans and the such because that content is irredeemable and shows someone's beliefs. So usually, a piece of media being considered embarassing to like on here usually indicates that it is irredeemable.

As for why the other pieces of media are irredeemable, Hazbin Hotel is made by a woman who has many well-documented accusations of bigotry against her and has drawn zoophilia art, not to mention how her work leans into stereotypes about gay people (having a gay man character be a sex addict, a lesbian be named after the female body part Vagina, etc.) or at least that's what I've heard. Attack on Titan is created by a known fascist and many illusions are made to nazi imagery and nationalism in the anime. Captive Prince has a racist premise that sexualizes slavery and non-con. 

People can tell you that liking irredeemable media doesn't say something about who they are, but that's fundamentally false. If someone is uncaring enough to still post openly about these types of media, it's clear they don't care enough about not supporting bigotry. Yes, even if they don't give money to the creators, because they are still willingly exposing themselves to bigoted or harmful content and enjoying it.

The previous ask was not meant to be accusatory. Rather it was meant as a concerned question. Believe it or not, there are still some users on here who indulge in these pieces of content, a few of which hide behind the excuse of being part of a minority (Black, trans, whatever) or simply deny how bad their media consumption is to escape accountability. I wouldn't want you associating with those types of people and have that ruin your reliability on this website.

Hopefully this ask has educated you more on these issues and you'll be able to spot irredeemable media in the future and block it out.

incredible essay, you get a C for Creativity

[anonymouspuzzler]

HAPPY UPDATE DAY!!! 🏠

After all this time, all this hard work, I can finally tell you all more about my work on Welcome Home beyond "Dude Just Trust Me I Work On It I Swear" !!

I've been calling myself the "production manager" because a lot of what I've done has been in that realm - making checklists and spreadsheets, doing research, sending emails, and generally keeping our wonderful team on track to do the incredible things they do, with all the support they need! I'm very lucky and grateful to get to support Clown and all the incredible actors and artists we've brought on!!

that said, over the time I've been part of this project (I looked back and realized February 1st this year is when it all Officially Began, can you believe it), I've gotten to work on some more obvious, visible things you'll find on the site today as well! most prominently, I am very proud to say, I was the curator of the very real Welcome Home exhibition!! Clown was extremely generous and supportive in letting me bring his work into the world this way, and with their help it became bigger and better than I ever could have dreamed! Though this iteration was very small and private due to our venue, I hope the few of you I know who attended enjoyed it very much, and for the rest, know we hope to find ways to host the exhibition in other and more public venues in the future! (Where and when, I don't know, but I'll work hard to make it happen...!)

As part of the exhibition, I was able to create a lot of new props to help build the world of Welcome Home! Most excitingly, I was able to create a real working toy telephone, and help Clown to find our talented group of voice actors to provide the recordings! And of course, I was able to meet dear sweet Wally and Home themselves, who were the sweetest little peanuts and a true pair of professionals! Just delights to work with!!

Though this was my most prominent contribution, somehow, that wasn't all! You will find bits and pieces of my art and writing all over the newest website update (some places more obvious than others...), and I was able to contribute to building many of the new and updated site pages as well! We've all worked so hard on everything you'll find there, so I hope you all enjoy the exciting new additions to the neighborhood!

My final little statement while I have my sweet little soapbox here... every last one of you who has provided support, even just one ko-fi tip, has Directly made this update Possible!! Not only do these tips allow us very literally to pay for supplies, art, voice work and the like, it very directly Supports and Improves the livelihoods of every single person involved!! so if you have the means, and would like to do so, please do consider tipping or subscribing to Clown and/or any of the other artists and actors involved!

And with all that... thank you, neighbors!! And Welcome Home!!

[creatingblackcharacters]

Do you have any advice/suggestions/requests for non-black members of fandom as far as how to respond to racism in fandom spaces? Obviously we shouldn't be speaking over black voices, but it doesn't seem fair for black members of fandom to have to do all the work of making a fandom space safe and welcoming for themselves.

You are correct! Tbh, these are tips for being a good ally in general:

Amplify Black Voices!

Odds are, whatever manifesto you have in your mind about the injustice of antiblackness in your fandom, a Black fan has already said it multiple times. While I appreciate the sentiment, I must admit I'm salty when I see that people are more supportive of (usually white) voices that discuss my lived experience, over my own voice and my lived experience. What does that really solve? You need to be following Black fans too, that way you're actually in the know when these things are happening.

Don't be a Bystander!

If I'm getting jumped and you (who had the power to help) show up afterwards to say "I really empathized with your pain", I'm not going to think "wow they cared, I'm so grateful". I'm going to think "WOW they really let me get my ass beat!" Same idea with this. That's honestly the most painful part for me; it's not the lone racist themselves, but the hordes of people who back them up, and the rest (some of whom you may even consider a friend) who might disagree but say absolutely nothing.

When you see that a Black peer is being railroaded and you KNOW it's wrong, step tf up! Be willing to say "you're out of pocket for behaving this way, and I will not be supporting you now that I know you're a racist". I will never know you're an ally if you're only an ally in your head! It's the thought that counts, but the action that delivers!!

It's going to be uncomfortable! Stand on it!

If you share that you're against antiblackness in fandom spaces, but next you're reblogging whitewashed art, or an artist known for whitewashed/racist pieces, or still following someone who's made covert/overt antiblack statements, etc. just bc you "enjoy their stuff"... You're not being an ally. Be willing to hold those creators accountable, and when they disappoint you, unfollow them. Be willing to tell your friends, "hey, that person did/said this thing that was anti-black and were unapologetic about it". And if your friends don't care? Now you know who's around you. I'm not saying it's easy, but... Do you stand on business, or would you rather allow racism so that you can stay comfortable? Because your Black peers have to live under this discomfort you're only momentarily experiencing. It's far harder for me to approach these people and hold them accountable. And if I see that you're still kicking it with known antiblack racists... I'm probably not going to assume highly of you, either.

Educate yourself on what these aggressions look like!

You might not know what to look for, and if you don't, you're gonna miss a lot. What is actually antiblackness will often be posited as "drama" or "fandom wank". Or, if they're really trying to sound progressive, it'll reveal itself as dogwhistles in other important topics like queer representation or misogyny (e.g. how white women often claim misogyny when confronted with their racism, or TERFs). That's how it gets swept under the rug. Learn to recognize microaggressions, learn to recognize the signs. It requires work! Listen to and believe your Black peers when they explain what they saw! Bc trust, once you see it... You'll realize there's a lot of it lmao. And that's what many fans are afraid of confronting.

That's what I have for now, if anyone else has anything to offer. 👍🏾 Thanks for asking!

[traceybrakes]

Let's Talk About Un-ironicizing Art!

In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!

For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.

I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the consumer base ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.

Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by by some. When you engage with work new and old, make sure to do it for yourself. Making and consuming art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.

To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throws of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.

I realize I run the risk of sounding pretentious, self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.

[utahlive]

Announcement

Hello UtahLIVE viewers, I have come before you today to talk a bit about recent events and how they will impact the future of this blog. Apologies this note is a bit long, but I would really appreciate it if you took some time to read this.

As I'm sure many of you know, within the past month Wilbur Soot/William Gold has been outed as an abuser. I want to make it clear right now that I no longer support him, nor do I accept his apology (mainly because it's not mine to accept in the first place). I stand with and believe Shelby and Alice 100%. This goes for any other victims that have or will come forward that I am unaware of, since I've been trying my best to stay offline. This aint about me!! But it's still hard when someone you look up to and who inspired you to create art turns out to be a shitbag. If you were somehow unaware of this, please go watch Shelby/Shubble's stream (VOD + transcript) and read Alice's post (and mind the CW/TWs) for more information.

This blog has brought me a lot of grief because of all of this. I do not want to support or perpetuate this man's image, but at the same time, I don't want to discontinue a story that I've put so much time and effort into. After a lot of deliberation, I've decided that I am going to continue this story until the end. I will also be adding a disclaimer in the pinned post, and I will no longer be tagging any of my posts from here on out with #wilbur soot or any adjacent tags. I don't think it's fair to myself or to anyone else who has enjoyed this blog to waste all the hard work that I have put in, because ultimately this is my project and my story, not his. If you disagree with this, I totally get it, but I ask you to just unfollow and/or block rather than sending me any hate because I promise you that whatever you say about me "supporting" Wilbur Soot by continuing this blog is something I've already considered myself. He is not (active) on Tumblr, he did not receive any of the money I got from stickers, I doubt anyone is looking at this blog and thinking "wow this Wilbur guy seems cool, let me go listen to his music and watch his vods".

Despite this decision, I'll probably still be taking a bit of time to myself to think about things and focus on school. Updates will likely resume in late March or early April.

I hope you can all respect my stance on this, and I want to reiterate how much I appreciate you all for supporting my work. Love you guys <3

[adoptourcrew]

Here is a transcript of Rhys talking about OFMD cancellation. You can listen to his full interview on Spotify and on Apple Podcasts.

Talking Strange Paranormal Show with Aaron Sagers: Rhys Darby Returns!

Timestamp: 37:52-41:49

Aaron: I can’t help but ask about Our Flag Means Death…I absolutely love the show. It has such a huge fan base. It even has the massive queer community support and we are now in the midst of Pride Month. For you, how do you view the legacy of Our Flag Means Death professionally. How does it rank in your work?

Rhys: Very highly. It’s an odd one, because in my mind, and I’m sure all the fans' minds, it was slightly rudely cut short. We should have gone more and I think it’s because we felt like the aim was to go for three seasons, to tell the whole story. And because it was so good and it had a lot of fans and it was representational, it was funny, it was beautifully shot, awesome costumes. We’re pirates on a boat attacking each other and making out. It was a unique show and I’m still getting over the idea that they can just go “we’re canceling that” when other things, I won’t name any names of certain other comedy shows and things, that just keep running. And I think, who the hell is making these decisions and there might be a financial element to it, yeah sure. But the budget was stripped by 40% on the second season and we shot it in New Zealand, we saved a lot of money by going to another country, which seems odd. But still, then they called it quits there at the end of number two. So it’s bittersweet in a lot of ways for me because personally, for my own journey, it was the best thing I’ve ever done because I was the lead and I got to obviously use my comedic skills, that’s easy. But I got into the drama side of things and there was some real emotional pathos and nuances that I didn’t know I was capable of doing and I got to do, and I was really proud of my work on that thing. It’s like my mum always said, “pride always comes before a fall.” (laughs) And now it’s gone. But hey! Move on, we’ll move on.

Aaron: Would you and Taika ever consider, as some other creators have, perhaps completing the story in another format, another medium, comic books for instance. A way that you could tell the story that you wanted to.

Rhys: I think the fans have already done that. The fanfiction is through the roof. But I think the show that we made was something to behold and hopefully it will stick around. It’s just two seasons, there are a lot of shows that ran for two seasons, like Flight of the Conchords, for example, there are only two seasons of that. And I look at these things now as pieces of art and there they are. And you can watch them over a long weekend or whatever you want. But it’s finite and it’s done and you can enjoy it and you can always go back to it. It’s a happy place. It’s art and that’s it.

[startrekfangirl2233-writes]

Lens Flare

Jake 'Hangman' Seresin x Reader

Description: Over the past three months, your career has grown by leaps and bounds. Yet at the same time, you can't help feeling dissatisfied. A lot of your feelings stem from what you did the last time you saw him. Jake Seresin. Lieutenant Jake Seresin. It had been fun, in the hangar, under the dead of night - passionate and hot. So too had been the video you filmed and the pictures you'd snapped. But hindsight, well, maybe there is a reason why they say "Hindsight is Twenty-Twenty". Because Jake hasn't called, despite how badly you want him to. A new assignment in North Island might have the potential to change everything for Jake and our Shutterbug, including how they approach everything they hold dear.

Warnings: Once again, this is just some porn with plot. The feral plot bunnies ran away with me, I fear.

Word Count: 8502

A/N: Hiya everyone! I'm baaack! Enjoy this sequel to my fic Photo Finish. It's just as smutty and gorgeous as the last one!

This fic is brought to you all by the constant support of @horseshoegirl, @sarahsmi13s and @desert-fern. You're all my heroes and I love you to bits for keeping me from ditching this story before it even started! I couldn't have written it without you!

AO3: Cross-posted Here!

Wattpad: Cross-posted Here!

An old photography teacher of yours once told you never to submit photos with lens flares to any publication, magazine or contest. He considered lens flares the biggest mistake for a rookie photographer. He’d declared, quite adamantly in front of your entire class, using your pictures as examples, how lens flares made photos look cheap and low quality. Given his dislike of the trick of light, he’s also taught you a plethora of tricks to prevent them. Over the many, many years since you left his class, you’ve started to relax and deviate from the rigid rules of photography he once taught you. For a large portion of your career, you've been photographing subjects which cannot be posed in a studio, which helps. Every snick and whir of your camera feels like you are letting go of rules and embracing your art.

You’ve always heard wildlife photography has a tendency to relax photographers' attitudes. It’s a truth you’re very thankful you had the chance to experience. After all, there are no rules when it’s just you, your camera and what feels like the entire world a hair's-breadth away from your camera lens. It’s hard to be frustrated with the sun glancing across your camera lens when it highlights fox kits gamboling in dewy spring grass. Or elk on a frost-bitten winter morning with clouds of their breath dissipating into the clear air. Those pictures were once-in-a-lifetime shots, perfect in their imperfection and richer with the sparkling halos of light.

Being back in New York after years of traveling has made you appreciate the photographs you took even more. Now you feel like you can fully appreciate the wilderness in them. New York is wild in an entirely different way. It’s louder, greyer, more populous, yet just as vibrant. In New York, you’ve been able to capture human nature, snapping minuscule interactions between people who are always in a hurry and always moving. But you also have to work to make enough money to fund your passions. Not having to travel helped bring some stability to your passions. But of all of the things you thought you'd be photographing, fashion models and clothes were never an option. In a way, photographing fashion and fashion models is capturing another kind of wild animal in your lens sights. Models and designers are wholly proprietary and protective over what they consider theirs, whether their clothing or their aesthetic appearance. You’ve had to shoot and reshoot, as well as touch up your photos more than you've ever had to before. Of course, in this case, your primary objective is to make the models and the clothes they are wearing look otherworldly and incredible. 

At first, the thrill of doing something new was alluring and exciting. But after a year, trapped in New York City, doing the same thing and working with the same people day in and day out, you can’t help but miss wildlife photography. It's like a persistent ache below your breast bone, something calling you back to the life you lived before. You're missing traveling in arid deserts and verdant forests even more now. And then the US Navy came calling. Now, while you miss the wilderness, you think you might just miss something else, more.

It’s late, half-past three in the early hours of the morning, and you’re sitting out on the balcony attached to your overpriced shoebox of an apartment. You’ve found yourself sitting out here more and more as the summer heat turns into the cool of fall. Your balcony is so small there’s only room for a single chair, and your feet are propped up on the wrought iron railing. New York’s the city which never sleeps and the crackle and groan of the city resonates around you. Your oldest camera, a Canon you bought in college with the pennies and dollars you’d saved from tips earned from waitressing, sits on your lap. All night, you’ve been trying and failing to chase away how unsettled you’ve been feeling by peering through the viewfinder and trying to see things from a different perspective. 

But it hasn’t worked. You've been feeling discomfited of late, unsettled and restless. Maybe your listlessness has something to do with your next assignment. You can’t lie, not even to yourself no matter how hard you try. It has everything to do with your next assignment. You should be excited. You should be asleep, because at least if you were asleep, the time would pass sooner. For once, you will not be photographing a new designer collection. In the morning, you're flying to San Diego to take pictures at North Island Naval Base for a follow-up piece sanctioned by the US Navy. Your team is joining you, which should be a comfort, albeit slight and slim. There will be more planes to photograph and possibly shots you can take from within the cockpit or from up in the air.

It took three months to publish the article on the US Navy’s newest hotshot aviation squadron. There had been countless revisions and rounds of approval with the US Navy's Office of Public Relations to greenlight the endeavor. It's been exactly the same amount of time since you met the Dagger Squadron, too - only three months after you edited the photographs, focusing maybe a little too much on one face in particular. Three months after you took the biggest risk of your life, professionally and personally. Three months after you made a sex tape with a client. It doesn’t help that he was a memorable client, too - and how you haven’t been able to forget him.

It's only been two weeks since the magazine hit newsstands with your picture of the Daggers in all their finery near one of the jets on the front cover. Everywhere you go, it seems you see their faces - his face. Your phone has been ringing off the hook ever since. Everyone wants you to take professional portraits of their clients. But your phone has never had the voice you so desperately want to hear on the other end of the line. It's a nationally distributed magazine, after all, and like everything nowadays, published both physically and digitally. The magazine had also mailed special copies to each member of the squadron which was your subject. So he has to have seen it. So why hasn't he called? It's the one question on your mind. It may be the only question on your mind, but it's far from the only thought in your mind. 

Chances are, he doesn’t want to talk to you at all. After all, why would he want to?

You couldn't silence the thoughts if you tried - and you have tried, repeatedly. Getting drunk made you maudlin, going out had you seeing his face in every stranger’s and getting laid had made you wish you were with him rather than anyone else. Over and over again you’ve found yourself thinking about those last few moments with him, agonizing over every detail, from the kisses and touches to the last time you saw him. Maybe you hadn’t been entirely clear in your note to him. You can recall the note as if you wrote it yesterday, the note you'd affixed to the flash drive you handed him.

Sure, you told him to call you when he was in New York next. But really, you wanted him to call you, period. Or text you. Something, anything to show you’re lingering in his memory in the same way he lingers in yours. You thought your dalliance had been memorable enough. You hoped you were memorable enough. After all, it's not every day you let a man fuck you up against his jet and record it, forget a man you’ve known only for a few days. Maybe it’s a little silly how attached you’ve gotten to him, given the short time frame, after what should have been completely meaningless sex. 

But it’s not meaningless anymore, at least not to you, after how many times you've seen the video since you last saw him. Your camera hadn’t hidden a single thing when you made your little home movie all those nights ago. You’ve seen how his hands had been gentle, his eyes soft. Your entire countenance had been beckoning, beguiling in the throes of passion, needy in a way you’ve never let yourself be before with anyone else. He’s also spoiled you for any other man on the planet - or at least in New York. You haven’t hit the same heights since him, and a part of you is sure you never will again. And now you have to enter the lion’s den, venture right into enemy territory with your head held high and only a camera to shield your too-hungry gaze.

A thump on the railing drags you out of your reverie. Your neighbor’s escape-artist black cat makes himself at home on the railing, paws flexing as his tail lashes through the humid night air. Like you’re in a dream, you lift up the camera and peer through the viewfinder. Tonight, everything seems to be coming back to lens flares. The neon lights fracture in your camera lens, softening the visage of the cat on the railing, green eyes luminescent. With reflexes born of years of wildlife photography, partially stunted after nearly a year of fashion photography, you depress the shutter with a soft snick and a near-silent whir. What you’re left with is a long exposed image - neon lights blurring in the background as one shines behind the cat’s head. Even his fur is blurred, only green eyes in focus, piercing into your soul. It’s perfect, as expected, and you hope it’s an omen for the days to come while you’re in San Diego.

Green eyes, different from those of your neighbor’s cat, haunt you, even more, the following day as you pile out of one of the minivans the studio rented for you and your team, as well as all of your equipment, on the tarmac at North Island. The humid, sticky air stinks of jet fuel and salt water. The wind brushes past you, snatching at your hair and ripping your sun hat right off your head. It's hot as it brushes by, providing no relief to the insistent heat.

Your team just laughs as you chase, bedraggled and exhausted, after your hat. The wind pushes you towards the hangars at the end of the tarmac, colossal doors thrown open while rows of jets stand gleaming. For the first time, you think you understand why Jake is so in love with being up in the air in his jet, how close to the elements he must be with adrenaline coursing through his system. You raise the camera resting against your chest, leaving your hat to fly where it wants, because you have to capture this.

When your camera focuses, you start snapping with abandon, capturing the sun-drenched metal and heat waves rising off of the pavement.  You’re not sure what pictures the editors will select to go with the article the journalist is going to write. Regardless, you’re stealing the time to take some filler shots now, when it’s bright out still, and blindingly golden outside. Your team is far behind you, still clustered by the cars, as you trail between the shining metal hawks, cockpits closed and emblazoned with names and callsigns. Your heart stutters in your chest when you see his jet, the text dark and fresh, announcing he’s been promoted. So, he's still operating out of Naval Air Station North Island. 

Faintly, you can hear voices emanating from one of the open hangars, so you creep closer, your old Canon camera clutched to your chest like it can protect you. Twenty-four of the US Navy's best aviators are saturated in gold, settled in creaking plastic chairs. Jake’s at the podium, laser pointer in hand, completely relaxed as he talks about things you couldn’t understand if you tried. The light glints across his face, catching angelically on the burnished strands of his hair. A singular fluffy lock has broken free of his hair gel’s hold, trailing softly across his forehead. It makes your fingers ache to push it back into place. But you can’t, because you won’t interrupt or embarrass him. So you take pictures instead, breathlessly, silently, framing the aviators limned in gold like they’re deities waiting to go to war.

You’re not sure when it happens, but he sees you - bright green eyes colliding with yours, a nearly imperceptible frown creasing his brow before the skin smooths. He doesn’t look happy to see you. In a way, it makes sense. You were just a one-night stand, something sexy to indulge in - not someone he'd want to keep forever. The look lances through you, skewering you in place as the wind and sun stick your blouse to your back. He doesn’t acknowledge you but for one curiously blank look, and you’re mortified as you walk silently back to your crew, who are now grouped around the jets in awe.

As expected, Adam and Lea, your stylists extraordinaire, are already scribbling away. Lea's flicking through the tablet in her hands. If you were a betting woman, you'd bet good money they are already planning outfits to take advantage of the blue, gold and white theme of North Island.

“Hey, Boss!” Amy, your assistant, is nearly bouncing in place with her excitement. You're not sure how she's so energetic despite the heat and the hours of travel. “Our liaison should be joining us soon. They'll give us a tour of the base and then show us where we'll be setting up shop this week.”

She doesn’t notice how frozen your smile feels and how mechanic your nods are. All you can think about is Jake. He must have known, right? What are the chances he didn’t know you were coming to North Island to take more pictures? There must have been some briefing or notice informing the aviators why you're here. After all, you’re here to photograph the Dagger Squadron. Then why was his face so blank when he saw you earlier? Thinking about him is driving you crazy, but you're not sure you can stop. All you want is to know whether he could ever feel as strongly for you as you do for him.

When your liaison walks up ten minutes later, you’re pleasantly surprised to see you have not one liaison, but two. Neither of your Navy appointed liaisons is Jake, something which you should have expected, but you were still hoping for regardless. Lieutenant Commanders Trace and Floyd are smiling from ear-to-ear as they greet your team by name. Lea and Katie seem especially enthused at seeing the soft-spoken bespectacled WSO again. Lieutenant Commander Trace is her same unflappable, cool, collected self. Her presence and dry sense of humor has you in stitches as you and your team follow behind her like a herd of ducklings. There are familiar faces around what seems like every corner of the base. But none of the faces are the face you still want to see so desperately.

Jake Seresin shows up again as you’re oooh-ing and ahh-ing over the big hanger, burnished yellow, orange, red and pink in the light of the sun. You’ve got your camera up to your face, lips pursed in concentration, eyes squinting as you peer myopically through the viewfinder. It's his voice you hear first. Just hearing it, with the same rough timber, makes you remember what he told you, before you fell into his arms and headfirst into this situation with Jake Seresin.

God, baby. You killed me this morning. Wearing that pretty little skirt and those high heels. I wanted to bend you over and fuck you until you were leaking my cum.

It’s not a good sign, is it? How you’re unable to even look at his face without giving yourself away. The evidence of your feelings must be on your face, which feels uncomfortably hot. The heat is completely unrelated to San Diego's sky-high temperature and you shy away from eye-contact when you pivot and face the rest of your team, and the trio of Lieutenant Commanders. The sight of him hits you in your solar plexus, robbing your breath and leaving your palms uncomfortably clammy.

“Hi.” 

It’s a quiet greeting, your voice swallowed by the sight of him. It feels like your tongue is two times bigger than it should be in your mouth, unwieldy as you force it to move like you want it to. He doesn’t hear you, or even acknowledge you standing there waiting for him to notice you. Standing there, you finally realize how big a gulf there is between you and Lieutenant Commander Jake Seresin.

It's a sharp contrast. He's standing there in his khaki uniform crisp and new, blond hair dark at his temples from the shower he must have taken. In contrast, your shirt is covered in wrinkles, your hair is frizzy with flyaways escaping your braid and your worn jeans are butter soft but have definitely seen better days. He ignores you for the rest of the afternoon. It hurts, of course it does, when he doesn’t notice you in the same way you notice him. But you have a job to do. You can’t - you won’t - jeopardize your career for a man, not even a man as beautiful as he is.

The now-trio of Lieutenant Commanders shows you the Officer’s ready room, where you'll be setting up for the interviews. Each member of your team is also given a badge on a lanyard allowing you limited access to certain areas of base. Soon enough, you're left to survey the ready room and prepare your team for the days ahead.

“I know it's been a long day already for you all.” Your smile is a little wry as you continue, “It's been a long day for me too. All I want is to unwind and get out of these heels!”

You let the scattered chuckles from your team peter out before continuing.

“Before I can do so, we need to sync up on what we're going to be focusing on over the next few days.”

“First and foremost on our list? Getting pictures of the Daggers while they are being interviewed. The interviewer is an old friend of Admiral Kazansky's and will be spotlighting each of the Daggers. As a part of the interview, we will be expected to get photos of each member of the squadron in their flight suits, their khaki uniforms and their dress uniforms.”

You raise your hands up to stall any questions. “I'm aware this isn't exactly the type of photo shoot we're used to. Katie, you’ll be on hand to help with their make-up during the interview. We're keeping it light and subtle. For the interview photos, we want the aviator's uniforms and medals to shine.” 

“Seb and Kris - the two of you will be measuring the light levels in this room during various times of day and setting up artificial studio lights as necessary. I'll also need you both to check on the lighting situation in the big hangar we were in with the desks and the United States flag on the wall.”

“Adam and Lea, it may not sound like it yet, but I will need you both on your A-games. By special request of Admiral Mitchell, we've been asked to stage a beach bonfire. He wants this interview to echo the beginnings of this squadron. They became a team on the beach and now they are a family. I'm thinking we need cozy textiles and bright winter-toned colors. I'll leave the color palette to you both. All I ask is we have a cohesive palette for the squadron as a whole. As always, measurements for the aviators are included in this dossier. One of the minivans is yours. Our office in San Diego knows to expect you both.”

It doesn’t surprise you at all when Adam and Lea make a beeline for the doors as soon as you’re done with them. You’ve worked with them both long enough to know how they operate. They’ll be downtown and looking through the clothing on display before you can blink.

“Ames, while I run point with the admirals,  you'll be sourcing the beachfront we can use for the bonfire. I'm not sure who you'll need permission from, but there might be a bar owner who can give us permission.”

Before long, it feels like you're the only island of calm in the entirety of base. Seb and Kris wander in and out of the room, measuring the light and carting in and out lighting equipment. Even the teleconference you have with the Admirals, both of whom are in Hawaii, due to fly back in a couple of days, goes smoothly.

Over the next few days, you find yourself building on the rapport you created with 6 of the aviators in the Dagger squad in the following days. You also meet the other half of the Dagger Squad. But at the same time you are building a relationship with the other Daggers, it feels like you're losing the relationship you once had with Jake.

The only time you see him during the four days of interviews and pictures is when he is being interviewed. Even then, he spends more time chatting with Amy and Katie than you. Even when you address him directly, he's silent, content to play puppet to your puppet master and then disappearing to an area off base you don't have access to. It hurts, and you’re starting to get weird looks from the other Daggers. They’re all too polite, or too cognizant of their positions in the Navy to ask you any prying questions. At least, until the bonfire.

It hadn’t been difficult to organize at all, in the end. All Amy needed to do was speak to the proprietress of The Hard Deck, a little bar a few miles off base. Penny had been more than happy to hand over the usage of the beach outside her bar for the night. The combination of good food, even better alcohol, and of course, no interviews relaxed the Daggers enough for you to get the candid shots the magazine was looking for. Halos of light spark across your screen with each snap you take - lens flares sparking to life, again and again.

“Why aren’t you hanging out with Jake?”

The question makes you jump and nearly chuck your lens cap into the bonfire. You fumble awkwardly as you try to collect your composure.

“Lieutenant Commander Trace. What can I do for you?”

Your voice is a little shaky as you wheel around and face her.

“You don’t have to do anything for me!” She’s smiling at your discomfort, something wicked curling her lips. “And anyways, didn’t I tell you to call me Natasha three months ago?”

 You’re smiling despite yourself at her antics.

“It’s good to see you again, Natasha.”

“Forget about me. Why aren’t you talking to Jake?” 

You should have known she wouldn’t be able to let it go.

“Three months ago, you could barely keep your eyes off of him and the same was true of him. He went out of his way to chat you up every chance he got. And now? Something happened between the two of you after we all left the hangar, and now neither of you is talking. You were fine when you showed us the pictures the next day. But now?”

You shrug, lifting your camera up to snap another couple of pictures of the squadron having fun.

“Oh my god. I can’t with the two of you. Either you walk over there and talk to him, or I’m going to get him to talk to you!”

You grab her arm before she can march away.

“I can’t, Natasha.”

You try grabbing for her, but before you can, she’s already gone. His eyes cut over to yours the more she speaks, and you’re not sure you like the way he’s glancing over at you. Your heart is in your throat as he skirts around the bonfire and sidles up to you.

“What are you doing here? Natasha has this crazy idea you’re heads over heels for me, but the way you’ve been acting says differently. So what are you doing here?”

His voice is so quiet you can barely hear it over the crackling bonfire. His face doesn’t change its expression once the entire time he’s speaking to you, barring one tiny, blink-and-you-miss-it smirk. Once again, you have to thank Adam and Lea for their work because the Lieutenant Commander looks good enough to eat in his sweater and butter-soft jeans. But you know he's not happy to see you. The disappearing act he's been pulling ever since he saw you outside the hangar four days ago is proof.

“You know what I’m doing here, Jake.” 

“You're taking photos for another article. I know, I know.”

His smirk deepens, eyes twinkling maddeningly as he prowls closer to you.

“But between you and me, it’s just the official excuse, isn't it?” He tugs at a strand of your hair, reeling you closer to him. “But unofficially, I bet you want more of me. Maybe you want to make yourself another home movie? See my handprint on your ass cheeks again?”

His words have heat rising to your face, never mind how your skin already feels too toasty from how you've been huddling near the bonfire all night to keep yourself warm. Form-fitting dresses are not beachwear, especially not in late November. But you’re dressing to impress, wearing sharp blazers and business frocks. Add to the dress the camera and purse you’ve got over your shoulder, and you’re definitely not equipped for the beach.

“How do you know what I want?”

Your voice is thready and light, and your head spins the closer he gets to you. It's weird. You've been aching to have him this close to you all week, but now, when he is actually close to you again, you feel like it's too much, like he's too much. Every night in your hotel room, you've been coaching yourself to ignore him. You’ve had to in order to compartmentalize and be professional while on base. Yet, after only a few minutes in his presence, all your defenses are shredded like tissue paper.

“Because you're looking at me like this.”

Wafts of fragrant wood smoke drift by you and him as you stand mere inches away from each other. You can’t refute his statement. Not even a little bit, not even at all. You've never been able to mask your emotions, wearing your heart on your sleeve and your feelings in the pursed set of your mouth and the raise of your eyebrows. But you’re still not sure what you can say. If he’d propositioned you with the same vulnerable look in his eyes the first day you were in North Island, when he first saw you again, you would have folded like a cheap lawn chair. Then, you probably would have been more than content to pass on your expensive hotel room and make his lonely base apartment a little warmer. But he didn’t, and you’re not sure you can take the risk anymore.

Jake’s shoulders hunch, sinking into the impossibly soft cashmere of the sweater at your lack of response.

“I…” His smirk flattens, something like his Hangman mask taking its place. His shoulders never drop past his ears the longer you stand there with him at arm’s reach and pretend like you’re having a blast at this beach photoshoot turned bonfire party.

“I’ve read this all wrong, haven’t I?”

His sigh is gusty and almost too loud. “I was waiting for you to say something, because I’ve been dying to see you again. But then you ran away when you were taking pictures of the Top Gun class. Afterward, I - I didn’t know how to say I missed you, which is weird, I know. We only knew each other for a singular night.”

If your jaw isn’t on the floor already, you know it will be soon. Already, you’ve been getting too many questioning glances from your team and the Dagger Squadron. Then there is Natasha’s well-meaning meddling from a few minutes ago. Even the admirals have glanced over every once in a while at you and the normally cocky Lieutenant Commander standing in near silence. It’s not a conscious thought which has you whirling around in the silky sand and snagging a hand into his sleeve. You’re not sure why you’re doing it. All you know is if you’re having this out now, you need to have it out in private where it will not be injurious to your career or his.

Thankfully, Jake doesn't fight you as you pull him towards a corner of the parking lot. Your face feels flushed, and your chest heaves with panic at the thought someone could know what you and Jake did.

“I…” 

You cover his mouth with your hand, pretending the feeling of his skin on your hands doesn't burn, like you’re not completely aware of the masculine heat emanating from his skin. For several long moments, you stand in the shadows between two pick-up trucks in the parking lot. Each of your muscles is tense, waiting for someone to realize you've disappeared with Jake Seresin, of all people. You don’t want to think about the possibilities they were assuming. The prickling, uneasy sensation doesn't pass with the moments but does fade a little.

“What was that about, huh?”

You just glare in response.

“I thought it was better to have this conversation where we were less likely to be overheard, is all.” 

Your voice is prim, and your nose is tipped upward. It's obvious Jake doesn't feel the same way you do about this conversation, if he’s asking you questions like this.

“C'mon, sugar. If you wanted to let me down, you could have just said it by the bonfire. I promise I won't harass you.” His brow is furrowed as he thinks through all the implications of your statement. “Then or now.”

“I…” You fling your hands upwards, feeling this sudden urge to rage at the stars above you. How have things gotten so twisted? In your head and between you and Jake? 

“I don't want to let you down, Jake.”

You growl, then, because you know what you feel, but the words aren't coming out of your mouth the right way. He's patiently waiting for you to figure it out, lips pressed into a thin line, and green eyes scorching through you.

“I’m not rejecting you, Jake. When I came to North Island Naval Base and saw you standing in front of the lectern, I wanted you to smile when you saw me. I wanted some indication you felt the same way I did. I also wanted to kiss you, but it wouldn’t have helped then.”

You're smiling again, just a slight curve to your lips, a smile Jake is mirroring.

“Then you pretended I didn't exist. You pretended I was just someone you worked with before. Not someone who you were intimate with. Not someone whose life you changed with your stupid smile and your piercing eyes and your big, gentle hands. I…” 

To your embarrassment, you're sniffling and fighting back tears. “I didn't know why, or how to deal with it, so I just pushed back all my feelings. I pretended the same thing you did, and tried to ignore how much it hurt.”

“Fuck.” The quiet expletive echoes around you. “I messed this up, didn't I?”

He's pacing now, back and forth in front of you, shoes sliding through the gravel as he marches. He's ruffling his hair, face scrunched up in anguish at your words.

“I haven't been able to stop thinking about you. I've watched our video so many times, I know my favorite parts. Fuck, sweetheart, I even took the picture of your ass with my handprints on it with me when we were deployed a month ago. I was nearly given so many demerits because of how hot that picture is.”

Your heart seems like it’s going to burst out of your chest, beating as hard as it is. 

“So why didn’t you call?” The same plaintive, sad tone is in your voice again.

“What could I have said?” He’s finally stopped pacing back and forth at least. He flings his hands out from his hips “Sweetheart, I want you, I need you. I wish I could fly to New York right now to taste you again?”

You have to snicker at the sarcastic, sardonic note in his voice. 

“It’s a little melodramatic, but I would have taken it.” 

Just as quickly as you snicker, the laugh peters away into a gentle sigh. “All you had to do was tell me you missed me, Jake. All I wanted was for you to tell me you wanted to see me again.”

“Would it have mattered if I did?” 

He’s stepped closer again, close enough you can feel the heat of his skin against yours. One of his big hands cradles your jaw as he looms over you.

“I asked you a question, pretty girl.” There’s a smirk on his face as he ghosts his lips over yours.

“Why would my answer matter then?” You’re not sure where the sass is coming from, but it’s making Jake smirk even more. “Knowing the decision you made?”

Thankfully, you don’t have to think of a response with a brain wholly occupied by the man drawing you into his arms. You melt into the kiss like it's something visceral you've been missing. His hair still feels the same against the pads of your fingers, golden silk, as you wrap your arms around his neck. He still tastes like you remember, too, cinnamon and smoky spice intermingling on your tongue as he licks into your mouth. Your heart sings when he gently positions your camera so it isn’t crushed between the two of you.

You whimper when he pulls away, chasing after his mouth like you're addicted to it. He still kisses like he flies, you note dimly, thoughts far away. The car at your back is cool, the metal searing into your skin as the sun has long since set. But the cold temperature of the car has nothing on the man crowding you up against it. His eyes are lidded, gaze hot as he takes in the sight of you. The dual temperatures are enough to make you shudder.

“Look at you, darling.” His hands are just as hot as his gaze as he trails his hands down your sides. “A single kiss, and you’re aching for me.”

You can’t deny the effects this man has on you. In truth, the time for denial would have been some time before you made the movie at the hangar. You’re so far down this path there isn’t a way to turn back. 

“You want me just as much.” 

Your voice is quieter than the rush of the waves, yet loud enough you can see the impact as they hit his ears. He’s still just as fit as he was three months ago, all hard, hot muscle as he presses up against you, cedar and plum wafting through the air off his skin. You can feel the jut of him against your hip as he muscles you even further against the car, spreading you out like a meal he wants to eat. He transfixes you with a glare when he pulls away, even as he smirks at your breathy moan. You watch, eyes lidded, as he opens the truck door and sets your things on the broad seat. You’re panting with need when he comes back to you, body shivering as he leans into you again. His hands find their home against the curve of your waist, fingers still nimble as they focus on tracing your curves in a way which might be driving you just a little mad. You almost wish you were wearing a blouse and skirt again like last time, because at least then you could feel his hands spread across your ribcage, searing their heat into your bones.

You’re lost in him, utterly captivated by the way his tongue tangles with yours, the way he makes you moan. Unlike the rough, claiming kisses of your first sexual encounter with Jake Seresin, these kisses are tender and sweet. They’re searching and tasting, like he’s trying to learn what makes you tick and what makes you moan. In truth, it feels like he’s trying to take you apart only to put you together again. This time, you’re not sure you’ll ever be the same, forever changed by the man in your arms. 

“Fuck…” The word is an exhale pressed to your pulse-point, sticky, sweet, and blindingly hot. “Baby, let me take you somewhere other than this dusty, dirty parking lot. I think I really need to see you spread out on my bed this time.”

“Yes, please.” The words leave you in a strung out moan as you tug him closer, fisting your hands in his hair and sweater as you see fit. You’re past caring so long as he’s pressed so perfectly against you.

When he finally steps back from you, you’re gratified to see he looks just as rumpled and debauched as you feel. For a few moments, you stand there, drinking him in, hands aching to draw him close again, to touch him again. He takes your hand, entwining his fingers and yours. His hand dwarfs yours, skin slightly rough as his hand cradles yours. You let him lead you to the truck and help you in, because a part of you isn’t sure you’re going to be able to let him go even when you have to.

It’s silent, but for the sounds of the road as he starts his pickup, one hand never leaving its spot on your thigh. Your hands find the camera again, snapping with abandon the vista blurring past the windows and the man driving you. The streetlights halo through the lens view, speckling the pictures with circles of golden-butter light. It seems like time slips past in a slow trickle. You’re still looking through the camera when the engine cuts off, the sounds of the night trickling slowly back into your ears.

Jake’s eyes sear through you when you carefully gather your camera and bag up, legs shaky from that look alone as you step onto the pavement. His hand finds yours again, as you follow his broad back up a flight of stairs and through an unassuming white paneled front door. You’re surrounded by the cedar and plum of his cologne as you step in, the scent lightly drifting through the air. Jake crowds you against the door as soon as it closes, hands divesting you of your things even as his mouth slants over yours again. The heat sparking between you ignites again, a flame bursting to life in your chest, fed by the soft moans leaving his lips as you kiss him with wild abandon.

For much of the way to his bed, your eyes are closed. You trust Jake to lead you the right way, not to hurt you as you stumble and shudder your way through the apartment in his arms. His lips don’t leave yours once, moans ripping out of your mouth as he leaves you breathless. He’s far from quiet too, softly grunting when you tug on the hair at the nape of his neck, gasping open mouthed into yours as you rub at his bulge. Arousal bubbles in your veins, crashing over and through you. You squeal when he pushes you onto his bed, the mattress so firm it's almost hard as you bounce against it. Your hands shake as you fight with your clothes. Adrenalin makes you clumsy as you nudge your shoes off and fight futilely with the zipper at your back. Eventually you give up, choosing to lean back on your palms. When you look up, Jake’s staring down at you, eyes trailing from the curve of your mostly exposed legs up to your chest and back down again. He’s got his lower lips between his teeth, brow furrowed as he shrugs the sweater off.

Once again, you remind yourself to thank Lea for her work, because if you thought the shirt looked good buttoned up, it looks even better as it slips off his arms. He’s still wearing his dog tags, the silver chain glinting in the moonlight through the windows as he prowls over you.

“You’re still prettier than the pictures you take, baby.”

You feel like you are barely breathing as Jake licks into your mouth. The heat of his body grounds you, the points of contact just enough to tell you this is real.

“Breathe, beautiful.” His hands draw you up until you’re kneeling on the bed, your hands on his shoulders as you peer up into his eyes. Your resulting exhale is shaky as you drag in breaths with just enough oxygen to keep your head from spinning.

“Let’s get you out of this pretty dress, huh?”

“Jake.” His name falls out of your mouth like a prayer. His hands are practiced, sure as they drag the zipper down from the nape of your neck to the base of your spine. The fabric of your dress gapes forward until it’s around your waist.

Jake's eyes seem to glow in the moonlight as he takes in the simple black bra you're wearing, hands tender and hot as they drag over your bare skin, mouth wet and sharp as he drags his teeth across your collar bones.

“Mmm, baby.” His moan has you gasping, your body listing into his as he purrs the words into your skin. “I'm going to make you feel so good.”

When he lets go of you, your nipples are firm peaks in the cool air. When he removed your bra, you're not sure. All you know is you want him, desperately, urgently. Your panties feel like too much material as they cling to you, the gusset damp. Your hands are clumsy as you wrench the dress off, shaking as you peel your panties away from your skin, you flush as Jake's chuckles echo in your ears.

Divested of your clothes, you're faced with one of the prettiest sights of your life. Because, Jake’s standing there, with his belt unbuckled, and the jeans unbuttoned. His cock bulges out through the v-shaped opening, and your mouth waters as you look him over.

“God, Jake, please.” Your voice is a whine as you reach for him, fingers resting against his taut abdomen, back arched as you wait on all fours.

“I’ve got you baby.” 

His promises drip over your bare skin like hot and gentle summer rain. Your eyes close as he cups your jaw, the rustle of fabric foretelling his bare skin joining yours on the bed. You let him position you where he wants, drugged by the sensations of his big hands. You steal the opportunity to kiss him again, palms splayed over his pecs, and the cool chain of his dog tags brushing against your fingers. Falling into him is too easy. It’s just a series of kisses, a sweet tangle of tongues as you let him cradle you in his arms. Sparks of need, of want traverse your moon-stained skin, hips canting against his thigh in need.

“How long has it been since you’ve cum, sweetheart?” 

There’s amusement in his tone as you wrap your arms around his neck, breasts pillowed against his chest as you nudge his nose with your own.

“Just a couple of days ago.”

His chuckle makes you pout. 

“And how did you cum?”

He rolls you over, ghosting a kiss over your lips as he peers down at you. “Was it some guy you brought home? Who didn’t know how to make these pretty moans spill out of your mouth? Did he make you think of me the whole time?”

When you moan, it’s because he’s pressing into you, the stretch of him making your toes curl.

“N-no.” You screw your eyes up, trying to string the words together. “It was just me. With a vibrator, watching our video.”

“Fuck, there’s my good girl. Waiting for your Lieutenant Commander to make you scream, right?”

You’re so far beyond words all you can do is tug him down, fisting your hand in his hair until you can kiss him again. He’s just as eager to pull you in, hitching your legs up until they’re propped over his arms, keeping you spread open as he pistons his hips until you see stars. 

“Please, please, please.” 

You’re babbling, your orgasm crashing over you with each sharp thrust. Your moans intertwine with Jake’s guttural grunts as his hips stutter at their steady pace. It feels like you’ve been set on fire when you cum, pulsing waves of heat washing over your body. Jake’s shivering as he slumps over you, blanketing your body with his. His hair is sweat-damp as you card your fingers through the fluffy strands.

“Missed you, Jay.” 

“Missed you too, sweetheart.” The words are languid and soft, syrupy and sweet. 

It feels like you could fall in love with Lieutenant Commander Jake Seresin as he gathers you in his arms for what must be the hundredth time tonight to clean you up. Every glimpse of the man you see when he's not putting on his Hangman mask intrigues you more. There's a gentleness to him when he's like this, a secret softness shining past his imposing exterior. You want to know more. You have to know more. 

The realization of how little time you have left with Jake eviscerates you. Only two days left. Two days to love this man as much as you can. You can’t tell him how close you are to falling for him. Looking at his apartment, you have a feeling it would just scare him away. His apartment is almost austere, the off-white walls blending into the pale cream carpet on the floor. Everything is bare, with no pictures on the walls and no personality. It’s a trend throughout the entire space, everywhere but the bedroom. There's a cheery quilt at the foot of the bed. It's the only vibrant color in the apartment, the one thing which screams home.

“It's pathetic, isn't it?”  You jump at his words, gripping at the footboard of the bed in an effort to keep from falling.

“It's not pathetic, Jay. Just…” You turn, clad in the soft tee he'd pulled over you after the shower. “Just different than I expected.”

“I know what it looks like, sweetheart.” The same sad soft tone is in his voice again. “It looks like I don’t have any roots. Like I’m scared to let people in.”

He slides his arms around your waist, pressing a kiss on your shoulder, his golden hair dripping as he nuzzles into the crook of your neck. “Maybe that is the truth.” 

Your heart breaks a little at the soft surety in his voice, even as he does his best impression of a koala around you.

“Because like it or not, I’m going to leave one day. I’ll have to leave one day. Another deployment. Another mission. And chances are, I may not be coming home.”

You clutch at him tighter, because right now, you’re not sure you can think about him not being in San Diego the next time you’re here.

“I was okay with my reality.”

When you wrestle your way out of his grip, you’re maybe a little too rough, evidenced by the grimace on his face as you walk away. You’re not sure where you’re going but away has to be enough. You’re not sure you can face him after he’s said something like this. After all, here you are, ready to risk it all in a sultry cross-country romance, ready to give your heart to him, possibly years of your life to him. Then there he is, admitting so callously he might not be coming home one day.

You’re staring unseeingly at the stars when he slides his arms around you again.

“Are you okay, Shutterbug?” 

You lean back into him, because he feels perfect against you still.

“Shutterbug is new.” You’re trying to change the subject, because if he’s insistent about it, you’re going to explode.

“Nuh-uh.” His hands turn you around until you’re looking at him again. “Tell me what’s bothering you, pretty girl.”

“You’re so callous about how you’re ready to never come home again! Why would you say that to me, Jake? I’m ready to risk everything for you. A cross-country relationship, half here, half in New York or really, wherever it’s convenient for us to meet. If you’re not willing to do the same, then what is the point of what we just did?”

You’re choking back a sob as you stand in front of him. Your eyes are screwed closed, hands wringing the hem of the t-shirt clothing you. 

“Why does it matter that you missed me, and that I missed you?”

“It matters, because, sweetheart, you didn’t let me finish what I was going to say.”

Your arms wrap around his waist easily as he tugs you closer.

“I was going to say, I was okay never coming home before you. You’ve been running around in my head, the center of every thought, the subject of my every dream for three months. You kept me going when we were deployed, too. All I wanted was to come home safe so I could fly out to New York and see you again.”

“Now, at least I know I’ll be welcome when I come by.”

You’re smiling from ear to ear as you kiss the underside of his jaw.

“Yeah, you will be.”

You're still smiling as you walk into the Officer's Ready Room at North Island the next morning. You've got the same swagger you had in your step the first time you and Jake crashed together. Only this time, you have his phone number on your phone and the promise of a romantic dinner for two tonight. You'd be lying if you said you weren't still worried about the long distance relationship, spending half your life in New York and half here. But more than anything, you're ready for the challenge and excited to. At least you know who you're going home to - and, he knows who he is coming home to, as well.

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I DO NOT CONSENT TO HAVE MY WORK POSTED, TRANSLATED, OR PUBLISHED ON ANY SITES OTHER THAN ON AO3, ON WATTPAD, OR ON TUMBLR BY ME. IF YOU SEE MY WORKS ANYWHERE OTHER THAN AO3, ON WATTPAD, OR TUMBLR, THEN THEY HAVE BEEN POSTED WITHOUT MY PERMISSION AND I WILL BE WORKING TO TAKE THEM DOWN.

[korereapers]

I collaborated with the amazing @laxi0v0 for a cute little event we made in the scriddler server. This is Laxi's art about the fic I wrote, and HONESTLY HONESTLY i couldn't have asked for a better and more supportive partner. Her art is way better than I would ever dream on writing and honestly, Laxi, I'm so glad it was you bc we vibe a lot about our tastes w this ship.

The fic will be on ao3 later, but here, for you guys, before anyone else:

Jonathan takes a sip out his mug, nicely decorated with a pumpkin, the recipe of the pumpkin spice coffee perfected by him for decades. It’s warm, it tastes like fall, and it’s the start of what Jonathan considers to be the best time of the year.

It started like a small tradition for him, when he finally left home and started studying to become the psychologist he wanted to be. Halloween was to be celebrated, especially for freaks like him, abhorrent creatures that made great-granny’s skin crawl. He was proud of that, in a way. It was his moment, it still is, after all of these years, because he is still a freak, he belongs to this weather and these colors more than he belongs anywhere else. He belongs between ocher leaves and the smell of fog, the rain starting to fall over Gotham, only to leave when it’s summer again. The start of his kingdom, of the time he rules over.

Or it would be, if Edward wasn’t so adamant about going to freaking Starbucks.

He doesn’t get it, not really. A malnourished child from Georgia, surrounded by overworked kids that serve them with the most forced smile when Edward asks, yet again, for the infamous Pumpkin Spice Latte. With ice. Oatmeal milk. Whipped cream.

Jonathan wants to die.

“How is this even supposed to be spooky?”

Edward rolls his eyes, green contact lenses barely moving, as if they were starting to get glued to his irises. Which should be a bad sign, but Jonathan is, yet again, not his boyfriend’s keeper.

“Not everything has to be spooky when this time arrives, Jonathan.”

He kind of dislikes it, when he calls him by his full name. He calls him Jon when they are alone, when they are intimate, when their bodies or their hearts are entwined. He doesn’t like when he calls him Jonathan, because that means that Edward thinks he is being too bitter, complaining too much, a complete prick.

It’s not that he dislikes the stupid PSL, either, but it feels like desecrating one of his oldest traditions, and he feels as if he were betraying himself.

“Don’t you like my recipe, then? Do you dislike it so much we have to come here every single week?”

The cashier smiles at them awkwardly as Edward pays for their order, tipping the young lady generously.

“Do you have to take everything personally? I started getting here when I finally had my own money to spend. Is it that hard to just enjoy it, when I want to share it with you?”

Oh. A tradition. Jonathan distractedly drinks from his thematic glass, but says nothing.

They are really different, Edward and himself. To Edward, spending time and money like this… is almost a love language. It’s a lifestyle that he works hard to keep, having dinner in expensive places, getting coffee every time he can. Sharing it with him, because Jonathan is important to him.

Jonathan may be unable to feel fear, and his brain may be as damaged as Edward’s heart, but guilt still crawls its way into his psyche. It still makes him feel uneasy, because he cares, because he understands the feeling, because he wants to share his recipe with Edward because of the exact same reason.

He touches Edward’s hand when they sit, an apology he doesn’t utter but that can be felt in his irradiated orange eyes.

“I like it when you share time and nourishment with me.”

Edward’s expression softens, a glint of blue under the bright green contact lenses.

“Wow, when did you get emotionally aware?” his mouth says instead, and for a moment, Jonathan understands the Bat and his compulsion to punch him in the mouth.

“I’m a psychologist, Edward.”

“... right,” he mutters, his voice cheeky, still clearly a little mad, his thoughts loud. Jonathan loves that about him, his expression when he is deep in thought, when he is trying to understand something. A puzzle, a new riddle in their lives. “That recipe of yours is really important to you, too, if I’m guessing correctly.”

Jonathan nods, his eyes still on Edward’s, who seems to be feeling a little bit too shy to look at him, knowing that they are having an emotionally vulnerable moment.

“It is. I made it myself and… I want to share it with you.”

Edward does smile a little at that, his voice softer when he speaks.

“Let me try it later. I want to give it the thought and recognition it deserves.”

Jonathan’s thumb caresses Edward’s hand, his smile contagious. Like a well concocted virus.

“I would love to.”

—-------------------------------------------

Edward is pretty sure that he is (very unluckily, by the way) dating the man with the poorest taste in the world. Jonathan seems to think that he is hilarious, dressed in his usual costume, even the needles oozing toxin as he sits quietly on the couch.

There is a thing about him that Edward has always loved: how he becomes a different person when the mask is on.

They used to talk about it, back in the day, when they used to share a room in the Asylum. Jonathan felt naked without his mask, his expression dull and almost tense, devoid of what made him himself. Edward, at least, has managed to make those expressions change, the real Jon emerging from behind whatever aloof façade he tries to put on to protect himself, to pretend he is a regular human being and not the freak that makes his heart melt.

He must surely be smiling behind the mask, then. Edward can almost feel him vibrating in excitement, like a small child, and in a way, he kind of is. A reclaimed childhood, the enjoyment of a joy he wasn’t allowed to feel. He can understand that.

Still, the poorest fucking choice of a Halloween costume.

“Really, Jon? The most original idea, I have to say.”

Jonathan looks at him, and he can feel his piercing eyes even behind the mask, the expression of a predator, so dangerous it makes his face flush a little. Birds of a feather, both of them. The Scarecrow sighs, deeply, the sound distorted behind the mask. It’s creepy, he has to admit, which is probably… kind of the point.

“Like you’re one to talk, Herlock Sholmes.”

Edward gasps, indignant. His Poirot costume is nothing to be laughed at.

“Excuse me?!”

He can almost feel the smile behind the mask, because Edward knows him, he knows Jonathan is an avid reader, he knows the difference between Agatha Christie and Arthur Conan Doyle, for fuck's sake. He is doing this on purpose, to rile him up. He always is.

Edward's mind goes somewhere else, somewhere private. Somewhere where he is indeed riled up, and Jonathan touches his cheek, looking up at his face from behind the mask, Edward sitting on his lap, while long, dangerous hands go up his thigh, eyes hungry-

The doorbell rings. Edward goes back to reality, Jonathan's eyes on him as he moves towards the entrance, the tips of his ears surely blushing.

When he opens the door, he has to look down, because damn, kids sure look tinier these days. He cannot remember to be this short, this innocent, this…

Happy.

He feels Jonathan's chin on his shoulder, almost jumping in place because the man is silent like a ghost, no matter how eager he is to take part in the holiday.

One of the kids is wearing a Batman costume, and Edward tries his hardest not to roll his eyes, with better or worse success. Another kid is dressed as Harley Quinn, what makes him wonder if these parents are in need of any kind of psychological help. The youngest, a child dressed as Wonder Woman, looks at them with badly hidden mischief, and Edward feels tempted to just close the door.

"Trick or treat!" They ask in unison, and before Edward can answer, Jonathan drops a bag in front of them, full of who knows what, but the kids don't ask.

Such blissful ignorance.

"Thank you Mister Holmes! Mister Scarecrow!" The girl dressed up as Batman says, and the one dressed as Wonder Woman purses her lips in disgust.

"Poirot's moustache isn't like that. You're a fake."

The kid dressed as Harley Quinn laughs in response, taking the bag of candy and running away with Wonder Woman. The one dressed as Batman follows who Edward believes to be her sisters, and he blissfully thanks that they don't have any children.

"Please tell me the bag is full of drugs."

Jonathan chuckles a little, his arms around Edward's waist.

"Hershey's," is everything he says, his sudden lack of malice and evil intent a headache for Edward.

"Oh, Jon. Are you going soft on me?"

Jonathan's smile can be felt in the air, a predator, a killer awaiting their next victim.

"Me? Oh, darlin'..." he whispers against Edward's ear, his distorted voice making him shudder in anticipation. "Never."

[captainzigo]

Hi everypony!

My kofi is ko-fi.com/captainzigo if you enjoy my art, consider leaving me a tip! this is otherwise entirely a labor of love so,,,

you can also send a request with your tip! but if you choose to do so, please read the disclaimer later on in this post** for the foreseeable future, any tips I receive will be donated to vetted Palestinian fundraisers. I will send you the receipt if you want me to. 

my non-art blog, where i accept asks is @snapewife-divorce-lawyer and my reblog-spam blog is @3amgaypotion

that's a bunch of pictures of my oc(/ponysona) Prickly Pear. she's a cowgirl

Frequent/noteworthy questions below the break

**on donations made to me:

i still dont take commissions currently, but if you send a request with a donation, there's a 99% chance i'll do it. and that remaining 1% i'll probably just ask you for a different request. if you send me a request with a donation you are not sending me a commision. you are making a donation, and i might do you a favor as a result. you do not own the resulting art. and I am under no obligation to complete it or to do it in the way that you like. you do not need to make a donation in order to make a request. i talk more about it here

hello mutuals!

If you are a mutual, DM me for an invite to discord server and subsequently to minecraft server

on sending me asks:

any asks you send me should be like Strongbad emails. one paragraph. no attachments. unless you are sending me refs.

in any interactions, please keep in mind that i am a stranger on the internet and act accordingly.

unless I have explicitly said otherwise, you can safely assume that I do not count you amongst my friends. it is nothing personal, it is in fact the opposite.

why am i like this?

i am autistic. i say this because representation matters, but also because i would like to ask that you please be very frank with me. i don't even really need your patience. just say what you mean and we will get along fine.

can you draw my ocs?

you most certainly can draw any of my ocs. i'd love that acually. tag me

on (re)posting my art:

do not post my art on other platforms. do not repost my art period. I don't really exist on other platforms since i deleted Twitter. So if you see my stuff on other platforms, it's not me.

transformative works are obviously allowed, at least here in america where i live. but if you want my blessing, please keep them SFW, and try to keep the spirit of the original artwork

is my blog SFW?

im in my twenties. i keep my blog SFW (as i define it) as a strict rule.

i do not consider the fact that sex exists, that some people enjoy it, or some innuendo to be NSFW. i also do not consider swearing, even as tho a sailor might, to be NSFW.

are NSFW interactions ok?

in short: no. while i have no aversion to to that sort of thing, and often actually enjoy it, i keep this blog SFW. the intention behind my art is to be SFW even when it might be skirting the line. in general, and especially, specifically with mlp, i do not wish to have NSFW interactions on the internet. please respect this boundary.

on shipping:

in my opinion, all romance real or fictional should be between people who are similar in age, doing age appropriate things, not closely related, and all with mutual consent. i am not interested in witnessing or interacting with anything outside of these parameters.

on my blue hair and pronouns:

i am a trans woman. i am also bisexual. i am also poly and demi since im listing things. i am out online becasue i know how important it is to know that you aren't alone.

do i take constructive criticism?

NO 🖕👹🖕 FUCK YOU!!!!!!! GET BLOCKED IDIOT!! unless you are a marginalized person who feels i have unintentionally made you uncomfortable somehow with my art or otherwise. in that case i am sorry and you do me a great favor by calling me out. OTHERWISE FUCK YOU DUMBASS IF YOU DONT LIKE MY ART GO DRAW YOUR OWN 🖕🖕🖕🖕

“i hate bronies”…

i don't necessarily hate you if you self identify with that label. i like to make myself off-putting to keep creeps away. i talk about it more in this post: https://www.tumblr.com/captainzigo/744131513208176640/when-i-say-i-hate-bronies-in-my-header-its

brony?

i don't hold a lot of nostalgia for old brony stuff. infact it's quite the opposite. i was a child when the show came out, and more than that i was a girl. i am not a brony.

do i like g5?

i like all generations of mip including the new stuff. gen 4 is just the one i grew up with

why is my header aurora, bori and alice from the best gift ever?

well that would be because i hate them like a mother hates a child. like the sun hates the moon. like sickly victorian child hates the slightest morsel of bread.

on flurryheart:

i often draw stuff about cozy glow x flurry heart. this is with the understanding that cozy glow spends about a decade turned to stone. nullifying the age gap.

🤓☝️ i think you mean effect, not affect

i am dyslexic. i spell stuff wrong all the time and i type weird. please don't bother correcting me. wooptydoo your brain is wired normally. sending you a medal.

on my username:

i've had the same username since i debuted on the internet. zigo is the name of an oc i made that i dont really talk much about anymore. zigo is a fine enough nickname, and at least one person calls me that irl.

[sixleggedboar]

Hello everyone, since it's been very quiet on here I wanted to share an update for those who are wondering and the friends and mutuals I've been severly neglecting.

You'll find me oversharing under the cut but tldr, I am still in the middle of recovering from burnout, but it forced me to completely restructure my life to the degree that I am emotionally more stable and therefore feeling better than ever. So for anyone worrying, don't. I still have a long way to go, but I have the privilege of a good and reliable support net that caught me and offers me the resources I need to be able to build the life I need. I want to come back here, share more art in the future, but I will not force it.

And right now it's just not the time.

Thank you to everyone who's still here, thank you for your support!

CW: mental health, depression, suicidal ideation, internalised ableism

I had been suicidal my whole life. Had never known a time where I wasn't. Couldn't understand how people wanted to live, how this wasn't normal. I couldn't see myself in the future no matter how hard I tried. But I kept going because this was my normal, I didn't know anything else, didn't know I needed help and a change that was a lot more fundamental than just talking to a person every week. I had no frame of reference to communicate my struggle that came with every day life because for all I knew this is just how everyone else feels.

This is just life.

And I am just not made for it.

Didn't help that whenever I tried to communicate that to a mental health professional I just got brushed off as dramatic, being told I am fine.

Because in the end it just works. I function.

I was one of the lucky ones who got diagnosed with ADHD as a kid, mum went to a specialist cause she has it herself and wanted to make sure I get tested so I don't have to go through the same struggles that come with staying undiagnosed as she did. Thing is, that diagnosis didn't really change much, I was still too academically gifted and non-obtrusive to be considered for medical treatment (and honestly seeing and hearing about stories were kids have been on the wrong dosage for years because no one knew better makes me think that maybe it was for the better) and my mum tried to teach me the skills to succeed in life despite that diagnosis, but she herself was alone and too deep in her own trauma to be able to provide the support I needed.

This lead to me cracking and dropping out of high school, trying other things, landing back in school, this time college, and cracking again, this time not managing to immediately get up again to keep going with something else.

Nothing seemed to work, so all I could do was to take a break.

A break that showed me for the first time, that no, chronically wanting to die is not normal, that I am capable of enjoying life, that I am capable of wanting to live and my first goal should be to figure out what I can do to crawl my way back into everyday life without losing that feeling, that knowledge. I learned the difference between just a really bad, but perfectly healthy, day and the excrutiating pain day to day living had caused me until that point.

And that break's been going on for over a year now, with me periodically trying to get back into school, trying to figure out what accommodations I need and how I can build a future for myself that is worth living.

I don't know if I'll finish my bachelor's, probably not, but if I drop out I'll need to find a viable alternative first. I don't think I'll ever be able to work full time, doubt I'll ever be able to fully support myself, but I know there is a future out there for me somewhere, one that is worth living to me and that is a hope I never had until recently. That is what I mean when I say I am doing better than ever, despite the fact that my functionality has effectively crumbled to dust and diagnostics say I am still depressed.

I am still struggling with the guilt that comes with relying on others for support, that comes with not being the perfect productive member of society I am expected to be, that comes with not being the perfect friend I want to be. I learned that I actually do want to work, something that if you had asked me a year ago, and if I felt save enough to be honest, I would have said no to. I just need to figure out what that looks like. I learned I can only focus on a handful of things, and that includes basic survival and individual people. I learned what I need to not feel lonely without being overwhelmed by social interactions and have incredible people in my life who make that possible.

I also met my amazing partner who is showing me how stable and unwavering love can be. Who gives me the security I need to say that whatever comes, we'll figure it out.

Oh and yeah, starting medical transition sure as hell helped a lot too.

I am currently trying to find my passions again, learn how to actually love creating art again, to learn how to learn and find enjoyment in just the act of it.

I'm in therapy and am trying out medications in the hopes to find some that work and don't make things worse.

All in all I'm going somewhere. I don't know where it will lead but I know that it will be worth it.

[wordsnstuff]

Why does screenwriting have such a weird format? I know it's standard for scripts of all kinds, but it's also alien? It almost looks like it's designed for someone to write quickly??

Why are screenplays the way they are?

Screenplays are interesting pieces of writing because while they can read very beautifully, and quality is apparent in some scripts more than others, it is a medium that is extremely purposeful. The script is not the final destination of the idea, and that is what you have to remember. The script is, more than anything, a map. It gives the cast, crew, and producers the necessary information to get a sense of the story so that it can be adapted effectively. Therefore, the quality of a script is judged by a completely different rubrick:

Adaptability: Scripts are naturally going to go through many changes to serve the filmmaking process. Filmmaking is a fundamentally collaborative process so other members of the group must be able to effectively interpret the script well enough to make strategic improvements. Scripts are definitely works of art in their own right, but the design must account for adaptation into a completely different medium and you will not always be the person making executive decisions on how that is to be done.

Clarity: Creative liberty is acceptable in a lot of forms of writing, and style is definitely apparent in a screenwriter's work, but that is primarily to be found in how they practically form the elements of the story, rather than how it is delivered in words. The clearer your meaning and intent in a script, the easier it will be for the other people you're collaborating with to interpret and translate into the next medium. Even if your work is meant to be experimental, abstract, or avant garde, the script is the place where you make sure everyone that is inside of the production understands the point, so that they can help you make sure everyone outside of it is confused in the desired way. Your talent and style can be showcased in the way you demonstrate the particular brand of humor or suspense or drama in the descriptions, dialogue, and dialogue cues.

Efficiency: Format is extremely strict in the industry because it is a collaborative medium that often brings together hundreds of crew members who are all from different backgrounds/experience. The one thing that must remain consistent and reliable is the legibility of the script. The gaffer and the producer alike must be able to pick up the script and find what they need to learn in order to fulfill their role. The format of the script denotes specific crew member's cues in specific places so they know how to find what's expected of them quickly and efficiently. While on larger productions, there's often many directorial positions who are coordinating and communicating with the crew members who handle more detail oriented jobs, that isn't always the case.

My advice, if you're looking to gain experience in writing scripts that are actually meant to be adapted is to practice self-discipline, pragmatism, and distance. Your script won't always belong to you. There isn't the autonomy in screenwriting that you have in prose. Learn the rules of screenwriting, then learn how to enhance them in your own way.

Best of luck,

x Kate

–

Masterlist

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[raven-at-the-writing-desk]

Dear Raven ven venny ven, do you have any favourite ships in the twst cast? If so, why?

I don’t have any ships among the TWST cast that I’m crazy about! That doesn’t mean I “hate” all the combinations, it’s just that I feel neutral about most of them. I would say I’m pretty open to considering rare pairs and all kinds of tropes (enemies to lovers, childhood friends, etc.), but I’ve yet to find one in TWST that solidly lands with me.

Certainly there are dynamics I enjoy—the Science Club boys, for example—but do I see them being romantically engaged with one another? Eeeeeh, debatable. I could really go either way.

It’s actually easy to (temporarily) influence my takes on certain ships 😂 Sometimes I’ll listen to my friends talk ad nauseam about a ship they’re super into and their excitement is so infectious that it rubs off on me. I’ll go, “Wow, that really is a cute interaction! I can see why you ship them.” This had happened before with Malleus x Cater a few years back, though now I’ve returned to a neutral state on it since the shipper friend hasn’t been as active talking about the two. I appreciate my friends for popping off because even if I don’t have the same passion as they do for the ship, it helps me see the characters and their interactions under a new lens or from a different angle. (I actually wrote a fic where Cater takes Malleus to a maid cafe, inspired by my friend’s speeches about the duo. It’s meant to be platonic, but I think it could also be read as romantic if you choose to view it that way.)

I get easily influenced by fan art too, even if I don’t know the creator on a personal level. A few weeks back, I saw this Jade x Jamil post and it was so wholesome and tooth rottingly sweet (even though it was a ship I did not gave the time of day to before) 😭 And then I started to think about their similarities (both vice dorm leaders, both passive aggressive, both manipulators, etc.) and gradually convinced myself “Hey, it could work!” Now that I’ve had some time to be weaned off of the fan art though, I’m back to that baseline feeling of neutrality. It’s the exposure therapy wearing off/j

On the topic of Yuu (they’re technically a part of the TWST cast), I’m particularly lukewarm about any ships involving them—and Yuu ships are the only exception to my “I’m easily influenced to change my mind” rule; I’m always neutral about Yuu ships. They’re a blank slate, so the dynamics they have with other characters changes drastically depending on what “kind” of Yuu they are. I don’t have a Yuusona of my own, nor do I project onto Yuu, so I find little value in their character (or lack thereof). This extends to ships too; because I don’t see (my) Yuu as a “real” character, I also don’t see the potential in shipping them with those in the cast. I’ll support everyone’s right to their own Yuu and related ships, but I don’t necessarily get gung-ho about them unless I know the creators well. This is because the familiarity I have with them then extends to their Yuus; I can see bits of them and their own personalities and experiences in their Yuus, and that makes me feel like I have a more meaningful bond with whatever their interpretation (and romantic involvement!) is.

Of course, there are also some ships that I don’t like or that personally make me uncomfortable (for example, incest ships) 💦 I don’t want to like… yuck your yums, so I won’t go into explicit detail about which other ships I’m not a fan of or would prefer as platonic. Regardless of how I may feel about those, I don’t want to give the impression that I’m going to judge you for what you do or don’t ship. You do you—just be sure to respect boundaries and don’t push what you ship onto others, especially if they have indicated they’re not into the same things you are.

Just to make things clear, please do NOT send me asks like “Here is my ship and here is why you should consider it!” and “How do you feel about [Character A] x [Character B]?” or any variant (which includes polycules, love triangles, etc.). I will also not be responding to asks pressing me for which ships I dislike. I won’t be providing a tier list either since there are way too many possible combinations to account for. Shipping talk with strangers/the public makes me anxious and I’d rather not have that level of stress on a consistent basis.

Thank you for understanding ^^

[drawnfamiliarfaces]

As someone who has always loved siblings dynamics in fiction, I find it funny that almost every single member of the HoM team has siblings. Kim has two little brothers, Danny has an older sister, Jake has a little sister, Jenny has eight robot sisters, June has an older and a younger brother, Rex has an older brother, and Zak has three cryptid siblings. Ben and Randy are the only ones who are technically only children but Ben still at least has a cousin who he has a sibling dynamic with. I don't think Randy had anyone like that. (Although it's one of the few shows here that I didn't watch so feel free to correct me if I'm wrong.) Any way, now Only Child Cunningham is being treated like the little brother by all of these experienced siblings and has no clue what to do and I find that funny.

(P.s. sorry about the long comment. This thought wouldn't leave me alone so I thought i should share it)

(P.p.s I love your HoM au and your art. Thank you for sharing it!)

Please, don't be sorry, this is like, one of my favorite asks about HoMies I ever got! And also thank you for your kind words! <3<3<3

I also adore sibling dynamics in fiction! It's one of the main reasons I don't want to put much focus on ships in this AU, like I mentioned before, there would be like one canon couple with one of HoMies, but otherwise everyone are sort of floating in nebulous single area, so I could focus better on their complicated friendships with a dash of found family/siblings dynamics!

(And your ask reminded me of a fanart I did a long time ago about Randy being the only child in Secret Trio. xD same brain anon!)

Also one can argue that Howard, Randy's best friend, could be considered sort of like a brother to him (they became friends at a very young age), but I personally view them more as Bros. (does it make sense, lol?)

But even if we count Howard, their dynamic would be more equal in older-younger sibling scale, while Randy indeed would be mostly treated as a younger sibling amongst HoMies and it would probably drive him insane!

Being the youngest and newest in their friend circle, he is like a new baby brother or a co-worker/young kohai (ye, cringe wording but terminology vibe aint wrong! xD) that others are prepared to protect and help, impart their wisdom on, but also tease! (and perhaps learn something from him in return! )

But Randy Only Child Cunningham, as an already seasoned, if a bit overconfident, hero would hate (just a little bit) being considered as less experienced (even if he technically is) than others, no matter how much he absolutely adores being in presence of all those cool people! At times it would feel condescending, but in reality others just want to support him the more they learn about how he came to be the Ninja.

After all they know what it felt like being that young, having that responsibility trust upon your shoulders and going through so much. Especially considering that among them, Randy perhaps had the least stable support during his hero-ing career. Sure, all of them had to go through some things alone, but there were family and friends that were there to help when it came to it. And, no offense to Howard, who does sometimes manages to get through for Randy, he is not the best at being the type of support Randy needs at times. And, Ninjanomicon? While incredibly useful for teaching moral lessons and art of being Ninja - is not exactly the most er, physically able in supporting Randy at time of crisis, being an inanimate object and all that, lol.

So yes, Randy-Only Child-Lone Ninja Hero-Cunningham sometimes doesn't know what to do with all those people who appeared in his life and treat him like a little bro! But sometimes, he enjoys it. ;)

(a little bit of random rambling beneath, feel free to ignore! haha)

Also random, and its not very obvious at all, but there is slightest differences amongst HoMies on how they view/regard him and behave with/around him, depending on their own experiences:

Kim and Jake, as older siblings through and through, tend to see him as a younger bro, like their own siblings who can be a handful and overzealous little hellions at times.

Danny, Rex, Jenny and Zak are a bit complicated. They all have siblings that are older than them, but they are also kind of younger in some sense (or in Danny's case an adopted younger sibling).

Danny and Rex would tend to be overprotective a little bit, as people who didnt have a younger sibling before (I mean, Danny does but she is so independant! Danny doesnt get to exercise his overprotectiveness on Danielle xD) so its a bit new to them. But they are also kind of dicks, and thats just the younger siblings in them talking, lol.

Jenny and Zak on the other hand, both have siblings that are very confusing from the age bracket view.

All ofJenny's siblings are older than her BUT their prototype AI and bodies make them behave younger than her, so she tends to view them as younger siblings. There is a constant argument amongst them about who is older-younger, but its all in good fun! (She also sometimes misses being the only child. xD)

Zak's siblings are all cryptids, and two of them are older than him in age (Fisk and Zon are definitily full grown and possibly more long-lived than humans, I still have questions about Komodo, but he is probably older than Zak in age just by a little bit), but their behaviour, as.... well, i don't want to say animals, because they are not mindless animals, but let's just say - their disregard to human behaviours and norms, as cryptids, make them behave in a way that could be considered irresponsible, thus making Zak often behave like a responsible older sibling, despite being younger than them.

So, Jenny and Zak tend to be as snooty and in 'charge' as an older sibling would, but also be mischevous little shits that is younger (sorta only) child behaviour.

Ben and Jun are sort of like the previous four, but they tend to view Randy on a more equal footing rather than just vacilate between older-younger types of behaviour.

Ben, is a single child, but he grew up pretty close to Gwen, since they were born on the same day. Sort of growing up twins but not kinda situation. They also have an older cousin/brother Ken, and they both adore him, but it is obvious that primarly those two grew up together and are equally annoyed with that, lol.

Jun is a middle child. (I kind of dont want to say anything else, because i feel like it explains everything. xD but-) She is independant, and is equally exasparated with her snooty older brother and her hellion of a younger brother. So, really, she just tends to be the most normal towards Randy in the end???

so, ye, of course in the end they treat him as just a new friend, this was just more of me trying to look into inner mind of sibling dynamics in a weird way haha

sorry about it, but if you got this far, hope you had an entertaining read! ;D