#but id like to highlight more of other peoples work here

[deepwaterwritingprompts]

Deep Water Challenge

Hello all weird and wonderful writers! This week, I thought it might be fun to host a mini-challenge where we turn the tables, and I give YOU a request.

Time to try your hand at micro-micro fiction. Write a 1-3 sentence prompt/'story', that has something to do with RAIN.

If participating, please add your submission either as a reblog or a comment on THIS POST, so we can keep all of them in one place and allow everyone else to look through them. On Friday May 17, I'll share my favorites in a separate post, tagging the authors.

As always, keep writing, and stay weird.

- L

[rafeandonlyrafe]

good boy

words: 1.5k

warnings: established relationship, marriage, protective!rafe, (guard??) dog, fluffy

“rafe, it's literally two weeks. ill be fine!” you say, folding his clothes, having dumped out his suitcase onto the bed to reorganize it when you saw how he packed it, just chucking things in.

“two weeks where im a hours away from you by plane.” rafe sighs, watching you carefully repack his suitcase as he pouts on the bed, not wanting to leave you.

“you know, cameron, i lived a whole 20 years before meeting you.” you point out, knowing while rafes concern comes from his love for you, it will completely overwhelm what is supposed to be an enjoyable family vacation and leave him miserable the whole time.

“i don't see why you can't just come with me.” rafe groans, flopping back against the bed. you smile and round the bed to where his head is resting against the pillows. you press a smooch to his forehead, rubbing your hand over his head, petting at his soft hair.

“baby, it's just for your family. you know that.” it's not like you don't want to accompany rafe to a tropical paradise, but you would feel way too awkward intruding.

“what if something happens to you? and im not here to protect you? id be the worst fiancee ever.” rafe grabs your head from rubbing his head, holding up the ring on your finger for him to admire.

“nothing will happen. nothing ever happens here.” you laugh. you're not sure what crime is like on the other side of the island, but your neighborhood is incredibly safe.

“im still worried.” rafe sighs. “you in that big house all alone.”

“im gonna spend 99% of the time wedding planning.” you hum, thinking about the tabs pulled open on your laptop of different venues, dresses, and color palettes.

that finally gets rafe to crack a smile. “can't wait to marry you.” rafe says earnestly. he only proposed a month ago, some people would say that you were too young to get married, but rafe knew when you came into his life and turned everything around for him that he had to put a ring on your finger.

“i can't wait either.” you bend down to press a kiss to rafes lips. “but seriously we need to talk about your packing before we tie the knot, why do you only have one pair of shorts packed for an island?”

-- two years later --

“remember those two weeks you left before we were engaged? it's not really much longer. you should go, baby. it's a good opportunity.” you are sat on rafes lap, back pressed against his chest as he scrolls through his email.

“it's just work, and it's a whole lot longer than two weeks. i don't want to leave you here alone for over a month.” rafe closes out of the email, making you sigh.

“i was fine for those two weeks, ill be fine now. promise. i think you should go! it's a big conference.” you turn sideways on his lap so you can look rafe in the eye. “besides, it's still six months away. plenty of time to prepare.”

“prepare?” rafe raises his eyebrows. “so you'd be good with security cams around the whole house and personal security?”

“cameras on the outside and hell no. you don't want some random guys watching after me do you?”

you can see the gears turning in rafes head as he frowns. “yeah, you're right. no men.”

“so you'll go?” you smile. rafe closes his eyes for a brief moment before nodding.

“yay!” you squeal. you're not excited to be left alone, and you love being around your husband more than anything, but the work trip is a big deal, and you know he'll be kicking himself if he misses out on such a good opportunity.

--

“rafey?” you call, eyes sweeping across the living room as you enter your shared home, a head full of fresh highlights.

“hubby?” you call out, continuing deeper into the house until you see movement through the glass door leading towards the backyard, but it's not the typical roll of the ocean against the shore.

“rafe?” you question as you open the door. you expected to find him in his office, where he was before you left for the beauty salon.

rafe smiles, waiting for your eyes to look down, and when you finally see what is sitting at rafes feet, you let out a gasp.

“oh my gosh!” you squeal. 

“wifey, meet max. our new australian shepherd.” rafe gives a command with his hand, that has max running towards you.

you sink to your knees as the young dog excitedly greets you, licking at your hands as you pet him.

“hi maxey.” you coo at the dog, you're guessing around two years old, with max being full size but still having some young features.

“rafe, you didn't tell me you were getting us a dog!” you stand up, max following close behind as you rush to give your husband a hug.

“i have a confession.” rafe says, his hands looped around your waist. you frown, worried that max was just a foster and you'd have to give him back, or that something went wrong with the adoption. you often talked about getting pets before getting married, but wanted to wait a little bit, and then time just slipped away and before you knew it, you were over a year into your marriage. 

“what?” you whine out.

“ive been working with a trainer behind your back. i wanted to make sure max was ready before we chose him for sure. he knows commands, me, your scent, our house. everything. he knows his primary responsibility is to protect you and our property.”

“oh my gosh!” you slap rafe in the chest, surprised that he was able to keep such a secret from you. “how could you do all that without telling me?” you laugh, not angry, but surprised that he was able to orchestrate everything.

you don't wait for rafe to explain how he was able to find so much time, stepping out of his hold to kneel down and continue petting max.

“we have some more training sessions so he can learn with you as well.” rafe further explains, also leaning down to pet max behind the ears as he pants excitedly at his new owners.

--

“what is it maxy?” you ask as he lifts his head up, looking around the living room. “you miss your daddy?”

you sigh as max lets out a sad sounding huff, petting your hand over his head, scratching at his neck which you know is his favorite. rafe has been gone on his business trip for a month now, with only a week and a half left until he returns home.

max suddenly jumps off the couch, eyes on the backyard. he lets out a bark, claws clicking on the hardwood floor as he moves to the glass door. he lets out another bark, making you stand.

“what is it boy?” you ask, looking out the window.

max lets out another bark, this one the familiar territorial bark that he’s practiced in his training with you and rafe. you know the only reason that rafe feels safe enough leaving you home is that max is a great guard dog.

you get closer to the window, squinting your eyes to try and see in the darkness when you sudden jump back with a scream as a squirrel runs across your patio, causing max to bark and run along the glass door until it scatters into the yard.

“holy shit, maxy, you scared the shit out of me.” you press your hand to your chest before kneeling down, scratching behind his ears. “it was just a squirrel.” you reassure him with a pat.

your heart rate is just starting to calm down from the fright when you hear the front door open. max instantly takes off with you following after him, letting out a sigh of relief when you see rafe standing in the foyer.

“baby.” he sighs happily, setting his suitcase down as you run into his arms, pressing your lips together. “i missed you so much.”

“i missed you too, what are you doing home though?” you ask, giving him another kiss before he can answer.

“they didn’t need me for the rest of the week, decided to get home to my lady.” max barks, making rafe lean down to pet him, still holding you up. “and my good boy too, of course.”

“so happy to have you home.” you nuzzle your nose into rafes neck, inhaling the familiar scent that you missed so much. 

“happy to be back with you, wifey.” rafe says, carrying you further into the house.

“oh, and you will be very happy to know maxy did a great job protecting me while you were gone.” you tell rafe. it mostly involved max barking in warning at any delivery guy or car turning around in your driveway, but his presence did help making you feel safer and less loney.

“hopefully not too good.” rafe huffs as he looks at your pet. “can’t have him replacing me now.”

you giggle, surprised rafe can manage to be jealous of your dog. “never.” you swear, pressing another kiss to his lips.

taglist: @winterrrnight @bejeweledreverie @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @emma77645 @wearemadeofstardust0 @leighbronk

[marlshroom]

came to the fucked up realization after finishing gravity falls again last night the parallels of the dream bubble bill made for mabel and the literal state of delusion he keeps himself in.

in the book of bill on the page where bill cipher describes how he figured out a way to manipulate her into giving him the rift, it says:

"Summers ending, my guy. Ending to death, bro. She'd do anything to make it last just a day longer. Probably something RASH and OUT OF CHARACTER, even!"

as we know, mabel cannot handle the fact that she will be growing up. that the relationship with her brother is going to change. she is scared of high school.

bill then says "That was it. She'd never make a deal with me. But she'd make a deal with someone she believed could give her more time. The dream was done. I had her."

bill then creates the dream bubble for mabel, he makes every one of her dreams come true, a place where time is still and she can be a kid forever. a lie so great that she wont have to face the truth.

in journal 3 on one of the pages bill is writing in code, we see this:

[ID: "I ask you, why must[should] time only move forward? Why must cause preceded effect. Who voted on the law of physics."]

my friend helped me break down what bill means by this:

why can we only move forward in the 4th dimension of time. why does something have to make another thing happen, why must cause come before the effect. why cant you move backwards, in the other direction, change the decisions youve made.

how interpret this is bill asking why he is not able to back and stop what he did to his family. he says to ford that he tried and failed to undo the past.** why did him wanting people to acknowledge his advantages instead of suppress him lead to the destruction of his whole dimension?

**(i just want to point out that this is probably the time where bill is the MOST open to anybody, or at least the first. to his henchmaniacs he had been telling them that he liberated his dimension until the oracle discovered the truth. here, to ford, he got so much closer to telling the truth. he SHOWS ford the last atoms of his world. he says that it was destroyed by a monster, not that it was liberated! destroyed)

back to when bill says "I had her" about mabel, he had her cause he knew exactly what needed to happen to trap mabel in a delusion because it is exactly what he is doing to himself. creating a fake narrative of what happened to him, that he was vindicated in killing his whole dimension. only ever doing exactly what he wants because confronting the truth is too scary for him(good fucking lord). the morality page offers good insight into this too.

i am actually just going to quote the whole page and highlight the important part. it speaks for itself really

"THE POINT IS it's[morality] is a very flexible concept! But parents and presidents don't want you to know that, because then you might start asking other questions, like who put them in charge, anyway? So they cram your brain full of guilt and regrets for transgressing the laws that they just made up(the laws that they made to prevent the destruction of their dimension, regardless of if the law + the wrongful medication of a fucking baby triangle did any good to actually prevent it). Wouldn't it be nice if you could put all that baggage down? Quell the shame that follows you everywhere for a lifetime of crimes? MAKE THE SCREAMS FINALLY STOP? The good news is you CAN silence that annoying voice, and here's how!

DENIAL

Works 100% of the time in every situation. What you you mean there are people who disagree? I can confidently say there aren't!

RATIONALIZATION

If you can do it, you can justify it! "Truth" is open-source code and anyone can edit it anytime! Want to be like me? List 3 "evil" things and then 3 "reasons why they're actually good." You'll be rationalizing like Bill in no time!

DETACHMENT

Did you know 100% of your human cells die and are replaced every 7 years? That means that anything you did 7 years ago wasn't even you-it was some dead loser! You can't be held accountable for what a dead person did! What? You think this is just another form of rationalization? I DENY THAT!

THE BILL CIPHER DECISION METHOD!

Working over the eons, the voices in my head teamed up and worked out a foolproof method for making any decision in any situation.

DO WHATEVER I WANT."

ooooooooooooooooooh boy.

he is fully admitting here that he is living in a completely different really in order to justify doing whatever he wants. he gives mabel the tools to deny, to rationalize, to detach herself from the reality of it all. that time has to move forward. and he thinks it will work because it worked on himself.

but it doesn't work on mabel because she understands that she needs other people. shes vunerable, she lets people in, admits when shes wrong. and bill cant do that because it would destroy the fantasy he's created for himself.

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[anistarrose]

I want to make my posts more accessible, but can't write IDs myself: a guide

[Plain text: "I want to make my posts more accessible, but can't write IDs myself: a guide." End plain text.]

While every image posted online should be accessible in an ideal world, we all know it 1) takes time to learn how to write image descriptions, and 2) is easy to run out of spoons with which to write IDs. And this says nothing of disabilities that make writing them more challenging, if not impossible — especially if you're a person who benefits from IDs yourself.

There are resources for learning how to write them (and if you already know the basics, I'd like to highlight this good advice for avoiding burnout) — but for anyone who cannot write IDs on their original posts at any current or future moment, for any reason, the there are two good options for posting on Tumblr.

1. Crowdsource IDs through the People's Accessibility Discord

[Plain text: "1. Crowdsource IDs through the People's Accessibility Discord". End plain text.]

The People's Accessibility Discord is a community that volunteers description-writing (and transcript-writing, translation, etc) for people who can't do so themselves, or feel overwhelmed trying to do so. Invite link here (please let me know if the link breaks!)

The way it works is simple: if you're planning to make an original post — posting art, for example — and don't know how to describe it, you can share the image there first with a request for a description, and someone will likely be able to volunteer one.

The clear upside here (other than being able to get multiple people's input, which is also nice) is that you can do this before making the Tumblr post. By having the description to include in your post from the start, you can guarantee that no inaccessible version of the post will be circulated.

You can also get opinions on whether a post needs to be tagged for flashing or eyestrain — just be able to spoiler tag the image or gif you're posting, if you think it might be a concern. (Also, refer here for info on how to word those tags.)

The server is very chill and focused on helping/answering questions, but if social anxiety is too much of a barrier to joining, or you can't use Discord for whatever reason, then you can instead do the following:

2. Ask for help on Tumblr, and update the post afterwards

[Plain text: "Ask for help on Tumblr, and update the post afterwards". End description.]

Myself and a lot of other people who describe posts on this site are extra happy to provide a description if OP asks for help with one! This does leave the post inaccessible at first, so to minimize the drawbacks, the best procedure for posting an image you can't fully describe would be as follows:

Create the tumblr post with the most bare-bones description you can manage, no matter how simple (something like "ID: fanart of X character from Y. End ID" or "ID: a watercolor painting. End ID," or literally whatever you can manage)

Use a tool like Google Lens or OCR to extract text if applicable and if you have the energy, even if the text isn't a full image description (ideally also double-check the transcriptions, because they're not always perfect)

Write in the body of the post that you'd appreciate a more detailed description in the notes!

Tag the post as "undescribed" and/or "no id" only if you feel your current, bare-bones description is missing out on a lot of important context

When you post it and someone provides an ID, edit the ID into the original post (don't use read mores, italics, or small text)

Remove the undescribed tag, if applicable. If you're posting original art, you can even replace it with a tag like "accessible art" for visibility!

And congrats! You now have a described post that more people will be able to appreciate, and you should certainly feel free to self-reblog to give a boost to the new version!

[justagalwhowrites]

The Savage and the Sanctuary - Ch. 1: Wrong Foot

Joel takes on a new contract as a bodyguard. A continuation of The Savage and the Sanctuary, a no outbreak TLOU story, from the prologue found on Tumblr here.

Pairing: Joel Miller x Female Reader

CW: Non-consensual groping (not by Joel.) Mention of grief and child loss. No use of Y/N. Whole fic will be explicit so minors DNI, 18+ only.

Length: 7.1k

Fic Masterlist | Masterlist | AO3 | Prologue | Next Chapter

Two years later - September 2024

“You really want me for this one?” he asked as he rode up the elevator at the nicest hotel in Austin. Even after two years protecting wealthy assholes, Joel wasn’t used to shit like this. The fast elevators and the plush carpets and the trappings of wealth that provided everything his charges needed. Everything, it seemed, except safety. 

For that, they needed him. 

Protecting people, as it happened, was something Joel was good at. It almost surprised him how good he was at it. It forced him to be aware of what was happening around him for a change instead of just moving through the world like a ghost. It took that awareness for him to even realize just how dead he’d been in the years since the death of his daughter.

Usually, things went fine. Most often, he was shepherding tech or oil executives with inflated egos from business meeting to business meeting while they were in town and looking the other way when they cheated on their wives or put half his salary up their noses. Nothing ever happened with those assholes. 

Occasionally, though, his job got interesting. Rabid fans tried to mob some pop star Joel had never heard of at a club on 6th Street once and he had to carry her out, forcing his way through the crowd before she got crushed. Then there was the supermodel who was posing for photos with fans when one little college-aged fucker thought it would be smart to grab her ass to cop a feel. Joel took a little too much pleasure in punching him so hard that he fell to the floor, knocked clean out. The football player had been the biggest trouble, though. Some hotshot asshole who’d just won the Super Bowl coming back to his college town to party. He picked a fight with the wrong drug dealer and damn near got shot for it, Joel whisking him away and getting winged in the shoulder by the bullet for his trouble. 

He didn’t want to admit, even to himself, that he liked when the work got dicey. Being shot at was the closest to alive Joel has felt in years. Getting to lay out some asshole without the cops trying to arrest him for it had been the highlight of his month. It made him very good at his job and he liked that, both things that surprised him. 

“You’re my best guy,” Tommy said. “You’ve seen more action on this job than almost any of the other guards and they want someone with a good history. Plus you don’t give a shit about… higher profile clientele. I can’t put fuckin’ James on a job with someone he knows, he’ll fan boy over ‘em. Remember when that one band came through?” 

“Jesus,” Joel groaned, pinching the bridge of his nose. It had been an easy job but it was one that he’d had to do most of the work on, James practically giddy the entire time. “Yeah, you’re right. So, what, this some pop star or somethin’?” 

“Not sure,” Tommy said. “They’ve been playin’ it real close to the chest, won’t ID ‘em until we sign an NDA.” 

“So you got no idea what we’re workin’ with,” Joel said, grinding his teeth. 

“Just that it’s someone people know,” Tommy said. “Long term contract, real good money. They mentioned a stalker, they’re bringing all the information along on that to review, wanted you to see it before we signed on.” 

Joel nodded slowly. 

“Well,” he said. “Least it’ll be interesting.” 

They made it to the top floor of the hotel, only four doors and Joel fought the urge to laugh. God, this breed of rich asshole was a whole new level. 

Tommy led the way to a door labeled Presidential Suite and knocked, a young woman with close cropped dark hair and a headphone in her ear answered the door. 

“One second,” she said, tapping her headphone before she smiled at the two men. “Thank you for coming, Mr. Miller. My boss prefers to have people come to where she is when she travels, I’m sure you can understand…” 

“Of course,” Tommy said. “Happy to go wherever you need.” 

“Can I get you anything?” She asked, leading the way into a hotel suite that had to be damn near the size of Joel’s entire house. “Coffee? Water? Tea? Also have a variety of Coke I think you call it here if you’d like that.” 

“Water’s fine,” Tommy said. 

“Still, sparkling?” She asked. “Also have cucumber, lemon, mint…” 

“Uh,” Tommy blinked for a moment and Joel fought the urge to laugh. “Still’s fine. None of that other stuff.” 

She nodded before she looked to Joel, her brows raised. 

“Coffee,” he said. “Black.” 

“Of course,” she smiled, leading them to a sitting room and gesturing to a couch. “Quinn will be with you shortly.” 

She disappeared and returned with their drinks, handing them to each of them with a smile before she tapped the headphone again. 

“Thank you,” she said, her voice almost syrupy sweet as she went to another room. “I appreciate you waiting since you’re apparently so willing to try to fuck us over…” 

Tommy’s eyes went wide and he looked at Joel, the conversation becoming almost silent as she closed the door behind her. 

“Definitely ain’t from around here,” Joel said. 

“Guess not,” Tommy said. 

It wasn’t long - Joel only drank half the coffee which was far better than he was expecting it to be - when another door opened, a woman closer to his own age coming out, dressed in an expertly fitted gray suit, her dark hair in long, tiny braids that hung to her waist. Sarah had always liked hair like that, always begged Joel to let her get them. He wished he had whiskey for his coffee. 

The woman was on the phone, too, but she was on speaker. 

“I don’t care,” she said. “You know the deal and I’m not going to just sit here and pretend that you don’t because you decided today was the day to play fucking games. Call me when you want to handle shit like a fucking grown up.” 

She hung up and sat heavily on the couch opposite them, the girl who answered the door almost scurrying into the room and hovering near the large coffee table. The woman in the suit - Quinn, Joel assumed - giving her a single nod and she rushed off, quickly returning with a bottle of water and several folios. 

“Tommy,” Quinn smiled. “While it’s good to see you again, I’m sure you’ll understand when I say I’m looking forward to getting this settled so we can stop meeting like this.” 

Tommy smiled back. 

“Can’t say I disagree,” he said. “Wanted you to have the chance to meet Joel, he’ll be the lead on this contract assuming we go ahead. He’s one of my best guys, got the history you asked for…” 

“I’m sure being your brother doesn’t hurt,” she smiled a little. Joel raised his eyebrows and looked to Tommy but she answered his unspoken question. “We pulled backgrounds for everyone on your payroll. We can’t be too careful.” 

She tossed one of the leather folios on the table. 

“This is what we’re up against,” she said. “Redacted, of course, so you can’t ascertain who my client is but you’ll have access to the full versions should you accept the contract and sign the necessary NDAs. We’ve naturally brought them to the police and they believe the threat is credible. They have a lot of information - some of these were sent to my client’s private residence, for example - and it’s clear they’ve seen my client in person numerous times. We have reason to believe they will follow my client wherever she goes and there is genuine concern for escalation…” 

Tommy picked up the file and looked it over, nodding slowly, before passing a page off to Joel. It was the photo copy of a printed letter. 

You were beautiful today in that green dress. 

One day, you’ll come home to me. One day, I’ll make you see. 

Joel passed the page back to Tommy. 

“I can see why you’re concerned,” Tommy said, handing the folio back. “Don’t seem like anything we can’t handle. I think we’re alright to move forward with the contract as discussed…” 

There was a knock at the door and the girl ran to go answer it, Quinn ignoring it completely. 

“Excellent,” she said, grabbing another folio and passing it over. “This is the contract and the NDA, already reviewed by your legal team. We just require a wet signature.” 

Tommy nodded, looking over the pages, anyway, and Joel was starting to wonder why he’d had to be trotted out like some kind of prize show pony just to sign some damn paperwork when there was a commotion at the door. 

“This really isn’t necessary,” the girl was saying, her voice oddly pleading, the total opposite of how she’d been on the phone. 

“Oh I’m sure Quinn won’t mind,” another voice - a new one but there was a tug of familiarity to it that set Joel’s teeth on edge - said. “I am her favorite client, after all.” 

Quinn’s head snapped in the direction of the sound and, in a sweep of gauzy clothes and floral perfume, you were there. 

Joel recognized you immediately, everything about you seeming to have been built to be remembered. The whole world remembered you, it had been years since he’d been able to escape you. The biggest movie star on the planet, helming major franchises and winning fucking Oscars, on the cover of gossip rags at the fucking grocery store and on billboards advertising perfume and on Saturday Night Live. In person, from the second you appeared, you were a force. Your face, your voice, the way you held yourself, no wonder he always noticed you when you were all around him. No wonder his daughter had been obsessed with you. 

Your face was a poster on her wall, a picture where you had the slightest, confident smile on your lips but your eyes always seemed sad. You turned those eyes to him, ranging over him like you were taking stock and Joel’s heart stuttered before your gaze turned to Tommy and back to Quinn. 

“So glad you got the meeting started without me,” you said, all saccharine sweetness, stepping over Joel’s legs and sitting down on the edge of the couch between him and Tommy. You crossed one elegant leg over the other - your pants ever so slightly sheer so Joel could just make out your thigh below the loose fabric - and leaned forward, taking Joel’s white china coffee cup off the table and helping yourself to a sip with a jingle of your bangles that were piled high on your wrists. You gave him a wink as you did, setting the cup back on its saucer before leaning onto your leg, your arms folded in front of you. “I’m sure the fact that I didn’t know it was happening has nothing to do with wanting to cut me out of the decision making for something that’s going to be apparently integral to my life over the next year.” 

“I just don’t want to bog you down with petty things like this,” Quinn waved you off. “You have enough on your plate, that’s what you pay me for…” 

“Oh I’m sure that’s all it is…” 

Quinn leaned forward, too, meeting your steely gaze from across the table. The knowing smile that had been on her lips just a second earlier was gone. In its place was a no nonsense expression that Joel imagined carried her far when dealing with Hollywood assholes. She, it seemed, was done coddling you. 

“The studios know,” she cut you off. “Someone at the police station leaked it. And they won’t insure you without higher levels of security, especially if you want to spend this much time outside LA. You want to keep working? You need security. At least until we get to the bottom of whoever is sending you letters.” 

“Have you tried telling them how well the tickets will sell when I die?” You asked, brows raised. “I’m sure they’ll be champing at the bit then, especially now that they can just replace me with CGI for whatever isn’t in the can…” 

“That’s not funny,” Quinn said sharply. 

“Oh, come on. It was a little funny.” 

She glared at you. 

“Do you really want someone like that getting close to her?” She asked, her voice almost unsettlingly earnest and gentle. You almost deflated then, giving in. “It’s not safe, babe. I’m trying to keep you safe. It just so happens that it’s also in the studio’s best interest so you don’t have to foot the entire bill.” 

“You must not have told them about the boost in ticket sales, then,” you said wryly. She rolled her eyes. “But fine. If you really think there’s a risk to her? I’ll do it.” 

Joel wondered who this “her” was. Knowing movie stars, probably some tiny fucking dog you carried in your goddamn purse. 

You looked to Joel for a moment, your gaze oddly cutting, like you were seeing through every part of him before turning your attention to Tommy. 

“When does your contract begin then?” 

Tommy glanced at Joel, almost asking if he was actually OK with this. Clearly, this wasn’t what Tommy had expected either. Joel gave a minute shrug. 

“Tomorrow,” Tommy said, looking back to you. “Joel here will be your point man but you’ll also be working with a few other guys from my company. He’ll get you oriented tomorrow and we can work out a way to ensure your protection that’s minimally disruptive to your daily life.” 

You scoffed. 

“Something tells me having a wall of muscle follow me everywhere is going to disruptive,” you said. “But the studio says jump, we say how high, right?” 

“Hey, I don’t make the rules,” Quinn said.

“We all know who does,” you muttered darkly, getting to your feet. “Well, since all this was going to happen whether I wanted it to or not, I think I’m done wasting my time here.” 

You turned to Joel and he found himself in the unnatural position of looking up to someone, his jaw tight as you levied those exacting eyes on him again. 

“See you in the morning,” you said, reaching down and helping yourself to another sip of his coffee with a wink before stepping over his legs and heading out the door in a whirl of soft perfume and flowing fabric. He looked back to the coffee cup. Your lipstick was on the rim.

Joel tried not to think about how you looked at him as Tommy finished up with the formalities, the conversation between his brother and Quinn a drone he couldn’t really make out over the noise in his head as his leg bounced impatiently.

When Tommy had looked at him just now, the silent request for permission, he should have bowed out. He should have said he didn’t want to put his life on the line for some spoiled fucking brat and gone home. But he hadn’t and he couldn’t back out of this now. It didn’t matter how much you made him think of his daughter. It didn’t matter how your eyes seemed to cut him to the quick. He owed Tommy. When he’d started in this business, he’d told his brother that he could do this work and sometimes that meant doing shit he wasn’t comfortable with. He would just have to live with that. 

Eventually, Joel gave up on sitting still. 

“Be downstairs,” he said gruffly to Tommy when the conversation with Quinn lulled for a moment. He didn’t wait for a response before going for the elevator, relieved that it as empty on the way down to the lobby as it had been on the way up. 

But the ground floor of the hotel was not the quiet place it had been when Joel had arrived. Instead, there was a press of people just outside the doors, phones up and loud enough that he could hear them through the glass. He frowned for a moment before he realized what it was, the metal of your bangles catching the light as your arm rose above the crowd, a phone clutched in your hand as you took a selfie. 

“Jesus,” Joel muttered, stalking over toward the door. 

At least, he thought, he wasn’t on duty until tomorrow. If you really wanted to handle shit that bad on your own? Fine by him. 

The doorman held the door for him and Joel gave him a stiff nod as he tried to force his way from the building, but the press of people was becoming suffocating, every inch of sidewalk crammed tight. 

“Can I get a selfie?” 

“My girlfriend loves you, can you say hi to her on video?” 

“Can I have an autograph?” 

“Look, I’m happy to give you all whatever you want,” you said, voice friendly but still curt. “But I need a little room to breathe, OK? I’m not in a rush, we’ve got time, it’s…” 

Someone from the outside edge of the crowd shoved forward, sending the press of people toward you, Joel tall enough that he could see how they tripped and jostled, sending you stumbling into the person at your back. You had to fight for the space to stand up again, the man you’d fallen into’s hand running up your side to your chest, cupping the underside of your breast as you tried to find a way to separate from him. If it wasn’t for the look on his face, Joel might have given him the benefit of the doubt. But his lecherous smile gave him away, and the thinly veiled look of disgust on your face told him you knew exactly what this man was trying. 

Something that hadn’t existed much since Joel lost everything took over. It was rage, blind and violent and coursing through him sharp and heady. That rage didn’t give him a chance to really think, but then, it never had. Not when he was a kid and his dad was on some bender, not when he was some hotheaded teenager looking to pick a fight with a bully at school, not when he was at a bar and saw someone who could have killed his daughter. It was no different now as he practically dove into the crowd, forcing the group apart and not caring if people got pushed into the street or shoved to the ground.

“Move!” Joel yelled, not that it seemed to do much beyond warn people that he was coming for them. He reached you in a matter of seconds, towering over the man who’d decided to take advantage of your vulnerable position to grope you. The man - more of a kid, likely some student at UT who didn’t know his ass from hole in the ground - gaped up at him, his eyes wide and his hand still on your breast. 

Joel took your arm and pulled you, roughly, away from his grip, tucking you behind him before refocusing on the kid in front of him. 

“You think that shit’s funny?” Joel asked, his hand curling into a fist. “Touchin’ a woman without permission?” 

“I was just…” he looked afraid and something inside Joel flared with pride at that. Look at what he could do, he thought, it looked like he was capable of something after all. 

“Know what you were just,” Joel cut him off, mockingly, before grabbing him by his shirt and slamming him back into a marble pillar. The kids head smacked against it with sickening crack. “Do that shit again and I’ll bust your jaw.” 

Joel released him and the kid slumped to the ground before he turned to find you, looking down at the kid with your mouth slightly open. 

“C’mon,” Joel said, throwing his arm around your shoulder and pulling you into him, ducking your head down low to ruin the picture for anyone who might be trying to take one. “Let’s go.” 

He looked around, the crowd thinner now but all watching him. 

“Move!” He roared again. This time, they listened, parting like the Red Sea as he ushered you quickly away, back into the hotel. He looked to the door man, trying not to glare at him too hard. “Those assholes don’t come inside, we clear?” 

“Yes sir,” the man said quickly.

Joel looked to you next. 

“Where’s your car?” 

“Valet,” you said, your forehead in your hand. “I didn’t get a chance to even grab it yet, someone must have tipped off some fucking gossip blog that I was here…” 

“Got the ticket?” Joel asked. You sighed and fished it out of your pocket and handed it over before Joel took it to the front desk and told them to have your car brought out back. He also got directions to the loading dock before going back to find you, in the same spot on the plush lobby couch, fingers laced together, elbows braced on your knees. 

“C’mon,” Joel said, making you jump before looking up at him. “They’re bringing your car around back, we’ll get you out of here without those fuckers knowin’.” 

You looked back down at the ground before giving a stiff nod. 

“Thanks.” You got up and took a deep breath, raising your chin, an almost serene look on your face before looking to him. “Lead the way.” 

He did as you asked, watching like a hawk for anyone who might be stupid enough to try to talk to you. But no one seemed to pay you any mind, even as the two of you cut through the dining room - closed between lunch and dinner service - and into the kitchen, where dozens of cooks were working to get set for the evening. They just ducked around the pair of you, sometimes giving Joel a dirty look for getting in their way, and then you were at the loading dock. 

“Here,” Joel said, jumping down from the edge of it to the alley still damp from rain from the night before. He held his hands out to you. “I’ll help you down.” 

“Thanks, but I’d rather do it myself,” you said. You were more cautious about it than Joel but you jumped down and landed lightly beside him, brushing your hands free of the dirt from the dock before crossing your arms tightly over your chest. Your jaw was tight, the only sign on your calm, uncommonly beautiful face that something might be wrong. Joel crossed his arms, too. 

“You OK?” He asked after a moment. 

You looked at him for a second, your brows raised ever so slightly. 

“Fine,” you said after a moment before staring straight ahead again. 

“You sure?” He asked. He wasn’t sure why he was pressing. He shouldn’t care. He didn’t care.

“Yes,” you said and then you laughed once, sharply. “I mean, no, I’m not but what the fuck am I going to do about it? It’s part of the job, isn’t it?” 

Joel ground his teeth. 

“Shouldn’t be.” 

“Regardless,” you shrugged, glancing at him again. “Thank you for your help. You didn’t have to do that and… Well, I appreciate it.” 

“Sure,” he said as your car came around the corner. You dropped your arms before turning to face him. 

“Looks like it’s you and me starting tomorrow,” you said. “I’m sure your boss will give you all the details but I don’t think I caught your name.” 

“Joel,” he said after a moment. “Miller.”

You smiled, a small, almost hesitant one, the slightest upturn of your lips. 

“Joel Miller,” you repeated back to him. “It’s nice to meet you, I’m…” 

“Don’t need to tell me your name,” he said. “Pretty sure everyone on Earth knows your name.” 

You laughed again in that same, humorless way as your car stopped beside you. 

“Yeah,” you said. “I suppose they do. See you tomorrow, Joel.” 

“See you tomorrow, ma’am.” 

He watched you pull cash out of your pocket and smile more broadly at valet who was damn near gawking at you. You discreetly handed him the money as you shook his hand and Joel stayed there in the alley until he couldn’t see your car any more. 

“Holy shit,” the valet said and Joel looked down at him. He had to be about 18 years old, still wet behind the ears. Probably had fucking posters of you up in his room that he jerked off to before he went to bed. He held up the cash. “She gave me 100 bucks!” 

Joel looked down at him, making sure to draw himself to his full height. 

“You gonna tell anyone we got her out this way?” He asked. The kid swallowed hard and shook his head. “Good.” 

Joel tried not to grind his teeth as he went back inside to find his brother. He wished it wasn’t too late to back out of this. You, he thought, were going to be far more than he’d bargained for. He just hoped he was ready for it.

***

“I’m not wearing this.” 

You sighed, pinching the bridge of your nose. 

“Seriously dude?” You asked, incredulous. “Can’t you wait like… two days before picking a fight?” 

“Have you seen this fucking thing?” Ellie’s eyebrows disappeared into her bangs as she held up the hem of the blue plaid skirt that, you had to admit, looked sickeningly unnatural on your 14-year-old niece. “You could put a whole circus up this thing! And how am I supposed to kick someone’s ass in a fucking skirt?” 

“First of all, language,” you said. She rolled her eyes. You ignored her. “Second of all, you shouldn’t be kicking anybody’s ass. Why are you starting your day thinking about ass kicking? You haven’t even met these kids yet, I highly doubt you’ll need to kick someone’s ass your first day.” 

“I’d like to be able to kick someone’s ass if I need to,” she said, incredulous. “Come on. You know this is insane.” 

You sighed as the doorbell rang and you checked your watch. 7 a.m. on the nose. Well, at least the man was prompt. 

“Fine,” you sighed. “Run upstairs, put on something else…” 

Ellie took off as Esmo, your household assistant, appeared next to you, Joel by her side. 

“Morning,” he said, voice gruff. You looked him over quickly, a side arm at his belt on a pair of jeans that fit him entirely too well. You doubted they were tailored, either, they just fit him like that, the bastard. Just your luck that you’d get stuck with a bodyguard who was unnaturally good looking but also an asshole. “Thought we could get started with…”

“Sorry, that won’t work, things are a bit off the rails this morning,” you said to him quickly, not giving him a chance to respond before turning to Esmo.

“Do you still have the name of the uniform store?” You asked her. “If you do, can you see if they’re open? I think we’re going to need to stop for pants…” 

“Yes ma’am,” she said, quickly pulling out her phone. “I’m so sorry, I didn’t think to get pants, the requirements were very clear…” 

“It’s not your fault,” you said quickly. Esmo had only been working for you for a few weeks and it felt like the two of you were still getting used to each other. She insisted on calling you ma’am. You insisted on doing too much for yourself. It was a delicate balance. “She’s just…” 

“OK,” Ellie came thundering down the stairs in the same sweater with a button down shirt and tie but jeans instead of the skirt. “Ready!” 

“Store opened at seven,” Esmo said, pocketing her phone. “I can take her and…” 

“I want to do it,” you cut her off, catching a glimpse of Joel’s shocked expression out of the corner of your eye as you looked back to your niece. “Alright trouble maker, ready to go?” 

“Fuck yeah.” 

“Girl,” you said. “Language, please!” 

She made a face but made her way to the front door, anyway, her thumbs looped through the straps of her book bag and you turned to Joel, still surprised at just how large he was, even after being against him the day before. 

“Assuming you’re along for the ride on this,” you said, jerking your head for the door. “But we gotta book it, with an extra stop we’re already not going to be early for her first day.” 

He still had a look of almost shock on his face but he followed behind you as you grabbed your keys and wristlet from the bowl by the door, Ellie bouncing impatiently from foot to foot. 

“If I didn’t know any better, I’d say you were excited,” you teased as you made you way to the Porsche SUV you’d gotten specifically to haul Ellie around. “Almost like you want to go to school instead of hanging out with me all day.” 

“Spending time with old people does get… well, old,” she smirked, heading for the passenger seat but you stopped her. 

“Absolutely not, you’re in back,” you said, jerking a thumb toward Joel - who still hadn’t spoken. “This man has a good foot on you, we’re not making him sit back there.” 

“Ugh, fine,” she huffed but obeyed, throwing her book bag against the opposite door before clambering in as Joel went for the driver’s seat, holding out his hand for the keys. You gave him a look but he just raised his brow, his arm still extended expectantly. 

“Please,” you scoffed. “I’ll let you follow me around like some guard dog but I’m keeping some last vestige of my autonomy. I’m driving.” 

He narrowed his eyes. 

“No.” 

“And why not?” You asked. “Because you have control issues?”

“Do you know evasive driving tactics?” He asked. “How to watch for pursuers and safely out run them?” 

“No, but I did my own stunt driving for the Fast Track franchise,” you said wryly. “Think I’ll be fine. Now move, you’re making us late.” 

He ground his teeth. 

“We’re talkin’ about this,” he muttered before stalking off to the passenger side of the car. 

“Yeah I bet we are,” you said under your breath as you got in the car and programmed the GPS for the uniform store. 

“So,” Ellie said in a teasing tone as she leaned between the front seats as you started off. “Who are you?”

“Put on your seatbelt,” he said. 

She rolled her eyes but sat back and obeyed.

“This is Joel,” you answered for him. “He’s going to be around quite a bit.” 

“Is he like another assistant or some shit?” She asked. 

“Language,” you said and you caught a glimpse of her rolling her eyes in your rearview mirror. “And no, not an assistant.” 

“Ohhhh,” she smirked. “So he’s like a boyfriend then, got it…” 

Joel rolled his eyes. 

“I’m a bodyguard,” he said. “I’ll be protecting your…” 

“Bodyguard?” Ellie interrupted and leaned forward again, frowning. “Why do you need a bodyguard? You didn’t have one of those in LA, what the fuck?” 

“I have a bodyguard because you can’t go five minutes without saying fuck,” you said wryly. “My life is under constant threat because of…” 

“Please,” Ellie rolled her eyes. “You have a worse mouth than I do. But seriously, why do you need a bodyguard? Is something going on?” 

You saw Joel moving to talk but you spoke before he had a chance to. 

“This is just a different place than LA,” you said quickly. “People here aren’t used to people like me just showing up in grocery stores and stuff. It can get out of hand quick so the studio wanted me to have Joel around. It’s just a precaution.” 

She seemed skeptical but was satisfied enough by the bullshit explanation you’d just given her that she sat back, pulling a Savage Starlight comic book from her book bag and you smiled a little. A lot might have changed in the last few months but at least Ellie was still Ellie. 

You made it to the uniform store and told the woman inside - who was seemingly trying not to gape at you but was failing miserably - what you were looking for. She grabbed a few pairs of uniform pants in different sizes before leading Ellie to the fitting rooms and you hung back, waiting for her to change with Joel by your side. He stood facing you, eyes constantly sweeping the store as though this strip mall just outside Austin were a war zone. 

“No one told me you had a kid,” he said eventually. 

You smiled, sadly. 

“Yeah, well,” you said. “I have a kid. That’s a pretty new development, though.” 

That made him pause, his eyebrows drawing together as he looked to you. 

“I adopted her,” you said. “A few months ago. Her mom was a single parent and like a sister to me. When she got cancer, the first thing she asked me was to take Ellie if… I told her that she was nuts, that she’d be around forever and she wouldn’t need me to do anything for Ellie besides take her to Europe for a cool aunt vacation when she turned 18 but… well, now I have a kid.” 

“I…” His voice trailed off. “Shit. I’m sorry.”  

You shrugged. 

“It is what it is, I guess,” you said. “She’s why I’m here. Things in LA… I’ve always been in her life. I was the second person to ever hold her. But I’ve always kept the paparazzi far away from her, I’ve made sure she has privacy and that she was as sheltered from that part of my life as she could be. I want to settle into this with some version of normal, one that isn’t possible when I’m in LA. And you, Joel, are throwing quite a wrench into that.” 

“Oh this is so much better,” Ellie threw the door to the changing room open with a flourish, in a pair of blue pants that perfectly matched the blue of the sweater. “Not as good as jeans but better than that stupid freaking skirt.” 

“Alright,” you said. “We’ll take five of those and then we have to get you to school because there’s no point in loading you up on uniforms just to have you miss your first day, let’s go.” 

You weren’t as early as you wanted to be - you’d been hoping to have a chance to meet Ellie’s teachers before the day started but that plan was shot - but at least kids were still arriving. You grabbed a baseball cap from your glove box, Joel stiffening as you reached between his legs to open it and you resisted the urge to smirk at that. As though you’d be trying to come onto him at all let alone with your niece in the car. 

Hat on so you were somewhat disguised, you walked with Ellie and Joel to the front of the stone building, one that had clearly taken inspiration from the ivy league schools the kids who went here were all but destined to attend. A gray haired woman in a charcoal pantsuit rushed out to greet you, an almost stern look on her face. 

“Welcome to Austin Preparatory Academy,” she extended her hand. “I’m Amanda Stark, headmistress here.” 

“Good to meet you,” you said, taking her hand, feeling Joel standing oddly close to your back. “This is Ellie, she’s looking forward to starting here today and…” 

“We’re looking forward to having her,” she smiled a little at Ellie before redirecting her attention to you. “But I’m afraid there’s been some… ah… miscommunication about the uniform. Girls are required to wear skirts. I’m sure we have…” 

“No miscommunication,” you smiled a little, steeling your spine. From the moment you’d caved to Ellie, you knew this was coming. But you’d been prepared to fight far bigger battles over this kid, this wasn’t going to be any different. “Ellie just prefers to wear pants. It wasn’t a problem at her last school, I’m sure it won’t be a problem here.” 

Ellie stuck her chin out, smirking a little and defiant as ever and you resisted the urge to elbow her. She could at least act like she wasn’t going to get her way. 

“But it is,” the headmistress said. “The uniform code here has been this way for decades and…” 

“And I’m sure you’re not suggesting that just because something has been done one way that it should continue to be done that way at the expense of students’ comfort and learning experience,” you finished for her, smiling tightly.

“We have expectations for our students,” she said, her jaw clenched. “Just like they will have one day to be successful in life, and…” 

“And you’re wearing pants,” you nodded to her suit. “And so am I. Of course, if you’re suggesting that neither of us is successful then…” 

“No, no of course not, that’s not…” 

“Wonderful!” You said brightly. “I’m glad that’s settled. I’m sure Ellie won’t cause any disruption wearing the uniform pants and now I won’t need to spend my day contacting every major news network here in Austin and asking them to come here and chat with me about your archaic gender rules and expectations. Sound good?” 

You watched her grind her teeth for a moment. 

“Of course,” she said after a moment of silence hanging in the air. “But we are close to the start of the school day and…” 

“Yes, I don’t want to be a distraction,” you smiled before turning to Ellie, tucking a hair that had already broken free of her ponytail behind her ear. “Alright kid, behave yourself, OK?” 

“Yes Sissy,” she rolled her eyes. Your heart still tightened a little when she called you that. She sounded so much like her mother, Anna. You loved that Ellie called you the same thing her mother had but still, it stung.

“I’ll be back to pick you up,” you said, putting your hands on her shoulders. “Have a good first day, OK?” 

“Oh I will,” she said and you watched her head into the building with the headmistress at her side until you couldn’t see her anymore. 

“OK, she’s dropped,” Joel said, his voice tight. “Let’s move, this place isn’t secured.” 

“Well that sure seems like a gap in security, doesn’t it?” You said, brows raised. 

“One I would have fixed if anyone had bothered to tell me you had a damn kid,” he practically growled. 

“Probably a bad idea for your boss to not have insisted on bringing me into the conversation then, wasn’t it?” 

He looked at you, his face hard. 

“Keys.” He held out his hand.

You laughed once. 

“Keys?” You said. “Really? Just ‘keys,’” you grunted it like he did, “that’s it?”

“Your kid is inside,” he said, hand still out. “Don’t have her to use an excuse now so, keys.” 

You looked at him for a moment, the firm set of his jaw, the flecks of gray just starting in at his temples. He was a good looking man, tall and broad with a rugged look to him. He’d make a good cowboy in a western, you thought, or maybe a hardened detective. But protecting someone like you seemed out of place for him. Beneath him a little, almost like he was a sell out.

“No,” you said simply, ducking around him and heading for the car. 

He followed closely behind you, even his footfalls gruff and angry. You sped up a little but he stepped in front of you, anyway, his oddly large body blocking your door. He opened his mouth - probably to try to order you around again - but you cut him off before he had the chance. 

“I’m not letting you drive,” you said. “It doesn’t matter what you do or what you say. If you want to drive, you’re going to have to pick me up and move me so, if you want to get out of here quickly and without causing a scene, you’ll get in the passenger seat and we can go.” 

For half a moment, you thought he might actually throw you over his shoulder. Instead, he just grunted and stalked around to the other side of the car, ripping the door open roughly. You pressed your lips together, trying not to laugh. All this pretense over some stupid letters from some over zealous fan. 

You got in the car and dropped the keys in Joel’s lap. He frowned, picking them up. 

“You want to have the keys so bad? Fine.” You pushed the button and the car roared to life. “I’ve got them right where I want them.” 

“You gotta come to terms with how this shit is going to work,” he said sharply. “You can’t just do whatever the hell it is you feel like. I get that you’re some spoiled fuckin’ actress who only ever does exactly what she wants whenever she wants but I got news for you, I don’t give a shit how many movies you’ve been in or awards you’ve won. I care about keeping your ass alive and to do that, you gotta listen to me. I ain’t one of those fuckin’ ass kissers you spend all your time with so we can do this the hard way or the easy way but either way, it’s gonna be my fuckin’ way. Understood?” 

You watched him for a moment, your tongue between your teeth to keep from snapping at him. It was something you were used to, something you’d been doing since you were a girl, always shutting up while the people who were more powerful than you - people you’d made fucking rich - made every decision for you. 

That was one thing on set and in your career and even for posed fucking paparazzi shots but not in your real life. 

“I need coffee,” you said, putting the car in drive. “Coffee?” 

“I’m sure you got people who can do that for you,” he said, his jaw clenched. 

“Yes, but where’s the fun in that?” You smirked before nodding down to his wrist. “Oh, also? Your watch is broken.” 

You pressed the gas harder than you should have, the car jumping sharply forward, wondering just how far you could push your new shadow before he backed out.

Next Chapter

A/N: OK I'm already in love with writing how these two push each other's buttons. Annoying Joel Miller is my passion, I can't wait to drive this man absolutely insane over the arc of this fic.

Thank you so much for being patient as I wrapped up Yearling and went on vacation! I'm hoping to update this once a week going forward so you won't need to wait quite so long between chapters from here on out. I hope you enjoyed getting to know these two a little better!

Taglist: @christinamadsen @eff4freddie @brittmb115 @copperhalfcent @r3dheadedwitch @pedropascalsbbg @lovelyjess69 @yopossum @moel-jiller @picketniffler

[darqx]

Hi I understand if you don't reply, but I was wondering if you have any advice to beginners who want to start making their ocs a reality? (Like in the sense of having Charecters that have been in your thoughts for a while, but it's hard to encapsulate them into physical form?) As I have some that id like to make either into a game or comic but I'm a little stuck..

Also I'm curious if there will be any other content with the best boy himself rire?? : 0

Hullo! Ah, (physically) designing characters, how fun ❤️ - there is part of a reason why I only have a handful of them lol XD; ANYWAY here are three things that help me, so hopefully they can help you as well :)

(I'll use Demon!Rire as an example as unless you are an old guard of mine, he will probably be the most recognisable of my characs.)

--------------

❓What do you know about them?

First of all since you already have your character in mind, congratulations you are most of the way there already! It's helpful to know the general vibe of them. And I don't mean the super detailed things that may arise from like..."Get to know your OC" quizzes - we are more looking for the core feeling of a character here. If you dumped this character into different AUs what things are going to stay the same/similar? Some things you should consider are:

What is their personality like? Why do they do the things they do?

Do I already have any physical traits for them in mind? Hair/eye/skin colour? Body type? Age? Name??

📝 Write a simple paragraph or some dot points about your character with these things in mind.

---EXAMPLE---

Sophisticated and charming, Rire outputs an aura of power and elegance. His pleasing physical appearance and gentlemanly demeanour usually enchants or commands people. Realistically, he is extremely manipulative and sadistic, and finds entertainment in the reactions of others.

---/EXAMPLE---

🤔 Make informed choices

Ok cool, you know something about your charac! Now build upon what you know to make them real - it is important here to try and match your design choices with the characterisation and "why"s of the character, and less with what you personally think will be cool/cute/whatever. What I mean by this is just pretend they are a person you are describing to a forensic sketch artist - you are giving "facts" as to what you think they look like not making stuff up (eg you would NOT be like "oh yeh she was totally a punk rocker however i'm going to say she wore a long flowing gown cos I think she'd look prettier in it?"*)

*Note that designing a character with opposites in mind can work out if you can at least answer the cursory "why" of it being a part of the character design. For eg maybe the punk rocker is secretly the alter ego of a socialite - flowing gowns and high fashion by day, grunge by night. Like Batman.

📝 Feel free to use dress up doll games and image searches for particular types of clothes/hairstyles/etc if you need inspiration. Thumbnail a bunch of different designs and see what works.

---EXAMPLE---

In my prev example paragraph I highlighted a few things in red. Here I'll break down how they can help craft a physical appearance:

Sophisticated and charming / elegance - to me, these combined make me think of ballrooms and black tie functions and nice suits. A well tailored outfit and someone who knows how to wear them.

Gentlemanly demeanour (well to some degree lol) - since I already know he's hundreds of years old (973 to be exact) I decided that an aristocratic Victorian-esque aesthetic would suit him. Somewhere in between a modern look and something with a bit more fantasy steampunk flair. He smiles quite genially until he's doing it with all his teeth.

Aura of power - he's got to be a bit of an imposing character so he's quite tall (or at least taller than all of my other characs) and carries himself confidently. Hooray for the ability to loom. Dark colours for this character, to cut an impressive figure.

Pleasing physical appearance - kinda stereotypical type of good looks that aesthetically most people would be like "yeh he's pretty". Athletic build - muscular but not bulky, broad shoulders, tapered waist etc etc.

Extremely manipulative - first of all, he looks rather human, for a demon - his entire species is designed very particularly like that. Then there's the sunglasses. The "why" [does he wear them] is they function to hide his eyes (one of the main parts of him that give away his demon-ness), but also as a bit of a red flag to the audience that something isn't quite right with him. I mean, look past his charm and he wears them all the time. The black and yellow colour scheme also ties in as warning colours ⚠️

Put them all together and this was one of my first sketches of Demon!Rire.

*Note that I already more or less knew how he looked other than his outfit; you will probably have a lot more sketch duds as you figure out what your character looks like.

---/EXAMPLE---

🔐 Don't lock yourself in

Despite the fact I've just said "pretend your character is a person", remember you're still their creator so obviously you have final say over them. Sometimes you'll find that they grow and change from what you initially thought of them (or you just evolve in how you draw them). Don't be afraid to make the tweaks and changes that enhance these - whether they be physical or core characteristics - and you'll get closer to the true character you always had in mind.

---EXAMPLE--

I now draw Rire with a more pronounced V-shape, longer, wavier hair, and somehow he ended up with way more pronounced eyelashes than I usually draw on my male characs. Which works out quite well considering how I tend to draw his eyes. Anyway the point of this is that these things developed over time as I kept drawing him.

---/EXAMPLE---

🍀 Try it out with your own characs! Have fun and don't force yourself to try and get it "right" on the first go.

[linisiane]

The Self-Aware Player of Harry Du Bois

It's fascinating to me to think about how satire is used as the 'touch grass' or 'be fucking for real' genre. Oftentimes it's making fun of tropes/conventions by humorously contrasting them with reality, which is exactly what Disco Elysium is doing with the RPG!

It goes hand in hand with the idea of RPGs as escapist power fantasy. RPGs are often thought of as the ultimate self-insert fantasy by its detractors or worst players, ahem looking at all those DND horror stories about entitled mangsty murderhobos.

One of the most infamous criticisms of Disco Elysium is its lackluster combat.

ID A screenshot of a random forum discussion post by dungeon master Zed Duke of Banville. It reads: "Disco Elysium has neither combat nor exploration, and therefore is missing two of the three fundamental components (or sets of components) that define the RPG genre." End ID

The game has essentially bordered off your ability to make Harry into a power fantasy murderhobo because you just are physically unable to equip an longsword or cuisse to murder your average citizen on the street of Martinaise.

But even on a less mangsty level, it subverts a lot of the basic expectations of RPGs.

Like the encounter with the racist lorry driver! You never get the ability or quest to change his mind, you only choose how you react to him.

Where other RPGs might let you act as the white savior or the white knight of chivalric romance, no questions asked, you're changing the minds of everybody who's wrong so we can all get along, Disco Elysium really makes you confront your ability to whiteknight, makes you confront if whiteknighting is even helpful, and why you wanted to whiteknight in the first place.

It’s part of the fun/humor experience of Disco Elysium that you at first expect to solve the world’s problems with a couple quests and lines of ‘good’ dialogue and then get socked in the faced with the fact that yeah, you can’t do much, you’re one person, what did you expect, asshole? Cuno doesn't fucking care!

By subverting our RPG expectations, it forces us to become more aware that these expectations even exist and how they fall short of reality. Yet, despite this subversion, the world of Disco Elysium feels so much realer to us.

ID a screenshot of Disco Elysium dialogue YOU - "Don't call it a dump, you've made it nice and cosy here." NOVELTY DICEMAKER - "Yeah." She stares out of the window, not really hearing your words. "Or maybe it's the entire world that's cursed? It's such a precarious place. Nothing ever works out the way you wanted." "That's why people like role-playing games. You can be whoever you want to be. You can try again. Still, there's something inherently violent even about dice rolls." "It's like every time you cast a die, something disappears. Some alternative ending, or an entirely different world...." She picks up a pair of dice from the table and examines them under the light. End ID

Like, Neha is highlighting this little meta element of how you can stack your Harry in any RPG to pursue a certain ending or situation, but the actual outcome is still influenced by a dice roll out of your control.

A lot of the satirical humor in Disco Elysium comes from the absurdity that you can do everything right or everything wrong, and the dice can still fuck it up or save it for you—not just for things like high-fantasy attacks, but mundane things like remembering your name.

The dice are, at their core, about how RPGs aren't just for the control fantasy, of winning high-fantasy battles, but also can represent life as it is, mundane and uncontrollable.

Similarly, Harry is clearly written—complete with all the 'lore' that this would entail—to couch his RPG protagonist nature in the real.

If RPG characters are blank slates? Let's give ours amnesia! Need fast travel?! Kim teases the 41st Precinct for constantly running everywhere by calling it the Jamrock Shuffle. He needs to have deep and intimate conversations with everyone, even when they're strangers? Yeah, that's so weird we gave him the name 'Human Can-Opener,' and everybody remarks on his uncanny manipulation skills.

It's commenting on difference between controlling an RPG avatar and navigating in a human body.

As Kurvits said: “In reality we do not have control, or complete control, of our minds. Just like our body, it is something that we give-not even commands wishes to, and we hope it's gonna do it. We hope it's not gonna break down, we hope it's not gonna rebel against us.”

In one type of RPG fantasy, we don't even question our total control and even assume the joy is from the control.

But in Disco Elysium, we lack control and find joy in it anyway. That is the fun of the game making us, the players, 'self-aware' about its RPG elements, and it especially resonates with anybody not able-bodied, anybody neurodivergent.

[aria-ashryver]

I have to ask, how did you edit your plus sized MCs? (I imagine my ID MC Mary to have a similar body type to that but slightly smaller)

I love it because I have been waiting a plus size protagonist in Choices and I'm been starving!

Ooh so the software I used to make these plus-sized edits is called Krita, which is open source and free to download for PC!

You also don't need to use Krita if you just want to try your hand at basic edits like changing a sprites clothes - you can stack up layers of Choices assets in something like Canva online.

There are plenty of amazing people who make Choices assets available -- @farizrz and @cassiopeiacorvus are my usual go-tos (thank you again for your hard work!)

You just download the images you need, and assemble your layers like so:

Hair - Front

Face

Accessories

Clothing

Body

Hair - Back

I'll ramble more under the cut about some of the specifics 💖 (Sprites in their underwear below!)

Spoilers: I made an edit of Mary for you ssdfklj

Let me preface this with: idk what I'm doing. I'm self taught, still learning, and I don't have an art background, so others can probably do a much better job than me, but here's my attempt at this stuff!

So, to start, we want to grab the bits that we'll need - the base "Student" body type, your MC face from Immortal Desires, and the new sprite we want to edit - in this case, its Dee/Maia's body from Getaway Girls

Then, you can begin by looking at the colour palettes of both sprites to see what you are working with - I used the eyedropper tool a few times to get an idea of the various colours used in the highlights, base colours, shadows, undertones, etc of these sprites. You can see the ID sprite seems a little lighter, cooler, and less saturated overall.

From here its a case of making a new group and adding various layers to it to achieve the effect you want through a combination of "Colour", "Screen" and "Multiply" layers, as well as using the "HSV Adjustment" and "Colour Adjustment Curves" tools.

Each skin tone is going to be a case by case thing -- some will want more reds in the shadows, or some will need parts of a multiply layer erased bc it's losing emphasis on highlighted areas, etc.

I recommend clicking this little symbol (I think its a clipping symbol? Again, I'm just learning this all by trial and error) to essentially keep you from drawing outside the lines.

And then its just lots of minute adjustments! Here is a comparison of the edited body with the original "Student" counterpart. The physical manipulations were done with the "Liquify", "Warp", and "Perspective" tools. (Unfortunately, the more you (well... I lol) edit things, the more detail gets lost and blurry, so you can see things like her hands are beginning to lose detail.)

And then once you've made all your adjustments, you get something like this!! Here is a comparison between the original "Student" body type, one of my own MCs, and Mary, whose new body type is somewhere in between the two (hopefully) like you wanted!

Throw on a sleeveless version of one of the outfits from ID2, and some hair, and you're done! (Here are some transparents of our beloved Mary for you ft. some of the ID hair options, plus one that made me think of the photo you used in her "Meet My MC" profile ✨💛

Hope they turned out okay! Thank you for the ask lovely, I hope you are having a great day!

[autisticbokutoenthusiast]

ray's house headcannons

so i've been making nonstop theories about the layout of ray's house/mansion since episode 2 but thought id write them down. (i know that they probably didn't mean for the set to be taken literally but im bored and have time today so im gonna pick its appearances apart) I am taking all of whats presented to us literally because i think it'll be fun!

The Bar Room

i really didnt have a better way of referring to it so Bar Room it is. Now, i am starting with this since it is in the chunk of the house i consider to be "Ray's Rooms" at the time the show takes place (more on that later). This room is really only significant in two scenes:

The first time Sand goes home with Ray

Ray finding his mom's body

We see this room first in ep 2 2/4 when Ray pays Sand to come home with him and be his drinking buddy.

the above angles are important to me for introducing three things: the bar stools, the lamp, and the curtains

now we have this shot and followers who remember this post already know but i believe this is a framed photo of his mom on top of the liquor cabinet.

(side note: Im like 99% sure the print on top of the counter is of the Brooklyn Bridge, in Brooklyn NY so shoutout to Boston)

anyway the next time we see the Bar Room is in part 4/4 of the episode in a flashback.

based on what we see in the flashback i believe this to be the same room since you can see very similar details to what we see in part 2 of the episode. i also think this confirms that the Bar Room is indeed the entrance to Ray's Rooms (which i will scream about later)

The Record Room

next up is the Record Room, which also makes its first appearance in episode 2 and then also plays a significant role in episode 7 2/4

first I'd like to establish that 1. the Bar Room leads directly to the Record Room, but also that passageway leads to Ray's Bedroom.

the Record Room itself is pretty self explainatory, its a room designed to be a place to listen to the record player. as seen in the shelves of records and the wall prints of records.

things i found interesting: there are 3 more doors (one not pictured in the above photos) in this room that lead to unknown places, there seems to be another balcony, and also there truly are a bunch of records.

Ray's Bedroom

It is first seen in episode 3 1/4, again in ep 4 1/4 and 4/4 and then ep 7 2/4

in these photos we see a door on each side of the bed, a balcony on the left side, the same wallpaper that is in the Record Room, a coat rack for his button ups, and then also a few books whose titles i dont know. Also it lowkey looks like Ray is using 3 thick/firm pillows, i love my little prince. I highlighted this in the last photo but it looked a bit like the door to the left of the bed was a bit open, I personally believe these doors to be closets, I think it makes sense and I highly doubt he only owns button downs.

Mew's Mad Dash

I've saved these photos for their own section, but I think this moment is important for two things:

Confirming the layout of Ray's Rooms

Why he is going to different doors

The first shot we get is of a reflection of the lamp that sits in the corner of the Bar Room

pictured above: Mew enters through the Bar Room and into the Record Room

(i told you there were 3 doors) Mew's confusion at the doors leads me to three different theories:

He's never been here before and doesn't know his way around

He's been here before but forgot how to get to Ray's bedroom/ generally just doesn't know where Ray could be

He's been here before but entered through one of the three other doors in the Record Room

Here we see Mew enter a hallway that leads to the bathroom. important things: the door is open (i believe all the doors get closed by the people who work there until they are opened and left that way by Ray), Mew is facing away from the bathroom while looking for Ray, which implies there is something in front of him (i believe this to be the Bedroom), there is a mirror on a surface with a handle- I think this is the bathroom door left open, like the other door mentioned above, which reminds me of the glimpse we see of Ray's mother's body in a room where the doors seem to be open (idk what I mean by this besides just the sight of their bodies being found in the open, especially because of the vulnerable position his mom was in, does something to me, espeically especially because he is in the open but curled in on himself)

The Downstairs

We get limited glimpses of other parts of the house in ep 10

based on that first image and other ones i think that the circular railing we see in ray's ep 2 flashback is either very end of these stairs, or further down a circular hallway that overlooks the downstairs. Alternatively this could be a seperate stair case/area entirely.

i personally dont think this counter we see in the dining area is a kitchen, i think its too small compared to a size i'd expect based on what we see of the rest of the house and i don't really see aplliances. i would however see this as a contender for a second bar- like hear me out the cabinets are displaying fancy plates yes but on the counter itself are decanters and crystal glasses, it also the only time we see Ray outside of Ray's Rooms, and i think its because his Bar Room was recently emptied of its supply so he had to come to the other one. also im kinda obsessed with the massive tv in the dining room like majority of seats are at a bad angle to see it, this is the kind of set up they use in like meeting rooms. also there looks to be another chandelier in the room next to the tv.

The Outside

we really only get two shots of the Outside.

an interesting detail about this balcony is that, if we assume its the one in the Bed Room and not the one in the Record room, then the windows next to it probably belong to the Bar Room, which I assume has windows there unless the curtains were just decoration.

combing through behind the scenes footage confirms that 1. both sides of Ray's Bedroom have a balcony and 2. the Bar Room does lead to the Music Room which has the doors to Ray's Bedroom

Why I've said all this.

My personal headcannons based on these details is that

What we know as Ray's Rooms, orginally were his mom's. I personally cannot see having a big ass mansion and then deciding the perfect place for your kids bedroom is next to the Bar Room, but also, the Bar Room being where his mom dies and also the Record Room containing her personal collection makes me think that this is where she spent her time. I'd even say the Bed Room could have been hers as well.

I think it could be possible that the mystery doors in the Music Room and Bed Room are way's to get from Ray's Rooms from other parts of the house but because of how the Bar Room attaches to the hallway that leads to the main stairs I will assume Ray typically enters through the Bar Room as we saw him do with Sand in episode 2 and as Mew did in episode 4.

based on my above point I AM ALMOST CERTAIN THAT EVERYTIME RAY COMES HOME AND GOES TO HIS ROOM TO GET CHANGED OR GO TO BED HIS HAS TO PASS THE SPOT WHERE HE FOUND HIS MOTHERS BODY.

as I said earlier I think its likely the mystery doors in the Bed Room are closets, and I'd say something similar for the Record Room. In terms of the Bed Room I think one door leads to a big closet and the other leads to a room with a vanity/ place to get ready type thing. In the Record Room however, based on the only times i've been in big houses have been famous big houses turned into museums, one of those doors might be one used by the staff to get around the house (i think it would be fun for there to be secret hallways please let me have this). It could also be interesting if one led to another room that we haven't seen. What that room would be, I don't know I don't live in a mansion

actually what if there is a game room and you can get to from the Record Room but whose main entrance is somewhere else

Also, I said i think these used to be Ray's mom's rooms and i stand by that- I think she wanted a place to retreat to seperate from the other people in the house that it doesn't seem she chose to make a family with, I also think Ray takes over the rooms after she dies- not immidiately but maybe a few years after

I think Ray and his mom both leave all doors open and all lights on, in an attempt to make the house seem lived in and inviting- but the staff who work there are instructed to close everything up as they clean (i don't really know how cleaning staff in a place this big work tho tbh)

i think there is a seperate kitchen where they have they're own chef, i do not think Ray has cooked anything in his life ever

i think when Ray was born they lived in the house that becomes the hostel and when he's a young child they move into this house

i think Ray subconsiously took over the part of the house that is a living reminder of his mothers ghost as a form of self punishment and i think it is a necessary step in his healing to move out of those rooms but i think it takes him a while to get there

yeah thats all i have as of now, just wanted put down my thoughts

[anxresi]

…Thomas Astruc really is a nasty piece of work, isn’t he?

This post is about how he reacts to criticism online, and what motivates him to reply.

Not to mention, a shout-out to his ‘defenders’ who somehow think they owe the man a lifelong debt of gratitude.

Don’t worry, I’m sure he’s more than ably been compensated for producing the idea that led to this behemoth of a show (before he ran it down to the ground, that is).

So he finally admits it… he’s writing at the level of a 5 year old. The truth outs at last!

Here’s another one…

How would we get the idea you ‘hate’ Chloe?

You mean like: engaging in the most heinous character assassination I’ve EVER seen regarding her development over S4-5, giving us the waste-of-bland-space Zoe who everyone in the in-show universe constantly praises to further spite her fans and responding to almost EVERY individual who criticizes your treatment of her online, while ignoring most other messages?

Hmm, I wonder where we could’ve got the impression from you don’t like her very much… 🤔

It’s got to the stage now where he reacts so aggressively and urgently to anyone who produces the slight WHIFF of criticism, that it makes me think he has something to hide. Like for example, directly interfering in her character arc?

Anyway, he does that classic thing every bad liar does… Deny everything, then get so abusive with their angry response to try and frighten the poor OP into never raising the issue ever again.

He doesn’t have to even reply to anyone, but when he does it always seems to be the ‘haterz’ he engages with than the devotees who grovel at his feet. Almost like he enjoys the confrontations. Very strange.

Oh, but don’t worry. All those young fans he ignores still turn up to ‘defend’ this grown-ass 46 year old man from the vicious assault of a couple of teens rightfully asking questions of his terrible writing. decisions. NEWSFLASH: he’s not gonna give you mindless sycophants a job, you know. Sorry to be the bearer of bad news.

In fact, all these ‘brave’ internet white knights defending him on Twitter… you do realize you massively outnumber the Chloe fans, don’t you?

It was a personal choice Thomas made to highlight the only two negative questions he got about her that day to his hundreds of thousands of followers, as if to make out this kind of ‘trolling’ is commonplace.

It’s not, and picking on the couple of Chloe fans willing to speak up ain’t an ‘honorable’ thing. He couldn’t give a hoot about you in reality, you’re just interchangeable tools in his ginormous ego trap.

Hope you enjoy the taste of his boots. Wise up, and see him for what he is, would be my genuine advice.

P.S The other topic that seems to heavily occupy him judging by his posts is the ‘Climate Emergency’ which of course very important and explains the ‘New World’ we see after Gabriel’s wish we see at the end of S5.

Personally, I think they laid it on a bit thick with the whole ‘let’s get rid of all cars, no litter anywhere, waterways and trees everywhere you look, no more teachers at school so set your own lessons’ message, but whatever.

My point is, I bet he lives a jet-setting lifestyle where he travels around the world a lot, in terms of income he’s gotta be in the top 10% bracket and I can’t seem to find anything online about him being a vegetarian or inviting homeless people to stay at the mansion he doubt calls his place of residence.

So could it be… this ‘progressive’ outlook is another attempt by a middle-aged man to ‘get down wiv da kids’ from someone who’s willing to talk the talk but not make any concrete sacrifices in his own privileged life that might help halt environmental decline? Id wager he uses a lot more resources than the average person he lectures to, so what is he doing himself to prevent ‘global Armageddon’?

From the available evidence, not a lot. Could it be… he’s an attention-seeking self-congratulatory sanctimonious hypocrite who’s life ethos is ‘Do as I say, but not as I do’?

Probably.

[solarpunkaestheticweek]

Other Events During Solarpunk Aesthetic Week - Event 3 Edition

It may be Solarpunk Aesthetic Week, but we're not gonna just assume we're the only thing going on! So let's highlight a few other things that are happening this week, so they can maybe inspire some of what you do for Solarpunk Aesthetic Week!

Pollinator Week 2023 actually takes place June 17th - 23th just like our event!

"Pollinator Week is an annual celebration in support of pollinator health that was initiated and is managed by Pollinator Partnership. It is a time to raise awareness for pollinators and spread the word about what we can do to protect them. The great thing about Pollinator Week is that you can celebrate and get involved any way you like! Popular events include planting for pollinators, hosting garden tours, participating in online bee and butterfly ID workshops, and so much more."

Feel free to check their site here to learn more! Maybe make some pollinator-inspired art and take some biodiversity-boosting actions to celebrate!

Juneteenth/Juneteenth National Independence Day is a federal holiday in the United States commemorating the emancipation of enslaved African Americans, celebrated on the anniversary of an order proclaiming freedom for slaves in Texas on June 19th 1865 (two and a half years after the Emancipation Proclamation was issued). You may see and hear of public readings, street fairs, cookouts, parades, and more celebrating this event in the US--especially since it was officially declared a federal holiday in 2021, meaning its an official day off from school and work for many people now.

Always, but especially on this day, consider the important role and contributions of African Americans and other Black groups have had and will continue to have on history, punk spaces, and the present and future of Solarpunk!

Summer Solstice is June 20th in the Northern Hemisphere, marking the official beginning of the summer season! This day symbolizes the zenith of the sun's position in the sky, and the longest day of the year.

We're called Solarpunks for a reason! And coinciding with this date was totally purposeful on our parts. Let the sun inspire your works--whether it be thinking up solar panel concepts, painting a sunny meadow scene, or just imbuing your work with the bright and blazing energy of our brightest star, go forth and create!

Winter Solstice is also June 20th in the Southern Hemisphere, marking the official beginning of the winter season! This day symbolizes the death and subsequent rebirth of the sun, and is the shortest day and longest night of the year.

When we visualize Solarpunk, we tend to think of bright and sunny spring and summer days, with lush green growth all around. But what would Solarpunk look like in the fall and winter? Let's start talking about it, changing up our color palettes and creating! And if it's wintertime for you right now, tell us about how you're solarpunking even in the colder months!

June 23rd is the last day of Solarpunk Aesthetic Week this summer, and it's also World Music Day, also known as Fête de la Musique! World Music Day celebrates the universal language of music. This day originated in France in 1982, aiming to encourage both amateur and professional musicians to showcase their talents in public spaces, while also providing free access to concerts and performances for the public. This observance promotes the importance of music in society and celebrates its cultural diversity.

Music often plays a major role in people's lives today, and I see it being no different in a Solarpunk future. Whether you're writing up song lyrics or making chill beats, or listening and contributing to our various collaborative Solarpunk playlists, or anything music related--let's take a moment to consider the power of music to spread messages and hope!

Is there more we're forgetting? Want to share the way you celebrate a particular event? Sound off and let us know--we'd love to hear about other related events and how you celebrate them!

[klaineadvent]

Hello Everyone!

This is a long one, so apologies in advance! 

You may notice the Klaine Advent looking a little different this year! As noted in an earlier post, we’re rebranding to the December Klaine Fanworks Challenge!

There are a handful of reasons we’re doing this, but hopefully this little refresh will get people excited about participating all the way to the end. For consistency this year this event will remain attached to the Klaine Advent blog, and we’ll determine after the event whether we need to change that in the future.

So, how are things changing? 

There will be still be a daily word (yay!), these are chosen via a random word generator, and are NOT themed in any way. These words will post on this blog every day around 6 am Eastern Standard TIme.

That said! Since it is December, and Glee comes with a Christmas episode every year, and Klaine do have a Christmas duet tradition (more years than not anyway…) we will also be posting a weekly theme! These will be holiday flavored, and we are kicking off this inaugural event with the theme of Christmas Songs. Each weekly themed post will highlight a different song and some selected lyrics.

On to the details!

The Dates. December 1 - December 21 

The Words. Every day around 6am, US Eastern Standard Time, a fresh new word will pop out of the queue. This year the words are not alphabetical, and were chosen by a random word generator. The wonderful @caramelcoffeeaddict did all of the artwork again this year!

How to participate. Anyone can contribute, no need to sign up! There will be a single word prompt post each day for 21 days (December 1-21), and a holiday themed post every Friday beginning December 1, with the final themed post dropping December 22. You can write a drabble (or a sentence or a novel, if you like), create an art piece, make fresh gifs based on the prompt - whatever inspires you! This year the tag will be: “december klaine challenge 2023” and please tag with the word of the day so volunteers can ID the posts they need to reblog (please please please make sure all of your contributions are tagged so we can find them!). 

Contribute however works best for you. You can do something every day, every 4th day, once a week, altogether at the end, whatever works for you and your schedule. Use all the prompts or pick and choose what speaks to you. Set your own challenges. The only requirements for the Challenge are that it be Klaine centered, and that it references or uses one the word (or theme) prompt in some way.

Volunteers will be reblogging fics to the @todaydreambelieversfic blog, so you can always go scroll the blog to find the latest entries.  Of course everyone (especially the authors!) would be delighted if people reblogged to their own blog - the more people who reblog something the wider the potential viewing audience. We want to encourage everyone to reblog as many fics as they like all throughout the month!!

Partnership. This year again we’ll be partnering with @todaydreambelieversfic.  Authors and other creators for Klaine Advent who would like an additional place to promote their works are welcome to join as members. Just send a private message to @todaydreambelieversfic with your email address and they’ll add you to the blog membership.

Archive of Our Own. We have created a collection on AO3 for those people who don’t post to tumblr, and where those folks who do post to tumblr can share their advent works if you like! The collection will be up this weekend and I'll make another post when that's rolling.

Want to Volunteer? We can always use people to help with the daily reblogs!  If you can spare one or two days please signup here!! 

“But what if I don’t write or make art and don’t have time to volunteer?”  You are the most important person in the Advent!! Read the fics, look at the art, let the authors and artists know how much you appreciate their work by reblogging and commenting and liking and all those things creators like. Nothing helps a writer or artist losing steam get motivated more than a nice comment from someone. 

I think that covers everything, so if you have any questions or there’s something that’s not clear, please ask! 

Happy Writing!!

@slayediest

[babiebom]

Ranking Nerdy Prudes Must Die songs

A/N: because I need something to post and I’ve been obsessed since the musical came out. Also merry Christmas and happy holidays!! Also PLEASE DONT HATE ME

Tw:some sexual mentions, cursing, lyrics might be wrong bc I’m going off the top of my head, mentions of murder etc

Wc: idk it’s headcanons so like 3 points for each song

Misc Masterlist

15)The Best of You

I just don’t listen to this as much as I listen to the other songs

Like it’s not bad

I just don’t really listen to it

It sounds like a high school musical song and the child in me loves it

14)If I Loved You

Idk y but the first time I watched this song made me uncomfy

Well not the whole song literally just the “don’t need lover boy need lover man” part even though Mariah KILLS it idk what it is about that part

But also their voices are immaculate

like Actually I love their voices so much

And the song itself is VERY good

Again I just don’t listen to it as often as the others

OH BABE ID LET YOU KNOW

PERIOD

I also really love the chaos that would be watching two people do this in a cafe

Like how they’re standing at the door like “you leave” “no you leave” actually funny.

13)Cool as I Think I Am(Reprise)

SADGE

I DONT LIKE SADGE

But also they again kill this Mariah and Joey are top tier

The whole “you’re not as cool as you think you are” “you’re as smart as I know you are”

To the “IF I LOVED YOU I WOULD SHOW IT”

IMMACULATE

Would be higher up if I listened to it more often but alas like the ones before this I just don’t listen to it enough.

12)Just For Once

Tbh this is only this high up because of the iconic parts that I listen to over and over

Like I think the only time I listened to the whole song was while watching the musical in its entirety

I literally only listen to VERY specific parts of this song

I’m gonna skip around some of the lyrics but y’all know the parts

The “I wasn’t upset about the attention I ensnared JUDGE ME”

“It fucking worked, I’m fucking here, he’s fucking her, I’m disappointed”

“Should I let the coals burn out? JUST FOR OOOOOOONCE” LAUREN LOPEZ IS A GODDESS PLS

“The other day the Johnson’s borrowed my tap shoes. I used to dance”

Like actually makes my heart clench

Like I’m 23 and this song makes me feel like it’s too late to do what I want because there’s all these things I used to do when I was younger and now I’m just….living but not really.

11)The Summoning

THE CHAOS

HELLO FWENDY-WENDS

Out OF THE DEPTHS OF HELL AND BACK

I LOVE THIS SONG

Stephanie yum yum

I love the lords in black (especially because they’re so colorful)

Also the beginning of this song is iconic

Literally their chanting and voices are so good.

Honestly if they remade this musical into a movie with all sorts of cgi I feel like this would be a VERY CHAOTIC PART

I love it

Also I think I just love when it’s a bunch of noise that allows me not to think

Which is what this song is when they’re singing the repetitive parts

And I know people hate the repetitive parts but I love them

Like so good

10)High School is Killing Me

Again don’t listen to this as much as I should

But I should mention that I listen to this at least once a day so we see how much I listen to the songs after this one

IM DEAD!!

I’m scared someone comes for ME I’m unprepared

Jon and Lauren sound so good here and I honestly think this was the perfect way to open a musical

Like yeah it’s a little spoiler but it’s so GOOD

It’s hell on earth you know? I’m tweeting all about it!

The way Angela covers her mouth every time they curse is funny

AND the part where they’re like “is god the one giving the test” and Angela (Grace) is in the middle with the light shining down on her is imagery I love

Like idk why people aren’t mentioning that she’s literally a Christian and is highlighted in that part.

Stephanie was up late last night and couldn’t study bc she was arguing about the homophobic dog

Also crypto?

Also I think this song perfectly embodies what it’s like to be in high school?

Like it was killing me and I swore that I wouldn’t miss it after I graduated, and that I would always hate high school and that idk how I survived it

But now as an adult I’m like damn while I hated going to school it was something about those days that I miss so much. And I only graduated 5 years ago.

09)Bully the Bully

BE COOL BEANS

Keep the beans cool

Bean school

Also I think we’re starting to show that I have a very special place in my heart for Angela

I love how she performs and portrays characters

Also the fact that they’re just singing about bullying the bully for all sorts of different reasons is funny to me

Petey gonna jump on out ✋😐🤚

Jäeger gonna Jäger out 🤘🤪🤘

Also actually was a funny plan that probably wouldn’t work irl but would be funny to watch on a school fight page

Also the fact that Max says that it’s the nicest thing anyone has done for him

08)Bury The Bully

Oh no 😥 she’s snapping again 😟

Please let this be a normal field trip

Give off same vibes

Also I love the layers in the song

Mariah does a good job

HACK ALL HIS LIMBS OFF (did you say hack all his limbs off?) YEAH!

Also very funny

Like Grace’s descent into madness is entertaining

RUTH IS GONNA CUT OFF HIS NIPS

Also shows how stupid they are because they literally could’ve said that it was an accident

It’s literally 5 of them

Just be like yeah we brought him here to scare him and his stupid ass decided to stand on top of some old ass wood and it cracked under him and he died.

But no listening to Grace they become criminals.

No one is gonna make Ruth their bitch

“Do you wanna get the fullest ride? Then start CUTTIN RIGHT ABOVE THE THIGH!”

07)Cool as I Think I Am

Song that shows up throughout the musical

Like it’s in almost every single song if you listen closely to the background

And honestly it’s so good

Because it makes me feel something inside

Like it plays as Richie dies

As Pete and Stephanie realize that she’s gonna have to kill him

At the very end in dirty dudes must die

It’s just an iconic song

Also Joey’s voice is AMAZING

“If I could finally break the rules I would know that IM NOT A LOSER”

Of HIS WORLD HE IS THE RULER

He’s as cool as she thinks he is and she’s as smart as he thinks she is

It’s so cute

Like it’s inspiring in a way

And it’s like he’s finding himself.

LOVE IT

OHHHHHHH SHUT UP-Max

06)Go Go NightHawks

ITS LIKE THE FIRST DAY OF SCHOOL YEAH

N

I

G

H

T

AHH AHH 🦅🦅

FIGHT 🥊💥

Fuck YOU CLIVESDALE GO GET FUCKED

YOU FUCKING LOSERS

I literally just love this song and that’s why it’s high

Like literally no other reason other than this song gets me crunk

I wanna whoop clivesdales asses

Bitch ass hoes

Like I did not like my own school rallies this much

But I would love to aten one of these football games

05)Hatchet Town

He is Dan Reynolds with Action News

WHOS SWINGING THE HATCHET NOW?

I think her name is Bryce I am not sure

But the pretty woman who sings the slow part

So beautiful and her voice is literally out of this world

“I REMEMBER BEFORE THE LOCKDOWN THE SUN WAS SHINING ON OUT TOWN AND OUT KIDS COULD WALK THE STREETS”

Literally I was blown away when I heard this part

And I honestly just really like this song

Like it perfectly portrays how people act when anything happens

Like shifting the blame and causing hysteria when all you really need to do is be vigilant and listen to what the professionals are saying

But then also the people in charge don’t know what they’re doing so it’s like WTF do we do

“YEAH ITS GOT TO BE DONNA”

It’s a chaos song that depicts people properly

I feel like most of their songs depict people pretty well.

Like yeah it’s exaggerated but it’s accurate as well.

I also like dancing around to this song like I’m being sneaky and gossipy

“Someone’s got their hands on the hatchet handle” 🕵️‍♀️🕵️‍♀️

04)Literal Monster

I LOVE THIS SONG

The only reason it’s not higher is because I listen to the other songs more

But OH MY GOD

everyone’s vocals immaculate

The dancing?

Amazing

Like actually literal monster is so good

“HE ROARS AND WE CRY HES THE REASON WE RUN AND HIDE”

Is her name Kim? I think this is Kim

I LOVE HER VOICE

Also everything about this song is just like YES this is how you do a musical

Also I think the guy who plays Max is named Will?

This is my first time ever hearing him sing and actually it’s so good

He’s the goofiest bully to exist like HUH

His little dancie dance is so funny

He’s like a Fortnite character

He doesn’t need anyone to tell him high school will be his peak

Also his obsession with Grace is so funny and comes out of nowhere.

And the fact that he hates nerds like her but somehow wants to smash even though there are more than enough people who are probably willing makes me think he genuinely likes her but would never admit it.

He’s a literal monster (lmao rip bozo)

03)Dirty Dudes Must Die

BROTHER

When I tell you I am obsessed

I mean I am literally listening to this song like a dozen times a day

And I sing it at the top of my lungs

I’m actually in love with this song

The only reason it’s not number one is that I like the vocals of the other songs better

“WHO WILL PRAY FOR YOU WHEN YOUR BODYS GONE? THIS IS THE CONSEQUENCE FOR WHAT YOUVE DONE”

Like YES

“ARE YOU HARD BC YOURE STRESSED?” (What?) “OR IS THIS A POWER I NOW POSESS?!”

Like yes girl use your haunted poosay to kill everyone YES

Like actually her arc is so good to me even though it’s like not what you’d expect/think would happen

Like you would be like oh Christian girl has sex and realizes that it’s not that bad and that she doesn’t have to be a radical religious person

But instead she’s like yeah okay I’m gonna use my new evil powers for GOD and now no one is gonna stop me

She goes from crazy to crazier and I love it

Angela is the love of my life

Like actually she makes me wanna act

And also be absolutely insane but that’s a different topic

Good song gets me hype.

02)Dirty Girl

YESSSJSJAKWOWKNSKWLA

I know this song makes people uncomfy

But I am a horny girl and this song literally gave me whiplash when I first watched like

GIRL ME TOO

Their vocals and just the song itself is so good

Like her struggle with staying true to her religion and herself but also now feeling lust and want for someone that she previously never would’ve thought about before

And it does prove that Max is right about Grace being kinky af because as we see her descent into madness the things that she’s into are things that I know Christian people would be horrified at

Like when they bring him to the Waylon house and he’s aggressive and she’s like OH YEAH THIS IS GOOD

This song is just like look at her try to deny what she’s feeling and look at her struggle with something that many other people religious or not struggle with and look at how badly she handles it

Like if her parents would’ve handled this better Max would not have died

She is hungry for more and now her judgement is all cloudy because of ONE BOY

Everything could’ve been avoided if she was raised to believe that lusting is okay, feeling those feelings is okay

You don’t have to act on them but LORD they aren’t something that is wrong to feel.

It just makes it worse when you try to suppress things

But alas she lives in a no moan household.

01)Nerdy Prudes Must Die

IM SO SORRY RICHIE BUT THIS SONG IS ICONIC

Literally the name of the musical

And rightfully the best song

Jon’s acting and voice is AMAZING

Will sounds amazing

Like actually I could not stop repeating the “will you pray for me, when I’m gone?” Part for WEEKS

Like I’m still singing it to myself

It’s so good

IM NOT A LOSER

Like brother how he just sings that part is like OH MY GOD

Like everything about this song is good

And the fact that Max is like Yeah I couldnt care less how you actively dismembered me and defiled my body(his nipples) and buried him in an abandoned old house.

Like everything about this song is also tragic

Because everyone is celebrating his disappearance

And at this point I feel like he has to have seen that they’re celebrating.

And he was so close to changing

We see that he’s an asshole because of his family life which is tragically the reality of a lot of bullies and hurt people in general

So to have him on the brink of maybe changing and then dying and being dismembered and buried in a place no one knows he’s buried in

Is so sad in a way

Like we don’t even get to see if he would have changed because he does

And when he comes back as a literal monster he’s hurt and angry and wants revenge on the people and people like the people that got him killed even if it was an accident.

This musical is genuinely so good UGH

[benetnvsch]

ADDRESSING TWITTER'S TOS/POLICY IN REGARDS TO ARTISTS AND AI

Hi !! if you're an artist and have been on twitter, you've most likely seen these screen shots of twitters terms of service and privacy policy regarding AI and how twitter can use your content

I want to break down the information that's been going around as I noticed a lot of it is unintentionally misinformation/fearmongering that may be causing artists more harm than good by causing them to panic and leave the platform early

As someone who is an artist and makes a good amount of my income off of art, I understand the threat of AI art and know how scary it is and I hope to dispel some of this fear regarding twitter's TOS/Privacy policy at least. At a surface level yes, what's going on seems scary but there's far more to it and I'd like to explain it in more detail so people can properly make decisions!

This is a long post just as a warning and all screenshots should have an alt - ID with the text and general summary of the image

Terms of Service

Firstly, lets look at the viral post regarding twitter's terms of service and are shown below

I have seen these spread a lot and have seen so many people leave twitter/delete all their art/deactivate there when this is just industry standard to include in TOS

Below are other sites TOS I found real quick with the same/similar clauses! From instagram, tiktok, and even Tumblr itself respectively, with the bit worded similar highlighted

Even Bluesky, a sight viewed as a safe haven from AI content has this section

As you can see, all of them say essentially the same thing, as it is industry standard and it's necessary for sites that allow you to publish and others to interact with your content to prevent companies from getting into legal trouble.

Let me break down some of the most common terms and how these app do these things with your art/content:

storing data - > allowing you to keep content uploaded/stored on their servers (Ex. comments, info about user like pfp)

publishing -> allowing you to post content

redistributing -> allowing others to share content, sharing on other sites (Ex. a Tumblr post on twitter)

modifying -> automatic cropping, in app editing, dropping quality in order to post, etc.

creating derivative works -> reblogs with comments, quote retweets where people add stuff to your work, tiktok stitches/duets

While these terms may seems intimidating, they are basically just tech jargon for the specific terms we know used for legal purposes, once more, simply industry standard :)

Saying that Twitter "published stored modified and then created a derivative work of my data without compensating me" sounds way more horrible than saying "I posted my art to twitter which killed the quality and cropped it funny and my friend quote-tweeted it with 'haha L' " and yet they're the same !

Privacy Policy

This part is more messy than the first and may be more of a cause for concern for artists. It is in regards to this screenshot I've seen going around

Firstly, I want to say that that is the only section in twitter's privacy policy where AI /machine learning is mentioned and the section it is is regarding how twitter uses user information.

Secondly, I do want to want to acknowledge that Elon Musk does have an AI development company, xAI. This company works in the development of AI, however, they want to make a good AGI which stands for artificial general intelligence (chatgpt, for example, is another AGI) in order to "understand the universe" with a scientific focus. Elon has mentioned wanting it to be able to solve complex mathematics and technical problems. He also, ofc, wants it to be marketable. You can read more about that here: xAI's website

Elon Musk has claimed that xAI will use tweets to help train it/improve it. As far as I'm aware, this isn't happening yet. xAI also, despite the name, does NOT belong/isn't a service of Xcorp (aka twitter). Therefore, xAI is not an official X product or service like the privacy policy is covering. I believe that the TOS/the privacy policies would need to expand to disclaim that your information will be shared specifically with affiliates in the context of training artificial intelligence models for xAI to be able to use it but I'm no lawyer. (also,,,Elon Musk has said cis/cisgender is a slur and said he was going to remove the block feature which he legally couldn't do. I'd be weary about anything he says)

Anyway, back to the screenshot provided, I know at a glance the red underlined text where it says it uses information collected to train AI but let's look at that in context. Firstly, it starts by saying it uses data it collects to provide and operate X products and services and also uses this data to help improve products to improve user's experiences on X and that AI may be used for "the purposes outlined in this policy". This means essentially just that is uses data it collects on you not only as a basis for X products and services (ex. targeting ads) but also as a way for them to improve (ex. AI algorithms to improve targeting ads). Other services it lists are recommending topics, recommending people to follow, offering third-party services, allowing affiliates etc. I believe this is all the policy allows AI to be used for atm.

An example of this is if I were to post an image of a dog, an AI may see and recognize the dog in my image and then suggest me more dog content! It may also use this picture of a dog to add to its database of dogs, specific breeds, animals with fur, etc. to improve this recommendation feature.

This type of AI image, once more, is common in a lot of media sites such as Tumblr, insta, and tiktok, and is often used for content moderation as shown below once more

Again, as far as I'm aware, this type of machine learning is to improve/streamline twitter's recommendation algorithm and not to produce generative content as that would need to be disclaimed!!

Claiming that twitter is now using your art to train AI models therefore is somewhat misleading as yes, it is technically doing that, as it does scan the images you post including art. However, it is NOT doing it to learn how to draw/generate new content but to scan and recognize objects/settings/etc better so it can do what social media does best, push more products to you and earn more money.

(also as a small tangent/personal opinion, AI art cannot be copywritten and therefore selling it would be a very messy area, so I do not think a company driven by profit and greed would invest so much in such a legally grey area)

Machine learning is a vast field , encompassing WAY More than just art. Please don't jump to assume just because AI is mentioned in a privacy policy that that means twitter is training a generative AI when everything else points to it being used for content moderation and profit like every other site uses it

Given how untrustworthy and just plain horrible Elon Musk is, it is VERY likely that one day twitter and xAI will use user's content to develop/train a generative AI that may have an art aspect aside from the science focus but for now it is just scanning your images- all of them- art or not- for recognizable content to sell for you and to improve that algorithm to better recognize stuff, the same way Tumblr does that but to detect if there's any nsfw elements in images.

WHAT TO DO AS AN ARTIST?

Everyone has a right to their own opinion of course ! Even just knowing websites collect and store this type of data on you is a valid reason to leave and everyone has their own right to leave any website should they get uncomfortable !

However, when people lie about what the TOS/privacy policy actually says and means and actively spread fear and discourage artists from using twitter, they're unintentionally only making things worse for artists with no where to go.

Yes twitter sucks but the sad reality is that it's the only option a lot of artists have and forcing them away from that for something that isn't even happening yet can be incredibly harmful, especially since there's not really a good replacement site for it yet that isn't also using AI / has that same TOS clause (despite it being harmless)

I do believe that one day xAI will being using your data and while I don't think it'll ever focus solely on art generation as it's largely science based, it is still something to be weary of and it's very valid if artists leave twitter because of that! Yet it should be up to artists to decide when they want to leave/deactivate and I think they should know as much information as possibly before making that decision.

There's also many ways you can protect your art from AI such as glazing it, heavily watermarking it, posting links to external sites, etc. Elon has also stated he'll only be using public tweets which means privating your account/anything sent in DMS should be fine!!

Overall, I just think if we as artists want any chance of fighting back against AI we have to stay vocal and actively fight against those who are pushing it and abandon and scatter at the first sign of ANY machine learning on websites we use, whether it's producing generative art content or not.

Finally, want to end this by saying that this is all just what I've researched by myself and in some cases conclusions I've made based on what makes the most sense to me. In other words, A Lot Could Be Wrong ! so please take this with a grain of salt, especially that second part ! Im not at all any AI/twitter expert but I know that a lot of what people were saying wasn't entirely correct either and wanted to speak up ! If you have anything to add or correct please feel free !!

[dreaminginthedeepsouth]

[BANKSY]

* * * *

LETTERS FROM AN AMERICAN

October 27, 2023

HEATHER COX RICHARDSON

OCT 28, 2023

An article this morning jumped out at me. Catherine Rampell of the Washington Post noted that the U.S. economy “looks remarkably good.” A recent stunning jobs report, showing that the economy continues to add jobs at record rates—more than 13.9 million since President Joe Biden took office—along with yesterday’s stunning report that U.S. economic growth grew at an annual pace of 4.9% in the third quarter of this year, puts the U.S. economy at the forefront of most of the world. And inflation is back in the range that the Federal Reserve prefers—it’s at 2.4%, close to the Fed’s target of 2%.

The U.S. is outperforming forecasts made even before the pandemic began for where the economy would be now, even as other countries are worse off. 

And yet, Rampell notes, Americans are about as negative about the economy today as they were during the Great Recession after 2008, when mortgage foreclosures were forcing people out of their homes and unemployment rested at about 9%, more than twice what it is today. In contrast, consumers give high marks to the Trump years, when average growth before the pandemic was 2.5% and the U.S. added only about 6.4 million jobs.

There is a crucial divorce here between image and reality. Americans think our economy, currently the strongest in the world, is in poor shape. They mistakenly believe it was better under Trump.

That profound and measurable disjunction ought to make us sit up and take notice, especially as the Biden administration continues to try to make the economy responsive to ordinary Americans and the country continues to pay little attention. Today, for example, the White House announced an effort to turn the dual problems of empty office buildings and a shortage of affordable housing into a win-win. It announced a series of actions to convert vacant commercial properties to residential buildings. Their efforts are designed to create affordable, energy-efficient housing near public transportation and jobs.  

The importance of identifying the contrast between image and reality in today’s politics showed recently as the meticulous work of Nashville investigative reporter Phil Williams of Tennessee’s NewsChannel 5 appears to have had an important effect on the mayoral election in Franklin, Tennessee. 

While far-right Christian nationalist mayoral candidate Alderman Gabrielle Hanson promised she was “committed to restoring and upholding the wholesome values that have long been the foundation of our city’s identity,” Williams exposed to voters Hanson’s shady history. He showed that Hanson had lied about having multiracial supporters and her ties to white supremacists, highlighted her bizarre behavior, and noted her embrace of Christian nationalism. 

On Tuesday, voters overwhelmingly rejected Hanson and other far-right candidates. Hanson won just 20.6% of the vote to 79.4% for the incumbent mayor. Then, after losing, Hanson apparently had her husband drop off her computer and ID badge at City Hall, abandoning her term as alderman before its November 14th end. 

Such deep investigation stands out in an increasingly turbulent sea of disinformation. Shayan Sardarizadeh of the BBC explained to Hanaa’ Tameez of Neiman Journalism Lab that social media posters on platforms like TikTok, YouTube, or Twitter can make significant sums of money from “engagement farming.” Posting outrageous material that engages viewers pumps up a user’s brand, making them able to command high prices from marketers.  

Sardarizadeh notes that the Israel-Hamas war is a particularly attractive situation for engagement farmers, and rumors and fake videos are flying. 

But there are plenty of opportunities for disinformation at home, too, for political purposes. In Ohio, the Republican-controlled Ohio Senate is using its official government website to push what Associate Press legal and medical experts say is “false or misleading” information against the proposed constitutional amendment the state’s voters will consider in the November 7 election. Their inflammatory language warns, for example, that the measure will “legalize abortion on demand at any stage of pregnancy” and permit “the dismemberment of fully conscious children,” the rhetoric of anti-abortion activists.

Julie Carr Smyth and Christine Fernando of the Associated Press report that Republicans began their “On the Record” blog on the state Senate website after Ohio voters rejected their attempts to make it much harder to pass constitutional amendments. The Republicans bill the blog as an “online newsroom” where voters can find “the views the news excludes.” Republican Senate president Matt Huffman denied that the blog was a news service, but it sits under the “News” tab on the Senate’s website. 

“My [Republican] colleagues say that this is done because the mainstream media won’t print their stuff,” Democratic state senator Bill DeMora told the reporters. “But of course, the mainstream media won’t pick this up because it’s factually incorrect and basically lies.” 

But because the blog appears on an official government website, internet searches turn it up as a reliable source. Laura Manley, executive director of the Shorenstein Center on Media, Politics and Public Policy at the Harvard Kennedy School, told Smyth and Fernando: “It’s a really strategic way to make something appear to be neutral information and fact when that’s not the reality…. I’ve never seen anything like that.”

Finally, after a two-day manhunt, law enforcement officers found Maine mass murder suspect Robert Card dead tonight from a self-inflicted gunshot. Reports suggest that Card had at least a recent history of mental illness and note that his social media accounts show a history of engagement with right-wing and Republican political content.

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LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON