#but i would really like to see more up beat posts

[flemingology]

soft alexia where she always looks for reader after a home game and runs to the stands or dedicates goals to her 🫠🥲🥺

siempre para ti ─ alexia putellas x reader

in which: alexia scores the winner in el clasico. for you.

warnings: none

wc: 1.3k

a/n: 2 posts in 2 days? who am i

Game days. Your worst favourite days. You loved going to watch your girlfriend do what she loves, really, but the nerves that came along with that weren’t as welcomed. Especially with El Clasico.

Alexia went through the motions, as she always did on game days. Had her usual breakfast, did some pre-pre-activation in your home gym and listened to the same 4 songs on repeat like she always did on matchdays. You could cite them all word for word now, but you wouldn’t dare complain and mess up her little routines.

She left you 4 hours before kick-off, a couple lingering kisses that would’ve lead to more if she didn’t have a 90-minute football game to go play, not without your promise that you’d be there and cheer for her if she scored. Alexia knew you’d be there and she knew you’d cheer the loudest of them all if she managed to get the ball in the back of the net, but who minds a little reassurance?

You made your way to the stadium well before the game started, not wanting to get caught in Barcelona’s rush hour traffic. You found your spot in the friends & family box, greeting Eli and Alba with a kiss on the cheek before settling in and glancing over at the Barça team who were already doing their warm-ups.

Alexia scanned the crowd when they were called inside, her gaze lighting up once her eyes found yours. You shot her a wave and an encouraging smile, which she reciprocated quickly – not without having to endure some teasing from Vicky.

The Spanish midfielder would never get used to seeing you in the stands. You probably hadn’t missed a home game yet in the past 4 years of dating each other, but she still felt fuzzy and warm inside when she saw the woman she loved most sitting in the stands of the football club she loved most. You were there for her, to watch her, in her shirt to cheer for her and she wanted to perform for you.

And that’s what she did. Barça took the game by the scruff of its neck, completely dominating and controlling the game from kick-off onwards. Chance after chance, shot after shot, the girls in blaugrana were all over their opponents. Aitana and Caro both had a big chance, but neither could convert. Much to your surprise and the team’s dismay, the 0-0 was still on the board when the referee blew the whistle for half-time.

They’d had the chances to be in front, but they hadn’t been clinical enough. This time, Alexia didn’t search for your eyes before she went into the tunnel, her professional demeanour never wavering a second once she was in game-mode. You hoped she wouldn’t be scolding herself too much over the promising free-kick she wasted.

The teams came back out 15 minutes later, and you finished up chatting to Alba as the game started again. More of the same, as expected, as Barça once again took control of the game. They were playing good football, passing the ball around, making runs in the channels and creating chances, but it felt like they couldn’t cross that final hurdle. Ingrid almost scored from a corner and they were claims for a penalty after a harsh tackle on Ewa, but nothing given.

It wasn’t until stoppage time that they had their best chance of the game. Some combinations at the back to play out of Madrid’s press, Patri was now rushing forward with the ball in midfield. She scanned the pitch, looking for options to lay the ball off to, sending it outside for Caro to chase. She got there first, beat her defender with a simple step over and sent a cross into the box.

It felt like slow motion, really. The final minutes ticking down on the clock, the ball sailing in the air, bodies pushing one another in the penalty area, until someone fell and they were shouts for a foul. You couldn’t make out who it was, who had fallen, but what you did make out was the whistle and the outstretched arm from the referee. Penalty.

Situations in football didn’t get much more pressure-loaded than this. A 93rd minute game-winning penalty in El Clasico. Your heart hammered against your chest, so you could only imagine how the players were feeling on the pitch. You’d been too caught up in a conversation with Eli to see Alexia had stepped up. She was stood near the ball, hands on her hips as she tried to calm her erratic breathing from having ran around the past 45 minutes.

The whistle sounded and Alexia took another couple deep breaths before beginning her run-up. A couple steps back. One to the side. Another deep breath. Short little steps to begin her run-up. A little pause. And then; the back of the net.

The stadium erupted, you cheered and jumped up and down to celebrate what would surely be the winning goal of the game. Alexia took off towards the corner flag to celebrate with the fans, her teammates soon barrelling in and tackling her down to the ground. You hugged Eli and Alba, the remnants of what had been a nerve-wracking game slowly washing away.

Alexia stood back up after a couple moments and her eyes scanned the friends and family box, looking for you. Your gazes locked and a toothy grin formed on her face, pointing her finger at the badge on her chest and then at you. She blew a kiss your way before turning back around and jogging over to her side of the pitch, leaving you with a warm feeling in your chest. No matter how many goals Alexia would dedicate to you, you’d never get tired of the fact it was your eyes she looked for after she made the ball hit the back of the net. It was you she blew a kiss, you she broke her stern captain bravado for.

It was much later when Alexia finally emerged from the changing room and into the friends and family area, surrounded by teammates and their speaker still playing loud music – clearly all very happy with the derby win. She was dressed in a pair of black trousers and a dark green shirt, clearly planning on celebrating the win. You could hear plans were made for a night out from where you were standing a little away from the group of players, as Alexia silently snuck away and walked over to you.

Your face lit up with a smile as the Barçelona captain come up to you with damp, disheveled hair, eyes tired with the exhaustion from running around for 90 minutes. “Hola, winner,” you teased, the brunette engulfing you in a tight hug. “Nice goal, hmm,” you said, lifting your shoulder a little so she would pull back. “Para ti,” Alexia whispered, her forehead resting against yours. “Siempre para ti.” Alexia accentuated her words with a soft kiss against your lips, pouring all her love for you in the short couple seconds of intimacy.

You closed your eyes and enjoyed the soft moment, clutching onto the back of her shirt tightly before she’d inevitably be pulled away by her teammates to get their night out going. Alexia’s arms circled around your waist in that ever familiar way, and even though you were here in a friends and family box in a stadium an hour and a half away from where you lived, Alexia’s embrace felt like home.

[regexkind]

My dentist retired two years ago and I've been in the market for a new one since. It's a high-variance search, one that really drives home to me the power of a good word-of-mouth¹ recommendation.

The first dentist I found insisted on not using anesthesia of any kind whatsoever, and when I pressed him for his reasons he explained that any deadening of the senses was a deadening of the person. He felt certain that his view would become dominant within our lifetime and that The Justice System would punish him for what accumulated up to several premeditated murder charges. No amount of explanation about post de facto laws in the United States would sway him from his stance.

The second dentist I saw was, if anything, even more peculiar. His whole shop smelled like a mixture of an abattoir and a foundry. He took one look inside my mouth and said that ALL of my fillings were to be redone; he assured me that this would be at no extra charge, because he was "righting a gross wrong in the order of Creation." After I was situated in the chair—and a peculiar chair it was, more of a chaise lounge than a dentist's chair—I was forced to wait for several hours while he hammered metals that glinted like the surface of a blood moon. Brimstone wafted over me, and my head began to ache in time with his beating on the anvil. Finally, he came into view again, bearing an ornate silver tray with several small intricate workings, whose fine details were almost impossible to see, because they glittered like morning dew beneath a cloudless sky.

It seems that instead of amalgamating the metal within my mouth, he had shaped several small inserts precisely enough to fit into the small pockets in my teeth. The act of placing these masterworks was mercifully swift but blindingly painful. I blacked out at least twice, and once when I was on the verge of being sick, he suddenly pinched a nerve in the back of my neck and I felt the rising nausea meet with an impregnable wall.

I might still have considered this strange craftsman as an acceptable long-term dentist. After all, he took my insurance. But the full impact of his work wasn't apparent until a few days later, when I was next using my mouth to pleasure a "very close friend" at a saturnalia. As their seed spilt into my mouth, I tasted a distinctly sour, metallic flavor, and, against my usual custom, spat out a mouthful of pure quicksilver on the wide grass of the heath. I have half a mind to have the strange alchemical apparatus taken out, but the cost quoted by several (more mundane) dentists and orthodontists is frankly prohibitive.

¹No pun intended.

[spotsandsocks]

Teasey Tuesday/WIP Wednesday 🛏️

Tagged by @elvensorceress (so excited to see you on the dash again 😘) @tizniz @bekkachaos @jesuisici33 loved all your snippets 💜💜💜

Only one bed fic will be shared at the weekend, I think it’s called A place for you, next to me. It’s ended up as M/E rated and 23k. Here’s a little tease.

The noise warns him and as if conjured by his thoughts, the bathroom door clicks and a cloud of steam drifts out, a prelude to the appearance of Buck, wrapped in a towel and nothing else.

It’s the alcohol in his veins that makes the blood heat and rush around his body to flood his cheeks, leaving Eddie flustered in a sudden wave of heat and a pooling of something he’d won’t name low in his stomach.

Buck looks good. Far too good and right now Eddie’s more than a little unsure if he can sleep next to Buck tonight after all.

Unaware of the inner turmoil Eddie’s dealing with, Buck's expression flits from surprised to embarrassed, at this quite predictable meeting in the hotel room they’re sharing. The blush creeping down his face and lower is like a sunrise in reverse and Eddie can’t look at it.All the jumbled up emotions get more jumbled when Eddie’s forced to endure a nose wrinkle that makes his heart jump. The poor battered thing in his chest must need a break, it’s been quite the day!

And then a new wip but I’ve actually just finished is this random thing I just decided to write yesterday. Eddie finally tells Buck about what happened between him and Kim. I wrote it because I wanted Buck to know what Eddie went through, I really do think someone should know! It’s called Give me a moment it’s 2.6k and it’ll be here pretty soon.

Lifting himself up off the floor to rest on one elbow Buck studies the profile of the calm still face of his best friend. It’s the face of a man who’s resigned himself to his fate. Eddie’s flat on his back, eyes closed lying in the remnants of a life he’d tried to build for himself and his son. A life that collapsed around him after one bad decision..

“When she left I thought it was over. I was relieved, thought it would be ok but then she came back.”

If Eddie was looking at him he’d see the frown land on Buck’s face at that brand new piece of information. What does Eddie mean she came back?

Next to him, the facade falters and Eddie’s face crumples, his feelings escaping. Buck knows It’s just a weak echo of the distress he must have felt that day, made smaller, quieter by Eddie’s rigid self control.

“She came back Buck and she looked…”

It sounds like a confession, Eddie’s breath shakes on the way out and Buck’s heart beats faster. There’s something bad coming. Something he doesn’t know about.

I shall inflict tagging for this and the actual post later on my usual victims but if you want out or even to get tagged for either of these lmk!

@actualalligator @beyourownanchor6 @buddiediaz118 @becausebuckley @bi-buckrights @caroandcats @daffi-990 @dangerpronebuddie @dr-shortsighted-owl @darkrose6578 @diazsdimples @doctorkinney @disasterbuck @diazheartsbuckley @eddiebabygirldiaz @exhuastedpigeon @fiona-fififi @giddyupbuck @honestlydarkprincess @hippolotamus @inell @lonelychicago @monsterrae1 @repressedqueen @ronordmann @rainbow-nerdss @spaceprincessem @stagefoureddiediaz @steadfastsaturnsrings @shipperqueen6 @thekristen999 @thelikesofus @theplaceyoustillrememberdreaming @theotherbuckley @singitforthegirls @weewootruck @wildlife4life @bucks-daddy-issues @buffaluff @kejfeblintz

[spoilmesweetieforficssake]

Hi I really love your writing! Not sure if you are taking any prompts, no worries if not!

I was wondering if you could something with Melissa x reader similar to Janine and Gregory where they both work at the school and maybe the reader is dating someone but they have a moment like the club scene or PECSA weekend.

Hope you're having a good day lovely human!

Not dead! Nor have I given up on writing or filling the prompts I still have to fill! But a weird thing did happen - I went to a hypnotist show with friends thinking I wouldn't be affected... Long story short, I remember the first fifteen minutes of the show. Apparently, I was in the show for the rest of it. So that was a thing. But that's not the weird thing. The hypnotist said that a side effect of his hypnosis is often a better ability to focus, a quieter mind and less anxious thoughts. I have to hand it to the man, his words seem to be true. An unexpected side effect of this for me though is that it turns out the noise and chatter in my mind actually helps me write my fics. Now it's all a bit quiet in there and it's been hard to get the words out. But, that doesn't mean I don't still love writing - so we're pushing through.

I do have a confession though - this story has two prompts noted at the top of it in my drafts and although I can't find any evidence that I've posted it under either prompt, if I have already posted this and somehow have missed it, please let me know and I shall take the duplicate down.

Anyway, enough about me. Enough rambling. I hope you enjoy!

*~*

It would be easier if she wasn’t nice to you. 

If she wasn’t nice to you, she could just be the untouchable, hot as hell, fiery goddess you admired from afar. 

But no.  She let you sit with her and Barb at lunch.  She even brought you lunch after a few conversations had strayed into discussing cooking and favourite recipes during said lunch breaks.

How were you meant to get over your ridiculous crush when she actually gave you the time of day?  When she smiled like that?  When her whole face lit up and she gestured so animatedly when she got caught up talking about something?

And as if that wasn’t enough, how were you ever meant to recover after seeing her so soft with her students?  Going out of her way to open up to them and help them. 

It was ridiculous, though.  You knew that.  What good was ever going to come of it? 

Kid.  That’s what she calls you.  It’s a constant reminder of the age gap between you.  Of the chasm that you feel you can’t even begin to cross when she sees you as some eager little kid.

You’ve always had a thing for older women.  From those early, confused days of watching your on-screen idols, to realising you didn’t want to be them.  You didn’t want to be friends with them.  You just wanted them. 

You want one in particular, but as you look across at her, her red hair ablaze in the sunshine, you force those feelings down once more.  If friendship is what she’s offering you’re not about to beat her with that olive branch.  You’ll deem yourself lucky and move on.

Even if she has ruined you for anyone else. 

*~*

“You know,” drawled Barbara.  “It’s beginning to become a habit.”

“What is?” asked Melissa, turning to face her friend with a frown. 

“Staring at her,” said the older woman, eyebrow raised. 

The red head scoffs.  “As if.  I don’t know what you think you’re seeing but that ain’t it.”

*

It was all said in jest to begin with.  Gentle teasing about a few wayward glances.  That was until Barb started to see her best friend be genuinely nice to you. 

To begin with, she tolerated you.  You weren’t one of the eager little puppies she so often saw when it came to younger new hires.  That much was evident from the start.  You were an old soul.  You carried a different energy. 

One that Melissa apparently appreciated just as much as the view.  Barb stood beside her the red head as they watched over the kids leaving school, keeping an eye on the them as they left for the day, making their way to busses, rides or parents.  Or rather, Barb was keeping watch over the children.  A quick glance at Melissa confirmed that her attention was directed at you where you stood a little way off, chatting happily with a young girl about the book she was waving at you as she waited for her mother to collect her. 

“Girl…”

“Don’t,” sighed Melissa, crossing her arms across her chest. 

That took Barb by surprise.  She had expected the red head to deny it.  “You mean?”

“It’s stupid.  She’s some pretty young thing and I’m…older than I care to admit.”

Turning to look at her friend, her expression sad, the older woman reached out and placed a comforting hand on the other woman’s arm.  “And?  What’s it called?  A Spring, Winter romance?”

“May, December,” corrected Melissa automatically.  “But same thing.”

“Exactly” said Barb.  “There’s a name for it and everything.  It’s a thing.”

“It’s not a thing,” huffed the red head, turning on her heel and heading back into the building.  “It’s stupid and I’ll get over it, just like I do everything else in my life.”

*~*

You’re not sure you’re entirely on board for PECSA. 

Out of school, things are different.  Lines are blurred and you’re seeing a whole different side to your colleagues.  You’re not sure if it’s liberating or terrifying.  And that’s before you add in the factor of the other teachers who have also been set free from the constraints of the classroom and are now loose in the wild.

You’re sure your confusion must show on your face, particularly when at the end of one of the breakout sessions you find yourself caught up in conversation with a striking older woman who teaches at another school across town.

You don’t see Melissa at first, who watches the interaction with interest.  She’s not used to seeing you outside of school, and it takes her back to realise that the woman is flirting with you.  Openly and blatantly flirting with you.  She’s touching your arm, leaning into you.  Smiling and laughing. 

In return, you know you’re blushing something terrible, especially when the woman hands you a page from her notebook with her number scrawled across it.  Watching the woman walk away, throwing you a smile over her shoulder to you, you finally see the red head standing in the doorway where she said she’d meet you so you could head for lunch together.

“She not a bit old for you?” she asks as you approach, your blush still heating your cheeks.

You frown.  “If she looks like that and thinks I’m hot enough to give me her number, they’re the numbers I’m interested in,” you reply, heading in the direction of the lunch buffet. 

Barb overhears the comment, unable not to smirk at your flash of sass.  “Jealous?” she asks, leaning into the red head’s space. 

“Of what?” barks Melissa, crossing her arms across her chest as she watches you go.  “Oh leave off!” she snarks at the older woman’s raised eyebrow.

*

How the day has gone from serious talks and breakout sessions to cocktails by the pool you’re still trying to wrap your head around.  Adjusting your cover up, you head around the side of the pool, heading for the bar.  You hope the day starts to feel a little bit more normal with a drink in your hand. 

Gazing out over the water, you catch sight of Melissa.  Or rather, you catch sight of a lot more of Melissa than you’ve ever had the privilege of seeing before.  Not looking where you’re walking as your eyes drink in the magnificent view there’s no saving yourself as you step forward and your foot finds water instead of concrete.

“Is that?” Melissa asks incredulously at the dramatic splash that comes from the other side of the pool.  She’s up out of her lounger before Barb can comment and the older teacher can only watch on in amusement as the red head storms off in your direction. 

You pull yourself out of the pool, allowing yourself to perch on the edge as you try your best to ignore the chuckles of those around you who have noticed your mishap. 

“What the fuck happened?”

You look up and of course Melissa is there.  Right there, lit up in the sun like an angel, red hair haloed around her head.  It takes a moment to realise that her eyes are roving over you, and not just your face.  You glance down where your cover up now clings to your skin, almost see through. 

Looking up you see Melissa blink rapidly a few times before offering you a hand.  You reach for her, smiling as she helps pull you to your feet.  “Thanks,” you smile sheepishly.  “I guess I should go change.”

“It’s a pool, you’re allowed to be a little wet,” the red head smirks back at you.  “Besides, we’re this close to the bar now, be rude not to take advantage.”

*

Melissa appears at the bar next to you with a huff, grumbling under her breath.  Her attention is focused on trying to get the attention of the barman.  Mumbling though she is, she’s speaking just loud enough for you to make out what she was saying. 

“He was an ass,” you tell her, watching as her head whipped around, finally realising you were there. 

“What?” she asks with a frown, already tipsy. 

“Your ex,” you enlighten her.  You may not have heard the comment that led to her current dip in mood, or ever have met the man, but you know enough.

Her frown only deepens.  “You don’t know a thing about him.”

“I know he didn’t appreciate what he had and left you,” you offer, ordering a drink when the barman appears in front of you, before turning back to Melissa to ask what she wants.  You find her looking at you oddly, her expression unreadable.  She quickly snaps out of it and barks and order at the bartender.

*

Barb has had more than a few drinks, it would appear as she flags you down to sit with her as you pass her table. 

“Sit, sit,” she smiles, trying to reach for your arm and push the chair out next to her at the same time in an uncoordinated matter. 

Catching her hands, you still her as you slide into the seat beside her to placate her.  Her gaze is a little unfocused, her words edging towards slurred.  You hadn’t quite realised how drunk she was, but then again, looking around the room, it would have been more of a surprise for her to be sober. 

“Don’t call that woman,” she tells you, leaning into your space.

“What woman?” you frown.

“That woman who gave you her number,” says Barbara like it’s obvious. 

You try not to think about the fact that for Barb to know, Melissa must have mentioned it.  That it’s been on her mind enough to mention it to the older woman.  “Why not?”

“She wouldn’t like it.”

“She gave me her number,” you point out.  “I don’t think she would mind.”

Barb shakes her head.  “Not her.  Her,” she says, nodding across the room to where Melissa is standing. 

You cross your arms across your chest.  “What has Melissa got to do with anything?”

Barb raises a single eyebrow, the action still smooth and effective despite her drunkenness and it makes you blush. 

Averting your gaze, you shake your head.  “It doesn’t matter what I feel,” you sigh.  “She’s not…She thinks I’m some stupid kid.”

What you don’t see, is Melissa standing close enough behind your chair to catch your words.

*

Somewhere after speaking to Barb you decide that trying to be the sober parent of your little Abbott family just isn’t working.  You’ve lost track of most of them, and honestly, you’ve given up trying to find them.  They’re all adults and can fend for themselves.

You still have eyes on Barb and Melissa though, the former dancing up a storm and the latter apparently winning an ill-advised drinking competition. 

Not that you can judge, of course.  You know you’ve drunk more than you should, feeling pleasantly buzzed from your seat in the corner of the bar.  You should call it a night before you do something you’ll regret, like call the woman Barbara told you not to.  Sober, you wouldn’t.  Drunk, you’re flattered enough and wouldn’t say no to the company. 

With a sigh, you push yourself up out of your seat and head towards the elevators.  Pushing the button, you watch the numbers light up as the lift descends.  You squeak in surprise when a strong pair of hands land on your hips, turning you around as a plump pair of lips meet you own.

“I don’t think you’re some stupid kid.”

You blink slowly a few times, taking in the woman before you.  Melissa.  Melissa Schemmenti just kissed you.  You shouldn’t, but you don’t have it in you to deny yourself the pleasure of feeling her lips against yours once more.  You kiss her back with enthusiasm, not protesting when she backs you into the elevator as it opens and moaning as your back hits the wall of the small metallic box, the weight of Melissa pressed against you. 

You’ve always admired her curves.  Pressed against you they’re a dream. 

The clearing of a throat far to close snaps you out of your living dream and you feel Melissa take a step back, biting her lip as she guiltily throws a glance over her shoulder, registering Barb standing in the elevator, her back to you both as if she hasn’t just witnessed exactly what you were both doing. 

Standing close, you grin at the devious smirk being aimed your way by a certain red head.  There’s a dangerous glimmer of mischief in her eyes.  Smudged lipstick and mussed hair from where you hands couldn’t help but run thought it complete the look.  The woman is a work of art. 

You look up as the elevator doors chime open, realising this is your floor.  Stepping forward, you slip past Barb, who merely raises an eyebrow.  You throw a look back at Melissa, who sways forward as though to follow you, before hesitating. 

The doors slide shut, and honestly, it’s probably for the best.

You miss the dark chuckle Barb lets out as the lift begins to ascend once more.

“What you laughing at?” asks Melissa, scowling.  She’s annoyed with herself for hesitating.  She knows what she wants, and she just let it walk out of the elevator.

“You two think you’re subtle?” the older woman drawls.  “She has more of your lipstick on than you do.”

*

If PECSA was party central the night before, it was hangover central the morning after.  You’re sitting outside on the low wall, sunglasses firmly in place, your phone in one hand and a bottle of water in the other as you take in the cool morning air. 

“You regret what happened last night?”

You turn to see Melissa, similarly attired.  “What?”

She comes to stand beside the wall on which you’re sat, her gaze wandering anywhere but you as she speaks.  “I came to your room last night.  You didn’t answer.”

“I didn’t hear you,” you admit, watching as her head whips around.  “Too busy throwing up everything I ever drank.”  You feel the blush dusting your cheeks, but continue.  This feels too important to let a little embarrassment stop you.  You take off your sunglasses so she can see your face as you speak,  “I have many regrets about my choices last night, but what happened in the elevator isn’t one of them.”

A slow smile spreads across her lips as she shifts to take a seat next to you.  She slips her own sunglasses off, finally letting you see her eyes.  “Good to know,” she murmurs.  “Me neither.”

You can’t help but smile at that.  You notice her gaze wandering and realise she staring at the phone still clutched in your hand. 

“You planning on using that number you were so interested in yesterday?”

“Honestly?” you ask, seeing the uncertainty in her face as she nods regardless.  “That woman was hot, and while I was more than a little flattered she gave me her number…she isn’t a patch on you.”

Pale cheeks blush adorably pink at your words.  Melissa isn’t used to hearing things like what from you.

“Don’t look so surprised,” you scoff, nudging her shoulder.  “You’ve seen yourself in a mirror, right?  And you needn’t think I go falling in pools over every pretty woman I see.”

“I really distracted you that badly, huh?” she asks, a little of her confidence returning.

You bump her shoulder with yours once more.  “Shut up.”

A gentle hand moves to cup your cheek, turning you to face her as Melissa presses a gentle kiss to your lips.  “For the record,” she says quietly.  “I don’t think you’re some stupid little kid.  I think you’re beautiful.”

You take in a shuddering breath.  It all feels too good to be true.  “What happens at PECSA stays at PECSA?” you ask sadly.

“I’ve never been one for playing by the rules,” she smirks back at you, pressing another quick kiss to your lips before pushing herself to her feet and offering a hand to you.  “Come on, we gotta go find Barb.  Reunite her with her shoes, sobriety and sanity.”

You take the hand being offered like a lifeline, grinning as Melissa starts walking, swinging your joined hands between you.  It’s only as you pass through the front doors to the building that her words even register.  “Wait?  Her shoes?”

[anomalymon]

I did do a bit of research into subpersonalities and I'll admit I'm not an expert, but what's described here seems different to me. What I saw about subpersonalities they don't seem to have that level of identity to actually be different species or fictional characters like I saw. When I looked into genders I couldn't find anything about them being able to be different genders either besides in a sort of metaphorical way.

This seems a lot closer to median systems (other source with some better clarification) from how I've seen it described in polymind resources vs. how I've seen it described in subpersonalities, actually to the point polymind seems to unintentionally have borrowed a term structure from it with -ling. While it might not be, I think that's where I and most other systems see the similarities.

I think active as a parallel to fronting, at least for me, is because of how there's terms in the carrd for active, co-active, and activestuck, which seem like they're meant to parallel front. The same goes for swap and swappy being just switch and switchy.

Also for me at least I was getting my information from the wiki that I saw linked and I assumed the Carrds that kept being cited were either created by the coiner or created with the coiner's feedback. The Carrds aren't reliable, I know this one has straight up misinformation, but I was taking them as something reflective of the community and community terminology since it was cited on the wiki. I understand if that's not the case but that's why I referenced it.

Either way if it's genuinely not plurality, I'd say a good way to beat those allegations would be to write about your experiences. Especially with posts in the tag furthering that misinformation, like calling it a "less harmful alternative to endos" (it's not an alternative if that's not what it is in the first place, since endogenic systems are separate individuals, not personalities and not really anything close to subpersonalities).

I think a lot of people would be interested in reading any essays you'd write on your experiences too. The alterhuman community especially is big into that, and I'd love to read it myself too. A lot of communities got their start with people just writing and sharing their experiences. If you try to make the whole term structure before others know your experiences and vice versa, that's how misunderstandings can happen.

It's worth mentioning too that there are system and plural community resources that might still be applicable to you, and there's nothing wrong with using or reading these if you aren't of these experiences or don't identify as such. I'd highly recommend Healthy Multiplicity as a starting point since it's a long time link collection and has a lot of relevant articles. I'd also recommend learning what plurality and systems actually are, since that might give you more insight into how your experience compares and differs.

(Also re: little, I know it's an age regression term but little and ageling as far as that glossary goes seemed redundant to me, hence why I included it, but admittedly that was done without thinking)

Polymind is a bit fascinating because it ends up unintentionally showing why system terminology ends up not being exclusive to any one specific group.

Like when you try to describe plural experiences in a way that tries not to use an existing plural definitions, it shows a lot more blatantly that at its core we do all have the same experience of being more than one. Any term you make has a high chance of applying to the other group.

Then when you get into the terminology needed to actually describe those experiences, you find you kind of need most of the shared terminology otherwise you need to recreate the whole damn lexicon.

Like the reason terms get shared is more like "We have DID need a fast and easy way to describe fictional alters. Oh, soulbonders have a lot of terminology for this already that fits what we need, we'll start using fictive and source."

Or "We're a non-disordered system and need a way to describe one headmate taking over. Oh, medically there's switching and front, that's a fast and simple way to describe it."

And like a lot of subcultures online are like that and when you try to fight it you end up with complicated and not very practical terms. Especially when there's terms that have been used for over 30 goddamn years that are simpler and easier to use.

Hell even trying not to use any existing plural terminology, Polymind ended taking a lot of them unintentionally (i.e. part, ageling, little, protector).

It also highlights an issue where unless you do deeper introspection, which is not always practical for... obvious reasons, you probably won't know exactly what you fall under. Expecting people to look in depth trauma history to figure out what terminology they're allowed to use is despicable.

Also that the problem is at its core that people don't think we should exist at all and that the terminology stink ends up being more of a way to make harassment and fakeclaiming seem "justified" and also a method of erasing history and separating systems from resources/making them harder to find but eh

[cantareincminor]

Fandom Wrapped (Reader Edition) 2024!

Thanks to the wonderful @kattyelf for creating this template! Links and detailed reviews under the cut.

Disclaimer: I probably read hundreds of SxF fics in the past year, and it was not easy to choose which ones to put in the list above (or below)! This fandom is full of wonderful, friendly creators and I am so glad to be part of it. I also had to narrow it down to only the ones I read and reread in 2024, not 2022 or 2023. Finally...I also happened to read many good fics only once. Sometimes a fic is just too painful or sad to reread, especially if it's not finished.

Favorite fic and author: After peace by @unhappy-sometimes!

I could gush about unso for a whole post and not be done, but I will try to contain myself. Her fic After peace originated from an AU comic she drew where Twilight was forced to retire early due a major injury, and drifted aimlessly until WISE asked him to take care of an orphan they had rescued from Project Apple. There are several things that amazed me about this fic and cemented it in first place for 2024:

The premise. It was original and so full of potential.

How personal Twilight's journey felt to me. I didn't have a life-threatening injury, but I did put my career on hiatus in the past year and have often struggled with questions of -- what am I worth when I'm not "doing" anything? I was so used to going 150% in the rat race and coming out on top at great personal cost to health and family; even if all that was bad, how else can I get that sense of accomplishment? How can I stop wanting that sense of accomplishment?

Her style, which is both vivid AND concise. The fic was around 22K words if I remember correctly, with a well-constructed plot, character arcs, plenty of emotional beats, and a satisfying resolution. I often wonder if my writing is too verbose and when I see something like After peace, it challenges me to do better.

THIS WAS UNSO'S FIRST FIC EVER. THE HELL. It's like a freshman album that gets put up for a Grammy.

Fic(s) I reread (plus runners-up):

That Time Yor Seriously Thought About Leaving by peonydee: This is a WIP with one more chapter before completion, I believe. Peonydee's style is unique in how it's hard-hitting and disarming at the same time. Yor and Twilight find themselves in impossible situations, their relationship tested to the limit (and one of them in a close brush with death), yet there's still an undercurrent of wry humor, almost fatalistic due to the fact both of them have been steeped in death and dirty work for decades, yet still hopeful and reaching for each other. I also cackle every time she makes Twilight go off on a mansplaining tangent without ever using the term outright. A masterpiece of show not tell.

Is It Really All Right? by zyzy1083: This one is tender. A jealous!Loid fic with a fascinating portrayal of Loid from Yor's perspective. The imagery of a dark sea choking down any true thought or emotion from breaking for air will stay with me for a long time. There's also the fact she basically made up lyrics for an indie song as part of the plot and I had to ask whether it was a real song. Finally, there's the fact she was bold enough to portray Loid as less than a perfect, kind, smiley husband toward Yor, but in a believable way. He snaps at Yor at times. He loses his patience. It feels like a real relationship, in the awkward tension when one partner wants to talk and the other absolutely does not want to talk. I admire that courage and wish more authors would take that risk (calling myself out I guess!).

Green-eyed Monster by bigbruja: another jealous!Loid fic that's lighthearted and fun. This is a comfort reread. I enjoy seeing Loid recognize the threat of a supposed "old friend" of Yor's, questioning his own feelings and how far he needs to go to fend this guy off. The guy is a Garden assassin, unbeknownst to him. I also love Yor's own inner struggle of just wanting everyone to get along, but showing steel when she needs to.

dalliance by rosetintednerdglasses: this is a WIP, but it is HILARIOUS and I hope everyone will go encourage this author to pick this fic back up when they have a chance. TLDR, Twilight (in disguise) is sent on a joint mission with Thorn Princess and flips out internally when he sees it's Yor. Handler then orders him to ensure Thorn Princess continues to cooperate. So as Twilight, he has to sort-of honey trap Thorn Princess, while as Loid he has to keep Yor happy. Poor Yor believes she's torn between two different men and close to cheating on Loid! Situational hilarity all over the place, and fun world-building, like this other WISE agent randomly named "Steel Bunny" (LOL).

Not According to Plan by @kyrathel: love you girl! This is a gift fic for me, but that's not the reason I reread it (even though it's a WIP as well!). It's SO FUNNY. Twilight gets it in his overly anxious head that he MUST defend his wife from the bullies at City Hall, so what does he do? HE INFILTRATES CITY HALL AS A NEW FEMALE HIRE. The world absolutely needs more petty!Twilight! The latest chapter features laxative brownies. Enough said.

Let's start living dangerously by @beannoss: I specifically reread the later parts when dumb Twilight gets over his dumbness and finally talks to Yor! And they kiss again! I love the way huhwaku (beannoss) portrays overthinking Twilight AND overthinking Yor. And also, the simplicity of Yor at the same time. The voice she uses for both of them is refreshing, it really puts you in the mindset of the character. Yor's giggles ("teehee!") as she teases Twilight about his little perfectionist habits are a cute touch to a gentle, heartwarming fic about these two highly competent professionals just starting to take baby steps in how to be competent at a relationship.

Fic that made me emotional:

100% Perfect by @sometimesiship. Where do I begin? How about with the gut aversion I initially had to the premise of a futuristic AI dating bot AU, due to all the tragic, dark AI movies I have watched? But as it neared completion, someone convinced me to give it a try and I AM SO GLAD I DID. You can see my gushing comments in almost every chapter. The development of the relationship between human Yor and AI Loid is so natural, funny at times, poignant always, and beautifully written, even though from an objective standpoint not much exciting stuff happens (I mean canon-typical excitement like murders and spy missions). Sometimesiship has a way of describing emotion that is so raw -- she can portray the same emotion a dozen different ways with analogies and setups and dialogue and whatever -- and it still doesn't feel old. And the emotion that dominated the second half of the story was grief. Basically the grief of loving someone you know you're going to lose. Like being the spouse of a terminal cancer patient. I didn't cry while reading, but it was a closer call than I have had in a VERY long time. So much beauty and humanity in this story. And spoiler (?), it's a happy ending. So I hope you all go check it out!

That's a wrap! If you read this far, stay tuned for a Writer version of Fandom Wrapped 2024!

[confused-rat]

It's wild to see lily talking about and posting Courtney's call out discord screen shots because most of the stuff Courtney says isn't far off from shot she said herself.

Lily singles out the kids in her audience to tell them to beat the shit out of their bullies--Courtney tells them to mock their dick size (something lily does alot to her critics).

Courtney talks about sex with a minor--lily flashes her books in front of her audience that she knows has minors; also used to ask for sexual fantasies from her audience and post them with graphic sexual replies.

Courtney makes fun a trans person for being ugly--lily says her critics are hideous, want to fuck her and used ablist slurs against them, and misgenders her trans critics by calling them things and it.

Courtney says he killed animals (that txt chain is confusing to me cuz he also says his boyfriend was at fault for the deaths; also unsure how they killed them, he doesn't really say, or how many) lily, if I remember correctly also bragged she hurt a cat cuz it was funny.

To me, it comes across as pot meeting kettle. Courtney is obviously really fucked up and has done bad shit, but lily is acting as if she's better, or any different is ridiculous. Frankly, I think Lily would do/say even more of the stuff Courtney did if she wasn't so aware of how closely she's watched by her critics. Alot of her change, like not taking sexual asks, is because it got her a lot of heat from critics and even fans.

Also, I can't say I don't find her attitude ironic. Lily has said callouts are lies, especially against a trans person, which I think Courtney is now (correct me if I'm wrong). She said that random screenshots aren't proof, that unless you go to the cops it's just petty drama. But now that it's Courtney, everything is 100% A-ok and real. Which, I'm not saying it's not, but for a woman who constantly reblogs or posts herself about how all callouts are evil, it's rich for her to turn around and start agreeing with one because it's about a person she hates.

(I think Courtney is gender apathetic btw, he doesn’t care which pronouns are used.)

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[aithusarosekiller]

I saw your Jegulus post about them not being the typical teenage romance and can I just give you a double high five in agreement! I then HAD to find one of many moments I've written for them which exemplify this and share it with you. And this one is the one I settled on. Remus' POV, year five for the Marauders, year four for Regulus. Context is, this is the first time Remus has spent time with James and Regulus together after discovering their secret relationship. It's James' birthday and Lily wants James occupied all day so she can prep for his party. Lily also knows about James and Regulus BTW, makes contextual sense in the story (Sirius does not know, doesn't apply to this scene though).

Hope you enjoy. :)

>>><<<

There were people who loved each other, like Remus loved Sirius. He would have handed Sirius his body, heart, and soul. He loved him with every ounce of his being. And yet… There were people who loved each other, and then there was James and Regulus.

Remus could think of no other way to describe it. They weren’t two hearts beating for each other. They were the void between heartbeats. They occupied the infinitesimal moment as an inhale became an exhale. They were two people, who shared a single soul. And being around them was both intoxicating and strange. Remus felt like if he breathed too hard in their direction he’d mess with their air, which was exactly perfect between them as their breaths mingled. For surely two people so melded would only breathe the air of the other. And then they would poke fun at each other and their aura would brighten, literally bringing each into sharper visual focus, before it blurred again as they melted back into each other. 

They didn’t even have to be touching (though they nearly always were) for this phenomenon to take place. And for half the day Remus thought he was merely groggy from the Pamoja wielding. He thought his brain was sending him confused signals as he watched James and Regulus be James and Regulus. 

But a massive lunch, plenty of teenage goofing off, and exploring the surrounding forest left him with a very clear mind and the same mental signals. At which point Remus decided James and Regulus were an exhibition in their own category of relationship, absolutely unique to them. Love was not the word he would use to describe them. It was so much more. They filled the spaces no one else even noticed. And it merged their existence into a single organism. 

It was fucking intense. 

After they parted ways, as James and Remus continued up to the castle together, Remus said tentatively, “hey, so is it always like that?”

“What do you mean?” asked James absently. 

“Er, do you really not know.”

James glanced over at him. “It’s always like that, yeah.”

“Bloody hell.” Remus couldn’t get a good read on James’ face for they were walking side by side, but he thought James might be smiling. “I knew he had to be something special and way more substantial than he looks to withstand your affection, but Godric James. I don’t even know what to call that. I’m not sure it’s physically sustainable.”

“He’s my star.”

“Mate, he’s your fucking universe.”

James playfully threw out an elbow and definitely didn’t look at Remus. 

“What can I say, we are infinite. Don’t look so scandalized, you and Sirius aren’t so different.”

“No, we are very different. We exist in the physical world James. You two are already way out there in your own orbit.”

“See why I can’t lose him.”

They took several paces before Remus spoke.

“James, I’m scared for you. That kind of connection has to be dangerous.”

“Want to stop and have a smoke?”

“Took the words right out of my mouth mate.”

<3

JUST REMEMBERED I HAD THIS IN MY INBOX FOR AGES I AM SO SORRY IT TOOK SO LONG TO RESPOND TO THIS

But honestly it's one of my favourite things about them, the poetic quality makes it feel like they're finding each other again just when they need it at the same time as we're finding them when WE need it, you know?

That's so real though, the idea of the two of them being able to almost spiritually feed off of each other's presence is so true. Like existence is centred around them for a moment. They take over everything.

And it's probably bad in the long run but it's so beautiful that the pain is okay. Because without all of the painful bits, were the good parts really all that valuable?

Also I love your style, it feels real and almost factual if that makes sense? Even when you're describing metaphysical aspects the certainty gives a strong feeling of truth and rationality. I like it.

[tobiasdrake]

hearing you call live-action sonic surprisingly conservative in your post about media moving forward felt like being shot in the heart

i mean, sonic as a character is pretty leftist. his whole deal is being free and setting people free,

beating up enemies in the game is literally breaking the shell that the animals are stuck in

Eggman was an analogy for pollution, with him destroying the environment for personal gain, and later being more of a fascist dictator

and his thing is always turning people into products, into literal machines he can control to do his labor and fight his wars, which would be every capitalist’s dream.

and so i never put the pieces together when it comes to the movie being conservative.

damn.

ouch.

could you elaborate more on it? idk, the conversation hurts but i’d like to know what your thoughts are on live-action sonic specifically

Oh, sure. We can talk about the surprisingly conservative themes and ideas of the live-action Sonic the Hedgehog films. With the caveat that this is old-school traditional conservatism, not modern nakedly fascistic conservatism. The Sonic movies are conservative in a Home Improvement sort of way, not a Lady Ballers sort of way.

What it amounts to is that Paramount approached the films not with intent to make a Sonic the Hedgehog movie but with intent to make a "relatable" story for an audience that also has Sonic the Hedgehog in it.

Have you ever seen 2019's Godzilla: King of the Monsters? A film which centers a broken family trying to connect with each other, while also there's a disaster movie happening around them? Like. Godzilla and Mothra and Ghidorah is all stuff that's happening, but what really matters here is whether this daughter can forgive her mother.

It's the of writing a low-stakes personal drama and then stapling the film premise to it. The kind of move that makes sense with something like The Day After Tomorrow where the premise is just "It got fucking cold" so the movie kinda needs something with some actual characters that it can be about.

But when it's an adaptation, it shows low confidence in the IP itself to carry a film. It says, "I don't think a Sonic movie would work, so instead I'm going to just make a movie and have Sonic in it."

And the a movie that they made centers some conservative values. But, like, old-school conservative values, not the hyper-fascistic transphobia and white supremacy and stuff you see around today. Things that were considered commonly recognized conservative values in the 80's and 90's, when white people were still supposed to believe that racism was over and all that jazz.

For one, Tom is a cop. Which is a wild choice for a film coming out at the height of BLM and ACAB. The film, as well as its subsequent sequels and spinoffs, play Tom's policing very sympathetically. A major theme of the first film is that Officer Wachowski is a vital and valuable part of his community.

There is no ambiguity; The cops are the good guys here. They're kind of wacky but we're meant to love both of them, Tom and Wade. They are, however, contrasted by the wickedness of the Feds.

Eggman, in the film, is reimagined from an industrialist to a federal agent. He represents the long arm of Big Government overreach coming for the sleepy town of Green Hill. Which is then further represented by G.U.N., who oppose Eggman once he goes rogue but are still the enemy nonetheless.

Even the Knux series still manages to be about fighting the Feds. The federal government has been the antagonist for 3 out of 3 entries thus far, when Eggman himself has only been the antagonist for 2.

The films leave the environmentalism of the original behind, instead centering family values. Rather than setting out to rescue woodland creatures from industry, Sonic has heart-to-heart chats with Tom about growing up and finding his calling. Knux isn't the guardian of Angel Island, but Sonic's adopted brother. Maddie can ground him for inappropriate behavior.

The first film also features the popular old-school conservative theme of Rural America vs. Urban America. Tom is a small-town cop who yearns for the glamour of the big city. He thinks his calling is there. But, over the course of the film, he learns to appreciate the value of small-town living and his importance to his community, and sets aside his foolish dreams of urbanity.

"I wanted to run away to the city but then learned that my Real 'Murica small hometown is where I truly belong" is probably the single most popular conservative story in decades of film and television.

It's worth noting that the film does feature an interracial marriage, which is something I hear brought up a lot as a way of saying "Actually it's not conservative because...."

But for as much credit as Maddie might warrant... There is the issue of Rachel. A character who exists primarily in the film to be a Sassy Black Woman who reacts with furious histrionics towards Tom for no apparent reason. She just. Hates him. From the bottom of her soul, despises "Relatable Cop Boy".

Like. So far as the film's concerned, it needs no explanation. Her relationship with Tom is just an eyeroll, sly glance at the camera, and "In-laws, amirite?" The second film at least gives her more to do, but the first concludes her subplot by having them tie her up and steal her car.

Like. That's it. That is what she amounts to. Maddie's sister yells sassily until she passes out and then the payoff is that they steal her car and leave her tied to a chair as... I guess her karmic retribution for being so sassy and mean to Tom? It's hard to really say whether this is mean-spirited because we do not know what her beef is. The film doesn't think we need to know. "In-laws are crazy, amirite!?"

When you set aside the cool action scenes of Sonic punching robots and look at what the films center as their emotional heart? You get a story about a small-town cop learning to appreciate his rural roots and build a family with his wife despite her unreasonably psychotic relatives, while the wicked federal government attempts to destroy their home, town, family, and way of life.

[deathbxnny]

I’ve been busy.. but that doesnt stop me from daydreaming!

Can i request platonic Vi with a best friend that is like Wriothesley? I didnt realized how similar those two are until i saw Wriothesley’s birthday art. It’s just.. mind blowing. ALSO WRIOTHESLEY AND CLORINDE, VI AND CAITLYN. DO YOU SEE IT?! Personally, i dont ship Wrio and Clorinde but i can see why people even ship them in the first place. I see them as platonic besties who support their endeavor with their respective lover (Neuvilette and Navia respectively)

Context:

Reader and Vi met in prison and just clicked bc they just understood each other. When Caitlyn came to ask Vi for help, Vi also made Caitlyn to allow reader out with her as well. Whatever happens next is your choice to make but please also note how reader is from Piltover.

That’s all and have a good day/night!

(School is just.. really busy rn and i have my final exams next week. Im honestly scared, so i might not be active for a while here. But know that i do read your stuff to time to time to destress. Also i really like the post with my navia request, tysm ^_^)

- Flower Anon 🌸

Vi with a best friend Wriothesley-like!Gn!Reader.

Your words about the Wriothesley and Clorinde comparison have enlightened something in my mind lmao. Also, good luck with your exams, Flower Anon! I really, really hope that they go well and dw about not being active much! I appreciate your support either way and hope you'll enjoy this!<3

Content: Reader is from Piltover, past murders, crimes, platonic relationships, Vi and Reader being a menace duo, sfw

Reader has no mentioned pronouns.

((Not proofread))

You and Vi had your backs from day one after meeting in Stillwater. You were both teens then, having been imprisoned under terrible circumstances, and that made you stick together as a team. There was no one else to look out for you in that hell after all.

During your long, seemingly endless time in jail, you both got to know each other perfectly, with no details about your pasts spared. She came to know about your dark past and the murder of your abusive parents rather early on, yet never judged you for it. If anything, she may have been the only one to understand you.

This was surprising, considering your vastly different upbringings. Vi came from poverty down in the slums of Zaun, whilst you once tasted silver spoons and golden dishes on the daily. But it all faded in this hellscape of a prison, where you both endured torture and pain as equals.

You became an unlikely duo out of that, one that upheld a scary and menacing reputation amongst prisoners and wards alike. She was the more angry, violent one, whilst you were a bit of a joker, your words alone enough to send shivers down anyone's spines. It made you both feel more confident and hopeful, even if a way out was unlikely after many years spent in the prison.

Now, far into your adulthood, you decided to give up on that childish dream of freedom, accepting that your life in Stillwater is all you'll ever know. You were used to it by now and built a routine to follow and survive with. But things changed when that Enforcer girl showed up.

You didn't trust her at all, despite roughly remembering who she was. And unfortunately, she remembered you two, although for all the wrong reasons she would simply scoff at. However, since Vi decided to make a deal with Caitlyn, you decided to leave the past behind and simply accept this opportunity to finally escape this place.

And so, after what felt like endless years of fighting for your survival together, you were finally permitted to breathe, mostly, fresh air and live freely again... even with the grim mission at hand that often left you having to comfort Vi whenever things got too out of hand with her emotions. Hunting down Jinx was more traumatic than she'd let on anyways.

But alas, you eventually began enjoying your time out by trying new tea and pastries, running around your okd neighborhoods, and beating up people with Vi that wronged her in the past. It was all in good fun, even if Caitlyn had to hunt you both down every time.

You were the more calmer and gentler out of the three of you, however, as your rationality and ability to lead effortlessly often came in handy. You were somewhat of a balance between the two when things got really bad, despite your own reservations, and eventually ended up being an accidental wingman with how well you spoke of Vi to Cait. You knew firsthand how bad the prejudice against Zaunites could be and would be damned if she ever mistreated Vi because of it.

Ultimately, life turned out a lot more chaotic outside than it was outside of the prison... but with your best friend at your side, you suppose things would only get more interesting from here.

[mtvjedi]

can i complain about gladiator 2. i’m gonna!!!! here is your official spoiler warning!!!!!

i knew frankly nothing of the plot before i went to see it i ONLY saw it because of pedro pascal and paul mescal (and denzel) so in that sense it was a good movie. in all other senses it was…………. well……….. a movie. why was lucius beat for beat maximus from the original movie but written worse. birthright stolen from him, wife murdered by the roman army, forced into being a gladiator due to the whims of powerful men, eventually becomes Thee leader of the gladiators, overthrows the current emperors/government/etc. except we have the added “plot twist” of him being maximus’ son AND marcus aurelius’ grandson. double nepo baby. i say plot twist because it was obvious to probably literally everyone who knows even a tiny bit about the original movie.

it is very obvious that they cut basically everything important from the plot because nothing connects. the ONLY plot line that has any kind of follow through is denzel’s so no shock he was the best part of the movie. side note i knew once they cast him that he wasn’t going to be playing some silly goofy mentor character so him turning out to be more important wasn’t surprising but his true motivations were and, again, the only coherent plot line in the movie. he was a slave, he bought his freedom, he got rich, and he did what he had to do to get his revenge. his and paul mescal’s relationship was the most interesting one because you were a slave but now you’re buying slaves and potentially sending them to their gruesome bloody deaths in the hopes that someday one might be powerful enough to help you overthrow the emperors??? did you KNOW paul mescal was lucius when you found him or was that simply pure dumb luck???? “the dream of rome is dead” ???? great continuation of the first movie because truly like what was supposed to happen post russell crowe killing joaquin phoenix and then immediately dying. who was in charge after that. side note: why were there like. full scenes from gladiator in there as flashbacks.

pedro pascal was like. kind of exactly the character i expected him to be. but again it feels like there’s MORE that they could have done with him. i understand why he had to die and it WAS interesting to pit him against paul mescal in the arena and then have the praetorian guard actually kill him to show how the emperors were losing control of the people, enter denzel, but. idk it felt like there was something missing from his character. i was actually convinced that the guy who put young lucius on the horse and sent him away would turn around and be pedro pascal and that would’ve been like an interesting little i saved your life please show me mercy here’s how i connect to the story besides being your stepdad type thing but here we are i guess.

poor paul mescal, truly. i thought he was as good as he could be with what he was given. his whole character just felt disjointed. like, it makes sense up until he’s revealed to be lucius. captured from his home, forced to watch his wife and eventually his friend/mentor die in front of him as a direct result of the roman empire, forced into slavery, doesn’t want to kill other slaves but eventually has to because he, like denzel, has an axe to grind with rome. but then he actually gets to rome and appears to not remember anything about who he really is, his mom figures it out in 0.2 seconds, and he suddenly remembers everything? had he ever even forgotten it? if he hadn’t forgotten, what was his plan back in his city? did he really love his wife? if he had forgotten, how does he remember everything so quickly? why does he hate his mom if he was 12 when she sent him away, aka old enough to understand what was happening? like, him in the first half and him in the second half are completely different characters and there’s not much of a bridge to connect them. there’s no explanation. honestly i kinda thought the real plot twist was gonna be that he actually was just some random kid and not actually lucius. like he just Becomes this character at the end without any real growth!!! he forgets about his wife and his friend! he has the chance to kill pedro pascal but he just……… doesn’t, for whatever reason. i kinda thought he was gonna die at the end because there had been so many little flashback moments to his wife crossing into the afterlife like russell crowe walking in the field to his wife and kid but i was gonna be really pissed if he died because then it’s just like exactly the same as the first movie where like who’s gonna lead??? you’re gonna be in the exact same spot in 20 years again!!!!!

idk it was just so long but nothing like. happened. it’s like a half baked gladiator remake but there’s so much CONTENT missing. overall, cheesy, the “dream of rome is dead, but we can rebuild it for all of us” or whatever thing was a little heavy handed, 10/10 for denzel washington, fun to watch if you don’t wanna think about the plot, pedro pascal and paul mescal as beautiful as expected.

[bts-boba]

idk much about seventeen, but i would protect dino with my life

[sonknuxadow]

okay sorry this is gonna come off as a little mean but i do not like any ships involving fleetway super sonic . or at least not the takes on them that ive seen because they all mischaracterize him. maybe if people would do this stuff with super sonic during the time he was separated from sonic and was niceys i might feel differently about some pairings ive seen but people never do it with niceys super its always evil super but specifically the weird fandomized version of him that you get from getting all your info from fanart/fanfics instead of the comics . and i specify niceys super because evil super in the actual comics would not be dating anyone he does not care about flirting with shadow or amy or scourge or whoever the hell he only cares about biting and killing and maiming . yes even if theyre sonics friends or the character you ship sonic with . sorry

[hella1975]

tams azula is sooo fascinating bc while canon azula doesn't really show her age at all like she's completely desensitised to so much shit 'she is fourteen' is not a justification for ANYTHING both in her own mind and in other people's, in tams she has zuko. and yes the world has been abundantly cruel to her but zuko hasn't. he's basically raised azula and he's done so in a way that she's allowed to show her age, but she still only shows her age in very azula-esque ways. there's no reluctance to see violence like you'd expect from a fourteen-year-old, and like ive said before, that means zuko can't play on that reluctance in order to shield her, but he still wants to shield her from that violence because regardless of what SHE feels about it, as the eldest he knows fundamentally that she shouldn't be seeing certain things no matter how well she can handle them. and seeing zuko effectively PLAY azula in order to protect her is so interesting and complicated and fun

[bmpmp3]

my inability to play mobile games nowadays is also a source of suffering as a person who loves rhythm games. i miss her (SIF1).....