#but i will take it head on like a boss

[wikitpowers]

whenever i think about kitty and morgenthorn both going on separate quests i feel like squeeling my lungs out!!! like the amount of opportunities for romantic scenes we'll get is crazy eeeek!!!

[st-hedge]

Puts Elden bling doodles into ur hand

[choccy-milky]

now that i have it in person i tried cloras hairclip and I LOVE IT SO MUCHHH💖💖💖 ill probably never actually wear it in my hair BAHAHA but i love having it regardless🙏😭 now i just need to commission myself a seb to go along with it😇😇 (also one of my readers got this commissioned too and AAA??🥹SO COOL!!! I HOPE YOU ALSO LIKE IT WHEN IT ARRIVES/IF IT ALREADY DID💖💖 and thank u again to joinhas/marcia on etsy!!🧎‍♀️)

[vlasdygoth]

uh

[oh-no-its-bird]

I kind of ended up w a small pile of Hatake ocs and lore to fill the early konoha timeline void, and a big thing is like. They all die to preserve the narrative. A lot of them very young bc again, made to fill the time line, so logically, there had to be some Hatake kids/teenagers who met an unfortunate end.

So I'm kinda sitting here considering a 4 part fic where each chapter revolves around a specific Hatake and their inevitable death, w maybe a bonus chapter at the end being about Sakumo

"Death of the Wolves," the unfortunate end of the Hatake's, told in 4 parts

The Hatake's helped set the Konoha standard rule of "a team can only be made up of so many % of one clan" (with special exceptions) after a large chunk of them got sent on a mission together bc of their specializations and all wound up dead, wiping out a solid 90% of the clan in one night.

Actually, expanding on that bc the tragedy is so good -> I already established that in my time line, the Hatake head, Haruka (Sakumo's mother, Tobirama and Hashirama's aunt) died under a week after Tobirama's death, and she would have lead that failed mission. Does that mean one of Hiruzen's first acts as war time Hokage resulted in the accidental slaughter of his beloved dead Sensei's mother's clan? That's amazing actually, so much drama there. I bet him Danzo and Kagami argued like crazy after that monumental fuck up, probably went on to define how he feels ab being Hokage / what that entails. Fun times!

Anyways, I'd also be very interested in exploring early konoha politics n stuff. Especially from the multiple views of not the people in charge of making the village but the ones who are living in it. The view from the ground up, instead of looking down from the tower. The younger generations being brought to this new village, going from their isolated clan lands to suddenly being surrounded by others their age from different clans, possible for the first time ever depending on their age and their clans level of secrecy.

Also, I really wanna poke at the outsider pov of Madara and other founders— but mostly Madara bc I find his downfall very fun to think about, especially from the POV of someone not in his clan.

I'm so in love w the take of the Hatake's being fond of Madara bc "he'd make a very good Hatake." Something about the two tropes of the Uchiha being a clan that loves love and the Hatake being a clan w similar values when it comes to family and loyalty just meshes so well.

Comedy moment where Haruka is weirdly insistent on Madara potentially marrying into the clan, not even for the politics or anything but specifically bc she NEEDS a cute squishy Hatake baby with his massive hair. She NEEDS IT, MADARA.

Anyways also just the early konoha inter clan drama but like. From the eyes of the clan kids. The Uchiha kids seem to be having some sort of terf war with the Senju— but it was interrupted by the Hyuuga, and now the Senju and Uchiha kids are somehow banding together against the Hyuuga? But oh no now the Nara kids are teaming up w the Hyuuga, and the Hatake kid (singular bc there's literally only like 1) seems to have an actual blood feud going on with the Hyuuga clan heir— but the older Hatake teenagers are fond of the Hyuuga's baby clan heir so it's just a mess. All the clan drama but with none of the tragedy bc everyone involved is a child.

Meanwhile the older clan members are somehow bonding over their children's fights bc they're all struggling to pull them away, or going "what the fuck do you mean you teamed up with the SENJU??" Then sharing a disbelieving Look(tm) w the opposing Senju's parents before realizing what they just did and having a crisis of faith ab it

Meanwhile the teenagers are having a wonderful time, especially those from smaller more isolated clans like the Hatake. There's so much romantic drama, there's probably a whole shinobi soap opera happening in that direction. Hormonal shinobi teenagers from opposing clans just got dropped into the same dating pool it's gonna be a MESSSS.

Even funnier if you take crumbs from my senju weed empire au and like. Some of these clans regularly smoke n stuff. Meanwhile other clans have never touched a psychedelic in their life. Some are especially vulnerable to drugs due to heightened senses (Orochi, Inuzuka, Hatake) while others have been smoking since they were younger and have an insane tolerance and very much distorted views of a reasonable amount of weed to smoke (Senju, Nara, Shiranui) There is no way in hell that goes well. Someone is going to get fucked up in a MAJOR way.

Well-intentioned Nara accidentally gets a bunch of dog wired guys and one snake high out of their fucking minds, the high lasts a full week for some of them and one sometimes wonders if they ever really came down from it

Anyways I got a bit off track but yeah! Early Konoha fic that revolves around the daily lives of differently aged Hatake ocs, taking a look from different angles of Konoha and all the silly clan drama and daily lives of an early Konoha shinobi— each chapter being different degrees of generally lighthearted, but ending in the Hatake's death. The fact that each Hatake is in with a different crowd and is a different age would make it even more fun and easier to explore the different layers Konoha has to offer! It's for sure on my list of things I wanna write

(Also I'd really love to have it just so I can point to it as a good introduction for my Hatake ocs. I love tricking people into learning ab my ocs it's great)

[dukeofthomas]

My understanding of Jason Todd's age;

Jason dies when he's 15, 4 months before his 16th birthday. He is dead for any number of time; it doesn't count towards his age.

He's resurrected; he is in a coma for 1 year, then catatonic for another. He is then put into a Lazarus Pit. (These 2 years are practically useless, as he doesn't remember them and they contribute very little to the story. They could be condensed to 2 months and it would change basically nothing.)

He trains for about a year. You can then give him 1-12 months of prep and planning time before his debut as the Red Hood, and the story of UT(R)H, at which point he would be mentally 16-17, physically 18-19, and it would be (--) years after his birth.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[nell0-0]

@open-to-the-sky​ here is your reply! The Akari in Unova looking for Ingo is related to this post

How that happened, tho? 

...Ingo arrived a tad behind schedule, pfpfpf

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh ����

[thebirdandhersong]

Lol

[fridayiminlovemp3]

i’m so serious i need these lyrics tattooed on the inside of my eyelids

[perilegs]

my sweet little baby man is no longer with us

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[herunswithscissors]

I'm the wife in my marriage.

It's funny to me anyway. Funny to me because my wife is the very picture of femininity, loving, caring, sexy, pretty, beautiful wife, loving and adored by all her children. And a satisfied and hot for her husband.

But to me she is beautiful and terrible as the Dawn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love her and despair!

And yet she chose me.

So to all the hella ladies who rejected my advances? Y'all missed out. Because she saw in me what way too many people couldn't. And sometimes still can't.

And she wants to run my life. And the lives of our whole family. And we all kinda love it. Mostly. But it ain't worth the headache or heartache of fighting her on anything. She's Daddy's little princess and her mother is the loving matron and queen bitch of the family and we all stay in line. Mostly. I love to do my own thing too much for my own good. But it keeps our fights about stupid stuff instead of my weed use again.

(I'm dead ass functional and present from 6am on till I finally get my insomniac ass too sleep while high just to escape the constant anxiety about my sick daughter's upcoming surgery, my dying suegro, my mourning wife, disturbed autistic son, special needs princess Daddy's girl I'm spoiling her to death to make her just as powerful and ungovernable mother and it's working too well already. Have you ever negotiated with a hostile bitchy entitled as fuck child? )

Anyway, you wouldn't know it looking at me or talking normal chitchat, but I'm pretty fucking manly. In the way my culture defines manliness. I'm not very masculine. But I'm very manly.

I'm feminine as fuck in my household. I mother the kids, help their emotional development, work on my wife's emotional and mental well-being, and I'm the one never in the mood for sex. And I do every single thing she says. And then she does the discipline and management of the family's affairs. And she's the one who has to seduce me. Did I mention she was sexy as fuck? (While I'm awkward as fuck every time we even roleplay.) And a horny Latina. (That's why these horny sexy, nice, Latinos are taking over. It's natural selection. The Whites just can't compete and as usual are getting their panties in a twist over not being able to compete even with everything in their favor to out reproduce them all but it was too many kids for a nuclear family to handle Whites.) So beautiful hot queen sexy as fuck Latina seduces me every night. #blessed. So fuck yeah I don't wanna fuck up this arrangement. So I do everything she tells me to and treat her real good and let her win every argument and over apologize. Except when I make a rare exception to make a stand in something important or just to make some trouble and have some fun.

Oh yeah. She's a clean freak 😮‍💨 But she's an impatient Latina housewife perfectionist clean freak. So she gets mad at my perfectly good job when company isn't ever coming job and tells me to stop even trying to clean. Go play Minecraft with your daughter to keep her occupied.🤣

I have the best living situation ever. I'll be your bitch my bitchy highness. Just please keep playing with my hair on your lap. Oh, and that sucking my dick the way you do and being right 95% of the time on judgement calls.

So yeah I'm the wife.

And I got a pretty good life.

[moongothic]

Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.

My friend, this is what we call a "cocktease"

Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.

So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))

So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background. This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:

For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn. Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)

But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)

But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction

Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.

Oh, how the mighty have fallen.

And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted. And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.

So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling

[welcometoteyvat]

the only thing i took away from hsr 2.1 is that march is gay