i was thinking about how i wished leverage had a birthday episode for some of the characters cause that would be sweet, but then i realised something and basically…. okay here’s my thoughts in quotes form, just for fun
hardison: so when’s your birthday? i could plan something for us and the team to do and-
parker: i dont know
hardison: you don’t know… your own birthday?
parker: no, how would i know? pshh, cmon, you’re telling me you remember EXACTLY when you were born? watch this - hey, eliot, do you know your exact birth date?
eliot, innocently passing by, who was canonically anonymously dropped off at a hospital as an infant: no, how would i know?
parker: that’s what i said!
hardison: excuse me?? what is going on right now
sophie, walking into the apartment: whats wrong?
hardison: parker and eliot- well, okay, when’s your birthday? i just have to prove something.
sophie: …….july 12th
hardison: why did you pause? wait, is that your birthday or sophie devereaux’s birthday?
sophie: ………… (guilty silence)
parker: see, no one knows their real birthday! haha you’re so weird sometimes, hardison
hardison:
hardison: what the fuck guys
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Tips for talking to someone with hearing loss
(this is what helps when people are talking to me, and when I'm talking to my relatives)
Make sure they can see your mouth. Lip-reading helps with clarity, and facing them while you talk also helps a lot with volume. People are really bad about getting your attention, starting to say something, then turning away mid sentence. Stay facing them the whole time!!! (People are the worst about this while we are shopping together!)
Be comfortable with repeating yourself. Either they will ask you to repeat yourself, or you will realize they misheard you. Both of these are fine- just repeat yourself clearly and make sure they can see your face while you do. "Never mind" makes me sad :(
If someone misheard you: try rewording your sentence! Maybe certain sounds are harder for them to hear than other sounds. Instead of "grab that shampoo!" three times at increasing volume, try "grab that blue bottle, the one next to the conditioner" or "I like that dandruff shampoo up there, can you put it in the cart?" There are a lot of ways to rephrase things that will give the person you're talking to more chances to understand, and it feels much less patronizing for everyone. And make sure you're facing them so they can see your mouth!!!
If someone misheard you: try a Yes, And approach. If your grandma didn't understand your question and starts telling you an unrelated story, enjoy it! When she is finished, thank her, and then try asking your question again with more clarity, or worded differently. "No, that's not what I said" is much less enjoyable for everyone involved.
Enjoy your conversation! Not everything needs to be understood perfectly. The important thing is that you are spending time together and talking to each other. Each conversation is a journey and you will get there in the end!!!
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You may be interested in this article about ine if the "unpublished" letters in Dracula. It's the letter from Mina to Lucy that we don't get to see.
https://www.mpw.ac.uk/2021/03/18/the-suppressed-letter-in-dracula/
(I've not read all of it yet, but the author takes jabs at the literary critics who call Lucy frivolous and empty headed)
(Link for ease of clicking.) Okay, so this is another instance of the author raising several interesting points but then interpreting them in ways that go wildly against my view of the book and the characters.
Mina's missing letter to Lucy is indeed interesting. I love the defense of Lucy's intelligence. The idea of condolences being given in some capacity as well is quite interesting. There are certainly hints towards bisexuality/polyamory throughout the story. Lucy's search for the key vs. Jonathan's search for the key is something I've noted myself.
However...
Then the article begins to suggest that Dracula/vampires are liberating in some way. They don't come right out and say it but there are hints with the suspicion at Mina's description of her attack (I read it as her guilt complex, not her in denial about having actual complicity) or remarking that Dracula is Lucy's key and generally leads to freedom in the various escape scenes except with Jonathan (Lucy tries to take a literal key from Mina; when she leaves she is put in a position of danger. There is something to be discussed about 'freedom from the cage' with Lucy, Renfield, Bersicker leaving the home/asylum/zoo... but it's notable that they never actually become free, just puppeted by or drawn to Dracula, and they're all hurt in the process). I don't think Mina blushing in that scene where she asked if her entry was necessary to add was because she felt guilty about possibly having cheated/wanted to with Arthur - I think she didn't want to embarrass people, and also maybe was embarrassed at her own excitement/gushing. I don't believe Mina's letter about her wedding was trying to convince Lucy to follow her duty and marry a man she doesn't love, but instead meant as a comfort in advance for the loss of her mother that Mina knew would soon occur.
I don't think that Lucy doesn't love Arthur. If anything, I think her difficulty speaking about him in too great detail suggests her love for him is deeper and more genuine. The lack of detail in the proposal scene is actually a match with a pattern in books like Jane Austen, where bad proposals are delivered exactly and good ones are summarized. I think Lucy loves Arthur a lot, and her line about marrying three men is more reflective of her not wanting to disappoint them than her genuinely being romantically inclined towards them. I did a whole analysis of that entry last year, talking about how Lucy and Arthur are shown to be more in sync than she is with either other suitor.
However, his alignment with Mrs. Westenra is really interesting, and I do agree that he is the definitely the one that there would be pressure towards. Quincey is rich, Jack has had an impressive career - but Arthur is rich, titled, established in local society, and of the same/greater social class. I think, however, that the tension here revolves around Lucy and Mrs. Westenra, not Lucy and Arthur. Mrs. Westenra clearly wants them to be married, and I suspect is going to a fair bit of effort to push them together. I wonder if she is the chaperone for them, and in fact is not allowing them alone together (something Lucy mentions about Arthur's proposal, that he had tried a couple times but didn't get the chance). But Lucy's mother isn't just pushy about Arthur. She infantilizes Lucy and doesn't tell her things, and I think is a major contributor to Lucy's own difficulty about speaking up about her own feelings.
I've spoken in the past about how key the fundamental truthfulness of our authors is to this book. And that's something the article discusses as well, remarking how they all align with one another to tell a single agreed story despite different authors. However, I don't think we're intended to try and read between the lines to find places where they are lying/hiding from one another. And I also just don't think they are for the most part. It ties into the themes of the book more for them to be open where they can, and thus makes them sharing these documents more significant as well. Admittedly, the author of this article isn't suggesting that Lucy is outright lying to Mina here... more that she is forcing herself into playing a role, and Mina sees through it. But I still think that undercuts the primarily happy tone of this letter in a real way.
I do love the idea that Mina's letter does have some actual commiseration about things that are bothering Lucy. But I would read that as being much more about Mrs. Westenra and Lucy's expected role in society. Lucy wants to speak more of Arthur but she can't, because of the type of restrictions a lady has to follow. That sort of thing, more than doubting Lucy's feelings for Arthur are genuine. She's obviously stressed about marrying him, hence the sleepwalking, but again I don't doubt her feelings for him. I think it's the major shift in role and also concern for her mother, possibly mixed in with resentment of her.
Mina and duty is also an interesting topic and there is plenty to discuss there. But I don't see her as forcing herself in her various relationships. She genuinely loves Jonathan, her support for Lucy and Arthur is genuine too. She actually assigns things she does for fun to dutiful reasoning several times. I just... don't agree with the way this article interprets its topic.
Relatedly, there are several other letters alluded to that we never get to see. I recently noticed Jonathan's short letter to Mina before arriving at the castle, but there are more to come. Some of them also seem relevant to the plot, perhaps even more so than some of these letters between Lucy and Mina. But I think these are included because they establish things that become relevant, such as Mina's plan to keep a journal, Mina's knowledge of the three suitors before she meets them, Lucy's health at various points, and such details. Why things make it in or don't can still be interesting to discuss, but I just don't interpret them as ever holding some key that will unlock a secret hidden in the rest of the book. Whether that be about relationships or events.
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