#but i think were gonna do critical role first >:)

[piratespencil]

There was so much good stuff in this episode!!! The matching aeormaton hoodies. The wooden robot and seashell for FRIDA and Deanna. FRIDA telling FCG that they don't want to leave him, and FCG telling them that they don't think that they could... Deanna and Chetney having a soft moment together. Deanna and Chetney having a freaky Savalirwood werewolf threesome with Fearne. The return of the evil chair!!! Rexxentrum Toy Authority. The (possible??) return to Jrusar. I cannot WAIT for the next episode.

[thebiggestmenace]

just finished Cascina's playthrough of the second game! it was really nice because we have similar reactions to stuff, and getting her thoughts was nice :) although I think I just love seeing how people interpret things. I love seeing the different ways people take and see stuff? so I think that played a role in it. def recommend watching hers :)

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[loviestar58]

Sassy Viktor dating HC’s AND MY LIFE IS YOURS

(I need to see how sassy he would be in everyday life pls he’s so entertaining)

🤲

Thank you sm have a lovely day :D

🧡~Dating Sassy Viktor HC's/Scenarios~🧡

My first ever request! I hope it's good I'm not gonna lie I had some difficulty with this idk why shdudbdh

This'll be a mix of Viktor being sassy, sarcastic, teasing, and just being a general playful menace lol

Enjoy‼️💖

🩼~Feins offense at any little thing you do. We've all seen his face, he can make the most offended face imaginable. For example he'd make you something to eat (he can't really cook well and doesn't do it often but he does for you cause he loves you) and he'd serve it to you all smiles, and you'd be all smiles too. Viktor cooking? What a rare treat! Until you bite into it and feel your tongue yell at you "oooo this isn't right..". You try to hide it, chewing slowly, but he sees it immediately, asking if something is wrong.

"Oh it's nothing, just..interesting. The flavor doesn't feel right, I think you put too much salt and herbs-"

His face would scrunch into that offended look, eyes wide and rolling his eyes

"Oh, so you're a food critic now? Judging the food I put my heart and soul into to make for you? I see how it is.."

He'd pout and take his own bite, thinking you were overreacting

You weren't

🩼~It is a common occurrence to whack you with his cane. Usually he does it to get his way in petty arguments, you could be talking about how a certain formula was written wrong in his notes, him being so tired he didn't notice and miscalculated something, but he'd never admit to it. Anytime you tried to show him, he'd lift his cane to your shins and try to grab the book back. You'd recoil and try to dodge each time, laughing at how far he'd go to stay in the right, but he somehow always caught you off guard, and of course he'd never miss a chance to diss you, even if he was completely in the wrong

"You're just mad you're wrong!"

"I'm not wrong, lovely, you just lack the vision to see my genius"

"Well, "Genius", you wrote it wrong!"

"Perhaps you do need your eyes checked.."

🩼~This is Jinx's line in the show, but he totally would pull this classic

"So, Viktor, I've been thinking-"

"Well, thats quite the dangerous endeavor for you"

🩼~Would never let you live it down that you fumbled your attempt at asking him out, having gotten so nervous cause I mean. Look at him. You'd try to tell the story to some friends and make it seem like you were so confident and successful in asking him out, but he'd SO quickly chime in and rat you out

"Wh-"

🩼~Also would probably overuse the line "Suureee lovely, whatever you say" in the most sarcastic tone ever whenever you two have little back and forth banters and you're determined to prove you're right. When you'd call him out on it he'd respond with a knowing smirk and offended face "What? I would never! I do not know what you are talking about!" Hand on his chest, practically clutching his non-existant pearls in a dramatically comedic way

"Hmm that's not quite how I remember it. I remember you shaking like one of those ehh..chihuahuas, that pee all over themselves. And your words sounded more like squeaks of a mouse. I don't know where you got the notion that that is the epitome of confidence, but it must not have been a reliable source"

You'd hit his shoulder blushing profusely as he laughs, saying a playful "I love you" before ruffling your hair, making you role your eyes and pout

🩼~Attempting to get a pet is impossible with Viktor. He'd always say that they both don't have time to take care of an animal, that his work was too dangerous to have one around, no matter how much your beg, he'd just shit you down. That's when he says that he already has you, and that's enough work on its own alongside his inventing

"Are you implying that I'm like a pet?"

"You seem to love jumping to conclusions cause I said no such thing, but if you insist on seeing it that way, then yes. You're like a little rampaging Poro. Energetic, small, and a thorn in my side on occasion"

He'd chuckle as he watched you feign offense, your face pouty but unable to keep the smile from your lips, cause it is kinda funny how you can be compared to such a creature so easily. And you do the same, comparing him to a sassy cat. Which he doesn't deny and swiftly confirms by swatting at you with his cane in retaliation for the comment

I am so sorry this is short, I genuinely couldn't think of too much cause I felt I was just repeating the same things over and over again and not being creative..and I think I made him more teasing than sassy, but I tried😭

I hope this is what you were hoping for, even a little! If not, I'm sorry😖🙏🏼

[flowerandblood]

Play with my heart (Epilogue)

[ modern actors • Aemond x Strong • female ]

[ warnings: semi-public sex, smut, angst, fluff, sexual tension, little domination & praise kink ]

[ description: He gets the main role in a series about a great family and dragons, which could change his career. He is set to play the uncle and love interest of his childhood friend. When he meets the actress who plays her role, he begins to lose track of what is an acting and what is his real feelings. Sexual tension, grumpy, withdrawn, thirsty Aemond. ]

Author’s note: Yeah. I talked about it and I did it. You don't even know how much fun I had doing this. Of course, my characters play in a series whose script is an exact copy of my story The Fall from the Heavens. In this universe, Aemond (playing the One-Eyed Prince) and Rhaenys (playing the Princess) are of course not related – the other characters are also just actors. This three-part series is my gift to all fans of the original series, thank you so much for your support. "Rhaenys" in this story is her artistic pseudonym which she use instead of her real name. You can read this as a standalone story.

* English is not my first language. Please, do not repost. Enjoy! *

My other works: Masterlist

_____

The first months after the shooting were both wonderful and terrifying for him. Contrary to his grandfather's predictions, he did not stop thinking about her; moreover, he missed her so much that he did not know what to do with himself.

He got used to their daily conversations, the embrace of her warm arms, falling asleep between her soft breasts, watching Disney movies together with her with a big bowl of popcorn.

She brought a breath of fresh air into his life, a smile, lightness and laughter, forcing him to let his inner child that he had always suppressed within him come to the surface.

With her, he was not ashamed to be weak, tired, sad, discouraged. She gave him the comfort of knowing that all his feelings as a human being were natural and desired by her, no matter how ashamed he might be of them.

They tried to see each other every two weekends, taking turns visiting each other. Although he wanted to spend time with her walking around museums and parks, they usually ended up staying in bed all the time off, trying to make up for lost time.

They also saw each other at interviews to promote the series, for which the producers sent the actors in pairs, and unfortunately, although they tried to hide it, a few gestures and glances during them caused both her and him to be flooded with a wave of comments from fans so large that they had to block them from being added to their profiles.

Nooo, they're not a good match. 😫

It's just a promotional trick. They're going to break up after they finish airing the series. 😒

Leave my prince alone!!! 🤬🤬🤬

I'd love to fuck her myself, not gonna lie 👀

It's already clear where the chemistry between them comes from, lol. Pathetic. 🤮

Both of them were very much affected by the nasty comments and criticism, fearing that the production would draw some consequences against them, but it turned out that this made the whole project generate even more interest before the premiere, which pleased them.

However, in between the nasty, bitter remarks, they also received messages filled with good emotions, wishing them luck, saying that they were great to watch, that they complemented each other perfectly in interviews, that it was clear from the trailers that there was genuine affection between them.

They tried to cope with it all by talking for hours on the phone, sometimes crying together from sadness and exhaustion, falling asleep with speakerphone on, waking up in the morning and seeing that they hadn't hung up all night.

He felt he was ready to move on and thought everything through, at the same time wanting to surprise her.

"– how was your audition? –" She asked softly, excitement in her voice.

"– unfortunately, not very successful –" He lied, fiddling with his pen between his fingers, sitting at his desk, having just exchanged emails with the director of her theatre, with whom he had spoken personally a few days before about the terms of his future employment.

"– oh no – I'm very sorry – how are you feeling? –" She asked clearly worried, making him feel remorseful for a moment that she would believe he was suffering.

"– fine – I wasn't feeling that role – I'm lucky that I can be more choosy now – and how are you, little one? –" He hummed, writing back in an email that, as agreed, he would turn up in three days to sign the contract in their town.

His girlfriend grunted, clearly very excited by the news she had to share with him.

"– apparently they've hired a new actor in our theatre, but no one knows who it is – the director is very mysterious –" She said, her voice light and warm, filled with joy.

"– mmm – are you excited to have a new colleague on stage? –" He murmured as he sent the email, closing his laptop with a quiet click.

He heard her laugh at his words.

"– not in the way you suggest –" She said.

"– are you a good girl when I'm not around? –" He hummed, licking his lips involuntarily, feeling the pulsation in his trousers at his words.

"– well –"

"– are you touching yourself? –"

"– I –"

"– answer me – don't lie –"

She was silent for a long moment making him grin, biting his lower lip.

"– so you haven't been a good girl, or am I wrong? –" He sneered and heard her swallow hard.

"– you know what happens to bad girls, don't you? –" He asked, looking at the display of his screen, feeling his heart pounding fast.

"– but –" She finally mumbled out in embarrassment.

"– mmm – I'll see you soon –" He murmured and hung up, knowing that he had left her in complete shock for sure with her panties wet with her moisture.

The third thing he enjoyed most right after fucking her and talking to her was teasing her.

The next day the removal van took his things to the flat he had rented on short notice figuring they would find something together later, and after two days he drove to her town straight to the theatre building.

He went inside through the main entrance and ran quickly upstairs, praying not to meet her on the way, heading for her director's office. The man welcomed him warmly, saying that he was very happy that an actor with such charisma would be performing on his stage.

From the audience it was impossible to see whether his eye was real or fake, and his scar could be covered up with make-up if necessary.

His grandfather was furious, saying that he was giving up a world-class career for second-rate theatre, but he was relieved.

He didn't want to go through again what he was going through now – being torn apart by paparazzi and fans, being in the spotlight all the time.

He was tired of it and decided that, although it was a great adventure, like her he wanted to work in theatre, where artistic sense, monologues and dialogues counted more than nudity and sex.

It was what he wanted for both of them.

The director said it was time to introduce him to the whole crew.

"– I kept it a secret from everyone so that she wouldn't accidentally find out about anything –" The director laughed, a short, grey-haired man with a warm voice and a good-natured face, a visionary and a lover of the classic literature he was staging in his theatre.

"– I can see you with the eyes of my imagination in the roles of Hamlet and Ophelia – you've been wonderfully matched, I have to give you that –" He said softly, and he nodded, thinking in the back of his mind that indeed, this was a fantastic idea.

He felt excited like a little child and thought in the back of his mind that it was because of her, that she had changed him, making him fight for his fulfilment, his comfort, his joy.

"– my dears –" He called out, stepping onto the stage during their rehearsal for The Wedding of Wyspianski, his Rhaenys dressed in Slavic folk costume and a garland on her head turned towards them along with several other people.

Her eyes grew big in disbelief at the sight of him.

"– I would like to introduce you to your new colleague, who from now on will be playing on the stage of our theatre – I am very pleased –"

Everyone looked at her and she just stood there, looking at him and his grin full of satisfaction, breathing loudly through her mouth, her bright eyes hot with affection, disbelief and happiness that apparently shook her body.

Several people laughed as she threw herself into his arms and burst into a loud, panicked sob, whooping and panting with her own tears, his broad hands stroking her hair and back while his lips placed warm, reassuring kisses on her face hot with emotion.

"– shhh – it's okay, little one –"

She looked at him in disbelief, gushing with energy and joy as she introduced everyone to him one by one. He was relieved by the warm welcome given to him by the other actors, some of whom could have been his parents or even grandparents.

They seemed very close to each other and addressed each other warmly.

He was allowed to stay in rehearsal to see how they worked, so he watched as his girlfriend played a young bride, a village girl marrying a nobleman, during whose wedding many unexplained, mysterious events occur.

He smiled the whole time, watching her, satisfied that apart from one brief kiss there was no intimacy on stage between her and her partner, exactly as she had described it to him in their telephone conversations.

When it was all over she ran up to him in her folk costume, all hot, breathing loudly through her mouth, field flowers entwined together on her head.

"– what do you think?! –" She asked, and he hummed under his breath.

"– I really like your staging – I need to read this drama – you look amazing –" He hummed. He smiled under his breath as she sat on his lap – the seats in the audience were sunk in darkness so the people on stage couldn't see very well what they were doing.

"– I can't believe it – you've been lying all this time –" She muttered simultaneously embittered and delighted. He shook his head at her words.

"– I told you I had an audition – I just didn't say where –" He stated.

"– you said you did badly –" She said, wrinkling her eyebrows – she squealed as he caught her around the waist and pulled her closer, making her feel the hard bulge in his trousers.

"– that was my subjective assessment which was clearly not shared by your director –" He grinned, looking at her with his lips slightly parted. They both sighed as her hips rubbed against his pulsing erection, her gaze hot and misty.

"– my little girl can't stand it? – shall I take you to the toilet? –" He sneered and she swallowed hard, red with embarrassment and nodded.

Nothing more than panting and moans left their throats as they locked themselves in one of the cabins, their mouths immediately clinging to each other in greedy, loud, messy, sticky kisses. Their saliva clicked each time their lips pulled away from each other, his hands pulled up the material of her skirt and petticoat, pulling her panties off her thighs.

"– turn your back to me –" He commanded, and she did so without a word of objection, in a natural reflex leaning over and bucking her buttocks towards him, knowing what he wanted to do. His hands exposed her bare hips to him and what was between them, her opening glistening from her wetness, pink and swollen.

He hit her womanhood with a sharp, short slap and she jumped up with a quiet squeal and whimpered.

"– quiet – I warned you – I said: no touching – didn't I? –" He asked, gently rubbing and massaging the little spot that pulsed all over and leaked from his stroke, teasing the puffy bud between her plushy folds.

"– 'm sorry – I tried –" She confessed with embarrassment, panting heavily, rolling her hips to the rhythm of the strokes of his hand, trying to find a better source of squeeze.

"– the deal was different –" He said coolly, parting and rubbing her throbbing, dripping wet slit, her cheek pressed against the wall all red with pleasure, her lips parted in a helpless moan.

"– it's all mine – the sight of your fulfilment, your moisture, your little cunt is meant for my eyes –" He continued, as if he was explaining to her some essential, eternal principle, something obvious and logical that she could not change. She trembled as two of his fingers slipped between her slick, throbbing walls, stretching her core.

"– yes – I'm sorry – I missed you so much –" She mumbled, rocking her hips to the rhythm of the thrusts of his fingers, which teased and pressed the spongy bud between her fleshy folds deep inside her, from which a trickle of her moisture ran down her thigh.

"– mmm – I know, baby – I missed you too –" He confessed, recognising that although he wanted to, he couldn't last much longer. This sight and the euphoria that gripped his body made him let go of her as his hands slid down to the belt of his trousers, undoing it – her eyes opened in hope, her breath accelerated and uneven.

"– please –" She muttered.

"– shhh –" He hushed her, grabbing her by the waist, the other releasing his throbbing, fat erection, the tip of which he guided to her leaking, swollen slit.

"– thaat's it – there you go – fuck –" He exhaled, slowly forcing his way between her hot, fleshy walls, clenching greedily around his cock, sucking it inside her.

"– yes – yes, God, please, yes –" She mewled, immediately beginning to roll her hips to the rhythm of his impatient, fierce thrusts, fitting his pulsing erection inside her again and again, though they tried to restrain themselves, their panting and moans echoed around the restroom.

"– Rhaenys –" He muttered, sinking his face into her fragrant, hot neck, her scent wonderfully familiar, her insides moist and warm, welcoming him with ease. He thought about it, thrusting into her with slick, sharp stabs – how deep he was in her body, how much they united in this chaotic, viscous act of desire.

"– Aemond – o-oh, fuck, fuck, oh, God –" She cried out as he imposed a fast, aggressive pace on her, pounding into her with the deep, sharp pushes of his hips, opening her wide with his manhood throbbing painfully with longing.

"– shhh – shhh, little one – just a little more – yes, that's my girl –" He praised her, panting heavily as he felt her reach the edge, her breath heavy and loud.

Nothing more than moans and grunts left her lips, her little cunt gave him a few more thirsty, steady squeezes before she shuddered with sweet fulfilment, her wetness running down his thighs as with the last, loud slaps he reached his peak inside her with a sigh of delight.

Since she was taking the pills, he could fuck her whenever and wherever he wanted.

"– fuck –" He breathed out, embracing her tightly from behind, while still rocking his hips inside her and hugging her like a little, longing child.

He wished she would say that they were going to watch some new cartoon or comedy in the evening, that they were going to lie in their sweatpants, spread out comfortably on her bed, cuddled up, eating popcorn, kissing and caressing each other.

"– m-maybe – maybe let's go to my place – we'll watch something and relax – I can cook you something, but we need to do some shopping –" She whispered, stroking his arm, and he purred, delighted by her words.

"– yes – yes, that's what I need –"

[endiness]

okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)

"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."

there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.

he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.

and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:

"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."

even though that can't be true as confirmed by joey:

"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

and even hc himself confirms this and what joey said in a s1 interview:

"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:

"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."

"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."

and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)

then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:

"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."

and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.

and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:

"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."

"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."

"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."

"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."

"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."

"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there’s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."

"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."

"It's important to me that the men in the story are three dimensional as well."

like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.

secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.

and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.

in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.

also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:

"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."

and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.

in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.

(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)

[absolutebl]

Pit Babe - it's time for a Trash Watch!

I had to. Well, no I didn't, but COME ON. It's like Thailand is negging me. Let's burn rubber, shall we? Burn rubbers...?

The things I had been told going in about this show:

it's about car racing (this bores me)

it stars Pavel (my BL ult bias, he is my icon for a reason)

it started as an omegaverse y-novel but the A/B/O aspects would be stripped from the BL series

it's high heat

(There some chatter about whether point 3 was a mistranslation of something the author said, but don't bother me with trifles.)

Here's a definition of omegaverse:

Omegaverse, also known as A/B/O (alpha/beta/omega), is a subgenre of speculative erotic fiction, and originally a subgenre of erotic slash fan fiction. Its premise is that a dominance hierarchy exists in humans, which are divided into dominant "alphas", neutral "betas", and submissive "omegas".[1] This hierarchy determines how people interact with one another in romantic, erotic and sexual contexts.[2] (Wikipedia)

In my experience and opinion, omegaverse archetypes and tropes are often used to strip out female characters (and The Feminine) and as a tool to excuse extreme hyper-masculine behaviors without a critical feminist lens (leading to lazy characterization). Just as heat is an excuse to get nkd quickly, A/O/B is often an excuse for taboo and dubious consent actions and behaviors. Do I get why writers/readers enjoy it? Yes I do. Do I personally like it? Not particularly. (Although there are always exceptions.)

Putting all that aside, the above represents my foundational knowledge before Pit Babe started.

Oh and that the familiar BL faces appearing in this show were follows:

Pavel Naret (aka Pavel Phoom) from 2 Moons 2 & Coffee Melody - Pavel is a fluent English speaker, a bit of a drama monger, and a motorcycle rider/car-dude, this role suits him

Nut Supanut from Oxygen & Something in My Room - has an amazing voice, his somewhat wooden acting has improved steadily since Oxygen

Pon Thanapon - one of Star Hunter's stable first seen in the Gen Y series (where he stole the appeal of an intended pair), also v good in Make a Wish, I wish he'd get a lead role as he has a likable screen presence

Pop Pataraphol from La Cuisine - he's playing the Alpha rival and I'm not convinced he's suited to this role

Michael Kiettisak from Love Sick, Oxygen, Call it What You Want, Till the World Ends - playing the comic relief this time rather than his usual tortured stoic... huh

All the rest are either fresh faces or older experienced actors. Interesting mix. They must have some money behind this.

And now, get out your marshmallows! The dumpster is on fire! Let's start the roast.

Episode 1 - Platypus, Pickles, Pavel, & other Smoking Hot Problems

This first segment told with a 4 day retrospect, because I decided to do a trash watch only after @aliceisathome said I should.

My initial reaction:

the sheer audacity of Thailand being like "PitBabe is not omegaverse" and then serving "Alpha" to us on a platter in the first sex scene is

how dare

but also

what the actual fuck is going on? what world are we living in where a/b/o is LIVE ACTION ON OUR SCREENS?

we getting heat, knotting & mpreg next?

apparently this is my reality now

I'm not sure what weird quantum time stream I've jumped into but someone was all,

yes the whole world is hella screwed, but also...

Thailand has decided live action mm fanfic is gonna win it the culture wars

and I'm beginning to think they may be right

BL is now the platypus of the film industry

4 days later:

Considering how much chatter this caused there's a part of me that wondered if it was all intentional and a marketing ploy (to say it wasn't omegaverse when obviously it is). In which case... brilliant Machiavellian tactics, production.

But Thai studios are rarely this calculated in their promo. So I think it's all accidental. But it certainly caused a raucous few days on Tumblr.

On a completely different note, Babe's house looks like it started life as a particularly inventive Olive Garden. Or is that just me?

More random thoughts:

Pavel has had work done, why honey? You were the definition of perfect.

The smell thing is great, I love stuff to do with scent and necks. If omegaverse brings this to the table, fine. But...

Being all Alpha perfect butch manly man = I do not like Babe at all, I kinda want him to be brought down a peg. (Woo... pegging!) I never like narratives that glorify the captain of the football team (side eyes Cdrama CEO romances and Love O2O), Babe better have depth and damage (forget the pegging) of some kind or his behavior will get old FAST, faster than he drives (also, forget the pegging idea)

Nut is ideal in the Beta role. I mean, that's Way's character right? We all can see that. If it's not intentional, it's a miscast. I love how soft he is as as screen presence. He's great in this part.

None of the other characters are sticking out to me yet, but I'm prepared to love the side dishes in this, please make them swoon worthy!

I'm glad they didn't hold the Charlie = trickster reveal off, I like knowing he is a double agent up front.

Finally, with respect to an adequate trash watch, I'm in a pickle.

How am I going to drink for this show when there is so much else airing on Frigay? I can't keep track, if I'm drunk.

I need a strategy for this trash fire if the puns and snark are to spout forth! (HA Fourth!)

Controlled burn?

Anygay, see you all next week.

Episode 2 - Side Dish Addiction + Second Lead Syndrome are both infecting me at once

[FYI I gotta have my backup computer to watch this so that's why Imma sometimes be delayed getting the trash out to the curb.]

3 minutes! 3 minutes in and I needed to pause and wax snarkful. (Ouch, bet that hurts. Is waxing snark similar to a Brazilian but for BL? Is that why they all so hairless in The Sign?... I digress, where was I?)

Okay so the subber said Daddy but I don't think that word means what they think it means. Because Way said simply nong paa.

Usually they'll use the English word Daddy (pronounced Dah-deee) for, ya know, Actual Daddies (tm).

Wait wait:

Calling Daddy Actual

(My dumb sci-fi loving arse will see myself out the back before I start drawing Battlestar Galactica = Pit Babe connections. TOO FAR ABL. Too far.)

Look, I like the tension in this show. It's good to set up an unlikeable Alpha dog and then immediately turn him into an underdog, makes him a bit more likable. I still don't like Babe, but now at least I'm on his side.

Charlie = cute but v sus. Fortunately for him, Babe = cute but v thick.

Everyone calls Charlie Babe's dek. Yes sounds a bit like what you think but also means kid/child and SHOULD be translated as boy in this show. Why doesn't the subber get that? They a sub...ber after all. (I'll see myself out.)

Honestly, the script writers might know what they are doing with abo but our eng sub translator sadly does NOT. I'm so glad this is coming now in my BL watching life. When my ear and knowledge of Thai is so much better than it once was. Others much be SO CONFUSED.

Snicker. They just fucking with us, but it's fun to watch the mpeg speculation abound.

File this one under: Thailand's trouble with ESL plurals and also "you should have Pavel helping with these subs" sweethearts.

Production knows entirely what it's doing with this show and its omegaverse shizz (even if the subber doesn't) and I am very much enjoying the online carnage that results.

This dumpster fire continues off screen into the blogosphere and I continue to roast things over it.

Meanwhile, hi Pon! You so adorable! When you gonna lead out a BL for us?

Is Idol Factory stealing all of Star Hunter's talent? Are they the Red Racers of the BL world? These are the questions I ask myself as I watch this.

Is that AGE GAP I smell before me?

Is the 20 yr old college kid meant for the pit boss? Cause you all know I am a slut for age gaps.

Moment of a/b/o: Jeff's fear of touch/heightened personal space would be a plot marker for "baby doesn't want Alphas close cause he smells like an omega" but of course this show it not omegaverse. Not omegaverse at all.

nuh-uh

Linguistic corner!

Lung (sounds a bit like loo) is uncle(ish) it means basically a male relation older than phi. So Alan is the oldest in the crew.

Alan calls Jeff nu (which the subber translated as boy I would have gone with cutie or little one). Nu is a diminutive affectionate term that's technically gender neutral but is most often used by/on cute girls/women. Jeff did NOT like it. Then Alan sort of dodges through pronouns/particles settling on phi for I, ger for you, and ja for a particle. This is interesting because ger & ja kinda lower his age and status into a casual sphere. Not more intimate more equal to jeff... fascinating.

I love the new "Korean" red racer, he drinks my brand of soy milk. He is now my baby snake in the grass.

Get it? Snake.

He and Babe should end up together.

The fight wasn't bad, do both actors have kickbox training in their backgrounds?

Who am I kidding, I care only about Uncle Alan and Nu Jeff now. All others are irrelevant to me.

Also...

WHERE IS A BOY FOR WAY?!!! Or a Daddy. I do not care. (Methinks nether does he.)

I am now captain of the Way Appreciation Society. Let's all find a way... to get him some dick.

Also the BTS stingers are tons of fun. Looks like the set was a blast.

Finally, and I mean this kindly. Why isn't Noh Phouluang in this? He should have been cast as Winner. Bah. I'm biased.

But one should be with Noh.

Episode 3 - Side Dishes Delux

Gayest bridge n Thailand has made its obligatory appearance.

How much do I love uncle & nu? They are SO damn cute. Also nu flustered is the best kind of nu.

I could not care less about Babe and Charlie. Except I do love the smell thing.

Way will break my heart by getting his broken. He is right tho.

Tra la la. I feel like this is a bit like KP 2.0.

Charlie is a such a princess (and ace manipulator). Good thing Babe clearly likes being buttered up.

Babe's backstory was more interesting than I expected, I didn't think we would go so far into the paranormal side of a/b/o. I like it and I hope they lean into it quite a bit more. Make it part of the plot.

Unlike the kissing thing which seems to have been gotten over rather quickly.

I gotta say I'm enjoying the corporate sponsorship jockeying and tension more than I thought I would. I'm curious as to who Jef and Charlie are working for and what their motivation is. The plot itself is keeping me intrigued and that is rare for me with BL.

So no trash talk this ep, I was largely absorbed and entertained. I didn't event need booze. Shocking behavior on my part.

#giveWayaboy2023

Episode 4 - I (who never ship) am shipping the impossible

Here’s the thing. I just want this to be a better story than it is. Right now it’s kind of like a soap opera. I don’t hate lakorn, I really don't. To Sir With Love is a glorious chewing of the diamanté scenery (completed with death glitter). But...

If this is gonna be a soap opera it needs to lean into the messy side more than the tailored high concept side. Support characters and evil needs more screen time.

Instead, right now, I don’t know where I am with this show because it doesn't know where it wants to be. I’m kind of dangling in the middle of a dirty situation. It’s uncomfortable for me, and the show feels uncomfortable for the performers. 

Also... I have questions.

Yes, of course I want to know what Charlie & Jeff are up to. Why can Jeff see the future?

But more importantly I NEED to know why Babe has a flying saucer bed?

That kind of lighting makes nobody look good, especially not at that angle. It’s very traumatic and I’m not wild about the shag rug either. I have concerns about Babe's taste. I guess is what I am saying. 

On a COMPLETELY DIFFERENT note:

There’s absolutely no chemistry to justify this, but I have decided that I am going to personally advocate for, and ship, Way and the interloping not-really-Korean. They are both sort of own-moral-code types. I have tiny crush on Kim, and Nut is the prettiest, and Way is Best Boy so there it is, I would like them to hook up, please & thank you.

#giveWay2Kim2023

Arrow guy is cute, too. Will we get to see him bone?

Is he going to be another one of the adopted alpha super-kid pets?

What the hell, throw Arrow Boy a bone! All hot boys in BLs deserve bones.

Plot thickens.

Hah.

Thickens.

(I am an immature idiot.)

Episode 5 - wait wait way-t, can arrow boy have Way?

Look, BLabies, I didn’t get any screen caps this episode because frankly there wasn’t anything worth capturing.

I guess Charlie really does love Babe? Very dramatic if idiotic saving from the burning car. But Babe has gone to the broken Alpha place of extremely unlikeablability (frankly he was almost there at the start). If I were Charles B Spectacled I would be OUT by now. 

Is that?

NO.

Don't get the plastic bowl.

No white towel sponge bath. Please kill this trope.  

I mean, it's not as bad as singing, but that's because NOTHING is as bad as singing in a Thai BL.

AND the main boys are back together.

I don’t find their relationship or Babe’s lack of senses a particularly interesting aspect of the plot.

Unless, of course, Babe is pregnant and that's why he lost his Alpha sniffer.

BUT I do love the sides.

Jeff = the introvert precog who can’t/wont do people and Alan = the extrovert people person who WANTS but doesn’t understand him. 

Were Jeff and Charlie ALSO raised by Evil Daddy MacEvilPants? 

I liked the way Arrow CEO & Way looked at each other. Way, hon, give up on Babe (he sucks) and get thyself a billionaire bf with great aim and BDE.

On a completely different note, the best thing about this show is the blooper reel. That thing with the green smoothie going down his pants was hilarious!

In conclusion, this was a green smoothie down the pants episode. I was entertained, and it’s probably gonna be good for the plot in retrospect, but it was kind of squishy and unpleasant at the time.

Episode 6 - Are they actually listening to us now? Is Tumblr bugged?

This was a fun ep full of like actual racing and shizz.

Whatever.

Charlie is on the team now. All the teams, apparently.

Can we talk about Jeff and Alan?

The apology scene! Did you hear that Alan dropped to chan/ger? Eeeee!!! So cute. (He equalized their relationship in a soft way.)

Get it with that language play hottie. Next up: lengua play.

Please & thank you. 

Meanwhile, as all of the Internet knows, they went fully in for omegaverse - no bars.

I have to say, one of the greatest typos (or whatever) in existence is enigma instead of omega.

That's where I personally would rank in the omegaverse.

Hello, my gender is... enigma.

 Apparently it's a/b/o and sometimes e!  Also sometimes switch-ee 

Oh I'm very proud of myself with that one.

Funfunfun

Charlie. Babes. When a man asks to be thrown up against the wall. You throw him against that wall.

OMG is that arrow boy looking at Way in the bar?

3 seconds later.

Noooo.

Wait come back.

Noooooo.

That’s what I actually want to watch! 

OMG. Who said nu was the first step to teelak?

I flipping love Alan. 

Ah the boyfriend ep. Thank you, but I still don't trust Charlie.

Poor Way.

But nice crying jag, and I don’t say that often in Thai BL.

Now let him go, Way.

A boy with his arrows is waiting. 

(source)

Note for the future: tumblr has a bug that stops allowing edits after a certain time/number, thus my full trash often occur in 2 segments as a result. Click on the "abl trash watches bl" tag for the full thing if you're reading this and later episodes are missing.

[rollerska8er]

This is kinda old news at this point but I can't stress enough how weird people were about Aabria Iyengar in the first season of Misfits and Magic.

To wit: There is a scene, which was made into a YouTube Shorts clip, in which Brennan Lee Mulligan's player character, Evan Kelmp, is overheard by another character who says "Hey, I can hear you!" Brennan, as Evan, responds "No, no you didn't." To which Aabria, in character as the NPC, responds "You know what we aren't gonna do? I'll whoop your ass. You're not gonna gaslight me." It's a funny scene and played off well by Brennan who is clearly blindsided by Aabria's response (which, again, is in-character).

There is no way to describe the reaction to this moment other than "bizarrely racist". The comments on the YouTube Short paint a picture of Aabria as a crazy person who is unnecessarily aggressive to poor sweet Brennan, just because he said no, the poor lamb. These people read Aabria's in-character reaction to Brennan's joking, in-character refusal to yes-and as an actual accusation of gaslighting from Aabria to Brennan.

People then go on to be outraged that she refused Brennan a deception check (which he did not ask for, and also isn't really possible in the narrative-driven system they're playing because guess what, not all TTRPGs are D&D). The implication is that Aabria is a nasty, unnecessarily aggressive GM who creates an uncomfortable, abusive and oppressive atmosphere around her table.

Except, of course, this isn't what is happening in the clip at all. Aabria is smiling throughout, as is Brennan. Nobody is visibly uncomfortable. Brennan's character becomes flustered by the interaction, but he is supposed to be socially awkward. Did any of these armchair critics bother to learn the context for the scene before making a snap judgement about the GM? Of course not.

Why do I make the racism accusation? Well, because Brennan has also been known to react to PCs goofing around with the same kind of stern, in-character finger-wagging. See Emily Axford-as-Fig's interactions with Goldenhoard and other authority figures, for example.

Were the roles reversed, and Aabria tried to blatantly lie her way out of an interaction with one of Brennan's NPCs only to be told, in-character, "You're not gonna lie to me", I have a feeling the reaction would not be quite as strongly negative.

It is impossible to read the reactions casual viewers had to this moment as anything but specifically racist and misogynist. These people saw a black woman even in roleplay assert a boundary and concluded that she was being aggressive to a white male player for no reason.

I'm just thinking about this now as the second season of Misfits and Magic is currently being released. Of course, it's clear that Brennan and Aabria are good friends and have GMed for each other on and off camera. But I just keep thinking about how fucking uncharitable people were to Aabria two years ago and it does really concern me how normalised this is in TTRPG spaces.

I hope the production team are taking steps to care for their talent because honestly, a small but vocal minority of D20 fans and quite a lot of wider casual actual play fans can be really fucking horrible at times.

[sufferu]

Did you read that WHDAAA spin-off fic by Vyazov23 called Watching Arc 4 in The Theater of Despair ? Any things you liked and have problems with?

I did! I appreciated that the guy managed to actually FINISH a react fic lol: I’m realizing more and more that these things are a pain and a half to actually write. SERIOUS props to the one who actually managed to pull it off, I’m not even being sarcastic.

Though, to be entirely honest…I disagreed with the entire main premise regarding how the characters would react, lol. I actually don’t want to shit on a singular work, though — especially not one that had so much effort put into it, like goddamn the guy actually FINISHED that one — so I’m gonna go ahead and use this as a segway to talk about the most common usages of this trope that I disagree with in this fandom.

The idea that anyone would learn about Return By Death and go “Okay! This is a good thing, and Subaru is a hero!” — I feel like it goes against the themes of Re:Zero, as well as a lot of established characterization. (And also the harem subplot that often seems to go alongside that idea, lol.) And I feel like a react fic that goes over the experiences of Return By Death, furthermore, should be centered around the characters coming to terms with (or grappling with, anyway) the fact that they FUCKING KILLED HIM. Like, SOO many times. Rem and Ram, in particular, should be characterized as absolutely, irreconcilably devastated by what they did in Arc 2. In fact I actually have a lot of criticisms about how these fics tend to characterize a lot of these characters in general, especially Julius, Ferris, Wilhelm, and Rem. Rem is simple — I don’t agree with the idea that she is actually a good influence (or that the other characters would see her as such, more on that in a sec) — but for the other three…I think a lot of these fics tend to twist themselves in knots trying to make them approve of Subaru’s self-destructive behavior, despite all three of them having canon moments contradicting it.

Julius’ first appearance was him desperately trying to save Subaru from getting slaughtered and most of the subsequent scenes with him have included something about him either trying to be a good role model (that will help Subaru Not Die Horribly) or taking some step to actively keep him safe (whether that be going out of his way to teach him a hands-on lesson about self-awareness the moment they meet up again post-Whale or quietly sticking Ia on him without letting him know). Hell, it’s heavily implied that he associated Subaru with his beloved, sickly, baby brother pre-Gluttony. The knowledge that Subaru has apparently been not just getting regularly put in mortal danger, but not even getting out of it ALIVE in a lot of cases — I think he’d have a way worse reaction to that than is normally shown.

Wilhelm, too — not enough focus is given to the fact that Subaru’s situation is basically just a worse version of the one that Theresia was forced into by being the Sword Saint. Wilhelm went and dueled his wife specifically to free her from the shackles of being forced to wield a sword when all she really wanted to do was care for flowers. Hell, in canon he already has a scene where he refuses to keep training Subaru because he realizes that Subaru has no actual interest in the sword and does not want to facilitate that kind of self-destruction. Wilhelm would have a fucking seizure if he learned that his beloved not-grandson was being forced to die repeatedly in order to keep his loved ones safe. And he’d probably have a really horrible reaction to the idea that some of those loved ones were straight up RESPONSIBLE for some of those deaths. This is the man who spent 14 years hunting the White Whale, he’s second only to Otto when it comes to revenge schemes (and even then it’s debatable who comes out on top over there).

Ferris, though, gets it hands-DOWN the worst. First reason is that the fact that he would almost certainly have the absolute worst reaction to the PREMISE of Return By Death out of the entire cast (due to his strong value of life and pride as a healer) is — often completely glossed over. This is the same guy who grieved suicidal Witch Cultists, was referenced as one of the two bleeding hearts of the Witch Cult elimination squad (the other being Subaru), who (in the LN) had what sure looks like a breakdown at the idea that Subaru wanted to die during that one Arc 3 loop where he went into shock, to the point where Crusch had to step in and speak (even joke) on his behalf as he basically sat in the corner with his head in his hands, cursing Subaru for not valuing his own life. If Ferris ever finds out about RBD he’s gonna fucking kill himself. But then, on top of that, he so often gets reduced to this — purely antagonistic force that just hates Subaru for no reason, who needs to learn to respect Subaru as a hero for his sacrifices, in a way that just — not only is kinda mean spirited, but completely glosses over some of the most fascinating parts of his character.

Also — I feel like a lot of these fics have the characters reacting like Subaru is an anime character to them rather than their friend, if that makes sense. Like, some of the reactions we see end up being like…the typical fan reaction to scenes? Instead of how someone would react if that were a Real Person up there doing that shit. Rem, in particular, is cut WAAAAY too much slack in most react fics, with everyone pretty much losing their anger towards her after hearing her tragic backstory and then glossing over everything she does in Memory Snow and Arc 3 with “Hah, that’s cute.” Like — I’m sorry, I think there should be a bit of a reaction to the revelation that the person who tortured Subaru for HOURS on end spent the next month sneaking into his room to watch him while he slept, following him around constantly, and enabling all of his bad behavior (which is now very obviously just a collection of trauma responses) like the world’s most dedicated Yes man (with the singular exception being the “From Zero” speech). Also, so much of what she does to him pre-Gluttony is just — horrible? And would be seen as such by the other characters, who do not have the same sense of naïveté/love of waifus/lack of self-preservation instincts that Subaru does to prevent him from seeing Rem for the danger that she is.

And well — I don’t think there’s enough consideration given to the fact that, most of the time, these characters already know how things are going to end, since they have their own memories to use for reference. Most of the time, they already KNOW whether Subaru is gonna survive or not, and that should impact how they respond to what they see next.

[kuwdora]

Saturday Morning Vid Recs - FEELINGS & THAT DYNAMIC

Alright, here is yet another post for @poetikat of vids from days gone by and the recent past. I love and adore the vids. I think people should watch them for a much-needed boost to the heart and soul.

I’m calling this collection of recs FEELINGS & THAT DYNAMIC (capital letters!) because of how big and immersive the emotional experience is while watching them.

❤️❤️❤️❤️

I Gotta Feeling by CountessMary. The Muppets (The Muppet Movie, The Great Muppet Caper, Muppets Take Manhattan, and Muppets in Space). A throwback to the dance club party Club Vivid 2010. Tonight’s gonna be a good night!!!

Uptown Funk by @revolutionarygirlshati (Legend of Korra). An incredible addition to the uptown funk canon of vids!! Korra is so damn expressive!

C’mon by rhoboat. Inside Out (2015). C’mon, c’mon with everything falling down around me, I’d like to believe in all the possibilities. Perfect song and lyrics for this film. ❤️❤️❤️❤️ So many big feelings.

You Told the Drunks I Knew Karate by @settiai. Doctor Who. Amy/Rory. This is the first vid I think of when I think of this pairing, I can’t get enough of it!

For Your Entertainment by such_heights Legends of Tomorrow. Again there is something exquisite about using this song for this source. Legends of Tomorrow is so cracky and bizarre. This vid made in the earliest seasons of the show while it was airing and fucking nails it. The legends truly are here for our entertainment, bwah.

Groove is in the Heart by giandujakiss. Doctor Who/Torchwood up through 2007. This is an oldie for sure but it’s so firmly embedded in my brain that this song now exists because of this vid. The vibes of the song is really wonderful and fun. Nine and Ten, Rose and Martha and Jack Harkness and Torchwood and friends and lovers. I love how it transitions from Nine to Ten and Torchwood and back again to Doctor Who.

True Love by @findmeinthealps. Cobra Kai OT4!! This vid is such a treat because it is a tapestry of slash and Johnny and Daniel’s love for their partners throughout and and and. They all just fit together, okay. One big karate family. Each section of this vid is more delightful and full of LOVE than the next.

Take On Me Doctor Who by @trelkez. Doctor Who, classic and New Who through 2010. I heartily rec all of trelkez vids, and especially all the Doctor Who vids. Picking this one out for this list was a no brainer. There’s just something wonderful about A-Ha being used for the partnership and adventure in this show. The part at 2:01 always makes me grin because trelkez has a great sense of musicality and humor.

Garden of Your Mind by @sandalwoodbox. Critical Role, Dungeons and Dragons. This is about storytelling and imagination. AND it utilizes a really cool remix of Mr. Roger’s voice. It’s so beautiful and I cry lots about it because I’m a sap and it’s really that powerful.

Life Less Ordinary by di_br / @why-the-face. Doctor Who. Nine/Rose. Di’s vids were my go-to when I started vidding back in 2007 and I was obsessed with all her Doctor Who vids. It turns out I still am obsessed. This vid makes my heart so warm and fuzzy and I absolutely have to rec this one after all these years because the Nine/Rose feelings are off the chart and span space and time.

I Do Adore by @kiki-miserychic. Adventure Time. Princess Bubblegum/Marceline. This is another oldie, and also for a show I've never seen but always been a fandom-in-law. This vid is so, so so sweet and sapphic and shows me exactly why Bubbline was so beloved.

Carries On by @monkeyswithjetpacks. Jim Henson and The Muppets. This vid brings the big cry about, too. It’s a wonderful tribute to Jim Henson and his work. I really love the music choice here which is The Magnetic Zeroes and there’s such a wide array of different sources from behind the scenes and the muppet shows. It is so beautiful.

Previous Saturday Morning Vid Recs:

Video Games

Women!

Space and Robots

Animals

Follow the tags to keep up with recs this fall:

#saturday morning vid recs

#kuwdora vid recs

#kuwdora recs

A guide I wrote for commenting on fanvids:

How to Leave Feedback on Fanvids

[mimomentomori]

Thoughts/Theories for Arcane Season 2 Act 2: Jayvik centered

Potential spoilers so read under the cut if you've watched Act 1!

To recap, at the end of Act 1 we see Jayce, Heimer and Ekko all get messed around with by the Wild Rune, causing anything linked to the Arcane to glitch out and malfunction. Based on the visuals and what we know about the characters it's likely those three will be scattered across time and space to different degrees;

Ekko will be gone long enough to be considered dead by the Firelights but return with his time powers to deal with the final confrontation with Noxus.

Heimer may be tossed back in time to confront his past trauma and be key in getting he and Ekko back to their correct time.

Jayce... He's gonna have the hardest time. He attacked the Wild Rune with the hammer which caused a massive reaction, so as a result he may be the one separated and lost in the Arcane dimension the longest. Based on the new Arcane Survivor Skin preview and the sneak peaks we got in both the newest teaser for Act 2, he'll most likely be stuck in this dimension for an undetermined amount of time, enough that it will affect his hammer directly and fuse the arcane shard in his cuff to his skin. The question is, how does he get out?

I think Viktor will be the key to his escape. Viktor, as we saw in his last scene in Act 1, is now inherently connected to the Arcane and by extension the Void given that he was fused with the Shimmer-tainted Hexcore. His continued use of the Arcane to heal his new followers will continue to destabilise the barrier between the realm of the Arcane and the material plane, but it could also potentially save Jayce.

If we're sticking with the Jesus/religious leader angle, Viktor was already shown to be having visions since he first coughed blood down into the matrix leading to the Hexcore's creation. After being fused with the Hexcore and by extension granted direct connection to the Arcane, he's been shown to be guided by 'Sky,' or at least a memory/fraction of her that now currently exists within the Hexcore and the Arcane.

My theory is, the more he settles into his new role and newfound connection to the Arcane, I think he'll start having visions of Jayce in the Arcane dimension and endeavour to get him out. While 'affection kept them together,' I think it's more than that now. They built hextech and the gates together, and with Jayce now directly affected and trapped by the Arcane they have a mystic connection to each other through the Hexcore. Despite their abrupt and bitter parting, I think seeing the main object of his affection trapped in such a state and clearly not yet fused to it like Sky is, he'll extend his power to get Jayce out.

Inevitably, this would lead to a potential clash/confrontation over both men's involvement of destabilising the Arcane in Zaun and Piltover... But I think in the end they will always do what they feel is right to save eachother.

I also want to add real quick that Ekko's criticism of how the Hexgates were built to send all runoff and potential fall out to the Undercity is valid and a gross oversight on Jayce's part, Viktor being from the Underground would have had to have a say in its design too so he will have possibly overlooked or felt confident this detail would be unlikely as well. Jayce and Viktor were partners on the project despite Jayce being the face of it; i.e. they're both responsible for what happened with the corruption and the Wild Rune.

With time being a key theme being shown in both the opening credits and how Ekko operates, it's looking like the theory that Viktor is the mage that saves young Jayve and Zimmena may be more likely than we think. But at the same time, even though we see in Viktor's new poster that he is able to thrive for some time, the plants that they experimented in did eventually wither and this may be a problem for Viktor as the next two acts progress.

Whether this means Viktor accepts or defies this rot to be in line with League Lore... I'm putting my faith in the writers on that one.

Let me know your thoughts!

[danwhobrowses]

Critical Role C3 Ep 118 - Initial Thoughts

Well guys I maaaade it

It's 8am (well 9 now) and frosty in England and I had like, 1 hour light snoozing, I'm currently basking in the delusional energy being sleep deprived sustains until the inevitable crash but for now, an episode happened!

First of 2025, first I could watch in full thanks to PTO and willpower, shivering with nerves all day so let's cover the thoughts I remember at least (was staying as still as possible to avoid making noise for the others sleeping, so couldn't do the clickety clacks - and as you can tell by my use of 'clickety clacks' that my verbage may be as loopy as a rollercoaster at times)

Spoilers for the episode

Adorable abnormally named animals that looked more like a pupper and a gerbil, Bandit was true to his name

Oh geez more fucking monologuing, even Sam had the cup thing for it XD

Remember that fanart of Laudna, Orym and Ashton kicking Liliana after verbally dressing her down? Well that but this time with Ludinus, loved the pressing

Got some mini Ludie backstory and it was 'my family died as collateral in the Calamity', it's so hilariously basic at this point he deserved every bit of Ashton's 'get the fuck over it'

Part of me also couldn't help but think of Istho, the reluctant to die Paladin of the Lawbearer imprisoned at the Bloody Bridge literally a year ago, they had the same mantra

Would've been cooler to get a bit more Lawbearer sauce before in this campaign but fairs enough

Fearne just wants to give everyone cupcakes and candy and treats being the vessel of the God Eater like winning the lottery and I love her for it

It's not lost on me as an Ashton fan that Ludie never asked them what they wanted. There's a gist yes of controlling your own fate but still, got a lil' under your skin didn't they?

Chet no, don't try to open the cascade of sigils!

HA! Poofed out of his second monologue

Braius don't call him, you're gonna call him aren't you?

FUCKING LYING WHORE CHEATER BITCH Azzy, how's the family?

Brennan is untouchable but Matt's Fucking Lying Whore Cheater Bitch Azzy M still gives me the feeling of 'you know all the right things to say but I can still hear your manipulation'

Family, Braius, is right here! I get he's been around longer but first it's 'chase away and I'll remain' now it's 'don't let it out', mixed messages

I probably would've laughed to death if Ludie got distracted by the toy, though I do wish it was an Intuit Charge

RAVENOUS VOID OFF THE FUCKING BAT?? I was literally looking at that spell a few days ago

The aoe and save was so fucking high too, and I could've sworn Ashton can't be moved in Titan form, and resists all but Force Damage

Oh shit the neck! The neck comes back around!

God the cast rolled so badly for so long, and he kept saving and using his resistance

Not the neck ladies, the body, da body!

PATE I LOVE YOU

Pate noooo!

IRAAAAAAA I LOVE YOU!

MISTERRRRRR! I LOVE YOU!!

ASHTOOOOOOOON I LOVE YOU! That is my motherfucking barbarian tank killing the concentration

OH MY FUCKING DAYS POWER WORD STUN IMOGEN I FUCKING LOVE YOU!

I was counting the damage, once you knew it was below 150 all it needed was the math

Bless Ashley for wanting to go big but couldn't because of aoe

It had to be Orym, IT HAD TO BE ORYM, how's that for resolve?

Ira laughing in Ludie's face was cathartic too

'I don't want to hurt anyone, or kill anyone' - SAY IT LOUDER FOR THE ASHTON HATERS IN THE BACK!

We were so fucking close though, so close to the 'we can't absorb it but it can't stay here' point, we could've had an option C like sending it to a Demiplane

Surprised me how much Laudna pushed for pro-Predathos, given Imogen's reluctance, and Orym just unable to argue it because it's been argued to death

Oh god is he not dead? Fuckery duck, Laudna you have that ghost tracking thing right?

'What did you do to me, I used to be fun' - you still are you just have mushrooms planned with Fearne for after

Imogen you talked a lot about being free to decide your fate and now you're literally walking towards what 'fate' planned out for you

We are LITERALLY approaching what Ludinus wants to do

Child's voice is a nope, like an absolute nope

Like a 'Guys did we not learn from the Dominox?' nope

Because GUYS DID WE NOT LEARN FROM THE DOMINOX??

Orym insight checked a God Eater, got a whisper, stepped between it and the Ruidusborns, and that was not a red flag??

The collective 'ohhhh' though

Like, I get hearing it out, trying to see if we've simply been misinformed, but the proof is kinda in the pudding and it is dessert time

It knocked Chet into a wall for opposing, that's a nope

Hey Matt don't you think the Primordials partly responsible for this cage would have some resonance with it since we're getting clips of Tengar and Orym's Wildmother vision for all to see?

Imogen and Fearne NO

Predathos the nice hot faun lady told you to wait

Fearne YES but IMOGEN NO!

Fearne Yes! ...right? Answer the question cliffhanger! RIGHT?

I mean she heard her, that's something, are we gonna have to give Imogen her first death in the campaign? Can that staff factor in at all?

Definitely peeved that Imogen went and pulled a Frodo right at the last moment, but like the One Ring in Mount Doom she is being lulled by Predathos muddying her instincts, so I can kinda see why she thought it the kindest option, also le drama I suppose, Laura Bailey had to put her own third wedding one-shot in jeopardy

I have to be at work next week and there's a likelihood that the worst ending happens and Ludinus didn't get his ancient elf ass handed to him permanently ;_; so the stage is different, the health and spell slots are lower, but the fear is the same and I can't stay up for it

Contrary to others though I do still want a happy ending, the Hells aren't bad or evil for what they were attempting; the intentions was still good it was just not right. Someone else would've come, if not Ludinus then someone else with the same plan, but this is why we should've discussed alternatives earlier, this is why a united goal is important and why the Arch Heart fucking up the plan with his visit rubbed me the wrong way

At least now the Hells are gonna be on the same page with Predathos, it's about saving your people - so, save your people

[nightklok]

I have so many things to say about Ultraman Rising it’s insane

I’m choosing to talk about how the movie uses grief and it’s such an interesting way of handling it!

Almost every character in the film has grieved or is grieving in some aspect. And grieving doesn’t even need to mean death but just losing something.

For Kenji he’s grieving over his mother’s disappearance, his childhood lost without his father, and the fact at a young age he realized how cruel other kids were and began to put on a front that lasted well into adulthood.

Hayao’s essentially lost out on not only 20 years of being in his son’s life but also being apart from his wife. The family he was happy to create and love but it was ripped apart with the sacrifice of having to fulfill his duties as Ultraman. He was alone for 20 years.

The way the two handle grief is in different ways.

Hayao’s handling of it seems to be a lot more calmer, meditated and carefully thought of. Even if he couldn’t be in Kenji’s life physically, he collected every trophy and home video Emiko sent of his games. He was an absent father but he was a father nonetheless and why he kept his distance is still in the air but it’s so clear that he did try to be updated in his life as much as possible even if he was far away. And because of the fact he loved Kenji and wanted to protect him, it’d extend well past to adulthood where he didn’t even ask him for help in finding Emiko. Why should he ask his son to help when he’s moved away from a career he spent years building to take on the family hero role? Maybe if he finds her it’ll get Kenji to talk to him again. Maybe he should start himself but he has to find her first. But not once did he yell at Kenji.

Kenji’s is harsher and more self destructive. Purposely making himself aloof, putting on a front of being loud and arrogant, making sure he’s so untouchable no one would want to be friends with him or be close to him, all things as a response to the grief he’s felt. While Ami’s breakdown of him did imply he was always known for being this way, I can imagine it got much worse with Emiko’s disappearance. Mina said he did his best. He assumed he was the only one looking for her and he failed. So why bother being nice? Shove a photocard in a player’s hands that they might’ve sold on eBay anyway, yell at your dad for 20 years worth of pent up rage and feel like shit about it but don’t bother to try and fix it. And don’t bother to talk or ask for help from your teammates even at your lowest…it’s not gonna bring her back but being in control of something might bring in some semblance of normalcy.

however I think the one with the most destructive handling of grief is Dr. Onda. And while I agree with some criticism regarding him, I think he’s a perfect villain suited for this. And in some ways, he can be terrifying.

He lost his wife and daughter. He has no one. Unlike Kenji and Hayao where they at least had each other, he has no one.

Ultraman failed his family.

Ultraman failed him.

Ultraman still has his family.

He morphed the KDF’s structure as a result of that. Even throughout the movie he states how this isn’t what he would’ve wanted to do but he had to help families. To make sure no one goes through what he went through.

But he’s also manipulative about it.

He knows grief about losing his family to Kaijus better than anyone.

He knows that he’s not the only one. And Ultraman can’t save everyone even if they tried.

With grief you end up wanting to blame anything.

So Dr Onda chooses grieving people to work alongside him. Consistently throughout the movie he makes sure to bring up how they lost loved ones/family to Kaijus or how they have to think of their families. While we can gather he wasn’t intentionally being manipulative, at the end of the day he’s a widow who lost his family, there’s no doubt about it he’s at least aware of the impact of bringing it up.

Even when there was some doubt over how the KDF began handling Kaijus, especially when it’s shown how sentient they are with their own culture, affection and love, Dr. Onda makes sure to bring up their own families. Forget how this Kaiju is clearly protected her daughter, your own families are more important.

He’s a perfect mix of how Kenji and Hayao handle grief and shows how destructive it can be.

Using the opposite of Hayao’s handling of grief and mixing it with Kenji’s creates such a manipulative monster of grief. We can argue that he has good intentions, that he just wants Japan to be safe and for families to not lose a loved one, but the movie now presents an interesting debate of why one species is so much more important than the other. Dr. Onda, in his own grief, chooses to brush aside that for the sake of trying to do something he couldn’t do earlier for his family. Even if it means trying to kill ultraman and his son.

At the end of the day nothing he does will bring them back. But he has to hope that despite trying to tear two families apart, he’ll save everyone for the greater good. And if he dies, no one will really grieve for him because he doesn’t have anyone. So he might as well die trying.

[causeimcrayzeebee]

oh my god ive been reminded of this time and time again recently so i need to talk about this cause it’s been kinda bothering me this week: i really don’t like when people talk about characters in fangans in terms of their ‘role’.

now first before i talk about it more, i wanna make a disclaimer that this isn’t that big of a deal, and if you happen to do this, don’t worry you’re not a bad person at all. it’s just something that has really annoyed me and id like to highlight, hopefully so at least a few people stop doing this.

i think a lot of fangan fandoms tend to jump to make everything like the original danganronpa series. this criticism applies to people comparing fangan characters to existing dr characters, but i think more people understand that that’s kinda shitty.

to use an example of what i mean exactly, after the eden’s garden prologue released, many people were saying that Wolfgang is the protagonist and Damon is the antagonist— this eventually became people saying the reverse, because that first statement is blatantly incorrect. a protagonist isn’t the “good person” of the story, a protagonist is the person you follow throughout the story, so they seem like a hero bc it’s from their perspective. Damon is, quite literally, the protagonist, even if he’s morally and ideologically different from past danganronpa protagonists. these terms have been warped to fit the kind of people the original games portrayed and lose their actual meaning.

many have also talked since chapter 1 saying that eva is the support, or kai or diana are gonna be the new support, and while it’s not necessarily wrong, as they all can play supportive roles, it just feels weird to me to push everyone into these parts of the danganronpa formula, if you will.

have i fallen into doing this? yes, i have. but now as my interest in mainline dr has faded and I’ve become more into fangans than anything, ive realized how much goes into making these fangans. yeah, it’s based off of the existing franchise, but that’s nothing but a mere prompt to get these incedibly talented people to tell the stories they want to tell! to keep pushing the chapter killer cliches, antagonist/protagonist/support stereotypes, etc, it feels like it diminishes the creativity and originality of many of these games/series/shows. it feels disrespectful to the people trying to tell their own stories- no one wants their hard work to be compared to another game yk?

it’s an overreliance on pushing characters into these roles to figure the narrative out and it doesn’t let them exist as their own self.

in the end, these are completely different stories with different characters and different perspectives behind the creation of it. it’s just unfair to compare fangans to the inspiration.

[realtalk127]

alright fuck it. i can't sleep and i need to talk about this scene from the last episode of critical role.

because holy shit if this ain't some of the best rp – nay, storytelling in general – that i've ever seen. (buckle up, it ain't gonna be short.)

laudna: i made you a doll. because dolls are for children. and you're a child.

the way she says this is not nice! it's biting, it's snarky. she definitely seems to mean it as an insult – and she probably does! – at first. but laudna's idea of a child is much more expansive than just a cheep insult, as she makes clear shortly.

then ashton's response: i've never had a doll before. this is the nicest thing anyone's ever given me.

i don't know if this reaction melts laudna a little (if it does, she doesn't show it visibly), or maybe she was already coming to the conversation with a more nuanced definition of 'child', but either way, the conversation shifts immediately – and the next two sentences clarify where they're both coming from here.

laudna: i like children. // ashton: i don't.

she likes children! and we knew this, of course. marisha, the god of intentional rp showed us this within the first few moments of laudna's screen-time way back in episode 1. but still! it's worth repeating. despite the bite of her initial comment to ashton, she doesn't necessarily mean it as an insult. i don't know that we could entirely call it a compliment, given the context, but at the very least, i think she intended it as a point of connection.

after all, our data re: Laudna And Kids is not limited to that one scene from episode 1. there's also the parallel scene that mirrors it (with a happier ending) back in episode 38, when laudna first visits the sun tree after her resurrection. we also know (via a 4sd episode that i don't care to dig up right now) that laudna had another friend before imogen, who was a little girl.

and i think it's that little girl that's the most important piece here. we don't know anything about that story except that she exists, but i'm willing to read between the lines and make an assumption that laudna – on average – has better luck getting children to be kind to her (when they've not yet been taught to be cruel) than with adults. there is an innocence there that laudna needs! she needs people who haven't been hardened by assumptions and pre-judgements and all that bullshit. for laudna there is safety – both emotional and literal physical safety – in a childlike perspective.

ALL THAT TO SAY: laudna's associations with childhood are, generally, positive. for a variety of reasons.

but!

ashton's are NOT.

ashton's childhood sucked. from the jump. he was a part of a shitty cult that he barely remembers, and after that they were in an ophanage. their associations with childhood are overwhelmingly negative, and likely associated with feelings of helplessness and loneliness.

whether or not laudna intended that original comment ('you're a child') as an insult, we can pretty safely assume ashton took it as one.

they continue:

ashton: they're awful. // laudna: they're not.

NOW, we're getting into the meat of it. where before they were dancing around a metaphor, it becomes immediately clear what's really being talked about here. ashton is saying 'i'm awful', and laudna is emphatically saying 'no you're not.'

which! first of all, is so insanely generous of her. after what ashton just put her through less than 24 hours ago, laudna has every reason to affirm ashton's assertion that they are, in fact, awful. but she doesn't. ashton knows this, which is why he amends his original statement:

ashton: they can be.

they're saying: perhaps i can concede that i am not always awful, but let's at least agree that sometimes (like specificaly, oh, i don't know, LAST NIGHT) i can be.

laudna: you should remember what it's like to be one.

ashton: i do. it wasn't great.

the LAYERS, y'all. the LAYERS. the important thing here is that it's all in the context of that first comment: you're a child. which is, critically, a statement made in the context of ashton's decisions the previous night. they're talking in generalities here, but they're mostly talking about last night.

so!

when laudna says they should remember what it's like to be one [a child], she also means: you were a child last night, but not in a cool, whimsical way, just in a shitty, immature way. AND! when ashton says they remember, and that it wasn't great, they're saying they know they fucked up last night, but all they know of childhood is an overwhelming helplessness, how can that possibly be spun to a positive?

and this, really, is the crux of their two differing worldviews. these two have a lot in common – much has been said about that in game and out – but this point is where they split. laudna has survived, by embracing her childlike nature (admittedly, to a fault, at times). how to keep from being hurt? just keep everything fun and whimsical! nothing to worry about here, it's all just a silly little game! and she has also needed people who share that perspective. people who are willing to take her at face value and without any of the negative assumptions and prejudices they may have picked up along the way.

ashton, on the other hand survived by growing up immediately. they got through their own shitty childhood by becoming an adult (or acting like one anyway) as quickly as possible and STAYING that way. ashton needs to have a tough exterior (there's the made-of-stone thing again) to feel safe. (admittedly, from an audience perspective, this veneer is basically see-through. but ashton doesn't necessarily know this. they're trying their best. so from their perspective, the tough guy thing is Working.)

laudna: you should find more joy in your inner child.

she's saying two things here:

(1) you can be soft and be safe. those can co-exist, aND!

(2) i need you to be soft for me to be safe. when you have this false tough exterior, it hurts people. it hurts (hurt) me.

which is certainly a resonant metaphor to play with for the literal ROCK GUY who just got literally MELTED into LAVA 12 hours prior.

ANYWAY- that's what i've got for now on this scene. i'll probably never stop thinking about it, and there's even more good shit from later on in the scene when they talk about the doll, but that's it for now.

[biconickyoshi]

Okay y’all… I was very critical of eps 3 & 4 (especially 4) of NAtLA. Then all of a sudden eps 5 & 6 kinda slapped me in the face with how much better the show suddenly got.

Spoiler-free thoughts first:

Zuko, Iroh, and Aang have cemented themselves as the best parts about this adaptation - which is really funny considering I’m currently writing a longfic AU where Zuko and Iroh discover Aang in the iceberg right after Zuko is banished at age 13 and end up becoming the first members of the Gaang (albeit reluctantly at first lol). Episode 6: “Masks” (the Blue Spirit adaptation) was so good, I’d venture to say that it actually improved and fleshed out some things from the original series.

Episode 5: “Spirited Away”, while not as good as E6, was not as bad as I heard people say it was going to be. I think that the changes they did make didn’t bother me nearly as much as the changes they made in the last episode, and it was actually entertaining.

There were several scenes that made me cry in both of these episodes (moreso in episode 6, which I’ll get into further down in the spoiler section). These are the scenes that I feel like really tapped into the heart of the original show rather than feeling like a soulless remake.

Now for my in-depth thoughts (INCLUDES SPOILERS):

EP 5: “Spirited Away”

- Staring out, I was bummed because I had just rewatched the first two eps of the original animated series lol.

- It was an interesting choice to have all three members of the Gaang get stuck in the Spirit World, but I think it worked.

- Wan Shi Tong just showing up randomly was a bit unnecessary, but I suppose it will be kinda interesting to see him again in S2 since he’s already met the Gaang

- Hei Bai plays a much smaller role in these eps, but I strangely didn’t mind that either?

- Seeing Katara’s last memory with her mom was devastating, especially the fact that she had to witness her death and hide in the igloo with Kya’s charred body :(( she definitely has severe PTSD.

- Even Sokka’s memory made me tear up a bit

- Koh being the villain and a soul-eater or whatever was a bit of an odd choice, but I guess I can see why they did it. I do prefer him just being an asshole who steals ppl’s faces lol

- Appreciated the Fog of Lost Souls reference from the LoK lore

- Aang reuniting with Gyatso made me cry. I know some people didn’t like him being in the Spirit World, but I really liked it. Also, the fact that Gyatso was the first person to tell Aang that it wasn’t his fault the Air Nomads died, and that if he had been there he would have died too? THANK YOU! My poor boy has been berated enough for “abandoning” the world.

- We got some interesting lore about the afterlife for humans from Gyatso and Aang’s convo, which we’ve never gotten in AtLA media before. Idk if it’s just for Air Nomads, but Aang mentions that Gyatso stayed behind instead of “seeking enlightenment”. I know that the end goal in Buddhism is to reincarnate until you eventually achieve nirvana, so I wonder if that’s what they were alluding to (I’m not an expert on religions so pls correct me if I’m wrong)

- Oh yeah, I forgot June is here lmao. As a queer person I loved her (bc beautiful goth woman) but I didn’t like the weird choice to make her hit on Iroh - I guess to contrast the Iroh being creepy towards her thing in the OG series. I wish they would have just had them interact normally tbh, no weird “flirting”

EP 6: “Masks”

- Here we go y’all. The best episode in the show so far and probably the best the show is gonna get this season. I’m still pretty shocked at how good this one was.

- I think the decision to include flashbacks to Zuko’s Agni Kai was a good decision here. It felt like an appropriate episode for them and the flashbacks were very well done.

- In general, Dallas is doing a phenomenal job at portraying a Zuko who is angry and aggressive, yes, but also so very sweet and compassionate at his core. I love when little inklings of his true self shine through.

- Roku was… not what I expected. He was very much more of a lighthearted and jokey person… I didn’t hate it, it was just unexpected lol. I wonder if they did that to contrast him with Kyoshi. Which, speaking of, I’m glad Roku clarified that Aang doesn’t just need to be a merciless warrior (and that he didn’t berate Aang for “abandoning” the world like she did). But I still am annoyed about the mischaracterization of Kyoshi in general.

- RIP Shyu :/

- Thought it was kind of strange how June captures Aang at Roku’s temple lol. Like how did she get on and off the island??

- Zhao continues to feel like a completely different character to me lmao. I think this version is pretty funny, but it’s so weird to see Zhao being portrayed as so goofy and incompetent when he was such an intimidating force and the main villain of Book 1 in the OG series. Just a weird direction they went with his character.

- The Yuyan archers look cool as fuck. 10/10 no notes

- Still not sure how I feel about Azula already being this insecure and jealous of Zuko. I think it makes her feel a bit more realistically like a child, but the whole point of Azula’s character is that she is really good at maintaining this cool and calm persona on the surface, which she uses to scare and manipulate people. I can see her maybe getting to a point later on to where she hardens herself into that though. We’ll see.

- Baby Zuko asking Iroh how he looks and his little smile 😭😭😭😭 I had a physical “aww” reaction to that. THAT’S MY SON (me and Iroh shouting in unison)

- War Room scene was handled very well. No complaints. I like how Ozai tried to test Zuko with battle strategies.

- Blue Spirit break out scene was extremely close to the original, and it was really good. They adapted it almost shot for shot with all the important parts.

- Here’s probably my favorite part of the episode: Zuko and Aang’s talk inside the abandoned house after they escape from Pohuai!!!!!! Gahhhh I could gush about this scene all day. I love how they expanded it to be an actual friendly conversation between Aang and Zuko. Like we get to see Zuko’s true self coming through - the sweet, kind boy we know he is. Zuko and Aang just have such great chemistry as well, wayyy more than Aang has with either Sokka or Katara. Like I adored them bonding over painting and caligraphy!!! I think this is the best acting we’ve seen from Gordon so far, and Dallas did a phenomenal job switching back to that hurt, angry version of himself (of course a trauma response). And the fact that Aang said “sorry, I didn’t mean to hurt you” when he blocked Zuko’s firebending attack??? My sweet boy 😭

- The final flashback to the Agni Kai was really well done too. I’d already heard Zuko fights back, which I wasn’t sure I’d like, but I actually didn’t mind it. I really liked that they showed Zuko’s hesitation whenever he did actually have an opening, and that was what angered Ozai the most - Zuko showing compassion, “weakness”. Daniel Dae Kim is of course doing a phenomenal job (no surprises there), and I really liked that Iroh actually attempted to stop Ozai at one point. It also looked like young Azula had tears in her eyes, which I again actually liked because it humanizes her.

- I loved that Aang was still there when Zuko woke up on the boat 😭 he wanted to make sure he was okay!! I full on started crying when we got the “do you think we could have been friends too?” lines from him. Again, Gordon killed it. I love how you can tell that Aang knows Zuko has been hurt and that’s why he acts the way he does. He doesn’t blame him for any of it. 10/10

- the last flashback to Zuko in his bed recovering from the burn… god the tears just kept flowing. I really liked the choice to have Ozai almost give Zuko a chance to like… idk understand why he did what he did, and how compassion is “weak”?? And then Zuko’s response to give people a chance 😭😭😭 as if I couldn’t love him any more!!! And then of course Ozai gets pissed. But seeing baby Zuko just cry in his bed UGH I’m dehydrated at this point

- Of course I can’t finish this review without mentioning the 41st division. What an incredible way to expand upon the source material by making them Zuko’s crew!!! It shows just how much Zuko truly cares about others and it moved me so much (once again to tears).

I don’t have high hopes for the last two episodes, but honestly, if this is what the live action can be, it gives me a bit of hope (at least for future seasons). I really think that Dallas, Gordon, Paul, and Daniel were the stars of this ep and are a big part of what made it so good.