#but i think our life is in it's own like category

[spacexfucker]

A lot of sentiment I see around non binary identity is that its used as the butt of a joke about someone trying to feel special and quirky. Which isn't new. Bigots make that joke about queerness in general. So it usually rolls off my back when I hear it. But when I see it coming from other queer people, even as a "joke", it feels terrible.

In my experience, parts of the queer community (usually binary queer people) seem to have a gauge that they use to measure the rest of us with. Acceptable queer to ridiculous queer to not queer. And they use Acceptable Queer to define themselves and ridiculous queer for non binary people/people with neopronouns/etc, and use Not Queer on discourse that's old enough to vote. Like about asexual people or aromantics or poly etc.

This gauge comes with so many other little metrics they use to determine other weird things like whether or not you deserve to talk about your struggles, whether those struggles are worth being addressed, and to put everyone into categories of who is most worth listening to. Recreating the very system of boxes and acceptability that straight cis people have based all of our social expectations on.

And I know people say "well that's an online phenomenon. Go to queer spaces offline" but I think that does more harm than good. Queer spaces in general should change for the better. People online exist in the real world. They take those biases to real places. And people who don't have the opportunity to go to queer spaces offline deserve to exist in more accepting queer spaces online.

I think that part of the problem stems from wherever terminology like tme and tma comes from. When you expect queer people to fit into one category or another, then experiences can only be one thing or another. It's a way to organize how you view others and the world. To make it easy to line up one person's life with another's and decide as quickly as possible as to who has it worse. Being able to fit people into simple categories based off on their perceived oppression. You can't successfully do that with non binary/agender/genderqueer or intersex people. So they belittle us instead. They use phrases like "straight-passing" and police people that don't fall within hard lined categories in order to keep their own identities stronger. To reaffirm their representation. People not easily spotted or defined are a threat to them. We blur lines. Each one of us is a unique person. There's not just one version of us. So, as a whole, we get reduced to a gag. To a joke. They make themselves nearly indistinguishable from the bigots making those same jokes and invalidating our existence.

binary trans people: think about how it feels when someone calls you "just a trans man/woman" in comparison to cis people.

and now ask yourselves why so many of you all feel comfortable doing the same thing to nonbinary people.

[elisedonut]

I'm always like man i hate making ocs but i also want to make a visual novel one day and that's only become more true now that I write

so like i'll have to learn how one day

like i mean i know technically how to like ive made four characters

its just do i give a fuck about them thats problem because the answer is no i'm a bad mother

i just can't bring myself to care about them enough to like do anything with them

so they are useless to me as they are now

[reidmotif]

Dialing up for Trouble

Summary: Reader and Spencer were fuck-buddies, until Spencer cuts her off quite suddenly. A party and some risque images may be enough to get them back to their old routine.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: semi-public sex, sexting, mentions of nude images and descriptions of generic lingerie, masturbation (f!receiving), penetrative sex, semi-dom!spencer

Word Count: 3.5 k

Masterlist

Clichés bothered me. There was no other way to put it. I’d grown up hating the likes of love triangles, meet-cutes, chosen ones, and right now, I was being reminded more than ever of that hatred because, what the fuck? 

“Too much of a good thing” was the reasoning Spencer had cited when he proposed we stop sleeping together casually, and return to our previous relationship of  “just coworkers”. I’d let him know how ridiculous I found his sentiment, and attempted every possible method to continue our secret rendezvous, but he was absolutely dead-set on his decision, it seemed.

 No more sex. No more late-night calls. None of it. It was all over. All because of a cliche. 

We seemed to agree on one thing, and that was, yes. The sex was fantastic. It really was that good. While I’d never wish weariness on Spencer Reid, I couldn’t deny that in the aftermath of stress and frustration from whatever life had chosen for him, the way he’d deal with that was absolutely electrifying for me.

I’d find myself constantly breathless, pulled into hotel rooms, storage closets- anything resembling the barest hint of privacy, and allow him to use me as he saw fit. I gave him complete trust and control over my body, and in turn, he rewarded me with some incredibly life-changing orgasms. And for what it’s worth, he seemed to get an equal amount of satisfaction out of our hidden trysts, which only made his recent decision that more devastating.  

It’d been roughly a month since we’d had sex, or anything resembling the sort, and I found myself absolutely deprived. When the FBI gave out invitations to its semi-annual gala, I imagined the festivities would be enough to distract me, but I was completely in error for assuming so. Amidst drinks and conversations, there was the occasional lull where I couldn’t help but absentmindedly imagine the feel of his hands over my skin, squeezing the fat of my hips. His lips trailing up and down my neck, focusing on spots only he knew about. The way his hair would tickle against my thighs when he’d bury his head-

“Hey.” 

The voice breaks me out of my thoughts, and I have to remind myself not to choke on my beverage. There he was. The current subject of my thoughts, standing in front of me, live and in the flesh. Spencer Reid. 

“Hey.” I mirror back, taking a sip of my drink, acting as lax as I could, given the circumstances. “Enjoying yourself?” I ask, gesturing to the party in front of us, the general ambience. 

“You know me.” He replies, pausing for a second, keeping his gaze trained on mine. “Not my scene but.. doable.” 

I chuckle for a moment, understanding perfectly. Spencer wasn’t exactly the most social guy out there. I was honestly surprised he’d chosen to come to this thing at all in the first place. 

“You look nice.” He says, suddenly. “Your dress. It’s nice.” He rushes out the words, as if he’s scared to say them in the first place. 

I smooth down the fabric instinctively, nodding. I try not to let the compliment affect me so much, keeping my head down for a split second to hide the creeping heat emanating from my cheeks. 

 “Thank you. I appreciate it.” 

I surprise myself with my own answer. The silence for that tick is horrible. I appreciate it? Jesus. I couldn’t think of the right words anymore. The correct and witty response that would allow this conversation to flow smoothly. 

 I truly wanted to fuck this man so bad, it made me look stupid. 

And stupid I was, because yet again, I attempted to test the current parameters of our relationship he’d put us on. I swallow my pride, lifting my head to meet his eyes with mine. 

“If you like it so much, you could- you know. Take it off.” I say, biting my lip. There’s a light tease in my voice, but it’s obvious I’m being as forthcoming as I possibly could. No games. No jokes. I didn’t want to dance around it, and I hoped my boldness would reward me as it did previously in the past. 

But no, it seems that fortune does not favor the bold, because Spencer’s immediate response was to shake his head, lowering his voice. He pulled on my arm to decrease our proximity, to the point where it was ensured no passer-bys could possibly hear our conversation. 

“Come on.” He pleads, almost looking desperate.  “I told you we should stop- hasn’t that worked out? We can be coworkers. This works.”

I roll my eyes, letting my displeasure show plainly over my face. “This works?” I say, and the sarcasm is clear in my voice. “Sex worked too, you know.” 

“I know it did!” He says, in a hushed whisper. “But- we can’t. No. It’s not right. Too much of a-” 

“If you finish that sentence, I swear to god.” I say, my expression turning much more volatile. I forcibly shrug his arm off me. “This is stupid.” I continue, trying not to let my voice rise. “I see the way you look at me. I know it was good for both of us. I know you’re thinking about it just as much as I am, so why not!” There’s a hint of hurt in my voice as well. Underneath all the sex, I’d grown to miss the interactions after. The giggles under covers and the feel of his hair in my fingers. I missed him. All of him. 

There’s a miserable pause on his end, and I hold my breath waiting for his next words. Spencer sputters, looking absolutely defeated. “Because- because we just can’t, okay?” He replies, helplessly, stepping back from me, as I’d done with him. “Look. I’m just going to enjoy the rest of the party, okay? Take care of yourself, yeah?” 

Before I can get in another word, demanding a real explanation from the man, he leaves me alone, replaying the words of his confusing outburst in my mind. 

I take a short time to myself, electing to go use the restroom and take a breather from the party, a bit on edge after our exchange. Was it possible he was completely fine with what the loss of our arrangement had done to us? Was I the only one absolutely losing my mind? Any attempt to diverge my attention from the topic proved futile, and  I remained in the closed room, mindlessly adjusting myself in the mirror with no real rhyme or reason. There’s an eventual use of my phone, focusing the camera directly on my face to make sure nothing had smudged or looked off on my face in the time I’d last checked my makeup. In the use of the device, I remembered the pictures I’d taken before coming here. 

The pictures weren’t meant to serve any true purpose. I’d bought new lingerie for this dress, as my previous bras weren’t suited to the cut and shape of the specific piece of clothing, and decided to take a few pictures for myself. It was lacy, and pretty, but nothing truly special. The bra had a slight push-up effect, and the panties were a bit cheekier than my normal, day-to-day undergarments.  The actual lingerie was innocent- harmless, even. Looking at the images right now, though, a salacious idea creeped into my head. 

Under the right circumstances, these could be exactly the catalyst to finally receiving what I wanted. 

I open the messaging app on my phone, finding Spencer’s contact, and beginning to type out a simple message. 

hey. 

The response is immediate. 

What’s up? 

You good? 

Where’d you go? 

I laugh a little. I imagined him scanning the crowd for me, trying to figure out where I’d gone off to. 

all good, don’t worry

so we’re still sticking to the no sex thing? 

I see his typing bubble pop up, then pause. Then starts up again. 

Yes. 

Trust me, it’s for the better. 

I groan internally. Of course he thinks that. Always thinks he knows what’s good for everyone. 

trust me 

if you knew what i had planned for us

you wouldn’t say that

I feel my phone vibrate in my hand, indicating he was now calling me? I hadn’t planned for this. 

“Spencer?” I remark, waiting for his voice on the line. 

“What do you mean?” He says, quickly. I can no longer hear the bustle of the party in the background, so it’s only reasonable to assume he’s moved somewhere quieter. Still, I ask. 

“Are you around other people?” I murmur, keeping my voice low. 

“No. Alone. What did you mean by your last message?” He repeats, quickly. 

There’s my in. I respond, feigning an unmistakable innocence in my voice. “Mind if I show you?” 

“Show me?” The confusion in his voice is palpable. 

“Show you.” I reply, more definitively.  “Check your messages.” 

I bring my phone away from my ear, electing to send the first picture I saw in my camera roll,  which prominently featured my breasts- a feature of mine I knew Spencer was quite interested in. I return to the call, my heart pounding wildly. 

“Did you see?” I ask, hesitantly, when all I can hear is his breathing on the other line. 

The response is a choked out, breathy mess of a sentence. “Yeah- I did. Jesus.” 

“Want more?” I murmur, biting my lip as the realization dawned on me that this possibly had a chance of working. 

There’s a delay in his words on the line, before I finally hear:

“Yes. God, yes.” 

I grin ear-to-ear, beginning to send an assortment of pictures I’d taken previously in the day. Knowing this was having an effect on him, that somewhere in this party Spencer was sitting alone, his gaze trained on his phone intently, did something to me. He was behaving this way because of my body, because of what I could do to him. 

It was hard not to get wet at the thought. 

“You look so good.” He breathes out, and the desire in his voice is unmistakable. 

“Yeah?” I mumble to the speaker. “You think so?” 

“Mhm.” He murmurs. “You’re wearing this right now?” He asks, seemingly needing that confirmation at this moment.  

“In all its glory.” I try not to giggle before murmuring teasingly, “What, you wanna see?” 

“Where are you?” He asks, suddenly seeming very determined. I can hear the shuffling on the other line, indicating he was now starting to move from where he was currently situated. He was completely, and utterly serious about this. 

“Bathroom, on the left corridor of the entrance.” I say, feeling exhilarated at the thought of him meeting me here. This was happening. 

Finally. 

“Stay.” He replies, and the call cuts. 

There’s an impatient itch that creeps up on me during the two-minute wait for him, before I hear a solid knock on the door, and my name being whispered through the door, belonging to a voice I’d grown so accustomed to and fond of. 

My fingers undo the lock, opening it just enough so that he could squeeze through without drawing too much attention to ourselves right now. 

And as soon as he’s managed in, he’s practically on me, devouring me with a kiss with a passion I’d never felt from him before. My hands go to wrap around his neck, pressing our bodies flush against each other, every ragged breath of his shooting directly to my core, which was now throbbing with need. 

“Fuck. Missed this so much.” He breathes out, gasping for air in between our kisses. I couldn’t so much as get a whimper out, before he’d dive right in again. It’s like he wanted to eat me alive. 

And I’d let him. 

I moan softly into his mouth, starved for more contact between us. It’s as if he can read my mind, because in an instant,  he guides us from the center of the bathroom, towards a wall, slotting his thigh between my legs. He takes a momentary break from ravishing me with his lips, now adopting a slower, more sensual pace as he works down my neck, each soft kiss leaving me craving him even more.  

His hands drift down to my hips, keeping me pinned against the wall as he murmured soft praises. My legs felt wobbly, absolutely taken aback by how quickly I could go weak for this man. 

“You like this, mm?” He mumbles, letting his teeth nip over the lobe of my ear, before switching to a more neglected side of my neck. “Like me that much, mm?” 

I don’t care about the cockiness in his tone. I don’t care how smug I render him. I just need him to continue this, for as long as I can have him. 

“Yes.” I breathe out, my voice higher-pitched than it normally would be. “God. Love this so much.” 

There’s a flash of hesitance from him, as he pulls his face away from my neck, staring at my eyes with his own. I can’t dwell on the pause, because for once, I’m finally seeing him. His hair was absolutely ruined, sticking up wildly in different directions. His cheeks were a light pink, serving to make his features even prettier and doe-like than before. But what got me were his eyes. His pupils were blown out, the normal honey-hazel I’d seen on a daily basis replaced with an absolute abyss of black. The darkness served to cause a surge within me, practically launching forward to meet his lips with mine. 

There are no words required for what happens next, as I feel his hand creep up my back, pulling me away from the wall and towards the closest surface, which happened to be the sink. He guides me to bend over, and I do so with no resistance.

 He could have me, whichever way he wanted, whenever he wanted. All I needed was his touch. 

I can feel him crouch to his knees, slowly reaching under my dress to hook his fingers around my panties, slowly pulling them down. I can feel a string of my arousal clinging to the fabric, and it seems Spencer can too, because he practically moans as he drags the soiled piece of lingerie down my thighs. I step out of them quickly, and turn my head back, fast enough to see him stuff the proof of our debauchery down his suit pocket. 

“Eyes ahead.” He whispers, leaning down close to my ear to nip at the sensitive flesh again. 

“Okay.” I murmur, slipping into a more submissive version of myself that he seemed to bring out in me. There’s a sense of relaxation and excitement all at the same time, and I’m absolutely wracked with lust for him. 

His fingers stroke my clit for a moment, applying pressure in just the right way. The movements are practiced, precise and guaranteed to hurl me off the edge if he continues this way. 

“You’re soaked, sweetheart.” He murmurs, almost amazed,  letting his fingers slip away. “All this for me?” 

I can barely respond, whimpering and nodding. “Yes. Please- Spencer.” I beg, needily. 

“I know, I know.” He replies, and I can hear how pleased he is. There’s a certain delight he derives from my submission, and while in any other circumstance, the smugness he displays would turn me off, right now it only served to further my hunger. 

I can feel him start to work on his belt, sliding the coarse material of his dress pants just enough, so that his cock could spring free. I can’t see it, but I can feel it, his tip sliding through my folds, and I clench at the thought of him finally being inside of me. 

Just when I believed his teasing to be done, there’s a knock at the door, and we both freeze. Spencer swallows, and quickly raises his voice. “Occupied!” 

There’s silence, and that previous sense of lust and content drifts back into our bodies, Spencer’s fingers trace up to my face, and he lets his finger slip into my mouth. I can taste my arousal on his fingers, and there’s a genuine struggle on my end to stay upright. How could I, when the man behind me rendered me so indisposed? 

He draws his fingers out of my mouth. “Good girl.” He whispers.

It seems the universe has other plans though, because yet again- a knock sounds at the door. I can hear Spencer’s groan, and watch through the mirror as he attempts to come up with a response that would give us the seclusion we required. 

My patience however, had worn thin. His cock was right there, and I’d be damned if I was forced to wait any longer. I turn my head towards the door, complacency and submission gone from my voice. 

“Do you mind? I’m trying to fuck him in here!” I say, snarking out the words. 

There’s a silence, and a murmur of mortification on the other side of the door. Footsteps. And then at last, silence. 

Spencer quickly leans down to kiss my cheek, mumbling out an “I love you.” 

Before I can even comprehend the words, he’s guiding himself into me, sliding his cock through my walls, and I have to bite my lip to keep a scream in. He feels so fucking good inside of me, stretching me out in ways no man ever could. I can feel the underside of his cock hitting that spongy spot deep inside of me, and my breathing turns rapid in mere seconds. 

“There we go, relax for me baby, yeah?” He mumbles. “Nice and slow.” 

I moan out my affirmative, gripping onto the sink as I let my jaw drop, eyes squeezing in absolute ecstasy. “So good for me.” He murmurs. “So warm and wet, Jesus.” 

And with that, he starts a pace that works for both of us. It’s hard and fast, but I wouldn’t have it any other way. The feel of his cock gliding through my puffy walls is intoxicating, and I can only wonder how I went so long without feeling it. 

It seems Spencer’s having similar  thoughts, because through my moans and his occasional groans, I can feel his grip on my hips get more bruising by the second, marking me as his own. I can hear occasional fragments of words through his noises. 

“Never letting you go. Oh fuck. Fuck.” He mumbles, and despite the overwhelming amount of arousal shooting through me, my heart swells. 

“Me too.” I whimper out, gripping the sink even harder. I can feel my wetness seeping all around us, splashing against my thighs with every movement he drives into me. “Need you so badly.” 

“Rub your clit for me.” He demands, whispering out the words. “Need to see you come on my cock first, pretty girl.” The words are strained, and I can tell he’s doing everything to keep from spilling inside of me prematurely. 

There’s no reason to temporize, and my fingers make their way down to the sensitive bundle of nerves, and the effect is almost immediate. It takes roughly a minute of my incessant rubbing and the feel of him inside me before I’m coming with a soft shout, growing limp against the sink as my muscles twitch and fill me with a deep sense of relief and satisfaction. 

Spencer isn’t far behind me, humping into me a few more times before coming inside of me, the release signified with a loud moan and a sense of warmth flooding my deepest point. He slumps against my back, pressing a few, soft kisses to my neck. 

As we both come down from our highs, I recall the words Spencer mumbled in my ear previously. I let out a self-satisfied giggle, which Spencer smiles at. 

“Mm. What’s that about?” He murmurs. 

“You love me?” I ask, softly. 

A pause. 

“A little.” He responds, voice equally as soft. 

“Is that why you stopped having sex with me?” I mumble out, gently. 

He presses another kiss to the nape of my neck. “Mhm. Please don’t be mad.” 

I let out a soft chuckle. “Not mad. The opposite, really.” 

He pulls me up, causing us both to look at each other. “You feel the same way?” 

I nod, biting my lip. “We could try this out, I think. I want to, Spencer.” 

I stop, and decide I do need to tease him a bit, especially after the sex-less agony he put me through for a month. 

“Though, I do recall someone telling me too much of a good thing can go bad..” 

His lips part in confusion, before he picks up the teasing nature of my words and leans in for a soft, simple kiss. He keeps his forehead on mind, his eyes staring into mine with a gentle reverence. 

“Let’s indulge just this once.” 

holy shit has it been a long time since i've written a fic!! i'm so sorry?! i've been dealing with life and other assorted things and writing sort of took a backseat in that period of time <3 i hope this was okay. as usual any feedback, likes, comments, reblogs are so so greatly appreciated. i love writing for spencer, and i hope you guys like that writing too <3 i'm sorry that the two previous fics i promised seem to be delayed, i swear i'm gonna write those next, but inspiration sort of just struck on my end f or this, and i hope it was good <3 but yeah!! thank you so much for reading and interacting with this in any way you choose!! i appreciate it greatly!!

[dreamlifebunny]

how to script your dream life and use it with any method!

hello friends! today i want to share with you how i personally script my dream life, and how this script is both my void list, states list, and precursor to almost every manifestation method i've ever used. i love scripting because it is not only a method in and of itself but it is also a simple list of everything you desire that you can now manifest using any method you love!

check back later for a link to my scripting templates. in the meantime, here are the steps to creating your perfect script from scratch with examples! all you need is a place to write it down.

step one:

time to brain dump! at the top of your page, write out every desire that comes to your head in list format. don't overthink it and don't worry if they sound silly or unrealistic; remember, absolutely anything is possible! you can write out a few desires to start or go hardcore and write out hundreds, whatever you feel inspired by. you can always come back to this step later. here is my example:

step two:

now its time to get organized! look at the desires you've written and figure out what subcategories they fall under. for example, "my eyes are light blue and gorgeous" could fall under the category of "appearance," and "i have $100,000 in my bank account" could fall under the category of "wealth and items." feel free to use any category name that makes sense to you.

step three:

now that you have a couple of categories written out and understand the structure of the script, your mind might start to have even more ideas. "ooh, now that i see revision is a category, there are a couple more things i'd like to revise..." or "why stop at one SP when i could have everyone chasing after me?" for step three, we go a little deeper into these categories and add more details of what our dream life will look like. you can also add new categories that pop into your head - in the example below, i've added "the world and society" and "skills and abilities."

note: the reason why i broke this up into multiple steps instead of just writing "write out all your desires at once" is because our brains can be mean to us and make us procrastinate if something isn't done "perfectly," so that's why adding an extra step is important to bypass the perfectionism.

optional steps:

because scripting is such a creative and expansive process, we might think of ideas we'd like to manifest in the future but not right now/not instantly. i like to organize my script further by adding another category: "future manifestations." these are ideas that i would love to manifest at some point later on but not necessarily while my dream life is manifesting right now.

another idea is separating categories even further into "instant manifestations" (manifestations that happen right now without things needing to unfold) or "perfect timing manifestations" (manifestations that slowly unfold naturally and linearly), if you want to get specific about how they show up in your life! however, these steps are completely optional and just fun details for specificity, and i can make a more detailed post on this later.

how you can use your script with any method:

scripting has been used as a successful manifesting and shifting method on its own forever because it specifically addresses one of the most important steps in the manifesting process - deciding what you want! by writing out what you want in your dream life, you can now decide that your script will manifest on its own or you can use any method under the sun to fulfill yourself within:

the void state: if you enter the void state to manifest, you could affirm "i have everything in my dream life script"

affirming: you can affirm "everything in my dream life script has come true"

visualization: you could create an imaginative scene where all of your desires from your script are fulfilled, or you can imagine looking at your script and smiling because everything came true

subliminals: you can create a very simple subliminal where all of your desires are included, or even a sub where the only affirmation is "i have everything in my dream life script"

the possibilities with scripting are absolutely endless. i hope that this guide has given you the inspiration and direction to write your own wonderful and unique script. now, go and get your dream life!

have fun! bunny 💕

[the-dragonlich]

It is always weird and kind of depressing to me to see people who I know used to be really left leaning become conservative/centrist as they get into their late 20s/30s. Because like genuinely wtf happened, what changed to make you think any of of the shit that’s happening is suddenly okay when it wasn’t not even 10 years ago to you.

[becomingthatgirl111]

organize your week like this to be closer to the best version of yourself

i interpret the process of becoming our best version as climbing a ladder, on each step, we learn something new that serves us, and the next we complement it with something new, and so on until we reach the end and after many small habits we have become that version we wanted to be. little by little we are learning and although sometimes it is complicated to climb because of the adversities that may arise we can always take up the path again and put into practice what we have learned. that said, today i want to share a method that i have created to organize our habits and thus fulfill them more effectively and feel motivated. in this post i will only present some examples, you have to apply it to your own situation and my recommendation is to start now even with small habits that will be the ones that will lead you to success. i recommend that you try it for this week and write down your results, if it has worked for you keep using this "organization method" and adding new habits or increasing its time.

organize by categories.

create groups to categorize the habits you want to implement in your life, for example like this (the habits are examples, use your own)

🌿 health (body and nutrition)

10 minutes of exercise every day

30 minutes of walking every day

drink a lot more water

start eating consciously

one self-care day a week, for example on friday. we can take this day more relaxed and take more care of ourselves, dedicate more time to our personal and mental care.

do massage with the quartz roller and gua sha

make an appointment for nails, hairdresser, spa, eyelashes or even go to a coffee shop with yourself.

use a face mask and hair mask

🌿 personal growth

read 10 pages a day

listen to personal growth podcasts or audiobooks (choose one and listen to it all week long)

choose an affirmation and write it down every day

record in a diary or an app your mood and what you did during the day.

create a to-do list of what you will do for the day (the night before)

choose a video of affirmations and listen to it every day at a time that suits you best

🌿 studies

study about what you are studying or training for.

dedicate e.g. 20-30 minutes each day to study or review.

study a new language, 15 minutes a day, 5 days a week.

🌿 hobbies

1 - 2 hours to what you enjoy doing (depends on the day and your schedule)

you can write down in a notebook the groups you want to choose for yourself and then the habits you are going to implement, even if they are very small, for example 5 minutes of daily exercise, that is a good start.

to stay focused and not fall into old habits we can also replace the old habits with new ones that we want to implement in this way.

old habit: too much time on instagram new habit: reading or listening to an audiobook while i take a walk. or even just 15 minutes of social media a day.

other examples:

drinking soda or alcoholic beverages > drinking a lot more water and starting to drink natural juices.

watch a lot of series on netflix (or any streaming platform) > read or listen to podcasts/audiobooks that nourish my mind.

overthinking, worrying > meditating for about 5 minutes

lying in bed without doing anything > organizing my room

think in negative > think about the things you would like to happen to you

other tips to connect with your best version

write in your diary how you would act, be and what habits your best version would have. this will give you clarity about what you want and you will feel closer to that because you will know how to act.

establish small habits to start with and take it as a kind of game or test during this week. don't push yourself too hard.

at times when you don't know how to act or react, think about how your best version would act and what it would do.

write down things you are proud of or would like to be proud of.

if you are easily distracted or do not know what to do at any given moment, set alarms to know what to do at that moment.

if you use social media a lot, set a limit of use.

choose habits that you know you will be able to do easily, that will make you gain confidence and little by little establish those habits in which you have procrastinated or which are more difficult for you.

think big, open yourself to the possibilities that life offers you every day and keep a positive attitude towards any situation.

apps i recommend: habit: it serves to keep track of your habits and also get organized, it's a kind of to-do list. daylio: you can record your mood, what you did during the day and your habits, it also allows you to write and add photos. it is very complete, it can be used as a digital diary. notion: to get organized.

duolingo: if you want to learn a language a few minutes a day will be enough. i learned a lot of grammar in english thanks to this, which works if you practice daily.

and as always my blog is about this and there will be many more related posts in addition to the existing ones, all to be our best version 🤍 in fact if you try it i would love to know your results.

[headspace-hotel]

Many people, especially USAmericans, are very resistant to knowing the plants and living according to the ways of the plants. They lash out with a mix of arrogance and fear: "Don't you know what bad things would happen if we lived a different way? There is a REASON for living this way. Would you have us go Back—backward to the time without vaccines or antibiotics????"

Ah, yes, the two immutable categories that all proposals for change fit into: Backward Change and Forward Change! Either we must invent a a futuristic, entirely new solution with SCIENCE and TECHNOLOGY that further industrializes and increases the productivity of our world, or we must give up vaccines and antibiotics and become starving illiterate medieval peasants.

Every human practice anywhere on Earth that has declined, stopped, or become displaced by another practice, was clearly objectively worse than whatever replaced it. You see, the only possible reason a way of life could decline or disappear is that it sucked and had it coming anyway!!! Pre-industrial human history is worthless except as a cautionary tale about how miserable we would all be without *checks notes* factories, fossil fuels and colonialism. Obviously!

Anyway, who do you think benefits from the idea that pesticide-dependent, corporate-controlled industrialized monoculture farming liberates us all from spending our short, painful lives as filthy, miserable peasants toiling in the fields?

First of all, I think it's silly to act like farming is a uniquely awful way to live. I can't believe I have to say this, but the awful part of being a medieval peasant was the oppression and poverty, not the fact that harvesting wheat is a lot of work and cows are stinky. Same goes for farm labor in the modern USA: the bad part is that most people working farms are undocumented migrant workers that are getting treated like garbage and who can't complain about it because their boss will rat them out to ICE.

Work is just work. Any work has dignity when the people doing it are paid properly and not being abused. Abuse and human trafficking is rampant in agriculture, but industrialization and consolidation of small farms into gigantic corporate owned farms sure as hell isn't making it better.

Is working on a farm somehow more miserable than working in a factory, a fast food restaurant, or a retail store? Give me a break. "At least I'm not doing physical labor in the sun," you say, at your job where you're forced to stand on concrete for 8 hours and develop chronic pain by age 24.

When you read about small farmers going out of business because of huge corporations, none of them are going "Yay! Now that Giant Corporation has swallowed up all the farms in the area, we can all enjoy the luxurious privileges of the industrial era, like working RETAIL!" What you do see a lot of is farmers bitterly grieving the loss of their way of life.

And also, the fact is, sustainable forms of polyculture farming that create a functional ecosystem made up of many different useful and edible plants are actually way MORE efficient at producing food than a monoculture. The reason we don't do it as much, is that it can't be industrialized where everything is harvested with machines.

Some places folks are starting to get the idea and planting two crops together in alternating rows, letting the mutualistic relationship between plants boost the yields of both, but indigenous people in many parts of the world have been doing this stuff basically forever. I read about a style of agroforestry from Central America that has TWENTY crops all together on the same field.

Our modern system of farming is necessary for feeding the world? Bullshit! Our technology is very powerful and useful, but our harmful monocultures, dangerous pesticides, and wasteful usage of land and resources are making the system very inefficient and severely degrading nature's ability to provide for us.

What is needed, is a SYNTHESIS of the power and insights of technology and science, with the ancient wisdom and knowledge gained by closely and carefully observing Nature. We do not need to reject one, to embrace the other! They should be friends!

Our system thinks land is only used for one thing at a time. Even our science often thinks this way. A corn field has the purpose of producing corn, and no other purpose, so all other plants in the corn must be killed, and it must be a monoculture of only corn.

But this means that the symbiosis between different plants that help each other is destroyed, so we must pollute the earth with fertilizers that wash into bodies of water and cause eutrophication, where algae explode in number and turn the water to green goo. Nature always has variety and diversity with many plants sharing the same space. It supports much more animal life (we are animals!) this way. The Three Sisters" are the perfect example of mutualism between plants being used in an agricultural environment. The planting of corn, beans, and squash together has been traditionally used clear across the North American continent.

And in North America, the weeds we have here are mostly edible plants too. Some of them were even domesticated themselves! Imagine a garden where every weed that pops up is also an edible or otherwise useful crop, and therefore a welcomed friend! So when weeds like Amaranth and Sunflower pop up in your field, that should not be a cause for alarm, but rather the system of symbiosis working as it should.

A field of one single crop is limited in how much it can produce, because one crop fits into a single niche in what should be a whole ecosystem, and worse, it requires artificial inputs to make up for what the rest of the plant community would normally provide. The field with twenty crops does not produce the same amount as the monoculture field divided in twenty ways, but instead produces much more while being a habitat for wild animals, because each plant has its own niche.

[shutupineedtothink]

Trial order and why Lilia, not Agatha, is last (not counting Rio)

Kay, so I got another off-the-wall theory for you, this time around the order of the trials and why Lilia, not Agatha, is actually going to be last (if we don't count Rio). It goes back to maiden mother crone and some of the trauma/generational trauma stuff I already talked about in a previous post. As with The Road, continue at your own peril.

Right so I couldn't get this idea of maiden mother crone, intergenerational trauma, dealing with the long history of violence toward witches thing out of my head that the show is doing. And I think we've all been assuming that Lilia's trial will be next, saving Agatha and probably Rio for last, because those are standard main character of a TV show rules.

But the more I think about it, the more weight I feel like Lilia's journey carries for this overall theme of trauma toward witches and the history of witches, etc. She seems to have the most intense connection to the pain of witches past, like old-world witch stuff, and she's the one who's brought up multiple times that witches aren't really as they've been portrayed, there's all these negative stereotypes, etc etc. And she's sick of it. She's lived through it for the longest of all of them (again, leaving whatever Rio is out of it).

Idk, something that big, addressing the long history of violence toward witches and witch stereotypes, that feels like you have to deal with it last. That's a culmination of all the witch references, pop culture and otherwise, the show has been making, of which there are MANY.

So I thought ok, for funzies, let's assume Lilia's last, which puts our trial order as follows: Jen -> Alice -> Agatha -> Lilia (and I guess true last would be Rio but I'll get there in a second).

Assuming that order, something else pinged for me: maiden mother crone. Another massive theme in the show, portraying these generations of witches and women in general, and again, for reasons I can't explain, it really feels like it has weight to me. Like they're doing something with it.

So leaving Jen aside for a second, don't worry I'll come back to her, that makes Alice our maiden. Her role, particularly in the context of her trial, is the role of daughter. She's also the youngest of the witches, as far as I can tell. She's even coded as kind of the rebellious one, the young angry one who still hasn't quite accepted her heritage, until after her trial, she does.

Agatha is the mother. We are really going for the mother/child relationship with her and Teen, and of course dealing with her son's death and whatever part she played in it. I would assume her trial will be about that, but we could also be saving that for the end. The mother is also the connector generation between maiden and crone, so maybe there's something there about Agatha fully stepping into the leader role of the coven, and accepting these women around her, idk.

Lilia, the eldest, is our crone. She carries the true history and memory of generations of witches with her, she has lived the longest through the most trials. She is the most experienced in the craft and takes it the most seriously. The journey is hers to end.

Except -- we have two other players left. Jen, who kicks off the trials, and Rio, who I'm assuming doesn't really have a trial but will be there at the end... because, you know. 💀

So why would Jen be first? What comes before the maiden?

And then she said it herself.

"I never fully identified as a witch. I am an 11th-generation root worker and midwife."

This one line almost puts her in a similar category to Rio, at least thematically. She's a witch but also more, neither and both. And she's a midwife, someone who helps facilitate birth. Someone who, at her best, supports and sustains life. Someone who allows the first phase of life, the maiden, to come into being.

And guess who that leaves us with at the end, the opposite bookend to Jen's life-giving power -- the mistress of death herself, Rio. The one to which all life must eventually return.

The trials aren't just about elements, or moon phases, or even different witch specialties, they're taking us through the stages of a witch herself. The stages of ALL women really (whether you are an actual mother with children or not, the mother phase is mid-life). Linking us all together, generation after generation.

So in this theory, the trials go like this:

Jen -> Alice -> Agatha -> Lilia -> Rio

Birth -> Maiden -> Mother -> Crone -> Death

Even the moon phases line up. Full moon is birth, a full-term pregnancy and then birth. Waxing moon, growth, renewal, hope, promise -- the maiden. Half moon, mid-life, no longer maiden, not yet crone, the in-between -- the mother. Waning moon, the last quarter of life -- crone. New moon, darkness, returning to the void -- death. They're playing fast and loose with the moon phase order, so I am too.

I can probably fudge the elements here too, but it's a little harder mostly because I don't know what Agatha's element is. I heard someone say spirit, but idk.

Anyway, what do you think? Am I on to something here? Batshit crazy? Would love to hear your thoughts in comments. :)

[emilybeemartin]

A whopping, like, 2.6 people have expressed interest in my recent adventures in watching Bean films, which is all the encouragement I need to present to you:

An Incomplete Guide to Sean Bean Roles (Investigation Ongoing)

Our guy has a vast filmography, and I'm not even close to being halfway through it, but I've watched a lot of his significant ones in the past few weeks thanks to a perfect storm of illness, injury, and lapses in client work. Crucially, I have created superlatives for a variety of them and present them here for your benefit. Disclaimer: many of these films are violent! Or have butts and/or tits! Some have dick! Some have dated bits that didn't age well! So, if you have triggers or are watching with young viewers, do your research first! Also, these are just the opinions of one solitary millennial! Nothing is objective! Nothing is real! I care not!

Okay, CYA done, let's begin. I'll get the two most obvious ones out of the way up front, otherwise they'll dominate half the categories:

ACT I

Greatest Bean: Fellowship of the Ring. I've said it before and I'll say it again, he achieved more pathos with Boromir than a lot of his other roles have allowed for, and every note he hits just sings. No debate.

Best Bean for Your Buck: Sharpe. For the best confluence of quantity, quality, physicality, emotion, humor, and action, you can't beat Richard Sharpe.

Favorite Dramatic Bean: Time; he earned that BAFTA fr

Softest Bean: The first date scene in Stormy Monday, where Brendan shyly gets to know Kate, slow dances with her, lends her a shirt and strokes her back after she asks if they can just go to sleep instead of have sex.

Most Dashing Bean: Vronsky in Anna Karenina, that uniform cuts, damn

Swooniest Bean: I know I'm supposed to say Chatterley, and he is undeniably sexy as Mellors, but there are parts where his character is actually kind of off-putting. I'll lay a good chunk of the blame on the weirdly ominous score, the very of-the-time depiction of dubious consent, and Joely Richardson's tendency to look like she's having the worst time of her life while shagging the hot gamekeeper. No, I'm giving this category to Stormy Monday again. He's just so gentle and genuine in this one, without some of the obligatory "heartthrob" overtones of his nineties stuff. He never raises his voice at Kate or manhandles her. He really does feel like some kid who just wants to be sweet to his girlfriend.

Laddiest Bean: When Saturday Comes, specifically the strip club and bathtub scenes.

Favorite Sad Bean: As a collective, he has some great grief scenes in World on Fire, but! The railroad track scene in When Saturday Comes?! That was RAW.

Favorite Mad Bean: Black Death; there are plenty of movies where he doesn't smile at all, but unlike some others, his grimness and anger felt proportionate to the story, rather than just rage because he's good at rage.

Favorite Bad Bean: There are so many great Bean villains (Goldeneye, obvs), but I think my favorite is Patriot Games. Bonus points for all the different hairstyles he has in this film (long locks-shag-shag ponytail!-buzz-wet spiky buzz). Also HUGH FRASER AAAA

Favorite Dad Bean: Wolfwalkers, where Bill Goodfellowe literally turns his own convictions and beliefs upside-down in order to protect and support his daughter.

INTERMISSION

A note on GoT: I haven't watched it. When season one was first coming out, it was during a time where I really couldn't handle watching any kind of sexual assault onscreen, and while I have a higher tolerance now, I just... don't want to. I like seeing gifs of Ned Stark and appreciate that it's one of his great roles, but I just can't make myself take the plunge.

ilysm you grizzled dead wolf man

ACT II

Favorite Costumed Bean: Odysseus in Troy: curls, leather, thighs.

Favorite Un-Costumed Bean: He strips in quite a lot of his films, so let's give it to Lady Chatterley for sheer screentime, exertion, and the bonus of being naked and wearing a flower crown. Honorable mention to When Saturday Comes for the totally not homoerotic amount of butts and also dick in the locker room bathtub scene.

Hurtin'est Bean: Bravo Two Zero. Oof, don't watch this one if you have an aversion to seeing pain, although---you're a Sean Bean fan, and we all know one of his MOs is being GREAT at pain. This one was directed by Tom Clegg, who directed Sharpe. Also lol at the sickle-shaped wound on his shoulder, which is covering his 100% Blade tattoo (he gets a lot of sickle-shaped wounds on his left shoulder).

Best Inside References: The Frankenstein Chronicles, where he plays a former Peninsular soldier, and every reference to his service is a reference to Sharpe, including shots of his greenjacket, pistol, sword, and flogging scars. Honorable mention to The Martian for the Council of Elrond line.

Most Unsettling Bean: Cleanskin for moral grayness, The Frankenstein Chronicles for body horror

Most Inefficient Use of Bean: Black Beauty. Despite getting high billing he's only onscreen for about two minutes and I'm convinced the long shots are a body double. Criminal.

Biggest Missed Opportunity: We were robbed of a Sean Bean Odyssey. R o b b e d

Funniest Bean: Deploying Bean for comedy is woefully underused, but he made full use of his ~15 seconds in The Vicar of Dibley ("Spring" episode). He's also hilarious in Wasted, though I haven't watched the show, only the clips he's in on YouTube, where he plays a mock version of himself serving as a spirit guide for a stoner. IMO, though, Sharpe gives him the most room for humor.

Favorite Character Quirk: In World on Fire, when Douglas is having WWI flashbacks and really coming apart, he kept putting his hand to his mouth. My modern brain first read this as talking into a phantom radio, but of course that wasn't right, and then I realized--he was reaching for a phantom gas mask. CHILLS. AMAZING. (Honorable mentions to the Mouth Rub and the Tongue Thing [pictured above]).

Most Nostalgic Bean: National Treasure. The concept may be utter silliness, but you have to admit, this is a fun movie to watch.

Best Dismount from a Horse: Henry VIII, he goes pshwing out of the saddle

Best Swordplay: You may think there's no possible answer to this, but there is---two moments, specifically: the preparatory sword-spin he does at Balin's tomb just before the goblin attack in Moria, and the four lunges he does at 1:26:22 of Sharpe's Battle. It's just facts.

Prettiest Bean Film: Wolfwalkers, hands downnnn

Favorite Bean Death: All right, you knew we had to eventually end here. It's Boromir, obviously--- nothing tops that. But if we're looking at other roles, I think Patriot Games is my favorite, followed by Goldeneye.

So! That concludes this installment of Bean films, though I'll be continuing the labor, and I hope you will, too. What are your favorites?

[hippyfem]

Have you noticed how common it is becoming for men to remind women of how much we don't matter compared to anything else, and we should be grateful for our existence? I see this every time a woman does something that gets her any amount of attention, immediately it will be "who cares" and in any news story where something bad happens to a woman, men will immediately come in the with their "cry me a river" comments.

An example is a story I recently saw of two sisters, one had saved the others life when she was attacked by a crocodile. She had punched the crocodile in the face and it went away. I think that is incredible, that she had such a strong instinct to protect her sister even by risking her own life. But there was virtually no praise in any comment. It was all men saying the "felt sorry for the crocodile" and "just punched an innocent creature in the face" I love animals sure, but a woman's life comes first and I thought that was a given. It so clearly indicated how much they under value our lives. It doesn't matter if a woman is brutally killed, as along as she doesn't interfere with the existence of anything else.

Another example is a story of a disabled woman with spinal muscular atrophy, so she could not go anywhere without a wheelchair, complained that AirCanada had failed to provide a exit tunnel to get of an airplane and she had been carried down the stairs by staff who were not trained with dealing with someone is her very fragile condition and she was scared she would be hurt. Not only were there a few negative comments, but people, mostly men, (and all fully able to walk on two legs) absolutely piled on her. There were hundreds of them, they commented on the news site then went on her Instagram for the sole purpose of commenting more hate. Most of the comments I noticed were decrying her for being "ungrateful. " someone said "thank you to all the nice men who carried me" is what you should have said. "" why didn't she make a video where she thanked every one of the staff" horrible abelist comments like "why didn't you walk down the stairs" got 12000 likes, one was "in China, born disabled, get killed, be lucky you are breathing." which got over a 1000 likes. Most of the people who commented also mentioned how the men who had to carry her down the stairs were all working class. It's just so stupid how people can be empathetic toward specific categories of men who are disadvantaged but not a woman who literally can't walk or have any privacy. Some people also said they "felt sorry for the airline company" I thought that all the woke anti capitalist generation realised how much major coorperations suck? Well apparently they elicit more sympathy than a disabled woman.

Their obsession with us having to be silently grateful is the key thing. Men don't see this world is being for women, especially women who need extra help, it's for them and we should be grateful we are even allowed to exist.

It's not their world. Be as loud as you want to be. Your life does actually matter.

[judespoets]

welcome to miami | jude bellingham

pairing: jude bellingham x fem!reader

warnings: none

category: fluff

summary: jude and reader spend a quiet evening together on their little miami vacation

Jude and you were spending a lazy afternoon at the luxurious beachside resort in Miami.

Jude, looking relaxed in his colorful shorts, leaned back on the cabana's cushioned seat, holding a fresh coconut drink. You, wearing a bikini and large sunglasses, lounged next to him, basking in the sun's warmth.

"Miami really knows how to do beaches," Jude said, taking another sip of his coconut water. "This is perfect.

"Absolutely," you agreed, your eyes twinkling behind your sunglasses. "I could get used to this lifestyle."

Jude chuckled, setting his coconut aside. "Me too. It’s a nice change from the usual hustle."

You nodded, reaching out to playfully poke his arm. "You deserve it. You’ve been working so hard lately."

He smiled, his gaze softening as he looked at you. "Thanks, babe. And you too. I know you’ve had a lot on your plate with university lately."

You shrugged with a smile. "It’s all worth it when I get to spend time with you like this."

You fell into a comfortable silence, the sound of the waves providing a soothing backdrop.

After a while, you broke the silence. "You know that little café we found yesterday? The one with the amazing pastries?"

Jude’s face light up. "Yeah? That chocolate croissant was life-changing."

You laughed. "I think we should go back tomorrow morning. Start the day with another one of those croissants."

"Deal," Jude agreed. "We can make it a tradition. Every morning, a new pastry adventure."

You grinned. "I like the sound of that."

You continued chatting about your favorite moments from the trip so far.

Jude recalled your jet ski adventure, where you, despite your initial hesitation, ended up loving the speed and the spray of the ocean.

"I was terrified at first," you admitted, laughing at the memory. "But once we got going, it was so exciting."

"I knew you’d love it," Jude said, pride evident in his voice. "You’re braver than you think.

You smiled, leaning closer to him. "With you, I feel like I can do anything."

Jude wrapped an arm around you, pulling you into a gentle embrace. "Same here. You give me so much strength."

As the sun dipped lower in the sky, casting a golden glow over the beach, you decided to take a walk along the shore. Hand in hand, you strolled along the water’s edge, the waves gently lapping at your feet.

"This is paradise," you said softly, squeezing Jude’s hand. "I don’t ever want to leave."

Jude stopped and turned to face you, his expression serious yet tender. "We’ll take this with us, wherever we go. We’ll make our own paradise, every day."

Your eyes shined with emotion. "I love you, Jude."

"I love you too, Baby," he replied, leaning in to kiss you softly.

"Maybe next time we can explore Europe together," Jude suggested . "Visit some of my favorite spots."

Your face light up. "That sounds amazing. I’ve always wanted to see more of Europe."

Jude nodded with excitement in his eyes. "We’ll make it happen. Just you and me, discovering new places."

You walked back to your cabana as the sky transitioned from gold to deep orange. You settled back onto the lounge chairs, sharing a blanket as the air cools slightly

"What should we do tonight?" You asked, resting your head on Jude’s shoulder.

Jude thought for a moment. "How about a quiet dinner by the beach? Just us and some good food.”

"Perfect," you agreed, your voice content.

You spent the rest of the evening enjoying each other’s company, the stress of your everyday lives melting away in the magic of your little Miami getaway.

[yannaryartside]

CARMY NEVER WANTED TO CREATE A MENU WITH SYD.

AND WHY THAT IS THE CORE THEME OF THE SHOW

PART 1: THE LIE THAT CARMY BELIEVES

So, one of the bases of creating an efficient character arc is to give the character something they want, and something they need. In the pursuit of getting what they want, the theme of the show and obstacles will show them what they need. Most of the time, they need healing from an emotional wound that prevents them from growing into the ultimate version of themselves, capable of winning the challenges of the story. I will try to explore Carmy's wound and, more importantly, the lie that created that wound.

In 'The negative trait thesaurus" by Angela Ackerman and Becca Puglisi, it reads:

"Wounds are often kept secret from others because embedded within them is the lie-an untruth that the character believes about himself."

When I started therapy (disclaimer: this is not professional advice; I am just talking from how I interpreted all of this), I was introduced to the concept of "limiting beliefs:" lies we have told ourselves about our own nature or the nature of the world. The most difficult beliefs to leave behind are those established in our early childhoods, and we told ourselves those lies to make sense of the world, to make peace with realities we were not equipped to comprehend yet. 

Some examples of lies people belive:

"I am too stupid to learn anything; my teacher said so" "It was my fault that I was molested." "I am a bad person for wanting a different life."

When people believe these lies, they will act accordingly, maybe attracting situations that hurt them but keeping the lie active in their lives. They may self-sabotage or create bonds with people who also believe the lie, even if it doesn't seem this way. 

In some cases, people may develop complete personalities or behaviors to prove the lie wrong, but deep down, they still believe in the lie. Carmy falls into this last category. This is where we find the most contradictory parts of his personality, how he can act shy and insecure in some instances and appear confident and even aggressive in others. 

Long post underneath.

THE RESENT OF A MOTHER:

We can only assume here because I think Storer is gonna let us know more about this soon, but I think I got an idea of this wound when I saw the only moment Carmy was alone with Donna on "Fishes."

I have a lot of things to say about Donna herself, but let's begin with the obvious: the conversation in this scene had little to do with the dinner itself. This was a woman stating that she felt alone and not valued, probably due to being abandoned by her husband and having to overwork herself at the beef to support her 3 kids, all while being a single mother. We don't know if this feeling of abandonment is something she has carried since childhood, but in the state of current womanhood, it wouldn't be uncommon. The work of women (especially mothers), particularly the emotional labor, is rather invisible and not valued at all.

But again, this is something she has used as fuel to resent her kids, who, at the end of the day, didn't ask to be here. Her anger has to go somewhere since she cannot direct it toward the people that ctually caused it. To get to the point:

THE BEARZATTO SYBLING DYNAMIC

Carmy said, "You are not alone; I am here with you." (This kind of comes back to telling Syd she was not alone at the end of the season.) This scene is about a kid trying to communicate to his mother that he loves her and trying desperately to connect with her, to get her to express her affection for him as well.

It tells me that growing up, he felt like he had to "earn" her affection. Donna likes to make her kids feel guilty about her unhappiness, so the kids feel that they are constantly walking on shells because they think their mother hates them, or at least that she resents them and that it is their responsibility to fix it.

In the scene, Carmy asked,

"What is so hard, Mom?"

I think what he was actually asking is, "What is so hard about being with us, to love us? What did we do to you that made you resent us this way?" He is asking because he wants to know, to finally understand. Why do you drink, Mom? Why do you yell? Why do you say such hurtful things?

When she answers, "Nobody makes things beautiful for me," you can see in his face the disconnection. He knows he can't do anything about that.

Then, a crucial part in the scene occurs when Donna calls him "Michael, " which indicates that the only one of her children who could make her feel happy was Michael, or at least that is how the other two kids felt. You can see the hurt in Carmy's eyes in the scene because this answer dismisses his effort to connect to his mother in his own right. She asks him to just leave. He offers to wait to connect with her. Then, it comes to the most chilling moment on the scene, the "we have a problem" using his full name, with resentment in every word. She hugs him while crying, kisses him, and then slaps him.

This is rejection. There is a book called "The Five Wounds of the Soul": wich are Rejection, Abandonment, Humiliation, Betrayal, and Injustice. I think Carmy's wound is rejection, for never earning his mother's love, particularly comparing himself to Michael.

Michael took responsibility for the Beef, finally giving their mom a break. It was Michael's job to make sure everyone was having a good time, to compensate for the discomfort that caused being in Donna's presence, to make sure all of them stayed as a family, which was Donna's intention, so Michael thought he had to make that happen for her. Therefore, Michael is the only one of her kids who succeeds and makes her happy. We know Donna rejects Natalie and Carmy. About Natalie, we can write another whole essay.

THE LIE THAT CARMY BELIVES

According to this scene, I think Carmy thinks that her mother didn't love him because he is not Michael; in fact, he is the most "not like Michael" someone could be. He was shy and stuttered and didn't have friends or girlfriends, comparable to Michael's ability to control every room he was in. Carmy was sensible and no macho alfa as Michael presented himself to be. Carmy left home and the family business, and both Michael and Donna expressed that they feel like he thinks he is better than them. Michael admitted later to admiring Carmy's work in Copenhagen, but Donna never did. carmy grew up having to live with the crumbles of Donna's attention that Michael left behind, wondering every day what was so wrong with him that made her reject him, and wondering what he could do to change that.

The lie that Carmy belives, could be sumarize this way:

I need to earn people's love. I need to always go the extra mile, doing the most possible at all times to earn people's love.

This all goes back to his trauma with Michael. It goes back to his career as a chef and how he became the best. He didn't need to succeed on a larger scale in the culinary industry to earn Michael's respect and love; he needed to be the best in the world, so he did that. He judges his own social abilities, comparing them to Miachae's. He left that promising career only because of Michae's death. He got the girlfriend Michael wanted for him (not saying it was the only reason, but it was there).

PART 2: WHAT DOES ALL OF THIS HAD TO DO WITH SYDNEY?

Well, what does a person who feels they always need to do the most? They do the most. I want to bring you back to the moments Carmy had to develop menu ideas with Syd on s1 and s2.

When Syd suggested items for the menu in s1, he gave her an inconclusive, not enthusiastic "maybe."

When she had to actually cook the thing for him to approve, he tried to make her feel small about it. He felt the need to remind her that she was "impatient and green," according to her previous bosses. He commented about her possibly ruining the flow by using time to cook her recipe. Yikes all around, but the core here is that he was treating her like an enemy, like competition, while she was trying to save the restaurant with what they had on hand to use the most efficient solution.

Then, when Carmy tries the dish and feels stunned by it, he has to make an ambiguous excuse on the fly and just finishes every chance of them using the recipe by saying, "is not ready yet"

And what does he do next? He goes to show the crew a recipe that is extremely complicated for the level they are operating at currently—they said so themselves. I think the recipe is a variation of Donna's butter chicken recipe. To put a nail on that coffin of his intentions to earn her love and approval at the end of it all.

But why does he do all this? Because he needs to be the hero, subconsciously, he is still that small kid begging for acceptance and love; he must go the extra mile. He cannot accept Sydney's help and partnership, because that will take away from him earning what he wants on his own merit.

In S2, he seems unenthusiastic about starting the menu in the first place. Then Claire comes along, and he tries to make it work with Syd and the menu, but I think he subconsciously thanks the universe for not having to go to his core wound. That is what self-sabotage is. That is why he bailed on the food tour with Syd, using such a stupid excuse as helping somebody else move out and never mentioning it again. He never asked her what she liked or what ideas she thought of. For most of the creative process, Syd is alone, working on her own creative crisis. The menu ends up being like two recipes they made in collaboration and then all of his family's traditional recipes. It is two of Syd's recipes and the rest of Carmy's. Then, desserts Marcus did on his own. The collaboration was superficial at best.

All of this creates the core theme of the show. The Bear was once a chaotic place (like their childhood home) that needs to evolve into an efficient, peaceful place built on love, support, and mutual collaboration like a functional family should be. Sydney is the member of this found family that forces Carmy to confront his core wound and learn he can actually be good enough while still accepting help. Therapy probably will play an important part in this theme, alongside with Carmy learning there was nothing wrong with him in the first place, that earning your parent's love is not something a kid can do.

Thankyou for reading. Gif and images are not mine.

[steddietogo]

So. This is my own take on Steddie meet cute at the Grammys (gets a little thirsty in the middle for a second so warning I guess??)

———

The buzzing in his veins feel too much to contain in Eddie’s body, his cheeks ache from grinning too hard. He grabs Jeff by the shoulders to shake him and Jeff takes it without complain, too busy floating in his own cloud nine to do anything about it. All four of them are.

They’re being carted off from one interview to another, it’s all hazy in his mind, all he can think of is that they won a fucking Grammy.

“We’re here backstage with Corroded Coffin with their first ever Grammy from the best rock performance category,” the interviewer is saying, then he turns to face the band, and shit. Eddie has to sling an arm over Gareth to keep himself upright. “So how are you guys feeling right now?”

“It feels very validating to get the recognition for all our hard work—” and everything else Jeff says barely registers. Eddie is staring, he’s distantly aware of it. But he should hardly be blamed. The man before him is dressed in a deep caramel suit, jacket cinching around a trim waist and bubble gum pink lips stretched in a smile as he diligently listens to what his band has to say.

“— and Eddie, he’s really put his heart and soul in this song in particular,” the mention of his name unceremoniously drags him back to the land of the living where his bandmates know him too well and are actively trying to sabotage him before the sexy interviewer. Gareth is innocently blinking up at Eddie with his I’ve-never-done-anything-wrong-in-my-life eyes, urging him to speak.

“Um,” Um? Seriously? “Mob Mentality is an especially significant song to me personally—” Eddie’s given this spiel a hundred times, not that any word of it is untrue, but the practiced response lets him zone out just the right amount to fully drown himself in the shade of hazel of the interviewer’s eyes, imagine them looking up at Eddie from between his thighs, full of tears— goddamnfuckstopit.

The man must notice, because there’s a gorgeous smattering of pink dusting his cheeks Eddie could swear wasn’t there before.

After, Eddie is pretty much bodily dragged away from there, legs refusing to carry him away. He twists even as he’s walking, desperate to keep the man within his sights for even just a second longer. To keep him looking at Eddie, which by some miracle, he still is. And like an idiot Eddie waves, wiggling his fingers at him.

The man raises his own hand in return, and then he’s turning away, leaving Eddie to mourn the loss of his attention. But then he hears it— Steve. The camera guy calls him Steve. Sexy interviewer’s name is Steve. That in itself would be enough to sustain Eddie’s daydreams for some time.

———

Predictably, its all over social media the very next day. Or more accurately there’s one particular clip circling the net like there’s no tomorrow.

Eddie Munson simping for hot guy at the Grammys.

The comments were the worst (best) part. Eddie hasn’t dated since coming out to the public. And the fact that most of the comments people have about him openly showing interest in another man is just nonchalance or excitement makes him feel much better about it.

Eddie’s heart skips as he sees the face from last night in the clip, looking even more gorgeous than in his dreams if it were even possible. And then there is also Eddie in those clips, practically undressing him with his eyes, right there in public. He looks like he wants to open him up and lick him like melted chocolate in a wrapper.

Eddie was so screwed.

———

Top comments:

user 80085: that man is stronger than me because I don’t think I’d survive Eddie Munson looking at me like that

CorrodedFC: Eddie Munson Rendered momentarily speechless? by an interviewer?? More likely that you think

you_call_me_munson: they need to date. Right this second or I’m stealing one of the hotties for myself

———

Part II

[reidmotif]

I’ve Got My Eye On You

Summary: Reader is a Special Surveillance agent assigned to spy on Spencer. He manages to see through her cover, and thoroughly enjoys the confrontation that follows.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: voyeurism, oral (f!receiving), unprotected penetrative sex, f!masturbation, slight dubcon regarding recorded sex, heavily based on that one scene in scandal, iykyk.

Word Count: 3.5k

Masterlist

I’d always been good at watching people. 

My life had been spent mostly to myself, divulging the information people offered without even realizing. When you talk less, you learn that body language, passing remarks, or even the quirk of an eyebrow gives away more than anyone ever realized– maybe more than an actual conversation at times. 

And I took it all in stride, not a single detail left unanalyzed. People were always surprised when I’d mention my observations, finding a way to explain a seemingly unexplainable situation, those around me wondering how on Earth I could’ve been privy to that. I’d always shrug at their queries. 

Pay more attention, I guess. 

It wasn’t a surprise that I’d ended up here, I suppose, in the end, as an Investigative Specialist for the FBI. I doubt that my listening skills were exactly what landed me the job, but I’d like to believe they contributed more than they actually did. Regardless, I’d never expected the result of the decisions I’d made over the years to lead to this– involved in spying on an agent of our own. 

The infamous "Dr Reid".

His specific circumstances had been shrouded in secrecy and mystery, apparently having just been let out of prison. (Prison? How’s he an agent then? Anyway, not my problem).

 The Bureau had been curious about erratic behavior on his part, and the string of discrepancies involving the unit he was involved in. Apparently, there had been multiple unforeseen and unprecedented events all occurring under the same team in a relatively small time-frame, and despite smaller investigations, nothing came out of them to warrant any real disciplinary action.  Probably why they brought me in, in the hopes of changing that. 

I’d been assigned to put up small, virtually undetectable cameras and listening devices within his apartment. 24/7 home surveillance, no exceptions. I couldn’t help but think that the guy really should invest in better apartment security, despite how easy his naivete made my job. His lack of caution surprised me, given the details I’d been given. For a guy who had a penchant for being framed by the ghosts of his past, he sure didn’t live like it.  Even as an FBI agent, he essentially had no technology to counter my own, and the height of his protection was a standard deadbolt. Was he insane? Unaware, somehow? Only time would tell, I suppose. And I had plenty of that, to watch and deduce the nature of his mind on my own terms. 

My time spent with Spencer resulted in one, overwhelming conclusion. Spencer Reid lived a relatively quiet life. His apartment was barely used, honestly, given the sporadic nature of his job. (Which was a shame, in my opinion, because it’s a nice apartment).  When he was at home, he seemed to remain quite unassuming. The positions I’d see him assume often were that of being hunched over on an aging leather sofa, pouring himself into grading papers, or creating lesson plans for his students. Oh, right. Did I mention he was also a professor? He is. I’d assume he likes the job, given how much of himself he gives into it, or maybe that was just who he was as a person. I wasn’t sure yet. 

I monitored his life outside of the apartment occasionally as well, just to see what intel I could gather with further investigation. There wasn’t much. Coffee shops. Book shops. Coffee. Books. Coffee- God, does the guy do anything else with his life? 

Most days, though, I’d liken him to butter spread too thinly over toast. Sleepless from nightmares that would have him walking around his apartment until daylight broke through the window panes. I felt exhausted just watching the guy, and it seemed insane that he could continue to live on when he left that apartment at the break of dawn. It didn’t seem like he had anyone to talk to, honestly. From what I was seeing, he wasn’t a threat to the Bureau, just a sad, middle-aged man who’d been dealt the most unfair of hands in life. 

I’m sure there’s a moral somewhere in all that. To waste your potential on something that gives so little back. Oh, well. My report was nearly finished at this point, and the most I could recommend the higher-ups was to get Spencer a better therapist, maybe. This one wasn’t really helping, it seemed. Besides that, his personal behavior wasn’t indicative of anything worrying to the interests of those managing him. 

At long last, it was my final night of watching him. Coincidentally, the date lined up with Halloween, and I couldn’t be more thrilled to finally be free of this specific survey job. Don’t get me wrong, Spencer seemed nice- but God, his life was boring. I don’t want to say it was like watching paint dry,  out of respect, but previous targets had offered at least some part of their life to be interested within. Spencer had nothing. No friends over, no gossip-like phone conversations, no drunk wanderings home. Nothing! I know he didn’t sign up to be watched, but God. 

Like, come on. Give me anything here. 

Needless to say, I’d become accustomed to the quiet, and this night was no different. If he was following schedule, he should be home right about … now. 

Now? 

Now… 

Silence. 

Spencer was definitely a creature of habit, so to not see him adhere to the routine he’d so meticulously stuck to in the past was a bit jarring, but I assumed he was just running late. 

A few hours later, I reasoned he must be running really really late. It was bordering on midnight, and he still wasn’t home. I checked train schedules, possible reports of a car crash, just about anything that could keep him from his scheduled appearance at home. 

I was just about to call my supervisor to look into whether or not he’d been called out on a surprise case, but that’s when the door of his apartment creaked open, and I felt my shoulders deflate in relief. Okay, he was home. He was going to go to bed and- 

He wasn’t alone. 

Spencer was dressed in all black, a leather belt adorned with a gold belt buckle being the only color his outfit brought. He wore tiny devil’s ears upon his head, the headband pushing down on the mop of curls that sat atop his head. He looked absolutely delicious, if I must say myself, and it seemed the woman in his arms would agree with me. 

He practically pulled her into his apartment, kicking his door in with his leg before slightly fumbling with the lock. As soon as the mechanism slipped into place, his hands were all over her, pressing her flush against his body, as if he couldn’t bear to have any space between them. 

For all the time I’d been watching him, none of his behavior indicated the presence of any kind of significant other, so this girl must be a stranger. If this is how Spencer treated strangers though, I was surprised he didn’t have a barrage of women lining up at his door every night. 

His lips absolutely devoured the girl, his hand cradling the side of her face, before his thigh slipped in between her legs, possibly to soothe a building ache that had built up there in the time they’d spent together, which I found entirely possible, considering I, personally, was heated from simply watching. 

I watched the pixels on the screen with such precision, innocuous shades of red, green and blue painting the most sinful of images. I found myself noting the way his hand snuck up the girls’ dress, the way her breathing hitched as she pulled back, watching as Spencer presumably played with her clit. I could feel myself squeezing my thighs together, recognizing just how wrong it was to be turned on by the scene in front of me, but I couldn’t stop myself. It wasn’t as if this was the first time a target had behaved sexually in front of me. (Or in front of the camera, I suppose.) I’d seen and heard just about anything you could think of, but this was different- in a way. To see Spencer so filthy, so confident, so- interesting. It lit a fire in me that burned with every passing moment he touched this girl. 

I’m able to watch him circle over her panties in a way that has her groaning directly into his ear, a smug grin plastering his face as he watches her every reaction. 

“Like that?” He murmurs, and I’ve never heard his voice so fucking deep.

She nods frantically, and it only serves to widen his grin. I can feel myself rocking slightly in my own chair, doing anything to try and soothe the fast growing arousal within me, unable to stop from imagining myself in her place. His hands, the feel of hot breath down my neck- 

I’m stopped dead in my tracks, however, when his eyes suddenly shift to the camera closest to him, his eyebrow raising, as if in challenge. He continues to whisper in the girl’s ear, and has the galls to wink. I’m horrified, a very sudden and intense heat rising to my cheeks. I can only watch for a second more, before he’s suddenly pulling her away, and I realize he’s taken her  within one of the only blind spots within the apartment. 

I’m scrambling to turn off the feed, stunned into silence whilst, my heart beating uncontrollably and eccentrically. Oh god. He knew. He knew and he did that?! 

I stare into the empty space, a multitude of thoughts inhabiting my brainscape. On one hand, the aplomb shown in that situation was commendable, since most people would react to the knowledge that they’d been secretly watched in their own home for the past few months in a much more hostile way. On the other hand, how did he even acquire that knowledge? The cameras were virtually undetectable, and he’d never let on that he was aware of their presence, and I’d know, considering how closely I’d watched him. 

I shake off the thoughts, focusing on something other than the overwhelming mortification coursing through me now.  

Alright, tomorrow, get into his apartment, remove the cameras, and hopefully never have to look at the man again. In any capacity, honestly. 

When daylight broke, I turned on the cameras for the final time, a bit more sheepish, knowing he was aware of the devices plaguing his home. However, it seemed like he was once again pretending like he wasn’t aware of the looming existence of them, sending his female companion off her merry way once they woke up, before going about his normal routine, heading out of the apartment for what was most likely his morning coffee and then afternoon lecture at the university. 

That was my cue. I turned off the cameras,  quickly making my way out to sneak into his residence, the heavy door offering little resistance to my advances, my movements quiet and undetectable. 

I’m  in the process of removing the final camera I had placed in his bedroom, hidden behind a copy of  The Sign of Four. Doyle. He had good taste, I could give him that. 

I’m just about to turn around and get the hell out of there, when I hear a voice behind me. 

“I noticed that one first, you know.”

I turn around slowly, embarrassed and slightly fearful to find Spencer’s eyes meeting mine. I’d watched him for so long, but seeing him now– his eyes were so beautiful. The camera didn’t do him justice.

He continues, despite the silence. “The other ones were harder to spot, I’ll give you that, but once I knew where they were, it was a bit obvious, don’t you think?” 

I’m speechless. My mouth is agape, and all he seems to do is smile at my lack of prose. 

“Don’t look so surprised. I know this apartment. I’m not here a lot, but I spend enough time to know when things have been shifted around.” His tone is cheeky, and he pauses, almost theatrically to add on:

“I’m sure you knew that though.”  His smile turns into more of a smirk. 

God, did he have to be so hot?

“Are you going to complain to the Bureau?” I manage out, keeping my eyes steady on him. 

“Did you find anything of note to tell them?” He responds, tilting his head with curiosity. 

I shake my head vehemently. “No, um. Nothing pertinent to say.” I get my words out in a hurry, my gaze continually trained on him. 

He meets my eyes with the same stare. “Then I don’t have much of a reason to complain.” 

I nod solemnly. I’m wondering where this situation will lead- what either of our next moves are. Before I can ponder long though, he surprises me and takes a step closer.

“I saw you, you know.” He says. “Thought I was going insane when the same pretty girl kept showing up at the bookstore and coffee shop out of the blue, but I’ve never been one to believe in coincidences.” 

“Oh.” I whisper. I really wasn’t as good as I thought I was. 

“You really shouldn’t beat yourself up.” He says, chuckling with some mirth. “Again, I’m observant. I notice these things. That, and you’re pretty.” He says, forward. “So, more of a reason to notice.” 

“Oh.” I reply, yet again, dumbfounded by the events currently transpiring. 

“Yes, oh.” He chuckles, before he starts to move closer yet again. “Tell me. Were you watching last night?” He murmurs, his voice dropping a bit deeper as he directly addresses the elephant in the room. 

I give a movement of affirmation, because at this point, what could he do? What could I do? 

“So you saw.” He mumbles, moving to position himself right in front of me, his eyes darkened and laser focused on my figure. 

“Yes.” I whisper, my voice hushed as our proximity decreased, his breath fanning out over my face now. I’d be uncomfortable, if I wasn’t so distracted. 

“Tell me.” He whispers, letting his calloused finger finally touch my skin, running down my neck. “Did it turn you on? Watching me with her?” 

I feel the familiar heat of embarrassment rise to my cheeks, my eyes suddenly widening not only due to the sudden proximity, but also the scandalous nature of his words. Did he mean for me to watch? Was that his plan all along? What was this sick and twisted game he was playing?

“Did it.. get you off?” He whispers, his lips leaning in to kiss lightly at the side of my neck where his finger once was. 

I freeze, leaning into his touch and going statue-like all at once. I can’t help the shakiness of my voice when I reply. “I.. wasn’t neutral.” 

“Mm.” He murmurs, kissing now at my jawline. “Did you get off? When she did?” He whispers.

“I didn’t watch that long.” I reply, helplessly, as I feel his hands start to envelop my waist, pulling me closer to him. 

“What a shame.” He mumbles. “I think you would’ve liked the show. I did it for you.” 

At this point, I can barely speak, a slight moan escaping me instead of a coherent reply as his lips continue to leave warm, wet kisses on the expanse of my flesh. 

“I’m sure you’re curious.” He says, his voice soft and seductive. “Would you like me to show you what we did?”

There’s no hesitation, finally, a resounding thought I can translate from brain-to-mouth for him, in complete certainty.

“Yes.” I manage out, breathlessly. 

He makes a noise of satisfaction, quickly pushing me onto the bed. 

“I’d already gotten her wet by touching her before, but if my suspicions are correct.” He murmurs, his hands working deftly to undo my jeans and feel the wetness that had accumulated in between my thighs. “You already are.” He finishes. 

I let out a small whimper as his fingers touch the heated flesh, unable to help my sensitivity to his small, calculated strokes over my clit through my underwear. His fingers starts to move a bit more aggressively, upon feeling the wet patch that had formed there, the flimsy fabric doing little to hide the stickiness he was now collecting on his fingers. He quickly pulls them off as well though, bringing his slightly damp fingers to his mouth, tasting the hint of my arousal that had accumulated there. His eyes were dark, watching my face for any reaction, and in that moment, I know all he can see is pure want. 

I can see the same hunger within his eyes, and I feel a rush of pride as the approval radiates off of him. 

“What next?” I whisper, already desperate for his next slew of ministrations. I don’t care how needy I looked. I was needy. I’d spent so long watching him, and now he was here.

“She wanted my mouth.” He murmurs, kneeling at the edge of the bed. His thumb brushes over my clit, his tongue running against plump, pink lips, wetting them, watching over me with a predatory gaze. 

Before I can respond, he’s suddenly everywhere, ducking his head and allowing his tongue to brush over my sex in broad, wet strokes. My response is immediate, my hips bucking up to meet him in a frenzied motion. It seems that he relishes in whatever control he can have in this situation, because he quickly holds down my hips in a firm grip, squeezing the fat there while he continued to ravage me. 

I can barely look at him, pretty brown locks splayed in his face, his lips moving hypnotically against my cunt. Little whimpers escape me, absolutely aching for more. He seems to catch on, and flicks his tongue over me, before suckling against my clit. It’s wet, messy, and the picture of debauchery– and it’s enough to drive me over the edge, my hands gripping the sheets as I cry out his name. 

He seems to be unaffected, getting off his knees, his mouth glistening with my release. The sight makes me wish he could do it again, but before I can get a word in, he’s positioning himself over me, caging me against the bed. 

“Then I fucked her.” He whispers, starting to undo his belt with his free hand. “Can I?” 

I nod, feeling a wave of anticipation, before registering the sensation of the head of his cock nudging my entrance. I feel my chest tighten, watching him with bated breath, absolutely exhilarated. 

“Relax.” He whispers, kissing the lobe of my ear. “You’re in good hands.” 

He utters the last word, before sliding into me, a hushed gasp leaving the both of us. He groans in pleasure, his eyes fluttering shut as he takes in the feel of my warm, wet cunt around him. He takes a moment, before he’s setting a steady pace, his hips bucking rhythmically into me in a way that’s designed to bring us both so much pleasure. 

I can’t help the string of moans that come out with every slide of his cock inside me, my legs wrapping around his waist, urging him closer than he already is. My hands grip onto his shirt, clawing onto the fabric to find any purchase, wanting– no, needing him on me. 

Is it odd to wish a stranger could crawl into your skin itself? 

“Fuck, Spencer.” I moan, unabashedly. “You feel so good.”

“You do too.” He groans, his arms braced on either side of my head before gently lowering himself to crash his lips against mine in a messy kiss. 

I can feel myself barreling towards release, as is he, if the twitch of his cock inside me were to mean anything. It’s not long before his hand reaches in between where our bodies are met, rubbing my clit in fast, small circles. It’s intense in the best way possible, my body barely being able to process how good it felt in the moment. 

“Come for me.” He moans, in between kisses. “Wanna feel you around me. Please.”

I can’t help but obey his words, my cunt convulsing around him in obedience as he subsequently finds his release inside me, groaning loudly as his hips thrust erratically. 

He pulls out, and we’re a tangle of limbs, sweaty and sated, breathing heavy. 

Of course, it’s him, yet again, to break the silence. 

“Two things.” He mumbles, breathlessly. 

“Mm.” I reply, weakly, my head a mess of airiness and complacency after the orgasm he’d just brought me to. 

“One. I want your name.” He says, rolling to his side to get a better look at my face. 

“That can be arranged.” I murmur, nodding dreamily. 

“Second.” He whispers, kissing my cheek. His voice takes on a teasing quality to it, before leaning to brush his lips against my ear.  

“You missed a camera. Behind the plant. They don’t stop recording, do they?” 

okay wowww. clearly this was meant for halloween, if you couldn't tell! this is one of those pieces where i'm like.. hmm .. do i like this? question mark? do i want to put it out? hmm .. but regardless, i hope you guys enjoyed it!! please, please like, reblog, and comment if you enjoyed!!! it is sooo important as an author that i get some feedback and know what you guys think, in any capacity. i truly appreciate all of it <33 thank you for reading, thank you for everything!!!

[badathumanemotions]

Expecting A Little Pumpkin

Spencer Reid x Reader

MasterList Category: Fluff CW: Just some sweet domestic fluff. Pregnancy, Baby Bump, Body Paint, Dad Spencer. WC: 911 Spencer asks to paint your baby bump for the Halloween season. (Not Proof Read)

Halloween, the night of pumpkins and candy, is approaching, bringing with it a chilly excitement that fills the air. The leaves rustle in the cool evening breeze, hinting at the festivities just around the corner. Spencer Reid, your loving partner and expectant father, is practically buzzing with energy. This is his favourite holiday, and he's been planning something special for the both of you.

You're in the kitchen, eight months into your pregnancy, and the baby bump is definitely more of a baby mountain these days. Spencer sidles up behind you, his hands warm on your waist, and leans in to kiss your neck. "You know what we should do for Halloween?" he asks, a mischievous glint in his eye. "I want to paint your belly," he says, and you can feel his smile against your skin.

You stiffen, a little self-conscious about your changing body. "What do you mean?" you question, turning to face him. He's holding a set of non-toxic, water-based body paints, the colours of a jack-o'-lantern vivid and cheerful. "A jack-o'-lantern," he clarifies, his voice filled with excitement. "It'll be fun, and a great way to celebrate the baby."

Spencer can see your hesitation, but he's not deterred. "Your body is beautiful, sweetheart," he says earnestly, "and this is just another part of the amazing journey we're on." His words are gentle, like a warm blanket on a cold night, wrapping around you. He takes your hand and leads you to the couch, where he's set up a cozy area with pillows and blankets. "Trust me," he whispers, his eyes filled with love and reassurance.

With a deep breath, you agree, allowing Spencer to guide you through the process. He carefully lays out the towels to protect the fabric, his movements tender and precise. The anticipation builds as he opens the paint bottles, the scent of the seasonal colours mingling with the comforting aroma of pumpkin spice candles flickering nearby. You feel the soft fabric of your shirt being lifted up, revealing your round belly to the cool air. He kisses it gently, a silent promise to treat it with the care it deserves.

Spencer starts with a light outline, his strokes smooth and sure. You can't help but giggle as the cold paint meets your skin, tickling you in a way that makes you squirm. "Sorry," you murmur, trying to hold still. "It's okay," he says, his own laughter bubbling up. "You're just as adorable as our little pumpkin in there." He winks, and you can't help but smile back at him.

The process is meticulous, with Spencer focusing intently on each detail. The orange base is applied with care, followed by the bold lines of the grinning jack-o'-lantern face. You watch in amazement as your belly transforms into a canvas of his artistry. His eyes flicker up to meet yours periodically, seeking approval and sharing his delight. The sensation of the brush on your skin is both tickling and soothing, a strange yet comforting blend of sensations that only he could bring.

As he works, you feel a gentle pressure from within, a reminder that the life you're carrying is very much a part of this festive evening. The baby kicks, as if in approval of the vibrant colours appearing on your stomach. Spencer's smile widens, and he takes a moment to place his hand over the spot, feeling the little movements beneath. "I think they like it," he murmurs, awe in his voice. The moment is so intimate, so filled with love, that you forget all about your earlier self-doubts.

The painting is coming along nicely, and Spencer's excitement is contagious. He's talking non-stop about the trick-or-treating you'll do together next year, how you'll dress up the baby and take them around the neighbourhood. You can see it all in his eyes, the joy of creating new traditions, of sharing the wonder of Halloween with your child.

Finally, he steps back to admire his handiwork, a masterpiece of love and creativity. The jack-o'-lantern on your belly is perfect, with a wide, welcoming smile and glowing eyes. He adds a few final touches, a stray line here, a dash of shading there, until it's complete.

"Come on," Spencer says, helping you up from the couch, his hands supporting your weight with surprising strength. You waddle slightly, the baby protesting the sudden movement with a gentle kick. He ushers you over to the full-length mirror in the bedroom, his grip firm yet gentle.

When you look at your reflection, your breath catches. The sight of your belly, painted with such care and love, is overwhelming. The vibrant orange of the pumpkin contrasts with your skin tone, making the design pop. The green vine border he added around the pumpkin gives it a whimsical touch. "You're a masterpiece," Spencer whispers, his eyes shining with admiration.

You can't stop smiling as you run your hands over the cool, dry paint. The sensation sends delightful shivers down your spine, and you can't help but feel a sense of pride and excitement. "Thank you," you tell him, your voice filled with emotion. "This is amazing."

Spencer's eyes light up, and he leans in to kiss you, his lips soft and warm. "Now, for pictures," he says, his voice excited. He grabs his phone from the nightstand and snaps a few pictures, capturing the moment for posterity. You laugh, feeling beautiful and loved in a way you never knew was possible.

[liketheinferno2]

Genuine shower thought coming to you live from standing naked in front of the sink, but I think the reason it took me like a full 8 years of confusion to land on being just a guy is that I really never had any of the “I wish I was a boy” or specific ideal selves in my mind, just knew I hated being a girl and had to slowly figure out I hated any other option as well lol. In the end I’m still not extremely passionate about my specific identity, or conscious of being a man all the time, but relieved to have found a way to exist that doesn’t cause distress. Feel like the process of DIY-ing it is more important than the end goal here, the ability to free yourself from that other life? Idk. I talk to a lot of people who are working towards something they’ve always wanted and I feel instead like I’m just getting better at patching wounds over time. This isn’t defeatist or anything I just think the different ways we understand our own identities even within the same category of trans are interesting.