#but i still struggle with the changes of s6

[milogoestogreendale]

i think maybe one of the reasons i don’t really watch s6 id that im afraid im not abed-nadir autistic: loveable, confident, pop-culture obsessed and part of the found family despite his quirks and eccentricities. sometimes i feel more like frankie-dart autistic… perceived as a cold, detached outsider who never really feels like a true member of the group

honestly i see a lot of myself in frankie, she’s just trying to help greendale in her way of understanding the world which can be very black-and-white. she doesn’t see the point of all the magic that makes greendale what it is because she doesn’t feel like a part of it. we as the audience go in expecting to dislike her, because she symbolizes the change we’re not ready to deal with. they see her as sucking the life out of greendale which im sure is really disheartening to someone who just wants to be loved like everybody else. and it’s kind of heartbreaking to me that frankie never really finds that sense of belonging that made the rest of the group feel unconditionally accepted at greendale

[al-luviec]

cont...

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[ohnopeh]

i find it incredibly funny and telling seeing ian's reaction to mickey going to a hipster concert with his 'boyfriend'

he's there making faces and describing them looking at mickey as in 'this is everything you hate, are you for real?'

i love how his reaction is to laugh and not to feel jealous at mickey ''trying'' to ''fit in'' for the guy, cause he knows he's just doing that to keep the whole ''i've moved on'' thing going and byron. it also made me think how this is what ian did with his other relationships, trying so hard to be loved. he knows that doesn't work and that mickey isn't like that so he doesn't feel threatened by ian's poundland's version. but ian? ian had to listen to trevor's music, tried to be ''cool'' and go to the club cause trevor kept pushing himself over ian i'mnotafraidofanything gallagher.

i feel like ian's need to fit where people tell him to increased with s4 when he was maniac and away from his family. him being at the club, having ''regulars'' and parties (e.x. the one he went with mickey) he had this whole life that he didn't like but kept on shoving on himself cause he thought that's what he has to do to be loved. but then he's with mickey and s5 has him move on from that life as he's with someone who doesn't make him feel like he needs to try and pretend being someone else. s6 happens and the whole EMT is amazing but still, ian is still being used in ways (making caleb's father's angry + fucking a girl) so people want him just cause he fits with their needs and not what they can share together. its always ian giving to others. s7 with the whole trevor thing felt so awkward, he made ian feel like shit for not being up to date with every lgbtq term. trevor's group was basically this

despite that, ian was never enough. trevor kept telling him off and showing how cool and superior he is compared to ian. which is why i love how ian can see through mickey's bullshit, knowing that doing so its just trying too hard, not being genuine. its not what mickey and ian are. ''can't we just be ian and mickey?''

and i think that also reflects on s11 arc for them. ian wants to make the marrige work, he doesn't want mickey to regret it so he tries so hard, but by doing so they struggle to understand each others at first. they both want monogamy but a misunderstanding makes them both think the other wants to include people in their sex life. debbie and mickey point out that ian gets influenced by lip and that he doesn't have other friends. he thinks they seem it as something bad, something he needs to change. so what does he do? he decides that he and his husband are going to have gay friends and do the whole 'sex with others' thing. what's funny is that they both know they don't want that so what does ian do to convince mickey to tag along? he makes him jealous

''...who knows what will happen?'' and mickey sees through his bullshit

he's like ''are you really pulling this shit on me?'' so when he reminds ian what their decision was, ian tells him ''then i guess we should make some friends together.'' he tags along, they hang out with other gay people just like the ones trevor was friend with. but this time ian is comfortable saying that's not going to do it for him. but mickey? he's is a little shit and wants ian to learn a lesson so they stay till the night and all that shit. but THEN

they come back from the shitty hang out and mickey knows! he knows that ian finally understands. ian didn't have fun, ian didn't want to be with them, didn't want to force that lifestyle cause this time he's not with someone who's asking him to do that. ian even says

mickey's face is a clear ''no shit, sherlock.'' despite being himself with mickey, he's still struggling to accept that mickey wants ''all of the fucking versions of me.'' so he tries to force what he thinks will be the best for mickey, for them. which is also why he regrets getting the house on the west side after mickey's breakdown. he did sign the paper cause mickey was the first one to suggest checking it out, he knows that mickey deserves more than being a ''southside trash'' but he pushed it without giving mickey a chance to elaborate it. once ian finally realises that, he's willing to take a step back go back to where mickey is comfortable. this time though, mickey knows that ian is doing it for them and to show mickey his life is so much more than being what his father wanted him to become. and then the anniversary day? i have this headcanon that ian didn't say anything first because he wanted to check if mickey still cared about it, if he didn't regret getting married to ian. after a year together ian tried and 'failed' to make things work the way he thought they were supposed to be. is mickey still 'fucking crazy' for wanting that? so he waits, tries to remind him. they go to the alibi and ian has given up, he doesn't want to go out, he wants to go home and he's so desperate for mickey to remember their anniversary before the day ends. so he tells him but mickey reaction is anything but hurtful to ian. patting him on the shoulder and saying ''that's great.''

he must be thinking, 'this is the same person that fought so hard for us to get married, went all crazy over it and planned to kill his father for ruining it-- and now that we've hit the one year mark he's forgotten and just pat me on the shoulder?' cause ian knows what it feels like to be loved by mickey and he doesn't see it in that moment, he's scared.

the face he makes once he realises that he planned a big surprise for him, for them. for their love? its like he can finally breathe, they're okay, they're going to be okay. because they're ian and mickey and they love each other and go through everything together. ''thick and thin all that shit.''

and finally he knows he can stop trying so hard to fit somewhere he doesn't want to be, because he's loved for who he is, with all of his flaws that others made him think he wasn't worth the trouble. but just like ian makes mickey free, mickey himself makes ian feel free.

bonus 'mickey's ''no way i would forget about that'' expression.'

[dollsome-does-tumblr]

i've been rewatching wwdits in order (i can't let go yet, okay!) and am currently in season three, and it got me thinking about how i think the end of s6 is such a rewarding happy ending for nandor that really resonates with the rest of the series. i know that in the finale, the characters are making the argument that nothing ever changes and the ending's not significant, but i think what we actually see with nandor, especially in his relationship to guillermo, is really the opposite.

disclaimer: i would have loved overt canon nandermo, so i definitely understand the pain of us not getting that. however, this post just focuses on what actually happened in the last few eps rather than what wwdits could have done instead!

some thoughts on why i love this ending for mr. de laurentis so much--

so, from the start of the show, we sort of have the two "couples" in the house with laszlo/nadja and nandor/guillermo. we can see that nandor has an unusual attachment to guillermo as a familiar even from the start, because laszlo and nadja go through familiars like kleenex, whereas nandor and guillermo have their funny little bickering marrieds thing going. however, nandor can't admit how much he cares about guillermo or how much his companionship means, because guillermo is his familiar and that's humiliating!

we also see nandor struggle a lot with a sense of purposelessness (especially after colin breaks his world view in 3.04!) and we see him missing his warlord life constantly even though it's been centuries since that was his reality.

and he usually decides he's going to fix his guillermo crises and his existential crises by going all in on some new love interest!!!!!!

then the guide gives him the talk where she points out his pattern, and even though he ostensibly wasn't listening, maybe it managed to permeate his single brain cell on some level, because his commitment to guillermo at the end of 6.10 isn't about the chase, it's about a long-term commitment. "an unbreakable alliance." (and then they seal it with a hand clasp that really just smacks of ~victory~ to me as a gesture!)

charmaine's advice (telling nandor to tell his crush who he has new feelings for how he feels) doesn't work out with the guide ... but it does work out when he ✨proposes✨ his plan to guillermo and tells guillermo he's the thing that nandor holds in the highest esteem possible: a warrior. (and this after guillermo told nandor that nandor made him never feel good enough. nandor does not like to listen when his patterns are pointed out to him -- see aforementioned scene with the guide -- but he did this time, and tried to make up for it quickly!)

nandor also manages to find a middle ground where he and guillermo can meet: fighting bad guys together. and we see from "nandor's army" that he still has epic warlord skills, just like guillermo has epic slaying skills, and this gives them the space to both be thriving in a shared purpose, after having purpose-related existential crises all season!

guillermo is skeptical that nandor's really going to commit and change, as expressed in the shared talking head in 6.11, and he figures he'll be saddled with all the work, but we find out at the end that nandor has committed so hard that -- in addition to all his drawings and diagrams and his silly costume shopping -- he somehow managed to make that two-person coffin elevator into a secret underground lair a reality?!?!?! (i like to think maybe guillermo will be more into the idea of their partnership in a post-"omg the coffin elevator actually exists" world.)

"you can call me nandor." that is all. <3

nandor's also, ultimately, willing to let guillermo go after a season that was full of pain over letting guillermo go, and he does it calmly and simply and without flinging any guilt-tripping guillermo's way. it is a peak "if you love something, let it go, and it will come back to you" moment. and then, of course, guillermo comes back like immediately. :) and is welcomed into the coffin, and the future adventures that the camera won't be there to catch!

anyway! this is all just a bunch of nonsense rambling, but my point is, i think the recurring loneliness and dissatisfaction that we see nandor grapple with throughout the series is something that is finally over once he commits proudly to a life with guillermo fighting the good fight (whatever shape that might take in the future, since who knows how long the superheroes thing will be the vibe). he needed to overtly acknowledge what guillermo meant to him, to himself and to guillermo and to everyone else, because pushing it down was part of what was keeping him consistently miserable, and once he's done that, he doesn't have to go looking for purpose in a cliche romantic happily ever after (and indeed, he seems totally checked out when the gang talk to him about being in love with the guide toward the start of 6.11). he has it in his unbreakable alliance, wherever that may go! 💘

[kradogsrats]

I am Near, I am Here: Rayla, the Moon, and Love as Presence

I was originally going to add this to @raayllum's post about Rayla's lullaby and Ethari but then the number of screenshots I was taking before I even started to write indicated that it had gotten out of hand.

Rayla's lullaby ties in with a lot of stuff going on in s6, most of them related to her relationship with Callum, which has its last barriers broken down and leaves their bond stronger than ever. Surely so strong that nothing in s7 could possibly challenge it. Most of Rayla's life has been defined by absence—the absence of her parents, her own forced absence from her community, her chosen absence from Callum. The lullaby, however, affirms that even when the moon appears to be absent, it is still there, and has been all along.

This is an interesting facet of the Moon arcanum, which is usually focused on certain dualities—life and death, reality and illusion, presence and absence—but also on the permeable borders between them, on change and cycles between those states.

We also actually have a window into Rayla's own understanding of the Moon arcanum—her first transformation into Moonshadow form in Bloodmoon Huntress. Look, just... bear with me, okay?

It's explicit that not all Moonshadow elves can achieve Moonshadow form, and that for most it takes months or years of meditation and training. I read this as that, while Moonshadow elves are born with an innate connection to the Moon primal, attaining Moonshadow form requires developing a deeper understanding of its arcanum. Runaan describes it as being about the balance of life and death:

Rayla can't reach Runaan's understanding of the Moon arcanum, which is somewhat hilariously about recognizing yourself in your enemy (something Rayla winds up being very good at) and understanding why you have to kill them, anyway (something Rayla winds up being very bad at).

What does work for her to achieve Moonshadow form at a terrifyingly young age is focusing on her wingaling, and a statement from Ethari:

Both are about love as being present—something Rayla is conflicted about in her parents' absence. The wingaling represents a promise that Ethari and Runaan will always come for her when she's in need. Ethari's statement is originally made in the context of explaining that Runaan's devotion to his people may require him to make great sacrifices, but that devotion can also be the smallest act of presence, and both are necessary. Her understanding of the Moon arcanum is about that presence—the moon that is always there, even at times when there is no light.

As Rayla is struggles with why her parents Runaan leaves those he loves to risk his life for others, Ethari explains that he and Runaan both know he may never come back, and that is something Ethari has to accept because Runaan can't be separated from that devotion and duty when it comes to loving him. What's missing from the conversation is acknowledgement of the trust and commitment that underpins that acceptance—Ethari's trust that Runaan will come back, and Runaan's commitment to do so.

The moon is there even when it has waned to invisibility, but it goes unstated that it also always waxes back to full. You can trust that it's there when it can't be seen, and you can trust that its light is coming back. You can trust that it's there when it can't be seen because you can trust that its light is coming back.

I am near, the lullaby says. I will be with you again soon. Until then, remember that my love is always here.

That's an understanding that Rayla crucially doesn't have when she leaves. In Dear Callum, she never once promises or even suggests to Callum that she will come back to him, even if she finds Viren. The closest she gets is the lukewarm:

I wish I could say that we will see each other again, but I don’t know if we will. I hope so.

So not only is she shattering the trust Callum had in her by abandoning him after she told him they would stay together, she won't even offer any real reassurance that she will return. Because she doesn't really think she will. Her only commitment to keep him safe, and as long as being separated accomplishes that, she will stay away. How is he supposed to accept that? What reason could he ever have to believe that she and her love are there, even when out of sight?

And yes, all of this does stem from things she learned from Runaan—Mr. "I do what I must so those I love don't have to"—but the key difference is that when push comes to shove, Runaan understands something else:

The same thing that Tiadrin and Lain did:

And that Amaya does:

That love is ultimately strengthened through presence, and through presence it strengthens us, in turn. When we open ourselves to strengthen those we love and trust them to strengthen us, then our love cannot be diminished by distance or absence.

Somewhere between Bloodmoon Huntress and s1, Rayla loses sight of that, and she doesn't rediscover it until confronted by Amaya over how her leaving harmed Callum—and how it harmed Rayla herself. Amaya isn't the first to tell her how she hurt Callum, but she's the first one to really convey to Rayla that keeping her secrets and burdens from Callum isn't sparing him from their weight and pain, only weakening her. It has always weakened her. Until she turns that around, she is denying both of them their best selves—her as the light that will bring him out of any darkness, him as the anchor that will bring her home from any distance.

The end of s6 beautifully shows the culmination of all Rayla has learned in the slow return of her relationship with Callum, and to top it off, she gets to demonstrate it to Runaan. (Since Callum already knows.)

Trapped in the In-Between, Runaan is consumed by guilt and self-loathing—he fights Rayla's attempts to guide him back to life because he doesn't believe he deserves to go back. He's too ashamed to want to go back. The way Rayla brings him back is twofold:

She reminds him of his promise to Ethari—his promise to return. She made no promise to return to Callum when she left. She probably wanted to, but she believed that the sacrifices that might be demanded of her would be more important. It would at least be out of the question to return before finding Viren, but in the end that's what she does—she returns to Callum, even though she must do it defeated, ashamed, and alone.

She also tells him that she needs him. She needs her father. She's weaker with him not there for her. When she left Callum, she genuinely believed that things would be better that way. He'd be better off safely away from whatever danger her search brought her, and making sacrifices for the people she loves—taking on difficulty and danger alone, so they don't have to—has always been her duty. She's spent three seasons re-learning the strength she has with Callum, now it's time for her to do the same with Runaan.

Rayla is very different now than she was the last time they met, and Runaan—like Callum—is going to finally see the truth of her: that she was never meant to be an assassin, but not because of failure or weakness. She was always meant to be a hero.

[stagefoureddiediaz]

I will just be over here screaming until the end of time (and not just because this is a beautiful shot!)

I am trying not to read into this set too much - because it was clearly filmed during the s7 filming (its Eddies old living room rug - hes changed to a striped one now!)- but man is it hard!! Also that red Persian rug is very heavily tied to Eddie‘s wife and his girlfriends.

It’s very interesting to note that that red Persian rug first appears when Shannon comes back and has now left the moment Marisol has gone and the moment Eddie vocalised to Kim his internal struggles and unresolved feelings around Shannon and her request for a divorce. The thing is Persian rugs are very tied to the concept of status and history and they’re quite symbolic, particularly in western culture, of family and familial expectations (I need to write a matter on the history of the Persian rug and it’s meaning in western Society but that will have to wait till hiatus but basically they were expensive and therefore handed down through the family and became attached to the concept of upholding family values) so there is this idea that Eddie‘s Persian rug is about him conforming to society and familial expectations i.e. marriage before children and being a family - divorce being a bad thing, as well as heteronormativity.

The fact it’s now been changed to stripes - which are heavily connected to the Buckley-Diaz family dynamic, and specifically to Chris, and the concept of change being brought about by struggle or danger. A few examples of this or the fact that Chris is wearing stripes at the beach when Shannon tells Eddie she thinks she’s pregnant, we also see Chris and stripes during the tsunami, Chris‘s room is heavily striped with rug bedding and curtains, he’s wearing stripes in the lead up to Eddie‘s breakdown in season five. We also see him in stripes in the build up to the shooting. With the connection to the Buckley-Diaz dynamic - these are all moments that ultimately strengthen the bond - making the family unit stronger. So Eddie striped rug is suggesting to me that the Buckley-Diaz family unit will become even stronger when they get through this current arc (I mean that’s saying Buddie Canon very loudly to me but I’m a clown so take or leave that as you wish!)

Hello gut stuff still being up on Eddies fridge I desperately need to know if it’s actually still there in s8 filming time!

Plus boxing gloves hanging on the wall above the yoga mat - I see you reference to fighting and to finding inner calm. Eddie fighting - fighting to get Chris to talk to him - to tell him things - to be open with him. Fighting to be a father. But doing it in a calm and measured way - moving through the sequence like one does in yoga.

But its actually the sitting on the coffee table of it all that I am screaming the most loudly about - that is a choice - its a place we see him sit when he talks to Chris when things are serious - think when Chris is playing video games late at night and Eddie finds him and they talk, think when Eddie spills hot chocolate over the gingerbread house and Chris throws the house to the ground - both times Eddie sits on the table - he’s also sat on that same table when he asks Buck to try and talk Chris out of leaving (wearing the same shirt I might add!!). So this Eddie sitting on the table is very much connected to difficult parental moments for Eddie - moments when he is super respectful of Chris (hell even the Marisol phone call at the end of s6 plays into this theme - Chris being included in Eddies potential romantic relationship from the start - the lesson learnt from the Ana of it all and showing Eddie is holding open dialogue with Chris), of Chris’s wishes. It’s indicative of the idea that Eddie will be patient with Chris, but he will eventually win out - and that they will be stronger for it as father and son.

Interestingly Bobby also sits on that coffee table - when he talks to Eddie in the aftermath of him smashing up his room - when Bobby is doing a similar thing to Eddie as Eddie does with Chris - supportive but strong and firm right down to the use of same maroon/burgundy for the ‘parents’ shirt.

Right Eddie house screaming done - now on to screaming about Chris on my next post!

[epicbuddieficrecs]

Weekly Recap | July 15th-21st 2024

I have a week off of work, woohoo! This week I mostly read all of my favourite WIPs that updated multiple times, thank you all for keeping me well fed 😎

Complete

is there some place where we can go right now? (i don't think that it can wait) by sibylsleaves/ @sibylsleaves (Established Buddie, Bar Sex, PWP | 2K | Explicit): Buck, Eddie, and the inside of a bar bathroom

you call me pretty little thing by sibylsleaves/ @sibylsleaves (Established Buddie, Panty Kink, PWP | Explicit): “Buck,” Eddie breathes after a moment. “Are you wearing—?” Buck nips at Eddie’s slack mouth and says coyly, “Why don’t you see for yourself?” Eddie, it seems, doesn’t need to be told twice. He shoves Buck off his lap, tearing his sweatpants down his hips to reveal the tiny, pink lace panties Buck has on beneath them.

looking for something dumb to do by sibylsleaves/ @sibylsleaves (Buddie Wedding, PWP | 4K | Explicit): It’s also not unusual that the app bay is almost empty when they walk inside, save for one engine parked along the side. What is unusual is the rows of white folding chairs facing the back wall. And the archway adorned with greenery and pale pink blossoms set up beneath the loft. And all of their friends milling about the app bay, dressed up like… Like they’re attending a wedding.

Hell or High Water by glorious_spoon/ @glorious-spoon (4x04: What's Your Grievance, PWP, First Time | 5K | Explicit): That’s Buck’s cue to put a stop to this before it crosses a line they can’t come back from. Before he says something or does something that means Eddie will never touch him or smile at him or let him into his home again. Buck breaks things; that’s what he does. And he’s tried so hard not to break this.

🔥 my man says he loves me (never says he loves me not) by colonoscopys/ @colonoscopys (Post-S7, Identity Porn | 9K | General): It’s the summer after Eddie blows his life up that he realizes he kinda wants to do it again.  He’s looking at the TV, watching some shitty, fuzzy screen show that Buck favored on his last shift, and letting sleep kinda wash in and wash out. There’s an ad after a while. “Are you struggling with being in love with your best friend too?” The man asks. “You should sign up for inlovewithmybestfriendandgoingtodie.com. A support group dedicated to people in love with their best friend, inlovewithmybestfriendandgoingtodie.com is a great way to learn how to cope and survive when you’re in love with someone you’ll never have!” Eddie gapes at the screen. 

WIP

🔥 Held Up a Lightning Rod (Wonder Why I'm Struck) by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (Not A Firefighter Eddie, Sugar Baby Buck | 17/22 | 88K | Explicit): When Eddie Diaz stumbles his way into money, he finds himself one of the most eligible bachelors in Los Angeles - to his dismay. He needs a way to get people off his back without confessing his messy marital situation, and Shannon's still not answering his calls, so he caves to a friend's suggestion: hire someone to pretend to be his partner. Enter Evan "Buck" Buckley: sugar baby, fire fighter, and the man about to turn Eddie's world upside down.

🔥 Long Death by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S7, Vampire AU | 8/12 | 33K | Explicit): In the summer of 2024, a never before seen form of vampirism breaks out in Los Angeles. Just as Eddie is about to get his son back. Six months later, Buck's life is permanently changed.

drift past the flowers. by dylaesthetics (Post-S6, (Un)requited Love | 6/12 | 18K | Teen): OR Buck and Natalia get engaged, and Eddie flees the state about it. A petty email correspondence ensues.

🔥loves a game, wanna play? by 42hrb/ @exhuastedpigeon (Post-S7, Love Island AU | 6/13 | 26K | Mature): In the aftermath of Chris leaving for the summer, Buck convinces Eddie they should apply for Love Island together.

🔥 Things We're All Too Young to Know by Daisies_and_Briars/ @cal-daisies-and-briars (Canon S1-S6, Divergent Post-S6 | 131/? | 413K | Mature): This is a love story. Even if it doesn’t always look like it. Even if it doesn’t always feel like it. A look back on Eddie and Buck's lives up to now, and what led them to each other, interpreted from the current 9-1-1 canon.

🔥 If You Can Make the Music by Daisies_and_Briars/ @cal-daisies-and-briars (Canon Divergent, | 4/5 | 11K | Mature): Spin-off Sequel to Evan Buckley & the Coma-Verse of Madness - Chapter 5 (Seaside): A year after a whirlwind two week love affair with bartender Buck in Galveston, Texas, Eddie Diaz finds himself coincidentally relocating to the area. But when he attempts to reconnect with Buck, he's in for an unfortunate surprise. (Part 3 of Coma-Verse)

[irrealisms]

it's different this time, there's water liner notes

fic here if you haven't read it!

the original title for this fic was the (possibly) last summer, from this margaret atwood poem. this has been true for a couple months, since it was just a fic idea that i probably wasn't going to write. i was so excited for it! i love They are hostile nations & i haven't gotten to use it for a fic title yet! and i Do still very much recommend it both qua poem and as a pairing for this fic

(i got the fic idea after the first vitalasy stream on s6; it changed from "fic idea i probably won't write" to "yeah okay i need to write this" after the second one)

but then i was struggling with Writing Happy Things and batting around ideas of what specifically they're doing in the fic and got the idea for a Funnest Room Competition Take Two, and soooo recently i had been thinking and talking about the vitalasy & zam conversation i transcribed, where zam is convincing vitalasy to come down a 1x1 hole and vitalasy mentions the moment from s4 where zam jumped down a similar 1x1 in order to kill herself on dripstone and vitalasy followed immediately and died as well, and zam says It’s different this time, there’s water and I’m down here. the way that this is a physical representation of the ways it's different: in s4, when zam wanted to prove her love to vitalasy, she killed herself, in a microcosm of so many of the problems in their relationship. in s6, she tries to recreate something that vitalasy loved. it's safe; there's nothing there to kill herself or anyone else. you can't take fall damage or die on dripstone. there's water. and-- in the original Funnest Room, vitalasy's room had a secret entrance which led to a room with a lectern. the room with the lectern (and what was hidden behind the lectern) is, i think, familiar enough to all eclipse fans that i don't need to belabor the point too much, but it's a similar concept: making their base again, but it's different this time. no dripstone, no secret passages. they're trying again, but this time they're doing it without the problems that tear them apart. so. new title

btw have new fans seen the OG funnest rooms. they're so incredibly ugly. i love them so dearly. look at these and know that they all three have even more details that i couldn't get in the screenshot, such as "an end crystal" and "concrete powder being repeatedly shot up and then falling back down"

look at them. aren't they wonderful. anyway back to the fic

i...sort of considered either "zam-and-subz conversation about eclipse" or "zam coming out" having more of a presence. but it was never more than sort of; i was pretty solid early on that i didn't want this to be a reconciliation fic, i wanted it to be a post-reconciliation "tentatively learning to love each other again" fic. all the big dramatic moments are in the past. now: a moment of happiness, together.

something i wanted to make clear is that it's a very temporary moment of happiness. vitalasy is only on the server for very short periods of time. zam and subz have other plotlines and alliances going on (or, in subz's case, lifesteal public) that they can't & don't want to drop. the server itself is going to end. but....it's still real? and what it symbolizes in their relationship, that they're repairing it and getting closer as friends again, is going to keep being real.

the idea to intersperse some of the most painful moments of s4 is one i went back and forth on a bit but eventually decided in favor. they have a lot of very genuinely hurtful history that is sort of coloring every interaction. in the present day, they're able to move forward from it, but it's not...small? it was really bad, they all hurt each other a lot.

related to moving forward. something i said on discord about this fic: "i have written two Not A Fix-Its that do canon divergence from s4. i have broadly maintained my stance that they are doomed from the moment they got together & you cannot fix them. but it turns out that you can fix them and the way to fix them is by going forward instead of backwards."

uhhhhh i'm not sure how obvious this is but all three of them are sort of on high alert trying to Be Careful and Manage everything so everyone stays happy and nothing explodes horrifically. this is most obvious from vitalasy bc he's the one whose pov we're in but rest assured: zam and subz are doing it too. this will get better with time as they get used to each other & nothing continues to happen.

which: i do think that in fact it will not explode horrifically! not only have all of them grown as people since s4, there's also a thing of... eclipse federation only went as bad as it did in s4 because their long-term season goals were fundamentally opposed and vitalasy had important reasons that he could not tell zam the full truth about things. neither vitalasy nor subz have long-term season goals in s6; none of them have material reasons to lie to each other or keep secrets. i think they'll be fine.

change vs staying the same is another big thing. subz isn't a builder anymore, zam is. zam's a girl. but also there's the same hammock, the same familiar friendship. the things that are the same, the things that are different. once again this ties into the title & where it came from & why it applies to the fic.

uhhhhh zam gives subz slime blocks bc they were the walls of subz's funnest room. what zam may not know is that they were ALSO the walls of the post-s4 vitalasy&subz house. anyway that's a thing

vitalasy's cat isn't referred to by name because its name is vitalapuss and vitalasy is a PG streamer who tends to avoid the name. sorry vitalasy.

vitalasy smiles a LOT in this fic and there are two references to vitalasy's face hurting from smiling. this is because i watch vitalasy pov when he streams on s6 and when he puts on facecam he is ALWAYS smiling so so so big and occasionally mentioning how his face hurts from smiling so much. lifesteal makes him happy 🥺 (this in turn makes me happy)

similarly: vitalasy cubito often spins when Particularly happy and i so rarely get to include this bc i usually write vitalasy miserable. but he gets to spin here!!!

behind the scenes fact: i wrote the entire first draft of this fic a week ago in a single 6-hour sitting, from 11pm to 5am, while incredibly sick and off-and-on feverish. and then a week later (today) i did a bit of vod review, did 50 words of edits, and posted it. halfway through writing the first draft vitalasy tweeted that he was going to upload again accompanied by a gif of eclipse federation. i take nothing but Ws forever

discord message by me at 3am: "i cant believe he did this. he Heard me writing eclipse federation happy ending and was like Not to worry. i will make this real for you"

also i mentioned this earlier but i struggle SO MUCH with writing happy things. i'm proud of myself for both this fic and my previous one (memory foam, the tgcf fic, not the previous lifesteal fic) for being happier than my usual? in both of those fics there's still very much The Past Horrors but i'm expanding my repertoire! and from the reaction i think i did a good job of it ^w^

for eclipse fed particularly though there's also a thing of.... the reason i didn't see myself writing happy things for them wasn't just bc i'm bad at writing happy things, it's also bc they were doomed when they were together and incredibly unhappy when they fell apart and i couldn't imagine a path from where they started to a happy ending. certainly not in s4, and s5 didn't really give me hope there, either, with zam refusing to talk to vitalasy about the previous season, and then with subz and vitalasy both banning themselves off the server and quitting content creation (cutting off the possibility of any future reconciliation or even further interaction within the context of the lore). and then, well, s6 happened. vitalasy and subz are back; vitalasy and zam had a genuine conversation about s4 which went better than i could have imagined. this happy ending hasn't happened for them, and it may never, but i have genuine hope for them and the future of their relationship on lifesteal in a way i never have before, even when they were together the first time. i'm-- genuinely, truly so glad to have been wrong.

[daffodilsonaprettystring]

I had a three day weekend and what did I spend two out of those three days doing?

Reading THIS masterpiece https://archiveofourown.org/works/46775788/chapters/117813115

I CANNOT recommend this fic enough, it’s literally an entire rewrite of 9-1-1 seasons 1-6 (it is currently unfinished but STILL WORTH READING) but told from a specifically romantic Buddie POV, and it is PERFECTION. I was literally texting my sister before Buck and Eddie had even MET canonically to tell her she needed to read it, that’s how amazing it is.

Buck is a Swiftie, the author’s characterizations of him and Eddie and Chris are ON POINT, the way Buck and his struggles with himself and his parents are handled is so well written, and the SLOW BURN IS SO WORTH IT!!

But the best thing about it to me is the fact that it literally changes nothing from canon up until past s6. It’s simply TAKEN canon, and written it through the lens of both Buck and Eddie’s internal dialogue realizing that “hey, maybe these interactions and this relationship has ALWAYS been about us falling in love, even if it was never explicitly said.” And the way this author writes Eddie and Buck realizing that they really, really love eachother that way? 100/10 stars, zero notes, Eddie admitting to himself he’s in love with Buck WAY before he’s able to admit he’s gay is something that would so happen in canon, Buck pining like a kicked puppy would also be canon, and not gonna lie, the WAY they finally get together? Nothing they do in the show now will EVER top that for me, it was so well written.

TLDR; I CANNOT recommend this Buddie fic enough, “Things We're All Too Young to Know by Daisies_and_Briars” if you need a seriously amazing 9-1-1 fic while we’re waiting for s8 I sincerely recommend checking it out it’s INCREDIBLE.

[violettathepiratequeen]

Here's the thing about S7 Giles.

The Scoobies had their ups and downs for five whole seasons, but through their fights and mistakes and bad decisions, they were still always there for each other, always came back around, always stayed close.

And then Buffy died. Giles left. Spike and Dawn only had each other to lean on in their grief. Willow brought Anya and Tara and Xander in on an incredibly dark spell.

Buffy may have returned, and for a couple episodes there all eight of them were back together, but the dynamic of the group was shattered, and everyone's soul (or lack thereof, in some cases) was wounded.

Giles left again, and the rest of the group proceeded to have the ugliest, darkest, most broken spiral of events for almost an entire year. By the end of it, those who weren't dead were changed forever, but had come out much more healed than they were at the start of the season.

Giles didn't have that. He didn't have the broken spiral in S6, other than showing up for two episodes at the end, and he didn't come out any better on the other side. We know nothing of what he was doing in England after he sent Willow home other than gathering info on the First and rescuing Potentials, so he was pretty much running ragged on his own trying to stop a threat before he came back to Buffy for help and found that everyone had grown up without him.

S7 WAS his dark S6 arc, of bad choices and isolating his friends and struggling to know what the right thing to do was. But I still love him, because I know he tried, because I know he cared, and because there's never been any doubt in my mind that after S7 he was stronger and better and saw more clearly, just like everyone else at the end of S6.

(If only because of Spike's sacrifice and the way Buffy was proven undoubtedly to be correct about everything)

[beatrice1979a]

Shadyverse Re-verse fic list

Miraculous World Paris dark themed fanfics

Original post here: Compliance

Decided to create a separate post for this list. These are re-verse fics dealing with angst, bullying, abuse, war, death and co-dependency; themes that were (surprisingly) introduced in the Paris special.

**trigger warning** read at your own discretion. If I missed one let me know.

==== will be updating this list casually ====

Complete:

@xiueryn You can call me villain Complete multichapter re-verse Shadyverse fic about parent abuse, bullying, death, crime and two young teenagers navigating it all. Just read it. Thank me later.

@tanzle 's Caring Fleabag don't let the cute title fool you. this is gritty, action packed and heavily emotional. Multichapter and complete.

@dreamer-from-yuggoth @artemonh has many ficlets You know my name (Shady and Claw post-special realize their new purpose), I would let you win (The supreme bloody games) Blood on his hands (Claw's haunting memories), Shadybug tattoo (this is actually a sweet romantic one. Love it <3)

@toxinellebug Extensive and detailed Alt world ruled by the Supreme. Too many fav posts to count. It's like a re-verse AU encyclopedia. I think this is complete but you never know... an update might be around the corner. Update: Yeah! New posts

Frisky69's To a World of Absolution was the first fic i read that explores the final moments of Shadybug and Clawnoir. *awestruck*

AelitaYoru's La Chute du Double Maléfique I'm still obsessed with the veins/disease effect of the miraculous. They better refer to it in S6

@aanabear2803 surprised me with this tiny ficlet You don't belong here Lila got what she deserved from the evil pair *trigger warning*

Ongoing:

@revolutionary-thoy 's ML Paris Reverse AU * Felix/Kagami/Luka vs the Supreme release ** project in hiatus for now** Still love it.

The Project Reverse AU X. <-love this! Where u can see feat. the big/evil sword. That is the one Shady is handling on the fanart above.

This has grown into EPIC levels. Fav of mine: @justmywritingstuff Speechless Changes AO3 Full of emotions. I think there's only 1/2 chapter left to turn to a complete fic. ALMOST there ... can't wait.

@monpetitchattriste Dying on the Inside It opens with a very steamy toxic relationship between pre-special Claw and Shady. Touches on their personal struggles and how they are using each other to escape reality. Can't wait to see where we are heading with this one.

Purple_doom's Dead set against (ongoing) might be abandoned but the three chapters are worth a read. Post special. Reformed Shady and Claw try to survive without being discovered by The Supreme!!

I hope there are more... I am fascinated by the gritty side of this re-verse world.

[anxresi]

So, it turns out Chloe IS going to return for S6... this hot off the press from her voice actor... (actually from back in Jan, but who's counting?)

...So why, my dears, couldn't I give a damn?

Probably because, as arguably the writers had no idea what to do with her in S4 and S5 other than strip her of all personality, agency & likability, what's the point in her still remaining?

*She's not going to be a hero again, Manbaby Astruc has made this PERFECTLY clear thankyouverymuch. IMHO, she's far more useful as a tool for him to take out his warped misogynist humiliations on, apparently. Why he doesn't just buy himself a blonde mannequin, call it 'Chloe' then beat it with a wooden stick whilst shouting various profanities within the privacy of his own bedroom, IDK. Maybe it's good therapy for him to expose his weird hang-ups in front of a mass audience? Hey, if it works for him... good for you, buddy! I just wish the rest of us didn't have to suffer to aid his treatment.

*As a villain, Chloe's threat level is arguably less than 0%. She is now written to be dumb as a post, no-one trusts or likes her and everything she says and does seems more cartoonishly infantile with every tortuous appearance since S3. The ONLY time she posed any vague threat is during her massively overhyped team-up with Lila where basically she was little more than a pawn to the Mary Sue Of All Lying B*tches... and those two episodes where she took over Paris as Mayor with a bunch of robots were undebately the most stupid ones of S5. Which if you've seen the competition, you KNOW that's some achievement.

*My prediction is: They're gonna rehash the same tiresome schik we saw before she got on that plane at the end of S5... perhaps they'll give us a one episode Hope Spot upon her unexpected arrival back where it looks like she's changed after attending a 'tough school' in New York/London but OH MY WORD WHAT A SURPRISE it turns out to all have been a ruse to become Queen Bee again. YAWN. She'll move straight back into her old room... Andre and Audrey will reconnect... and it'll be like nothing ever happened. In case you hadn't noticed, this show handles plot continuity or character development about as well as Marinette keeps her distance from her crushes.

*'But where does that leave Zoe?' You might ask, to which I can only respond with a succinct 'If you had the Hubble Space Telescope on full power, you still wouldn't be able to locate how little I care about that particular subject.' Maybe she'll carry on as Vesperia. Maybe she'll get a girlfriend. Maybe she'll do something halfway interesting, and give the viewership a heart attack out of sheer shock value alone. It doesn't matter to me one jot... less because I curse the ground this insipid plot device masquerading as a serious character walks on, but simply because I have no faith in the utterly abysmal writing this show has displayed for years and years now. Chloe could take over the lead role in a SHOCKING twist, they could change the name to Miraculous Queen and I STlLL wouldn't give it a second glance. The fish rots from the head-up, guys.

(Okay, so that's a bit of a lie. I would probably sneak a peek at ONE episode out of sheer curiosity, but you and I both know with HIM in charge the standard won't improve one iota. Plus, it isn't gonna happen anyway... so why am I tying myself in knots speculating about an impossible scenario?)

Anyway, I've nattered on for too long. I'll just leave you by answering Selah's somewhat disingenuous last question there about 'your favorite Chloe line of season 5'.

This implies we were watching 'Chloe'. As far as I was concerned, we weren't. Not the Chloe I fangirled for in the very beginning and got me involved in the show in the first place because I could relate so much. Not the Chloe who got so many other fans emotionally invested in her personal and familial struggles, before her character was comprehensively trashed by a ruinous creator with a grudge.

So in answer to your question Ms Victor, none. Because it simply wasn't Chloe.

[thecrownnetflixuk]

Fond Farewells Mark the End of an Era for The Crown.

Pt 2 of Season 6 Accedes to the Next Generation – But Reigns Most Triumphant Saluting Its Sovereign.

Review & gifs by L.L @The Crown TV

I wasn't sure what to expect from the final 6 preview episodes of The Crown. Part 1 gifted us with a season-defining performance from Elizabeth Debicki, but such intense focus on the tragedy of Diana and Dodi's deaths was heavy-going. How to move forward?

Not many TV shows stick the landing, but I believe The Crown does, mostly by putting Queen Elizabeth front and centre. In four different ways! But Part 2 takes a while to forge ahead and reign triumphant.

Ed McVey and Meg Bellamy make shy William and swotty Kate believable as a young couple who meet at university – or earlier, as per a flashback with (not Ghost!) Diana. I still found it hard to invest in their will-they-won't-they relationship (we already know they do.) 

Instead, it’s sisters Elizabeth and Margaret who have long been the emotional heart of this show; at every stage of their lives.

Former Oscar-nominee Lesley Manville (alongside Queen Imelda Staunton) is truly magnificent in Ep 8 as Princess Margaret, though it's painful watching this vibrant lady struggle as her health worsens.

Memories of the 1940's are a delight. However, I wish we'd seen more of wide-eyed teen Lilibet let loose (Viola Prettejohn) and carefree Marg (Beau Gadsdon) before older Margaret says her final goodbye.

Staunton saves her best for last, bringing dry humour, vulnerability as well as leadership to Ep 10. The 70+ min epic finale 'Sleep, Dearie Sleep' has its shaky moments, but beautifully completes Queen Elizabeth's story when it counts, bringing near-perfect closure. That alone elevates Season 6 beyond Season 5.

Warning - MAJOR SPOILERS AHEAD. This is my final *EVER* review (might be extra long!)

S6 is NOW ON NETFLIX - WATCH THE EPISODES before reading.

Images: courtesy of Netflix

Starting with less good news; the first couple of episodes of Part 2 were my least favourite. Ep 5, 'Willsmania', feels transitional, and a little stuck in the past. Following his mother's death, Prince William (Ed McVey; taking over from younger actor Rufus Kampa) turns inward as he struggles to cope with public attention and grief.

It's an understandable reaction to losing a parent, but Part 1 already spent nearly half a season on Dodi and Diana. It felt like we grieved in real time. As a result, whenever the subject of Diana crops up again in Part 2, it tends to weigh down both pace and narrative.

Ep 6 brings a welcome change of topic. This being The Crown, I'm sure there are critics poised to be offended by Queen Elizabeth's nightmare about Prime Minister Tony Blair being crowned king, but to me, his 'coronation' was hilarious, as was the choir boy singing Blair's cheesy Labour pop anthem.

It felt like deliberate tongue-in-cheek humour, an absurd reminder why monarchy might still be better than populist elected leaders.

I really wanted this episode to work, but it didn't go anywhere, and themes like tradition-vs-modernity were covered more effectively in episodes such as 'Marionettes.' Bertie Carvel has Tony Blair's voice down but suffers from comparisons with Michael Sheen, who was uncanny as the Prime Minister in 3 earlier Peter Morgan projects.

^ PM Tony Blair. The Women's Institute weren't fans of his grandstanding.

The Crown: The Next Generation fully arrives during Ep's 7, 9 & 10. Some will love it. Those who prefer more historical episodes with broader scope may be disappointed, as the show follows William and Kate through University life in the early 2000's.

The newcomers do bring fresh energy to the show. It helps that they cast Ed McVey and Meg Bellamy, who make a sweet couple as Will and Kate, even if William sometimes comes across as petulant.

Unlike Ed McVey as William, Luther Ford doesn't bear much physical resemblance to Prince Harry, other than red hair. Ford does however put in a good performance as Harry becomes increasingly reckless.

The Crown doesn't hide either Harry or William's bad behaviour. The brothers seem to get on well at the start, but it later seems like they're more at odds. Underneath a lot – a LOT – of boozing, both boys appear quietly screwed-up over their mother's death. Neither of them seem to enjoy playing happy families with Charles, either.

The show mostly concentrates on William and Kate, but there aren't many episodes left to develop a genuine romance. They have potential, but it feels fairly surface level. Suddenly, they rush to move into a house share together when we've barely seen them kiss. They (and we) needed more screen time to really get to know each other.

There's a bigger issue here with Kate's mother, Carole Middleton (Eve Best.) Pushy parent Carole is keen to play matchmaker between her 'commoner' daughter and the young eligible Prince, keeping tabs on William. Carole isn't as conniving, but ... didn't we just watch a similar storyline with Mohamed Al-Fayed/Dodi/Diana in Part 1?

^ Kate 'n' Will. Her Mum would frame this picture.

Ep 8 'Ritz' plays like a standalone film. Margaret's final story is touching, but upsetting, at times; I was a fan of Diana, yet sobbed as much for Margaret as the credits rolled, even though her eventual death isn't shown. In fact, her final goodbye is sensitively done and stands as a fitting tribute to the princess, as well as to the Queen.

Lesley Manville makes Margaret's predicament so real as her health slowly breaks down. She bounces back from one stroke, then another hits. How awful too for Elizabeth to watch a much-loved sister deteriorate, though it was wonderful to see Lilibet read Margaret a bedtime story. It brought out the warmer side of Staunton's Queen.

The scene where Margaret scalds her feet in the bath is genuinely horrifying. I've suffered from ill health and loss of control myself and this was so much worse. I could feel her pain. That poor woman.

Human moments are where The Crown excels; through this episode, this working-class lass from a council house could somehow relate to a Princess in a palace. Peter Morgan has surely done more to humanise the royal family than any P.R team ever could.

^ Fans of Margaret (and Lesley Manville) prepare yourselves for her sad final journey.

Onto the big reveal: when I mentioned at the start there are FOUR ways Queen Elizabeth appears – this is what I meant:-

^ Newcomer Viola Prettejohn plays teenage Princess Elizabeth.

^ & there's Olivia Colman & Claire Foy alongside older Queen Imelda Staunton.

Satisfyingly, all 3 of The Crown's leading ladies return to close the show. Olivia Colman and Claire Foy each have an additional scene, too (I won't spoil the entire finale, as it covers a lot of ground in over 70 mins, but Olivia and Claire aren't back as 'ghosts.')

As we get older, the ghosts who speak loudest are our own; the former versions of us we berate ourselves with. Not everyone may warm to the Queen (sort of) talking to herself, but personally, I was thrilled to see these talented actors on screen together.

Foy's scene with Staunton is particularly effective, as the younger Queen gives her older self an old-fashioned dutiful talking to. It's somehow also credible that they're aspects of the same person.

It reminded me of Peter Morgan’s 2013 (extraordinary) play, ‘The Audience', which inspired this series, and included scenes where Helen Mirren shared the stage with young Elizabeth. That play is also why this theatre-fan started watching The Crown to begin with, and later went on to create this website.

When Ep 10 finished playing, my Netflix returned itself to Season 1. 60 episodes over 7 years! I will miss the grand scale of The Crown, but appreciate the legacy which remains. Now feels like the right time for this story to end. A full-circle moment in more ways than one.

**Majestic thanks for reading, and to every person who has liked, reblogged, messaged, supported The Crown TV for all these years.

💎♕You each deserve a Crown of your own!♕💎**

N.B: These are my humble opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!

[raayllum]

I just finished Book 5, and do you think that Ezra’s arc will have him learn that words aren’t enough? Some fans do think that he’s the least emphasized of the Dragang

I don't think Ezran is going to learn that words aren't enough (they have been, often times in his life, and trying non violent routes are important) but I do think he's going to be presented with more and more situations where it is, as he acknowledges, "Not that simple" (4x03).

In Arc 1, you had the transformative trio of characters (Callum, Rayla, Soren) who were rapidly changing as people versus the more "circumstances change and drag out certain personality traits either more or less" stagnated trio (Ezran, Viren, Claudia). In Arc 2 thus far, it seems that Soren, Claudia, and Ezran are the 'stagnant' ones and Viren, Callum, and Rayla are the transformative ones. That being said, I do think S5 focused on Ezran as much as S4 focused on Rayla, so it's not surprising there's a bit of a trade off (especially with Janai very much being a Main Character in arc 2) with Callum (always our main Main protagonist) getting a decent amount every season. There's definitely a lack of Ezran in the first four episodes (he gets about one scene a-piece) but I do think it's over quality > quantity, in some ways. (Bow from She-Ra for example is in every single episode of that series, but gets very little by way of arcs or conflict or interiority, y'know?)

That said:

I talked about this a bit more in a podcast review I did for the season / this meta, but I think Soren and Ezran are having slowburn arcs that will come to fruition in S6. Soren, after all, hasn't really changed as a character since the end of S3 - he's on team good guy, he's reaffirming his choices and love for his friends, he still cares for Claudia and still views his father as a cruel villain (which, Viren is/can be).

Ezran, likewise, is dealing with his own well, slowburn of problems. In a lot of ways, Ezran has to hold it together when everyone else is falling apart (Rayla is MIA, Callum is a mess; staying level headed even when they're arguing; being the main negotiator seemingly between the Pentarchy and the dragons of Xadia; and ruling is own kingdom). He takes his duties seriously and wants to broker peace further, if maybe a tad faster than people are ready for. Like Janai says, I think, his priorities have changed since becoming king. His duty first and foremost is to his kingdom/the world. (Not that it wasn't his mindset before, but it wasn't his responsibility before pre-series, y'know?) Which is very Rayla of him, I think ("I let them all down" in 3x04 / "I just feel like I'm letting everybody down" for Ez in 3x03).

And we see how much this weighs on Ezran based on how heavily he takes responsibility for his perceived and or literal mistakes. Whether it's speeding things up too fast / not giving enough room for his people's, or his own anger...

E: I had a speech planned for today. It was about peace and love and hope. But I think I left something out. I ignored something that was true. I denied something that is undeniable.

or in doing the right thing in saving the Baitlings, but putting his friends in danger.

And Soren acknowledges that this isn't really fair for Ezran, either:

Soren: This is all too heavy. It's not fair you have to struggle through this alone. You deserve time to do kid stuff. If you spend all your time doing adult stuff now, you'll grow up weird, like your brother and Rayla.

Now, on the certain level, Ezran is alone because he's like - he's the King, and that's its own unique position. However, if you look at how close Viren and Harrow, and Harrow and Sarai were, in their decision making, they did everything together. In spite of being a single dad, Harrow was never alone in what he did as king (for better or for worse): "I accept that tonight I may pay the price for our mistakes."

So I think it's interesting this emphasis on loneliness/alone in the same season we have Amaya and Rayla's conversation about it too:

A: My big sister Sarai was the smartest, strongest, bravest person I knew. When she died, I felt lost and weak without her.

I hated feeling that way, so I learned to be strong alone. Stoic, strong, and lonely. [...] To have that kind of strength, it is not enough to love someone. You have to trust them to share the burdens you're carrying.

So who does Ezran depend on to carry that burden with him? Because Ezran isn't supposed to be alone as king, and Harrow spelled it out for us:

When I am gone your brother Ezran will become king, and you will be his partner, his defender, and his closest advisor.

So the question is... has Callum really fulfilled his role for his brother? Callum isn't crownguard, so actually protecting Ezran is primarily in Soren and Corvus' hands, exemplified by Soren being the one to get angry over the ruined painting in 4x03, to run to Ezran in 4x09, and for Callum to be absent from the Dragon mission in S5. And when Callum is there to have a duty to fulfil:

Then we see the brothers - not Ezran and Rayla - disagree on how to proceed forward with Aaravos, getting momentarily a little heated before they both turn to Rayla (and remember those Rayla parallels I mentioned earlier?):

Now, it's not surprising that Ezran wants to take the diplomatic / least violent route. He's the one primarily appealing to Akiyu rather than barrelling onwards, and expresses great concern for her (even after she tried to kill them). Claudia thinks she can appeal to him in 5x09 because of his empathy. A more compassionate, reasonable route is what he's always done, trying to reason evenly with Finnegrin and with Rex Igneous, even if it doesn't precisely work out... simply because they, like his brother, don't exactly Value the same things Ezran does.

Alright, so the broyals disagreed once, and Callum is a little flighty as a High Mage. So what? Well: Callum now knows, and has already committed himself, to helping Rayla free her parents from the coins, including Runaan.

And Ezran's short story going into S5 hints that this may not exactly be something he's happy about:

Ezran gripped the arrow tight. The thing in his hands was a terrible letter, the ribbon its message: the king of Katolis was dead. King Harrow. His father. Something cold lurched inside him. He fought against it. He’d fought it before, that same hurt, years ago—when he’d found out what really happened that night in Katolis. Still, it haunted him. He couldn’t help but imagine the scene, all of it playing out like grim theater before him, as though he’d been there, as though he’d stood by and watched it happen. That Moonshadow elf upon the castle ramparts, skulking toward his father’s chambers. 

It stared up at him. Ezran felt a coldness twist its way around his heart. It took his lungs, too, and for a long moment he could not breathe, could not feel anything but an unfamiliar anger so potent it seized the whole of him, inside and out. Ezran stepped towards the arrow— —and stomped down on it as hard as he could. He wished he were bigger, stronger, he wished his boots were made of iron and not something soft. Still, it was enough. When he pulled his foot away, Ezran glared down at the arrow’s hawkish head, flattened and broken. Its ruby eye slipped from its socket, its black metal bent like frayed feathers. He left it there in the dark.

Full short story here.

So Ezran is going to find out, or possibly feel, that Callum and Rayla are keeping a secret from him (again, just like S2, which didn't make him happy then, either). Callum is going to side with Rayla over him if he mandates that Runaan shouldn't or can't be freed, giving into his anger and grief much the same way his father did. He may pull rank - and Callum is going to disregard it. A very similar fallout repeating itself...

Ezran being increasingly isolated (especially if Callum and Rayla are working, or leaving, to find the Starscraper), his disapproval and grief, trying to manage the possible fallout of Zubeia being injured/MIA, feeling undervalued and disregarded by his brother... There's little doubt in my mind that Callum and Ezran (and Rayla) will reconcile and find their way back to one another, healing their hurts, but Ezran has a lot of potential anger and angst to express and a lot on his upcoming plate, steadily added to and set up by the previous seasons.

Which in a lot of ways, makes sense. Ezran as king and Callum as high mage, and as brothers, have to prove they won't fall apart the same way that King Harrow and Viren did, more necessary than ever now that Callum has done dark magic again. Ezran was there to pick up the pieces after Rayla left, but he may still have anger over that and their joint secret keeping from him / feeling like they're treating him 'unfairly' like a child. We've also never really seen Ezran have this type of conflict before, nevermind for the trio as a whole (most of the time it's been Callum and Rayla disagreeing, a couple brief instances of Ez and Rayla, and Callum and Ez a few times in S1 / 5x05) so for Ezran to be what starts falling apart would really rattle all three of him, and seems to be where he's headed, character wise.

And I for one cannot wait to see it.

TLDR; Ezran's slow burn arc, much like Soren's, is being steadily set up and is going to likely be a big focus in the next two seasons, pushing him and other characters in brand new directions and with some really emotional, powerful storytelling to upstage our previously held status quo in all the ways.

[all-pacas]

does fellow!house know about chase going to seminary, all his religious hangups, etc.? would he be disappointed that his hero/boss actually has faith?

ohh that's a good question, because house is always so interesting about religion, always interested in chase's insane catholicism, even in the normal timeline - he'd actually oddly nice about it, never really roasting chase for his struggles with faith.

house actually tends to be fairly understanding of genuine faith. he doesn't care for religion, but when it's sincere he seems to accept it, and we see countless examples: he rolls his eyes at the nun in damned if you do, but when she explains her faith he has no retort; he finds the faith healer in house vs god hypocritical and lame, but enjoys the theological debates with him and chase, he loves the priest in unfaithful, even if he's annoyed the man chooses to interpret his diagnosis as a miracle in the end. the converted jewish woman in don't ever change is probably crazy for converting, but house also displays a real understanding for judaism and doesn't really accuse her husband of the same 'illness': genuine faith doesn't annoy him; religious hypocrisy and performance do.

i don't think houseswapped!house knows chase went to seminary, because i don't think chase would have told anyone: it was a longer time ago, and it's not a moment in chase's life he's particularly proud of; he sees it as something of a failing on his part. that chase is a lapsed catholic is probably fairly common knowledge — it would have come out in this au's version of damned if you do, let alone in, what, chase vs god (what an insane episode that would be).

the thing is, though, chase seems to consider himself to be… much less Obviously Catholic than he is, you know? he's constantly struggling with his lack of belief, his desire to believe in god: i like to pretend someone is listening, chase tells foreman in family. he can't stick around for a christmas service in damned if you do, he only barely defends boyd in house vs god ("he's just religious," chase says, exasperated), and that he then keeps turning around and wanting to believe in miracles, running to confession in s6, praying over the baby in forever — i don't think this even registers to chase as blatant catholicism, because he really tends to think of himself as someone who is not religious, who tried and failed ("it would have been easier. it never stuck."), who is now some flavor of atheist, despite it being fairly obvious to anyone on the outside that no, chase has some hangups about this. (what do you mean it's not normal atheism to still have large portions of the bible memorized and able to whip out at a moment's notice?)

which i think might be what house respects — not chase's desire to be faithful, because that's just silly, obviously, but that chase isn't a hypocrite about it. he doesn't pretend to believe more than he does, he doesn't spout religious dogma he doesn't hold himself to, he doesn't participate in pageantry. chase's not-so-secret desire to believe in god is dumb (to house), but it's sincere. it's not faked for clout or respect, it's not uninformed, and it's also not working. house tolerates cuddy, wilson, and taub's deeply reform judaism, only occasionally calling out cuddy and wilson's pageantry, but he doesn't have an issue with judaism as an identity. he doesn't have an issue with chase's catholic struggles, because it's the same sort of thing: chase isn't pretending to be something he's not, to know more or be better for his faith. house studies theology as a hobby. to study belief and question it is absolutely fine in his book.

(he is soooo jewish coded lmao)

so. houseswapped!au. i don't think house would be disappointed chase has faith, because chase doesn't think he has faith, and that's clearly wrong and all, but it's better than the opposite. and actually, chase can weaponize his religious understanding with patients in a way similar to house in the real timeline, and that's kind of cool. a slightly younger and more 'naive' house might actually be willing to make himself believe it isn't faith, that it's all a strategy, and require wilson or cuddy (and their familiarity with cultural religious belief vs actual faith) to break the news, lmao. but even if house did know and know the details, i don't think he'd really hold it against chase. chase escaped seminary, after all; he chose reality over stupid god bullshit, everyone does stupid things when they're a teenager. (i don't think house would be quite willing to accept that it was sincere, that chase still sort of wishes it had stuck, either in this timeline or the real one. why would anyone want that?)

[kradogsrats]

Aaravos, Leola, and the Entire History of Human Magic: Revisited

So I last dumped on this topic right after s5 released, and came up with a rough series of conclusions that were largely correct, as far as interpreting what information we had been given so far. Now that s6 has dumped some new delicious and crunchy twists into the mix, let's take another look.

The Unicorn's Gift

Going into s6, we had 2.5 accounts of the gifting of primal magic to humans: the Book One: Moon novelization, Tales of Xadia, and Ripples. In Book One: Moon, and Tales of Xadia, we learn that humans received primal magic from the/a most selfless and compassionate unicorn(s), against the advice of the elves.

Unicorns were always the most selfless of the Xadian beings. There came a time when, filled with pity, they desperately wanted to help the struggling humans. After all, it was not the humans' choice to have been born without magic. But the First Elves were wary. They warned the unicorns that kindness was not always returned with kindness; it would be a mistake to trust the species. After all, if humans were supposed to use magic, they would have been born with it.

— Book One: Moon

One heart took pity on the plight of humanity. A unicorn, unique among her own rare kind, saw the strength and ingenuity of the human spirit where others saw weakness and beastly ignorance. Her name was Leola. While elves warned that if humans were meant to wield magic they would have been born with it, she gifted the wisest humans with secrets: the language of the dragons and the runes that shaped spells.

— Tales of Xadia

What's interesting is how inaccurate both of these stories have turned out to be. We also don't even actually know whose stories these are. By the time of the series events, it's no longer even remembered that humans had primal magic, aside from primal stones. It's a truth forgotten on the human side, and either similarly forgotten or deliberately suppressed in Xadia. Despite the brightest, most constant star in the sky still retaining the name "Leola's Last Wish," neither Callum nor Rayla know who Leola was.

Ripples obliquely acknowledges the vagueness and changing nature of these stories, opening with:

Like all the oldest tales, time has bent its shape and blurred its color. It is a fable whispered on some tongues and shouted on others. While one may say it ends with a sunrise, another will insist it ends at nightfall.

— Ripples

So rather than directly telling the story of humanity's acquisition of primal magic, Ripples deals with the aftermath. We learn that humanity had been, implicitly or explicitly, forbidden primal magic, and in the wake of them receiving it, a star fell.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. And so there came a calamity.

— Ripples

The story told in Ripples turns out to be the most accurate, based on what we have learned from s6. Humans acquired primal magic, and a star was cast from the sky. (A tiny star, if you want extra emotions.) It makes no mention of how humans learned primal magic, only that they did, and—unlike the other stories, where the elves caution against giving magic to humans but take no other action—the are hunted by monsters for it.

Elarion, fading bloom, afraid to wilt and dim and die, she searched the dark for but a spark and caught the dragons’ hungry eye.

— Midnight Star

Hmmmm.

The Order of the Stars

One of the main things, possibly the main thing, we learned from s6 is that we were given a glimpse of the stars as the god-like authorities that have been hinted at in a lot of Aaravos-related side content. It's not a good look. (It never was.)

It tells us succinctly why primal magic was forbidden to humans: in the timeless gaze of the stars, humans acquiring magic dooms the universe.

(Of course, it is the attempt at averting prophesied doom that actually brings it to pass, but that's just standard stuff. For all their omniscience, the stars apparently still lack genre-awareness.)

This "cosmic order" is likely what the stars have built that Aaravos seeks to destroy:

I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand.

— Ripples

And when everything they have built lies shattered, I will savor their fall from the sky.

— Patience

Snitches Get Stitches, Even Dragons

The other major curve ball s6 has thrown into the story as we understood it is the involvement of the archdragons, Sol Regem in particular. According to Aaravos, the testimony of a young Sol Regem is the only evidence against Leola.

At the time, Aaravos seems to take this at face value, and argues that anything Leola may have done was out of love for humans and the world, not defiance of the cosmic order. Maybe this is because Sol Regem/Anak Arao is an archdragon of the Sun, the primal source known for the light of truth.

I, however, have to wonder if he was lying. Taking a look at Ripples, again:

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain.

— Ripples

Apparently, the first primal source humans accessed was the Sun. It could just be that Anak Arao was a rules-obsessed hall monitor and... but what if it wasn't Leola who gave humans that secret? We don't even see Leola doing any magic of the kind she's credited with giving humans—no runes, no spells of any specific primal. If someone did teach humans the runes and Draconic words for primal magic, it seems unlikely to have been her.

But as heir to some kind of position of authority, could it have been partially Anak Arao's responsibility to keep his primal source out of human hands? Was it maybe stolen out from under his nose, and he sought to shift the punishment away from himself? (And boy, would it sure be a real uno-reverse to have this story loop all the way back around to a literal theft of fire for humanity.) Or could it have been lost/given to humans by someone he wanted to protect from the same cosmic justice?

Hmmmm.

There have been hints about a larger human/dragon conflict in the past, most notably the Midnight Star poem. In a hiatus-era interview, Aaron Ehasz describes an early version of the setting as being essentially humans/unicorns vs. dragons/elves. The low-key emphasis on humans and dragons in opposition that we get from some of these materials is a) interestingly not mentioned in either of the "unicorns gave primal magic to humans" stories, and b) not actually what we see as the primary conflict in the setting, outside of Sol Regem's personal grudge.

It gets especially weird because, like... there's no reason to think all the other archdragons we're aware of (except Zym) weren't there, too. Sol Regem is cast as a bit older, but not "of an entirely different generation from the other archdragons"-older. So like, you'd think Zubeia would remember, at minimum, that primal magic was forbidden to humans by the cosmic order. Maybe, given the implied departure/loss of interest by the stars, no one cares anymore? Maybe dark magic was considered a much more serious issue, as far as perversions of the natural order are concerned. Or I guess it's possible that there was some special relationship between the stars and the line of the archdragon Sun King, and the other archdragons weren't privy to the machinations going on in the heavens.

Basically, there's been a big new mystery introduced as to the geopolitics of Xadia and the heavens in the distant past, in addition to Aaravos's personal relationships with all the archdragons.

Book and Key

So overall, I don't actually know what to make of this:

But I have a couple wild theories to put forth.

First of all, Aaravos has been referred to as "archmage of all six primal sources," and this is reflected in the pre-s6 promo art series featuring the book and key.

But, interestingly, we also see in s6 that in order to truly commune with the heavens, the Celestial elves have to remove themselves from the influence of the other primal sources, specifically the Sun and Moon.

So, as powerful as they are, I think maybe Startouch elves don't have automatic access to the other primal sources. Maybe not even the magic of the Star primal, as it exists harnessed by rune spells. The book is probably how Aaravos himself built connections to primal magic while in Xadia.

(This would mean that the reason it was at all believable for Leola to give the secrets of primal magic to humans is because Aaravos was exploring those secrets—something it could be that the stars resented?)

Anyway this could also connect up with any number of wild theories about the nature of primal magic or primal elves, though we see a Moonshadow elf among Leola's friends so it seems primal elves are already present at this point. Being me, if Aaravos and Leola's home was actually in what is now Duren, I at least personally want to believe that he was seeding the frontier with magic.

Anyway, as always: some answers, and even more questions. Catch y'all later when the post-release interviews and Q&As inevitably make everything even weirder.