#but i still feel this for other characters i don't post as much

[apocalypticvalraven]

So, I came to find this post from a sorta weird inflection point. Skip to "And this is the crux" if you don't want my rambling prelude.

I'm looking at building a new D&D character, and decided I wanted to do something different from my usual "Warlock, bending the rules over my knee as much as possible" approach. I started by picking an archetype, or rather, an Archetype feat(1), specifically "Anti-Communist Machine" but refluffed to be pro-communist, cuz... I'm pro-communist and I don't like playing characters who are counter to my principles (and the feat doesn't actually rely in any way on a relation between ideologies). It requires you to play a construct.

That's cool. I started looking at construct races, and found one or two that are about being a construct that represents an idealized form of the creator's species, which led my AuDHD brain to think "Character that looks like "what if soviet propaganda, but by goblins. Or lizardfolk, or whatever." Which is a fun thought. I think, anyway.

It meant trying to research that particular artistic style, to get a feel for it, and therefore, how it might depict its subjects if it was made by a fantasy race.

The thing about Socialist Realism... well, there are two things. The first is that it is a reaction to and builds upon other artistic styles. The second is... well, there's a reason why Soviet and Nazi propaganda have similar visual aesthetic styles. Socialist Realism is, first and foremost, a Realism based style. Which I don't think is inherently a bad thing. Which is why I kinda just said "...um, ok, whatever" when I first saw explainslowly's response above and moved on.

But as I started sketching out "Socialist Realist Statue Goblin," I realized that... well, Socialist Realist Goblin would be incredibly generic. Like... that's sort of the point of socialist realism, or rather, the overarching term that encompasses both the Soviet and Nazi visual aesthetics, Heroic Realism. The idea being to present the artist('s sponsor)'s chosen demographic in an idealized, perfect, form. And the thing about "Perfect Forms" is that... if you diverge at all from the template, it's no longer the Perfect Form. Like, to take it out of direct political ideologies for a moment, if you decide that Arnold Schwarzenegger's body is the Ideal Perfect Form, then even a perfect replica who happens to be blond instead of brunette is no longer Perfect. By definition. So, Socialist/Heroic Realism Goblin would have to be The Platonic Ideal of a Goblin. Which means you have to figure out what goblins would see as their idealized form in light of their standards of beauty. But also, if you step away from "Muscular, thin, young, and chiseled" then it's no longer recognizable as Socialist Realism. Which means that you have to focus on the things that mark a goblin as visually distinct from a human. Which means leaning into, well, creating what would look like a an antisemitic caricature, except as done by someone who thought the antisemitic caricature was the ideal form. Which... is weird. A kind of an interesting thought exercise, but as a catholic-raised, considered-white-in-America, never-been-Jewish artist... it's not one I personally want to explore.

But, ok, so let's say you want to take the thoughts and ideas that gave rise to Heroic Realism, and then apply that to goblins. You still have to figure out what goblins would see as the physical ideal, and what they would see as "degenerate/bourgeois."

And this is the crux.

While the Soviets did not frame things as "degenerate," their artistic ideas come from the same place as Hitler, the idea that anything which strays from visual realism is bad and harmful to society, except that realism must always depict the decreed perfect form. It is the idea that impressionism is evidence of a diseased visual cortex. It is the idea that only someone who is physically and mentally degenerate could produce art that isn't the decreed style.

I don't necessarily think the Chobani ad is trying to do this kind of propaganda. It's more focused on "a sustainable, ecofriendly future includes our products." Which is of course a laughable and in its own way bad thing to peddle. That said, I think realism is perfectly fine as an artistic style. But I get why explainslowly sees the ad and its artistic style, whether with the corporate elements, or those elements removed, is promoting a pernicious ideology beyond "buy our stuff." It's leaning into artistic tropes which have been used to that pernicious end in the past.

...which... I guess is the same problem some people have with goblins. Huh.

-------

1 a feat category on dnd-wiki for feats that describe who your character is and give scaling benefits as they level up

[exocynraku]

I like to say that I absolutely adore how you design your feline characters and make them very unique. You’re my favorite warrior cat artist because of it! How do you go about designing your characters?

halloo... thank you! this ones a bit harder for me to explain, but i'll try! i'm going to specifically talk about cats, but these could be used for other types of characters, mostly furries. note: um, guess who talks too much! i had to split this post into four. so check the reblogs! 1. placing markings with PURPOSE (this is the big one!!!) it was only recently i finally managed to find a way to word this. to create a good design, you need to understand how to place markings with purpose. to me, there are two components to this: spacing/size and body wrapping. body wrapping first. this is how the markings on a cat's pelt wrap and contort around their body. bodies are not flat surfaces, they have plenty of curves, ridges, etc, which will alter the shape of markings placed on top of them. the markings on your character both needs to contort to the shape of the body part AND how it would look from the viewer's perspective. here's some examples;

in the first picture, you can see how i wrap the markings around the cylindrical shape of the leg. in the second picture, you can see both that i've wrapped the markings around the shape of the arm and belly, but likely also that the marking i've specifically highlighted on the arm is being smushed because of the bending of the arm. this leads to a better design, as when you look at it, i feels more natural than if you were to plaster markings over the cat in a straight line. here's a real-life example.

you can see how the markings curve around the body, though i find it's sometimes less pronounced as i would portray it in art. but it's there. sizing and spacing are second. these are less realistic aspects, as cat markings tend to be very random, however it art it leads to a cleaner, more readable & desirable design. sizing and spacing also have a lot to do with consistency. it's also... a little hard to show. i don't find myself messing it up in old pieces, and the designs i do know of which do this are... from strangers. who i would feel bad throwing under the bus for having designs i don't like LMFAO. but i can do my best to describe them. the size of your markings should stay relatively consistent throughout your design. what i mean by this is if you have large, thick stripes along your whole character's body, i wouldn't recommended adding one random thin, pinstripe-y stripe on your characters body. if you want to give them thin and thick stripes, then you need to have BOTH consistently throughout the body. or, give it a balance. thick stripes on the body, neck and tail, and thinner stripes on the face and legs, for example. very, very small markings are GOING to go unseen by you or others drawing the design, i absolutely guarantee it. similarly, the spacing of your markings should stay relatively consistent. for me this mostly occurs in tabby cats. if i draw, for example, the character's body stripes a certain distance apart, i'm not going to suddenly change that distance on another part of their body, such as their legs. the main issues i find with sizing and spacing is when people have issues with BOTH of them at the same time. random markings everywhere with all sorts of sizes and shapes and spacing will make your design cluttered, unreadable and unappealing. even on characters you'd think would be exceptions to this, such as randomly spotted characters/tortoiseshells, i still think about. how can i place these spots or patches in a way that will properly define the markings, making it easy to understand? how can i place spots to not make them too cluttered in certain area? etc. it's definitely a bit hard to explain, especially without visuals, but i tried lol (SOBS) (see reblogs for CONT.)

[darkficsyouneveraskedfor]

compos mentis 8

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, chronic health issues, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: After a long court case, your mother stays attached to her lawyer, bringing even more contention into your life.

Characters: Andy Barber

Note: my head is fucked

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

Andy brings you breakfast in bed. You can't help but feel the guilt rippling off him. All of this is penance on his part. 

It's as close to vindication as you'll get. You're mother would never admit what she did, let alone apologise. That's when you see her again. You're not so sure you ever want to. 

The world is distant. It doesn't feel quite real. It's like a dream. The edges aren't quite sharp enough and the colours are cloudy. 

You look down at the plate and your stomach grumbles out of basic need. You don't have much appetite but your biology is at a constant battle with your mind. You shouldn't be able to breathe but you are, you should take your meds but you don't feel all that different.  

A poached egg, whole wheat toast, turkey bacons, and thick greek yogurt with fruit. It's all very healthy but a bit more than you would eat, when you feel up to it. Your breakfasts are a hard-boiled egg or a small cup of hot oats and milk. 

"I hope it's okay," he hovers at the foot of the bed. He's dressed already. You're less than put together. You're still groggy from a grief-laden sleep and the hangover of the bitter revelation. You wear his borrowed shirt and gym shorts, your messy hair untamed despite your efforts.  

"I called in to the office. I don't think I could focus of I tried," he explains. "And there's too much to be done here." 

"There is?" You nibble the toast. 

You'd hoped for some time alone. Not to think, just to be. You're still lost in all of this. The anger, the hurt, the regret, the confusion, and shame... 

"Sweetie, you don't have any clothes. I have a spare toothbrush for you but it's a travel one from a hotel. And you'll need everything else, right? Soaps and whatever." 

"Oh, I... I don't... my mom has all my money..." you utter and deflate again. You put down the toast. Your stomach is roaring but you just want to puke again.  

"I'll deal with that. Don't worry. She's not as clever as she thinks." He puts his hands on his hips. He does that when he's upset. He used to argue with your mom and stand like that. "Please, eat. Your clothes should be dry soon." 

"My clothes?" 

"I threw them in the wash for you--" his sentence is punctured by the doorbell. His jaw ticks. "I'll deal with that. Probably Mrs. Potter trying to give me more casserole." 

He leaves and you put your focus on the plate. You shouldn't just eat because you're hungry, you should eat because he went to all this effort. You pick up a slice of toast and break through the soft yolk. 

You eat deliberately. Chewing slowly, methodically. A shrill yowl tightens your throat around a swallow. You know that shriek. 

You carefully slide the tray forward and balance it on the legs as you angle out from beneath. You go to the window and try to see past the eaves and awning. You can't. Only the police cruiser and a familiar car... 

You listen. The noise wafts in from the bedroom door. You follow it and peer down at the front door. It's muffled but clearly coming from the porch. 

You twist the handle nervously and open the door a crack. You can't see past Andy as he stands staunchly on the mat, arms crossed. You glance an officer's belt with the radio attached and your mother's snarl lashes you like a barb. 

"He has my daughter. She's sick--" 

"She's an adult," Andy insists. "I'm not holding her against her will." 

"She can't-- I am her legal guardian. She can't be here on free will, genius." 

"Ma'am," a stern female voice warns. "Sir, where is the daughter?" 

"She's sleeping." He lies. 

You let the door fall inward. You don't want to be in trouble. No one seems to notice. You stall and shiver on the threshold. It isn't cold, you're just scared. 

You make yourself step out. There's not much room. As Andy stands like a wall. You peek around him. 

"Hi," you murmur. 

"My baby," your mother throws her hands up and comes forward. Andy moves to block her. "You can't keep me from my girl-- where is her oxygen? Officers, she needs air!" 

“No, I don’t,” you say, quiet but firm. 

Your mother flinches but doesn’t relent, “he’s manipulated her. I can call the doctor right now and you’ll see. She hasn’t been without her tank in years. She could die--” 

“That’s not true,” you murmur. 

“Ma’am,” the female officer warns. “Let her speak.” 

You look around with wide eyes, taking in the full scene. Andy stands just behind you, you can hear him exhale. A male officer is on the other side of your mother. You open your mouth then shut it. 

“Sweetie,” your mother reaches for you and you shy away. 

“Alright, Jackson, you stay here, I’m going to talk to her. Alone,” the female officer says. She reaches out and waves you to her delicately. “You wanna come with me? We can talk. Just you and me.” 

You gulp and look at Andy. His blue eyes blaze as he meets your gaze. He dips his chin slightly. You turn back and nod. As you cross the porch, your mother tries to latch onto you. The other officer, Jackson, pulls her back. 

You sidle past her and follow the woman. She takes you to the curb. You look down at your bare feet then at her. 

“I’m Officer Patel. What’s your name?” She asks. 

You answer and she shifts so you can’t see the house. “Me and my partner came because we got a call about a possible abduction. We’re just here to hear the full story. What’s going on here?” 

You rub your neck and fidget. You can’t tell her the truth. Not the full truth. You can’t tell her your mom lied to you. Not even that she hit you. You don’t want to go back to court. You don’t want to tell everyone how stupid and pathetic you are. 

“I’m here.... because I want to be,” you shrug. 

“Your mother says there was an argument.” 

You chew your lip, “she couldn’t find her pills. She left. I don't know... I don’t know why she came back.” Your chin trembles and you clasp your hands on your shirt hem. You sway back and forth. “She doesn’t love me.” 

You hang your head. That’s it. What you always knew deep down. What’s so clear now that she’s ground you into dust. You’re nothing to her so she made you into nothing at all. 

“She’s your mom, I’m sure you two will work this out. Me and my partner are just making sure you’re safe. We were told that man is keeping you here without consent.” 

You flinch and shake your head furiously. You wave your hands, “no, no. Andy... Andy helped me and... I shouldn’t be here because... because... because I’m a loser and.... my mom... my mom...” you stutter. “She doesn’t want me.” 

“She says you’re sick? You need oxygen?” She prompts. 

You twiddle your fingers. “No, not really. Not... all the time. I can breathe, see?” 

She watches you, “right. How old are you, miss?” 

“Twenty-four.” 

She nods. “You’re not a minor?” 

“No,” you blurt out. Many assume as much, especially with you always hiding behind your mom. “No, I’m an... adult.” 

“Do you want to press charges against anyone?” 

“Charges? For what?” You wonder. 

She sighs. “You’re free to go. You’re grown up and you can make your own choices without mom.” She tuts and turns to look across the lawn, “Jackson, come on.” 

You peer over. Andy stands, arms crossed, staring at you. Your mother rears like a snake, muttering under her breath. You head back up the walk and Officer Patel speaks again. 

“You have to leave, Ma’am.” 

You stop and peek over your shoulder. Patel points to your mother, “we will escort you if need be.” 

Jackson looks at her. She snarls and stomps her foot, “oh don’t you even think of touching me.” She huffs and storms past him. She comes down the steps and you think for an instant, she might push you. She stops beside you. “I took care of you, sweetie. Do you think he will for long? After he figures out what you are?” 

She continues past you. You continue up the paved squares and past Officer Jackson as he follows. As you come up to the steps, you hear the engines turn over. You’re suddenly very tired. 

“Andy,” you drag your feet over the mat. “I want to lay down.” 

“Alright, honey. We’ll sort everything out later,” he turns and stretches his arm across the door frame as you enter.  

He shuts the door as you stagger on, eyes hazy with tears. Your own mother despises you. She’s right about him too. He’ll hate you one day but you don’t know what to do to change any of this. 

💙

Andy makes you finish breakfast before you lay down. He’s right. It’s good for you to eat and you haven’t been doing a lot of that. 

You lay down for an hour before you sense him getting restless. You can hear him downstairs. You can’t be lazy. You don’t have any excuses anymore. You’re not sick, just weak. 

You make yourself get up and venture downstairs. He’s in the kitchen, flicking through his phone as it rests on the counter. You clear your throat and wring your hands as you enter. 

“I’m sorry. I was upset. It’s really stupid but sometimes I just... can’t do anything. Even if I try. I’m sorry, Andy. I’m... so sorry.” 

He faces you and his face contorts in a spectrum of emotion, “oh, honey, you don’t need to be sorry. I put your clothes on the couch for you. Just waiting. Take your time.” 

“Waiting for me,” you frown and look at the floor. “My mom lied. A lot. But I don’t think she was wrong about everything.” 

“What do you mean?” He shifts closer. 

You shrug, “me. I’m... I’m useless.” 

“No,” his voice hardens. “No, take it back.” 

“What?” You pout and bat your eyes as you peek up at him. 

“You’re not going to talk about yourself like that. Not with me. So take it back.” 

“Oh, I’m sorry--” 

“Apologise to yourself,” he insists staunchly. “Honey, don’t let her control you. She’s gone.” 

“But... but...” 

“You’re adjusting. I understand that. I’m not expecting you to be okay right now. Be patient with yourself. Be patient with me. We’re both... figuring this out.” 

You nod and your lips twitch. You could cry. 

“Thanks, er, I’ll... change then. Um, Andy... are we going somewhere?” 

“Sure, sweetheart. I mentioned earlier, didn’t I? About clothes? I tried to get the officers to agree to an escort to go to your mom’s but you saw her. She’s not in her right mind,” he explains. 

“Yeah, that makes sense,” you flutter your fingers nervously and he looks down at them. You clasp them over your chest to make them stop. “I’ll hurry up then.” 

You turn and scurry out. You go into the front room and grab the neatly folded clothes. He keeps everything so tidy and in its place. You go to the bathroom and set it on the counter. 

As you take your panties from between the jeans and tee shirt, you hesitate. It’s a bit embarrassing to think of him washing your underwear. You could’ve done it if he showed you where the machines are. 

You shrug it off. You’re just happy he helped. It’s a nice feeling when people do things for you. 

You change and bring out the borrowed clothes. Andy is still in the kitchen. You stand in the doorway. 

“Where do I put these?” You ask. 

He pops his head up and tucks away his phone, “oh, I can take care of them.” 

“Thanks, Andy, but uh, could I see? I’d like to know where everything is so I can help.” 

“Help?” He approaches and takes the clothes, his hands brushing over yours. “With what?” 

“I don’t know, everything?” You say. “You helped me so much and I want to do the same. I want to be useful. I want to be... better.” 

The tension leaves his shoulder and he smiles. “Alright, sure, that’s nice of you.” He goes to step past you then stops. “Sweetheart, you know, your mom is wrong. About everything. You’re an amazing girl. Really, you’re wonderful. And today, I want you to try as much as you can to forget. I want you to feel good about you, because you should. Because you deserve it.” 

You swallow and bounce nervously on your feet, “Andy, you’re so nice.” 

“I’m just being honest. Should’ve tried that a lot sooner,” he says. 

[iscdisc]

Little bit of a 2012 rant / tangent with this one- LMAO

I genuinely loathe the writers of this show painting Za-Naron (The Aeon that was housed inside of the crystal that April was given during Season 4-) as this "evil entity" or "evil being" when I genuinely disagree-??

It makes me sad because I feel like Za-Naron was more of a victim than the show acknowledges? My biggest reason for thinking this is because of the fact that things seemed fine / copesthetic with Za-Naron while April was still in Space. I also think it helped that they didn't stay in one place / planet for too long during the Space Arc, which could have also prevented any corruption with Za-Naron during that timeframe. But then when April returns to Earth, of course she's going to stay there permanently / for a WAY longer amount of time because that's her home. The show even states that Earth (More specifically humanity-) was the sole cause of Za-Naron's deterioration (From basically, "City At War" to "The Power Inside Her"-). Za-Naron couldn't just leave, you know-?? She was essentially powerless and helpless during this time, and was ultimately forced to be corrupted,,

I'm not saying that this was entirely April's fault, because it's not like April can control the fact that Aeons are kind of fragile to environments that don't necessarily benefit them- But I do think her attachment to the Aeon crystal and the fact that she enjoyed the power boost that she got from Za-Naron's power did play a significant part in Za-Naron's downward spiral,,

I also wish April wasn't painted as such a victim in this entire situation, personally-?? I know a lot of people like to point out that Za-Naron's corruption was the biggest reason as to why April was acting "out of character", but personally I disagree for two reasons. One, we've seen April have shitty moments before the Aeon crystal was given to her in Season 4 (Not that the show necessarily likes to acknowledge them as bad moments from her- 🙄). So it's not like she's entirely innocent or incapable of having these types of reactions / bad attitudes, not to mention the fact that it rarely gets addressed by her friends at all (And if we're being speculative I personally think she knows that they don't call her out on anything-?? That's why I personally think it was so easy for her to keep the crystal despite everyone pretty much acknowledging that it was bad for her, because when she tells them to leave her alone, they actually listen. But let this be any other character than April and they would've forcefully taken that crystal away post haste, dude. 💀). And two, April's still human at the end of the day- I feel like she should've been allowed to be an asshole and it not be because of some outside influence-? I think this would have been a great way to stray away from this "perfect / flawless" persona that they like to associate with her character so badly. April should be allowed to have moments where she acts out and does things that are messed up simply because she's having an immature moment / she's clearly still is growing as a person. Just like everyone else.

That's what's super upsetting about this entire Aeon crystal Arc with April for me, because I feel like instead of these writers painting April as a victim (yet again) of an alien possessing her / it being a, "There was nothing she could have done- Oh no ! Poor April ! 😢" type of scenario, this Arc should have been about her having a really terrible moment as a character and growing from it / truly taking accountability and solving the issue herself. I think this should have been about her feeling weak and growing attached to the power and competence she gained from Za-Naron / Za-Naron's power. This would have made sense?? Not only could this have been a good callback to April during Season 2 when she was expressing frustration with the Turtles always helping her during combat (i.e. "The Kraang Conspiracy"-), but we also had this issue be revisited in the same Season with "City At War" and her feeling incompetent / not where she wants to be yet again (Which "City At War" this is a whole other can of worms, because I hate this episode too. They could have done so many things differently, and I don't know why they chose to do this episode the way that they did- 💀).

I guess to summarize, I think April should've properly owned up to the fact that she did mess up as well in this situation (Because I know Za-Naron was not entirely innocent and her way of thinking wasn't okay, but I'm not surprised by that given that she's an ancient alien species and probably has a very straightforward / tunnel vision kind of logic-) and Za-Naron maybe should have been sent back to Space / her home planet to recover from such a traumatic incident. Or something. 👍 Lmao

[endykelopaedia]

This does still ignore that we don't have to choose one avenue or another when it comes to the intersectionality of this topic.

This post is about misandry being a bad "avenue" for sociopolitical analysis, not about "choosing one." you'd know that if you read the post.

I recognize in my experience as a latino that latina women don't experience the demonization that i do simply because of my gender.

and thats your fucking problem. First Of All you aren't even black so why are you here on my post on anti-blackness like this (and i did notice how you replaced all discussion of black people and anti-blackness with "poc" to get your nasty foot in). And second of yall YES THEY FUCKING DO. You really think being a woman of colour saves you from the racism you experience for their race in any meaningful way? You obviously a misogynist but you might actually be stupid too. Idk how long u lived as a woman or man but maybe go ask your grandma or sumn if being a woman made being latine easier. My exact problem w this misandry shit is how easily it becomes for you people to simply not think abt the women in your community and how obviously misogynistic it is to think their experiences of discrimination and violence must be softer than yours bc shes not a man. choke. moving on.

The darker you are, the more pronounced the fear surrounding you becomes, but it is also amplified by how masculine or feminine your gender expression is. I don't quite agree that "projected hypermasculinity" is the only cause of this.

i think its awesome that this non-black dude thinks he's in the position to explain colourism to me now. Also, I didn't say it was. You'd know that if you Read The Post.

for many poc, they are often in the cross hairs of white-enforced gender binaries. Many people in positions of power [even other poc] will use gender as a violent means to police us, often seeking to turn our own expression of gender against us.

you ever notice how in turning our gender expressions against us, there might be a pattern of projecting violence and aggression (traditionally masculine traits often praised in non-black people), that isnt actually there? This is masculinisation. This is racism. You'd know that, if you read. the post.

This intersection is important to acknowledge and I think very overlooked when poc trans macs like myself have been begging people to listen to us.

Ok. I'm a black i mean poc transmasc. Listen To Me! you are actively talking over what im sayin and barely listening bc it challenges the validity of misandry, a word that has apparently done soooo much for you, and me too obviously, given the nature of this post that you definitely read.

Also the section on adultification is sound. But very strange claim that "black people aren't actually masculine!"

Didn't say this. In fact i also very explicitly said black i mean poc adults also experience adultification. Try reading the post again, and applying my logic that you say is so sound.

Like???????? What about those who are? I have black transmasc friends who have extremely different experiences than my black trans femme friends and I can tell you that it absolutely is about gender there.

thats crazy. you're gonna bring black i mean poc transfemmes into this when the murder statistics for black transfemmes look like this? i wonder what happened there... i thought femininity was supposed to protect femmes from racislised violence...

Everything intersects with race in these conversations of course but there are those of us who are trying to communicate more nuanced experiences.

so sick of yalls "but my unique experiences!!" whinging. fuckin grow up n read a book. you arent the main characters. there are socio-political forces above you shaping our oppression and i am talking about those! i'm not your mother!!! think abt society outside of your feelings for 5 seconds n then get back to me!!!

ALL men benefit from patriarchy just as ALL white people benefit from white supremacy just as ALL cis people benefit from cisnormativity just as ALL rich people benefit from poverty. you think you're being intersectional but you aren't! you're just absolving your ability to perpetuate or benefit from a certain system in your own mind because you too are marginalised. being a man does not create a unique intersection with your race because men, unilaterally, are not oppressed for being men, no, not even sometimes, no, not even when you're black i mean poc or gay or broke or trans. and you can still benefit from misogyny against the women who are just like you.

Masculinity does not equal power.

Yeah ok. neither does whiteness or cisness or money or nun. nothing equals power cuz anyone can be oppressed for any reason. get fucking real.

There is the similarity of not equating feminity with powerlessness.

erm actually... you're the real misogynist for noticing how women are systemically disempowered by men instead of uplifting femininity (by refusing to acknowledge that women are systemically empowered by men) I Am Very Smart.

And Finally, lets talk about these tags a mo.

"white" "american" and i am very explicitly neither white or american. easy to guess from the way i write this post. easier to confirm from looking at my god damn bio. and thats how i know you arent serious bc you really think only white americans utilise male privilege as a concept? yk the feminist you haphazardly snatched "intersectionality" from was a black woman explicitly naming the way that the misogyny she experienced from black i mean poc men and the racism she experienced from white women was rendered invisible by both groups failing to acknowledge the intersection she had of being both black and a woman? of course not. you're an idiot.

"black people are seen as hyper-masculine and face a lot of violence for it, so yes you can be oppressed for seeming or being masculine"

AHT!! lets talk! black people are not actually hyper-masculine. hyper-masculinity is a projection by people trying to justify anti-black fear and violence. it is not a true and then demonised observation about black existence. the hyperfocus on the masculinity of black people is itself racism!

when you call this issue of racism anti-masculinity or misandry or whatever, you are obfuscating the bigotry at play. ESPECIALLY given that it is overwhelmingly just white women's fear about black people's supposed hyper-masculinity that actually gets listened to & acted upon.

in addition, there are other addendums people tack onto their anti-blackness that completely cause this logic to fall apart when applied. Namely, adultification! black people, black children get adultified by white society.

We are assumed to be older & more independent, and thus less in need of the safety, care, sensitivity, accommodation one would give to a child, and this results in violence and neglect. it is directly observable in the way black children are more likely to get detention, suspended or expelled for the same behaviour as their white peers, s/a rates for black youth, and the arguments that 40 y/o cops give for brutalising & murdering black 20, 16, 12, 8 year olds who so much as breathe in their line of sight.

Given this then, following the misandry logic, we can say being recognised as older or as an adult is a form of oppression.

"black people are seen as older/more mature and face a lot of violence for it, so yes, you can be oppressed for seeming like or being an adult"

we can for the sake of this post name this oppression adultery.

i kid. but do you see the problem. being recognised as an adult is obviously, not itself a form of oppression, in fact quite the opposite, being recognised as adult can grant you a lot of privileges that children do not have.

and black kids are evidently, not adults or people who act like adults. they dont mature faster. black 18 y/os will also face the problem of adultification to justify violence against them. black maturity is not a true and then demonised observation about black existence. the form of oppression is racism, and adultification is the deployed means of enacting racism.

the means of combatting the adultification of black people would not come in creating adult positivity or "advocating" for adults or telling children not to fear adults. it comes in the form of learning about anti-blackness, unlearning anti-blackness, and actually directly combatting anti-blackness.

similarly the means of combatting the hyper-masculinisation of black people comes in the form of learning about anti-blackness, unlearning anti-blackness, and actually directly combatting anti-blackness.

Racism explains both of this phenomena far better than "misandry" ever could.

[stacygetsit]

What about the ring? It was on full display in her recent video about the SAG awards. I feel like if they really want to squelch the shipping then Nic would remove the ring? That’s what’s keeping me on the ship among other things. She moved it from “in a relationship” on her right hand to “engaged or married” on her left hand in October. If the ring does not signify a relationship with Luke then it is either just a nice piece of jewelry she likes to wear or there is someone else? Which makes no sense to me. They give us crumbs/clues then do things to make us question everything. It’s a bit annoying. Lots of games.

hey Anon,

I wanna teach you something that I do a lot when I'm confused or I'm upset with someone I have this really good habit of putting myself into their shoes. So let's put ourselves into Luke or Nic shoes. You just landed this huge role after struggling for years. Your season comes up. You know that it's your time to shine. You know that this is a make it or break it moment in your career. So you put everything you have into these scenes. You give your best performance you've ever given in your life and you're doing it with one of your closest people that you cherish. Then you go on the world tour and you are touring with your best friend somebody that you love with all your heart. But that's another six months of your life that you've given to this role. You don't see your family you don't see your friends. You don't take a vacation. You have lived for your job but you do it because it's something that you love. Now you start feeling things for your costar. And you're getting all of this new attention from all these fans and you're very unsure on how to handle it. What do I do? Do I give in and tell them everything do I pull back and not tell them a thing? What's the correct amount of information that I should give? So as you're trying to figure out this newfound attention from thousands of fans you're also trying to understand what's going on in your personal life. You have to remember you you put on hold all these other relationships in your life relationship you put in your life. You haven't seen your family. You haven't seen your friends. And these were the people that were there for you when you had nothing. But remember you fell in love. You feel things for this for your costar that you've never felt before and you don't understand what those feelings are you're being told by professionals that It might be your characters feelings. And that you should take time apart, so you attempt to do that you bring one of your friends with you to the premiere. And then you get blasted by by everyone and they were ruthless. So you pull back you don't go online as much, you don't post as much. But you're still in love. You're still trying to understand your feelings. You take some vacations. You put some distance between you like the professionals have said. But you realize that you're in love and you're happy. Now your instant reaction as you wanna tell the world. You wanna scream from the mountain tops how much they mean to you. But then you have fans showing up at your hotel rooms. Peeking in your home windows, tearing apart every single little thing that you do. Then you realize as much as you love your fans you just want the privacy to figure out what you're feeling. You want to take a little bit of your life back because you realize that the more you give the more people want. So you got this new relationship and you wanna protect it. You have already experienced people tearing you apart and you don't want people to tear your person that you're in love with apart. But your still have those same feelings of wanting to shout it to the world. And then you realize that the more you talk, the more things slip your love for this other person is so big that it just comes out without you even realizing it. This is where they're at in my opinion. They have this newfound fame. They're in love and they don't know how to deal with it. This world, even though they were both known this world is very much new to them the amount of fame Nicola has is new. People followed her to the grocery store guys. She went to her local pub and got pap. Luke can't even go into a hotel without being pap. They have to be in disguise or stay home. So in my opinion I don't think they're playing games and the ring does matter. I think they're trying to figure it out and I feel as a fan we should give them a little grace. They're trying to decide how much to give us, and if the cost they have to pay is worth it.

note: we also have to keep in mind that they have a team of people that are telling them what to do. They're getting opinions from their friends. They're getting opinions from their family. They're getting opinions from their teams and then there's what they actually wanna do. It's hard to navigate all of that.

[microwavedautism]

Okay so. I have issues with how ftm headcanons are treated in fandom.

...Before I begin, I write this with no intention of shaming trans men or transmascs or any trans people who allign with men or masculinity, you can headcanon your gender however you like after all. Everyone else who headcanons things like this though... well I won't say I'm not judging at least.

Ah.. also, please do not expect intelligent writing, I'm literally just a dude talking about my feelings towards things. I will probably word things wrong.

With that disclaimer out of the way, here I go!

I notice that near everytime a ftm headcanon gets popular, it's always a character who is in canon male. This alone is not a problem of course, the issue is, most of these guys are feminine in appearance, have flamboyant / weak / 'girly' / other 'unmasculine' traits, or both.

For example, Izuku Midoriya (Mha/bnha), who has extreme compassion and cries often (..and is often characterized in fandom as innocent, small, weak or fragile despite not being so in canon.. wonder why that is) (I want to make a post ranting about Bnha specific headcanons now...), or Leonardo (Rottmnt specifically), who is flamboyant and mostly belived to be queer.

Neither of them are exactly pictures of masculinity, are they? Yet they are the most popular ftm headcanons in their fandoms. When they are being depicted as ftm, they somehow become more feminine or more sensitive or weaker.

Not to say that anyone who IS those things is bad or anything, I would never so much as hint that someone is bad for being comfortable in their own self.

The problem is when that is the ONLY type of trans guy's being depicted (dare I say it's still a problem when it's the majority...?). If you only can handle a trans man when he looks like a woman or acts like a little girl... that's fucking weird!

I don't actually have much more to say besides that. It's just really uncomfortable to constantly have my representation be twinks and characters with non standard masculinity. I want more fat trans guys being headcannoned, more buff guys, more older guys, more literally anything except for the cookiecutter feminine guy. PLEASE.

[k-chips]

Yes. YES. I'm legitimately tearing up because you were able to perfectly describe what made me so upset and sad about the finale!

(Op, I know this post is from 2022 but bear with me, I'm late.)

The fact that I literally had the same expectations and feelings and reactions to everything as you had!

Joking about Lis and Tilda being exes, Tilda caring for Beta and wanting to help her, Sylens and Tilda mirroring each other and all the possible interactions with the GAIA gang after the game. I loved the idea of her staying with the tribes after the game, it's such a cool concept to have an "Old One" living with the new people of this new Earth. Using Apollo in the right way, teaching about ART, exploring new possibilities and, as you said op, forming new connections. (I'm still a firmer believer in the "Alva and Tilda would be besties" creed. Amen to me) They were all perfect ways to deal with her character, to make her "pay" for leaving Earth and Lis behind 1000 years ago and still not treating her as a mere "twist" antagonist (even if I was kinda expecting that since every character would talk about how untrustworthy she looked).

When you first meet her the game start by telling you how tragic her past was and so you can perfectly understand WHY she would rather fly off in space TWICE than having to live through yet another catastrophic event (first Rotterdam, then the Faro Plague and now even Nemesis) so WHY they then treat the whole thing as if she was just another selfish billionaire like Gerard and Erik?

I can accept her being obsessed with Aloy, I can see why someone with her past would develop some sort of obsessive and possessive behavior after 1000 years of guilt, solitude and apathy, especially towards what is left of the only person she felt good with but don't stop there! Go further! Explore that side of her and make her change for the better! It's such a waste to let her like that, not even a finale confrontation with Aloy before dying, like Regalla had. Show me the parallel between Tilda and Sylens, show me their funny bickering but also how they both change themselves and the other because of these fights. Show me Aloy's approach with both, show me her dealing with two different yet similar brilliant minds like theirs.

To go even deeper, it would be bad and a waste even for ELISABET's character! They had a very deep and special bond, whatever you think it as toxic from the start or not, they had the chance to make Lis' dream live on not only with Aloy, Beta and GAIA but even with her former partner. Lis' character could have helped make Tilda heal and be better even 1000 in the future, showing how strong Elisabet's legacy is.

Ok, I don't want to be delusional but there is still a little hope she's still alive in the Zenith base... you don't see her body, Aloy doesn't look for her for a finale shot or words like she always does with other enemies, they don't let you go back at the base after the finale and she still has the Far Zenith technology that could very much heal her. I mean, that little explosion can't be considered fatal but still...

I still want to believe we'll see more of her character, I don't want this to be the game that disappoint me after loving it so much like I loved the first one...

okay so gonna attempt to explain why the ending of horizon forbidden west upset me so much. i do want to say that up until the last five minutes, i loved basically everything about it. obvious spoilers beneath the cut. tldr at the end.

from the moment we heard the recording between elizabet and tilda I started joking about them being exes. even though I didn't think it would happen, I was hoping that tilda would end up switching sides because of her connection to elizabet. when that actually happened, and we were able to talk to her, from what she said about the zeniths, beta and herself, I felt like her story arc fit really well into a lot of what the game was saying about how it's not money or power or technology that matters the most, but human connection. when she talked about how the zeniths should have achieved more, and that they stagnated in vi, and that she wanted to show beta the beauty of art so her upbringing wasn't purely technical, and how alone she's been/is now, I thought that she'd end up seeing the beauty of this world and forging connections with aloy and the others. sure she talked about wanting to educate people with apollo, but imo that came from wanting to see elizabets dream fulfilled, and not having had enough time yet to see that the world as it is now is still beautiful, even though it's different. I thought that through talking to aloy and beta and gaia, tilda would come to see that this world was still something elizabet would be proud of, and that it's worth protecting.

even though I joked about elizabet and tilda being exes, and even though those vibes were really strong when we saw her art collection, I never actually expected them to go there. so when tilda confirmed that they were together, I completely lost my mind. the fact that they were canon, that it's canon that the woman who saved the world was gay, was just!! so much for me. I felt like it added a new layer to her character arc too, because it suddenly became that she was motivated by love to help aloy and save the world. it seemed like that had been her motivation for talking to beta too, that she'd tried to be almost parental to her.

so I thought tilda was a character that represented someone who had what some others in the game thought was important (power, immortality, knowledge), but who actually wanted human connection, to see the beauty of the world, who was motivated by love to do the right thing and help save the world, and who would come to love it herself.

except then ? the game does a full 180 and makes her the final boss fight, and she dies. and honestly, it did feel like a 180 on her character simply because of where I thought her character was going. she repeatedly said that she regretted leaving earth, and that she should've done more to save it. sure, nemesis is a threat that seems unbeatable, but since it's basically the faro plague 2.0, shouldn't that be a chance for tilda to do what she wanted to do , and stay to help despite the odds? but okay, say they needed her to be the final boss, her not wanting to take beta, and suddenly not seeing beta as a worth anything, and suddenly seeming obsessed with aloy , and us having no choice but to kill her was so?? awful to me?

given what nemesis is and where it came from, I was expecting that after the boss fight we'd be able to spare tilda, and that we'd keep her locked up and that she'd help us throughout the next game. that gradually through talking to gaia and aloy, she'd see that this earth is worth fighting for, even if the odds are terrible. if she had to be the final boss fight, I would've been okay with it if it had been tilda wanting to take aloy and beta, both elizabets 'children', without it being a weird obsession, but that after the fight she lives and we spare her so that she can help us with nemesis, and ends up being 'rehabilitated' or properly redeemed etc.

except there's no chance to spare her, and the game kills her. the game makes me kill her. and honestly, I'd partly expected her to die, but I'd thought that she'd die protecting aloy or beta. I'd actually expected her to sacrifice herself for beta to mirror rost's sacrifice for aloy, after aloy and beta had that discussion and tilda wanting to get beta back was a thing. and I would've been okay with that. it would've been okay for me, because it would've been tilda dying to protect her ex's 'child' who she loves, because that connection is more important.

except it's none of that. instead we get tilda wanting to kidnap aloy and gaia and run away, despite everything shes said, and the way she talks during the boss fight shows a weird obsession. to me, she went from being a lesbian motivated by love and grief to do the right thing, to an evil crazy low-key predatory lesbian, which I hate.

and it's only exacerbated by the ending with sylens. I thought that sylens and tilda were opposing mirrors of each other. tilda comes from knowledge and power, but craves human connection and the beauty and warmth of art. I thought her character would 'come down' to join aloy, and become grounded on earth by forming those relationships and wanting to protect the world after seeing it's beauty and value as elizabets dream. sylens meanwhile comes from this world, but craves knowledge and power and hates the 'primitive tribes' and sees himself as above all of them. I thought that as tilda 'came down' he'd 'go up' by taking the shuttle and going on that quest for knowledge he wants so badly. except instead, he has a change of heart and decides to stay which just seemed so unearned and unexpected to me? right up until that last conversation with aloy, he's still as scornful of her and the earth as he's always been. maybe I could see him going off to space, having second thoughts after spending time alone, and coming back, but in the moment it just feels wrong, especially when I felt like he and tilda were meant to be mirroring each other.

and maybe tilda being the final boss was obvious to others, and I was just blinded by being so ecstatic that she was canonically in a relationship with elizabet. but honestly, her being gay is, in the end, why I was so upset. if she hadnt canonically been with elizabet, and it'd been a headcanon, I'd still be bothered by the end of her story, but it wouldn't have upset me as much. because confirming her as being gay before the boss fight made it a tragic love story that ends up saving the world. confirming her being gay and then making her the final boss that dies makes it seem like her love was toxic. I've already seen people say that maybe she's lying about being with elizabet, and that the love was an unrequited obsession.

it's just. I went from being so happy and excited that she and elizabet were together, to being devastated by the last five minutes. I went from feeling like a game had never fed me so well, to feeling complete whiplash. I went from oh a canon gay ! to having to kill her. I was thinking about the potentials of after the game, like scenes with tilda and the companions, like her painting and adding colour to the base for kotallo, getting back to nature with zo, answering alva's questions, spending time exploring the world with beta and aloy, bonding with gaia over sharing stories about elizabet, starting a relationship because she's an immortal and gaia's an ai and they'll never have to be alone. and now, I haven't touched the game since, and it sucks because I loved it so much.

tldr: went from being ecstatic that tilda was with elizabet canonically and seemed to tie in with the characters as someone who craved human connection over knowledge and technology, to being extremely upset when she turned out to fit the evil predatory lesbian trope, and then we had to kill her.

[paladinsbrainrot]

hello just wanted to say I think you’re really cool and I love your art!! I also LOVE romike too, super excited for their dynamic in s5

I’d love to hear your thoughts on them and if you have any predictions/theories/things you’d like to see with them next season :]

OHHHHH MY GOD thank you this is such an amazing question !!!! so sorry it took me so long to answer however i have very many Thoughts™

the idea of robin and mike being friends is soooo dear to me you don't even understand. romike has been on my mind since before s4 even came out #Tbh I just think that they are so similar and tethered and it's just so shocking that they haven't properly interacted yet!!!

obviously I think romike first came to fruition through the idea that robin would act like a gay mentor to mike and kind of guide him to realize his feelings for will, but they're so much more than this mentor/mentee relationship. not only would it be an interesting dynamic to explore as they have barely interacted, but they are literally both Anxiety As A Person and their personalities would compliment each other so well. mike's reluctance to open up to people & robin's willingness to ramble to anyone she meets? sign me up. both are bottling up their emotions in totally different ways. i would live for them awkwardly bumping into each other and mike finding her annoying at first but then realizing she is literally his carbon copy and that they are so much more alike than he first thought. (I would argue that they are literally madwheeler 2.0 sans the bitchiness.) them both bonding over the fact that they have trouble expressing their emotions and that they feel like outsiders????? them both realizing they are stuck in the same boat and using each other as an outlet to open up (+ it would be way easier for them to talk about these things because they aren't super close)????? hEllooooo duffers Are u seeing this?????? their dynamic would be so interesting if they don't write it I'm going to have to do it myself.

as for general predictions/theories..... oh boy I have Lots!!!!

I think that the writers are leaning more towards a rowill focus than a romike one this season so I don't think we will see as much as them as I would hope for. BUT this post gives me the idea that we will get a bunch of romikewill scenes on the farm with maybe a dash of one-on-one romike content sprinkled in there for the wellbeing of the people (the people being me and the other two romike fans on this app). as much as I love romike I think will and robin are the characters who Need to talk to each other the most because they're both still closeted. though as I said before I pray that the duffers will realize the potential that romike has as well 🙏

so I've basically done a whole lot of rambling and haven't even answered your question so I'm just gonna get straight to what I want for them this szn if this were my perfect world 🎉

I have this one recurring dream that mainly only exists because of a fic I wrote an extremely long time ago but basicalllyyy the essence of it was that mike and el were in this weird phase in their relationship where they were distant, awkward, and were almost uncomfortable around each other? so mike, incredibly frustrated and fed up with this, starts acting moody and withdrawn from everyone else. also bc this is s5 lets just add the fact that his sister is missing, he just got beat up by the school bullies, and maybe he and will got into the painting fight or something. so just imagine mike being almost reclusive and reserved on the farm set. maybe robin notices his lack of exuberance (that's probably not the right word but whatever) and decides to take matters into her own hands. she asks what his deal is and if he's doing all right with everything going on. mike pretends he's super annoyed by her because of all the questions she asks him but maybe she makes some offhand remark about how they're stuck on this stupid farm and it'll only get worse if he keeps acting like this. (and also, they have bigger issues to worry about!) so mike, quickly realizing that robin is literally the only person on this farm that is there for him to talk to, opens up to her a little reluctantly about everything going on with him. it's important that this is a slow process and that he doesn't dump everything on her at once. maybe he says that he doesn't know what he's doing with his and el's relationship and how will's not talking to him and that he feels he keeps screwing things up with the people he cares about the most. insert moment of robin being robin and clearing up the air, relieving the tension off mike's shoulders, and also giving him some very valuable advice!! obviously there's much more here to explore upon but the general gist of it is that they become much closer after this. robin learns that she can open up to mike too, about how some "person" that she's interested in is giving her mixed signals and how she is actually very scared about the end of the world but feels like she has to deflect everything with humour. they learn they are able to confide in each other and boom romike world domination!!!

I kind of what them to be like a mix of steve & robin and mike & nancy and mike & max, if that makes sense. like steve and robin's closeness, mike and nancy's worry about each other, and mike and max's bickering and (loving) malice. Idk mike is very irritable and snarky and robin is very direct and straightforward and also very tentative so I think their dynamic would just feel natural and compliment each of their personalities!!

I also think their dynamic could be veryyy beneficial to discovering the key to destroying vecna once and for all !!! these two are arguably the smartest characters on the show and work in very like minded ways. robin figured out when blue meets yellow in the west (cough) and that music is the key to getting out of vecna's mindscapes. mike has had wayyy too many clutch moments during the show that I can't mention here otherwise this post would get too long, but you get the point. putting both of their brains together might help our characters figure out how to end this battle. this script that maya hawke posted a while back that features both of mike and robin's names makes me very hopeful that this will be a possibility in s5. (potential st5 spoilers incoming ->) my current running Theory is that mike and robin discover that the military or hnl (is it still running in s5? idk) are running experiments on kids again and use the mccorkle farm and subsequent tunnels underneath to help the kids escape. (mayhaps this is how derek ends up on the farm after being spotted with the military??? idk.)

I am trying not to get my hopes up about robin and mike being spotted at hawkins lab together (potentially with el and will too 👀) but I have a feeling that this is related to whatever was going on in the tunnels. I have No Clue about what is going down at hawkins lab but one can only hope that they are there because the gang realized they needed two of the smartest people as well as the two strongest/most powerful to figure out the situation with the gates. great minds think alike or something like that!!!

this is more leaning towards romikewill territory but Idk I would just liveeeee for a scene of robin picking up on the labyrinthine circumstance that is will & mike's relationship and teasing mike about it !!! and in return I would like a Lot of mike teasing robin about vickie. I think (key word Think) vickie is on the farm with them so I need lots of scenes of robin not so subtly flirting with vickie and vickie flirting back and giggling like a maniac and mike noticing out of the corner of his eye and smiling. i want him to go up to robin later and just whisper shout that vickie is soooo into her. something similar happening with byler and robin noticing would also be very plausible. i just think it would be so sweet for mike and robin to see themselves in their friends and the people around them to help guide them towards their self-acceptance arcs, and learn that there is some hope for them after all ☹️ the only thing I don't want to see is only one of them being used just to further the romantic advances in the other's story. like I don't want the only reason robin interacts with will and mike in s5 to be to help guide byler towards e/o or for mike to do the same thing with rovickie!! it's important that they both realize that having queer friends is just as significant, and that they both are able to confide in each other about their struggles and worries, whether it's about their relationship or not.

there was also this one leak from early 2024 (another leak warning if you haven't clicked off this post already) that stated that mike and robin had a few scenes together because mike was worried about will, and robin was worried about vickie, and bonded because of this. I think this is a much more plausible way for them to start talking to each other than that scenario I mentioned earlier lol. I really hope that vickie is related to derek or the turnbows in some capacity; it would make her such less of a random character and also give robin a reason to be worried about her (and would also tie into them helping derek escape and the fact that he's on the farm with the rest of them). romike confiding in each other about the fact that they feel like they are useless/can't save the people they love AUGHHHH give it to me now . (edit: the leak is mentioned somewhere in this post you just may have to dig for it)

this post is very long and a total incoherent ramble so I am Very sorry but unfortunately I will never be normal about romike a day in my life. @willelworld (my lovely fellow romike enthusiast!) made a very great point in this post that I would like to end off with because it just sums up what is so perfect about them:

I really hope that my favourite adhd losers will be able to bond over their social incompetencies and sexualities and suppressed emotions and so much more in st5!!!! they just have such best friend material so I hope the duffers do not waste this absolute perfect opportunity to write a queerplatonic friendship ^_^

[dandylovesturtles]

a comment on the other Step-brothers AU post made me think that yeah, I didn't really get into the interpersonal relationships at play and since this is still plaguing my mind and I wanna talk about it, here's the start of what will probably end up a very long post about the family dynamics in the Step-brothers AU

this is mainly focused on the main fam + April because if I start doing all the Caseys and other side characters too I'll die

let's start with big bro Sondheim

Sondheim and Draxum: As I mentioned in the first post, Heim has a really hard time not seeing Draxum as his boss, even after their rescue. The AU Draxum never encouraged any parental/child feelings between them, so Heim just has no idea how to approach it. Initially Draxum likes this ("Why can't the rest of you be as respectful as Sondheim?"), but eventually he realizes that Heim acts like that because there's a lack of trust and intimacy in their relationship. It will really take Heim getting closer to his little brothers, and learning to open up to them, that will lead into Draxum and Heim getting closer and moving into a familial relationship.

Sondheim and Raph: Heim is initially quite intimidated by Raph, not only because Raph is bigger than him but also because Raph seems to have himself together in a way Heim simply doesn't feel like he does (even if he seems to on the outside). Heim is also a bit jealous of how easily Raph interacts with the rest of his family, while Heim feels such a wall between himself and his brothers and dad. But ultimately Raph will be a great role model for Heim, and the two of them grow quite close, as Heim is willing to go to Raph for any big-brother advice. Also, while Heim generally acts pretty sociable and well-adjusted, he's also quite macho acting, since that's what was expected of him from the rest of the soldiers. Being around Raph, who is open with displays of affection and who still loves plushies even as an older teen, is great for helping Heim move into more healthy displays of masculinity. For Raph's part, he worries sometimes that he's not going to live up as the role model Heim needs, but he doesn't really need to worry so much.

Sondheim and Leo: On the surface, these two seem to have a great relationship - the two of them can chat easily and never fight. But if you actually paid attention to their conversations, you'd realize they're quite... surface level. As both Heim and Leo are very "conceal don't feel" types, neither of them push the other to open up, and as a result their conversations stay casual and peter out before long. This leads to them feeling quite distant from each other. It will take both of them growing their emotional maturity individually before they can get over the wall between them, probably more when they're adults. But they do like each other.

Sondheim and Donnie: Years of knowing Viv did not prepare Heim for Donnie, and honestly he's kind of scared. He doesn't know what to make of him, and he knows even less what to make of everyone's tolerance for his insane behavior. An explosion in the lair and no one's even getting up from their seats? Hello?? They have some of the same problems as Heim and Leo at first, but Heim has a hidden competitive side that comes out when he's playing games, and once the two of them start playing video games and board games together, it comes out and the two of them start really having fun together. As Heim gets more open and less worried about being abandoned, he and Donnie have the sort of relationship where they will openly shittalk each other for fun.

Sondheim and Wilde: Unlike Viv and Sulley, Wilde's attempts at bullying Heim never went anywhere. Heim was never intimidated by Wilde, and he emulated the nasty attitude the rest of the soldiers had toward Wilde, until making fun of him behind his back (and sometimes to his face) became second nature. As a result, Wilde and Heim have a pretty terrible relationship at first! Heim feels open to taking care of Viv and Sulley, but come on - does he really have to be a big brother to that guy? But in contrast to how Leo can't push Heim at all, Wilde can push Heim a lot, with all his exposed nerves right on the surface, and the barely concealed rage that Heim can actually relate to. Their rocky start leads to the two of them being accidentally more open with each other, leading to a slow but steady turn around in their relationship. Eventually Heim and Wilde are as close as the OU A Team, but it takes quite a lot of work to get there.

Sondheim and Vivaldi: Heim and Viv have always had a straight forward, business-like relationship, never exchanging many words other than to pass along orders. They initially maintain a very similar relationship once they start living together as brothers, neither of them really knowing how to have a relationship that goes deeper. Both of them struggle with learning who they are as people, let alone deal with all the new family dynamics that have been thrown their way. But because their struggles are so similar, Viv ends up having an easier time talking out his frustrations with Heim. Heim is less willing to open up to Viv, feeling responsible for him as an older brother, but soon enough talking through Viv's issues turns into Heim talking through his issues, too. The two of them for a very close bond over this, each feeling like the other is the only person in the world who understands what they're going through. Viv is the brother Heim grows closest to the fastest.

Sondheim and Mikey: While Viv is the brother Heim grows closest to the fastest, Mikey is the step-brother who slips past his walls first. Heim is willing to humor Mikey early on, as a way of trying to fit in with the family, and Mikey takes full advantage of this, eagerly slipping past Heim's defenses and nestling himself right into his heart. Initially Heim doesn't quite know how to handle it, but soon he's unbearably fond of Mikey, even if he playfully protests that he isn't. It helps that Heim doesn't treat Mikey like a baby the way Raph sometimes tends to, partly because Heim has his own baby to worry about. While their emotional relationship isn't as deep as Heim's relationship with Viv and eventually with Wilde, Heim is truly relaxed around Mikey even early on.

Sondheim and Sullivan: Heim didn't have much regard for Sulley for most of their lives, and now he feels a lot of regret for that. Their relationship effectively has to be built from the ground up, which isn't helped by Heim still trying to learn who he himself is. They have a lot of false starts and a lot of disastrous conversations, but Heim gradually slotting himself into his big brother role and caring for Sulley helps a lot. The two of them learn a lot about the wonder of hugs together.

Sondheim and April: Humans have been Heim's enemy for most of his life, and while he actually doesn't think they're all that dangerous (yokai always had the superiority in strength and mystic ability, and thanks to Draxum's mutagen and Donnie's tech they were steadily closing the gap in numbers and technology, too), he's still mystified that his alternate family would willingly interact with one. He's initially rude to April as a result, but she has so little tolerance for that that his dismissal quickly does an abrupt swing into respect - maybe a little too much respect, because he starts treating her like a boss, too. It takes them awhile to settle back into a friendship, and she becomes a great role model for Heim as well.

Sondheim and Splinter: Lou Jitsu died in Heim's universe, so while he always knew he was mutated with Lou Jitsu's DNA, he's never met the man. He's quite a bit shorter (and hairier!) than Heim expected! Heim initially treats Splinter with the reverence and respect he does Draxum, but Splinter pretty quickly dispels that notion by encouraging Heim to address him casually and generally just acting like his goofy dad self around Heim. Though the AU boys look at only Draxum as their dad, they do still lean on Splinter as a capable adult in their life, and Heim is no exception. He likes the tea Splinter makes.

[emily-crystal]

Design Sheets

Dreamtale Twins (present)

Note: I know a lot of people like the previous designs even after 3 years, and feel free to use those designs if you want. Regarding this design change, I am planning to completely overhaul IE as announced on Youtube.

Design sheets like this will be to announce the design and some important notes about the character costumes as well. There will be a masterpost, and other world-building info posts.

Midnight (IE!Nightmare)

– Midnight can control his height, technically a form of shapeshifting but he can not choose his humanoid appearance, only height

– Always seen with gloves, doesn't like getting blood on his hands (nor body)

– Likes neat clothes that hug his body that don't take up much space, but still like to wear multible layers of clothes

Bright (IE!Dream)

– Crowns, including Midnight's, will be changed (to make mine more flamboyant), they will be worn on foreheads instead of on the heads like the original

– Bright likes to wear multi-layered, voluminous clothes, which make him look smaller in them (if you take off the big outer layer then inside is still a complete outfit)

– When asked, Bright does not deny that he and his brother share some similar preferences when it comes to choosing clothes

– Often chooses to wear turned-up collars to cover a part of his face

– He prefers most parts of his body are covered most of the time (except for shoulders and armpits)

And yes, you can ask anything on my Tumblr account, I will answer.

Original Dreamtale twins by @/jokublog

[the-weeping-dawn]

It's so funny how people talk about Omeluum being a cinnamon roll sweetheart and meanwhile he drops the most hilariously ominous line in the game. I actually have a whole post about him in my drafts.

......I now have the start of what could be a very long post on just how the way the two characters get presented to the audience, and how much the ominous cinnamon roll can really say while still being beloved when in this very calm, collected, no strong emotions in any direction, and sound soothing. With Blurg. Who's excitable, lively, friendly. And gives Omeluum his seal of approval.

and then The Emperor.......even just going through how much is immediately stacked against him in multiple directions....and he's anything but emotionless. And will bite back now, sometimes like the detect thoughts moment, have a direct earlier parallel that show he didn't have to just let you into his mind as is, but if you need to go that far at that moment. Okay. No boxing a relevant memory. Remind you that he is talking through his thoughts. ..and have the rest. That's what you wanted isn't it?

......and a lot of his breaking point moments are either after needing ot be on a negative relationship path, or chosing the needlessly cruel option, and getting that energy right back.

He's certainly not trying to convince anyone to change their opinion anymore 😅

....I keep nearly slipping into the long on presentation of those two post >.>

I've also thought about this because, as someone who's been reading vampire books since I was 14, the idea of another species killing humans for food is just not a new concept. The whole brain-eating thing just didn't even faze me the way it apparently did a lot of other players 😅

Same I was into vampires from when I was around that age maybe a bit younger either way so foundational and has so many variations that I find it more jarring that people act so scandalized by the idea of hunting criminals for basic sustenance. Presentation of it doesn't help again but anyway lol

whenever I decapitate Nere there's part of me that wants to just grab the prism and ask if for no real reason don't worry why I'm asking but he wouldn't happen to awant this head I happen to have on me would he? (I feel so bad when going through his backroom and he comments on the brain jar wishing he had one now.....Babygirl when si the last time you had something to eat? We see the honorguard corpses and clearly isn't going for them...I know the astral plane doesn't have moving time but that can't be good for him.........

Something that I think about a lot when I see arguments about the Emperor, especially in regards to what happened with Ansur, is---

No one offered Balduran/Emperor help. Not really. Ansur tried to cure him at first, but that didn't work, and that was where Ansur's help ended. Whether or not he was or is still Balduran is irrelevant here. He had his own mind away from the Elder Brain, he accepted that his life would be different now, and he still wanted to live. And I don't think he wanted to be evil or go around eating the brains of innocent people. He tells you that he ate criminals (if he's telling the truth), which is not ideal but was probably the best solution he was able to come up with. He wanted to find an ethical way to survive as a mindflayer.

I don't know DnD lore, but in the game, we learn that brains from already dead bodies are a viable option, since you can give one to the mindflayer in the mill. Karlach found a way to get brains from consenting people. Omeluum is trying to make a synthetic food source. There are ethical options and possibilities for freed mindflayers. But no one wanted to help the Emperor figure it out or make it work.

In real life, so often the reason people hurt others or turn to crime is because they just didn't have help or support. Which doesn't make every harmful action excusable. But I can't understand how people can think Ansur was justified in trying to kill him instead of helping him or even just giving him a chance. It hurts me to think how alone Balduran/Emperor must've been in the beginning. And I can't help but wonder if he'd have turned out differently if he'd had any support.

[i-merely-jest]

Welcome to the show, folks!

This site is really fun from what I've seen so far... although I do have to comment on the lack of other Cookies on it!

What a shame, truly... that means less people to talk to, y'know.

Oh, and it sure is boring just sitting around and waiting for something to happen. Alas, I am trapped inside some sort of labyrinth, and my options are limited.

But hey! There's always something new on the internet, amirite? Boy, are a lot of you dirty little liars... Hehehe...

//mod will remain anonymous and goes by he/they pronouns

the plotline for shadow milk cookie himself is after being freed from the silver tree, but then being put into a different form of containment afterwards. for some reason i wanted him to be in an ikea, so this different containment just so happens to be a fucked up version of ikea. shadow milk cookie is essentially stuck in the infinite ikea, but not exactly, since it's not an scp and it's my own take on the matter. basically, it's like the cookie run equivalent of ikea since it's made with materials seen in the cookie run universe, and he can't physically leave it usually.

it is unknown to others what entity sealed him away here, and even shadow milk cookie himself claims to not know what it is. given how he's unwilling to talk about it most of the time, he is either lying completely or only telling a half truth. furthermore, he's not willing to divulge much information about the place he's stuck in aside from ominous answers that leave people with more questions. if he ever has visitors, he's more than eager to toy with them a bit, especially since they're exceedingly rare. good luck getting out though...

when he does appear to others in the real cookie world, it's typically as an illusion or ghost-like figure from him using his powers to project himself back into reality, so he's translucent. furthermore, he can still do voice impressions, so sometimes he will only be a disembodied voice, as this is easier and more entertaining to him. it is also more common than an actual appearance of him.

he can still have some effect on the real cookie world and can choose to be tangible or not, but is usually the latter. it's incredibly taxing for him to use his abilities nowadays, so he has to remain in his alternate reality, constantly trying to find a way out. it's been so long that he can somewhat control the environment with his powers, but for the most part it seems like something else is in control of the space. sometimes he can forcibly open up a gateway out, but will always have to return since there's always this unknown force dragging him back...

general dni, but if i find you annoying i might block you too

no nsfw, but some flirting is okay (don't expect shadow milk cookie to reciprocate in a genuine way though; he'd likely just see it as a joke) shipping generally depends because i honestly have NO idea who's he's even shipped with but. yeah. feel free to ask or try to plan something with me in advance

i'm generally okay with either silly or serious roleplays, so have fun! i won't bite, i promise. (unless, of course... i'm lying? who knows...)

i encourage oc interactions, as well as canon character interactions! i'm also fairly open to cross-fandom roleplays if it really comes to it

fun fact: this is THE most effort i have put into an intro post. credit for the eye dividers goes to sisterlucifergraphics, and credit for the other shadow milk cookie assets goes to phantasyze. is this blog kind of self indulgent? yes, and i freely admit this. i think he deserves to be in a hellish solitary confinement dimension though.

[nicnevans]

Hey! GW2 fandom!

I'm semi-new here, though (since you guys seem friendly) a few of my screenshots and doodles have done the rounds so my characters might not be entirely unfamiliar to you. Anyway, I want more GW2 on my dash! with some caveats due to being New TM I'm looking for folks to follow who;

post a fair bit of GW2; other games and fandoms in the mix is fine, I myself am pretty multifandom over here (I don't have the braincells to separate everything out lmao)

have a spoiler-tagging system I can reference; I've just finished HoT and I'm absolutely not rushing through GW2's storyline (experience has taught me that the best way to enjoy an MMO is slowly) If you don't have a spoiler tagging system but still wanna chat, that's also great! hmu I wanna interact and meet the fandom! I just don't wanna hit a spoiler for content that, to most other people, is ancient lmao

I'm especially interested in seeing fanworks, whether you're a creator of them or a chronic reblogger. I miss the good old days of tumblr when my dash was 90% peoples' fanart and OCs and everyone hyping each other up 🥺

A bit about me (and my characters)

I'm not a single-fandom blog. My blog runs mostly on a queue, and in that queue goes basically everything I enjoy with anything cool that crosses my dash in between.

I'm a Millennial TM. I make Millennial TM jokes (puns) like my life depends on it. I'm sorry. I can't change.

I post art over on @ilmhist sometimes. Doodles and portraits and such. (That's also the blog I like/follow from.)

I have... a lot of OCs. A lot. My OC page is packed and in a constant state of "oh god I still need to write so-and-so's bio..."

idk how to play GW2 I'm just here for the blorbosis, I'm certifiably Bad At It and I die constantly. This has become a character trait for my comm, it's a running joke at this point that he never walks away from a fight under his own strength, he's always getting carried or dragged out when it's all said and done.

I'm... kind of obsessed with sylvari. I support everyone who has brainrot for the other races and I'd love to hear thoughts on them, I just have none, it's all plant people all time in my one singular braincell.

(pictured above, left to right: Duilliche (main comm), Callainn, Lusanaisig, Dreaghann)

These lil guys are my current pride and joy. Lus and Drea are twins, but all four of them awoke during different times of the same day, and (mostly) had connected Dreams. Cal is the odd one out in this, she never got a Wyld Hunt and her calling in life is much more mundane than the others, but she sort of gets swept along with them anyway. Her running gag is that, for one reason or another, she never seems to make it to the Big Climactic Fight at the end of any given journey. Dill is very much in the wrong genre and should have been a Disney prince. He even sings. He also has a godawful sense of direction and if left in charge of Leading The Group, he will blithely lead the group in circles for hours. As is evident, they're season-coded. Autumn, winter, spring, summer. I thought it was a fun idea for a group of sylvari sharing a plotline :>

This post is getting really long. Okay, so, intro done, like/reblog/comment/something if you post GW2 and I can avoid spoilers if I follow you, if I can't avoid spoilers if i follow you feel free to drop me a message or something if you want?

[ginger-grimm]

The time of year where people in love give each other supermarket flowers and single people don't give a damn has come once again: Valentine's Day. Or, as I like to refer to it, Palentine's Day. I did an exchange last year and since people seemed to like it, here we go again. I thank you all for your continued trust in me and your lovely gifts. I hope we can have fun and contribute to each other this holiday once more. Mwah!

The Rules and regulations are simple, but they exist nonetheless, so here they are:

The exchange, for now, is open until February 16th. May extend it if people are interested.

You may make 1-2 requests but I will probably reblog it, saying you can ask for more if I'm still bored.

Please reblog this post to spread some awareness, please. You can like for remembrance but just a like doesn't count (you already know this; I know my 5 regulars who come here every time)!

As aforementioned, this is open to my regular drunks and new patrons alike, so please do not be shy. Think of me as I think of birds; I am more scared of you than you are of me.

Fill out the form linked below and find the password in the form!

Please only send me face claims with good quality and plenty of material to use. Also, no cartoon characters. Video game characters are all right if it's motion capture. I'm not trying to discriminate; it can just be really tough for me to find material for cartoons, anime, video games, etc. as I edit by making little video clips first and so on. However, if you slide in my DMs, we might be able to discuss some stuff.

Please, please, please fill out all the columns I need and choose at least two gift options. It makes it infinitely easier for me to make something for you. Just remember I can't read minds and it's worse when I can't find anything in your blogs.

Remember the pleases and thank you's, pleases and thank you's make my heart grow fond.

I don't do Harry Potter OCs or Stranger Things OCs and while I don't have a specific list of FCs I don't use, I ask that you do not request anything for overtly problematic actors. Thank you!

I accept pretty much any gift in return: gif edits, moodboards, playlists, story reviews, drawings/art—anything is fine. If it's a story review, please let me know in the form so I know you did, as I don't check my accounts every day.

I'm fine with gifts for any of my OCs; my master list as well as the link to my Pinterest and Spotify are in my pinned post.

FOR ANY OTHER QUESTIONS OR CONCERNS, FEEL FREE TO SEND ME A MESSAGE AND I WILL TRY TO CLEAR EVERYTHING UP!

HERE IS THE LOVE FORM; THE LOVE FORM IS HERE; THE FORM FOR LOVE IS LOCATED IN THIS PLACE

TAGLIST: @eddysocs @ocs-supporting-ocs @foxesandmagic @veetlegeuse @decennia @hiddenqveendom @arrthurpendragon @luucypevensie @nikosasaki @noratilney @wordspin-shares @oneirataxia-girl @endless-oc-creations @stelstellakidd @andromedalestrange @far-shores @rose-of-oz @bibaybe @come-along-pond

[darklinaforever]

God help me...

First off, what the hell are you doing in Wyler tag ? What's your fucking problem with pissing off people who didn't ask for anything ?!

But let's see the rest of your bullshit in detail and tear it down as we go along.

But this ship is very much dead. There is hardly any traction towards it because the people who ship it make no sense when they defend it. They sound like they could be mentally ill...

Weird, Wyler is the most popular ship with Wenclair though. And for a dead ship, Netflix still took the trouble to make Wyler the first teaser for the new season...

And how do we make no sense ? It's you who had no interest in repeating things that the show and the show team have themselves contradicted for years now about Tyler's character.

And it's you who comes into Wyler's spaces to piss off and obsessively spill your venom. It seems that you are the one who is mentally ill...

I don't know how crooked you have to be to say that you're crooked to ship a canonical ship. Already, this is not even said for fanon ships, but even less canon. What are you trying to prove here ? You're shooting yourself in the foot by coming in to tag Wyler to insult us and try to seem like the smartest person when you seem like the stupidest.

By the way ; Do you think you're smart to say that kind of thing ?! That we are mentally ill ?!

Wow, for say that you must really hate the fact that Wyler is the first official trailer / teaser of season 2, otherwise you clearly wouldn't be here trying to impose your pseudo dominance...

I guess Emma Myers (Enid actress) is mentally ill then, since she says most of the same things we do about Tyler...

And not to mention Hunter himself who spoke of sexual compatibility between Wyler, that Wednesday had been Tyler's light during the events of season 1 and that if he had to imagine his character ending up with someone it would be her ?

You're really a piss of shit.

And I won't apologize for saying that.

You allow yourself to insult us with enormous condescension that you try to pass off as a form of kindness in the rest of your post ? Well, I will insult you in return, but head-on this time.

You are a big piss of shit. That all.

Tyler almost killed Wednesday and all her friends + he manipulated her like a professional and she felt humiliated because she never even suspected him and put a good person in jail because of him.

She will never forgive herself, let alone him.

Yes... and ? First, Tyler “tries to kill” Eugene essentially under the orders of Laurel, his master to whom he is forced to obey and who tortured him ? Note also that Laurel technically didn't tell Tyler to kill Eugene but to take care of him and that strangely, he's the only victim of Tyler who escaped death ?

Coincidence ? Maybe not !

And if you want an explanation for Enid, it is implied that the Hyde offers a second personality, different from the human version ? So, technically, the Hyde is not Tyler. It's a second personality. Why is everyone forgetting the recording of the psychologist that Donovan listens to ?! Dr Jekyll and Mr Hyde, you know ?!

Literally, these people are being dishonest on purpose.

Also... again, Wednesday doesn't blame Tyler specifically for nearly killing her friends. First, it would be bad faith, because she also did it in the show with Enid, but above all, it's a question of ego. No really justice in her anger towards Tyler.

She is mainly angry at Tyler because, yes, he managed to fool her and her intelligence. And she is deeply hurt in her ego and personal feelings.

But how would his anger on this subject be eternal ? On what fucking basis ?! Tell me !

Once this aspect calms down in her, everything will surely be better and she could potentially look again at the case of the Hydes whose research remains incomplete (which have always deeply interested her on the other hand), and therefore Tyler.

But to return to her friends, Enid and Eugene are fine. Wednesday can recover from what Tyler almost did to them. Especially since Eugene was under Laurel's orders (and strangely, Tyler who could have easily killed Eugene... strangely didn't do it ?), and that Enid explains it by the fact that Tyler was in Hyde mode, his second monstrous personality, that he doesn't seem to really have control over ?

But more than that, Wednesday is a person who generally takes those treated most unfairly under her wing. And Tyler is probably the one who has been in this sad situation the most.

That she hates him forever makes no fucking sense ; since although she is angry for the moment because her ego is hurt, she knows that Tyler had a shitty family life, was groomed by Laurel who woke up his Hyde thus forcing him to become her puppet and imposing a bond that makes Tyler want and love what his mistress wants.

Then again, it wouldn't make sense for Wednesday to be mad at Tyler forever...

Oh and... Just for pleasure : “Of course the first boy I kiss would turn out to be a psychotic serial-killing monster. I guess I have a type.”

Also... Wednesday didn't put Xavier in the cell because Tyler manipulated her into doing so ? Wednesday did this all by herself like a grown-up ! 😂 Because, for the recording, Wednesday is a narrow-minded and toxic person. And believe me, of all the people Wednesday could have upset and blamed herself for this, Xavier is the one she will get over the quickest. Because ultimately she just likes him as a classmate and childhood acquaintance. And again I'm being nice... because most of the time she actually just tolerates him.

Oh and Wednesday finally saved everyone at the end of season 1. Given her ego and her anti-heroine nature, I think she will eventually recover from her own mistakes / forgive herself. 😂

I get that some people are shipping them as some kind of kink ( monster serial killer with Wednesday addams) 😏. But this kind of shipping starts and stays in the dark corners of the internet.

This ship can't be acknowledged by a streaming platform to the general public ( which includes millions of kids).

Just... God, if you think Wyler is an impossible relationship to fix, then you've never read or seen a real enemies to lovers romance !

I literally read one romance where the guy almost killed the heroine forever by stabbing her in the heart ! And if it weren't for the intervention of other characters, she would have died ! And yet at the end of the story, they're happily married !

The enemies to lovers trope isn't as fragile as these morons think it is !

One mistake and the relationship is dead forever ? Wow...

Wyler is also so soft in that category too ! The antis seem like a bunch of fragile people when they talk about Wyler.

Literally every time these people try to put the Wylers down they just make fools of themselves. Because they just bring up arguments that have been contradicted a billion times or are comically weak, or they just say bullshit that is simply not true.

I repeat, enemies to lovers have existed since the dawn of time, it's literally one of the most popular and represented tropes in existence ! Whether in children's fiction or for a general audience !

What cave are you living in to dare to say that Wyler cannot be recognized by a general public ?!

Even in super popular books you have thousand times worse than Wyler ?!

“The general public can't handle Wyler” My god... hello Delena, Klaroline, Clarice & Hannibal, ect ?!

For information, as shocking as it may be The Vampire Diaries was seen by many children / teenagers in addition to adults in time. All my friends at the time and I were kids when this show started and we watched it, like so many others.

Hence children and the general public couldn't handle Wyler ? Wyler is as soft as fucking Reylo ?! Another great ship that the general public and children loved.

This is one of the biggest bad take I've ever seen ! The confidence you need to say this kind of stupidity ?!

Seriously, wtf ?!

Although he was groomed, Tyler was a willing participant in the crimes that he committed and he even told Wednesday that he enjoyed killing innocent people. Millar and gough folded the wyler book forever in that scene.

Tyler can never be trusted enough around outcasts to be released.

It's literally said in the show that the hyde is conditioned to like what its master likes and want what his master wants. It's not even ambiguous. It's said in the fucking text of the show.

And I remember that Tyler makes his fucking confession to Wednesday with tears in his eyes. Yes, what a great villain...

Oh and if you need to talk about the non-canon novelization of the show that most of Wednesday's audience hasn't read and never will read to prove your point about a canon scene and events from the show, we're going to have a problem.

They're the ones who sound like mentally ill repeating over and over again that Tyler absolutely loves killing without any fucking doubt... 🙄

And they go so far as to agree that the Hyde should be excluded ? While the show is literally about the treatment of the marginalized ? The excluded from society ?

And they think it's positive that there is a category of outcast among the outcasts themselves ?!

Clearly not.

The treatment of Hyde is something that needs to change in this show !

And for that, we first need to finish understanding how these creatures really work.

But hey... Not as if we had incomplete research on the subject, that Wednesday is interested in it and that she just happens to have a Hyde on hand to look into the subject... I wonder where this scenario could lead us ?!

But certainly not to a questioning of the treatment of these creatures by the society of this story according to the antis (#irony) ?! Of course, nothing will ever change for the Hydes ! They are too dangerous ! Long live the status quo !

This is driving me crazy !

Yes, what the hell would Wednesday who defends the oppressed and the victims, have to do with Tyler, the outcast of outcasts himself who was groomed by a psycho who triggered the Hyde in him to use him as a puppet and who has the equivalent of a mental illness by being a Hyde. Hyde by which she is fascinated, and who it is implied that she will complete the unfinished research on them ?!

Seriously, the writers racked their brains to write us a character like Tyler, a teenager with multiple problems, including family problems, a victim of abuse and whose hyde (the creature marginalized among the marginalized themselves, knowing that the whole message of the show is to accept the marginalized in reality) seems to be the equivalent of a mental illness, for people to be like “Yes, this guy is a pure villain who cannot have redemption ! He is rotten and the show is right when it says that the Hyde are too dangerous for the world ! Nothing must change and nothing aspires to a change of point of view on these creatures in a show where we are encouraged to accept the marginalized (and whose hyde is the marginald of the marginalized himself) through the only Hyde that we meet in person throughout the story who is only a teenager victim of abuse with the metaphor of mental illness !”

Seriouslly, the “Tyler will never be put back with the other outcasts because he's too dangerous” take it's so fucking stupid for a show about outcasts and injustices...

We present to you the outcast of the outcast, whose case in terms of creature has never been finished studying...

And you think Tyler will forever remain an outcast among his people and locked up for life ?!

WTF ?!

These people are tiring me out...

Because it lacks the "genuine" element: there is no love between Wednesday and Tyler.

I would like to understand how Wyler lacks romantic elements ? They literally have one of the most classic storylines in the world in terms of romance ? What the hell are you talking about ? Developed ? What would be missing ? My god, what bullshit. If you want analysis of the Wyler relationship you have my tumblr or those of @fullofwoe5321 @tylernation @wylerserver18official @ablatheringblatherskite @cosmic-lullaby @broken-everlark

Tyler and Wednesday only have one scene in season 2, according to the leaks we got. So this teaser is very much bait for the fans who still like them together 😏. Netflix is yet again giving false hope to fandoms about something that isn't going to happen.

Saying that Wyler will only have one scene in season 2 according to the leaks...

Are you aware that the leaks are not always true ?

Are you aware that it wouldn't make sense for Wednesday and Tyler to only have one scene together ?

Because a teaser is supposed to give an indication of what the new season will be about overall ?

Oh but am I stupid. In your stupid little shit head you think that Tyler will now always be locked up for life. In that case, why keep the character in the show ?

Fucking idiot...

You really have to be in complete disillusionment to say that this trailer / teaser will be the only scene between them in all of season 2 while a teaser serves to show the viewer what will generally be the center of the new plot.

Oh, and no official romance in season 2 doesn't mean no romance in the rest of the show, FYI. Especially since it is completely logical that Wyler (if these two were to end up together one day) wouldn't they go back into in love mode in season 2 ? They have a fucking relationship to repair first and also work on themselves each as an individual person ? Also, most Wyler fans, without even the announcement of a reduction in the romance being made, certainly did not expect the romance between Wyler to return straight away for season 2, simply because on a narrative level it would not have not been logical... Seriously, go find another hobby other than annoying people.

And even if Wyler doesn't end up together at the end of the show, despite all the logic of this romance, do you think that will stop us fans from shipping Wyler ?!

Obviously, you are clinging to Xavier when it is clear that nothing more will happen (since the character was removed from the show because the actor was accused of sexual assault) ?

Seriously, this person seems obsessed with the character of Xavier (who could have been an interesting character but who in fact remains generally average and a real potential ultimate shit boyfriend)...

But they got a slap in the face 🙂. since the teaser was met with massive backlash about the most unethical thing they did: dropping an innocent man and Convicting him of crimes he never committed...

Except the comments you showed don't show people being outraged that Xavier was sent to prison when he did nothing, just that they will miss Xavier's character.

You're thinking all by yourself, big girl (this is obviously a recurrence among the anti-Wylers).

And then “they did” ? What is she talking about ? Wyler fans ? Was it Wyler's fans who put Xavier in jail ? 😂

I repeat, you can only blame Wednesday for Xavier ending up in prison. Tyler has nothing to do with it, he never tried to accuse anyone to keep suspicion away from him. Wednesday suspected Xavier alone as a grown-up.

I'm so angry that this kind of crap is getting into the Wyler tag. Don't these people have anything better to do ?

I feel like I'm back in Reylo's time ! Because Reylo and Wyler are some of the softest ships in terms of enemies to lovers that I have seen and people act like they are some of the worst things in the world and that these ships are too hardcore for a general audience and calls us mentally ill for our thoughtful argument, which is ridiculous.

It's truly ridiculous and cheeky.

They just repeat the same bullshit over and over again, contradicted by the show itself and the show team !

At this point, we're not the ones who look ridiculous. It was them.