#but i promise he will explain

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[derpycatsu]

icarus

[val-of-the-north]

He misses him...

[lygma-nygma]

Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-

And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??

And then it's literally never brought up again.

[outer-andromeda]

Usually I try to better clean up and color these... But I REALLY wanted to share 'em as soon as possible cuz I really like how they look already, sue me :')))

Some story time under the cut for those of you who want context >:000

((EDIT - Small TWs for some negative talk and mentions of grief. Also spoilers for the ending on Chapter 4 :00)

As mentioned in a previous post, Gabby and Doey's relationship is... Very strained after the events of the fourth chapter.

Doey joined the group (Gabby, Kissy and Ava) eventually while they were venturing as subtly as possible to avoid running into Huggy. It was a surprise, obviously - they all thought he was six feet underground since the aftermath of him crashing down. They were all relieved to know he was still alive, but something was different. He wasn't as jovial as his usual self was... He was just... Off. Quiet. Monotone.

(Which is understandable since the guy is literally GRIEVING the loss of the kids of the Safe Haven y'know- and he feels immense guilt for what happened)

At some point, they get separated - Kissy and Ava stick together, while Doey and Gabby venture on their own way, both groups hoping to join each other again eventually. Doey and Gabby still have that quiet dynamic going on, because the human guy doesn't want to make things any worse than they already are. So he tries to be the cheerful one. For both his and Doey's sakes. He tries as hard as he can. But it falls flat. And Gabby, despite himself, grows more and more irritated by Doey's unusual calmness. Something's obviously going on and he won't say anything about it.

Something happens that puts them in a dangerous situation, and everything spills out. Gabby wants to talk, he wants answers. Doey is trying to ignore it, but he's being pushed. And suddenly his anger blooms back out. And he lashes out on Gabby. Shouts all the words he hadn't gotten out. How he was never any good for the kids. How he could've done so much more. How if it wasn't for him, "they'd still be breathing and standing right now". How Gabby can't understand. And Gabby... Takes it. He stands there, listening to every single thing he says. Silently.

He's not afraid. And Doey notices. It's unnerving. It catches him completely off guard. It's like something is starting to break inside of him. Something he's not sure he wants to let shatter much more...

And then Gabby hugs him. And the thing in Doey's core is completely obliterated. And the crocodile tears are finally, finally let loose. And his shoulders finally relax to wrap themselves around the short man.

They talk after some VERY good comforting words from Gabby. They find Kissy and Ava after some searching, and they're back on track.

And from then on, their relationship changes back slowly to the small friendship they had formed in the past, plus more. They both understand and trust each other, and Doey feels relief from having someone he can confide in and let himself relax with. And just... Be a kid. Even if just for a bit. All three kids need that so badly, and Gabby tries his best to give that to them. To Doey. Because he, out of anyone, deserves a break the most.

[tskumoyuuma]

it really just strikes me how many americans are just.. selfish. how many simply dont care about anyone but themselves. sure trump will cause so so much harm to so so many people, but im not one of them, and he says he'll fix the one thing that does affect me, so of course ill vote for him. sure trump is really bad, but harris isnt perfect, so of course i just wont vote at all. trump and harris are the same, so of course ill vote third party

[afterthelambs]

I'm not sure if I believe the "Wakaba Isshiki did unethical experiments" theory in the fandom, but I do think this is the biggest proof of it in-game:

Because how the hell would she know that?

The first explanation is that she did experiments by sending people into palaces and then testing what happens to them if the palace collapses. Which is messed up for obvious reasons.

The second explanation is that she did NOT test it, meaning she was just making shit up. Which is funny but also would make her a terrible scientist. This explanation is less believable because everything else about her research is too accurate.

There's also a theory that Wakaba did unethical experiments on Akechi specifically. I'm not sure I believe that, since the evidence for it is pretty shallow (like the featherman game scientist experimenting on grey pigeon). But this scene is once again the biggest argument you could make for that theory. The researcher in the image above refers to palaces by their correct term 'palaces', which they say was based on Wakaba's research. But that's only something you would know with firsthand experience of the metaverse. And the only person they know who could access the metaverse was Akechi (that we know of, but i dont think Shido would rely only on Akechi if there were other options).

So yeah this scene is very sus. It's most likely the writers didn't think too deep about the implications. There's no way they wanted Futaba's mom to be sketchy, right? But even if it's not intentional, the scenes and their implications still exist. So in conclusion those theories make sense, I get it, and I don't blame anyone for headcanoning them and having fun. And tbh anyone involved with cognitive psience was portrayed as some degree of unethical (maruki for example), maybe this is just on-brand

[bruciemilf]

Whenever I picture civilian Bruce having to fight, I always envision this scene from Train To Busan where Ma Dong-seok gets ready to fuck up zombies

[shipping-all-ships]

(After betraying the Winchesters)

Sam: This isn't what Adam would have wanted!

Michael: You clearly didn't know him that well.

[ghostorbz]

Wooo

Also a zadr version hello

THESE WERE SCHOOL DOODLES HEHE

I just made em digital

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[naffeclipse]

What if Eclipse from AP was a naga? And this took place in the deep jungle of the amazon, where photographer y/n is trying to take pictures of the wildlife?

I'm vibrating at the speed of sound over this ask while also nudging my naga au

Naga Eclipse from AP would have the tail of a Green Anaconda, with an olive green scaly color dotted with black, framed by burning-like flares of orange along the length of his slithery body. He's also decorated with orange-yellow striping on either side of his long, slipper form. His upper half is scaley with a lithe deadliness to his musculature and decorated by frills surrounding his head with brighter orange-yellow colors, almost hypnotic in their gradient hues. One eye is deep emerald green, and one is midnight blue.

Lucky you—you're out on a once-in-a-lifetime expedition to explore a jungle closed off to the public, funded by Fazco, and occupied by two researchers who will be your bunkmates for the next few weeks. You're itching to take photos of the large river, including swamps, marshes and streams, and whatever wildlife is out there.

The few locals you did meet before you left to hike the rest of the way to what would be your new, isolated home warned you of a dangerous snake—a large, mythical beast. You take note of the local folklore. You understand the truth is hidden in there somewhere, and you are well aware of the dangers and diseases you could be met with in such a harsh environment, but you're determined.

It doesn't take long for you to feel eyes watching you when you first venture out by yourself. You take beautiful pictures of freshwater fish, big and beautiful, unlike any you have ever seen. Of course, you have hundreds of snapshots of the local flora, the trees, the floating meadows, the thick vines that drape each branch and hang thickly about the ground. You almost forget that you eerily don't feel alone.

But you swear something moves in the water—the ripples stop as soon as you look. The stillness is suddenly stiff, lifeless. Even the birds have stopped chirping.

You lower your camera and carefully put it away. A trickle of fear slips into your heart. You turn away from the river's edge only to be met by a low hiss and a creature, unlike anything you witnessed in your travels, spooling itself neatly out of the water, blocking your path to the base. An incredible creature with long arms and a great, serpentine tail that seems to stretch for yards and yards. You can hardly breathe in his presence—he's otherworldly with his frills and scales and fangs.

His eyes contain a mesmerizing shine as if staring into a fire as it burns or watching the ocean as it laps up against the beach, drawing your attention, demanding you don't look away. You couldn't anyway. Half-frozen, you struggle to keep from collapsing. He beckons with a sharp talon. He hisses softly for you to come closer, mouse. He wants to see you. You try to beg no without revealing how terribly you tremble. He doesn't let you go. He insists. His eyes flash with an allure. You almost step close when he murmurs that you need to be good.

But then your sense of survival kicks adrenaline into your heart, and you turn to run—

He strikes faster than your eyes can follow. Two loops of his green and orange tail surrounded you in an instant. You're dragged to the ground, your arms pinned under his mass, and the back of your head cradled by his large palm as powerful muscles squeeze you in the slightest—a gentle rebuke for thinking you could get away. You're hyper-aware of the terrifying bulk of muscles as you lie trapped in his coils. One strong twist and your eyes could pop out of your skull, and every bone protecting your heart and lungs would crumble to shards. You gasp. An urge to kick your legs and struggle erupts in your panic; a sinking feeling tells you it would only make things worse.

He coos over you, hissing and humming in an ancient song of the jungle you have no name for. When you whimper, he shushes you and strokes your cheek. He tells you how lovely you'll be. When you talk back to him, somehow finding your tongue amid your horror, you find out his name. Eclipse. He moves you more upright, resting you on his tail so you're not petrified by how vulnerable you feel lying down, but he never loosens his scaly bindings. He hovers over you. You gaze into his stunning frills of yellow-orange and wonder how a being like him came to exist. He studies you as you study him. He grins at how you shiver when he traces your collarbone with a sharp fingertip.

You remind yourself that you can still breathe. He hasn't crushed you—yet—but you don't like how wide his smile is. Sometimes, his jaw stretches a little too long as if dislocating from his skull, ready to devour you. His eyes gleam with a ravenousness as scales twist around you, holding you close enough to smell the slick green water he had been in and deep musk.

He tells you that he'll see you again very soon—away from other humans, lest you bring him a fine gift for a meal. You can only flex your fingers, silently pleading in your heart that he won't unhook his jaw and eat you alive.

Then, he unravels himself from your limbs. But before he lets you go entirely, he leans in close, his serpentine tongue flickering close to your neck and by your hair, tasting the air around you as you muster all your strength to not scream. He inhales deeply, pleased, before he murmurs, "Sweet mouse. You are mine. Say it."

You don't understand, but you echo his command, and when he taps your chin once in what might have been a loving gesture, you force your jelly legs to solidify before you run and run, all the way back to base. You slam the door to your room behind you. You touch your ribs, your arms, still caught in the heavy sensation of his loops as if he were upon you right now.

The stories are true—there is a giant snake in this jungle, and he wants you. You're afraid to discover if Eclipse's intrigue with you is only an exotic way to satisfy his hunger.

[benevolenterrancy]

@little-meowyao a naive and temporary sense of belonging u.u

[lesbianwyllravengard]

I love how whenever I see people discuss wyllstarion, in the context of "justifying" why one ships it, there's always that of why Astarion would love Wyll, extensively; bringing up that Astarion said he used to dream of marrying men like Wyll, or that Astarion said wants to feed off of Wyll, or that Astarion would want someone chivalrous and kind who would put his needs first and who would respect his boundaries and his past. Astarion is the fave white boy and so he's shipped with many different people, and this is how people who ship wyllstarion express why he'd choose Wyll. But I almost never see extensive explanation of why Wyll would love Astarion, because of course he would. Of course he'd love Astarion.

[mulders-too-large-shirt]

my favorite scully and mulder moments from s5

in episode 1, mulder sneakily enters scully's apartment. he sits in the dark in silence; as she gets undressed for bed, he says “keep going, FBI woman”, which only slightly surprises her (her face is shocked, but she doesn't yell; just asks "mulder? what are you doing? why are you sitting in my bedroom in the dark?" which is an incredibly reasonable question! he tells her that he killed a man, and she thinks he is joking, so he clarifies that he isn't)

scully waking up in the hospital bed in episode 2 to mulder by her side- she’s worried someone will see him as they just spent a good amount of time faking his death, but he smiles, grabs her hand, sits on the bed, and kisses her cheek, saying “i’m officially among the undead” (WAHHHH)

(and when she is so worried about how he will have to confess everything, including killing that guy, he does his best to prevent her from dwelling on it- “hey scully, how about those yankees?”)

how she very seriously warns him that skinner is the guy on the inside, and he’s touching her face, saying no, he’s not; mulder knows that skinner made the deal with CSM, but she doesn't know he risked his career and life to save her

and then she offers to take the fall for shooting that guy, saying “mulder, if i can’t save you, let me at least give some meaning to what’s happened to me” (tears. TEARS)

(and when her family arrives to visit her in the hospital, he says he was just leaving, giving her one last kiss on the hand before heading out)

mulder coming by her bedside again after considering taking CSM’s deal to join the dark side, but ultimately refusing: “then why’d you come here if you’d already made up your mind?” she asks, and he laughs: “because i knew you’d talk me out of it if i was making a mistake” (the total trust they have in each other......)

when mulder leaves for his big hearing, she tells him that he’ll be in her prayers (and he kisses her cheek once more, telling her to ask the “father to say a few hail mulders for me, okay?”)

(she is literally laying in bed dying, and despite him never understanding her beliefs and her having, you know, imminent death on her own doorstep, she talks to god about him. intervening with the creator on his behalf. and he, instead of being dismissive of religion like he usually is, accepts the help with a joke and a kiss on the cheek... i feel like i could write a poem on the subject and my emotions still wouldn't be fully expressed)

they’re in the car on the way to a team building seminar in episode 4, and mulder leans over to scully, asking her to please kill him now

however, she immediately realizes he's come up with a new plan to get out of the whole thing by investigating a case: “you want me to tell them that you’re not going to make it to this year’s teamwork seminar?” (he grabs her shoulders, bending over a little to meet her eye level) “yeah. you see that? we don’t need that conference. we have communication like that, unspoken. you know what i’m thinking”

scully trying to start a fire to keep him warm after his body goes into shock- she asks if he has ever thought about dying, saying she was angry while she was sick, and talking about the struggle to give suffering meaning. and then after he makes some joke to get her laughing, she picks up him, placing his head in her lap (“i don’t wanna wrestle”, he mumbles, to which she replies “get over here. i’m trying to keep you warm”)

he asks her to sing as they cuddle, so he can know that she is awake and keeping watch. and then when she indulges him, his whiny ass requests the chorus, too <3

when he wakes up he is so scared to see that she isn’t there, but she was just getting some berries LMAO

mutual roasting in episode 5; she says she thinks the townspeople are so bored and obsessed with what they see on TV that they’re imagining a monster, to which he responds “i am alarmed that you would reduce these people to a cultural stereotype”; when he is spouting frankenstein comparisons to the case, she hits him with the “mulder, i’m alarmed you would reduce this man to a literary stereotype” <- they were having a nerd off!!!

“given the power, who could resist to create life in his own image?” “we already have that ability, mulder; it’s called procreation”

and the famous black and white dancing scene to cher music <3

in episode 7, mulder offers to stay with her while emily is dying, rubbing her back as he says so. but she says she wants to do this alone, so he walks away, and she climbs into emily’s bed

and at the funeral, when scully’s mother asks her if she is ready to go, she says she will stay a little while longer and get a ride back with mulder. soon after, she asks “who are the men who would create a life whose only hope is to die?”, and he answers “i don’t know. but that you found her… and you had a chance to love her… maybe she was meant for that, too” (doing his best to find the meaning in the suffering like they talked about in episode 4, because he knows she finds it incredibly difficult... yeah. and her choosing to spend more time with him than to go home and be with her family... whew)

scully refusing to let mulder fall for pusher’s tricks in episode 8, telling him to hang up the phone before he gets sucked into his games

linda bowman uses the same ability to push her will onto others to convince mulder that scully shot herself. he sees scully, begging him to make her stop, before she shoots herself and collapses. he screams, and imagines himself cradling her head. and when the real scully is in front of him, the mind tricks make mulder think that she is linda, so scully has to try and prove it is really her (“you killed her!” “your mother is tina. your sister is samantha. modell warned you- don’t play her game”). scully has enough time to save the day by shooting linda, and by the time he realizes it really is scully standing in front of him, she gently grabs his arm, calling for an ambulance. the terror of it all. and the loyalty that can inspire such terror...

in episode 9, she tries to explain how it would be physically possible for someone to swallow pounds of dirt, and he just smiles at her; “well… you asked me for answers. those are the best ones i’ve got” <-and listen, after his endless ghost and ghoul explanations, i think your lungs to dirt ratio sounds perfectly reasonable, scully

mulder also decides to dig up a grave in that episode, while scully warns him anything he finds will not be admissible in court. isn’t that just so Them? she’s not gonna stop him, but she will make sure he knows what they can and cannot use as evidence.

“i don’t think this was an act of grave robbing, scully” “no, that’s what we were doing” <- LMAO COME ON….

(there’s also a scene at the very end where mulder is stuck in endless mud and you can see scully helping him up, which greatly warmed my heart)

episode 10’s whole dynamic while scully is on vacation and he is back at the office, but especially this exchange over the phone:

“no, i don’t think it's witchcraft, mulder, or sorcery”

“yeah, well, maybe you don’t know what you’re looking for”

“like evidence of conjury or the black arts, or shamanism, divination, wicca, or any kind of pagan or neo-pagan practice? charms, cards, familiars, bloodstones or hex sins, or any of the ritual tableaux associated with the occult, santeria, vodoun, macumba, or any high or low magic?”

“scully?” “yes?” “marry me” “i was hoping for something a little more helpful” (i watched this scene 3 times because there was SO much to adore, including how serious his face was)

she finds him trapped inside an AI torture chamber in episode 11, and pulls him out, mumbling “you’re going to be okay, i’m going to get you out of here”, dragging his limp body to safety

scully walks into their office, where mulder is sitting, at the start of episode 12: “mulder…” “DON’T. don’t even start with me”

scully describing him as “characteristically exuberant” (���hope you brought your cowboy boots! yeehaw!") as she recounts what happened, and him describing her as “less than exuberant” (“well, obviously it’s not a vampire” “why not?” “because they don’t exist?”)

when scully tells mulder not to rule out what cassandra spender has to say in episode 13, she says the words slowly and carefully, and they lock eyes as he nods, recognizing the significance of the moment in terms of her own beliefs

when scully is in the hospital after the explosion in episode 14, mulder wakes her up by running his fingers through her hair, then giving her the gentlest smile; she asks what time it is, and he laughs- but this makes her self-conscious, so he explains “i’m not laughing at you. i’m just very happy to be standing here talking to you, that’s all” (screaming. btw)

(he then raises her bed a little so they can look at each other while he explains what happened, but a nurse shoos him away, saying she needs rest; he leaves with a thumbs up despite her yelling after him)

“the truth i’ve been searching for? the truth is in you” <- man hold on. hold on, man. MAN-

scully undergoing regression hypnotherapy to remember what happened to her during the explosion. mulder is sitting on the couch next to her, looking terrified as she screams. and despite not being fully present as she recalls the horrors, she taps at his hand next to hers on the couch, wordlessly asking him to hold it. when she comes to, she’s panting, and asks if he was there the whole time. he nods

and later they hold hands in the back of a cop car as they get taken to jail <3

scully breaking into mulder’s motel room while he is undercover in episode 18; he screams at her to get out, and denies being undercover, even though skinner told her everything. she stops his yelling with a breathy “oh, mulder, what did they do to you?”, and sets his poor broken fingers as he winces

(and then she is able to recognize him on the tape of the bank heist despite being masked because of his fingers <3)

then they jointly scream in the CIA guy’s face because they realize he was testing bioweapons and killing civilians… synchronized rage looks good on them

mulder decides to go by himself to investigate the mysterious manifesto in episode 19. not even a minute after he walks out of the door from where he was questioning a witness, he calls her to ask her to look through all of the x files, searching for a specific phrase, which she finds. and then we get to hear him say “scully, at the risk of you telling me i told you so, i think it’s time for you to get down here and help me” “i told you so”, she says with a smile

later, he’s rambling about his bug conspiracy, still wearing the clothes that got all bloody from being taken hostage, and she asks if he has gotten any sleep

scully visiting mulder in the hospital after he goes off the deep end, seeing bug people everywhere, breaking into someone’s house, and attacking skinner; she slips her hand into his as he is restrained, telling him she hopes he can see through this delusion: “you have to be willing to see” “i wish it were that simple” “scully, you have to believe me. nobody else on this whole damn planet does or ever will. you’re my… one in five billion”

the hug at the end of episode 20 as they find the x files in ashes </3

[ghostbny]

Bad ending Rox were he ends up possesed by dark matter