#but i like the dynamic of these two

[cryptocism]

It would have taken another immortal to keep up with him.

so i haven't read the books but i did read the Devil's Minion chapter and this part made me laugh out loud:

[eydilily]

would you bite the hand that feeds you?

[puckpatties]

i love you forever and ever girldad chilchuck

[zorangezest]

thanks for listening

[localcoffeeshop]

i canr srop doodling and i have nothing to do but stew in my mind palace so heres a dump of various adventure time drawings across like 5 or 6 different canvases

[lotus-pear]

lore accurate teen soukoku. the worsties ever

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[doctorsiren]

can’t stop thinking about mob growing up 🥺

[stevenrogered]

What’s wrong with Yord? Nothing. No, he’s….Yord.

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[glitchedcosmos]

Fuck kissing , I need to see two bitches HUG. I need to see them EMBRACE. I want them to hug so tightly and so sweetly , because they never want to separate again, they both fear that when the hug is over, they will never be able to embrace each other again. I want them to throw every emotion they’ve ever felt for each other into that soul cradling hug. I NEED to see them tho blue from the grip, and never, ever let go.

[deecotan]

anyway here's wavewave

[bytebun]

found family coworkers (definition multiple) of all time [image description under cut]

Comic 1:

First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”. Akari has an awkward smile and replies “oh, no no. he’s my...” There’s a long pause as she looks at Ingo. He’s leaving it up to her. She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.” Comic 2: A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!” Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”. In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??” Volo is experiencing off-screen violence.

Comic 3: The comic is titled “Reunion”. In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”

In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?” In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.

[sunfyrisms]

of course the show that is fundamentally centered around two sisters and their tragedies becomes centered around men and said sisters are sidelined and their arcs are pushed to the sidelines and all the phenomenal care that went into their characters went down the drain. ​one’s arc is literally “the traumatized / mentally unwell character’s happy ending is committing suicide because they are simply too broken to heal and be happy” trope, and her mental instability is forgotten. the other is reduced to a mere plot device, has no agency of her own, and her trauma and anger is treated like a complete and utter joke for the sake of a shitty ship, and because the writers literally, point blank, were bored with her. it’s so sad because the tragedy of these sisters is so utterly devastating, so encompassing and so intricately woven into the narrative. but make it about two men i suppose?

[sallymew4]

supposed to be studying but all i have on my mind is this mind-shattering uncle&nephew duo. i need to be sedated

[meeks-just-wants-to-scroll]

Reflecting on how depressing Kieran’s canon story is started to make me spiral so I decided to draw some happier scenes involving Kieran.