#but i just cannot. i am in love with this movie

[couldnt-think-of-a-funny-name]

okay disjointed thoughts about the wicked movie 1 day after watching it lets go

-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane

-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did

-baby elphie and baby nessa are the cutest things I've ever seen in my life...

-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!

-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao

-whoever decided to bleach ariana's eyebrows deserves jail time

-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'

-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.

-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!

-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao

-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling

-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??

-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol

-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other

-boq felt very mild tbh I know ethan can be more unhinged than that

-would've liked to see glinda in magic class!!

-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying

-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball

-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!

-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao

-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch

-the flying monkeys were correctly horrifying

-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it

-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.

[cl0udy-wolf]

Random Mortal Kombat 1 Headcanons!

tw: n/a :]

Kung Lao listens to Bad Bunny.

Johnny sat everyone down one evening (everyone being Kung Lao, Raiden, Kenshi and maybe Kitana, Mileena, and Liu Kang if they were avaliable) to show them his favorite media (mostly movies).

Raiden thinks the Twilight Saga is one of the best romance movies to ever be filmed.

Kitana really likes spicy food.

Liu Kang kicks in his sleep.

Speaking of sleep, Liu Kang rarely sleeps- he rarely needs to, as a god. He simply won't, but eventually he'll take a nap and end up falling asleep for a few days or so. He's a light sleeper, though.

Kenshi loves cats, but he's allergic to them.

This one might be a little far-off but I think the idea of Raiden and Kitana having little sleepovers is silly. I think Kitana would experiment new makeup looks on him.

Kung Lao is a good cook but he's too lazy to cook every day.

Sindel and Liu Kang would talk shit about some of the people they were forced to work with.

"Empress...we shouldn't be talking about this-"

"But I'm not wrong, am I? They are insolent, idiotic fools."

"...you're correct..."

And they would both laugh afterword.

Raiden cannot drive so for the love of everything holy do not ask that man to drive

Johnny hosts large gatherings at his home, for holidays, celebrations, or just random events.

Johnny owns most of his media physically as opposed to digitally.

Syzoth enjoys Halloween and all the spooky decorations.

[she-posts-nerdy-stuff]

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

[paperclip-skz]

Hyunjin's Love and Leashes (part 2)

The Offering

fem*Reader x Hyunjin

*WARNING*

contains: mentions of sexual content, and BDSM references, this is going to be a lot of parts and little parts to it (there is a cliffhanger at the end)

Also note: This story is HEAVLY influenced by the Netflix movie Love and Leashes. This is just "my" version of it, you could say. I am writing to write and I recommend you watch Love and Leashes. *** This is not an original idea, this IS INSPIRED BY A MOVIE/ANIME**

WC: 1.6k Part 1

You’ve done some research since your last encounter. Gathering as much information on dom and sub relationships. You’ve learned so much within these last few days. For example, it's common for a dom to gift an item to the sub to indicate a sort of “possession” over the sub. 

This leads you to get an idea. 

You walk into Hyunjin’s office, a place all too familiar to you. You walk in with confidence with a silver case in hand. He’s at his desk, typing away at his computer, focused intently on something. 

However, the second you walk in, his attention is placed on you. You walk in with ease, seemingly unaffected, but internally, your nerves are skyrocketing. Your black pin skirt rides up slightly as you sit in the chair directly across his desk. Your legs cross, your face is neutral, and the silver case rests calmly in your lap, along with a slim piece of paper. 

“Hello, Ms.L/N. How can I help you?” his tone is teasing, and the smirk that plays on his lips is evident.

“Hello” 

You can play this in two ways. The first way is to play this like any other business deal. Hand him the contract, make sure he understands what he’s signing, and carry on with what the contract entails. Or, the other way you can go about this since this isn’t any other ordinary business interaction, you can make this interesting. 

“What I have in my hand here,” you lift the paper out of your lap, “is our contract. This holds all the rules and limits I’m willing to go. If you don’t agree with something on this list, I want you to cross it out. And then, after you’ve read through it, sign it, and I will give you these.” You lift the silver case with your other hand. “I’ll tell you what these are once you’ve read and signed the contract.” 

You lean forward to place the paper on Hyunjin’s desk. Without hesitation, he slides the paper in his direction and reaches for a pen. “I want you to read it, Hyunjin.” his eyes widen at the sound of his name. “Thoroughly”

“I trust you” is all he says. 

You feel a strange warmth when you hear his words, but he needs to understand all this. “Hyunjin,” you say with a demanding tone, “read it.” 

You can see his whole body go timid. He’s enjoying this, and you can clearly tell. His cheeks turn a delightful shade of pink, and he clears his throat. 

The contract 

Made this day _11/14_ of 2024 (the commencement date) Between  “Party A” ___ And  “Party B” ___ The Parties agree as follows. COMMENCEMENT AND TERM:

The parties enter into this contract on the commencement date fully aware of its nature and undertake to abide by its conditions.  This contract shall be effective for a period of 4 months

“4 months?” he lifts his head from the contact to you. 

“I thought that was a reasonable amount of time” you bash your lashes. 

He nods his head silently. Thoughts threaten to speak, but he holds them in. He continues to read.  

SUBJECT TO: “safewords” The party(ies) recognize that one of the parties may make demands of the other party that may push their personal, emotional, spiritual, and physical boundaries. In such circumstances related to this, one party may make use of one or both of the “safewords” provided.  “Yellow” will be used to attract the attention of the party close to her/his limit of endurance.  “Red” will be used to bring to the attention of the other party that the first party cannot tolerate any further demand. When the word is said, the first-party actions will cease completely with immediate effect.  “Green” will be used to indicate to the other party that all is well and to continue. 

“So you want to use the traffic light system?” he says over the contract. 

“Would you rather we use something different?” you interject. 

He shakes his head and loosens the collar of his shirt. A different kind of buzz strikes through you, and you notice how he’s being affected by just reading the contract alone under your fierce gaze. 

“Keep reading,” you nod.

PERSONAL LIMITS Please check off your limits.  ACTIVITIES:  I will engage in all of the following acts involving: Does party A consent to: Pain: this includes spanking, knife play, slapping, and, but is not limited to, genital pain.  Wax play Marking: this includes hickies, bruises, and, but is not limited to, red imprints.  Intercourse  Breath control Use of toys includes, but is not limited to; vibrators, dildoes, stimulating creams, blindfolds, gags, handcuffs, and bondage tape.  Breast/nipple play Roleplay Masturbation

Once he’s finished reading off from the list he looks up to you. “Intercourse?” he questions. 

Your heart skips a full beat. “I just found a random list online.” your confidence wavers for a second, not knowing exactly what his boundaries are. You can play without sex, but do you want that? You can’t lie; the idea of sex with Hyunjin excites you; it makes your body tingle in ways you're just now discovering, so when he smirks at you and checks the box indicating he’s okay with it, you can’t help but squeeze your thighs together. 

He looks over the list again and checks each box. You're not sure if he’s truly okay with anything or if he’s just okay with you doing anything to him. Either way, he signs each one. It's supposed to be all you need, but something inside you nags at you. 

CONCLUSION  We, the undersigned, have read and understood fully the procedures of this contract. We freely accept its terms and have acknowledged this by our signatures.  Party A __ Party B __Y/N L/N __

He gazes at you, a flicker of hesitation in his eyes, before shifting his attention back to the contract laid out before him. With a steady hand, he signs his name, the pen gliding smoothly across the paper. Just like that, the culmination of all your anticipation and meticulous research comes down to this singular act. The air is thick with unspoken tension as he lifts his gaze back to you, his eyes now full of expectation, waiting for your next words to break the silence.

You clear your throat and set the silver case on his desk. While placing the case on his desk, you grab the contact from him and set it in your lap. Hyunjin approaches the ornate case, his heart fluttering with excitement as if it were a treasure chest filled with secrets waiting to be uncovered. With a gentle touch, he unclasps the lid, the soft click echoing in the quiet room. As the case opens, he is greeted by an exquisite pair of steel silver glasses, glinting like polished jewels beneath the warm glow of the overhead light. 

He delicately lifts them from their plush velvet resting place, his fingers sliding over the cool, smooth surface of the frames. The glasses catch the light beautifully, casting shimmering reflections that dance along the walls. 

With a slight furrow in his brow and a playful glint in his eyes, he holds them up, turning them this way and that, savoring the craftsmanship. “Is this some sort of inside joke?” he asks, his voice tinged with mischief. “Could it possibly be a nod to that unforgettable closet incident?” His mind races back to the amusing memory, and a smile creeps onto his lips as he considers the possibility.

You giggle and say, “Not exactly. You will wear these glasses whenever you feel the need to be dominated. If you need me at any time, just touch the glasses and look at me. This will be a signal to me that you want to be controlled.”

His smile widens. His body buzzes with excitement, and he immediately puts them on. They look perfect on him; the framed glasses complement his features perfectly. It makes your breathing grow heavy, and a subtle slickness gathers at your core. 

Hesitantly he brings his fingers and touches the corners lightly, already testing your reactions. 

You smile at his boldness and cross your legs. You lean back on the chair letting your body stretch, and cockily you beckon him to your side with your finger. 

He stands up from his chair, his chair pushing back, and he walks around his desk to the side of where you're sitting. You look up at him, keeping your composure, and dart your eyes down to the floor, he follows carefully, lowering his knees to the floor. He keeps his eyes on you, watching every move you make. 

You have two options: You could have some fun with him, knowing he’d do just about anything in this position….or you could torture him a little and make him wait. Wait for what exactly, you don’t know, but that's part of the fun, too. 

You lean in closer, the warmth of your breath grazing his skin. He feels the tension ripple through his entire body at your proximity. “I’ll email you the details for your first play,” you whisper softly into his ear, your voice low and inviting. As you pull away, you catch a glimpse of his expression—a mix of surprise and a hint of a smile playing at the corners of his lips. You rise from your chair gracefully, leaving him in a moment of delightful confusion, still feeling the lingering sensation of your closeness as you walk away.

“Will it be soon?” he calls to you before you walk out his door. You turn back to him and notice he’s still in the same spot you left him. 

“I’ll keep you posted pretty boy” 

“Is that my nickname now? And how are you going to email me, when you don’t know my email?” 

You smirk, “I have my ways. Don’t reply late pretty boy”

******

a/n: I have no idea where I'm going with this series, I know its gonna be a lot of parts and A LOT OF build up.....let me know if yall like where its going.

[katerinaaqu]

I have again to repeat is all a matter of organization. And a musical 3 hours long is not THAT unusual. And I will say it again if someone wanted accuracy they would do it. Accuracy doesn't necessarily mean he would show every single stop or with the same length either. Like I said he basically changed THE most iconic parts and that was conscious choice. He could have the same amount of songs as he has now and be lore accurate.

"It is impossible within the realm or modern musidals and their structures" and who said you need to have the same structure forever? Also again you absolutely CAN be accurate. Phantom of the Opera is not different than the book to THIS level. Again he absolutely COULD be lore-accurate like he was in the first two sagas. What he did has nothing to do with whether the musical would be not "modern musical style" he clearly does things because he can. And from my years of music and such plays have last longer and shorter as well. Again I am not comparing movies to stage BUT you can still have the plot as it is. What he changed could be avoided or are you telling me ye made Odysseus kill the sirens was more "musical possible" than have him tied up on a mast and singing verses with an invisible performer!?

Actually yes it does because HE DOESN'T FOLLOW the Odyssey like not at all. EPIC absolutely ISN'T an adaptation of the Odyssey at this point. Again you can read it if you want and many people read it and disagree with me but still I am standing up at my position. If you follow nothing of the plot you ellegwdly adapt but you keep the names you just make an original story with characters that wear the costume of a popular character. You are NOT making adaptation. You reading it and disagreeing with me doesn't disprove me. Like scientists fight for decades over one passage of books and all read the same passage. You having reading it and seeing EPIC as adaptation little does it disprove me. It only shows that your ideas of adaptation and mine are different

I never said they are unfair. They just insist that I am supposed to like them because they did. The same way you insist now on your opinion on how I absolutely must believe that is impossible to be lore accurate (it is not. Never said it is needed to be word for word accurate but it absolutely CAN be lore accurate) and that it is adaptation (it is not imo). The way you insist now they did then because that was their opinion. And they express it like you do like I do. I just mean that it has become so standard that something popular being loved that seems incomprehensible that someone cannot like it or if someone likes both this and the original material alike they wonder how come and someone else doesn't.

And I am not attacking you. I am explaining how many times people like me who love the originals have been belittled by fans of these so-called adaptations and that the OG material often receive much more backlash for their opinion. No they are not like I said I believe it is the original material supporters that are treated unfairly. Not the fans especially here on the internet.

Allow me to disagree one more time. Like I said above I am not saying one can make a musical or an opera or something with ALL the moments of the Odyssey but what he did there has nothing to do with length or modern musical construction it has to do with the plot he decided upon. I refuse to believe that as I said before him making charibdis happen AFTER the island of Ogygia had anything to do with that. He could place it accurately in the story. He could not include the final 600 strikes atrocity of a plot which never happened in the first place an add a scene accurate etc. He would have the exact same amount of lyrics the same amount of scenes. But he would respect more on the plot and again the first two sagas proved that he can. The first two were perfect. The changes he made didn't need to exist there and he could still have the same amount of songs.

"Nothing you say is new to me" wow... 😆😆😆like okay you know what I am going to say. It is good that you add your opinions and we discuss them but do not expect me to change my mind on this one. I did watch musicals before myself. True I am a musician but not a play writer. But again he wouldn't need to make the changes he did. He said so himself that he writes "video game plot" so many of the songs could have been different. He chose not to. Also he constantly deflected more and more from the material. That too wasn't "modern musical writing" it was his personal choice. So again I am also explaining myself here. It would be "modern musical writing" if he chose to change one or two things to fit his narrative. He was deflecting MORE AND MORE from the material which is again a choice. Hamilton is not historically accurate 100% either but what Jorge did let's say with Circe is the equivalent of someone not have Hamilton sleep with Mariah like it was written in history. Having him have that ridiculous jet pack at the 600 strikes is the equivalent of someone have Hamilton survive his final duel. It is THAT iconic and important to the plot and changing it has nothing to do with modern writing but rather his personal choice.

I am not going to disagree with you on the way of writing or the general pace and all. You are the expert on that matter. But plot-wise again there are a million things that could have been done imo that didn't even need drastic change of the songs (like I said Other Ways could easily be kept the same and just be a song for their intercourse. No drastic change there but that). Like I said one or two changes let's say Polyphemus were not only expected but as you said could be seen as necessary but one or two. What he did is clearly a personal choice. As I said what he did to the Odyssey plot would be Hamilton changing MOST KEY PARTS of history let's say his affair and Raynolds Panflect and keep going derailing and derailing till Hamilton survives his final duel and "he becomes the monster". This is literally THAT iconic moments he changed. But is indeed very good that you add your insight on the matter in writing method for instance

You realize that a fandom has gone off the rails or that it has REALLY taken over when you see "Epic the Musical" tagged under images of Achilles and Patroclus! Like...how are two characters who were both dead by the taking of Troy, yet alone by Odyssey who do not appear not even as a mention for the Underworld as they were in the Odyssey, relatable to this?!

Sorry! XD

[000marie198]

New favorite movie unlocked

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[sallymew4]

EVERYONE STOP WHAT YOURE DOING RIGHT FUCKING NOW

EVERYBODY SHUT UP IMMEDIATELY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[uncanny-tranny]

If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀

[ducktracy]

I can’t BELIEVE they’ve gone back to Porky living in a normal house and Daffy living in his bathtub. I have held “Porky & Daffy” in my heart for all these years as an ideal of portrayal. This is the happiest day of my life

SO NICE I'M POSTING THIS TWICE FOR CONTEXT just because i want to look at it again. ughhhhhhh the little bird on Porky's bedpost one of the photos released also has another, DIFFERENT little bird. if he's like Snow White or something i will cry. just don't let him around any dogs because he'll drop them from staircases or encourage them to jump off bridges

I MEANT TO ANSWER THIS WAY EARLIER, BUT IT WORKS OUT BECAUSE LOOK AT WHAT THE WARNER DEUTSCHLAND CHANNEL JUST POSTED TODAY:

I'M SO HAPPY TOOOOOOOOOOOOOOOOO UGHGHGHGGHHG!!!! IT IS SUCH A GOOD PORTRAYAL ISN'T IT.. when LTC first came out i was very confident the opening to Firehouse Frenzy was a reference as well

I'M. SO. EXCITED. i know this needs to speculation like yeah no DUH. BUT AHHHHHHH. UGHHHHH I CAN'T WAIT TO SEE. i'm so excited to see what other homages to other shorts are in store. I'M SO EXCITED I CAN'T ARTICULATE MYSELF. i was gonna have some big eloquent explanation about how much i love Porky & Daffy (the characters too) but my words are stopping short because i literally cannot focus because i am just SHROUDED WITH EXCITEMENTTTTTT CAN YOU BELIEVE THIS IS HAPPENING!

since i am in a CARTOON SHARING MOOD, here is the opening to Porky & Daffy for those who have never seen it because i have no idea when else i would post the entire opening. it's so endearing!!! look at the shaky camera truck-in and dissolve to the house... back when they were still struggling with how to do diagonal camera pans and double exposure effects.. :'))) i miss reviewing this era of cartoons profusely

i have a deep fondness for stuff like the shot of Porky grabbing the paper, Clampett seemed to have a similar fondness of starting shorts out of this era with close shots like that (Porky's Party opens on a very synonymous shot of Porky lighting the candles on the cake). Bobe Cannon's animation of Porky is adorable. some really smooth and hypnotic Chuck Jones animation of Daffy boxing with the pillows (in Chuck's last short working for Clampett!). this entire exchange is adorable. i am so excited for anything that even entertains the idea of modeling itself after this. i'm so excited.

[deltaruiner]

walpurgis no kaiten is going to emotionally devestate me and il never recover i will never love any art after it again

[herefortheships]

It happened. I have listened to the entirety of MacArthur Park. All seven and a half minutes of it, and even repeated certain parts. A song I would have never looked up on my own, all because of this hopeless romantic, moldy old poltergeist and his gorgeous middle-aged goth babe. 💚💜💚💜

[boxwinebaddie]

so i have...a deranged style concept:

quick to anger ( and even faster on the track ;) xx ), snotty, haughty, 'in your dreams, in my beams', 'if you're hungry, you can eat my dust', need4speed demon and world famous nas-t boi nascar racecar driver kyle broflovski ( think lightning mcqueen but meaner and greener )

ft. a super cute, awkward, down to earth, ( under the hood, ig ) armed and dangerous ( but only with his stanley drill, dorky yellow safety goggles and that million killawatt smile <3 ) lead pit crew mechanic stan from small town hick nowhere and his heart on his tattoo sleeve,

re: this picture on my pinterest that cured me of all illness.

( i have a lot to say about this, but i decided to be normal and wait until someone asks me about it before banshee-screaming at y'all )

[covenofthearticulate]

Got a very special Vampire Wall Update for y'all!! I'm so excited to have @killer-laurent's brilliant art, based on my fic Out, Damned Spot

My heart is so full of love for all my fandom friends that made this happen— my fellow Louis stan @wicked-felina, who commissioned Laurent, and my love @monstersinthecosmos who gifted me this super shiny metal print that literally pops off the wall.

I feel so honored to have 3 different fan arts from 3 incredible artists on my wall, but this one especially makes me happy dance every time I look at it because I've never had anything made based on my writing so it just feels like such an act of love from all of my favorite people.

ahjsdgbksdahcf okay that's enough sap for now but anyway happy new year and thank you so so so so much to Kacy for this glorious addition to my Vampire Wall :)

[samarecharm]

If i start posting dc stuff on here, it means i lost the fight w myself. The demons won. Im sorry