#but i hope this somewhat helps you

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[theswedishpajas]

Inspo from this random short I stumbled into on youtube today

[canisalbus]

Currently suffering an ear infection and all I can think is how you said Vasco is prone to them. Does he get miserable and exhausted from the pain or is he more the type to get short tempered and cranky?

.

[divorcedwife]

Please do you have any art tutorials, especially on colouring, or brushes I can buy?

i never think to take screenshots during my process so it would be easier to explain, but i do it like this : i sketch in a colored pencil, change it to black when i consider it done enough to start adding colors, and then i choose the dominant tones of the drawing. if i want the background to be colorful, i choose it now! if you choose all your colors against a white background but change it last second, it will change the balance completely. by choosing dominant tones, i mean picking either one color or two colors that contrast, and fill the whole sketch with these tones. for example, if im drawing a princess on a white background and i want the tones to be warm, i might fill her whole form with the same red. then i start picking her skin tone so that it matches that warm red, and it might end up being a tone that would look much too saturated and red on another drawing. but here, it looks harmonious. and if i started from a green base, i'd end up with a very different color. see here : a blonde lady wearing a blue dress, but starting from red & green

it's the same way when i paint with real paint ; i don't mix from scratch, i often reuse my mixes and change them just barely to get to the color i want. so if i paint orange flowers, i will add blue to that mix until it's green enough, and it's a nicer color that will match my orange flowers nicely, way more than if i started from scratch every single time

it's also largely a matter of practicing and training your eye to palettes you like, as unhelpeful as that is. i'd recommend looking at the palettes of artists and art you like, seeing how it's balanced, maybe color picking it for practice and see how that helps you think in colors

for brushes ; i do have a couple special brushes, i mostly use procreate defaults (6b pencil my most beloved) but i do have some from this pack (i think it's the right one?), i use sketchy sarmento all the time and it's really nice

[pleasedontcareaboutme]

Happiest Birthday to the coolest drummer, Yagami Toll - the dedicated man who never put his hair down ahaha.

Not only is he a great drummer, but as the oldest member - who probably had to take up on the role of a parent many times - he is a very admirable human. The big brother of the band and the fans.🤍

Despite struggles and hardships, he always had a smile on his face. I hope he keeps rocking on and laughing for another 62 years!!! 🙏

I truly wish his birthday is the best it can be despite the circumstances, and I hope him and the rest of the members throw a huge party 🤍🤍🤍

Love love Aniii please keep being you and keep making music🤍🤍🤍🤍🤍

[dimonds456-art]

Maladaptive daydreaming.

[general-cyno]

Hey hey have you ever thought about how zoro breaks his body again and again for Luffy gaining scar after scar loosing eyes and shit trying to keep up with Luffy and his devil fruit and sanji with his genetically modified body. Do you think zoro wonders what will be the thing that tips him over the edge into death??? Do you think Luffy does???

well hello to you too, anon! sorry that it took me a while to answer but I love this and ended up typing a lot. so, I also apologize in advance for the long-ish read.

but yeah! actually I was sort of thinking about it thanks to some twts I saw discussing thriller bark again. I gotta say, perhaps I have a bit of a less angsty view? because the thing is... zoro's a pretty straightforward and single-minded character, which doesn't mean he's flat or lacking in depth, but his overall thought process isn't extremely complex.

though zoro treasures his life (just like his swords, both which he needs to achieve his goals), he's not naive. he knows death is a real possibility, more so in the pursuit of his dream. zoro says as much to sanji back in baratie:

zoro doesn't seek death, the opposite actually, and he refuses to die in situations he finds dishonorable or out of his control, but he's come to terms with the idea of his own death. aside from that (or additionally), zoro's most prominent traits are rooted in his deep sense of commitment, devotion and loyalty to what he wants and believes in - namely his dream and his promise to kuina. this aspect of his character doesn't change imo, rather it broadens to encompass luffy and the crew as well.

all this to say that albeit I've called it a sacrifice myself, I don't think what zoro chooses to do for luffy or the crew would count (for him) as such. it's just what he believes he must do - to achieve his personal goals as much as to ensure luffy gets to fulfill his own and to protect the crew as a whole, because they've all become intertwined with zoro's dream to begin with. especially where it concerns luffy. what good is ambition if I can't even save the life of my own captain? indeed, for someone whose end goal is to become the strongest, what's the point of doing so if his strength doesn't allow him to protect those who are important to him? the person who is most important to him?

so when zoro chooses to keep pushing himself to train harder/become stronger, to do the exchange with kuma, beg mihawk to train him or agrees to do crazy stuff like take the drug that will help him recuperate enough to fight but will worsen his injuries/pain tenfold the moment the effect wears off in wano - they're not sources of regret or decisions he sees as tragic sacrifices. he's quite like luffy too, who's made similar choices along the story.

the angst of moments like "nothing happened" for me lies more on the implications of what could've happened (zoro dying for real), what eventually did (almost getting killed in sabaody, the crew's separation) and what luffy's reaction would've been if he'd found out. I do agree luffy would ultimately respect his decision, what I don't usually agree with is that he'd be immediately okay with it. the last thing luffy wants is to lose someone he loves, less so if they get hurt trying to protect him. points at his backstory, marineford and post marineford. this is exactly why sanji insists on not letting him know.

on the other hand, imo, zoro's not trying to keep up with luffy per se... how I see it, it's more like meeting him halfway. when you're faced with how powerful luffy's become nowadays, it's easy to forget he's not infallible. luffy has weaknesses and shortcomings too. post TS zoro is even more aware of both of their limitations (he's the one who's literally experienced luffy's pain as if it were his own) though he's also become more confident in their strength and the crew's as well. zoro will do his best to stand by luffy's side and protect him/their crew, but luffy has to measure up! zoro has no qualms about reminding and demanding him to get his shit together. zoro might not reach luffy's levels of raw strength (and I'd argue he doesn't need to), still, there's other ways in which he makes up for what luffy lacks or can't do in certain circumstances. so if you ask me, it's not about keeping up - it's meeting each other in the middle and striding forward together.

as for sanji, a similar thing applies. for all their petty rivalry and their roles as crew combatants, it's important to remember sanji's more of a nurturer (he is the cook, after all) and his dream of the all blue has little to do with strength, unlike zoro's. his genetic modifications don't really become an issue (for the crew) until wano and if anything, rather than this setting him above zoro in terms of power/abilities or turning into something zoro has to catch up with, sanji relies on zoro to keep him in line if he ever endangers the crew because of it.

all in all, I don't think zoro's the type to wonder what's gonna make him kick the bucket, though he knows dying is a realistic possibility. plus, he's not the only relatively Normal Guy who's ever become crazy strong among DF users and other enhanced characters. rayleigh is a very good point of reference as to what zoro is capable of becoming or achieving, and it's no coincidence they share a bunch of a similarities too.

AND FINALLY LUFFY. I rambled about this in the tags of a post a while back but luffy is a bit of a more complicated case imo. the manga doesn't exactly provide insight on luffy's inner thoughts/feelings (he voices most of them anyway) and though he's not naive in this aspect either, especially not post TS, the story rarely lets him witness situations in which zoro's vulnerable or in real danger of dying. this leads to him sometimes coming across as insensitive or being unfair (by having almost unrealistic expectations wrt zoro) but part of it is that he sees zoro bouncing back from the seemingly impossible more often than he sees him down.

however, the way he loses his goddamn mind when mihawk hurts zoro at baratie, when kizaru almost kills him and as kuma sends him away in sabaody, is a very good indicator of how he handles the idea of losing zoro which is - not well. at all. OPLA also gave us a more blatant example of this with the near dissociation, panic, losing his appetite and actively refusing to eat etc when zoro's wounded and unconscious after his duel with mihawk.

whether he thinks about zoro dying or not is probably more headcanon/fanfic territory, since it hasn't come up in the manga itself. even so, I do believe luffy's the type who... deliberately does Not ponder about sad or potentially upsetting things. one very brief moment that stood out to me while reading was this:

luffy not wanting to remember when garp left him on his own as a kid and straight up getting mushroom-high after being separated from his friends? man.

despite his cheerfulness and confidence, luffy is at his innermost terrified of losing the people he loves and hates the idea of being alone, ever since he was a kid. he begged ace not to die, has fought time and time again to rescue his friends and bring back those who've left. zoro's not just his first crew mate but he's also been the most long lasting and steady throughout the story. as some people have pointed out - zoro is the only one of the east blue gang who's never left the crew, even if the rest all had very understandable reasons for doing it each time. so on a more speculative note, after all the losses luffy's suffered, I'd say wondering when or how zoro will die is something he'd very much avoid. the thought's likely pretty devastating. instead, it's easier to put his entire trust and faith into believing zoro will pull through anything, like luffy says in dressrosa, and zoro would accept no less than that imo - because that's the kind of trust/faith he places in luffy as well.

lastly, about the scars and such... this is where zoro and luffy's similarities are highlighted. when it comes to all the choices they make wrt their dreams or protecting their friends, those luffy understands well. he's pretty much the same as zoro in this regard. that's why he refuses to let buggy interrupt zoro's fight with cabaji and stops johnny and yosaku from interfering in his duel against mihawk, even if seeing zoro get hurt upsets him greatly. zoro and luffy match in many ways, their dreams and determination to fulfill them is one of them, no matter what they have to do or how many scars they collect along their journey as a result.

[aitsuheart]

I wish to find platonic Riku and Kairi content because they interact so little but the moments they have together are so nice

Even though their friendship is not as close as the other friendships they have, you still can tell they care for each other.

It's just not as close or the destiny trio seems to be more two sided than a trio.

I do believe that the games might be trying to say friendships change and involve which might have to do with Kairi not being as close to Sora and Riku, but that doesn't mean they can't still be friends?

It also could mean she gets more friends too.

[trinitywc]

big fan of the great light!!! do you have any advice for story structure/finding the balance between slow and fast pacing?

so long answer, as usual

I start off by thinking of the Main Points I want to write about, and then fill out from there with Secondary Points. For example, TGL: Main Points (this isn't 100% accurate to the book just a rough example) - WoodClan and CreekClan go to war; a nuclear bomb is dropped - The cats are split up, but find each other by a badger sett - Radiation sickness sets in while trying to find their friends - The cats decide to leave to find their Clan Is the basic plotline, and then i fill it out with moments I want, I'm calling these 'Secondary Points', these are what needs to happen to allow the 4 Main Points above ie for the First point to happen, the Clan needs to be introduced and the setting developed so; - introduce Pinepaw and those closest to her, her mentor, her sister, - introduce the war between the Clans - give Pinefrost a motive to hate WoodClan (her mother's death) and reject her pacifist wishes - hint at the human war with various planes, barbed wire, and soldier mentions So I made a timeline of Apprenticeship > Warrior > Bomb, adding scenes that served a purpose (Secondary Points) and those I deem necessary; introducing a character like Blackwillow as mysterious but distant from his Clan by having him appear on the riverbank, showing Chestnutspike and Ouzelheart's relationship, showing CreekClan's buildup to war and training, showing Pinefrost as a rash, impulsive, but curious, young cat by introducing her as runnign away from her duties to explore the forest (with her friend who wants to impress her). "Necessary" scenes in WaCa fic are stuff like 'this is the medicine cat' 'this is her warrior ceremony' 'this is Clan life and hunting and patrolling', so mileage will vary on your story. When it comes to "fast vs slow" pacing, I'm not sure. I think by starting with the Big Points and whittling down, you can keep the story going- and Story also includes character moments - the "break" in TEW where the cats are in the House also explores the ruined city and affects of the bomb, gives Cuckoopaw and Rutherford some character moments (ie training sessions), not everything is nuclear war 100% of the time. Even if characters are doing something "slow" like walking, or routine hunting, something can happen- character motive reveals, backstory, or just some joking to build relationships, a nice 'break' from the fast 'something happening all the time'. I like to think back to first arc warriors were something happened every chapter (Dangerous Path - Tigerstar is revealed as ShadowClan leader, then Whitestorm reports smelling dogs, then Fireheart bumps into Greystripe in RiverClan, then Cinderheart gets 'pack pack kill kill', then Fireheart observes Snowkit acting weird, then Bluestar refuses to make new warriors, all in the first five chapters; all these are tied up by the end; vs the newer books were to me, it feels like a whole lot of nothing happens in between each chapter)

Later, I'll end up going back and adding things once I know how the rough outline goes- ie once Flaxstripe ran away from the Clan, I went and added some scenes of him being selfish and self-serving- I think it's best to get the skeleton and then paper mache on the meat of the story. 'Slow' pacing is where nothing happens (ala Stevie King where he drones on and on about advertising or some 'scary' childhood story with no relevance to the plot), as long as you are providing some information- be it plot, character beats, 'a nice break', or some fun. Eg, if a character is walking home, that's not very interesting just describing the path home, think of why you're describing it- are you setting up their home route or have we been here before and could skip it with a brief 'and she went home' mention? Is she daydreaming about the awkward goodbye she just had, or her plans for tomorrow, or marveling over the simple beauty of her walk home?

It depends on what you are going for, but if you start small and go big, it works itself out

[gallusgalluss]

hii!! i was wondering, when you draw how do you get that splotchy-like effect in your coloring? i hope you know what im talking about, i cant really use an image bc im on anon ^^' but id really like to know!

if ur asking about what brush I use to make my coloring look like that, then I've already answered it here

If you're talking about what I do to make my colors like that, I used clip studio paint's "Color Jitter" feature, where the hue/sat/lum of a brush slightly changes each brushstroke. I'm not sure if other art programs has something similar to this, so sorry if yours doesn't have it.

I enjoy using this because it gives my art a more painty look

I've also recorded a quick timelapse of my coloring process, if that's more helpful :V it's a bit messy but helps gets the point across

mild flashing warning for the last 2 seconds, it's very short and nothing too bad but just letting y'all know

[lord-squiggletits]

Speaking of Tyrest. A lot of people forget that he treated Pharma with absolute disdain, not only using him as a test subject for a clearly painful mass murder machine, but talking to Pharma like he saw him as nothing but some henchman to order around that was nothing more than a 'diseased cripple' if Tyrest hadn't come to rescue him.

Like it really is an interesting background dynamic with some curious implications, but when you look at fandom posts from around that issue/the years after, for some reason people just saw "Pharma worked with Tyrest" and concluded Pharma is a card carrying bigot ksjfnskxkd. Like yeah Pharma didn't do anything to stop Tyrest but it seems his main beef with the Autobots was with Ratchet in particular and maybe a general disdain for his ex-comrades. As well as continuing to hate Decepticons which like, not even the "good Autobots" are immune to (even in Pharma's introduction, First Aid says in his journal something like "yeah we all hate Decepticons, but Pharma REALLY hates them"). And despite what fandom likes to construe there's really no evidence in IDW1 that Autobots and Decepticons are different "races" or "types" of Cybertronians, so Pharma hating Decepticons really isn't a bigotry/robot racism thing. And instead probably has something to do with, idk, the 4 million year long galaxy-spanning blood feud war, or maybe being blackmailed and tortured into insanity by the Biggest and Most Decepticon-y of Decepticons.

Tyrest treated Pharma like trash, the other Decepticons working for Tyrest (how come no one ever brings that up btw) also hated him, so if anything it seems that Pharma was more of a rogue element only staying with Tyrest bc he was his best option and probably had no way to even escape.

I'm glad that at least in recent years the fandom has acquired a keen reading eye and good taste to finally recognize Pharma as the (accidentally) complex character he is instead of making him some posh, racist Starscream clone SHSJDGSGDH

[transyurikatsuki]

AO3 FANFIC TRACKER- AUTO POPULATES

Hello! Have you ever wanted to make a spreadsheet to keep track of the AO3 fanfic you read but it takes too long to enter all that information manually for every single fic? Well boy do I have the link for you!!!

It is not perfect. There are things it can't handle (like when there is more than one relationship tag it will spill) and things it outright cannot do (pull data from locked fics). HOWEVER. A lot of the time, all you have to do is copy and paste a row, insert the URL to the fic you just read, and boom. It will auto populate the title, author, word count, relationship pairing, content rating, and # of kudos.

For the past 4 years I have imported all this data (and more) manually into my personal spreadsheet. There are spreadsheets out there that do this, probably more efficiently and simply. Well mine is free, unlike those, and therefore you get quirks.

Once you do this, you can then very quickly and easily do fun things like sum the # of words you have read, just to scare the shit out of yourself. its a good time.

anyway, it is view only right HERE -> fanfic spreadsheet

just make a copy, or copy what you want and leave what you don't. and have fun :3 in return for my work I'd love to see screenshots of how you use it!!

[angeart]

I have a question about these rambles you're working on. :x you said it edges spice... How spicy would you say they get? And is it mostly spicy stuff?

(I don't normally look at spicy stuff. :x Its not my personal cup of tea. But I'm sure others are gonna enjoy it!!!)

-🎀

hi!! that's a good and valid question.

the start is cute and kind of fun, and then it devolves, but the vibe is there throughout i'd say, from pretty early on?

i call them suggestive, because to me, they don't cross any sort of explicit line. they stay in their underwear, don't touch each other down there at all, and i cut out a lot of bits. it's mostly about them getting dazed and lost in instincts and drunk on each other.

and yes, these are mating instincts (and a bit of a prey/predator clash), and it reflects. the vibe is very much there. grian gets pinned down, and he absolutely wants to be there. there's kisses and bites and claws and they're definitely feeling the heat burning across their skin. a lot of it is about trust and being bewitched and also letting go of control.

so. somewhat spicy! but not too explicitly so? if that makes sense?

[redbean-nom]

watched the first 2 episodes of acolyte and so far i like every character except for the main one lol. (also is her name osha as in occupational safety and health administration??)

[faksyan]

In hindsight it's. not that surprising that my anxiety is really bad since I had the night hallucinations that make me see Creatures in my room since I was like four. For the longest time I was like ah yes part of it are the nightmares I had as a child and only now I'm realizing that oh yeah. probably the Creatures as well. that was a thing.

[jellyfish-grave]

More of my fucked up hatchling ocs. Hi. Watch as I change artstyles halfway through the day (YES I KNOW THE INK BLED THROUGH THE PAPER IM SO MAD. That's also why i edited in the text)